#here’s my own opinions!

[maidenvault]

Not “Only my reading of canon is correct” or “Interpretations are subjective and all valid” but a secret third thing, “More than one interpretation can be valid but there’s a reason your English teacher had you cite quotes and examples in your papers, you have to have a strong argument that your interpretation is actually supported by the text or it is just wrong and I’m fine with telling you it’s wrong, actually.”

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[witchlingcirce]

Seeing people refer to Daenerys as entitled, or narcissistic is so actually mind boggling. Like DAENERYS???? The Daenerys who never even had a proper home??? The girl who said she would not rule of ash?? And wanted a happy kingdom??? The girl Who listens to all of her people’s complaints almost everydau??? Same girl who cried over chaining her dragons away??? THE GIRL who is legit kind to people who aren’t even close to deserving it (Viserys, Jorah)??? LIKE DAENERYSSS?!??!?!?!?!??

[thasorns]

THE HEART KILLERS (2024-2025) เขาจ้างให้ผมจีบนักฆ่า dir. Jojo Tichakorn Phukhaotong

[disniq]

Oh I misread that last post actually. While Jason's loneliness definitely resonates, I don't think it's self made in the slightest.

If anything he's guilty of reaching out at any cost - originally by using violence and antagonism to force interaction (UTRH and BiB, arguably the titans tower thing), and later by consistently showing up when called no matter how badly he's been treated, doing Bruce's bidding, and being 110% willing to sacrifice himself for the cause in the hopes that it'll finally be enough, even though it never is.

[randomalistic]

Wait you guys are actually buying Disney products I thought it was a joke

(READ TAGS FOR FULL CONTEXT Sorry it’s long dies

[fexalted]

good omens + text posts (part 9)

an assortment i made last year with some season 2 mixed in for variety :3c

[hobnob-moth]

Wait… aren’t directors usually supposed to be the silent voice in stories? -Jesse

Oh, tons of directors are in their own work. Hitchcock, Harold Ramis, Mel Brooks, M Night. Shyamalan, Uhh ███ ████. -Emily

Who? -Jesse

—

Had a silly idea pop into my head when I heard the dlc for Alan Wake 2 would have Jesse in it, and the idea kept tormenting me enough to finish this drawing. I wanted to work in something with The Director vs a director, but wasn’t able to make it concise enough to fit sadly.

[nami-moittli]

Uh, more spoilers for like, persona in general. So yeah, be warned

Okay, so this is technically from a spin off but my favorite awakening is Zenkichi <3333 I love him so much and his awakening is SO GOOD idk if you know his story so I’ll keep it light, but you’ve got to trust me it’s great! Plus blorbo points, but that’s neither here nor there

Akechi’s ‘awakening’ is also amazing!!! Tbf all of them are, except maybe Sumire’s? Idk it kinda fell flat for me tbh, but oh well. Yeah all of them are so good though <33

I may not be fair for asking this one bc I don’t have an answer (plus I haven’t actually played the game so idk the gameplay mechanics 😰) so it’s more for the story for me, so I’d have to say Futaba (I love her, just want to wrap her in a weighted blanket yk?) Sae (vibes for the most part lol) and… Maruki? Because Maruki is SUCH a bastard and his palace is SO GOOD at showing that. It feels so sanitized/derogatory if yk what I mean

Again, me not actually playing the games bites me in the ass so I can’t really say anything for p4 but yeah. Can’t really say anything about it sadly so I’m skipping that part 🥲

P5) ZENKICHI I love him so so much. Pathetic man. Love him. His daughter hates him, his wife is dead, he lowkey hates his job. What a man. By extension I also love Toshiro a lot. P5T is LITERALLY his game, he deserved his own pt gear.

Crazy that I love Ortho sm but Sophie got beat by Zen lol. ALSO!! AKECHI!!! Akechi you fucking bastard I love you

I love all of them, honestly 😭 they’re all so good!! But I was on a Mishima kick literally yesterday, so he gets an honorable mention

P4) uhhh, I really need to rewatch the anime (I watched it once and remember zip. I think I must’ve turned my brain off or smth) I also probably need to actually play the game too, but uhhhh Naoto? Idk I think her journey with gender is cool (she/they/he, but prefers she/they) Kanji’s cute too, and I see where you’re coming from with Kou!

