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#her song ‘persephone’
nymphoutofwater · 3 days
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losing my mind over this. god she’s going to be incredible
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gncrezan · 1 year
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happy three years to @chrysanthemumgames !!!! as always i'm a little biased towards drawing hermes, but i love the entire cast and at least wanted to draw all of them :') and ofc, thank you jess for a game i always love and keep coming back to!!!
#do not be fooled with no speechbubbles in reply to the cast#hermes is yelling hello's and sorry's as he speeds away i promise#asphodelgame#fields of asphodel#foa#my art#hermes#persephone#pyri#alekto#charon#hekate#hades#makaria#have a bunch of doodles and thoughts for foa that i never got around to properly drawing so . perhaps soon!!!!!#also re the new hozier album. first time-hades (i shouldnt have to explain myself it was like it was written FOR him)#who we are- charon and esp with his backstory my knuckles go white with how desperate i am to know more about them#de selby pt1 and 2 for hermes just cause i like the imagery of the songs about descent for the deity that splits his time#unknown is for alekto . lord i love her and again i would like sweet sweet backstory#first light pyri . i enjoy the light-river of fire idea and also its one of the more hopeful songs off the album#and i am struggling with hekate but i do enjoy all things end :)#but particularly 'if there way anyone to ever get through this life with their heart still intact they didn't do it right'#and ofc 'we didn't it right but love we did our best' and that constant forward motion for a deity that has lived so long#seph/pc gets to someone from a warm climate. the adjustment of being in a new place and the love that can come from that new place#and in the end its as easy . natural as another leg around you in the bed frame. ANYONE ELSE A BIT SICK RN?#other songs on the album (FRANCESCA. ICARIAN. DAMAGE GETSDONE!!!!) can be applied to the entire cast#damage gets done has such SUCH a fun beat that makes me think of hermes but that is like. 90% bias#anyways sorry for the hozier-foa tedtalk in the notes. quite deranged about both lately#and as always sorry to the pagans on this site. best wishes <3
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cherrywine-sunnydiety · 3 months
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Me: okay so persephone’s playlist is next, Im gonna add unknown by hozier that would go great in there. Any requests ma’am?
Persephone: mama by my chemical romance
Me:…what?
Persephone: you heard me
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onehopefuldreamer · 1 year
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So I think I just figured out the optimal order of events for Stray Gods Act II for me.
Thanks to some very kind people on the Stray Gods Discord I was made aware that if you don't immediately go to Aphrodite's party but visit the Reliquary and Medusa's lair first you get completely different information from Aphrodite and Eros than if you'd first gone there. By some stroke of luck I had just done The Ritual (because I'm pretty much always replaying this game...) so I went back and redid things. And my gosh, am I never going to do The Ritual first again!
It's not only the information Grace receives that is much better, but also the flow of events actually feels much more natural this way. Especially if you romance Persephone because this gives her extra time to get to know Grace a little before you trigger You and I and it just feels so right. This also gives Grace a chance to tell Apollo she's worried about the way her investigation is going when he checks in with her instead of lying and saying she's fine. I love that! But also - you get a slightly different conversation with Pan after visiting Medusa which I liked heaps better personally.
What I ended up loving the most was that if you'd been naughty like me and flirted with everyone but Apollo when you talk with him about suspecting Pan after The Ritual he actually tells Grace to give Pan the benefit of the doubt and is very supportive of her which is completely adorable. Then, because I had been flirting with Pan, Persephone made Grace choose between her and him which was also a really nice touch and had me giggling and kicking my feet. I had no idea I needed to hear Persephone say "And what of Pan? Is he also 'incredible'?" but it gave me so much joy, you have no idea. I also ended up testing the option where you choose Pan over Persephone and she was very understanding and supportive while also shutting down any flirting from that point onwards. The only thing that disappointed me was that Persepone didn't seem to care that my Grace was also flirting with Freddie. That wasn't mentioned at all.
And now I need to do yet another replay after I finish this one and go for Pan because man, the dude has charm in spades and I love him and I wish I could romance Persephone, Freddie and him all at once. I might even like him more than Freddie which probably makes me a bad lesbian but it is what it is. His song is my favourite romance song right after You and I too, it's so catchy and joyful. Damn, I really need to romance him soon, don't I?
