#hello again apollo

[sparxyv]

how my gameplay felt

[saint-hymn]

I think it was much like the flow of this story. Slow realization. Some molasses-thick self-fulfilling prophecy.

My accent in interpretation will be horrible, but bear with me: first is the trust put in the dream. Trust that he knows how to do this by heart. It beats, fresh and bloody, percussion to his legislation. Shout to the empty seats. Truth hidden fifty seats empty. Enrapture the audience. Make them dance to your tune. Down the cliff, Piper. Internalize it.

(Tangentially related: cWilbur is never just himself. He is always a costume. Always a role. The revolutionary, the president, the outcast, the terrorist, the dead, the un-living, the penitent, the coward.)

The rot settles. They lost. He spreads his arms—I am a slow burning fuse—and the crowd shifts uncomfortably. Performance for the sake of truth. Made bloody in a way that sets your nerves on fire with the sticking and clotting on skin. Feel the ravine's breath. Has it not become colder? Paranoia in his fists echoing on stone walls. Do we not hear anything yet of the noise of the gravediggers who are burying his dream? Do we not smell anything yet of L'Manburg's decomposition?

Perform for an audience of none. Count and scream to the putrefaction. No one's paying to listen to the Idiot Doom Spiral's shaky drivels; they all bled under a knife no one wants to wipe. Who drove it in? Was the ex-president's failed coup de grace, dying dream sputtering and shrieking in terror still? The new killing the old? Viscera spilled on mizbeach for the love of the game? Incompatible dreams tearing each other apart?

Truth was not laid bare, I think. I think it was ripped out of the floorboards, the foundations; violently made to show itself. You will see the real; something messy, sticky, unplanned, repulsive, a performance made true. Desperation boils. The rot suffocates. Scratched-out words on stone walls. Fingers thick with gunpowder; hear, hear, the prophet of Holy Trinitrotoluene. The deafening choir of shockwaves and shrapnel. His voice cracks and breaks with his land and his ribs. A corpse bows. Exit stage left. Amen.

I am on break at work and it shall be around 2:55 pm when this reaches you, so I cannot properly respond as is- though if you truly want a sample of my writing, I’ll see if I can gather some. A long ask ahead for that one, along with some shorter responses, perhaps a chainsaw instead of a scalpel if you want to reach the core.

Also, to the other anons and folks so intrigued by this all- I had no idea I’d garner such an audience to my study! I hope it doesn’t affect the results. Perhaps it should stay on stage for just a bit longer, the anonymity is fun.

To throw on one note of a caw though- I will not correct you but add on: it’s the concept of clay being carved. It does not hurt, it does not weep, but then once you are human you look back and see that would’ve hurt if I were different. I am different. Does it hurt? Despite the fact that there is no wound at all.

—studying anon (or whatever nickname, I accept all. See you soon!)

it would've hurt. Now, here, we're beholding each brushstroke of the knife-that-was and questioning the absence of pain then that would have been something if we were what we are now. I'm understanding the steps to this dance.

Hello again! Then, by the time I've answered the ask it should be... 8:30 AM-ish for you? I feel like a backstage worker that's gotten yanked to the limelights. Know now that I am only the scribe, Apollo, typewriter and painter but never the figure never the muse. Pardon my dust.

If anything, you're gaining novel data by putting me in an entirely new environment. I've only ever written for two-three pairs of eyes, never an audience, never this open, never splayed in a game and a dance I'm new to. It's a welcome change of pace! Please, I'll put the obsidian down and get a Husqvarna running for you.

Here, something for you, again, for the sake of wanting to hear your thoughts: what do you think about self-martyrization to empty seats, blood spilling for an empty altar—unhearing god? There is no salvation offered through a self-imposed suffering. Messiah to none. Holding onto the hurt thinking there is virtue in the red. The cage is open. Walk out. There's naught left, so why insist on holding onto it? Suffering framed as a masterpiece but it bored everyone to death.

[gingermintpepper]

Brother II

“Artie,” he says, and he’s got that sparkle in his eye that means she ought to start picking out hunting wolves from the twenty-three hundred that roam their island, “I have a date.”  He’s in satin and goat-skin today, hair done up in little jewelled cuffs and smelling like the belladonna that only grows in central valley.  There’s no violet in his hair,  no rose, no poplar, no heliotrope Just laurel. Plain, dead laurel bound tight on myrtle branch and more telling than she ought to be. He’s smiling too - or at least he was up until she let the space between her response settle its weight on his shoulders, a boulder as Sisyphean as the conversation they’re about to have Because it’s always the same with him no matter how many times she tells him to cut his losses and just take a vow.