P3) Minako and Minato! Fun fact, I actually cosplayed Minako once! It was fun! I’ve also cosplayed Futaba and Ortho before so yeah. Tbh most of my knowledge of these characters comes from an Akechi time travel fic I’ve been reading, so my perceptions may be kinda skewed, but Shinjiro and Misturu too! Maybe Ryoji too, just a silly lad (with unimaginable horrors within)!

(I will probably make some fanart of that fic, so when I make and post that, there’ll be a link to it!)

P2s: SUOU BROTHERS <33333 gods favorite (in the way an author tortures their blorbo) and cat lover who’s allergic to cats who just wanted to open a bakery

The sillies <33

P1) Idrk, I’ve read most of the manga, but I’m not sure. I guess, Nanjo? Silly guy who love the number 1

Hm. Persona’s been on the brain recently, so I kinda want to talk about that, but idk

Questions!

1) Favorite awakening?

2) Favorite palace? (Or maybe p4 dungeon or whatever they’re called)

3) Favorite character?

OHHHH favorite awakening? Damn that’s so hard…

Umm P5 spoilers/talk under the cut just Incase ☝️

UGH. Let’s see. I ABSOLUTELY ADOREEEE Ann’s awakening! I think the emotion is amazing <3 she is sick and tired of being treated like shit by Kamoshida!!! And she’s so so fucking badass while being summoned!!! <3 it’s amazing

But then!!! I also ADORE!!!!! Akechis second ‘awakening’ it’s so fucking amazing…. The insanity of it all…. AOUFH it’s wonderful!!!

Special mention to Makotos and Yusukes awakenings!!! They’re both super badass!!! I especially love when Yusuke scratches his nails on the floor and they bleed…. It’s so augfhfhfjfjfjf

I also really like Jokers awakening! Its cool <3

Favorite palace? HM. I like Kamoshidas because of the story!!! Especially Ann like damn <33 that ending !! Absolutely amazing! OHHHH AND THEN FUTABAS AHHHHHH FUTABAS IS ABSOLUTELY AMAZING <33 I enjoy the gameplay! The story is heart breaking and the SOUNDTRACK?!!! So fucking good. ☝️☝️ top tier

Now for persona 4 I’m not too far along BUT!! I really like Yukikos dungeon…. I think the princess thing is cool….

Favorite character??? AHHHH YOU CANTTT DO THIS TO MEEEE AGHHHH

OKAY. P5- AKECHI☝️☝️☝️ ANN☝️☝️☝️ HARU☝️☝️☝️ JOKER ☝️☝️☝️ ( theyre in my polycule) GOD I FUCKONG LOVE MISHIMA!!!! OH AND I FUCKONG LOVE YOSHIDA HES MY EVERYTHING <333 IM HIS BIGGEST FAN 💞💞💓💗💓💞💝💘💖💞💕 ryuji is also really close I adore ryuji. Same with yusuke and Futaba

P4- YUKIKO <3 YOSUKE <3 the rest are cool but those two <33 ohhh Kanji is also hella cool <3 ummm very silly but I really like Kou 😭😭😭 he’s so stupid and silly

P3- AKIHIKO ☝️☝️☝️ JUNPEI ☝️☝️☝️☝️ (now I’m not finished with P3 either but shinjiro 😍😍😍😍😍🥰🥰🥰🥰🥰🥰)

[iceclew]

oi, @mechazushi! -w-)

*throws this in like a granade and jumps into hide-out*

[letters-to-lgbt-kids]

My dear lgbt+ kids, 

If you sometimes come across the term “banned books” but don’t really know what it means, here’s a simple little introduction to the topic: 

“Banned books” refers to books that have been censored or removed from libraries, schools, or bookstores due to objections from certain groups or individuals.

When we read that definition, I think a really common and understandable response is: „whoa, okay, these must be really bad books full of dangerous ideas!“… and in some way, that’s true. 

Because, you see, to someone with a homophobic worldview, any book with a gay character is really bad and dangerous. And to a child abuser, any book that educates children on consent is really bad and dangerous. 

