#her side

[temporalteardrop]

bass makes a dollar. i make a dime. that's why i think about lesbian sex on company time

[thornestar]

Pi’s got a spine! Nice doesn’t mean doormat!

[hinamie]

10 years later

[xshinina]

*Married life playing in the background

This idea was probably funnier in my head

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[zipadeea]

RIP Lorna Wu, the only person who actually understood the purpose of the Witches' Road song. Nicky Scratch would have loved you.

[traumarina]

Marina Ida, and I mean this in the most loving way, is the worst dancer of all idols. She's just submerged in her autistic trance and I respect her for that.

[mybrknhrtt]

[crowkip]

ᯓ★

[yeyinde]

John deciding to blow off steam by subscribing to a cute camgirl's onlyfans account and quickly becoming the top contributor. a harmless way to relax, and spoil a pretty girl with gifts and money, the sort of thing he doesn't have time for in his personal life but craves. hungers for. pays for lingerie and toys, private shows and videos. eagerly devours any time she has to spare on him, but the more he gets to know her, the more obsessed he becomes. the more possessive. wanting. monopolizing all of her time so that she never has a minute to spare on others.

and then she sends him a birthday video. congrats on your fortieth, she whispers into the camera, wearing the ensemble he bought for her. a mould of his cock in her hands, a whim he decided to go for after she pouted at him for a few minutes about how she wanted to feel him inside of her. or a (not so) cheap imitation, anyway. it's good. so good. she's perfect. and all his for tonight.

but she makes a mistake. his kitten is so good at hiding her face, her features. keeping herself a mystery. but as she gives him the sexiest performance he's ever seen, she slips up. shows more of herself than she wants to.

wish i could say happy birthday in person, she winks at him through the cheap plastic of her mask. a fox. isn't she coy? but it's an invitation he won't turn down.

after all, it'd be rude not to give the cute little secretary that greets him every morning exactly what she asked for, wouldn't it?

[bashzzey]

ENA in Pomni's outfit!!

[freshbeeth]

[temporarytemporal]

pearl's new skin looks like how I like to draw her with a half-moon face ... it's canon now

[wasyago]

a man of many talents

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[chloesimaginationthings]

Gregory asks Michael an important FNAF lore question..