Fun fact: because I stopped my replay right before doing The Ritual after going to the Reliquary and visiting Medusa last night I ended up dreaming of an alternate version of Persephone and Grace's talk leading to You and I which had Persephone more open and forthcoming about Calliope and Grace very supportive and understanding. Then I'm pretty sure I dreamed a whole alternate version of You and I where Grace and Persephone actually sang together. I'm pretty pissed I don't remember any details because damn... I wish that were real. And I wish I could have recorded it. It was so good.
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braisedhoney · 11 months
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some tragic love stories be like: if i could bottle the galaxy, i would pour it into a cup so it would be easier for you to drink. do you want them? do you want the stars? or do they suit you better as adornments for your eyes than glitter on your lips?
but they don’t want the stars. they don’t want the galaxy. but how can they not? is that not enough? (it’s too much, that’s the problem. it’s too much.)
#ney's idle chatter (random textposts)#me trying and failing to capture why hadestown has embodied Love in a way i don’t think i’m really capable of comprehending fr#but also this can be about whatever blorbo you want#when i think about that one line in chant#when hades says ‘brighter than the light of day’#‘look. look at what i can make for you—see?’#meanwhile the last thing persephone wants is to be reminded of this hollow echo of what their love is in her memories#when i think about that scene when eurydice tells orpheus they need to get food#but he’s working on his song and she makes the choice to trust him and go#to work harder and longer and search for things to feed them and trust he’ll bring spring back#THE WAY PERSEPHONE TRIES TO KISS HADES GOODBYE AT THE START WHEN SHE COMES BACK FOR SUMMER#AND HOW IT PARALLELS EURYDICE KISSING ORPHEUS GOODBYE WHEN SHE GOES TO LOOK FOR FOOD#and hades pulls away. because she’s leaving him and he’s terrified. he’s terrified and turns it into anger because otherwise he’s helpless.#and orpheus doesn’t respond when eurydice leaves because he’s working—he’s working and he’s going to give her what he promised.#but she needs his help. she needs his help now—she needs his support and he isn’t there.#thinking about the moment she takes the ticket from hades and#it almost implies she starves. that she dies. that she starves to death trying to find food for them both#i promise you however unhinged i seem about this musical i am being purposefully restrained so i don’t spam you all too much orz#holy SHIT these tags are LONG#even for me this is ridiculous there’s a whole other post down here#high five to you for reading it ig damn#hadestown
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Amy Pond canon-compliant character study (I will rip your heart out just like I did mine)
You are Amy Pond and your best friend is a man who tumbled into your life when you were a child and turned you into the town’s Cassandra, doomed to never be believed, doomed to believe without salvation, and yet your faith in has never wavered, because what would you be without him? You don't remember existing in a world without your god.
You are Amy Pond and you are kind and you have faith until that faith is forcefully broken to save your life. You become Lucy Pevensie, cast out of your kingdom by the only god you have ever believed in, so you choose to build your own kingdom, to make a life out of the wreckage that he left behind.
But that is not enough. It will never be enough. You are not allowed to leave this story. You are not allowed to grow up in a way that matters, because every time you try to choose, every time that you try to build a life of your own, you are dragged back into this story.
You are Amy Pond and this is a horror story, a tragedy, because you were never allowed to make a choice unless that choice is to die. You are not allowed to choose unless it is to kill yourself. You die on Appalappachia. You die in Manhattan. Any time you get to make a decision, death is there, hand outstretched, ready to walk you off the stage.
You are Amy Pond and you are a ghost haunting other people's stories.
You are Amy Pond and you died before you were born.
You are Amy Pond and you are kind even though the world was never kind to you and maybe, just maybe, this would have been a kinder story if you hadn't believed. If you hadn't held faith. If you had let the memory of your imaginary friend slide away.
The world might have ended earlier. The universe might have been worse off. But would you have? Would you have been happier?
The answer doesn't matter in the end. It never did.
Because there's nothing you can do. No other way this story ends.
You are Amy Pond and you do not get to leave. You do not get to change your story. 
You are Amy Pond and you are Amelia Williams and you are Amelia Pond and your story ends as it began: with a girl sitting in a garden, waiting for a man to pick you up and take you to your death.
(Amy Pond and being trapped within the narrative: aka, the question of narrative framing and the consequences of faith.)
Full version of the poem(? Character study?) here:
@twelvesbian @tenmartha @variousqueerthings @spoofymcgee
(Tagging people whose analysises inspired this)
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linddzz · 8 months
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hello, here for your opinion on odysseus! have you read madeline miller’s “circe”? if so, what did you think of odysseus?