Among the top reasons for book bans are lgbt+ content, sexual content (including sexual education or education on sexual abuse), themes of racism and themes like drug use or addiction. Over the years, many books with significant cultural and educational value have faced bans - and this continues to be an issue all around the world, including in the US. 

When books are banned, it restricts the access to information people (including kids and teenagers) need to understand themselves and others. This negatively affects queer people and other marginalized groups (for example people of color or disabled people) but it also impacts everyone else. Diversity in literature enriches our understanding of the diversity of real life. It helps to build empathy, compassion, kindness and understanding. Access to different stories and viewpoints is vital for an inclusive society. 

Censoring queer books in particular also normalizes the message that queer experiences are inappropriate or “dirty” - which, again, is really beneficial to homophobes and transphobes. If it feels safe for them to say that queer books harm children, it paves the way for all other kinds of discrimination and harassment of queer people. 

Now you may think “this all makes sense when it comes to books with gay characters! But didn’t you also mention stuff like sexual abuse and addiction and racism up there? These are indeed bad and dangerous things!” 

I think this is another really common thought. These things happen in real life and it can be uncomfortable to even think about them. But that’s precisely why we need books about those “uncomfortable” topics! 

We may not like the idea that a child hears about racism or abuse - but in a world where kids can experience racism and abuse, they also need to be able to read about racism and abuse. They need to be able to say “this is what’s happening to me and this is not okay”. We need to be able to name bad things when they happen to us or when we witness them happening to others. We need an understanding of and a language for bad things. That’s the only way to fight the bad things. 

Another thought you may have is “Okay, and now what? I don’t have the power to do anything about all this anyway”, and honestly I wouldn’t blame you for that one either. Hearing about book bans (on top of all the other negative stuff we hear about) can feel really depressing. But there are things you can do to push back and help keep diverse stories accessible - even if you are young or have limited resources! 

Some ideas: 

use your public library (many public libraries actively resist censorship and make banned books available!) 

use a digital library (services like Libby and Project Gutenberg offer free access to many books) 

look out for online petitions or letter-writing campaigns by organizations that oppose book bans (for example PEN in America) 

look up if there are any “little free libraries” in your area (free book-sharing box operating on the honor system: anyone can take or leave a book for no cost) 

look up if there are any book swapping events in your area 

take part in reading groups, book clubs etc. (either in person or online) 

And of course the big one: if you can afford to buy books - make a point to buy banned books (or more generally, queer books and books from marginalized authors and books on topics that frequently get banned)! As a starting point, you can find lists of banned books online. Wikipedia has one, for example. 

If you have a bigger budget, you could even buy multiple copies and put some in your local “little free library” or bring them to book-swapping events or gift them to friends etc! (You could also ask your local public library (or school library or prison library or youth center or women’s shelter etc) if they take book donations, but you may want to hold off on buying before they say yes - not all of them can accept donations!).

Happy reading and resisting!

With all my love, 

Your Tumblr Dad 

[corviiids]

If i ask nicely, would you consider writing the core of Light and L character like you did for Shuake? (IT'S BRILLIANT BTW!! You're so galazy brain. I love reading any meta or just silly posts you posted here <3) because you mention Light a couple time in Akechi's part and now i need to know your thought on him and L.

(Also, about the death note wip you're cooking right now, is it a oneshot or multiple chapters fic? Im super excited for it!)

i ABSOLUTELY would thank you so much for asking and for your lovely kind words. and im sorry this took me seven years to get to i just kept psyching myself out.

here's the ren & goro post this ask refers to for anyone wondering. the 'core' refers to my answer to a writing meme:

26. What would you describe as OOC? [...] it's the same approach i take to language tbh particularly in pronunciation. once you understand how a language forms its sounds at a base level, you dont struggle with the accent on particular words, and you can encounter words you've never seen before and understand how they're likely to be said/spelled/etc. so once i learn to 'speak' a character they come more naturally. idk if that comparison makes sense to anyone else but it does to meeeee all this to say i think a character is ooc if they do or say something i cant reconcile with that core!

the death note wip is a multichap!! thank you for your interest!!! ill talk about it more once i've stopped tying myself in knots plotting it!! broadly it's a what-if type au which has led me to replot an entire series from scratch dont look at me

anyway lawlight below. i will say ive been really desperately wanting to do like a video essay or something about death note which would be a lot about L and light specifically and how i interpret their characters so ill try and not go toooooo insane in this post but maybe ill go more insane later. in a video. with my human voice.

