#here you go it's late

[stargirl230]

you’re my hero!

bnha doomed yuri was not on my 2024 bingo card

(no reposts; reblogs appreciated)

[krysmcscience]

Call this the Whoopsie AU (it's barely an AU)

I mean. Narinder never explicitly SAID the Lamb would stay dead... :3c He probably should have been more specific. >:3c

Part Two:

Well. The Lamb tried, but...sorry, Nari, the crown hates you now. Shouldn't have been so quick to lend it out, I guess. :D

Aaaand Part Three:

'Isn't he just adorable?' -The Lamb, probably, while their followers smile and nod and internally scream at the brand new hellcat they now have to share living space with...

Anyway, nothing says 'Dead To Me' like following a person around to loudly remind them of how dead they are to you. Right? Right. Narinder's got this all figured out. <:]

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[somerandomdudelmao]

',:)

[lotus-pear]

"i haven't worked you like a dog yet, as promised"

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

[First] Prev <–-> Next

[canisalbus]

You should put Machete in a turtle neck with a spooky shaped boob window, for what other holiday could you do such a thing?

[ca-3]

something something, maybe Sumi shouldn't have been in P5S 😔💔 /hj

Collection of Sapporo based comics that spawned goofy doodles too... because people's twt comments make me laugh

[arsenicflame]

Bonus round! Do you use a queue tag?

[friendshapedhorrors]

Let’s play a fun game called am I masquerading as an autistic person and acting how I think someone with autism would act or am I simply learning to unmask

[qrowscant]

CHILDHOOD HOMES (and why we hate them): After over a decade, you return home to find it unchanged.

A short, interactive horror story, and my first attempt at making something in Twine. Inspired by Anatomy, House of Leaves, and my deep hatred for my own childhood home! Full trigger list included on the itch.io page.

Play here!

[shanastoryteller]

The day his deal comes due, Sam goes missing.

Dean tells himself it’s nothing, that he’s gotten caught up in some research, some last ditch, hail mary nonsense and that he’s just turned his phone off and everything’s fine, that he wouldn’t do something stupid, that he wouldn’t break his promise.

He tells himself that for the first two minutes after he cracks his eyes open and sees the empty bed across from him, and the first time his call goes straight to voicemail, and not much after that. Sam’s broken his promises over things significantly less important to him than his brother’s life.

Dean is dressed and in the Impala five minutes later, heart thudding wildly in his chest. He calls Bobby, Ellen, everyone he can think of, but none of them have heard from Sam, none of them have eyes on him. Sam was with him last night, even if he boosted a car, there’s only so far he can get.

He keeps calling, keep searching, desperate to stop whatever he’s trying to do, to find him, to see his brother one last time before he’s dragged to hell. To make sure Sam is going to be okay after he’s dragged to hell. But the hours tick down, the sun sets, and he can’t find a trace of him. He’s so exhausted and heart sick that when he goes to call Sam again it takes him a long time to read the number on his phone, eyes swimming, the time not making any sense.

1:03

That’s not possible.

That’s not –

His phone rings, blocking out the time with Bobby’s name across the screen, and he answers it but his throat is too thick to say anything.

“Dean?” Bobby says tentatively. “Are you – I got an email from Sam. It just said, I mean, did–“

“What did it say, Bobby?” he asks, even though he’s sure he knows.

Bobby sucks in a breath at his voice, because he knows just as well as Dean that he should be screaming in hell right now, not answering his phone. “To take care of you.”

Dean drops the phone, hears Bobby still talking as he grips the wheel and presses his forehead against the back of his hands. This is what he’d been afraid of. This is why he hadn’t wanted to mess with the deal in first place. This is the one thing he’d begged Sam not to do.

It's easy to find a crossroad.

The demon is laughing at him when it shows up, wicked grin in a pretty face. “That didn’t take you long, boy.”

It’s a different demon than the one he delt with, obviously, but Dean figures they all know the same shit, since demons are a bunch of gossips. “This wasn’t the deal. My brother lives and I die.”

“You traded your soul for your brother’s life,” she corrects, so amused by all this that all he wants to do is kill her, to exorcise her, to make her scream. “Just like your father traded his for yours. There’s no reason Sammy can’t make his own trade. Man, but is your family fucked up. Maybe if you’d just settled down like little Sammy wanted, you wouldn’t all be bargaining for each other’s lives like haggling at a flea market.”