Ooooohhhhhhhh you're nudging at a pandoras box asking me my opinions of Madeline Miller 🙃
To answer while holding the full ranting instinct back on a leash (partially bc I legit don't have much time for much typing rn AND I know lots of people like MM and idk I generally don't enjoy making people feel like they shouldn't like a thing, but I also love being salty and this is my constant internal struggle):
With a lot of her characterizations I feel like M.M. either goes too hard making them sympathetic (Circe and Patrocles being the top contenders who come to mind) or she swings too hard the other way. Odysseus is like....fine? He's not outright terrible? But he does fall into her "they are either sympathetic (cougboringcough) beauties with maayybe a couple Tragic Flaws (that are barely flaws, goD why couldn't she just let Circe have full agency and purposely curse Scylla why can't maybe Penelope be as much of a scheming suspicious fucker as her husband GOD these "feminist retelling" authors are too cowardly to touch Medea-nonono the rant is leashed I'm staying on target!) or they are horrible awful people." But she's made so many comments that make me baffled about her academic background in classics (why would you say all the gods are sociopaths Madeline??? that is an actual ancient cultures religion you're trashing??? do you not get how gods are used narratively in stories is not the same as they're worshipped esp in a religion without strict canon??? You know how we all understand that Paradise Lost isnt Christian canon what the F-Not ranting not ranting I'm good!!) lmao. She seems to fall into the common take I see where modern Anglo morality is projected on the characters divorced of the time/culture/narrative they are set in, and then go "omg how did people think this was a hero?"
Anyway I just don't see how people can look at Odysseus being a scheming ratfuck compulsive liar (who is also a great warrior in violent times bc it...was a warrior society who told his story) and go "um he's terrible why would anyone like him as he is originally????" while MCU Loki was so popular they kept bringing him back from the dead to continue being A Scheming Little Bastard.
(EDIT: uh tldr is I read Circe. The entire experience was me going "oooo it's about to get good" and then realizing that Circe is just boring the whole time. Came out the other end with more feelings about how M.M. writes women than Odysseus, but her Odysseus is part of a trend of doing a lot of black and white morality shenanigans)
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lucimiir · 2 years
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Wonder if Persephone’s need to have the workers say her name in Our Lady of the Underground has anything to do with the fact that Hades doesn’t say her name once in the whole show
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camcorderrevival · 2 days
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(let's kill hitler, steven moffat & the girl who tore the universe apart, nikita gill)
it's like they've both got this mother wound and they're prepared to do anything to fill it, even at the detriment of the person they're aching for. dragging her mother through a door between worlds, trying to make a child behave as her mother. a romantic maternal ideal that cannot be fulfilled.
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jaggedwolf · 1 year
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I've generally thought the songs unfortunately weak in Stray Gods, but the kickass options in the Aphrodite song make it super baller, love the chorus singing the "Everybody"s
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simplegenius042 · 11 months
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Music Monday & Last Line Tag
Tagged by @poisonedtruth
Tagging @socially-awkward-skeleton @shallow-gravy @direwombat @voidika @g0dspeeed @adelaidedrubman @chazz-anova @cassietrn @deputy-morgan-malone @strafethesesinners @josephslittledeputy @josephseedismyfather @strangefable @derelictheretic @wrathfulrook @inafieldofdaisies @minilev and @jillvalentinesday
Paul Yellowjack is a character who has gone through many changes. He started as Silva's first real father figure, a teacher who raised her on morals to live by, protected her from Adam when the poor-excuse of a man wanted her back, and lead his people in a revolution against their violent oppressors on the Archipelagos. Ultimately, after the massacre though, he ended up as a tragic fallen hero whose core morals corrupted when put through tragedy after tragedy, leaving bitterness to take his heart and (regrettably) lash out at the world, before Silva could restore his hope again. Left down a dark path for so long he can no longer return as the man Silva once knew (even if there are shades of him deep inside the villain he has become), and sadly neither wishes him to, Paul because of his self-loathing, Silva because of the pain he inflicted on her. There is a longing between them, but both have gone down two different paths, with no way to return to one another (or at least, that's what both believe). I believe this song reflects his turmoil perfectly. I'll probably explain in the tags.