(edit: i failed i went insane)

light - one-way road to the sky

ok let's talk about one of my favourite scenes of the entire series, which i think is widely not super well understood but honestly to me holds the key to light's entire character. it's right there in volume 1

sorry, the only digital copy ive got on hand is the scanlation. for comparison the official print copy reads:

bubble 1: hey, maki, wanna party tomorrow with some guys from s. college? ten o'clock. bubble 2: yeah, totally! bubble 3: hey, can i go too? bubble 4: my mom isn't here yet? what's that nag doing, geez! light (thinking): damn... light (thinking): start looking around you... light (thinking): and all you see are people the world would be better off without.

this happens within the first 40 pages of the first volume. and it's like. haha hey light what the fuck? this is a totally normal scene in everyday life. people are talking about living their lives. nobody's done anything remotely reprehensible in this scene. and light's just walking through the streets experiencing apparently unprompted and quite extreme misanthropy. what's wrong with him

ok let's have a quick look at the first time we meet light in the anime.

[...]

[...]

cool cool cool im gonna pivot again let's look at the first song (besides the overture) in the musical.

ok rook! we get it! light yagami is out here like damn we live in a society time to kill people about it. this is news to nobody! we all know this!! that's what the series is about! why are we rehashing all of this

great. cool. awesome. let's look at all those scenes one more time. but this time don't look at light. instead let's look at the people around him

in the opening shots of the anime (after the shinigami world, which actually is much the same theme): news of brutal murder is narrated over establishing shots of tokyo. light is shown dead-eyed, going about his ordinary life, surrounded by random other civilians doing the same thing.

in the musical, light isn't angry that murders happen. he's angry about the inaction and complicity of the ordinary people around him.

these scenes aren't highlighting that light thinks crime is bad. we all know crime is bad. the point of these scenes is to contrast light's frustration and fury against the reactions of the people around him. here's what light yagami is seeing: we're surrounded with rot. but nobody's reacting. and then life just goes on. so suddenly all those completely normal scenes of people being concerned with the superficial details of their life aren't just normality, they're complicity. day in, day out. so the world is rotting, and to light, it seems that everyone is completely ok with that. that's just the way things are. and that disgusts and depresses him. on top of than that, it isolates him: he feels like he's the only one who sees or cares about this, that everyone dismisses him as naive, that no one else can be trusted, that everyone else is able to ignore something he sees as inexcusable. this is a sentiment he repeats again and again. it reads as arrogance, and it is, but it's also isolation - after all it's lonely at the top and just as lonely to feel like you're at the top even if you arent

can i talk about the iliad again? is that ok with everyone. im gonna talk about the iliad again

in book 1 of the iliad, the commander of the greek army insults achilles by publicly and unlawfully taking a prize (the girl briseis) who rightfully belonged to achilles. achilles reacts by withdrawing his troops from the army, dooming the greeks' campaign. achilles had a lot of friends in the army, so why would he essentially sentence them all to death for something that only agamemnon did? well, (because agamemnon did something publicly that everyone knew was wrong, and yet nobody was willing (or at least able) to stand up for achilles and stop it from happening. achilles, disgusted by the inaction of the bystanders, turned his back on all of them. fun fact i nearly wrote a mini thesis (an academic one not just a long post on tumblr) about the intersection btwn this book of the iliad and legal theory but law+classics is such a niche interdisciplinary field my professor couldnt find anyone who could supervise me so i couldnt do it. anyway that's not the point

is this right or fair? who cares, not the point. what im interested in is what that kind of behaviour says about the individual. light, like achilles, is a highly idealistic person. we all know that in the abstract, but take a second to really really dig into it, because it's actually quite an interesting fact about a character who is popularly understood as being cold and unfeeling or flatly psychotic and on a power trip. idealism isn't naivety, it's not optimism, it's not even really a happy thing. idealism is simply a firm belief in the way things should be at the cost of refusing or being unable to accept what is.

