#in which case also yes
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Did you say at one point that Lance and Bandys types were someone who could kick their ass or was that a fever dream??
If I did say that about Bandy once upon a time, I don't think it's quite how I'd describe him nowadays after having fleshed out his character more while trying to chip away at the story as a whole haha --
Right on the money for Lance tho 💪
#daily dork#heartless#abd illustrates#Lance Lothaire#Bandy Bellamis#i think i may have said it about Lance and *Flint* iirc??#in which case also yes#Bandy Bellamis the clown that u are#sorry adding tags rq to say aaA i cant wait to be able to tell this story properly#one reason being Bandy as a character is SO fun to think about#and i hope folks will have a ton of fun with his characterisation some day
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to my IRL(s) who keeps sending me disco elysium memes despite the fact i haven't played it in months THIS IS BECAUSE OF YOU. HELP ME. If people have ideas on this AU feel free to have fun with it considering I. have only a few!
#zombiecleo#ethoslab#hermitcraft#scopophobia cw#hermitcraft AU#tag ramble time!#don't. worry about the text. yes it's trying to imply that etho can see us and break the fourth wall Don't Worry About It#this AU really was 'i wanna draw hermits in DE outfits who's pathetic and sad enough to b– yeah it's etho.'#'that makes cleo Kim then. I think they'd make it work' and that was it#in my heart it's also an AT so they're working a different case somewhere else in universe. mostly because i don't think them and-#-cuno/cunoesse should exist at the same time.. etho can have a drug addiction but cleo is NOT getting called a faggot /lh#Cleo getting written as 'just cleo' in text is kinda silly i enjoy it. hopefully that wasn't used in the actual game and i forgot about it#art out the oven#art wise this was really fun i locked myself in values jail but the colours turned out reasonable anyway which is always nice#yes cleo has gauges and an undercut <3#[scheduled]#EDIT: oh god. i have to add a tag for this AU#Disco Hermits AU
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I love the difficulty curve in the Phoenix Wright series so much.
The first mission is all:
"I didn't know it was the victim's birthday!" "If you didn't know it was her birthday, why did you have a cake and candles in your bag?" "They were for my birthday!" "*Gasp!* Strapping Lawyer Man! Check the court record!" " Thank you for your support, Charming Teenage Girl! You're so right! You have underestimated me, Evil Murderer Witness! Your birthday was in March and it is July!" "Nooo! My plan to frame Hapless Passerby is ruined by your remarkable powers of observation!" "Wow! Strapping Lawyer Man! You're so clever how did you work that out?"
Through to
"I dunno what to tell you, Charming Teenage Girl, the only contradiction I can find is that this image is moved one pixel to the left." "I mean, I think we should point it out anyway, Strapping Lawyer Man." "Objection! This image is ONE PIXEL TO THE LEFT!" "Hahaha! Strapping Lawyer Man! You have walked into my TRAP don't you know that proves my theory more than yours? It's such a shame you can't get wacky hijinks approved in court to disprove me." "...Y'know what, Strangely Kinky Prosecutor? I'm gonna get wacky hijinks approved in court."
