#here's to keeping up the good work of faking it

[jewelsli]

Not that I don’t love when Bruce’s kids outperform him and give him heart attacks, but I think it’s funnier when the kids think they are better fighters/spies/infiltrators/etc. then him but he’s just so proud so he lets them think that they are.

I think that Babs would be a really good hacker, the best in the family, but Tim, who thinks that he is the next best(and is still scarily good) has no idea that Bruce only let him think that he broke his record of hacking into secret organizations.

Dick is amazing at acrobatics, and centers his fighting style around it much more. He even won gold in the Olympics for gymnastics! Bruce doesn’t want to tell him that he trained under several gymnasts, contortionists, even ballerinas!!! and has the acrobatic fighting style mastered, so he (within reason) let’s his kid win on most occasions, he doesn’t need to fake loosing on trapeze though(I am still giving the kids SOME things they are better at…)

Cass knows that nobody can lie to her, she can spot everyone’s tells and knows most people better then they know themselves. Bruce is, however, extremely paranoid and also has a kryptonian he works with regularly. He lies so well that he can convince himself he’s telling the truth(which is literally the point in case of advanced lie detectors), and so what if he lets some of his tells be more obvious around his baby, he’s so proud of her for picking up such small things! And while Bruce is AMAZING at reading people, he can’t beat Cass, it is however much closer matched then the others think.

Let’s be honest, Bruce is banned from the kitchen and isn’t good at cooking… or so everyone thinks. While he’s not as good as Alfred or even Jason he could whip up something Gordon Ramsey would be proud of if he actually tried to.

Damian in the best fighter with swords, this is undisputed. Bruce just hopes none of his kids find his crate of custom katanas in the attic, if they do then he’ll say they are for Damian.

Tim is an amazing investigator, so good in fact, that Bruce has trusted him on his hardest cases. Everyone assumes this is because Tim is a better detective then Bruce, but he just loves seeing how proud his kid gets when he gets a breakthrough.

Batman doesn’t kill, Red hood does, everyone in their right minds knows that’s a lie. Before Robin came along, leaders of drug operations or terrorists would disappear into the night, never to be seen again. The only people who don’t seem to know this are the Bats children themselves. Sometimes you can still hear a cut off scream in the dark before the news announces a missing person that everyone just knew was doing something horrible, criminals are more wary on nights that the Bats brood are in. And people running trafficking rings pray that it’s the Hood when a knock sounds, the bat doesn’t give those people the mercy of death.

All of the bat kids know more languages then Bruce, and they keep learning more to throw him off, for a family of detectives they really should have thought about the fact that Bruce traveled the entire world, he knows ancient languages and the words that world in other galaxies use, if he could speak Martian then he would have learned it by now, he still does know that part that he’s able to learn.

Idk I just need more of Bruce being skilled at SO many things while his kids are like “oh yeah Bruce? He’s good but I could defeat him easily” and Bruce just so proud of his babies when they do ANYTHING.

Bonus:

Tim made a plan to neutralize Superman at some point, it wasn’t as good as Bruce’s but he replaced it so fast. When he later uses it to take down mind controlled or something Supes Red Robin is watching.

Nobody notices that Batman whispers something to Superman before he goes deathly pale and acts like the plan is working so well he immediately gets defeated. As for what Batman said to him? It was basically ‘Clark(they aren’t supposed to know identities here btw) my kid made this plan and I swear to every mortal and immortal force that if you don’t take the fall right now you will regret it for the rest of your life” and Batman was usually scary but this was like, God will cower before him terrifying and it scared evil Superman so much he went along with it.

Res Robin was smiling so brightly that later Clark honestly couldn’t be mad at the Bat.

Edit: I forgot to add this but unbeknownst to EVERYONE (including Alfred somehow) Bruce can and will stay awake longer then Tim and his drinks are somehow worse in terms of caffeination. The difference is that on the fourteenth day with no sleep everyone thinks it’s only been three even though he is Vividly hallucinating. The ability to hide his lack of sleep for the first week and a half leads them to believe he’s actually the worst at staying up since on what they think is his fourth day of no sleep (it’s his seventeenth) he’s talking to an apparently very vivid hallucination of Alfred the Cat in a suit and a Tiger named Tawny(he had met the tiger earlier that week) and having a civilized conversation with them

[itsnotnina]

how to save a bad day.

Today was not a good day. I had an exam in the morning that I prepared so hard for but I walked out knowing I'd pretty much failed. I walked out pretty dejected and just overall, I felt pretty lost. So I thought I'd take myself out (a lil pity solo date) to try and make myself feel better.

Go on a walk. Seeing as I was already out of the house (I was at uni) I took myself on a little walk. I walked into town and just browsed through a bunch of shops. I didn't need anything so it was nice to just window shop.

Go to a coffee shop. I went to Black Sheep Coffee - one of my favourite coffee shops in town - and ordered a decaf coffee (it was like midday so I chose decaf so that I'd actually be able to sleep). I sat on a little corner table and just people watched for a little bit, while I was waiting for my coffee.

Read a book. After getting my coffee, I pulled out my book. I'm currently reading Percy Jackson and the Lightning Thief. NGL, I was slightly self-conscious - I live in predominantly a university town so there are a lot of people my age and older, and I am reading a book aimed at children - but in all honesty, I love the book too much to dwell on it for too long.

Journal. After a while of reading and sipping my coffee, I felt a bit more calm and wanted to journal. Journalling helps me when I'm stressed or anxious sometimes because it helps me work out exactly how I feel. It also helps me keep track of what happened when because I have the worst memory ever. After journalling (and starting on a bit of revision) I headed off home - the walk was nice, even if it's long. I listened to a podcast on the way home. NGL though, it was freezing cold because it was like 2 -3 degrees at the time.

Shower. I got home and took a shower to warm up. I will say though showers are great to let go of whatever's weighing on you. Literally, let it wash away from you :)

Relax/Do Something Entertaining. I watched a few more episodes of Doctor Who while waiting for my hair to dry. I also started crocheting a new project :)

Make Dinner. I made (Fake) Chicken Noodle Soup for dinner - if you want a recipe, let me know and I'll post it here or on my tiktok (@niagosavi).

Try and Get An Early Night. I think I went to bed around 10pm that night - I had been awake since like 6am so I was knackered.

Bad days are inevitable but they are not the end of the world. Remember, it's a bad day, not a bad life.

[ohbueckers]

MAKE HER TAPOUT. paige bueckers

description. your competitiveness with paige runs deeper than basketball, and tonight, it’s about who gives in first—or if either of you will at all.

includes. SMUT, 18+. a lot of everything, dude.. i got carried away. just read and find out.

a/n. dedicated to everybody that asked for it! lena’s anon, @kmoneymartini request and all of the comments on that post! saw an edit that had successfully inspired one of my freaky delusions again. also combined that fic i was talking about a few days ago into this, so it’s long but worth it, trust. will probably thoroughly proof read in the morning :)

It wasn’t the first time you’d found yourself like this—pressed up against the cushions of your couch, Paige’s hands roaming like she was trying to memorize every inch of you. Her lips grazed along your neck, her breath hot against your skin, and all you could think about was how you’d barely managed to get the door shut before she’d pinned you there.

Gampel Pavilion had ran a great deal tonight. UConn showed up big time—packed to capacity, ranked matchup, the whole ordeal—and Paige had been absolutely ridiculous. Twenty-five points, nine assists, boards in clutch… She was everywhere. It shouldn’t have been your problem how good she looked doing it, either… yet somehow, it always was.

But tonight, you’d edged her out. You showed up and showed out by one point. And one assist. A fact she hadn’t let go of since the final buzzer.

“Mm.. Paige,” you tried.

And now it was time to show up in a different way—one that didn’t require a ball in your hands.

“Had to one up me tonight, didn’t you?” Paige murmured, lost in the messiness of your lips as she rambled about how sexy it was. You smiled despite yourself, trying to keep up. “Paige,” you tried again.

“Hmm?” she finally responded, her tone as innocent as a baby. She laid you on your back, moving your panties to the side, letting the wetness between your folds instantly coat the pads of her middle and index finger as she circled at your clit. It was always fast, quick-paced. The way you both liked it.

You rubbed your feet together in attempt to ground yourself. “Mmph, you bailed on the team. I.. bailed on the team. Do you know how suspicious that looks?” you mumbled against her lips, though your voice was breathless, caught between tantalizing and surrender. Your post game plans were clear—head to Ted’s with the team despite that gruesome early practice the next morning everyone would be dreading with a hangover, ride out the the high of the win, yadda, yadda, yadda… and pretend you weren’t constantly aware of the girl now pressed against you. It was easy to fake indifference in a room full of people.

That was until you realized you weren’t feeling completely up for it tonight. The booze, loud music, sticky floors of the bar. Paige was in tow, of course, taking it as an opportunity. Alone time was hard enough to get as it is, and the two of you were getting increasingly bad at keeping this quiet. You were close to shooing her off, but she did indeed deserve something after that performance. So did you.

You almost thought she’d stop, but you’d be a fool. “Eh..” Paige murmured, her hand gripping your hip tighter as she pressed you deeper into the cushions, teasing your entrance with her other, like she was trying to erase the words from your memory. It was kind of working. Her lips brushed against yours as she added, “Suspicious of what? That I’d rather be here fucking you to celebrate our win?”

Your hands shot up instinctively, shoving at her shoulders.

“Br—wha.. Ow!” Paige exclaimed, holding herself up over you, a dramatic pout pulling at her lips. She looked downright fine, chain dangling in your face, arm flexing dangerously close to it too. “Relax. Nobody’s checkin’ for us like that,” she reminds.

“Sure, and the sky is yellow.” You squinted, not bothering to go into detail about how far from the truth she was. Instead, you changed the subject, partly because you couldn’t stand the way her chain kept brushing against your neck, and partly because her presence was messing with your ability to think straight. “Figured you’d be out cold by now. You’re usually asleep within an hour after games,” you huffed.

Paige tilted her head at you, her pout morphing into a grin. “Me? That’s disrespectful.” She faked her hurt, and you rolled your eyes.

“It’s not disrespectful, it’s true.”

“Don’t even play with me like that,” she challenged. “You know I don’t quit easy.”

It was your turn to grin. Uncontrollably, really. “Oh? You wanna test that theory?”

Paige was seemingly amused, running her tongue over the swell of her bottom lip. Your eyes darted there against your will, and she noticed. She always noticed. “You’re the one always tappin’ out on me.”

Your mouth fell open in disbelief. “Excuse me!?”

Her laugh was low, her breath fanning across your face. “You heard me,” she teased, her hand sliding a little lower on your hip, her grip tightening. “Last week, remember? Couldn’t handle it.”

Wow. Wooow.

Your eyes narrowed, your mind flashing back to last week—a quickie that happened to turn into multiple rounds. Jana and Allie’s grocery store trip had taken longer than the two of you inclined, and Paige used every minute. Fucked you right into oblivion, skills that had you begging for a break that she hadn’t been willing to give right away. You hated that she was right.

Paige smirked, and you wanted to drag it off of her face. “Just sayin’… if anybody’s tappin’ out, it ain’t me.”

Instead of scolding her some more, maybe even punishing her by not letting her have it tonight just to prove a point, you pulled her back in, hand gripping the side of her face that quickly begun tonguing you down, eyebrows furrowed in the midst of trying to keep up with you.

She adjusted her body lower, leaned into it some more. She thought you were done with the bickering.