this is the core of light yagami to me. light doesn't become kira because he's cold or destructive or crazy. he doesn't actually even do it because he's spiteful or misanthropic. it's very much the opposite. he's misanthropic because he believes in the world so much. isn't that a great contradiction! ok here i'll show you some proof.

in an early scene (also in volume 1), light describes himself as an optimist and ryuk finds that interesting.

so light is an optimist. he believes in a bright future for humanity. he wants to protect humanity. he likes humanity. no, he doesn't believe that people are inherently good, but he does believe in some goodness as a part of humanity and wants to protect the best of people, in an egotistical way:

how do we reconcile that with a young man who walks through the streets listening to completely ordinary conversations by ordinary people and reacts by wishing death on everyone talking?

let's split out what's going on here. remember what's happening in light's head. light yagami is 17 years old. he grew up with a police chief for a father (in a fictional world where the police are the literary stand-in for law as justice so just pretend for a second that police are good im sorry), watching his father work tirelessly to fight crime - but crime continues, making this an endless, thankless task. and while crime continues, so does the world around him. every day light sees atrocities on the news, and he sees atrocities brought home, and then he lives his ordinary life and watches the people around him apparently not give a shit, only concerned with the petty details of their own little lives. bystanders watching wrong happen, selfishly unaffected. day in, day out. that idealism is getting colder the longer this unendurable injustice goes on. so achilles condemns his friends to death.

what human trait is being exhibited? realistically it's helplessness. would being miserable about crime help to end crime? of course not. people have to go on with their lives, that's a fact, it's even a strength. even light begins the series completely unable to do a thing about the rot he sees around him, which is part of why he's so depressed. but that's not what light is seeing. light is seeing ordinary people appear to choose not to give a fuck about injustice. the thing that's sparking his disgust is apathy, real or apparent. light yagami is an idealist. he wants a better future - a utopia that only he can imagine - something that can only happen if either everyone becomes as good as he is, or he takes control.

if you leave an idealist in an unwinnable situation for too long, their pure belief will start to curdle. it will not turn to realism. they will not accept what is. they will only become more and more bitter that what should be, isn't. they will become a cynicist. this is really the heart of my argument and ive made it a million times and ill make it again. idealism and cynicism are not opposites, they're not even two sides of a coin. they are two points on the same line which moves very quickly in only one direction. this is where i start when im writing him: how do i make someone who believes so hard that it's killing him? someone who believes so hard it makes him believe in nothing?

then we find the third point on that line, which someone can reach by gaining sudden power - for example, a magic notebook that kills people: radicalisation.

how do we reconcile his desire to protect humanity with the fact that what he's trying to protect against is also humanity? how can i say light loves humanity when he has such disdain for them? easy peasy: light sees himself as the messiah. my bumper sticker that says ask me about light's martyr complex PLEASE ask me about light's martyr complex i wrote a song about it ask me about light seeing himself as the sacrificial lamb on the (and then the bumper sticker cuts off)

light loves humanity the way a twisted shepherd might love his sheep. something to be protected, but something beneath you that can't be trusted to know what's best for them. humanity is something he loves because it's endearingly pathetic, something to pity and save. repeatedly he refers to becoming kira as a personal sacrifice, something that costs him his soul but that he has to do. it's a delusion of grandeur driven by dual purposes of ego and some desperate wish to change a status quo he's been despairing about for years.

tl;dr: light believes with all his soul in something he thinks is impossible, and it's killing him slowly, and then a chance to change the world just falls out of the sky

L - isolate yourself until you can make believe it's just a game

steeples fingers. i have Things to Say about L Lawliet.

ok listen. listen. Listen. listen. are you listening? listen. in general i think people kind of misunderstand characters who are hyper-intellectual and/or behave unconventionally in social settings. you're all going to fucking kill me for this but i think there's a tendency to like... accidentally turn any character who falls vaguely in this broad category into sheldon cooper. god im sorry i feel like i just shot everyone's collective dog

specifically what i mean by that is that 'awkward' gets flanderised in a way that eventually becomes a caricature of itself, because there is so much nuance to actual social awkwardness that it's very easy to kind of pick a template and stick to it without really thinking about what makes that character 'awkward' and what the root and type of awkwardness is, unique to them. so instead we just get, like... generic big word user. generic driven by logic and logic alone guy. generic guy who doesn't Do Well with other people, for Smart Reasons.

