#here have another character study “sketch”

[meo-eiru]

DUDE I JUST PLAYED THROUGH THE GAME, WHY IS IT SO SADDDD😭😭😭

and why is he hot

Starling went through quite a few redesigns through the entire development process so let me talk about it a bit :3

It all started with this notes app drawing I made with my finger

Right from the start we knew his tail would be made out of tongues but figuring out how many and placed how was quite hard, I really had to girlmath my way thru

This was the first actual drawing I made of him. The story wasn't complete yet but I went ahead and designed something anyway. Here he was definitely "scarier" and his scar was also placed differently. He had gills on his neck but as you will see I changed their location to under his arms later on. We were actually considering not giving him a tongue of his own so I wanted to make his mouth terrifyingly big and empty.

Here I tried giving him bigger eyes like a fish. This was when his playful and childlike personality had started shaping as you can see from the expressions. I definitely liked this direction better but it also wasn't perfect just yet so I went ahead and did a few more changes

I slowed down on trying to figure out his design a bit after that and instead focused on how his sprite would look. He is a merman after all, he can't just stand straight like a lot of the other visual novel characters. This stage was PAINFUL.

These were the first ones I sketched, we ended up deciding we liked the 3rd one the best.

I carried that 3rd one over to another canvas and started playing around with how we could place his tail, we started entertaining the idea of having him sit on a big rock

This is when his pose really shaped up. The animated Little Mermaid movie was actually a big inspiration, I sat and rewatched the entire movie and studied how they animated her tail

And after that I finally finalized his design. We decided to change the end of his tail to be more eel like for aesthetic purposes (normal tail shape looked weird with tongues)

And for anyone wondering this is what Maelyn looked like at first. Since the story wasn't complete yet I thought it'd take place in a more modern setting and designed her with that in mind but we decided to have the story take place in 1800s so I changed the design based on that. I did a lot of research on glasses and corsets to make the design as accurate as I could.

Yes glasses! We didn't use the sprites in the main story but Maelyn does wear glasses and looks very pretty in them if you ask me. You will be seeing more of it in the bonus episodes!

[myokk]

✨MASTERLIST✨

(fanart, longfics, oneshots)

Welcome to my blog!!! Here is my masterlist of ALL of my little sketches, artwork, writing, and general brainrot related to Hogwarts Legacy💘

🌿 - Madeleine / Maddy / myokk

🌱 - AO3

🌿 - likes and follows come from my main blog, @oerflink, because this is a sideblog (🥲)

🌱 - Eloise Babbit, my MC and basically the whole reason for this blog🫶 I don’t necessarily view her as the game’s MC, as my fic is quite canon-divergent and she is sweeter than the evil gremlin I played in-game😆💓 [link to her character sheet]

🌿 - my art tag🫶🫶🫶 here you can see basically every drawing I've done since joining the fandom!

Writing:

Before It Felt Like A Sin (AO3 / tumblr - ongoing)

Sebastian Sallow x F!MC, canon divergent, longfic, wip, dual pov Eloise/Sebastian

Summary: Eloise never wanted to be different.

And yet, her differences are what have defined her life up until this point: growing up as a squib in one of the most prominent wizarding families, being exiled to muggle society, and then attending Hogwarts at the age of sixteen.

She finds herself thrust into the life she should have been prepared for from birth but was denied. As she navigates this new life and her new precarious position in her family, she must come to terms with the fact that maybe what she dreamed of her whole life isn't turning out how she ever expected it would.

Tags: slow burn, angst, magical theory, mythology references, pureblood culture, occlumency, legilimency, hurt/comfort, family dynamics, eventual romance, eventual smut, sacrificial magic, blood magic, dark magic rituals, implied/referenced child abuse

[coming soon] - an excerpt from the Ominis longfic I’m working on💘

Oneshots:

clumsy (AO3 / tumblr)

pairing: Sebastian Sallow x f!MC

word count: 9,1k

rating: E

summary: sebastian is clumsy.

or: two stubborn brats make things more difficult than they have to be.

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving), no y/n

legilimency (AO3 / tumblr)

pairing: Ominis Gaunt x F!MC

word count: 1,7k

rating: m (language)

summary: (His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

or: The Gryffindor student has caught on that Ominis can read her thoughts and decides to get her revenge.

tags: ominis is a natural legilimens, he is entirely too introspective, fluff, no y/n

remembering the snow (AO3 / tumblr)

pairing: Imelda Reyes x Poppy Sweeting

word count: 3,3k

rating: G

summary: Imelda remembers the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

or: a character study on Imelda and how she grew up because I love her & she doesn't get enough appreciation :)

tags: character study, fluff, romance, first kiss, emotional hurt/comfort, I just wanted to write a sweet story & explore Imelda as a character

Illustrated scenes:

(aka where I illustrate little scenes from my longfic and oneshots💓)

🌿 - the summer before Sebastian and Anne’s first year at Hogwarts🥺💓

🌱 - Sebastian hates Eloise’s guts😳

🌿 - Eloise is really, really bad at chess😔 (this scene always makes me laugh SO MUCH)

🌱 - right after the pensieve scene🫶🫶🫶

🌿 - Eloise and Sebastian’s first kiss😇😇😇

🌱 - some angst after their first kiss😇😇😇

🌿 - sebastian overthinks things a lot😔

🌱 - an excerpt from my oneshot, clumsy💘

🌿 - another scene from my clumsy 🫶 I really love writing Sebastian’s pov & this was just so much fun to paint and write😫💓

🌱 - Eloise and her mother😔

[clanwarrior-tumbly]

Ooo you’re doing Pressure!!

May I request an artist reader who, throughout the journey found some paper, pencil and made a little makeshift sketchbook and when later bought Sebastian’s document decided to try and draw him? Like maybe both when human and current (and maybe the monsters)? 

Perhaps he saw them sketching, got curious and decided to look through it when reader left it somewhere or just straight up snatched it and held it out of their reach and sees those sketches of him. Could be hurt/comfort or angst/fluff.

Of course you’re free to change any of the details but please keep it platonic TwT

Aw love this idea! And it works considering all the paper and notebooks in the drawers of the blacksite.

............

"Great, [y/n]. One moment, you're doing some harmless graffiti on a brick wall nobody cares about. And the next, you're risking your life for a stupid crystal in hopes you'll get a federal pardon.."

Sighing, you held onto the overhead handles within the sleek black submarine, feeling it shake and rumble as it breached the water's surface. And after hearing the chime, the door hissed and opened up, the platform extending out onto the dock of a place already familiar to you: Hadal Blacksite.

'No place like home..' As you stepped out of the submarine, you could hear HQ over the PDA system informing you of your objective in reaching the crystal and collecting any "loose assets" you find along the way...

As if you needed any reminders of what you were doing here.

Immediately, you unlocked the first door with the keycard and began your journey to room 100. Along the way, you found a good handful of research data. Nothing too special aside from folders, USB drives, and a couple blue DNA vials.

Then after narrowly dodging the Angler in one area and avoiding Eyefestation's gaze in the next, you reached a room requiring yet another keycard to exit. You checked the nearby office cubicle, finding it in the first drawer you opened.

But that isn't what made your eyes light up. Rather, it's what was right next to the card that did:

A brand new pencil to go with the sketchbook you've been carrying with you.

Because you weren't given the luxury of doodling while sitting in jail for over 90 days, you felt your creativity flames being snuffed out, leaving you itching to draw something again.

Before all of this, you had a decent following on social media with your art skills, and you could imagine that they're worried sick over your sudden absence. But you hoped that, if you survive and succeed in this mission, you'll be able to come back and reassure them that you're very much alive.

And perhaps show them what Urbanshade has been hiding from the public...that is to say the sea monsters that have taken up residence in the Blacksite since its lockdown, freely roaming and haunting nearly every room you step into.

With the makeshift sketchbook you had (and somehow kept even after death), you've filled its pages with simple and detailed sketches of each creature you encountered.

But you doubt that they would let you leave with physical evidence of entities nobody else in the world should know about...unless you somehow convinced the guards that they were "original characters" that so-happened to look like them, but you had a feeling that excuse wouldn't fly.

Regardless, they've given you tons of artistic inspiration, despite your many close-calls with them in pursuit of studying their features from afar.

Thanks to the files Sebastian Solace has shown you, you've learned how to safely observe the Angler from a distance and better remember their details. They were merely a grotesque face surrounded by smoke, so you didn't have to worry about drawing any limbs or tails (assuming they had those).

You encountered their variants so many times that you could recall the little things that made each them unique--like how Pinkie had four pupils, how Blitz was missing pupils in one socket completely, how Froger was..well..a big frog with lots of needle-shaped teeth, and Chainsmoker was a sluggish blobfish through all that smoke.