“We’ll take turns.”

Paige blinked, clearly not following, breathing an airy, “Huh?” into your mouth.

Without slowing your pace, you grabbed her wrist and guided her hand back between your legs, her fingers grazing over your wetness for the second time. “Take turns,” you repeated. Paige pulled back a couple inches, tugging a swollen lip between her teeth as her eyes scanned your face, taking in the slight flush of your cheeks, and of course, your implication. The wheels turned, and her face softened. “Ah,” she muttered.

“You first,” you dared. And with that, you forced one of her fingers into you, scooting up on the couch. Paige froze for a split second, her lips parting as if she wasn’t sure she’d heard you right. Felt you right. Then her expression shifted, and her lips found yours again like a missing puzzle piece, dragging down your chin and over your jaw.

It would be a long night—truly.

“What you want?” she asked you. “Two. Up.”

The blonde immediately obliged, prying your leg open wider to fall against the back of the couch as she eased another finger in, twisting them over before pumping in and out a few times. “Yes—fuck, yes.” Your eyes flutter shut, head falling back against the arm rest in pure bliss. You rut your hips up, the same motion as her curling digits.

You should’ve known better than to challenge Paige to anything, but your own pride couldn’t fucking help it. Her competitive streak ran deeper than basketball, woven into every fiber of her being. It was one of the many things you had in common. Paige loved to push your limits, to tease you until you couldn’t take it, only to yank you back and dare you to do the same to her. It wasn’t just about pleasure—it was about control, about who could outlast the other, who could take more, give more, until out came a winner.

It’s also what made the sex so good.

You dissolve completely into the feeling, Paige’s long, slender fingers fitting as perfect as always. Her head is still dipped, kisses going around your neck, sloppy and full of her love for you, trying for light nips around your skin. A hand of yours falls to her shoulder, gripping at the muscle as your mouth plummets open wider, nearly like a yawn.

You can feel her smirk against your neck, the way her teeth catch on the sensitive spot below your ear. “God,” you manage to whisper, barely audible over the sound of your ragged breathing, words tumbling out in an incoherent mess, close enough to the one you make on the cushions. She was the only one that could get you absolutely soaked.

“I know, baby. Feels real good, don’t it?” Paige pushes a third finger into you easily, making you moan out from the stretch. She picks up on how your walls clench around her, gushes of your arousal coating her fingers, forming a white ring around the base.

You nod frantically, words stuck in your throat.

Paige quirks her head to the side. “That’s all I get? A nod?” she mocks, something she’s gotten increasingly good at since fucking you. “C’mon, use that pretty mouth. Tell me how good I’m making you feel.”

Your mind begins to leave you piece by piece, your determination to stay balanced pulling you back in every time. Your grinding motions become harder against her hand, moans becoming deeper by the minute, more pleasure-filled. Your stomach begun to tighten, almost like a hand slowly balling into a fist with a need to just combust and release.

“Paige,” you choke out, voice trembling. “It’s—it’s so good. You’re so—fuck.” You can’t finish the sentence, your nails digging into her shoulder.

She yanks you down, your body sinking further into her, your back forming into more of an arch. Shes giving it her all, and you’re starting to regret letting her go first. “What? Say it,” Paige coaxes as her fingers curl just right. “Tell me how good I am, baby.”

“You’re so good,” you shake your head as Paige slaps the pad of her hand against your clit, the sound entirely too pornographic for your ears. If anything, it spurred Paige on. “You know you are.”

You chew down on your bottom lip, trying your best not to scream at how good the feeling is. “Sound s’sweet praisin’ me like that. Y’gonna come all down my fingers, baby?” She moves them faster, the squelching enough to erase any no’s from your vocabulary. Her hand moves in a back and forward motion, and the more you think about it, the more the desperate need to let go becomes more evident.

“Yes,” you respond in a rush, followed by a few more of the approving word. “Right there, P,” you breathe, arm hooking around her neck to pull her closer, painted nails dragging against her cheek. You’re about to have what you think might be the best release of your life until it’s completely stripped away from you.

Shit, shit, shit.

“No.. no, no, no,” you whine, an antonym of your previous pleads as you dart your eyes open. Paige releases you from her grip, swinging a leg off the couch. You search for any hint of remorse in those eyes that’ve seemed to darken since you last looked, but there isn’t one. Bitch. She stares down at you with a bit of a mocking expression. “Please—“ you start.

You’re interrupted with the shoving of Paige’s fingers down your throat. Your eyelashes flutter back against your skin, lips wrapped tightly around the digits as you inadvertently lick your arousal clean off. With that, she pulls them back with a soft pop, admiring the glisten with a cockiness that has you weak.

“Start wit’ that.”

“Oh, my God…” Paige trailed off, whispering more to herself as she crooks her head to look down at you. New location: your bedroom. New motivation: the look on Paige’s face when she left you without an orgasm. You could play dirty, too.

You meet eyes as Paige pulls your hair away from your face, your hands resting on her thighs. Her basketball shorts were pooled at her legs underneath her boxers, and somewhere along the hurried way down the hall, she’d pulled her shirt off, the tension in her toned stomach revealed under the dim light of your table lamp.

Your tongue slowly moves between her lips, licking and lapping up her wetness just to hum at the taste. Paige is losing it—fingers threading through your hair, the pads of her fingertips pressing deeper into your scalp at every stroke. She swears the sight of your head between her thighs is enough to bring her to release.

“Fuuuuck. Keep it like that,” she orders. You comply—let her think she’s got it under control—and she does. For a moment. Her grip tightens, guiding your head against her own clit to let you know just how she wants it. “Like this?” you tease, creating a suction. You bat your eyelashes, doe eyes catching her blue hues before they’re thrown up toward the ceiling.

“Gonna—shit.. yeah, yes. Keep goin’… don’t stop, baby.” You flatten out your tongue when she begins to move your head up and down, gruff, pleasured noises leaving her mouth in curses. She spreads her legs open even further, and the more she praises you, the deeper she pushes, the faster you move.

You’re very aware of how sensitive Paige gets after an orgasm. the number of times she’s begged you to slow down, to let her breathe for just a second, only for her to claw at you moments later, dragging you back like she can’t stand the idea of stopping. It’s a delicious contradiction, one you’ve learned to take full advantage of. It’s intoxicating, too… knowing you’re the only one who can reduce her to nothing more than trembling limbs.

“So close,” Paige mutters, her voice breaking into a groan. Her control slips with every passing second, though you aren’t sure how much of it she had in the first place. “Juuuuuust like that. Eatin’ me out so good. Always do.” She lets go with a continuous nod of her head, physically biting back a series of moans that would be too loud for the walls. You continue your onslaught, licking up what you can before pulling back. Her hips lift slightly off the bed, chasing the pressure, her legs tightening around you for a moment before falling slack again.

Right now, she’s no different—still trembling, chest heaving, the faintest sheen of sweat glistening on her skin as she tries to recover. Her hand is pressed to her forehead, covering her eyes like she’s embarrassed to let you see just how undone she is—her chest rising and falling rapidly, lips parted all pink and plump.

There’s a slight tremor in her breath when you shift closer. You trail your hand down her side slowly, eyes flickering up in search for any reaction. When you fingertips brush over her cunt—too lightly, really—Paige groans, her head lolling to the side as her fingers immediately go to grip weakly at your wrist. “Chill…” she trails off.

“Chill?” you repeat, raising an eyebrow as you press a soft kiss to her thigh. “I thought you didn’t quit easy? You bailing already?”

She lets out a breathless laugh, prepping for a quick comeback that turns into a shaky moan when your lips move lower, attaching to her clit. Lower and lower… plunging straight into her pussy. Paige jerks, her body arching involuntarily as a sharp gasp tears from her lips. “Shit—wait—” she stammers. “You gotta let me… Let me breathe, ma—“

“Mhm-mm,” you deny, pushing her hand away and dipping your own to replace your mouth. You drill into her all slow, curling just the tips of your fingers in the same way you know drives her insane.

Her head falls back against the pillow, exposing the elegant line of her throat as she swallows. “God, you’re such a… fuckin’ problem,” she breathes, her voice breaking halfway through as you glance up at her. You love it when she goes all dumb on you. “Don’t play fair,” you think you heard.

Her legs are shaking in an attempt to take what you give her, hands searching for something to grip in a last-ditch effort to ground herself. Your thumb brushes against her clit every so often, making her squirm even further away from you. “One more for me, PB,” you coo.

“Can’t—can’t…” She drips onto the bed more and more with every pump. You’re practically milking her out, splitting her open, and just like that, her release is coming quicker this time.

“You can’t what?” you egg on, hoping this’ll do it for her. You wonder how long you’ll drag your bragging out this time.

The lewd sounds of her arousal hit your ears, and you sigh in content, Paige’s body and mind becoming total mush under your service. There’s no fight left in her—the entirety of her being is begging without saying it. You know she hates that she can’t keep it together—hates that you’re in control—but it’s the thrill of it, the way her walls clench like a plead, that makes it all worth it.

Her breath hitches, and for a moment, you almost think she’s going to hold out. But then, as if that last shred of pride snaps, she does what you knew she would. Paige comes, her cunt pulsating against your fingers as she yelps, twitching every few seconds. You continue to talk her through it, working her over until her voice is as hoarse as a sore throat, raspy and wrecked.

Afterward, you move up slowly, pressing gentle, teasing kisses all over her face as your hand rests comfortably on the warmth of her stomach. “Tapping out already?” you whisper playfully, brushing a finger down the curve of her neck. “It’s okay. I get it.”

Her eyes flicker open, half-lidded and heavy. But just as quickly, the storm in her eyes shifts. Before you can get another word in, Paige’s hand moves up to stroke your cheek gently, almost…lovingly? It’s enough to throw you off, make you forget about those bragging rights. She holds your face for a moment, eyes flushed with intent. Then, without warning, she pushes you back, her brows furrowing in concentration as she pushes herself up, trodding toward your closet. With what strength?

“Strip.”

And that was exactly how you ended up here. Cowgirl, legs straddled on each side of Paige as she watched you fuck yourself on her, mumbling out a million and one different terms of endearment to kept you going. There was a receiving end, one she hadn’t thought about let alone touched, and you wondered how long she’d let you go before getting herself off too.

Second round, so close to coming, and you didn’t plan on giving Paige the satisfaction of knowing you couldn’t take it anymore.

She hadn’t took her eyes off you since you started. You avoided her gaze, hands gripping her ankles as you put on her favorite show. “Look at this pussy, baby. Fuckin’ perfect, you know that?” she praised, wetting her thumb before pressing it to your clit, hard enough to make you squirm. Your hips drove against her harder, causing them to collide in a sticky smack, the tip of her strap bullying the deepest part of you.

“So tight—shit.” Naturally, Paige’s other hand found your breasts, kneading the left before rubbing the nipple between her fingers. You winced, throwing your head back as your chest pushed further out. “Just squeezin’ around that shit,” she emphasized, voice so low it almost went unheard. She tilted her head to the side, hands roaming around to the small of your waist as your rhythmic movements escalated into frenzied bouncing, the length molding perfectly to your slick walls, stretching you to the limit.

She’d went quiet for a moment, a safe space for your moans and whimpers, pondering. “Get up,” she’d decided.

You paused, mouth agape as your chest rose and fell in gasps. “Paige—“ you tried, having had enough of this little not letting you come thing. Still, she’d tightened her hands around your hips just to throw you off her, and you quickly realized what she wanted. She didn’t have to say it. Bend over.