#Yes I am replaying Ace Attorney again#why do you ask#Also it is throwing me that all the names are different in AAI 2#Like I know why they're different#But suddenly Raymond is Eddie and Sebastian is Eustace#And Courtney is Gavelle#And like they've made Sebastian less of a fumbling manipulated idiot#And more of just a straight jerk#which ruins his character a little imo#But I'm only up to case 4 so that may change in case 5#Ace Attorney#Miles Edgeworth#Phoenix Wright#Apollo Justice
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literally how could I ever be normal when Tango ended s8 alone- and likely dead- drifting in space, and then started s9 by building an Astral Library
how can I be normal about the guy who threw his life on the line for his friends coming back and barely speaking to them. the guy who knows the cold of the void now choosing to stay in ice and darkness with ghosts. How Could I Be Normal About This
#him bringing a horse was funny until you think about the fact that bdubs knew his plan enough to message him#which means. tango chose to go alone. in case he didn't make it. bc i kind of think he knew he wasnt coming back#field notes#footnotes#yes he also played aliens with a random grumbot but this is also happening in a cube game we're already taking a lot of liberties#Can Anyone Hear Me You Have To Understand-
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there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y
hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]
#ramble after realtags yeag. shoutout to serrangelic btw suggesting the silhouettes thing bc i would have Died otherwise#pizza tower#peppino spaghetti#fake peppino#gustavo and brick#arting#pizzaposting#so anyway i think fake peppino has like. a general awareness that he is supposed to Be Peppino and that he was Made to do that#and likewise he does generally try to...do that. the thing he does NOT realize is hes like really goddamn bad at it#not to be mean but like...c'mon. they are pretty distinctly different kinds of guys even beyond the physiology yknow.#he's neither on-brand nor fooling anyone dsjdsjjkgfsd. BUT!#since the rest of the cast generally likes him [at least as I play it] he thinks hes doing just fine#he's like 'oh they r happy with me so i must be getting a good grade in being peppino :)'#so getting told that 'yeah you actually really suck at that but that was never the reason people liked you'#and told that by og model peppino no less--yknow THE guy he's supposed to be living up to#who's already a bit intimidating for that and who ALSO totally wrecked him TWICE in the tower#making him acutely familiar with just how formidable the guy is and how much there IS to live up to....#it's a Moment for sure. not really a sad or hurt one though. just... contemplative.#thinking abt people liking him for being the guy he's already naturally been being even though that guy is Not Peppino#i don't think he's gonna be super broken up about realizing he has a bad grade in peppino given everything else hes got now#nor do i really think he cares enough to go like reinvent himself or whatever after the fact#he seems to b pretty clearly having fun with it already so i think he just keeps doing that#and in some cases he still has the pre-installed peppino traits/instincts like to cooka da pizza. and that's fine#is this projection. yes. but if youve been following me awhile you know most of my character writing is ghdhfdgf#gonna kinda expand on all this in the gerome one which is...one after next. itll be a bit but man.#anyway peppino will never admit to anyone and especially not himself that he's gotten a little attached to the guy. hee hoo#pep tends to be kinda surly but he certainly has his ways of showing he cares. all of which are on display here#''that thing is not my son'' says man currently watching thing's antics with the 'bemused dad' arms crossed pose. yeah ok buddy.#gus is totally onto him already but hes not gonna say anything.#if u read all this ur prize is not having to go decode fp's rot13. his lines are ''meant to be you...?'' and ''wrong question.''
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To new parents: maybe waiting on getting your child/ren's names tattooed on your body might be a good idea in many cases
Signed,
I'm trans now
#trans#transgender#lgbt#lgbtq#ftm#mtf#nonbinary#obviously this is not the same for memorial tattoos#my dad has a tattoo for me hence me saying 'im trans now'#i think in many cases if you get a baby/young child tattoo there are factors which might make it less... applicable in the future?#also like yes you CAN get a cover-up if you want or need to but that's an extra expense and healing time#once again: this post will NEVER be geared toward those getting memorial tattoos
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ep 43 had me tearing up in a fucking shopping centre ‼️‼️
b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3
#i dont know what i expected but i was waiting for a friend and too excited to wait until later#malevolent podcast#john doe#john doe malevolent#john malevolent#malevolent fanart#grimm art#ep 43#ep 43 left me with a lot of thoughts ... i didnt quite like how much of a recap it felt like at times but that might#be because ive been relistening and like yeah everyone knows that john 🙄 but that's not the case for everyone and with monthly uploads#things get forgotten easily#i find the discussion of “humanity” so interesting because John has shown that without someone that he has forcibly grown to value as an#equal... something he cannot do as the king of yellow as he is superior to all of his realm and presumably stays out of other elder god's#anyway. without that equality and enviroment to grow he fails to reach his goal of compassion and falls onto old ways.#John. The King in Yellow. shown by both times each has found themselves in human form do not just crave power and influence!!!#THEY CRAVE COMMUNITY!!! an endrich being not born or raised with nothing but power and ego#CRAVES COMMUNITY.#His goal of “humanity” is not a selfless goal like John projects - it is ultimately somewhat selfish as he does not want to be alone!!#which makes this desire so much more human#i don't know maybe this is just me spelling out whats already there but the way john and the witch argued about humanity frustrated me#it felt like they were missing the point or that perhaps the “good/evil” “black/white” retoric was already realised by me and john needed#realise it himself . which is fair !!!#i dont know!!!!#the witch was talking about how bad everyone was and how humanity is cruel and john was talking about Lily (#who also frustrates me how shes used in the plot somewhat she was literally just a nurse doing her job bro#) but to John - yes internally he is struggling with his moral greyness and im so proud of him for growing being himself SO PROUD#JUST.!!! he wants community. he needs community. he loves his friend. 'humanity' at its core does not matter as long as you try to be bette#and i think thats awesome and i really enjoyed the episode#guhh im rambling enjoy my tag rambling i dont know i want john to have more friends :(#yorrick can be another friend godd i love you yorrick so silly
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Yeah a teaser dropping on ST day would be cool. But can we agree that a DNA board reveal would be infinitely better?