Making eye contact with Pandemonium was a death sentence..as you've already learned after trying (and failing) to safely observe him through a glass window. So you draw him as you see him in his file.

The Squiddles' "intimidating" faces were scary in the dark when you least expected them, but they served as amazing inspiration. You even had a page full of what faces you'd think they make up to frighten others. It's too bad you couldn't show them, however, as that required you getting in their personal space.

Eyefestation, Good People, and the Wall Dwellers were quite..risky to observe, as they had ways of quickly and painfully sending you back to square one if you weren't careful. Even so, you made some pretty damn good sketches..and you wish you could show them off to them, too, especially to the shark who'd probably appreciate a human's drawing of herself.

Even the DiVine, who were always frozen in poses for some reason, joined your ever-growing list of muses. The oxygen gardens were a nice place for you to rest and appreciate the flora for a few moments--before an Angler came along, of course.

Then there was Sebastian.

While he was fully aware of your artistic passions, in the beginning he seemed a bit annoyed whenever you came into his shop just to sketch.....or if you took an unusually long time to reach him. He just assumes you've stopped to "doodle" and wonders if you really care about getting out of this place alive.

He'd remind you that HQ could get suspicious if you're off their radar for too long, but you've stayed in his shop for 10-20 minutes at a time and not once did your diving gear beep. So you reassured him not to fret.

It was kinda sweet that he worried over you, an expendable, although maybe that's because you actually treat him with decency..and don't take his snarky comments to heart whenever you died.

Aside from the occasional eyeroll whenever you brought out your sketchbook, he did inquire about some of the things you've drawn, and you'd show him, bearing a little pride in your work.

All you'd get in response was a "neato" or "wowie, that's how you see them?" and nothing more.

It wasn't insulting, so...you'll take that.

Obviously he was more concerned about how much research data you were willing to fork over in exchange for supplies, and how far that equipment will carry you before your next demise. So you'd eventually close the book and barter with him for whatever wares were on his tail.

Unbeknownst to him, you've actually started sketching him as of late. Now that you've met him dozens of times, it was easy for you to recall his features without needing to stare at him for reference every five seconds.

That would not only be rude, but very creepy.

Then one day, you showed up to Sebastian's shop with enough data to be able to afford his document, which described him as Z-13, "The Saboteur" who the company wanted "dead on sight" if he was spotted or trying to escape.

When you had time to read the file on your own, you learned some..pretty shocking things about how he caused the lockdown, went through torturous experiments, and was falsely accused of nine murders and was proven innocent far too late.

The most upsetting part was that he was never informed of this.

He learned that after presumably stealing his own document.

It made you feel sick to your stomach, knowing he's the reason you're being terrorized by those beasts, but you couldn't find it in your heart to be angry at him.

If anything you were angry at Urbanshade for their "guilty until proven innocent" system--or in his case, being proven innocent didn't matter.

His human mugshot was also included in the file, and even with the black censor bar covering his eyes, he still looked like quite a handsome fellow. You could make out some details, and ended up drawing him on a separate page, too, although part of you wishes you never started.

You doubt he would kill you or rip apart your book for drawing him, but considering how volatile and rude he could be at a moment's notice..you did your best to conceal the sketches when you visited his shop.

You didn't want him to be offended or reminded of his past..and make him resent the one person who he almost considered a genuine friend.

Unfortunately, you'd soon come to realize that your actions were only heightening his suspicions.

And that it was going to come to a head next time you entered his shop.

...............

"Okay, I'm going to bite...what're you really hiding in that little book?"

"Pardon?" Pausing mid-sketch, you looked up at Sebastian, wondering why he appeared so disgruntled. "I'm..uh...just doodling like I always-"

"No, don't give me that "like always" crap." He huffed, flicking the end of his tail as he crossed his two arms over his chest, staring down at you. "Last time, you couldn't stop showing me a stupid face you'd think one of those S-Qs would make...and now you won't even let me have a sneak peak of your next "masterpiece"." He spat the last word, voice dripping with disdain. "Are you really drawing something...or are you secretly writing intel to give to Urbanshade?"

"...wha.." You blinked in disbelief, wondering where he'd get that assumption from. "Why would I ever do that?"

"Oh I dunno, maaaybe because you have access to my file and know my location? I bet you're gonna sell me out to those scumbags once you reach the crystal." He gnashed his teeth. "Did they say you'd get extra cash for leaving tips on my whereabouts, huh?"

"Sebastian, there's no reason for this hostility. I'm not giving any intel to anyone-"

"Then you wouldn't mind me taking a look at this, would you? Yyyyyyoink!" His third arm was quick to snatch your sketchbook away, holding it out of your reach as you jumped up in panic.

You were already dreading his reaction.

This could very well be the end for you.

"Please give that back! You'll tear it!"

"You look frightened. So maybe I should, considering you're writing secrets about.....about...." But as Sebastian finally looked at the page, all he saw were sketches of his current self, and you began to see a shift in his expression.

It went from pure anger, to surprise and confusion, and then to....something unreadable.

"These are...all of me?" His voice became quieter as he flipped the page, only for his breath to hitch upon finding the drawings of his human form.

And for once, he was completely speechless.

The details were immaculate, everything from his hair style to the scar he used to have across his face--given to him from an angry cellmate who thought he really did kill those people and tried giving him a "taste of his own medicine".

But the way you made him look was...incredible.

That's him.

That's really him.

The man--the human--he was before...

Before...

"Yes." Your face was burning with embarrassment, and your heart was pounding with fear of both death and ridicule, now knowing that your fate laid in his hands now. "I-I'm sorry. I should've asked for your permission and I know the details aren't perfect but you didn't let me........huh?"

Ceasing your ramblings, you noticed the tears welling in his eyes, and you were stunned. Then his shaking hands closed the sketchbook and returned it to you. "Um..are you okay? I'm really sorry if-"

"I...a-almost forgot what I looked like before all of this.." He raised a claw to wipe at his watery eyes, sniffling. "They're...good drawings, friend. I'm sorry..I...I-I didn't mean to..." His voice cracked, and he forced himself to stop, bringing his hands to his face. "Why am I crying over something like..t-this..?"

He hated looking so weak in front of you, yet he couldn't help the tears that kept slipping down his cheeks. A certain sadness was weighing heavily on his heart, yet at the same time he felt...honored that you wanted to draw him, putting your heart and soul into every sketch--with him getting the most effort.

You didn't overexaggerate him as the hideous beast he and everyone else was convinced he was, but just him as, well, himself. His smiles when he realizes it's you coming through the vent again, his cheeky grins when you buy up all his supplies, and even the one time he pouted when you died to Pandemonium because you risked it all trying to draw the moldy fish-creature.

The human ones, as you could tell from the way he broke down, especially hit home for him. Just from a mugshot alone, you were able to create a near-accurate depiction of him.

It made him wonder if you two have met before any of this happened.

Sebastian sniffled, struggling to stop the tears and expecting you to make fun of him as he finally uncovered his face. But instead he saw you standing there with your arms opened up. "I feel like you could use one of these. It's okay. I know you miss being human."

".........."

"C'mon, big guy. My arms are kinda hurting--oh!"

Without warning, he accepted your embrace and squeezed you tightly in his hold. Of course he was careful not to crush your diving tanks, and you smiled in appreciation and patted his back. "It's okay, it's alright..I got you. I didn't mean to make you cry."

He sniffled a few times, but otherwise said nothing and tried making sure you weren't supporting all of his upper body weight.

Curse his size. He wishes he could experience a normal hug again.

This one will do, though.

"I-It's...it's fine. Don't worry.." He finally spoke after a few moments, calming down. "As long as you don't tell anyone about this."

"I'll take it to my grave." You chuckled, letting go and stepping away so he could straighten his back out. While he did that, you gently tore a few pages from your book, to which he blinked in confusion.

"What are you doing with-?"

"Keep them." You insisted. "In case this sketchbook falls into a pit or gets waterlogged, I want you to hold onto these. Besides, I can tell you appreciate them a lot. So...consider it a gift."

"Why..thank you." A smile appeared on his face as he took the pages carefully. "Rest assured, they'll be safe and sound." He gazed at them both one more time, feeling a tug on his heart.

But it wasn't as heavy as before.

After neatly folding and stowing them away into his pockets, he saw you already sitting in one of the chairs, your sketchbook opened to a brand new blank page.

"Sooooooo what are you going to draw this time?" He tilted his head, ear fins twitching with curiosity.

"Hm...I did see a vision of a white glowing man a few rooms back. I think he was from...the Mindscape? There was a file talking about him and some floating gears and a white ball."