You perch your ass in the air as Paige settles behind you knees pressed on either side. You look just over your shoulder as she rubs the tip of her strap between your folds, head down and focused. You attempt to buck your hips back, desperately waiting to be filled up.

Paige’s eyes shoot up, and you pout playfully. “Please?”

She began to gently slide the tip into your leaking hole all at once, bottoming out. “Greedy,” she mutters, pushing down against your upper back to get you to arch more. Deep, deep, and deeper. She doesn’t start slow, rocking her hips toward your ass relentlessly, almost without any contrition.

Your hands gripped the bed frame, knuckles white, trying to ground yourself, but the tight pull in your core, the way she stretched you—nothing could keep you steady. Every thrust felt like a reminder, and as much as you wanted to give up, your ego was too damn big. This was all your idea, after all.

How the hell do you always end up here with her?

The thought crossed your mind for only a second, but it was quickly drowned out by the next wave of pleasure that hit, making you whimper. It was impossible to think straight. Her hands on your hips pushing you deeper into the mattress, your body now moving in sync with hers as though it were second nature. She’s addicting in all the right ways.

Paige’s movements stilled for a brief moment, and before you could register what was happening, she pulled you up against her chest, wrapping one hand up under your chin firmly. You locked eyes as her thumb stroked your bottom lip, prying your mouth open. She then prepared just the right amount of saliva in her mouth before spitting precisely into yours. “Mhm.”

Her thumb snuck its way in next, spreading it all over your tongue. Her brows crinkled in attentiveness. “You good?” She was genuinely concerned despite not giving you a chance to respond before she started moving again, slower this time, sensual. The intimacy was driving you fucking crazy, you needed a seatbelt.

You responded with a thorough swallow, sticking your tongue out to show her how good you were. Paige smiled—big and unattainable before pushing you back against the mattress. “Slut,” she degraded, making you giggle.

Another deep push, another moan you couldn’t hide, and you were already on the edge. Shit, not again. The thought tried to make its way through your foggy mind while your body pushing back into hers instinctively, now fully aware of how badly you wanted to come. With every movement, Paige made sure you couldn’t escape, that you wouldn’t want to. She was keeping you close, keeping you tangled in the heat of it all.

This wasn’t about winning or losing anymore. It was about feeling every inch of her, letting her pull you apart until you couldn’t even tell where you ended and she began.

Paige tugged her lip between her teeth, ramming into you like she knew she had a point to prove. “Fucking you so dumb. Makin’ such a mess… You almost there?” You nodded, followed up with a constant of yes’s that made the tight knot in your stomach even worse, even better.

The sounds of her skin slapping against yours and your loud cries of pleasure filled the bedroom. You gripped the bedsheets in preparation, the squelching of Paige driving into your soaked pussy like music. She looked down at where your bodies connected, enjoying the little squeaks you let out every time she bumped against your cervix. 

“I can’t, I can’t, I can’t.”

“You can.”

Paige took one hand from one of your thighs, using it to reach down and press her thumb against your clit, rubbing tight circles. Your back arched, a loud cry leaving your lips at the sensitivity that had been built over the course of the night. “Agh—Paige…” Thaaaat’s it, baby. C’mon. Come for me." And that's all it took for your orgasm to rip through you, your body shaking and Paige’s name leaving your lips like a mantra.

She pulled out, all five of her fingers speeding up and continuing their assault just to push you right over. You weren’t sure if she planned on stopping. Your body was squirming in different directions, begging and gasping for a break until your hand flattened against the comforter, tapping repeatedly in a form of complete and utter yield.

And just like that, your game was over.

Paige pried her hands off of you, letting your body collapse forward onto the mattress with no ounce of grace left. Your legs felt like jelly, and your breathing came in quick, shallow bursts as your chest heaved against the sheets. You couldn’t even lift your head to glare at her, too far gone to summon any shred of defiance.

Behind you, Paige shifted, catching her breath, but her voice was annoyingly steady when she spoke, dripping with smugness. “Ha,” she breathed out. “You tapped out. Like, literally.”

Your fingers curled into the sheets as you turned your face to the side, just enough to shoot a half-hearted glare over your shoulder. “Shut it,” you muttered.

But Paige wasn’t done. She scooted closer, her hand trailing lazily up your spine as her lips brushed your shoulder blade, voice teasing. “Nah, that was cute. You were all like, ‘Paige, I can’t…’” She mimicked—all exaggerated and mocking, before breaking into another quiet laugh.

You groaned, burying your face in the mattress, unable to hide the way the corner of your lips twitched upward despite yourself. “You’re so aggy.”

“And you’re lucky I love it when you quit.” Paige leaned down, planting a kiss to your damp skin before pulling back with a smirk you didn’t need to see to know was there. “I’mma let you have it next time, okay?”

…Next time?

[vxxcte]

Extremely long rant on 001 & 457:

3.3k words

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Intro

Yesterday I finished season 2 of Squid Game. I have so much to say about In-ho’s and Gi-hun’s dynamics and writing.

Keep in mind this is my interpretation of these characters and their dynamics. I’m just yapping because I have a lot to say. Maybe this takes on a much more optimistic view than is actually the case, but I fear it makes sense to me.

I have seen two takes about 457 around pretty often:

“They’re in love.��� or:

“In-ho feeds off of Gi-hun’s pain because he’s just an evil guy.”

These can both be true in a way, but when no one talks about the little details of the character writing and the relationship between these two guys, it feels like the incredible potential and writing that this duo has is being overlooked.

Note, I will be referring to this Youtube video throughout this post:

Now let’s start with what we know already. It’s pretty evident that In-ho is not totally emotionless like many people are trying to imply or interpret him as.

Here’s why.

—

Hwang In-Ho and The Traitor Archetype

There are two ways in which a character like 001 can be portrayed.

TYPE 1 : The undercover ‘friend’ who is working against the main character can be shown to the audience as the ordinary cast member, and then it will be a plot twist when the protagonist learns with the audience the truth of this character. Usually the demeanor of this undercover ‘ally’ is not shown too obviously because it might take away from the impact of the plot twist later.

TYPE 2 : or You can go down the route that Squid Game did go. We knew Frontman’s face, so it was no use trying to convince us he was a good guy. His personality was not exaggerated like some Type 1 characters can be. Characters like this are not particularly hidden from the audience’s suspicion/accusation because we already know. And in these cases, the writers do not often need to give these characters disguise-personalities. In Squid Game, we as an audience know where to look for the cracks in In-ho’s character, where the ways in which his real identity shows through.

There was that time he killed someone in front of Jung-bae. It would have been out of nowhere for a story where they hadn’t shown his identity before, but we knew exactly what was going on. So let’s look at the instances before it was shown directly to other characters.

Here are the instances where we know for sure that his real self is slipping through.

In-ho more than once asks people questions and engages with them in a manner that might not come across as too strange to them. But to the audience, those who know he is an outsider, and thus know to pay attention to the possible intent behind his every word, it stands out.

In-ho engages with the people who are truly inside the game as specimens to observe. That’s partly why he’s there, after all. For example, take the instance during the Mingle game where he questioned Geum-ja about her son’s character. He doesn’t need to hide his sort of objective, detached curiosity (which extends slightly outside Gi-hun), about these people and how they work, because no one is keeping an eye out for it.

Because of this, I believe he did not need to make any extra efforts to mask his natural personality, beyond the bare necessary minimum.

—

In-ho’s Humor

Another reason I think that him not faking his personality a good amount of the time is his humor. The jokes and the ideas for jokes that one comes up is very telling of their inner processes, their ability to make connections between things and then an insight as to what they themselves think others around them will find funny.

First the joke he made about Gi-hun’s last name, and then about Jun-hee’s child as a sixth member in the Mingle game, both display a sort of consistent sense of dad joke type of humor. It is hard to fake humor that you are not well-versed in, and even harder if you put yourself in an unfamiliar environment with little preparation, purely to observe people.

Considering the fact that In-ho is evidently still in the process of observing these people up close as people rather than players, it would have been difficult to first think of a joke that they would enjoy and then deliver it successfully.

He could have gone without. He characterized himself in the others’ eyes well enough to go without making these jokes. It’s not like he was putting on any false performance for us, the audience (as noted above), and he was only omitting certain information from the other characters. There should be nothing ulterior that motivates him to go further and come up with a new/different sense of humor.

This leads me (personally) to read these interactions as genuine. These were jokes he thought of and spoke aloud, not to fool Gi-hun and the others, but because they naturally came to his mind and he decided to share them.

And villain-type character as he is now, he is still a person.

—

In-ho and his Family

There are other moments we saw from him that were genuine.

There was the information we got from his mother and Jun-ho, how he gave his brother his kidney and how his wife died.

Then In-ho lost his composure when Thanos told him to lecture his own kid. This was not an act—It would have been entirely unnecessary if he wanted everyone to believe he was a nice guy capable of little harm. This was genuine from him, he lost control and it was reasonable and it was real.

So when he told Gi-hun about his wife and unborn child that he is supposedly now in the games for, the things we have seen so far also point to that scene being a genuine interaction from him. His expressions did not hide it either.

And if all of that is not enough, he did not kill his brother. He sent Captain Park to find Jun-ho. In-ho put his brother, who knew exactly who Frontman is now, who now has something to work with, over his whole operation—It wouldn’t be too large a reach to say this.

Hwang In-ho is Not Without Emotion

Now we’ve subverted the whole idea of In-ho being some emotionless monster that some people online want to say he is. He may lack morals but he does not lack personality/emotion.

I didn’t even get into the way he cheered in the 5-minigame rounds or the way the first thing he did when he found Gi-hun in the Games was knowingly shit-talk him to his face, but I already have this much. This is all my evidence for In-ho being very and incredibly human, my case for him having a defined personality, fake player aside.

This is almost all sourced from lines in the show, rather than just visual acting which can be interpreted multiple ways. Thus every bit of the things I talked about is likely intentional.

Justice for my queen In-ho he is a great character and I enjoy him and his writing a LOT.

—

457 Introduction

I like to call 457 toxic yaoi as much as the next guy, but it’s so more than just the visible tension/chemistry between them. It’s more than enmity, it’s more than friendship and it’s more than romance too. Why stick labels on it when it’s so much more complicated?

Although on that note, before I get into the deeper stuff I just want to point out that all this staring at each other’s lips and whatnot was probably not something the actors decided to throw in on their own, considering the ‘I don’t understand it but it’s not unpleasant’ comment about the ship from Lee Byung-hun. So was it scripted for them to be doing allat? Lord knows, we’ll find out in June (fitting).

I am not even getting into how In-ho spoke to Gi-hun without his mask on and let him hear his real voice when Gi-hun won his first set of Games. There is something that has the potential to be very intimate about that.

I am not even getting into the little storytelling bit of how Gi-hun’s stubbornness reminds In-ho of his dead wife, and then how Gi-hun that exact determination at the end.

—

Pre-Games 2024

Let’s start with the limo dialogues, when In-ho told Gi-hun he wished he would’ve led a happy life.

He has no reason to wish Gi-hun ill, especially after Gi-hun won the games and left. In-ho likely saw himself in Gi-hun even back when Gi-hun won, and genuinely did wish him the happy life that In-ho himself did not end up having.

And how many people like Gi-hun has In-ho seen? Ever?