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"I want you by my side So that I never feel alone again They've always been so kind But now they've brought you away from me
I hope they didn't get your mind Your heart is too strong anyway We need to fetch back the time They have stolen from us
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it
Coldest winter for me No sun is shining anymore The only thing I feel is pain Caused by absence of you
Suspense controlling my mind I cannot find the way out of here I want you by my side So that I never feel alone again
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it
And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it
And last line for The Years In Hope County, which is getting pushed for possibly next week.
"We've come a long way. You've come a long way," Elsa tells [Sylvester], downing the latte in her hands like shots at the Fairgrave's bar, "You may not see it but... we're already honouring them, just by being alive."
#far cry the silver chronicles#far cry 5#oc: paul yellowjack#fic: the years in hope county#oc: elsa omar#so with paul and silva one of their favourite pass times was dancing#and their dance was always a way for them to feel connected with each other and express their familial affection to one another#however the “dance” as described in the song has changed#“you've never danced like this before” being a euphemism for “you've never desired to kill me before”#who “they” refer to are those who have “stolen” silva away from paul especially now in his villainy#that being the residents of hope county and her remaining family like elsa + persephone and allies like gavin and kamski and etc#“coldest winter” and “no sun is shining” refers to both literal examples#like the archipelagos#as well as metaphorical#like his emptiness and loss of silva#“we don't/shouldn't talk about it” refers to both the lack/loss of communication between silva and paul#and paul's guilt preventing him from acknowledging and processing the event that completely destroyed any chance of recovering silva's love#“i cannot find a way out of here” is essentially being unable to escape his eternal servitude to zachariah the orchestrator#“you're heart is too strong anyway”#paul acknowledges that the morals he and others' had taught silva has made her defiant and against his attempts to bring her into villainy#(which also stops silva from giving up and is part of the reason she refuses to join eden's gate and their violence in the future)#it is something he can't help but feel pride and relief from#there's more but you can probably come to your own conclusions on what those are#Youtube
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Hey, I saw you changed your username! I just wanted to say I thought it was a lovely sounding name! /gen
Sorry for the late reply, but thank you! Very much so!!
Honestly, I expected to change my username and drop that post for anyone to see and it to be just another drop in an ocean, completely and entirely ignored. Especially since I so very rarely have posted anything myself on here, on my blog, and have gotten no attention before.
But it's pretty nice to see a few people like the post, even reply back about it. So thank you for sending a message! It's very much appreciated.
As for the username, I've just never fully felt alright with Vexchief. I liked the concept I was going for then (a mixture of Vixen and Mischief smashed together, but because I didn't like the look of Vixchief, I changed the first i to an e) but I never liked how it seemed that anger defined me via Vex. Mischief and Anger. I didn't like that.
And in real life, I've just- *A very long sigh...* A long terrible story, but my life has not been great. A hell not of mine own making that I've been stuck in my whole life, and have been trying to get myself out of no matter what. But when I try, it's never seemed enough. Not anything close to enough. And especially these last few years since Covid happened (didn't get it, just life stuff that happened around the same time), I've just been like a boat lost at sea, adrift. And if I tried to move, to leave my situation, it's only felt like I've gone in a circle, like I'm just chasing my own tail, going nowhere.
("All things that lose their way can find it again. There is no inertia in the ocean.")
Sailsunfurled is I suppose my own declaration to myself. I feel like things are truly different this time around. (Maybe? Or maybe not and I'm just delusional. But I have to think that everything before, every attempt has helped me get to this point.) So it's me saying I am letting down the sails, and I am going to journey forth, once and for all. This is it, this the attempt. I will make it work. I will get out. And I will live. And I will be okay. (Okay, it's certainly a bit delusional. But I feel like at this point I'm just a bit desperate for it to work.)
Anyway, long story short, Adrift has been stuck in my head, haunting me ever since I first heard it. And lately I've had some little obsession of a thought of a boat, a sail. (I might have delved a little into some sea shanties the other day lmao.)
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jdsmineralwater · 1 year
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if we started writing alto songs in the actual alto range and not in the it-needs-to-be-low-to-keep-the-altos-happy-but-high-enough-that-a-soprano-could-sing-it-if-they-wanted-to range the sopranos would not be able to deal
so like what if we started doing that
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neimiismycoolgirlname · 10 months
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Fuck my expectations for Senior Year are so high I know it won't be as good as I wish it was
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chappellrroan · 2 years
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chalo chalo jldi se ekdum apne favourite songs from them mention krow🤺
By tamino it's probably Indio nights and cigar and by Lana it's god knows i tried and young and beautiful
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it was a very beautiful june
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