"Ohh yeah, he's an interesting guy. I'd love to see your interpretation of him." Now Sebastian was 100% invested, as he curled his tail around himself, resting his upper body on it so he could see your book better. "But y'know you won't be able to leave this place with sketches of-"

"I'm well aware of that...I could always change a few things and turn them into OCs."

"Hah. You should."

"Maybe I will." You snickered, grateful that you didn't have anything to fear.

At least somebody in the Blacksite appreciated your art.

[tornioduva]

Dungeon meshi and body proportions

Ok, i'm feeling the rush i got from binging the manga this last week is starting to fade away, i'll be back to being a normal person soon i think. at least, that is before i find a new something for me to dive into uhuh.

Before that happens, i want to praise Ryoko Kui for one last think. The design of the characters!

For years i've expressed (maybe not so much online) my hate towards the "anime style", this homogenization of traits and beauty standards to an artificial degree, and the mass spread and consumption of it. yes, trends exist for a reason, this is not the first nor the last art current to be popular and i'm not the first detractor of one in history. I do think there is something uniquely harmful in this one though, and that is why i'm able to find the energy to be such a pretentious dipshit about it. That is a discussion for another day though.

All this to say that going through Dungeon Meshi and seiing these characters, plus (and in a way because of it) all the additional sketches of the daydream hour bonus sections, was such a breath of fresh air! (at least for what concerns japanese exported stories)

All i could say and praise in regard to character designs in general is perfectly expressed in this video, which i recommend you to watch if you want to hear my opinions (and the video author's too, uhuh):

I want to leave you though with at least one specific praise for me: Falin.

i've seen countless time people (online) just not understanding how people's body work, how much differences there can be and how proportions do distribute and affect the body. in anime I see a lot of short and tall people (mostly women girls) that share the same proportions despite their actual height, and that often leads to think "yeah, she is short" and than she's tall when around someone, or (most often) the contrary. same lenght of limbs, same head to body proportions, and little details like this.

Falin you can tell at a glance she is a tall woman before she's around anyone, even when she is standing near her brother who is taller than her.

Kui did her homework in studying bodies and variations, and, whether consciously or not, she differentiated her in body in subtle but fundamental ways: her head being slightly smaller than her body, the neck being fairly long, and her having somewhat broader shoulders.

I accept that there might be an element of suggestion at play here, considering also how she is dressed most of the time, but I really do think there is a direct effort at differentiation here.

This is the first time in a long time (in a series like this at least) where i've seen a woman carrying herself around others and the space around here kind of like a person like me, tall, would; at first i didn't think much of it, but then i saw her near other characters and....i don't know, i felt a warm, joyful feeling, seeing that i was right in recognizing that trait and being right.

I was especially happy in seeing her next to marcille. not so much for the height difference, but for how different they were in proportions and mannerism. A lesser manga i fear would have used marcille's body type and way of moving and interacting as the default for most other girls, but here she was uniquely herself!

Now, i could've used more extreme exemples to show how this author rocks in body types representations (while aknowledging there could've been even more diversification still), given there are far larger, taller and stranger women, but to me, nailing the little, most subtle details in such a chirurgical manner shows a greater level of mastery and comprehension. As such, Falin left me with a deeper fascination than most other characters.

Sorry for this wall of text, but i needed to let my happy thoughts go, so that i could be free again uhuh.

Feel free to tell me that i'm wrong, or that i should just accept anime media as is. i'm just really happy Dungeon meshi exists as is and i want Ryoko Kui to keep refining her craft, and drawing beautiful women and dwarves.

Plus, this was very much a stream of consciousness, i didn't go into technical details about what i think conveyed what i described, but if someone is interested, or does not get what i'm saying (while expressing it in a curious and gentle way, i won't respond to spiteful assholes), i'll be happy to make a follow up post in which i try to dissect this! For example, i didn't reread the whole manga to find examples of her, i just went to the wiki uhuh. in a follow up post maybe i'll try to go through chapters and pick more specific examples of her.

Anyway, have a good day!

[crescenthistory]

and what about it?

Summary: Continuation of this storyline. Barty and you keep bickering, to everyone's chagrin and no one's surprise – until you kiss, that is.

Words: 3.1k

Warnings: not proofread, use of y/n, absolute chaos going down, bickering, flirting, barty being maniacal and a bit masochistic, jegulus and wolfstar as supportive characters, literally everyone is silly in this

Note: you demand and i supply! i love these idiots

next part here!

The Hogwarts library was filled by a mix of quiet whispers and faint shuffling, with students huddled at tables pretending to study for the upcoming exams. In the very back, though, far away from the more studious lot, the Marauders and company had claimed their usual table, where studying was more of a suggestion than an actual plan.

James and Regulus sat closest to the end of the long table, side by side in that annoyingly close way that proved they were still very much in their honeymoon phase. James had his chair tilted back, arms stretched out casually behind Regulus, while Regulus, with an almost imperceptible smile, tried to look like he was paying attention to his Potions book.

“You know, love,” James started, leaning in a little closer to Regulus, “you don’t actually have to study right now. We could always… take a break.”

“Take a break from what exactly?” Sirius interjected, still hunched over the parchment he was doodling on. “You haven’t done a single productive thing in the last hour, Prongs.”

James huffed, but didn’t move away from Regulus, who was still pretending he couldn’t hear any of them. “I don’t see you doing any work, Pads.”

Sirius glanced at his doodles – an elaborate sketch of a Quidditch goal post being struck by lightning – before smirking. “This is art, mate. Very productive.”

Remus, who was sitting beside Sirius and perhaps the only one taking actual notes, sighed without looking up. “You two are hopeless. Some of us are actually trying to pass our exams.”

“Oh, Moony, live a little,” Sirius grinned, pushing his sketch toward him. “What do you think? Could sell this to the Daily Prophet, right?”

Remus didn’t even spare it a glance. “Absolutely not.”

Across the table, you were trying your best to focus on the notes in front of you, quill scratching against parchment. But the conversation around you, mixed with the ongoing flirtation between James and Regulus, was doing its best to pull you out of your concentration.

“Regulus, would you mind being disgustingly in love with Jamie a bit quieter?” you groaned, tossing your quill down in frustration, no longer inhibited around Regulus after the past few months. “Some of us are trying to focus.”

Regulus did not deign you with a glance, though his lips quirked up slightly. “I don’t know what you’re talking about.”

Sirius snorted. “Yeah, right. You’ve been staring at Prongs like he’s your favourite broomstick all day. You two are worse than me when I got my new motorbike.”

“Oh, don’t act like you weren’t gushing about that motorbike for literal months,” James fired back, a grin spreading across his face. “This is karma, mate.”

Before Sirius could come up with a retort, you shot another glare at James and Regulus, feeling your patience wearing thin. “I swear, if I have to witness one more doe-eyed moment between you two, I’m hexing you both.”

Barty, who had been uncharacteristically quiet up until now, leaned back in his chair beside you, smirking. “What did love ever do to you, Treasure?”

You shot him an unimpressed look. “It's quite obnoxious, for one.”

Barty grinned wider, clearly enjoying himself. “Don't you want to be obnoxiously in love?” he teased.

"I'd rather drink poison. Which I will, if you don't start focusing on our potions project soon." You rapped the textbook in front of him with your quill.

“Oh, come now, darling, you know I'd never do that to you,” Barty teased, lowering his voice in that infuriatingly smug way. “And there's no need to be jealous of Reggie – you could have all this romance if you wanted.”

You fixed him with a deadpan look. “With you? I’d rather go mad.”

“Already driving you mad, am I?” Barty shot back smoothly, leaning in just enough to make the air between you shift. “I must be doing something right.”

Sirius let out a loud, exaggerated groan from across the table. “Merlin, can you two ever go five minutes without throwing insults at each other?”

“No,” you and Barty said in unison, which earned a laugh from Remus and an eye roll from Sirius.

“I think they secretly like it,” James chimed in, finally pulling his attention away from Regulus just long enough to catch the tail end of your and Barty’s exchange. “You know, some people just communicate through bickering. It's their language.”

You crossed your arms, glaring at James. “I don’t bicker. He bickers. I’m just trying to survive.”

“You wound me,” Barty said, pressing a hand to his chest with mock hurt. “And here I thought you enjoyed our little chats.”

“If by ‘chats’ you mean listening to you go on and on about how brilliant you think you are, then sure,” you shot back, arching an eyebrow. “I live for those.”

“I am brilliant, though,” Barty replied, completely unfazed, his smirk growing even wider. “You’ve just yet to admit it.”

You snorted. “The only thing brilliant about you is your ability to push my buttons, when we should be studying, Junior.”