What kind of person does Gi-hun have to be, how notable in In-ho’s eyes does he have to be, for the person that administrates the Games to show himself to the person who wants to end them?

Gi-hun survived the Games without directly causing anyone’s death. In this place that tries to bring out the worst in anyone, even when Gi-hun fucked up in the marble game, he regretted it and turned back. This already sets him apart from anyone else, and especially sets him apart from In-ho, who took the darker road and climbed up the system.

You could say, ‘But other people have regretted their actions in the Games.’ But how many people get 45.6 billion won over 455 people’s deaths, and then come back, not for money, but to prevent further death? And how many people come back and become the Front Man?

Gi-hun went back with all that money to find his mom dead, presumably in a similar way to how In-ho went back with all the money he won but his wife died anyway.

There is a system that crushes people under it, In-ho realizes somewhere down the line, and then there is a way to remove those people. Gi-hun sees it another way: change the system.

—

Friends

Both of these people came into the Games for the sake of their loved ones. One came out of the process corrupt, and one returned determined to root out the corruption.

This year, aside from In-ho, there are 454 other people in this year’s Games that he does not know or necessarily care about. And then there is Gi-hun.

He knows Gi-hun. In-ho is a previous winner, just like Gi-hun, he is returning to the game for Gi-hun just as Gi-hun returned for In-ho. In-ho sees Gi-hun as more worthy of his time than anyone else. And all of this comes dangerously close to seeing Gi-hun as an equal, someone he has attached his narrative to, more than anyone else around.

And I think this opens up the possibility that In-ho could have come to see Gi-hun as a friend in some moments. There were moments in the games where he was a little too enthusiastic about their own wins for someone who does not need to put on a fully fake persona. So surely there could have been moments where In-ho genuinely considered Gi-hun a friend, however short-lived the moments were, however foreign the concept of a friend has become to him.

This could be what In-ho’s ‘conflicted feelings’ about Gi-hun (from the video linked up top) are all about.

—

How In-ho Sees Gi-Hun

Gi-hun refuses to remain powerless. He acts for change, refuses to give himself over to the system like In-ho has. He doesn’t shut up and take the money he’s given. He keeps fighting to end the Games, for other people who are caught in it.

And this does not make sense to In-ho. We don’t know enough about him. Maybe he tried this exact same thing that Gi-hun is trying. Or maybe he never did, and became who he is without putting up a proper fight.

This is someone who, so far, has remained unbending in his goal for change. This is someone who, in a facility designed to make people prioritize their own survival, gave a man he barely knew for 3 days a magazine, while he himself was getting shot at, while ammo was short.

In-ho lies to Gi-hun about his name, but he tells him about his wife. He bares an old part of his soul to him, the part of it that lingers from back when he was like Gi-hun. He has seen immeasurable death and has caused it, but there was a time he might have wanted to stop it too, and now there is someone like that again.

In-ho bared a part of himself to the person who came here to take him down because he saw his old self in him. And in turn that person did something In-ho never would’ve done at this point in time—Gi-hun extended this seemingly-pointless goodness to him too.

I like to think In-ho was so interested in Gi-hun because he wanted to see how he himself might've become, had he only taken a different view of life.

In-ho might deep down be expecting him to fail, yes, but he roots for him, roots for a version of himself that never made it. He’s curious. Lee Byung-hun has said In-ho is conflicted about his feelings towards Gi-hun, and secretly might even root for him (see the link at the bottom of this post).

In-ho stares at Gi-hun so intently to try and understand him as best he can. He wants to know what’s going on in Gi-hun’s head, the changes someone undergoes in short periods of time in enclosed death game facilities, a new experiment in the head of someone who is returning a second time. How will Gi-hun hold up? He wants to see his future.

—

The Breaking of Gi-hun’s Resolve (or the Changing)

Gi-hun loses the plot.

He couldn’t save everyone at first like he intended, he couldn’t get out fast because they got his tracker, and his resolve weakens, and he deems it necessary to sacrifice some people for the greater good.

When Gi-hun realizes he can’t save everyone, when he trades in an unnumbered amount of people for a shot to end the whole system, and he gives in.

Maybe In-ho sees himself in that weakening of Gi-hun’s resolve. It’s possible he doesn’t like it because he genuinely wanted Gi-hun to remain unwavering, as Lee Byung-hun said In-ho rooted for him. Or maybe In-ho does like it, because he’s satisfied for the confirmation that his view was right, that his path was inevitable all along.

This could be another point of conflict for In-ho’s feelings towards Gi-hun. Maybe that’s why he decided to fake the death of Young-il right then and put a stop to that operation: Of course, it’s partly because he’s Frontman and he can’t let the Games end. But on another hand, the coup was failing anyway, even without his betrayal and return as Frontman.

This then brings to light the possibility that he decided that, because Gi-hun gave in, In-ho decided he’s seen enough from by Gi-hun’s side. It confirmed something for him, confirmed that Gi-hun’s failure was inevitable because of human nature. And that was enough observing from up-close.

But then that confirmation, Gi-hun’s reluctant admission to the need of collateral, is thrown into question again, only a couple of hours later, when In-ho meets up with Gi-hun and Jung-bae. Gi-hun gives In-ho a magazine when ammo is short, and even when In-ho asks him, “Are you sure?” Gi-hun insists.

Sure, Gi-hun traded all those lives for this opportunity, but he is willing to risk lessening his own chance for survival for the sake of his friends, too.

—

“Are you sure?”

Then there is the question: Why did In-ho ask Gi-hun if he was sure about giving him the magazine?

Why would he provide the opportunity to think again on this? It wouldn’t benefit him at all if Gi-hun were to take the magazine back—Not that Gi-hun would. Gi-hun doesn’t say things he doesn’t mean, especially not in situations like this, and this even In-ho should know.

It could be a final test of Gi-hun’s character. Or it could be that this is one of those moments where In-ho genuinely saw Gi-hun as a friend.

Lee Byung-hun has said (from the video) that In-ho’s character was a very nuanced and detailed one that he had to be very careful portraying. That look on In-ho’s face when Gi-hun gave him that magazine was not any error on the actor’s end. It did mean something to In-ho, whatever it may have meant.

—

Jung-bae, Gi-hun, In-ho, and soju

I’m gonna get into the technicalities of exactly what In-ho’s motivations were in taking this specific bit of Gi-hun’s and Jung-bae’s conversation and using it with Gi-hun later.

I don’t entirely disagree when others call it jealousy, but it feels unfitting to arrive at that conclusion with no further thought. So here’s how I see it.

When Gi-hun and Jung-bae were talking about going out for soju, In-ho was eavesdropping. Then later, In-ho tells Gi-hun later to go out for soju together someday.

If In-ho really intended the unfulfilment of the shared plan between Gi-hun and himself to devastate, this was not an ideal or necessary move, and I’m sure he knows that. And I’ve covered earlier, to my interpretation he does not bother to act like someone he is not unnecessarily.

It would’ve been smarter if he had his own conversation about future plans with Gi-hun, instead of leeching off the soju date idea that Gi-hun already planned with Jung-bae.

In-ho probably did plan on killing Jung-bae at that point, be it eventually or through the later Games, because he does not really care about anyone besides Gi-hun enough to spare them. And maybe he intended to use Jung-bae’s, and Young-il, death as another test of Gi-hun’s character.

But In-ho/Young-il’s ‘death,’ objectively and inevitably, means less to Gi-hun than the death of his best friend. This is not to say that Gi-hun subconsciously measures the weights or grief values of these deaths, obviously. It is just to say that he has known In-ho for only a couple days and it is bound to impact him less, just like how Ali’s death did not hit him quite as hard as Sang-woo’s did.

(Admittedly, season 1 did have a lot less focus on character relationships than season 2 does, but it wasn’t so little that a lot would’ve changed in Gi-hun’s reactions either way).

This, combined with the order and intensity of events in the last episode, most likely means that Jung-bae’s death overshadows In-ho’s ‘death’ in Gi-Hun’s mind.

And this would be obvious. So what purpose does ‘You can treat me with a glass of soju when we get out’ even serve? It’s not going to affect Gi-hun in the long run as much as Jung-bae would.

Gi-hun had a much-needed conversation with his good friend and their plan to get soju was borne of reminiscence of their shared past and desire to make it out. But when In-ho brought it up, it was done in an offhand manner in a two-sentence exchange. This is impossible to happen anyway and In-ho knows it.

If he wanted Gi-hun’s full investment in a plan to go out together, maybe for the purpose of hurting/testing him with it, surely he would’ve done something more than this. He knew it wouldn’t stick as well. So then why did he say it? What purpose would this actually serve?

If, even after all this, In-ho he thought that this soju appointment would affect Gi-hun as much as Jung-bae’s might have, then I might say jealousy nurses delusion.

Or maybe it was something genuine. Maybe that moment, when Gi-hun thanked him for saving his life and In-ho said ‘You can get me a glass of soju when we get out,’ maybe that was another one of those short-lived moments in which In-ho did see Gi-hun as something like a friend.

—

Conclusion

Because of the fact that he is more genuine than one might originally guess (according to my interpretation), I would like to say that he did consider Gi-hun a friend sometimes.

And their dynamic is just so fascinating to me. Likely the first I’ve ever seen of this kind.

They’re in love, they hate each other, they’re friends, they’re opposites.

They’re the first person the other looks for upon separation, they’re trying to put a stop to the other’s plans, they’re good friends.

They’re representations of the roads the other didn’t take, they’re mirrors, they lean into each other more than necessary even when cuffed together, In-ho finds the pieces of humanity he lost in Gi-hun, they’re foils, they were friends.

I won’t be recovering for a while.

[were-all-idjits-here]

TFW Realizing You're Not Doing Well/Falling into Burnout Headcanons

Gender neutral reader Warnings: reader is struggling with mental health/burnout, but nothing is described other than that. A/N: Comments and reblogs are greatly appreciated. My masterlist can be found here. Enjoy!

*

Sam

Even though Sam isn’t as outspoken as his brother, he’s silently very attentive and protective of you. When you start acting off and have more low energy than you usually do at some times and are more explosive at others, he immediately takes notice.

He doesn’t want to intrude on your space if that’s what you need, but he won’t let you avoid everyone and try to muscle through it yourself out of fear of being a burden.

If you’re the type to throw yourself into hunting in an attempt to just have a one-track mind and numb everything else out, Sam does his best to intercept before you get to your boiling point.  

He approaches you very gently, making sure you feel validated, understood, and appreciated and lets you know that, in his eyes, you’ve more than earned a break from everything. The hunting life is a lot and couple that with anything else you’ve got going on, it makes sense that it’s all overwhelming.

He suggests a trip, just you and him—or he’ll even help you plan and book and solo trip if you’d prefer—so you can decompress without worrying about anything.

Normally, the Winchesters don’t go for nicer hotels, but Sam insists you deserve to be pampered: free continental breakfast, a cleaning lady coming in daily, a laundry service—he’s even signed you up for this place’s special program that gets you discounts and extra perks (all under a fake name, of course).  

At first, you’re worried about how the others will handle everything without you (or the two of you, if Sam goes with you), but Sam and the others assure you that they’re well-prepared, have plenty of other hunters on standby, and will call you if there’s a true emergency where they need your help.

Sam reassures you constantly that yes, this feeling will get better and to take as long of a break as you need. When you joke that you feel like you need a whole year at least, he says, “how about we start with a month?”