#byler#stranger things#st5 predictions#st5 dna board#yes I know a dna board reveal doesn’t qualify as like major promo since most fans want something visual and real#and so it’s likely we’ll get a teaser regardless#which is great#but I’m just imagining the rest of the day being subpar in terms of stuff for us to actually analyze outside of the teaser#they released the s4 dna board during lockdown and a couple months before they even finished writing it#so s5’s board is definitely finalized by now#and it would cost them nothing…#well i mean technically it could cost them everything 😭#it’s just a matter of how on the nose they were about some of the titles it features#and if they’re willing to risk sharing that at this time when there’s still a year until release#i could see a decent amount of films on it being incriminating on so many different fronts#but I could also see some super random stuff in the mix that would distract people from reading into the incriminating stuff#it’s just something that could actually keep us busy analyzing for a while#a teaser would be everything we need rn#but the dna list is what I actually want 😭#i’ve been working on my own st5 dna board wishlist bc I’m so impatient for this#i’m gonna post it tomorrow#it’s time#and in the case they do reveal the dna board next week I want to have mine ready to see if there are any matches#i’ve also been working on my st5vision playlist for nearly 2 years now (jesus) and it’s time to share that too#soon!!
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people who’ve only seen hatchetfield: starkid has like practically no gay characters :/
the avp trilogy which has been sitting right there for probably most of their lives and is the foundation of everything:
plus these less explicit more headcanony (but like, BARELY) examples that i really think are worth mentioning as well, i have receipts don’t tempt me i will literally make an entire video about this stuff (and i might actually):
#i will literally fight you over lavender btw#i was tempted to put her in the first category#(i will fight you about ron as well)#also like…#girl nobody Has to watch everything but if they’re gonna make sweeping statements like this and act like authorities Yes they do actually#harry is fruity as hell idc what that incorrect subtitle of scarfy in avps says#(no seriously the subtitle is wrong he says METROSEXUAL i’ll die on this hill)#that man L O V E S zac efron#in fact basically all the men do#starkid#team starkid#avpm#avps#avpsy#avpt#avp trilogy#a very potter musical#a very potter sequel#a very potter senior year#a very potter trilogy#also seamus & dean are canonically polyamorous????#if 'being open to the idea of both dating ginny at the same time' counts#in which case. draco is also canonically polyamorous
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
--
Let's talk about Option A: Akemi.
As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
#blue eye samurai#mizu x taigen#mizu x akemi#mizu blue eye samurai#mizu x akemi x taigen#blue eye samurai meta#also if you ask me PERSONALLY. based on my own analysis which you can read above. personally i'm placing my bets on option b (mizutaigen)#and this is simply bcs i think mizu deserves nice things and that includes getting dicked down and pampered and worshipped#whoops who said that#also mizu deserves to live a life where she can hand taigen's ass to him on a daily basis. ykwim.#BUT i am def open to a change of opinion regarding the mizuakemi rship as the story progresses#i just dont want the writers to reduce akemi into nothing but a love interest for mizu#the only way i can see a happy mizuakemi endgame scenario is if blue eye samurai becomes purely an angsty romance story#in which case then yes i fully endorse the akemi ending <3#but that would probs require a whole genre overhaul? bcs currently the show is firstly an action-epic where the romance is just a subplot#but even tho i dont reeeeally want a mizuakemi endgame i still DEF want mizu & akemi to be romantically and/or sexually involved plsss <3#like they cant have that slow-mo shot between the two of them as their first encounter and NOT DO ANYTHING W IT!!!#also i want mizu to be at LEAST a little sapphic plsplspls#shut up haydar#meta dissertations.pdf#haydar's fandom posts#i wrote this whole thing while delirious and covid positive
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To the anon who just sent me a copy-paste "warning" about apparently terrible people in the OC community: Kindly fuck off. Take your blatant lies elsewhere.