“No need to study when we both know I'll ace it regardless." You hated that he was right. "I prefer putting in the work where it matters."

You quirked a brow at him. “Sounds like laziness to me.”

“It's called priorities,” he corrected, eyes gleaming with amusement. “And right now, my priority is sitting right in front of me.”

The groan that escaped your lips was loud enough to draw the attention of a few nearby students, but you couldn’t care less. “You’re insufferable.”

“You’ve said that before.”

“Because it’s true.”

“And yet, you keep sitting next to me. Interesting.”

Sirius, clearly unable to help himself, let out another exaggerated sigh. “Merlin, they’re at it again. Can someone put a Silencing Charm on them?”

Remus, who had been quietly enjoying the exchange, smiled into his notes. “I’d say just let them go. They’re only warming up.”

“You’re probably right,” Sirius agreed, glancing between you and Barty as if you couldn't hear him. “Let’s see how long it takes before one of them snaps.”

You rolled your eyes again. “Don't worry, Black, I’m already nearing my limit.”

“Then do something about it, love,” Barty purred, his grin turning devilish.

You leaned in slightly, narrowing your eyes. “I will, as soon as I figure out which hex will shut you up for good.”

Before he could retort, you flicked your wand under the table, sending a tiny jolt toward him that caused him to yelp and jerk back, the smirk dropping from his face momentarily.

James burst out laughing, nearly toppling over his chair. “Oh, that was brilliant.”

Regulus, who had been watching the whole thing with a half-hidden smile, shook his head. “She's going to kill him one day.”

“That’s the plan,” you muttered under your breath, though a small, victorious smile tugged at the corners of your lips.

Barty, however, recovered quickly, his smirk returning full force. “Oh, you love me too much to kill me.”

"I tolerate you at best, Junior."

"Same difference."

"I really don't think it is," James interjected, seemingly lost as his usual role of peacekeeper doesn't work with you and Barty.

"Oh, you just don't know her like I do." Barty's eyes gleamed as he stared at you.

The glare you shot him then was half-hearted at best. “Don’t push it.”

"You know I will," Barty said and winked at you, before closing the small distance between you to press a chaste peck to your lips.

It was quick, casual, and without any fanfare, just a soft press of lips, like it was the most natural thing in the world – because to you it was. You simply hummed into him before finally turning your head down back towards your notes with a satisfied smile, happy for the distracting conversation to be over.

"Excuse me what?!"

You hadn't even spent more than a second looking at your notes before you were interrupted by Sirius's voice.

You looked up to find everyone staring at you.

James had gone completely still, his mouth hanging open in an almost comical expression of shock. Regulus was blinking rapidly, as if trying to process what had just happened, while Sirius had frozen mid-doodle, his quill still in the air.

The only person who wasn’t shocked was Remus, who had broken into quiet, knowing laughter, clearly enjoying the chaos that was about to unfold.

“Wait– wait– hold on a second,” James finally sputtered, pointing between the two of you. “Did you just– did I just see–?”

"Use your words, Potter," Barty drawled out, eyeing the scene with interest.

“You two are– what?!” Sirius repeated, still frozen with his quill in the air. His eyes were practically bulging out of his head as he stared at you and Barty like you had just sprouted tentacles.

Barty, completely unfazed, leaned back in his chair with the most satisfied grin imaginable, casually crossing his arms behind his head. “Dating. Obviously.”

“Obviously?” James sounded like he might actually choke on the word. His glasses were sliding down his nose from the sheer force of his shock. “Obviously?!”

You shrugged, flipping through your notes like nothing at all had just happened. “Yeah. Why are you all acting like this is news?”

“Because it is!” Sirius threw his quill down dramatically, turning fully in his chair to gawk at you both. “Since when are you two... together?”

You exchanged a glance with Barty, who looked more amused than anything. “I dunno,” you said nonchalantly, “a few weeks, maybe?”

“A few weeks?!” James spluttered, his voice going up at least two octaves. He ran a hand through his already disastrous hair, looking utterly dumbfounded. “How– how did none of us know this?”

Barty gave an infuriatingly casual shrug, his smirk only growing wider. “Wasn’t exactly a secret. You lot were just too wrapped up in your own business to notice.”

“Too wrapped up?!” James looked at Regulus, as if his boyfriend might have some hidden answer to this impossible puzzle. Regulus, to his credit, had his head buried in his hands, looking both embarrassed and quietly amused. “Reggie, you didn’t notice?”

Regulus groaned, his face still hidden. “I noticed. I just didn’t want to talk about it.”

Sirius gaped at his brother. “You knew?”

“Well, I guessed, they're not exactly subtle,” Regulus muttered, still hiding behind his hands. “They bicker like they’re married.”

Remus, who had been laughing quietly this whole time, finally spoke up, his voice full of smug amusement. “He’s right, you know. The bickering should’ve been a dead giveaway.���

“Oh, come on,” James said, throwing his hands in the air. “Bickering is just– bickering! We bicker all the time! I bicker with Sirius – doesn’t mean I’m secretly dating him!”

“I should hope not,” Sirius muttered, still looking completely thrown. “You’re not my type.”

James blinked at him, momentarily sidetracked. “What’s that supposed to mean?”

“Nothing,” Sirius said quickly, waving it off. “Focus, James! The issue here is this.” He gestured wildly between you and Barty. “This... thing they’ve apparently been doing under our noses for weeks.”

"I really think you lot are overreacting," you said, giving everyone a half-glare.

“I can't believe you kissed,” James said, as if just remembering it. “I mean... you kissed. Right there. In front of us. Our Y/N and Junior. Like it's no big deal.”

“It's not” you said, giving him a pointed look. “It’s called a relationship, Potter. People kiss in them.”

James shook his head, looking more confused than ever. “But you two have been acting the same as always! You don't even like each other! Actually, scratch that, you hate each other.”

Barty looked far too pleased with himself as he leaned forward again, resting his elbows on the table. “Oh, darling, you really don't know anything, do you?” he teased at the same time as you said, "And what about it?"

Sirius made a noise somewhere between a gag and a groan. “Ugh, stop. Just stop. This is making me nauseous.”

Remus was practically in tears now, wiping at his eyes as he continued to laugh. “This is... the best thing that's happened today.”

James looked positively ready to combust. "I am so confused." Regulus elbowed Sirius when he whispered what's new?

Barty leaned back again, his grin never faltering. “It's not our fault you were just too busy snogging Reggie here to notice.”

James immediately went red, and Regulus shot Barty a glare, though his lips were twitching with barely suppressed amusement. “Shut up.”

“Oh no, don’t let them turn this around on us,” Sirius cut in, pointing dramatically at you and Barty. “You two are the ones that have been lying this whole time!”

“We weren’t lying,” you said, your tone exasperated now. “You never asked. It’s not our fault you didn’t notice.”

Remus snorted. “To be fair, you do literally nothing to make it obvious. If I didn’t know better, I’d say you were just flirting through arguments.”

“We are flirting through arguments,” Barty said matter-of-factly, earning a sharp look from you.

You jabbed a finger at him, narrowing your eyes. “We are not.”

“We definitely are,” Barty fired back, looking far too pleased with himself. “You think of new ways to insult me every day, and I’ve never been more in love.”

There was an audible groan from Sirius. “Merlin’s beard, I am begging you to stop.”

James had dropped his head to the table by now, shaking it slowly like he couldn’t believe what was happening. “I can’t even process this. I need to lie down. Reg, tell me this isn’t happening.”

Regulus patted James awkwardly on the back. “It’s happening.”

Sirius threw his hands up in the air, officially reaching peak exasperation. “I feel betrayed. Absolutely betrayed. All these weeks – months, even – and no one thought to mention, ‘Oh hey, by the way, Barty and Y/N are snogging’?”

"Shagging," Barty corrected, to which you fully slapped his arm and Regulus winced.

“Disgusting.”

You sighed, resting your chin in your hand. “I don't know what to tell you, Siri. It never came up.”

“Never came up?!” James lifted his head from his hands, looking utterly scandalised. “You’ve been dating for weeks and it never came up?”

“We didn’t feel the need to announce it to the world,” you shot back, now fully irritated with how much of a fuss they were making over this. “We were kind of busy with, you know, being in a relationship.”

“Exactly,” Barty chimed in, his grin back in place. “We were busy... prioritising.”

Regulus, still looking a little embarrassed but clearly entertained, shook his head. “You two are unbelievable.”

Sirius, ever the dramatist, leaned back in his chair, throwing his hands up in defeat. “I give up. Absolutely give up. The world makes no sense anymore.”

“Was it ever making sense to you to begin with?” Remus asked dryly, glancing over at him with a raised brow.