Instead of the berating she has cocked and loaded behind the bow of her lips, their mother’s voice cuts in an arrow all its own,  “That’s wonderful, Phoebus! Who's the lucky youth?”  But Apollo doesn’t take the bait, gold eyes dissecting when he catches her gaze The question he never gets a chance to ask burning through her like fire in her veins long after their mother takes his hand and leads him away so she can humour his insanity.

Extracts from the Greenhouse Floor.

[ind1c0lite]

{copycat au}

A visit

(1+Context , profiles)

[boundaryfailure]

[the better reality | nms apollo & traveller]

At the center of the galaxy, you are left holding the cinderblock-heavy truth of the world you live in. The enormity of it all sits almost demurely in its place on your exosuit, that little red starseed and its cosmic significance.

Sixteen minutes. Always, sixteen.

Of course, Nada only hushes you when you try to speak about what you’ve seen. They stretch their palm outwards as you rush to inform them, sweeping away your words before they come. They are afraid — you know they’re afraid — to lose their haven to realization. Of course, despite everything, even though they have severed themselves from their people, they are still Korvax: they still fear the Atlas they reject so fiercely. You can’t bring yourself to shatter anxious Nada’s naivety.

You still find it in yourself to feel stung.

Still, though, they can see the anguish in the lines of your posture (Why won’t you listen? Why won’t you hear me? How could you leave me alone with this?), and they have never lost their kindness. Nada’s fingertips light gently on your shoulders, and when they draw you into an embrace, you return it twice as fiercely.

Polo squeezes your hand as you pass them.

“Nada fears, Traveller-Friend. Some things are best left unexplored.”

(TRAVELLER, the Atlas had said — had pleaded.)

You miss Apollo so terribly.

Sometimes you dream of a better reality: one where the world had yawned wide as you came out of the portal, and your friend was there to greet you.

Getting the details right can be tricky. You know what Apollo sounds like, sharp, sometimes guttural, mechanical and harsh at first blush. You know that standing beside them would suffuse you in subtle golden light, that it would play off the starsilk strands and fine leather of your suit. The details get sketchier and ruin the picture if you dwell too much, and so you try not to linger too much on any one point. Broad strokes.

They are bigger than you are, you remember from the tower transmissions; they are built sturdily, like industrial equipment, like a blunt force weapon. They get testy when you poke fun at it — “I don’t make fun of you for being soft, do I?” — and you know that this body is not necessarily theirs by choice. There had been grudges involved, and vengeance quests, and altogether you can understand why they choose to walk as a lone iteration entirely, free of the wistful togetherness of the Space Anomaly’s menagerie. Such tenderness doesn't suit them.

But Apollo could bludgeon you into an entirely new iteration, and Apollo chooses not to. That is how things go, in the reality where you break through to one another. The two of you cut a wonderful contrast walking worlds together. The gear you have chosen means that beside their simplicity, you are all tritium-hydraulic agility and solar-vitrified stealth, and they snipe at you over comms because they are made for steady distance and could never keep up with your gimmicks.

“Somehow Artemis was never half as much trouble as you are,” they tell you, with their strange blend of indifference and annoyance over-top a curious attachment.

“With Artemis, we really would have been unstoppable.” The thought slips out unbidden, and you pick at the enameling adorning your right pauldron as if to distract, or to mollify.

“… Yes,” Apollo says, a reply you don’t expect. Their tone is thoughtful, but not closed off, and you realize you’ve earned the rare right to their emotional input, such as it is. “We would have.”

In this reality, the pressing loneliness of all the world before you abates with your friend at your shoulder. Apollo is not necessarily talkative — in fact, without you there to prompt them, you think they might go days without a single flare of vocal activity — but their heavy tread at your heels and their ruthless haggling at trade stations compress the frightening vastness of it all into something uniquely enticing.

(The weight of the last sixteen minutes rests lighter on your shoulders, knowing that they, too, understand. They take the news of the galaxy’s infinite end steadily, a steel-stubborn levee refusing to succumb to the waves of despair that had submerged you before.)

(“Well, we all have to die sometime,” they had told you, rolling prism-studded shoulders. “And what time will be more interesting than this?”)

(They hear you, they listen, and they are not afraid.)

(In this other reality, they choose to do what no one else does: to accompany you. To understand.)

(And you know fully by now that those other iterations are just as real as you.)

(So just knowing that, you think, alone in your ship with your face to the stars — just knowing soothes the sting.)

Sometimes you dream of a better reality.

In it, all the world lies before you, and Apollo is at your back, and beneath the tint of your helmet, your eyes are wide and wonderstruck.

[keeps-ache]

the urge to talk my head off vs. the calm of quiet vs. the Thoughts

[risingshine]

@valorandgold

...Apollo forgot how long the trek was up to Juniper's house. Thank the goddess that he got more used to mountain hikes in Khura'in...it now dawned on him how long it's been since he was in America. Since he saw Juniper...