And to anyone else: Be kind and be free. You can be as cringy as you want in my corner of the internet. You can make your OCs do terrible things. You can be as kinky as you like. I might not always get it but I support you.
#rambles#literally the worst that could happen to you here is that i just don't care#in which case you will never know#yes this also applies to problematic fandoms#because i cannot be bothered to keep up with what's problematic these days
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djdaily post :33
#homestuck#hs#dirk strider#dave strider#dirkjake#?#ill put dirkjake just in case#it mentions him which is good enough for me#jake english#galaxicart#galaxicsart#also someone on twitter asked that wasn’t jake in the beta timeline much older than dirk#that would be yes he was much older#and to that person i say… who gives a shit lol#bro is bare minimum in his 30s and gpa is however old he is#theyre adults and can do whatever they want lol#this wasn’t even supposed to be the beta timeline anyway lol#i just wanted to draw a lil baby dave
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teen wolf meme: [4/5] motifs -> bardo
All the stuff you guys were just saying? All that happens in Bardo. There are different progressive states where you can have hallucinations. Some you see, some you just hear. And you can be visited by peaceful or wrathful deities. [...] If there are different progressive states, then what's the last one? Death. You die.
#teen wolf#stiles stilinski#scott mccall#theo raeken#allison argent#kate argent#tara raeken#twedit#twgifs#mine#my gifs#twmeme#this motif can also be called that fuckass morgue drawer jeff is obsessed with#yes i know scott's nightmares in time of death while he's basically dead and theo's time in the skinwalker prison aren't actually said to b#in bardo in the show but to me the way the show portrays bardo as this inbetween state between life and death and the way kira describes it#it makes a lot of sense to me to interpret them as being instances of bardo within the show sue me#like reading tara and the mute as wrathful deities much like kate was for allison just fits for me soooo well#and also characters being in this in between stage is a motif in teen wolf you can't argue with that and the show called it bardo in 3b#so that's what i'm gonna call all the instances#also bardo is obviously closely tied to the resurrection motif especially in the case of scott stiles and allison in season 3#which is why i didn't include them being surrogate sacrifices for the resurrection one cause i felt like it might muddy the water too much#in terms of what i'm trying to convey with these gifsets but just know that i do see that scene as a death and resurrection#and then of course it involves being submerged in water and you all know how insane i get about that
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So I don't think this is actually the case but what if Eliza and Isaac's deaths werent over a petty amount of cash and a robbery gone wrong? What if, instead, Dutch had seen Arthur spending time with them, had perceived him slipping away as a threat: a threat to himself, his gang, his security, his family, afraid of losing his lead enforcer - whether he truly at that point did love him like a son, or not. And in his insecurity or fear or whatever other reason, he finds someone rotten, unrelated to the gang, and he pays them to murder Eliza and her little boy, so no one will ever tempt Arthur away from the flock, and he instead puts all his energy and time into the gang, the only family he has left.
#i am kombucha girl memeing over this and don't actually think this is the case but 👀👀👀 WHAT IF???!#the theory just popped up in my head#cause it's always seemed a little dodgy how and why they died - which is fair enough it's traumatic as hell and not something you want to#deeply delve into#but still WHAT. IF.#and yes i am clearly opposed to the head-injury dutch theory because that man was a narcissistic power hungry egomaniac long before then#anyway#i can actually see dutch doing something like this but there's no actual evidence for it so I'm just theorizing!#arthur morgan#dutch van der linde#rdr2#rdr2 eliza#isaac morgan#rdr#rdr2 spoilers#ish#my post#also I'm sure someone else has had this thought before and if it was true a writer might have confirmed it but I haven’t seen it and I'm#just having fun okay
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Myel's gender thought
(he/she for Myel)
#warrggg what to say#Myel didn't grow up with a very clear notion of what gender is#but for some reasons he didn't like the idea of being a girl#she asked if she could be a boy even if she was a boy and someone (who was rly important for Myel) told her yes#since that his gender is just like this ig#While he doesn't care that much about his gender or at least what word people use for it#she knows that something important for her is the idea of being loved by men as a man#so his gender and sexuality are very linked#also he would start caring about his gender if the people close to him would treat and see him as a girl which is not the case#so because she's overall happy about that she doesn't question it more#she's just chilling..#my art#oc art#digital art#oc artist#trans art#trans artwork#comic#comic art#Myel
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