He’s of course also around to take care of anything that you don’t have the mental energy for right now—helping you make phone calls, talking to people, helping you make lists and plotting things out in order of importance when you’re overwhelmed, and is so ready to pamper you, it almost makes you happy cry.

When you come back from your trip, if you feel you need more decompression time, Sam is more than happy to let you just hang around Bobby’s house, the bunker, even hold the fort down in the motel room as you travel around with them and become the designated research person they call if you’re up for it.

He of course loves his research, so he’s searching up everything he can on burnout, mental health, what helps, hobbies that can relax you while also keeping your mind from drifting into dark thoughts, coping strategies, ways to best regulate with your mental illness or neurodivergence, etc. He doesn’t want to overwhelm you, so gently introduces these things one by one and will never shame you if his suggestion is something you’ve previously tried that didn’t work or just immediately puts a bad taste in your mouth.

Overall, he’s very vocal about being committed to doing whatever it takes to help you feel better and will always be there to remind you of things that have proven to help you, hand you medications or stim toys as needed, and help make sure you’re taken care of.

Dean

Although he’s a bit louder than his brother, Dean isn’t as in tune with or good at talking about emotions. But he can immediately clock that you’re not your usual self.

He hates when someone else tries to push him to talk before he’s ready, so takes a while to quietly observe from the background, doing little things here and there to make your life easier without saying anything.

You mentioned your side of the motel room is a mess and you’re dreading putting it back all nice and neat in your bag? Already done next time you step into the motel room—and your bag is even put back together the exact way you like it.

Need your comfort food? Oh, what a coincidence, Dean just happened to be heading towards a restaurant/shop/store that he knows has it and he’ll get a bunch for you.

Need a minute to just breathe mid-hunt? Well, he doesn’t know about you, but he’s really craving some caffeine and there was a nice, quiet coffee shop just down the street where you two can sit and look over the case details (of course, you don’t really look over anything once you’re there and he doesn’t push you to).

Eventually, the signs of you being constantly dysregulated and burned out are too much for even him to ignore. He’s a bit more blunt in his delivery than Sam, but echoes the same sentiments that you’ve had a lot to deal with recently and it’s understandable that you just need a break—from everyone and everything, and he has the perfect solution: a camping trip.

If you’ve never been camping, he’s happy to show you the ropes and insists that being surrounded by nature with no one around for miles will help reset anyone’s brain. Whether you go full-blown camper and stay in a tent or pick one of John or Bobby’s old hunting cabins for more amenities and plumbing is up to you. But you’re not gonna worry about a single thing the entire time: he’s got all planned out with Sam, Cas, and the other hunters in their inner circle where they’ll be okay without the two of you for a few weeks.

Although he’s not as verbally lovey and blurting as many verbal reassurances as his brother, you still find him doing things for you before you can even vocalize they need to be done, making you realize just how much he’s been paying attention to you, how you like things, what you have to do to feel comfortable, etc.

Whether it’s over an open campfire or a cabin cooktop, he’s also making you some of the best meals you’ve ever had, letting you suggest whatever you want. The menu is completely up to you.

He tries to stay upbeat for you and seems like he’s also excited to take a break too. Things like walking into the room, slapping and rubbing his hands together and saying, “so, what are we thinking for today?”

He also gets a little more touchy than usual during this time. I’m a big believe that Dean is a huge physical touch person and that’s his main form of communicating his love for you anyway: but now there are so many more massages, rubbing your arm, squeezing your hand, random kisses, and just doing whatever he can physically to make sure you’re good to go.

Similar to Sam, if you return from your trip and feel you still need some time, he’s happy to accommodate you in any way—no matter where you need to stay, how little you need to do, he’s got all of it handled.

He’s not the researcher his brother is, but we’ve seen him struggle before and I strongly feel he’s neurodivergent, so I feel he’d be really good at helping you navigate that and showing you things to calm you down based on his own experiences—especially if you’re the type that needs to just blow off some steam sometimes, like him. He’s more than happy to take you ax/knife throwing, spar with you, take you to the shooting range, etc.

He does throw in an occasional verbal “you’ve got this/you’re doing great,” but shows you much more with his actions—but makes sure his actions are still loud enough to translate loud and clear that you’re very, very loved.

Castiel

Depending on where Cas is in his journey, he’s still getting the hang of understanding humans, but he can clearly see you’re not acting like your usual self.

Being the blunt angel he is, he immediately starts asking you questions about it, trying to understand what’s going on and why. His delivery will be gentler the longer he’s a part of Team Free Will, but either way, you can tell he’s genuinely curious versus asking to try and shame you.

If explaining everything going on is too much for you to handle, Sam and Dean will gladly take over and explain human burnout/mental health issues to him.

Cas is at first very sad you’re having this experience and again, the brothers have to explain to him this isn’t something he can heal with his powers—which makes him even sadder and even more determined to help you.

He requests Sam’s help researching exactly how what you’re going through feels, what could help, and how to show someone you care. Sam gets him started, but he then continues researching on his own until he’s fairly certain he can at least empathize.

He may get it wrong a few times in the beginning, but always tries his best, bringing you little flowers and trinkets to brighten up your day at first before teaching himself some breathing techniques and coping strategies so he can then teach them to you.

If you need to go off somewhere, he of course offers to teleport you anywhere in the world you want to go. His suggestion is a remote Airbnb up in the mountains (he’s fascinated by how willing some of the bears are to get close to humans and even tries to have a conversation with one—then is scandalized when it tries to break into someone’s car to find food). Sometimes he disappears and reappears later with delicious takeout if you’re not up for cooking and is always ready and willing to help you with any chores that need to be done.

If you still need more time after your mountain trip, he’s constantly teleporting to visit you and always brings gifts with him. If stim toys help you, you suddenly have multiple boxes full of so many and have no idea where he got them all.

He eventually tries to clumsily confess to you that he just cares about you deeply and wants you to feel better and be happy again, and feels bad that he can’t just angel-power your pain away. He tells you how he thinks you’re an amazing, brilliant person that he feels so grateful to know and that you won’t always feel this way and deserve to feel better.

He’s a bit shy with physical touch, but will always reciprocate if you initiate.

He reiterates multiple times that he’s here for whatever you need. All you have to do is ask and he’ll be so happy to do/get it for you because to him, you’re his family.

[gamingblur103s]

my thoughts on neo the world ends with you

long but probably not very good to read. spoilers and allat

i have to admit that i have a knee-jerk resentment towards a lot of the twewy franchise outside of the original game. every port and remake and reimagining of the original is simply worse off because something fundamental about what made the original experience so fantastic is removed. granted, this is often out of necessity for it no longer being a DS game, and from a business perspective, something like the anime adaptation only makes sense when a sequel is coming out practically immediately after the anime ends. still, in regards to these rereleases, i can easily see them as things that only add to the franchise rather than remove from them. the mobile port, despite screwing with the art style and the gameplay, added new music that is on par with the original game's score. the anime adaptation, despite its truncation, occasional mischaracterization, and format the story was not made for, looks pretty great and is still fun enough to be an effective recap, which was its precise purpose. it is much harder to say the same for final remix.

final remix is a port of a port; it maintains the streamlined and exponentially less engaging gameplay of the mobile version. granted, it comes with new pins which work well enough with this new base, but that doesn't change the problems i have with these fundamentals. to make up for that (as well as bridge the gap between it and neo), final remix comes with "a new day": a continuation of the story that is necessary to experience in order to understand neo.

to be blunt, a new day is where my previously mentioned resentment began. the story it tries to tell is so emphatic on its mystery that it foregoes any actual depth. as something that is expressly being tacked onto the original story rather than its own entity, its poor quality leads to directly detracting from that story.

the reaper's game (for og twewy at least) was meant to act as a symbolic prison for neku that colored every bit of his progress. yes, his character development is fairly blatant, but if anything, it benefits from that. the framing of the reaper's game actually makes the arc more grounded in how arduous it is, in how it was so much longer than neku could have ever expected, in how it hurt in all the ways he was scared it would.

it's all perfectly embodied by the fact neku is still wearing his headphones when the original game ends on the sublime emotional note of him taking them off. it's careless storytelling, to such an extent that it colors everything that came before it as the last canonical events we get to see, made all the worse by how it (and consequently, the game) ends with Neku dying. again. the only thing that keeps me from being completely outraged at the comical disregard of his arc is that it at least doesn't take away his emotional development.

there's also the iffy characterization overall, once again to serve a mystery the plot cannot afford to answer the larger reaching implications of. mind you, there's nothing outright OFFENSIVE about its portrayals (i actually think fake joshua is the best example of characterization in the whole thing; it's fun to show what a character is by what they aren't), but it's all just so vapid. forgive me for being smarmy enough to use an antimetabole, but when you go through a whole-ass video game that has its plot function in service to its characters, playing such a blatant sequel-bait that has its characters serving the IDEA of a plot feels like a disservice to those characters. if there's a connection to be felt, it's not indicated or made stronger by what happens here; it's all for the sake of hype.

i'm rambling, but hopefully that embodies my emotions going into neo comprehensively enough. i couldn't help but see a new day as utterly counterintuitive, and as a result, i had my typical territorial nature for my favorite things cranked up to twelve. i couldn't even fully trust the original staff with this game. for a while, i couldn't shake the feeling that the franchise of twewy outside the original game tarnished my experience with it. i did everything i could to convince myself to go full "death of the author": everything that isn't the original game simply isn't canon. but that didn't feel right to me, so i still kept this deep curiosity in me. then, about two and a half years after its release, i started up neo and spent my winter break exclusively on playing it through to the end (college made it so if i didn't finish it then, i'd have to wait till the summer).

this FINALLY leads me to my thoughts on the game this post is supposed to be about.

in a word, neo feels derivative. mind you, that's by no means the full story. for certain aspects, that description is either deeply unfair or outright untrue; for others, it's frankly generous. holistically, however, it feels like a continuation of what twewy had to offer, when it could've been an evolution. this by itself would make it worse than the original, but then there are times where it can't even accomplish that much.

on that note: the presentation.

og twewy didn't just have a fantastic style, but phenomenal direction. it was a multi-pronged refutation of the idea of "style over substance". the pause menu alone is so informative, yet so digestible because of its adherence to the game's style, what with its inspired choice of music and cute lil thumbnails for all the menus you can navigate to from there. there's also accounting for what players will most often check the menu for and an effort to make such features particularly accessible. the shining examples of this are dedicating nearly all of the top screen to the map and the fact that all the combat options aside from the pins (your level, partner behavior, game difficulty) are available on that screen, rather than hidden in another menu. hell, credit where it's due, the rereleases' version of this menu are all just as good; the attempt to depixelize the visuals makes it look a little too much like a gacha game for my liking, but absolutely nothing about it was changed in such a way that it becomes harder to navigate

in general, i think ui/ux design is way more important in games than it's given credit for, though that's undoubtedly changed in recent times. it's always been listed as a separate career from other graphic design jobs, and rightfully so, but for games especially, it can't be stressed enough how much they make or break a game's flow and "vibe". fact of the matter is, a significant chunk of a player's time is going to be spent in menus no matter what. i'm sure there's exceptions to this, but all i can think of is very primitive examples like pong which obviously don't apply to what i mean. as a result, making those menus feel fun and/or natural to use elevates the entire experience in ways even the most diligent game developers might not realize. an article from gamesradar has a translated quote from persona 5 director katsura hashino which really emboldened my feelings on the topic

"In Japan, UI design is often handled by new employees. ... Top level designers are usually in charge of characters and background graphics, with the UI being secondary. I think that’s a mistake. That’s why Atlus' UI designers are paid so well."