“Not the point, Moony,” Sirius muttered, still looking entirely put out. 

Barty shrugged again, looking far too relaxed considering the chaos he’d just unleashed. “You’ll get used to it.”

���I will never get used to this,” Sirius shot back, glaring at Barty like he’d personally offended him.

James let out a long, dramatic sigh, slumping against the table. “I need a drink.”

“And I need new friends,” Sirius added, still shaking his head.

"What you need is to calm down," you muttered under your breath. Sirius's gasp told you that he heard you.

“I’m sorry for wanting to know when one of our friends is secretly dating a complete maniac.”

“Complete maniac?” Barty echoed, feigning hurt. “That’s harsh, Black. I prefer charming rascal.”

“I prefer punchable face." It would have been less convincing if you weren't smiling, leaning more and more into Barty's touch.

He grinned down at you and winked. “You can punch me anytime you wish, Treasure. Make sure it bruises, ‘kay?"

“Oh, enough!” James looked like he might actually lose his mind at this point. “You’ve been complaining about me and Reg, but you two are so much worse.”

Remus, ever the voice of reason, shook his head with a faint smile. “Just let them be. This is obviously how they work. I’m sure we’ll all get used to it eventually.”

James and Sirius exchanged a look that clearly said we absolutely will not, but neither of them said anything. Instead, James let out a long, tired sigh and stood up, ruffling his hair as if to shake off the mental exhaustion of the day. “Right, I need a break from this madness. I’m going to the kitchens. Anyone want to come?”

“Definitely,” Sirius muttered, standing up as well. “I need some food to process this... tragedy.”

Regulus chuckled softly, standing to follow them. “I’ll come with you. Though I’m still not sure why you’re so shocked.”

The boys kept bickering and mumbling between them as they hastily gathered their things, while you made a sound between a scoff and a laugh, leaning into Barty. 

“Thank you for this gift,” Remus teased before throwing his backpack over his shoulder. “They will never recover it seems.”

You shook your head, but couldn’t help but smile at how much Remus had enjoyed the chaos. “You’re a bit sadistic, Lupin.”

“Only when it’s deserved,” Remus replied with a wink.

Barty stretched his arms behind his head, looking far too relaxed given the absolute meltdown that had just taken place. “Well, now that we’ve gotten that out of the way... care to finish that kiss?”

You shot him a glare, though your lips twitched upward. “You’re lucky I don’t leave you after the drama you’ve caused me.”

Barty grinned. “You wouldn’t dare. You like me too much.”

“You know, the fact that you two are dating somehow makes your bickering worse,” Remus said, still within airshot.

“We aim to please.”.

You rolled your eyes but didn’t argue. “Come on, let’s get out of here before Sirius comes back with his 'and another thing's”

Barty stood up, offering you a hand with a smirk. “As you wish, Treasure.”

You took his hand, but not without giving him a playful shove as you walked past him. “Keep talking, and I might change my mind.”

“I’d still win you over,” he replied, completely confident.

As you walked off together, hand in hand, you couldn’t help but think that maybe this chaos wasn’t such a bad thing after all. After all, you had Barty, and you were both having far too much fun watching everyone lose their minds over it.

[amerricanartwork]

I got so freaking excited seeing the trailer for "The Wild Robot", so naturally some fanart was in order! I didn't expect the painting to look so oily and have so many softer edges, but I still think it came out really nice and was good practice! Colored pencil really has helped me figure out a personal painting process, as here I actually used a similar layering technique as when I work in colored pencil.

Aside from that though, I haven't read the books yet (though I plan to after I see the film) but this movie looks like it's gonna hit so many of my favorite tropes and features when it comes to fiction and animated stories, including: non-human protagonists (and both of my favorite kinds, animals and robots!), stylized visuals, robot learning to be more than just their programming yet still maintaining their original robot skills and behavior to a degree, robot with emotions and unique ways of showing it, character in the wilds adapting by studying the animals, post-industrial-level technology existing in harmony with nature and the wilds rather than being portrayed as inherently harmful to nature and therefore inherently wrong to make (this is a big one for me), the odd duo, the gentle giant, a character finding belonging in an unexpected environment, just general wonder for the beauty of the wilds, and probably other things that'll come to me as I understand this story more.

But even beyond that, I just had to draw Roz because she's so freaking cute! Like, even excluding the adorable way she mimics the animals or glows when happy or how her "eyelids" give her more facial variation, in design alone she's so round and sweet looking! And somehow her being big and bulky to juxtapose her kindness with an strong and imposing stature just makes it even better! I love characters who are large and intimidating at first glance but total softies on the inside. Brightbill's definitely in good hands!

If the film holds up and Roz also has a clear and entertaining personality beyond just being curious and caring, there's a 60% chance that come September she'll become my new robot blorbo (roblorbo?), up there with C-3PO, Wall-E, and Five Pebbles!

Also, another version of the sketches from when they were just the lines for comparison!

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[miviaceleste]

A Blackrock Story: A Boy with Turquoise Eyes

Happy 12th Anniversary to Blackrock Chronicle!

This comic ended up being 47 pages long (when I first sketched it, it was only 20 pages long). Since I can only upload 30 images in a post, I had to combine 2 pages into 1 image so hopefully it's still visually fine and not annoying to scroll through!

I wrote this mini-story more than 10 years ago, so I figured it was time to finally make it into a comic (after editing the writing a lot because I became a much better writer since lol).

Be aware of the TWs, and I hope you enjoy this comic!

TW: Violence || Blood || Injuries/Scars/Burn Marks || Kidnapping || (Temporary) Death || Loss of Limb / Amputation

Thank you all for reading one of my most insane projects ever!

Now, here’s another long story:

About 8 years ago, my life became so busy that to stay on top of my studies and activities, I stopped watching a lot of YouTubers, including the Yogscast.

I’ve grown up throughout the years. I had to stop acting like a kid to figure out what I wanted to do for the rest of my life. I’m still an artist today, but I haven’t drawn in this way for about 3 years to pursue my real passion. I love to draw, but I didn’t have the time or inspiration to make something grand.

About 3 months ago, I suddenly got curious about how all those YouTubers I stopped watching were doing, so I checked out their channels and watched a video or two before moving on. When I got to the Yogscast channel, on the other hand, I quickly fell in love with the new content and with everyone again.

It was insane to see how immediately my love for them came back. In 3 months, I’ve watched so many videos and streams/VODs. It’s all so comforting, funny, and uplifting. Clearly, I missed so much content in the past 8 years, but at least I don’t have to worry about running out of things to watch for a while.

What made me most happy was that despite changing a lot, I never stopped being that kid who laughed at the Yogscast’s shenanigans. It just goes to show that no matter how much the world tries to push you around, you never lose that sense of joy you had as a child.

Now, about Rythian:

Since I started watching the Yogscast in 2011, Rythian has always been my favorite. I loved his series so much, especially with how he got into character to give us an immersive experience. It was an escape for me as a kid. When difficult moments were thrown at me, I watched Rythian’s series to find a sense of comfort.

So when I started watching his and Zoey’s Blackrock series, my mind was blown. The storytelling, acting, humor, and drama of the series were so immersive and touching that my creativity exploded.

I mainly use art to express myself and my interests because I struggle to talk about it. But funny enough, Blackrock was the only interest of mine that got me to not draw, but to write. I wrote a lot of short stories about the series—even how I envisioned the series would end. I was so inspired to create all the time from this series.

And what’s crazy is that at the beginning of this summer, I found all of those written drafts and notes from when I was a kid. I kept them all for 10+ years and found a very loose (and not that good) draft of this comic and I felt really inspired to finish it.

It was roughly when I was first watching Blackrock too when I realized that I can be creative in the future. The Yogscast helped me understand that I can do whatever I want for the rest of my life. If they could do it, then why can’t I?

What’s also wonderful is that even after so many years, Rythian never stopped being my favorite. When I started watching the main channel again a few months ago, I immediately found myself rooting for him whenever he was in the group videos. I just remembered how much happiness he brought me when I was younger and it makes me so happy that I still get so much joy whenever I hear his voice.

While working on this comic, I watched all of Kirbycraft and caught up on Kirby Farm. I can’t help but smile the whole time Rythian, Briony, and Kirsty interact with one another. The dynamic of these three brings me so much laughter and comfort. A part of me is upset that I didn’t get back to watching everyone when Kirbycraft was still live, but better late than never, right?

I also originally started this comic without the intention of posting it. But then I figured, Hey, it’d be great to share it with everyone who’s also been impacted by this series and the Yogscast in general, so I made this blog to post it here. Honestly, I’m not sure when the next time I’ll be able to draw is (who knew building a career takes away a lot of your energy and time?). But I think that’s what’s so wonderful about my love for Yogscast and particularly Blackrock: I didn’t make this comic for the likes or views. It was just because I wanted to, and I’m so happy to see there are so many people on here who feel the same love for them as I do.