here's a list of true things about L which i think are safe to say are uncontroversial

intuitive

logical, master of deductive reasoning

competitive

behaves in an odd way that draws attention

is aware of that fact

focuses extremely hard on his cases and only cares about being a detective not anything else

isolates himself and doesn't like talking to people partly for his own safety partly because it's boring to him

here are things i have seen in characterisation of L which i would like to dispute

makes decisions and draws conclusions based solely on logic and evidence

doesn't understand social cues

here's a list of alternate interpretations which i would like to propose and that i am willing to back up with evidence and/or by physically fighting over them

is driven primarily not by logic or evidence, but by incredible intuition which is supported by logic and evidence when it suits him

has a keen understanding of people, interpersonal relationships, and social norms

leverages that understanding frequently to his benefit

feels that he is not capable of / not a part of emotions that he sees as being typically human (see his speech about being a monster)

and yet in an abstract and self-contradictory and low-priority way still kind of desires connection, leaving him emotionally isolated

chooses to behave oddly on purpose, not because he doesn't realise he's behaving oddly, but because it is not a priority for him

those might seem like fine distinctions at some points, but stray slightly off the mark and his characterisation begins to vary wildly. for example, interpret L as being bemused or unaware of social cues, and one possible characterisation that may stem from that understanding (which i have seen) is that L doesn't understand sarcasm or jokes - which is demonstrably untrue. L demonstrates weak social skills because social skills aren't a priority for him, not because he doesn't understand social norms. after all he does a reasonably convincing 'i am a normal dudeguy' voice on at least two occasions (suzuki the information line guy and asahi the calling matsuda for drinks guy). even with the taskforce, when his behaviour is more of his usual bizarre self, he still makes the effort to treat them respectfully and meet them where they are, explaining himself when they ask, chatting with them, holding ordinary conversations. you can read this any number of ways but my point is that he can do all of this with relatively little struggle

it's also very much not the case that L doesn't have feelings or care about other people. he's ruthless and he's cool with causing people to die if he has to, but he reacts with visible distress to the deaths of the FBI agents, to ukita's death, to the prospect of other members of the taskforce dying. he does care, he's just not morally driven as a priority.

ok but if he can cosplay as Normal Dudeguy with no trouble then why doesn't he. why does he conduct all his business in dark rooms apart from the entire world forever. is it gauche to use a section of my own fic to explain my point? im going to do it anyway

It is easy to identify in Light what he has long known in himself. That little pearl of disruption, grown around an irritating grain of something just unique and tremendous enough to be uncomfortable to the more ordinary around them. L has hidden it by hiding himself. Light has hidden it by hiding within himself. L's black letter is to Light’s vapid smile is to Kira's invisible bullet.

(honestly a lot of what i have discussed here is also covered in this fic so in case this fucking three thousand word essay is not enough for you you can go read that.)

something L and light significantly have in common is that their intellect and unique way of thinking really set them apart from everyone in the world, which is incredibly isolating. but while L has the 'benefit' (arguably could be a detriment but i think he sees it as a benefit) of a unique upbringing which allows him to use his skills to their full extent without worrying about really anything else, light is very much trapped by social convention. while light's life is privileged and materially perfect, he's stuck inside what society expects of him, while L is able to exist completely outside that paradigm. the result is that light has retreated within himself and spends all day playing a part, barely tolerating the monotony and apathy of the world around him by mechanically performing as expected while smothering the part of him that never has an opportunity to truly come out until kira. L, on the other hand, has no reason to put up with a society that is, for lack of a better term, really just beneath him. so he retreats. remember that the first volume/chapter of the manga is called 'boredom'.