(side note: as great as the menus in p3r mostly are, the change for the in-battle menu from the revolver chamber is criminal. i know they still kinda have it, but i still prefer what the original did)

with all that said: neo twewy has three pause menus.

the first menu, which i will call the main menu, is where most of the options that relate to gameplay are. your current objective, social network (no jesse eisenberg in sight), equipment, map, and collectible progress. each of those five things i mentioned are their own menu within this menu, except for equipment which is actually two menus in threads and pins (to be fair, just like twewy).

the second menu, which i’ll call the pause menu, has all the shit that give off system setting vibes. saving, loading, going to the title screen, volume control, subtitles (always yes), voice track (we’ll get to that), the works. worth noting that this menu has absolutely no style to it. it is laughably barebones. sauceless, if you will.

the third menu, which i’ll call the combat menu, has all the combat options twewy had at the bottom of its main menu. this menu is also pretty lacking in sauce, though i suppose there’s only so much that could be done without it feeling obtrusive.

an insane person would argue this is a good translation of the immediate access in twewy’s ui. this division means less navigation is needed for certain option and it makes clutter a non-issue (in theory). while i’m sure this is true for some, for me, it became a consistent headache which would often undermine what i think are its design goals. the main menu’s subdivisions are a good example, but i actually didn’t have too much of a problem with it since switching between the menus was fairly snappy. the pin menu, however, was COMICALLY clunky. it becomes far too difficult to navigate your list as soon as week 2 starts. neo is a home console game, so there is zero need for a single pin to take up THAT much space on the screen, especially when that same pin at a different level of progress is listed separately, effectively doubling the amount of shit you have to sift through. the attempts at giving me shortcuts and filters ended up only confusing me. by the end, i resorted to exclusively consulting the full list every time, because even if it was tedious as all hell, at least i understood it and could eventually memorize the positions of things.

granted, it’s not all bad. you can actually access the combat menu while you’re in the main menu, so you can experiment with your level and view the drop rates in the noisepedia simultaneously. this version of the map, while it takes extra steps to access, also has features twewy’s map did not, namely the ability to see the kinds of noises that spawn in an area. you can even zoom in and out! for some reason!

these undeniable improvements are not only things twewy did not have, but in some cases (i.e. the map's new features) couldn’t have. however, it’s still missing the forest for the trees; the fundamental flow is still so disjointed that these features feel like a bandage on a tumor. i fully concede this next complaint is at least partially on me, but i cannot tell you the number of times i pressed the button for the wrong menu. because each menu has important shit that i need frequent access to, my muscle memory for the “i need menu things” neurons are always confused. if i’m not wasting time by going to the wrong menu, i’m wasting time by hesitating on pressing any button in case i’m wrong.

i’m being cruel here to an extent, and i acknowledge that. in isolation, these problems aren’t even a fraction as damning as i make them out to be, but when it’s something repeatedly experienced throughout the entire game, i cannot ignore how i dread having to interact with these menus and how they color my experience. granted, you could argue these complaints refute my thesis statement on neo being derivative. it may have failed, but is this not neo trying something new? to that, i would make the distinction that this is not a case of neo evolving, but rather, simply adapting.

allow me to branch back out to the more general subject of the game’s presentation.

i am by absolutely no means going to be calling the presentation of neo bad. that might be shocking to hear after me going so hard on the ui of all things, but i'm not an idiot. the soundtrack is a delight ("the beginning of a happy life" is genuinely, no bullshit, honest to god one of my favorite vg songs i have ever heard), the visuals are never any worse than ok (fret's design is by FAR my favorite, but i also liked shoka, rindo (mainly just his mask continuing the theme of neku's "hear no evil" with "speak no evil"), and susukichi), and when the two combine, it consistently achieves a familiar vibe throughout.

VERY familiar.

again, the presentation of neo is not bad. i would go so far as to call it good overall. but i genuinely struggle to think of any way it substantially iterates on what twewy has to offer. from where i'm standing, it feels like a complete copy-paste (with one exception that i swear i will get to soon cuz this is now like my third time alluding to it).

it's a bit of a mainstream example, but when you look at something like final fantasy, there's a clear throughline in the presentation of pretty much the entire series. even at its most vibrant and cutesy, there's this particular breed of gothic or sci-fi or—and i truly do not mean this disparagingly—edgy you can feel in the foundation of a final fantasy game. conversely, even at its darkest, final fantasy has its own brand of whimsy and bombast in chocobos or summons or the bajillion leitmotifs throughout the franchise. through it all, final fantasy has maintained a strong fundamental identity, but has managed to express it in a myriad of ways that, rather than dilute said identity, only bolster and refine its spirit.

i use final fantasy specifically because of its similarities to twewy. granted, these similarities are largely surface-level, but that's also kinda my point. final fantasy as a franchise achieves the variety it does through acknowledging what is fundamental to it and innovating off of that. by contrast, twewy (the franchise, not the game) is afraid to change its spirit and seeks purely to preserve it. because of that, the only way you could really differentiate twewy (the game, not the franchise) and neo at a glance is because of the hardware they are on. acquiescing to the merciless march of time, rather than embracing it.

that's why i still think my complaints about the ui ultimately fall back on the critiques of neo being derivative. while the problems with the ui in isolation seem like the developers trying something new, when you look at neo holistically, it is so clearly just an attempt at merely adapting, and sometimes it feels like neo fails even on that level. it isn't even innovation by necessity; every change feels like a sacrifice more than anything.

and on that note: gameplay.

i would say i generally enjoyed playing neo. the overworld exploration is very bog-standard, but i still appreciate it. remind is cute (it and telewarp's mechanics are obviously scripted but successfully "feel" cool to use) and dive fights are cool. i didn't mind the lack of fast travel, and in fact ADORED beat's soundsurf. having it add to your groove makes so much sense it hurts, and i love what it does to the music. but all of this is kinda window dressing when compared to the combat.

i'm sure my utter obsession with rpg (especially traditional rpg) gameplay aids my love of neo's combat, but i think most people can appreciate the gameplay loop. assigning party members to specific buttons is an undeniably fun concept. the hyper-customization of the combat is also something to be admired (to an extent); i'm sure i'm not particularly special for this, but i adore any opportunity to play a game "my way". the pin list is a teensy bit bloated with repeated ideas but with a higher number and/or different and somewhat arbitrary "element", but i sincerely love it overall. with how diverse the ideas are, there's a shocking few that i would consider objectively worse than the others. for example, the strength of the game's combo system "groove" means that a pin having a lower power doesn't actually make it necessarily worse, since less damage per attack allows for longer combos, which allows for more liberal and consistent use of the special moves unlocked by reaching the 100%, 200%, and 300% thresholds. inversely, as a compulsive grinder, the game's progression felt fairly natural even when i was pretty blatantly overprepared. fights are incredibly busy, and the boss fights especially are designed so that a single mistake can become a slippery slope of punishment. i died fairly frequently, particularly from getting too big for my britches and taking on a reduction chain i just couldn't handle. thus, fights never felt thoughtless the whole way through, which i was frankly REALLY impressed by.

i would accredit each of these compliments (or a stronger version of them) to twewy (to the point where i'm strongly tempted to derail this whole thing into how much i fucking love twewy's gameplay), but to its credit, neo does take different ways to get there in a lot of cases. to be doubly fair, though, as i've previously stated, these different approaches feel like they needed to happen rather than resulting from a distinct and passionate vision. to be TRIPLY fair, though, what's here has so much polish and depth that there was clearly some kind of passion present. my mind made a strong connection to kingdom hearts; i am not a big kh fan, so that is either indicative of just how similar neo and kh are (that someone like me could point it out) or how ignorant i am to action rpgs (accusing neo of being similar when it's really not). i'm open to either option.

the hyper-customization also feels like a double-edged sword, in that there is virtually no difference in how each of the six party members play. making your party members distinct from a gameplay perspective is INCREDIBLY important, because it's such an effective tool of storytelling. for better or worse, how a character performs during gameplay will directly influence how a player will view that character holistically. if, either by pure luck or bad game design, a character underperforms, a player is inclined to view that character less fondly. while neo's method of little if any distinction seemingly circumvents this slight dice roll, it closes off a unique opportunity entirely and settles for something that feels a little bland. mind you, this doesn't change anything about what i liked about the game's customization and customization as a whole. i do believe, generally, that the more customization the better, but that can't be an excuse to homogenize the party members.

none of how the game handles levelling up and stats really helps this. yes, characters will have different tastes in terms of food (leading to potential bonuses on top of the stat increases that food already does), and some clothes will have secondary benefits exclusive to certain party members, but it's not nearly enough.

i'm tempted to say that the solution to this would be to find a better balance, and that is still true on a fundamental level, but i also don't think making party members distinct and customization are mutually exclusive, or even necessarily things that mitigate the capacity for the other. if you want to go as extreme as what neo attempts, then yes, a focus on customization will undermine uniqueness, but there's also ways to let them heighten the other. in twewy's case, the dynamism of neku's gameplay vs the static "gimmicks" of his partners spoke not only to the personalities of each character individually, but also of neku's relationship with those partners and with people as a whole. more contemporary and popular examples of this would be pokemon (especially nowadays with nature mints and streamlined ev training) and persona (especially 5 royal).

the latter of the examples i bring up is an interesting one to me: taking advantage of a protagonist who is a canonical blank-slate (not to say joker or any persona protag from 3 onward has no personality, just that they are wild cards) to let them fit whatever mold the player wants. it's a big indicator of what i mean when i say that customization and uniqueness can coexist, because in this case, they're two almost completely separate spheres that manage to function without overpowering the other. when they DO interact, such as with the intended evolution of the mc's personas or the customization allowed for non-mc party members, it only enhances what it touches.

i should stress, despite these critiques, that i think neo's gameplay is good. i had fun with it. there are aspects of it, such as its pin selection, that i found memorably impressive. but i want to stress why i stick so strongly by my thesis—that neo is derivative—even for its best aspects.

and on that note: the story.

let's get the big thing i've been alluding to out of the way: i ADORE neo's localization. i really, truly, sincerely think there wasn't a single time in the entire game where i felt some piece of dialogue was awkward, and that is not only a compliment for the localizers, but for the writers as well. don't get me wrong, i could sometimes notice that things were localized, but that realization never jarred me. rather, it made me that much more confident about what that piece of dialogue could tell me about the character saying it, the situation they're in, and/or their relationship(s) to whom they're talking to.

i won't act like it's absolutely perfect, of course. however, my complaints come from failures to achieve the goal of localization, rather than with the innate nature of the practice. for example, probably my biggest hang-up on it is that it undersells a lot of the sentiment when shiki and neku finally reunite, though the voice acting is partly responsible for that (likely moreso the voice direction rather than the actors themselves, but i can't say for sure).

back on the positives, i do find the english voice acting pretty good. miranda parkin as nagi is my personal highlight; her performance reminds me a LOT of erica lindbeck's futaba sakura, and you should absolutely look into her work on her youtube channel "ParkinArt" when you get the chance, because she is superbly talented. shoutouts also go to xander mobus as kubo (i struggle to think of a sleazier voice) and pretty much every returning va.