“Untrade it,” he snaps. “My soul for him alive, come on, no year, no waiting, you bring him back and take me to hell right now.”

She laughs in his face. “You don’t have anything to bargain with, boy.”

“My soul,” he repeats, “That’s what this is about, isn’t?”

“Oh, it’s what it’s all about,” she says. “But Sammy’s a clever boy. You know that, don’t you? He didn’t trade his soul for your life, he didn’t have to. You didn’t die. No, he traded it for your soul. Sorry, honey, but your credits been declined.”

At first he doesn’t understand. Sam traded his soul for Dean’s, exactly, so there’s no reason he can’t trade it right back. Then he gets it.

She sees the exact moment it clicks, the moment despair and horror sweep across his face too quickly for him to stop them. “That’s right. Little brother owns your soul now. For some reason he didn’t think you’d take proper care of it. You have it because that’s where he wants it, but no one will be making any deals with you, Dean Winchester. You can’t sell a soul you don’t own.”

“You can’t,” he has to clear his throat, “you can’t just come in and change things at the eleventh hour-”

“Eleventh hour?” she interrupts. “Sammy made his deal eleven months ago.”

His mouth is so dry he can’t speak.

“Isn’t it funny?” she asks, head cocked to the side. “All this time, the deal he’s been trying to get out of wasn’t yours, but his own. Maybe the two of you might have even managed it, except you just wouldn’t help, would you? Insisting that he not research, that he not look for a way out, and he spent so much time trying to convince you, coaxing you to talk about your feelings when he knew you were safe, all he because he thought it would make you feel better when he was gone, because he couldn’t tell you the truth and talk about how scared he was, so talking about your fear was as close as he could get.”

Dean’s going to be sick. “Don’t – please, please, I’ll give you anything-”

“You don’t have anything,” she says, gleeful. “You want to know why I agreed? The thing that made it just too delicious to refuse? Sammy’s down there, just starting in on an eternity of torture, and all he has to do get out of it is give up your soul. It’s his, after all, and he can put the original deal back in place any time he chooses. Just one moment of weakness on his end and his beloved big brother will be on the rack instead.” She sighs happily. “It’s almost as good as anything we’re doing to him down there, the knowledge that if he slips up for even a moment then it would all be for nothing. I couldn’t have found a way to twist the knife deeper if I tried.”

There’s vomit crawling its way up his throat and he has to swallow it down before he can speak. “I can’t – I’ll do whatever you want, please, there has to be something.”

She leans forward, cruelty and delight shining in her eyes. “The only thing you can do is what you’ve been telling your precious baby brother to do for the past year. Accept it. Move on. Live a good life so his sacrifice isn’t in vain.”

God. How can she – how can Sammy expect him to –

He’s doubling over, finally upchucking what little he’s ate today, and he’s dry heaving on the dirt when he hears the fading sound of her laughter.

This can’t be real. This has to be Hell, he has to be in it right now. He has to be.

[harmonictechnicality]

Eddie develops a strange habit after sex. It’s not exactly cute or romantic or nice. Nothing bad either. It’s just… well, Steve isn’t too sure what it is. But every time, it’s the same damn thing.

He collapses onto Steve’s chest and says:

“My boyfriend is a cyborg.”

Usually, Steve is still recovering from the fucking downpour of post-orgasm endorphins. So he doesn’t question it. Hell, he stopped challenging Eddie’s tolerance to geek out months ago. Dude holds fantasy knowledge in his brain better than he holds his liquor.

Which is saying a lot.

Anyways, Steve never has the mental capacity to react or respond. Instead, he runs his fingers through Eddie’s sweat-soaked hair for awhile. Scratches out little patterns on his scalp because it always makes Eddie go limp. Quiet.

Quiet is a rarity for him. And while Steve is totally weak for Eddie’s chattiness, the quiet can be nice too.

The only reason Steve finally decides to ask about it is because Eddie slips up. Says it before they have sex.

Steve is against the bedroom door, his nails dragging down Eddie’s back. God, he loves this kind of kissing. The lung draining kind. The type that’s sort of filthy from all the heat and grinding. 

Eddie hasn’t marked him up this bad since that time someone at work noticed his neck. Asked if Steve was having an allergic reaction during an office-wide meeting.