you can see that even in his comparatively limited interactions with the task force, he is having to exercise a level of patience to explain to them what he's thinking at every stage, to have to defend his methods, his instincts, his decisions, etc, needing to step through every stage of his reasoning so that the others can follow and won't object. this is NOT just about masking his odd behaviour, it's also very much about having to step through his morals and his process, which is second nature to him but is new to everyone else and needs explaining. it is visibly exhausting to him, and this is with people he actually seems to like well enough. eg during yotsuba arc when light and soichiro keep raising moral concerns, and he has those little "here we go again" moments (which i love SO much and are so telling of him to me) even though he doesn't let his frustration show. which is why he usually does not bother with it and prefers to work alone. he sits the way he does even though he knows it's odd, because he feels he need to sit that way. when light calls it out, he doesn't question that people will think he's strange, so he's clearly aware. he just explains himself.

but if he were out with people on the regular, he'd need to defend himself constantly. the things L does are not conventional. yes the sitting is just an oddity of his so it's a good example, but it's not just the things that are odd that cause a problem: he frequently makes decisions which seem to make massive leaps of logic nobody else (except light) can follow, and often his actions are morally questionable or even reprehensible. all that is because L is extremely pragmatic and results-focused. it kind of doesn't matter to him how he gets from A to B as long as he gets to B. but the way his mind works is that he makes big jumps that make perfect sense to him but would draw curiosity or objection from anyone who doesn't think the way he does. it would be absolutely exhausting to have to constantly defend every strange or questionable thing he did, so he just retreats.

when he works with other people, i think it's worth noting that the team dynamic never actually struggles for L's awkwardness. this is something i really like about death note honestly - L is quirky and strange, but the series doesn't do that thing where it's like He's A Genius Of Course He's Rude To Everyone. he's actually not. for the most part, L is courteous, patient, and polite. he's sometimes blunt or abrupt, but he very rarely does the thing where he's obliviously cruel or brushes people off. he's considerate of people's needs, he's visibly compassionate of other people's emotional difficulties, and he very rarely loses his patience. when matsuda tries to tell the locked-up light about kira resuming activity, L snaps "Matsuda!" to stop him, and then immediately corrects himself to go "I mean, Matsuda-san." it would have been really easy for the series to do that tropey shit where he's so smart that he doesn't bother with politeness, but he factually does. he makes the effort to treat people politely even when he's not actually being kind. when he's asked to explain himself, the reader can see he's tired and annoyed, but he doesn't take it out on people. on the odd occasion he does make fun of someone for being slow, he does so in mostly light-hearted ways. so he is very capable of dealing with other people directly. his lack of social skills aren't for lack of understanding. he just can't be bothered. it's a waste of energy to try and behave 'normally' or to do things that other people find acceptable, whether that's due to social norm or common morality. it is so, so much easier for L to do things alone. without the need to explain or defend his behaviour to anyone, his isolation turns real world problems into something almost purely theoretical. so it really is like a game for him, at least at first.

whatever

i think it's really important for a character like L to not be fooled by the surface-level categorisation of 'smart awkward character'. we really need to find what's driving his awkwardness. it's not ignorance, it's not even really disdain, it's exasperation. he's tired of being surrounded by people who just can't keep up with him, and he does not have enough energy or interest to spend his time handholding everyone through his process, so he just does whatever the hell he wants and avoids people as much as possible so he doesn't have to deal with it.

look i know this is a really long way to say stuff that people mostly already know, but i think L is one of the most finely nuanced characters in the series because he looks like such a simple expression of a known archetype and the ways in which he subverts expectations are so granular that it's easy to completely miss them even while appreciating how interesting he is. the way this translates into how i write him is that he's polite and has a lot of patience until he simply doesn't, at which point he'll inwardly or subtly express that he wishes he didn't have to bother with this shit, that he picks up on fine social and emotional details that other people will totally miss, but that he'll always put his own whims and plans before anything else.

tl;dr: L behaves like someone who is constantly moving at his own pace and for whom dealing with people is rarely worth the effort, but this does not make him inept or unkind.

[royalarchivist]

[t00thpasteface]

i can be your angle (hawkahy should happen because it suits the narrative's themes of vulnerability, honesty, and dismantling the idea of the rugged individual) or yuor devil (beejpeg should divorce because it suits the narrative's themes of vulnerability, honesty, and dismantling the idea of the rugged individual)

[coolnonsenseworld]

A little promo with my little obsession on the side...........

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