in general, i am pretty massively defensive of localization and localizers; whole lotta people who don't know shit spouting, well, shit. to be fair, i'm not much better, but at least i'm on the side of the people who do this shit for a living. and i'm also on the side which appreciates those people for the work they do, because i can't help but feel like it's really fuckin hard. you're not just translating the literal words, but finding ways to synthesize it to maintain the SPIRIT. This short video by "Jehtt" about the opening line of Sonic Adventure is an excellent example of what I'm talking about.

as for the content getting localized itself, final remix (and specifically a new day) made it clear that whatever sequel comes out, it's going to be some kind of direct continuation of what's been established, rather than a self-contained story in the same universe or something along those lines. personally, i would've preferred the latter if a twewy sequel HAD to exist, and to its credit, my favorite things about neo twewy's story tend to be the things which THEORETICALLY make it stand on its own. obviously, your enjoyment is enhanced if you play the first game, but there's enough in neo to make it possible for someone who doesn't to still understand it.

for example, new characters are fun, even if occasionally half-baked. i'll get the riff-raff out of the way: the shinjuku reapers felt like goofy personifications of gimmicks that served their purposes well enough, coco is a bit less annoying this time, tsumugi is hilariously half-baked after being hyped up as much as she was, hazuki... exists, and i struggled to see any of the other team leaders as more than an impetus for other characters (though i am DEEPLY grateful kanon isn't as bad as she could've been). speaking of which, how about those characters?

my favorites were nagi and fret; i see their concepts as a bit tropey, but executed well all the same. the ways their arcs intertwine were surprisingly compelling; nagi's dislike of fret wasn't just a weird gag, but an inevitability of fret's compulsion to put up a front and nagi's keen perception and hatred of "fake" people. once nagi learns why fret puts up this act as he makes an effort to move past that instinct, they start bonding almost immediately as she tells him more about her inner workings and that she'll take care not to be so judgmental thanks to his influence. the reveal that she got fret on elegant strategy after the events of the game made me smile way more than the game trying to get me to like rindo and shoka as a couple ever did.

on that note, i could take or leave rindo as a protagonist, and in general, my interest in the shinjuku reapers (especially shoka) waned as they became more significant. that's not BECAUSE of their significance, mind you, simply that they ended up disappointing me in one way or the other (with the possible exception of kaie who was just kind of a silly little guy). it comes back, yet again, to my thesis on this game failing to meaningfully iterate. i understand and agree that there's a lot of value in establishing parallels between characters, even if the plots of their stories are disconnected. i would go so far as to say it's ideal to make a sequel expand on the subtext of what's been established like that, as long as it and what's new bolster each other. in the case of rindo, i struggle to appreciate things about him that aren’t some extension of neku when he was a protagonist. i found his arc about making his own decisions sudden and a bit inexplicable, especially with how blatantly it was stated. felt like a case of saying a character was having a specific arc without actually giving them that arc.

as for shoka, i do like her more than rindo. in fact, it’s her relationship with him that made me lose interest; it felt like all the things that endeared me to her, like her relationships with the other shinjuku reapers and her brand of snark, got pushed to the side in favor of said relationship. it dominated everything else about her character in a way it felt like it just didn’t with rindo. granted, this could just be because he’s the protagonist, and her “snark” is a surface level reason to like her. however, i don’t find that first concession to be an adequate excuse, and it was precisely her personality that got me interested in the character to begin with, only for it to feel discarded (albeit probably not completely, i’m sure there’s a cute lil moment or two i’m forgetting). considering shoka’s love of gatto nero and shiki’s presence in the game, i imagine the parallels between the two have to be somewhat intentional, including with their relationships to their respective mc. like with rindo, these parallels make it hard for me to appreciate the character, but unlike rindo, shoka’s parallels seem to actively oust the things unique to her, as opposed to rindo’s leaving little opportunity for appreciable distinction to begin with. again, i ultimately prefer shoka, as tis better to have loved and lost than to have never loved at all.

that just leaves the three elephants in the room/party: all of them are returning characters. two of them are characters you played as in twewy.

i do want to make it clear that even at my most territorial, i don't think i was ever completely against the idea of there being returning characters; if anything, my ideal twewy sequel would actually feature characters like joshua or hanekoma more prevalently than they were here. rather, much like most things, it comes down to how you implement them, and neo does so in a way that pretty blatantly relies on them. even that isn’t a necessarily a bad thing, but remember what i said about this story attempting to stand on its own?

what shocks me about their sheer prevalence is that very little of it feels necessary. i don’t get the feeling that any of the og gang were needed to make this story work on a thematic level (as happy as a lot of their scenes together made me), and in fact, as i alluded to with rindo and shoka, it actually seems to impede or dampen a lot of what the game is trying to go for. i see it as perhaps the single most blatant example of my thesis statement. neo plays with the concept of a self-contained story, but is unable to let go of what's already there, innovate enough on the franchise and original game’s core, and pull through with something standalone, because it seems generally unwilling to embrace change, and consequently, key aspects of creativity and what makes a good sequel. i understand if others don’t share this opinion, but to me, it really feels like neo only changes when it has to, and that reflects in the changes it makes as well as the ones it doesn't.

and on that note: the conclusion.

sorry this feels so disparate. i definitely wouldn't call neo a bad game, and in fact, i think given some time, i can comfortably call it good. plus, i can, after some difficulty and deliberation, say it and even final remix's existence only add to og twewy. impulsive territorialism be damned, it makes me happy to see stories and characters i love be added on to like this. the aspects i consider bad, even if they might be fundamental, are not enough for me to avoid embracing and appreciating the good. my silly little headcanons are not “threatened” by things like final remix, even if it felt like they would be in the moment. it is still possible to imagine all my favorite characters living happily ever after with each other, even that cunt with the mop for hair joshua, and if anything, certain scenes in neo only add to those delusions. i may have complained about them, and i do stand by those complaints, but i cannot deny how much i love them in isolation. i think the only thing that could've made me hate them is mischaracterization, but the only instance of that which stuck out to me (neku and shiki reuniting) seems to be a translation issue, and the real sentiment of the scene aligns far more strongly with my views of the characters.

that said, i'm still definitely disappointed by it all. neo's derivative spirit felt very pervasive to me the whole way through, and by the end, i felt a strong urge to replay twewy. that's not a necessarily bad instinct to have after playing a sequel, because it's the idea of "wanting more". it is, however, bad in this case, because it was a mix of that and the idea of "wanting better". i wanted to play something where these good ideas were new, or better yet, something where the new ideas were good. as it stands, i'm left the slightest bit hollow; just enough to be noteworthy, but i still feel like a dick for bringing it up.

i'm happy i played this game. i may very well play it again in the future. there's aspects of it i like to the point of loving. and yet, i hesitate to say i like it.

my feelings on this game continue to be jumbled, even after all this. still, writing a lot of it out definitely helped, and it was really fun to make! thank you oh so very much for reading; i hope you enjoyed it!

oh, and i would rather rip my dick off than play scramble slam again-

[reijamira]

THK EP 7: Uh-oh, trouble in paradise. (My reaction.) 

I tried to stay away from spoilers, but I’m weak. I sneaked a few glances at my Xitter timeline and one at my tumblr dash. What I learned beforehand was: 

It’s Bison’s birthday, and Fadel gifts him a cute cake despite him being angry (Why angry?) 

Keen is spying on FadelStyle in the restroom (it’s a trend, right? JoongDunk have a restroom scene in literally every one of their shows. What's more: Dunk said when they met for the very first time ever, they also went together to the restroom to have a little chat. 🤣 Coming back after I watched EP7 to add: Now Style's comment about making friends in restrooms is all the more funnier.)

Fadel’s arm is in the sling. 

Fadel uses chloroform on Style. (Why??? 😭)

They do paintball. 

Style gets jealous. 

There is a scene with a husband? 

Style drives while Fadel points a gun at his head. 

Style, with his arms tied behind his back, clad in only his boxers, sits on the side of an empty swimming pool. (Help! I’m so scared!)  

That’s it! How does this all add up? Joong said on his IG today that it’s not a sad episode. Let’s see if he’s right. 

Wow, 1:09 hours long! Make that at least two for me. (In the end it took me three. 🤣) I will have to pause and rewind a lot. Roll around on my bed, hitting my pillow, squeeing and screaming. Like always. 😂 

My hands are cold as ice. I’m already so emotional and I’m not even two minutes in. Uhh! 

Oh Jesus, Bison’s fake smiles and his overly cute expressions! 🤣😭 

Those little kisses and pecks Kant gives Bison are so adorable. Oh my, he is so whipped. 

Omg! That scene with Style on that garage trolley! HOT! Love how Fadel gets Style to consider with a challenging “are you scared?” It’s always the challenges between them. 

OMFG, the dad!!! Muhahahaha! Lol he didn’t buy Style’s explanation! 😂😂

Style’s dad is so wonderful! I like him a lot. Yes, give Fadel a hint that Style loves with his whole heart! 

The scene with Kant and Bison in bed: It’s so tragic. If you know where Kant is coming from, it’s all in his dialogue. He thinks about family and work. Yes. Ooooh, my poor guy.

“No matter what happens, I’ll keep all the good memories.” Please, no foreshadowing! 

WOW! Bison just said “I love you, Kant.” And Kant said it right back! My heart is aching! Will Style confess his feelings for Fadel in this episode as well? 

Man, I really feel for Kant here. His broken expression. What should he do in a situation like that? 

I LOVE Fadel wearing Style’s shirt and him loving Style’s scent! 😍

Both Kant and Style have noticed and commented upon the fact that their boyfriends act weirdly. Interesting. 

Soooooo adorable! Fadel smelling Style, loving how he smells. Omg! He is an addict. 🫠 He looks like a cute dog. 

Please, no sad Fadel face! I can’t bear seeing that man so miserable. 

The paintball game is so much fun. lol Style’s worried look when he sees Fadel firing his gun. 😂

Bisooon, come on “lovers in the trenches”, “like we are going to die together”. Enough with this nonsense. This is a rom com. No one of the couples dies! Kant’s “we’ll fight through it hand in hand” is killing me! 😭 

Bison: “You gotta protect me, then. Don’t let anyone harm me.” 

Please, why so much foreshadowing?? 💀

Fadel saying Kant “started all of this”. Uhhhhh lord, the heavy double meaning! Style did notice something. 

I can’t with the heavy double meaning in this scene. Style doesn’t know that Fadel knows. 😭

Style: “Professional BB gun shooter” 😂😂🤣😂🤣😂 Saved at the last second. 

Fadel: “Make sure no one shoots me in the back.” 

And then their talk about trust. Whew! Love the subtext! 

FUCK! I knew it! They did intend to shoot them for real! Shit! Kant!! 

Okay, apparently, Bison did intend to shoot Kant for real? 

Ah, no, so there IS still a plan? 😭 

Whoah! FLASHBACK!

Not Bison burning their trophy! 💀😭😱

Uh oh!!! So, that’s how Fadel learns how Style got involved! Jesus! Bison just told him straight up. Intense! No, Fadel, don’t hit him! 

Gods, their shouting at each other was hard to watch. I know that Style and Fadel will also have a scene where they will be shouting at each other. I’m not ready for this. Not. One. Bit. 

No, Fadel, you weren’t happy before Style. You said so yourself. Stop lying to yourself! 😭🥺

My goodness, make them fall head over heels in love and then kill them. But they ARE already heads over heels in love! Just open your eyes and see!! 