And this is going to be even worse. Steve can tell by the sounds and the soft pricks of Eddie’s teeth. He can tell by how long Eddie spends over each spot, like the bruising skin needs more attention than the rest of him. Like licking them over will make the colors last longer.

The damage has been done. Really no point in stopping him when it feels so fucking good. Steve forgets to worry about  how mauled he’s gonna look tomorrow because his head is swimming with Eddie’s lips on his neck. His collarbone. His chest.

That’s when it happens. That’s when Eddie’s strange habit makes an early appearance. 

He kisses over the blistery mess he made, practically growls the words out this time: 

“My boyfriend is a cyborg.”

“Okay, time out.” Steve says. Heaves some air back into his lungs. Pulls Eddie’s face up before he can continue making Steve look like goddamn target practice. 

Eddie blinks a few times. “Did I do something wrong?”

“No.” Gonna have to wear fucking high-collared shirts all week, but whatever.

He’ll bring that up some other time. “Why do you keep saying that?”

“Saying what?”

“That… thing.” Steve barely can spit it out.  It’s like his throat is physically rejecting the nerdy shit he’s about to say. “You keep calling me… a cyborg or something.” 

“Oh that.” Eddie sighs. Casually shrugs to one side. “It’s your fault actually.”

“How is it my fault? I don’t even know what fucking language you’re speaking.”

Eddie walks over to the bed, chanting Steve’s name over and over. Definitely not in the way Steve prefers him to chant his name. Very un-sexy chanting.

“Remember that day you asked me to grab your car keys?” He asks, patting the bed for Steve to join him. 

No. “Kinda?”

Steve hesitates before walking over. He didn’t necessarily wanna stop their primal makeout session. But it was bound to lead to the bed at some point, so…

Just not like this. Not talking while fully clothed. Blech.

He sits next to Eddie. Hands awkwardly fidgeting in his lap.

“Well, I couldn’t find them.” Eddie admits. “So I ended up going through your desk drawers.”

Of course he did. Perpetual snooper.

“Ended up finding a binder full of medical records.”

Well shit.

Steve’s throat tightens. Swells around the sudden guilt he feels for keeping this from Eddie. 

“Why didn’t you tell me you had a metal plate in your head?”

“Dunno. Hardly even remember it.” That’s only partly true. Steve doesn’t remember the surgery or much of the recovery process. He was only a kid when it happened.

But he does remember the hospital smells. He remembers the sounds of his IV bag dripping throughout the night. All the sensory indicators are still fresh in his mind.

“Well, that’s why. You're part-machine.” Eddie points to Steve’s head, expression softening. “And every time we fuck around, I think about your bionic skull. And how glad I am that it keeps your brain from leaking out when I bend you over the way you like it best.”

Steve laughs. The jokes help lighten the mood. Not enough to replace it entirely, but enough for it to be easy to swallow again. 

They’re both quiet as they get ready for bed, folding the covers down. And yeah, sometimes quiet can be nice. Just maybe not right now.

“Hey, Eddie.”

“Yeah?”

Steve stares hard at the pillows. “Are cyborgs like… cool?”

Eddie pauses for a moment, then hops onto the bed. Starts crawling over to Steve with a smug grin. He lifts up to meet Steve’s lips. Kisses him sweeter than normal. Lighter. Starts nodding his head mid-kiss, keeps nodding as he breaks away.

“Yeah, babe. Cyborgs are so fucking cool.”

[artistmarchalius]

Yet another catalog page! We’re breaking away from just using shades of red this time with Fem!Vox in outfits from the late 1950’s!

Of course I had to give her a more 50’s style head to match her clothes. Black and white television screen version is below the cut.

Fem!Alastor’s catalog page Rosie’s catalog page

I can’t resist historical accuracy, but the black and white screen wasn’t reading too well as Vox. Technically both versions are historically accurate since there were public colour television broadcasts in the mid 1950’s, they just weren’t as common as black and white ones. I wouldn’t think Hell would be as kind as to manifest Vox with the latest technology, plus I just like the idea of Vox having a black and white TV head phase.

[itsalrightmeow]

Happy 20th Anniversary!

[danmeichael]

the observable ''im not usually into this but it's kinda hot" to new fetish pipeline