MAKING BADGES MAKING BADGES
LA LA LA~
I got my badge maker to work finally after a lot of tears and anger. My mother-in-law got it for me a year ago I think? Anyway it was a lot of user error haha.
I managed to make some pins of my TTCC artwork! They look fantastic in person.
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black sails created an 18th century legendary pirate captain who is canonically queer, ginger, depressed, repressed, polyamorous, murderous, morally gray, downright insane, thoughtful, contradictive, manipulative, funny, strong, idealistic, proto-feminist, utopian, kind, proto-anarchist, anti-colonization, controlling, obsessive, stoic, strategic, intelligent, quiet, delusional, traumatized, filled with uncontrollable rage, consumed by grief and shame, a literary nerd obsessed with greek mythology and classics, a proto-romantic in the philosophical sense - whose whole story is the prequel story of a character from a classic novel who was dead from the very beginning of said novel - and they expected us to be normal about all this and to get over all this and move on from all this?????????
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i am once AGAIN thinking about the scene in black sails where flint has just been forced by miranda to confront his overwhelming grief over losing thomas, which has been fueling his unholy rage for the past two seasons. flint is sitting there, having a flashback, drowning in the tragedy and injustice of his gay lover’s death… then vane bursts into the room like a roided-up kool-aid man and immediately tries to kill him. 10/10, flawless tonal whiplash, one of the funniest moments in the entire show.
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the thing about the black sails finale is that dead/alive is a false dichotomy, which is why there lingers this need to vote for a secret third thing. it has roots in the same false dichotomy of victim/perpetrator that silver cannot get himself out of, that eleanor cannot get herself out of, that silver tries to put madi into, that max understands and weaponizes, that vane crawls out of at his very end. the answer is that james escapes the narrative, or rather the narrative can no longer contain him. the question of james flint or james mcgraw is a false dichotomy that can no longer contain him. he becomes the secret third thing, or is becoming it, in season four. he is unmade because he is removed. as far as the story is concerned, he is dead, because the storyteller can no longer conceive of what he has become.
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Did you say at one point that Lance and Bandys types were someone who could kick their ass or was that a fever dream??
If I did say that about Bandy once upon a time, I don't think it's quite how I'd describe him nowadays after having fleshed out his character more while trying to chip away at the story as a whole haha --
Right on the money for Lance tho 💪
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In the shark hunting scene, it's beautifully subtle yet so starkly on display for us that Flint is the only one capable of committing real violence. It's Silver's idea, Silver hands him the harpoon, and certainly Silver is the one who holds onto the rope like his life depends on it. But Flint is the one who throws and spears the shark. Flint is the one who then knifes it dead.
Lest we forget that Flint's violence and Silver's scheming are the driving force of the narrative.
In case we didn't get the point made right beforehand when Silver failed as quartermaster to administer discipline over the stolen rations and Flint had to step in and do it for him, further straining his always tenuous captain-to-crew relations.
Before we delude ourselves into forgetting that Silver's aversion to real violence will inevitably put Flint directly into harm's way.
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