This series and the people who made it, along with the people who supported it and loved it and continued to love it, impacted me for the better. I learned so many years ago that I can be creative for a living, and have been working hard towards doing that since.

Happy 12th Anniversary to the Blackrock Chronicle. To Rythian and Zoey who put a smile on this kid’s face even during the toughest of times.

And to the Yogscast, thank you for being there for me when I needed you all the most and for still being here when I came back. Your ability to inspire me and make me laugh never disappeared throughout the years I was gone, and I’m ready to laugh some more.

[mel-addams]

Get Started Drawing...

...even as a complete beginner!

In my efforts to help some friends who are only just starting to learn to draw (as adults! glorious!! <3), I kept digging around for resources that cover things I remember learning in the various art classes I've taken...but that does a better job than I can of laying it all out in a comprehensive, but not overwhelming, manner. (I am far too prone to rambling as you can see from this post, and bounce around topics as I remember them, rather than in a sensible order.) I've found a few guides here and there that cover one thing or another decently well...but I've finally found a free site I'm really keen on as an overall source if you're just starting out with learning to draw!

It's incredibly clear and concise, whereas many of the other sites and books I found could sometimes be overwhelmingly detailed. It's arranged in a way that reminds me of the flow of art classes, starting at the very first steps--how to approach art if you've never done it before, and the fact that you only need basic tools to begin with. If you go in approximate order, it then establishes that you should start sorting out a solid foundation by practicing simple lines and shapes--the same way you learned to write letters so you could ultimately make words, sentences, stories... This includes some neat little practice exercises with questions to consider while you do them, so you also learn to see and observe things like angles and proportions, which are critical for being able to accurately draw more complex things.

It evolves from there into how to take those basic shapes and turn them into simplified human bodies--and from there, how to consider more complex 3D versions of the shapes to give those bodies a sense of dimension and physicality. It even touches on things like composition, silhouette, negative space, and line of action--all in a quick, straightforward manner. It plants the seed of understanding for these more complex illustration concepts, which you can then research further, armed with relevant terminology to dig up more in-depth resources as they catch your interest!

The style itself is usually simple, but even if your aim is to draw with a more detailed style, this one can serve as a base sketch to add that detail to. (Combine learning this base with photo studies, plus more detailed style guides for wherever you want to take your art, and you could use this as a base for comics, cartoons, anime, realism...the core concepts and skills remain the same!) There's also examples of how to adjust for varied body shapes, so it provides more flexibility than some drawing guides do, which often only focus on one "ideal" body type. (This style can also be used for that, if it's what you want--you just adjust the proportions of the basic shapes as you need! But this provides examples of how to handle variety, which will give you a better foundation for drawing people and characters so they don't all look the same, instead of having to figure out how to adjust for it later on.) The Shape Dolls for reference are also incredibly delightful, and a great cheap way to have a little pose reference mannequin of sorts!

There's also links to sources if you want to dig into concepts more deeply--available both as a general source page, as well as some specific topics including relevant sources at the bottom of their respective pages. There's also a patreon with some extra thoughts that is fully accessible for free, but has a paid option if you want to support Tan for providing such a lovely resource! (Also they have a legit vegetable farm?? How cool is that.)

So yes! If you have any interest in learning to draw--whether you've ever tried before or not, and no matter your age--try looking through this site, and let it guide you through the process!

[the-bitter-ocean]

(MAJOR 2HATS SPOILERS- Artist’s notes under the cut)

Overture/ Beginning/Prelude/Foreward

here are the og sketches of the opening scene in ISAT I did of what it would be like if any of the other party members was in Loop’s position. If you want to see the cool finished version of the Overture composition (Mirabelle) you should go look at @tealgoat wonderful piece that can be found here

First initial draft of designs+ personality of each one can be found here and the latest redesign/ redrawing of those designs + human designs can be found here

The first one I worked on was “Overture” which depicts my take on a SASASAP! Mirabelle more commonly known as “Rewind” or “Riri” {{she/they}} for short in my Au In Cycles And Cessation. I wanted her reaction to be sad and desperate but most noticeably angry. She tried so hard and it all amounted to nothing. She couldn’t take it anymore. She is the only one of the four shown visibly angry.

Second one is “Beginning” which depicts my take on a SASASAP ! Bonnie aka “Constant” or “Con”/“Connie” <(they/them)> for short. I wanted the emotion for Bonnie to be sadness, anger and confusion. Blind to the situation at hand because they made their wish on impulse so that they could be free. They are the only ones out of the four who have their eyes closed.

Third one is “Prelude” which depicts my take on a SASASAP ! Isabeau aka “Cycle” or “Cy” [[he/they/it]] for short . I wanted Isa’s emotions to be sadness but in contrast to both Mira and Bonnie I wanted the emotion to be something that’s quieter and more subtle. The emotions are sadness, resignation and relief. Happy that this can finally end- one way or another. He is the only one out of the four visibly smiling.

Last but not least is “Foreward” which depicts my take on a SASASAP! Odile aka “Eon” <<any pronouns>>. I wanted Odile’s emotions to be subtle in the way that Isabeau’s was but in a different direction. The emotions are sadness, resignation, determination. Theyre resigned to their decision and knows she has no other options left but moves forward anyhow. She is the only one of the four visibly determined to end things once and for all.

I know for the aus my mutuals Basil (Of Stitches & Sequence) Pastell (In Recipies & Repetition) and Teal (In Tales of Time) made (which are very good and you should all go check them out) the alt loopers guide is loop guiding them and not their alt selves so the drawings/ designs is not canon to any of those stories!! but it still a neat thought experiment / character study.

[bittersnsweetz]

All's Fair in Love and Law P2!!!!!!

This time featuring women >:] I wanted to have them similar ages as the male set without disrupting the timeline too much so here's the list of all of them; i imagine its like. set in between the last PW game and the first AJ game, so not quite post seven year gap but somewhere in between! And also Mia is alive because shes like. the only female lawyer lmao - I also went with characters who I felt would have the most tangible and dynamic relationship to one another among the limited options and relationship with the male cast too

here are the current decided ages (shoutout to Njorlpinipini with this post compiling a semi-canon birthdate list that i studied intently to make my calculations)

Also to the one person who reblogged the original post saying that they wanted to see Athena i apologise profusely because i knew I only wanted adult characters in the cast from the get go but I still felt like you were robbed so here's a sketch of her <3 the silliest!!!!!!

[miraculouslbcnreactions]

This thoughts still cooking, so it might not make sense, but I think Thomas (Tomas?) Astruc is a very good case study on how being too attached to your own ideas can hinder your story telling.

I don't mean this in a "Thomas's original idea for the series was bad", but rather that he seems so attached to this concept that he can't stand other people having a differing view from him.

Chloe's the titular example here. Some people thought she deserved a redemption arc, and instead of just saying "nah, I don't think so" and continuing to write her the same way he had been, he had to prove them wrong, prove that his idea was the only correct one, and so turned her into the spawn of Satan and let her rule over Paris for some reason.

Instead of making Marinette less stalker-y, he wrote an entire episode poorly justifying it. And, imao, somewhat diminishing what PTSD actually is and does to people.

I'm not saying he has to make any change (though I think making Marinette less stalker-y would be a good change), but instead of 1.) sticking to his resolve or 2.) taking the criticism, he clung dearly onto this perception of his characters and his writing suffered because of how much he had to twist things to "prove" that his original assertions were right. And also that everyone who disagreed with him was wrong and didn't understand

idk if that makes sense, but the concepts been lingering in my head recently

It makes perfect sense! I've had similar thoughts. It's hard to say for sure, but Miraculous may be a case study in "kill your darlings". I'm not deep into the behind-the-scenes lore and I was not here in the early fandom, but I do know that, at some point, a much darker version of the show was pitched. That's why these exist (image source):

[Image description: two sketches styled like comic book covers. Both have the title "The Mini Menace Ladybug". The left cover shows Marinette's silhouette in a doorway. The door's glass and the glass of a nearby window are broken. In the foreground lies a hand holding a ladybug charm. The hand is limp and surrounded by blood, implying that someone is injured or dead. The right cover is Ladybug doing a spinning kick while looking angry.]

We also have this evidence of the darker original concept:

Jeremy Zag then proposed another project... which he was unable to sell to broadcasters... the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience... Sébastien had to make sure that the project could be broadcast on Disney and TF1.... Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted... In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

I've been aware of this darker origin story for a while due to Tumblr and, because of this knowledge, I have often had the thought, "are the writers trying to sneak elements from this darker version into canon?" Because that's the most likely explanation for what's going on here.