Man, you are all so wrong! They don’t think you are fools, you FOOLS! Seriously, if any of you would just open their eyes and interpret the evidence (couldn’t resist the Hannibal reference 😄). 

HELP!!! I did not expect to witness Bison’s murder fantasies in such explicit detail! 💀😱

Oh, my heart is melting! Fadel, you adorable man! The cake is so sweet! With the little house! 🥺 They want to be safe and normal. 

Style and Kant in the shower. I love how positive Style is. It’s so refreshing. He really brings a bit of light in the darkness of late. 

Well, was that the husband from my spoiler? The disgusting guy with the death glare at Fadel and Bison? Maybe he is the shooter, not Keen? 

It’s getting exciting now! 

Oh no, not me tearing up about Kant’s thoughtful gift to Bison. 😍🥺

Not Fadel and Style watching this cute, romantic scene play out right before their very eyes. Fadel’s expression is getting to me. He had a partner once, who apparently vanished. Now he has a new partner, but this one is seemingly fake. 😨

Fadel saying Style is unique. My god, just lay it all on the table. All the cards. Enough with these games! 

WHAT!!! Style?? A ring and ask Fadel to marry you!!! Jesus, this is foreshadowing I LOVE! 

WAIT!! WHAT?!!? JESUS, WHAT?? WHAT JUST HAPPENED HERE? 

For a second, I was worried, Style’s intended way to go was by poison! Look y'all, how worried Fadel got in a blink of an eye! Wasn’t he supposed to murder him? Doesn’t look to me like he could, though. 🤣 

Did Style really just cough up a ring? The fuck? Muhahahaha, this is such a Style thing to do! I bet Fadel found it secretly endearing. Yeah, look, he calls himself a fool. Yes, a fool for love. Good thing, Style’s love for you is genuine! Open your eyes, Fadel! And please, do marry him! 

Uhh, Fadel? What did you just intend to put into Style and Kant’s beer? 

What’s Keen’s plan? Appreciating the antiques?

lol Style, you are so naughty. Wash your hands first, please, would you? 😂 I bet Keen is perking up his ears now. 

I think Keen will set his eyes on Style now, right? I believe he had something to do with Fadel's ex, too.

Oh gosh, it’s happening! So, Keen wanted to shoot, but it’s the disgusting husband from outside the bar! 

Hahaha, Style! lol way to show your jealousy! 😂😂😂

Fuck, fuck, fuck! Everything I thought was WRONG! Bison gets stabbed!!! Not shot! And Fadel gets shot protecting the woman! My goodness! What a mess! 

Fucking hell! STYLE! Just like that, yes? Picking up a gun and training it at someone with a death threat on your lips. How freaking badass! 

What a captivating scene!! Jesus, lord! 

Huh, a broken arm? Thought he got shot? 

My boys, Fadel and Style! Just realize that there is genuine love between the two of you! 

No, no, no, don’t push Style away, Fadel! 😭😭😭

Kant breaks my heart. 🥺🥺🥺 No, man, I’m crying with Kant here. 😭

Oh shit, Kant! Bison! Behave!!! 

Hehehe, Captain Christ cursing is hot! 

No, but Bison’s crazy psycho look at Kant in the trunk was scary. And sexy.  

Nooo, the chloroform scene! Why, Fadel??! 😭😭😭😭

Nooo, I can’t watch this scene!!! Help! I was hoping it wasn’t Fadel who would do this to Style! 

Great cinematographic shot, btw. Style has a beautiful back. 

Good god, what is Fadel’s plan? (How did he even do all of that with a broken arm???)

Jesus, I can’t! Style said he loved Fadel! Man, this scene does my heart no good. It wants to beat out of my chest. 

No, what? Don’t hurt him! Whaaat??? You can’t end this scene on a gunshot and then nothing! What the hell?? 

Shit! Goosebumps! Oh my lord, that’s why Kant is afraid of the ocean! Jesus Christ! 

Oh, he really did jumb. For Bison! 😭😭😭😭 

NO! Not another cut! 

lol Style! Flirting with your enraged hitman lover. You sure love the rough, romantic side! 😂😂

What’s with the appreciative glances at Fadel? 🤣 Style, you are beyond help. 

Wellll, that was an emotional rollercoaster! I love this freaking show so much! Next week, we finally get the bathtub scene, y’all! 

What’s with the car bed scene? 

I think they will angrily shout at each other and the car bed scene comes right after that (Dunk said in a clip I watched on YT that both their voices were still raw from shouting at each other for a scene of THK.) 

Kant has to do penance with Bison. Poor man, but he did fall in love with the crazy one. 😂 

It looks like Fadel and Style get attacked? Is this the scene where Style gets his injury? 

Gosh, I can’t believe the seven days of waiting in doom and misery have begun anew. 😭

Joong was right. This episode had its heartbreaking moments, but overall, it wasn't sad, rather dramatic and scary and thrilling. 

[ley-med]

Guys? Apparently this "fake it till you make it" thing is working. I mean I'm very very far from the "make it" part, but the "fake it"? Now that indeed works.

A fellow resident just told me the best compliment. She said a first year resident friend of hers, who happened to be in our hospital for a rotation, saw me during work in the resuscitation bay. And they assumed I must be an attending, or at least been doing this for a very long time, because I've been radiating so much confidence and calmness, I must know really well what I'm doing!

I don't remember them, nor the case or the patient, but I'm one hundred percent sure I have been thinking more along the lines of "AAAAAAAAAAAaaaaaaaaaaAaaa", as one does in such situations. It's a relief to know it didn't show on my face... I am so damn proud.

[mcalhenwrites]

Still alive, writing and editing a lot and even drawing (mostly dragon sketches at work). Seasons has some new chapters now... I saw something earlier about writing being something you can hone by doing lots of reading and writing. I wonder when that will apply to me. I've read a lot of books this year. I have almost hit my goal of 90 books, and while a couple are nonfiction and half are comics, the rest are novels. I expect that to increase again, now that I'm going back to the library. (I stopped with the bed bug scare.) Then I'm setting aside time each week to write. I work on stories at work, even if it's mostly just planning. (My laptop is falling apart so I just gave up taking it to work.) Yet here I am, still the same idiot who doesn't have anything appealing enough for most people to read. I can't get 99% of my followers interested. Sales of Geckos have dropped to next-to-nothing. Nothing else I put out there matters either. The fault lies with me. I'm not good enough. After having this stupid blog for 12 years, I want to delete it. I want to delete my twitter account. I want to delete every single account and shut up for good. There is nothing I can offer. My writing is a good hobby for me. I can get pats on the head for doing a little thing for myself. Aww, look at the cute little dumbass adult doing wittle storwies!!! Isn't that silly!!! They're not good, but he's having fun during the process. Too bad he hasn't figured out that not even 39 more years of practice can save what he's handing out.

[theres-whump-in-that-nebula]

Spoke to someone I don’t know over the phone, 11 dead, 32 injured

[bisonofyesterday]

I've been reading a lot of conspiracy theories lately for fun and it's wild, sure, a glimpse into the mind of an insane person, but honestly it does kinda get boring after a while once you recognize all of the tropes

It's a real thing that happens and it was a fear for me at first but now? I genuinely don't get how "conspiracy reading for fun" could act as a pipeline to being a conspiracy theorist, like are you stupid?? Were you already susceptible to this brand of thought??? Literally all of these are either odd interpretations of economics, wishful thinking, reboots of antisemitism, or just plain regular bullshit, and like it's really easy to see that, like all of this is dumb, people who believe this are dumb, it's absurd

Fantastic fiction though, these could be good books or games or movies, and like that's what they are and that's their primary audience, people who want to pretend they're the protagonist of a movie, of a grand plot, every bad thing doesn't just happen or are perpetrated some random disturbed people! It's an organized movement at the top of everything responsible for every bad thing ever to keep us in line! It can be a kind of anti-religion in that sense, malevolent gods are better than none

There HAS to be gods at the top of it all, who put ridiculous references to themselves in everything and monolithically control the entire world, because if no one is in control, then that'd be terrifying

[starrysharks]

i usually just post about reassassination and ultimate excalibur alongside less developed stories/universes but brother i have a LOT of stuff that i either hardly talk about or never talk about at all publicly ,,, mostly because they don't have any character designs done yet 💀

[dandyshucks]

i havent watched wrestling in so long but i saw some gifs of tonight's match and. whew. that stuff is crazy.

[opens-up-4-nobody]

...

[genderkoolaid]

part of the reason i love how bell hooks talks about masculinity is that she shows real compassion towards men suffering from the effects of toxic masculinity. she was conscious of how we need to unlearn the ways we talk about men + masculinity just as much as we need to unlearn the same for women + femininity. so many times ill see someone talking about toxic masculinity like (hyperbolizing here but only slightly) "these FUCKING STUPID BABY BITCHES won't MAN UP and go to a therapist!!!" and like. i get the anger. but you see feminists recreating patriarchal manhood by only promoting good behaviors through patriarchal frameworks. any use of the term "real men" is bad because it reifies the idea that manhood is a special title you must earn, and it is something possible to fail and fake. & as important as it is to promote sexual equality + the pleasure of non-cis-men, lots of people are essentially still working with the idea that men need sexual prowess to have worth but just shifting it slightly so there is more emphasis on women's pleasure. but I want cis men to think about their partners' pleasure because they care about their partners, not because they need to check a box in order to keep their man card. and don't get me started on small dick jokes– and the absolutely pitiful excuse people will use that "well, I don't believe it, but misogynistic men get upset when I say it, so it's okay!"

basically bell hooks is so fucking right. in order to create loving men we need to love men, simply for being alive, whether or not they are performing. as much as we need to actively unlearn misogyny (and we do), it's equally vital we unlearn patriarchal ways of seeing manhood. we can't just assume that taking a feminist perspective automatically means there is no work to be done there.

[leebrontide]

Here's a funny little story about disability accommodation.

So I'm a bit deaf. Like...I have a prescription for a hearing aide but don't own one kind of a bit deaf. And I used to work at this noisy ass addiction treatment clinic. So even in my office I relied a lot on lipreading.

So one day I'm working with this client, and she's getting more and more upset and shut down, no matter how I try to steer us onto a calm, relaxed subject of conversation. And I can't figure out why the conversation has gone so far south.

And then I realize I am sitting at a buckwild angle in my chair, leaning waaaay over to the side. I'm almost falling off this chair. I look like a total goober.

And then I realize I'm doing that because I'm trying to lipread this client, who keeps turning further and further down and away from me. I probably would have noticed sooner but lipreading is actually kind of hard and I was focusing on noticing her upset rather than my body language.

And then it clicks.

She thinks I'm leaning like this because I am being a passive-aggressive asshole who is trying to force/shame her into making eye contact with me. I'd known this client enough to know she hates eye contact- possibly autism, possibly anxiety. Always possible it's both or something else.

I sit up straight and say. "Oh! Hey, I don't give a shit about eye contact, I'm trying to read your lips so I can understand what you're saying to me."

Instant vibe change. She relaxes, and sits upright comfortably in her chair, looking about a foot to the left of my head, so I can see her face clearly but she doesn't have to either fake or evade unwanted eye contact.

From then on things go a lot smoother, and we can get some good work done.

One side benefit from normalizing accommodations and reducing barriers to them is that it allows for low-stress conversations about what everybody needs in order to fully participate in an interaction. If I hadn't named the need I was trying to meet, she wouldn't have realized she could have her need met as well.