If I'm right, then I think that was a terrible move on their parts. They needed to let go of the story that they couldn't sell and embrace the story that they're being allowed to tell. It's why "kill you darlings" is such good advice. Many good stories have been ruined by writers clinging to an idea that ultimately doesn't work for some reason.

It's why the sitcom How I Met Your Mother has such a universally hated ending. The show was originally supposed to go for two seasons and so they wrote an ending that would fit the second season. The show ended up running for nine seasons and, by then, the ending didn't fit, but the writers kept it and left everyone with a bad taste in their mouths, which is not what any writer wants. That's why you have to do what's best for the story even if it means abandoning something that you really love.

This early version of canon may also be why the writers are so obsessed with Marinette. My understanding is that this concept had her mainly acting as a solo hero and, oh look! What is one of canon's biggest problems? Marinette being treated like a solo hero even though she has a partner and, later on, a team!

Not saying that this theory has to be true, just saying that it would explain some things. And if they're poisoning canon by trying to include elements from their darker original? Then it makes sense to assume that they're also doing it for smaller stuff. Like I'm pretty sure I've read that the head writer wanted Chat Blanc to be a lot darker originally, but no one would green light it, so we got an incredibly lackluster episode that spat in the face of the genres Miraculous' is trying to be part of while also falling to have the sort of impact we'd expect from an episode like that. It's a good example of a darling that really should have been killed. It just doesn't fit.

(Totally unrelated sidenote, but is your blog name from Tangled? Because that's what I immediately thought of and it made me smile!)

[kazumiwrites-fanfiction]

Not-So-Secret Drawings

REQUEST: Hi there, so I've been daydreaming about this for awhile but I absolutely suck at writing so, could i request hcs were the reader is really good at drawing and has been secretly drawing random people on campus whenever they get the chance, but one day reader forgets there sketch pad somewhere and a character (of your choosing) finds it and decides to snoop and finds drawingsof them and people on campus. Just as they finish looking through reader comes (after realizing they forgot it). I hope this makes sense to you, have a nice day/night.

SUMMARY: Your carefully hidden secret is out now. WORD COUNT: 1k

WARNINGS: Riddle, Azul, Floyd, and Vil snooping looking through your drawings, reader is a really good artist, Riddle threatens you (out of love I swear), Azul is uncomfortable by your drawings (not in a bad way- I think), mentions of getting lectured by Azul, Floyd is a ball of chaos, Vil gets no warnings because he's perfect/j A/N: When I tell you that as soon as I saw this I immediately rushed to write two parts before having to stop because I needed to do my summer homework - and then procrastinated the last part (Vil)- Also I know you implied one character but since I'm indecisive I did multiple haha (I'm sorry (but also kind of not because this was fun)) I'm sure you don't suck at writing!! You just get sick of your own writing because it all seems predictable (speaking from experience, I read my work and I'm like "ew?? I need better words" haha) Vil's part is definitely weird because I was like "Fashion Designer!Reader" (probably because some of my friends take fashion/design classes) and I don't know how accurate this is I suck at drawing so I know nothing please don't come at me- Also on a side note, I have a lot of requests right now and since I have a lot of schoolwork I have to do right now, my writing will probably be scattered. Hope you guys understand! (Hope you have a nice day/afternoon/night/etc too!!)

© kazumiwrites - All rights reserved; please do not steal, edit, copy, repost (etc) my work without my express permission.

You had always been careful with your drawings. You never wanted another person to look at them. After all, you had been drawing other people - and who knew what they would think?

Sure, they were pretty accurate, but still. It wasn't like the people at Night Raven College knew that you were drawing them. And you didn't want your drawings to get destroyed just because someone in a foul mood found them. Just your luck though, as you had left your sketchbook somewhere. Where did you even misplace it…

Riddle Rosehearts

He had always seen you with your sketchbook, but had assumed it was just for studying.

Likewise, when it popped up during class, he assumed that you were diligently taking notes.

It was almost sad seeing how far from the truth he was in hindsight.

Since he found your sketchbook on the floor (perhaps having fallen from your bag - it was always full, after all), he decided to take it to you. On the way over to Ramshackle Dorm, he flipped through the sketchbook before he paused.

These weren't notes. They were drawings.

And very good ones, at that.

They were so detailed, he thought for an instant that you had magicked them on here somehow (before remembering that you didn't have any magic).

So was this what you could do with some time and diligence?

His mother had never let him draw much so his drawings were mediocore at best (at worst, one would think that a small child had drawn them).

He found himself captivated by the artwork, flipping through the pages, seeing the drawings of various people from the school. Even some of himself…? With more details... It was odd, the small flutter in his chest. Happiness?

He jolted as he heard your voice, asking if that sketchbook in his hands was yours, abruptly slamming the sketchbook shut as if he had been looking at something completely inappropriate. Which, in a way, he might have been?

"Sorry for looking at these without your permission." He got out after a moment, handing it back to you. "You're a really good artist." He paused. "But you shouldn't be drawing in class. If I catch you with this sketchbook out during Trein-sensei's lectures, I'll have your head!"

Azul Ashengrotto

Of course Azul had noticed your drawings. He needed to in order to make sure he knew as much as possible about others so he could scam help them whenever they needed it.

Still, he found it intriguing, so he couldn't help but skim through your drawings. And my, were they amazing.

Until he got to the section where you had drawn him.

Sure, there were drawings of him in regular uniform, some of him in his P.E. uniform (he thought that they weren't really flattering on him, but you made it look good).

But then there were the sections where you had drawn him in mer form.

Of course, you had no idea what his mer form actually looked like (without all the overblotting, which you never got the chance to see clearly anyway) so it was mostly guesswork and using your imagination.

There were ones with long, large tentacles swarming around him.

Some with tentacles that were slender.

Some of them popped out of weird angles, which he was puzzled about, but okay.

My tentacles can't move like that - or can they?

They definitely shouldn't be popping out of his ribs. Wherever did you get that particular idea? It made him uncomfortable just by looking at it.

He was so caught up in examining your drawings and he didn't notice you until you literally snatched the sketchbook from his hands, saying something about how they were private.

"Sorry, [Y/N]-san... But these drawings aren't too accurate, you know."

And that was how you got roped into a three-hour long discussion about the anatomy of octopuses as well as the anatomy of merfolk and how your drawings were terribly inaccurate. (You were just guessing, how were you supposed to know any of this?)

Floyd Leech

Floyd wouldn't even wait until the sketchbook was unattended.

He'd pop out of nowhere, eyes bright, asking what you were doing.

Never mind if it was in the middle of class or not.

You've both gotten scolded about this, he should know better.

Still, one day he caught you by surprise, and the book slipped from your hands.

You muttered a small curse before trying to grab it, but whoops, too late. Floyd had already gotten it and was flipping through the pages.

"Aww, Koebi-chan, you drew me?" His gaze met yours, a wide grin on his face (showing his extremely sharp teeth). "You should've just asked, I would've modeled and stuff for you."

You shook your head slightly. You had wanted to keep this a secret if possible... At least Floyd seemed to be in a fairly good mood. You told him that you wanted to draw people in their natural state, without them posing for the "camera," so to speak.

He looked disappointed, but then immediately asked if you could come to a basketball practice or match or something. Perhaps you'd find it more interesting to draw him there. Or maybe in the ocean?

Vil Schoenheit

He was no stranger to people drawing him. He was famous after all.

He did sometimes get… odd pieces of artwork, but that was to be expected.

Still, he didn't expect to find a sketchbook with him in it, abandoned at an empty seat. Only drawings of him.

It had so happened that you were trying to figure out a good design for clothing. You always wanted to have a face to your designs, and he was the perfect subject.

Maybe your drawings didn't do him justice, but it was interesting to see how you could tweak your designs to fit him better.

Still, Vil was plenty impressed.

These designs... He could definitely see himself wearing them.

Maybe he could show them to one of the people he knew... They could help make something like that. With your permission, of course.

He closed the book as he heard you come up.

"These designs really are fascinating. Would you mind showing me more details? I'm certain that we can turn these drawings into reality if you'd like it."

As always, reblogs and comments are always appreciated! ♡ Send your thoughts grr

Feel free to send requests! Check out this post for info ^^

[riinkun-art-stuff]

Howdy ho! I'm very excited to finally be able to share this illustration I worked on as part of this year's @bumblebybigbang for @tahnex's lovely and super fun fic (with no pain attached whatsoever), "Of Dragons and Panthers," which you can read here! As soon as I read the original notes on it this scene captured me so much I had to do something dramatic for it. It's been such a pleasure watching the whole collab come together, tysm for having me!

First time joining an event like this, and I'd love to again if the opportunity comes around hehe. Still a few postings to go on this one, the pieces before us this year have knocked it out of the park and I'm super excited to see the rest once they come around!

Made a few process cuts just for fun, which I left under the cut!

I did do a few sketches roughly before I started out, especially based on other parts of the chapter, but this particular composition was so fixed in my mind that I ended up just sticking with it. In retrospect, I would've loved to go back and do some more thorough exploration for it. Here are a few of the sketches I managed to fish back up:

I also was thinking of trying a few other doodles/another big piece, but ended up not really having the time between other obligations :')

And the sketch I finally settled on:

Inking was SUCH a fun process on this piece in particular. I'm a huge fan of how dragon!Yang's mane turned out, especially, and all the detailing on the head and around Blake's fur and such. Feel like I'm really satisfied w the particular way the line weight variations came out, and it's where the piece shines the most imo.

Panther!Blake, too. Oh gosh. I feel like it took me a lot of reworking to get her structure to a point where she felt very leopard-like, rather than any other type of big cat- especially around the head.

Colours were such a challenging part. There was a big feeling I had for that glow coming off dragon!Yang in the middle of the heavy rain- I love seeing that sort of effect in real life so that's something I'm really hoping to work to capture better as I practice. Trying to get dragon!Yang's slight iridescence in there and to balance out the lighting on panther!Blake's fur each took a long time, too- I'm only a pinch sad that a good chunk of it is covered by other lighting effects XD

Blake's rosettes were SO fun. Augguhugg.

In terms of backgrounds. HOO boy I was going through a strange patch in life while working on the background and final polish for this piece, which is why (at least I feel like) it looks kinda rushed. I have been practicing natural landscapes and doing some observational studies but still struggling to get those rock shapes quite right, which I think is a big make or break point of something like this. I did really enjoy toying around with inking on the foliage and foreground layers of the ground, though! And in the end, lighting and effects ended up masking a lot of the big weak spots :D

I think natural effects like smoke/steam, and rain, are big things that I got to practice more of in this piece, but also really would like to get better at in future. Esp since I feel like it's been a great opportunity to mess around with different colours and brushes that I use way less, which I'm always grateful for w painting. I think just layering the rain on its own ended up being about 10 odd layers?

I think the only other thing I would have loved to improve is to just help the piece feel more Bumbleby™ in the final look. I think I like the cool colours of the lighting for this particular outcome, but I also would have probably tried to have made things much clearer (ahem at the very least switch to yellow/purple) in the long run in terms of representation and resemblance. Ik that at least for me it is fairly easy to associate the two characters with dragons and panthers since I'm more familiar w the fandom lingo around these two, but esp for outsiders I feel like it's probably not great at conveying who they are, and why they are potentially in this situation.

I'd also love to try and find a shading style that still has a painterly quality but compliments the inking a bit better, rather than overpowering it.

I think that, on the whole, I am pretty satisfied with the piece and had a great time working with Tahnex on the whole collab! And I've also has a fun time reading his work and notes in return, and thank you so much for being so so patient with me even as my updates were slow n rocky at points :'D

That's about all I got, have a great day y'all! Still a few big bang postings to go, so very excited for those once they come around!

[kimeoshi]

hello it's me again! Your biggest fan (LMAO) The one who asked for tips on coloring...

Another question has came up on me while I was coloring (finally aughhh). How do you shade hair? Without it looking unnatural?

Thank you for your help before!!! 😊

Hello and welcome back! I'm glad my previous advice helped! That is a difficult question as I do admit it is a bit challenging to me as well. It is guesswork + studying references, adjusting tid bits until it looks right, my own process relies on a trial and error approach.

Therefore, I suggest you pick some pieces you like where you find the hair gorgeous, and figuring out how the artist does it, or how might they do it, per active learning principles. Try to deduce it. While the following guide can be good for your starting concepts too, it's important to adapt it to your style and preferences. And I even encourage you to go against it, as creativity thrives on experimentation.

That said, I'll guide you through my own thought process, however. (With a quick Ratio sketch, because I really love to shade his hair; fluffy hair is very forgiving.)

Let's start off here (I'll be skipping the black and white part for simplicity's sake from the previous guide. I'll also be using a white environment with a pale overlight):

For highlights, I begin laying down a Glow Dodge layer with a hard brush that doesn't have full opacity, and draw a halo-like shape. After that, I refine the shape by erasing parts of it with a rough eraser to get the desired effect.

Alternative to the Glow Dodge layer, you can use pure white, or other layer types such as Lighten, Screen, Add and Overlay, etc.

In the following pictures, note that I adjust the layer's opacity freely.

Above, I simply blended it a bit to my own liking.

With an airbrush I softly start introducing shadows (Multiply layer, dark purple/blue color).

Then, I start introducing sharper shadows in a separate layer.

You can use a lasso tool for this to map out a jagged like shape which should remind you of mountains. You can blend this out too at certain segments.

(Sidetrack: if you feel like, I suggest reading up on the balance of hard and soft edges in painting, the topic is very interesting and I am still trying to grasp it as well, yet I find it immeasurably useful. This can come in handy upon rendering principles. A very skillful master of it is the artist Yuming Li.)

Furthermore, I add reflections. I've used a Lighten layer with a subtle blue color. As this is subtle, I want to point it out that it appears on the lower parts.

For a final touch, I pick out the skin's color and airbrush, shift the picked color to a more saturated one and apply it near his face/to the bangs, with an airbrush.

For the fundamentals of hair shading I usually wrap it up here and go off to rendering. I use a painterly brush to do this and pay attention to the jagged shape I mentioned earlier. The brush I use is already tilted, so it's easy to manipulate to make such shapes.

Additionally, I experiment with Overlay, Multiply (or any!) layers with either airbrushes or hardbrushes— as I said there isn't a specified way of doing this. Go wild; for such is the nature of hair. Add any shapes or lines you find appealing, introduce new colors from the environment nearby too to make it moredynamic and interesting as well.

EDIT: An addition! On Rendering tips and advice

(apologies on leaving this out initially! I only realized I should include this now )

Including astray curved lines to simulate how hair flows also builds to the hair-like quality. I also prefer to use it closer to the silhouette of my character as it adds further detailing and a fluffier look in the end!

Attempt to render each strand according to this diagram in mind, note the parabole-like(?) shape for the light, and note standard 3d spheric shading for shadows.

[eldritch-spouse]

Shags' obsession that mistakes him as a cryptid when they first saw him in the forest. They think he didn't spot them at first but starts slowly messes with them as his obsession writing journal entries and studies him like any cryptid hunter. I'm tempted to write this myself.

[Hey, as if I'd stop you from writing that. 👀]

Shags takes this as the ultimate compliment.

It's quite poetic that, in his somewhat reclusive existence dedicated to art and seeking the more supernaturally inclined entities out there, Shags himself has become something of a cryptid, at least to you.

Truly, the shroom's intent was not to frighten when he first took note of you. It's just that, humans don't fare all that well in this forest. They get lost easily, become delirious with panic and dehydration, Shags usually extends a helping hand towards them in their state of desperation, brings them home, cares for them. They hardly leave, but oh well, the end they're offered is gentler than one brought on by rashes and infections, by encounters with less courteous beings. No one wishes to die lost and alone.

Instead, as he silently studied you from afar, not only does Shags finds himself noticed, you gasp and rapidly snap a picture of him before he can so much as open his mouth, disappearing into the foilage.

Shags feels almost embarrassed to admit that he got "into character" far too easily. It was fun, keeping to the very edges of your peripherals, making a noise here or there, whispering something out of sight. He would leave you small, cryptic presents, pieces of his art, or simply splotches of his ink around your trailer.

You're brave too. Shags is not the type of monster that scents fear, but he knows you're moments from acquiring a brand new brown pair of pants when you clumsily stalk him through the forest. He pretends not to know a thing, to simply drift around and act in bizarre patterns, before finally turning and making it quite clear that he's "sensed you" somehow.

By far, his most interesting find was your journal. It's not particularly hard to break into your trailer, honestly. Or snag the backpack you keep stupidly close to the window. He's so very delighted to find sketches of him, blurred photos, vague descriptions of what you theorize he is and sporadic notes on his behavior. You seem to be particularly concerned with determining his level of intelligence and disposition. 'Benevolent?? Neutral?? Territorial marks, possibly warnings to stay away? Gift or warning?' He devours every incoherent scribble.

You'll be away for a while, Shags knows your routine by now. Which is why he dips one of his spindly fingers into the underside of his cap and poises over a new page, ready to leave you with another cryptic little signal.

He's having so much fun.