He did set it up with this reunion with her, of course: but what if she moved on? Maybe she found someone else? Was this her way of showing respect, breaking up with him in his face rather than over messaging? where were those nerves of steel when you need them?

Relax, Apollo. A deep breath in, and a deep breath out. If he could deal with a corrupt tyranny, he could handle talking to a woman.

I'm fine. I'm fine.

And with that, he knocked on the oaken door.

"Junie? Are you in there?"

[world-of-aetherix]

~ Welcome to My World ~

Hi! I'm Aetherix, or Thea!

I'm a multifandom artist and writer!

My Fandoms:

The Outsiders 🤛🎟️

Supernatural ⚡️🩸

Apollo 13 🚀🌖

Treasure Planet 🚀🌌

Outer Banks 🌊🌅

Stranger Things 🎸🛹

Marvel ☄️⚡️

Avatar the Last Airbender 🌪️💨

American Born Chinese 🐲🐉

The Good Place 🌁🌈

Top Gun 🎇🕶

Atlantis (Disney) 🦈🐚

Star Wars 🌌🎆

Percy Jackson/Riordanverse 🏺🗡️

Shadow and Bone/Grishaverse ☀️💫

The Lord of the Rings ⚔️🛡️

Have fun here in my little corner of the internet <3 ask me stuff!

[riseninsaturn]

stayed up until 1:30 AM playing chronicles & working on the klapollo t4t fic. checked the fic draft this morning and it’s only about half-coherent. nice.

[ahedalshaer]

Very important, stop, we need help, This is not a campaign that we can afford to wait for weeks to complete

EVERYONE PLEASE DONATE IF YOU CAN’T THEN SHARING MY GOFUNDME LINK. WE NEED TO DO EVERYTHING TO HELP MY FAMILY EVACUATE AND MAKE THEM BETTER 🍉🙏

My family wants you, wants your help, don't leave us alone, please.We live in tents in the worst place in the world. Everything here is difficult. We find it difficult in everything to obtain food, drink and water. The temperature of the tent cannot be described, it is like hell.

Ihope you don't ignore my story. You can make a big, big difference. I am in a very difficult situation. I'm so tired. I'm very tired. But despite everything that's happening, I'm fighting. All I have left is my beautiful family. I have no one but them after I lost many of my friends and relatives, our home, my future, my university, everything. I am fighting for my family. I hope you don't stop reading my post. I really need you so incredibly much. I want you to be by my side and support my story. support me. I want you next to me. This is not just a request. This is my call. I hope my words and message reach you.

Please don’t read this as a tragedy story ,, I’m here to ask you to prevent it from getting more tragedy and to help us start our life all over again. I’m here to ask for your help not your sympathy , to ask you to take action whether by donating or by sharing this to everyone you know who can help, please read this with your heart and take action as if it’s your family, your mom, your siblings who are under these conditions

Asking for your help is the only way I have to rescue my family’s life and future, your help may become our hope when hope is far away from us under these conditions, every dollar you can help with may save a life, bring hope to a tired heart and save a future of a youth one

3.845€ -> 80000€

@el-shab-hussein @commissions4aid-international @nabulsi @90-ghost @appsa @orbleglorb

@palestinecharitycommissionsassoc @palestinegenocide @apollos-olives @queerstudiesnatural @buttercuparry @brutaliakhoa

@helppeople @neshamama @baguetttee @sar-soor @divinefeline28 @riding-with-the-wild-hunt @sata-cable @mohameddd @gaywrites @victoriassecretangelsss @aces-and-angels @turian @difty-dift @gamer-guff

@gamergoodwin-blog @blackfem @black-and-white @omegaversereloaded @omegomagnit @heritageposts @feluka @feluart @drangues @bijoux-et-mineraux @afro-elf

@journalsforpalestine @elierlick @artezui

[apollosgiftofprophecy]

I think another reason why I get rather annoyed when people hate on ToA Apollo is because how hypocritical their criticisms are.

I just saw a post talking about how great it is that Annabeth gets to show a lot of emotion, especially by crying. I also recall moments where she got frustrated or angry, and I found myself absolutely agreeing!

But then my thoughts turned to Apollo, another character who shows a lot of emotion.

But you know what he’s called for being frustrated, or upset, or for crying?

Whiny. He’s called whiny.

Apollo gets frustrated when he’s unable to perform something (archery) he used to be extremely good at. He’s upset that he can no longer use a bow correctly.

And people call him whiny for that. Apparently, those people have never experienced, let alone heard of The Gifted-Kid, something all Gifted-Kids (hello, tis me, Gifted-Kid since 4th grade RIP) can relate to Apollo over.

You were really good at something but all of a sudden you can no longer perform it as well? You’re not hitting your usual mark?

Well too bad, according to the fan base, you should shut up and not be so awfully whiny! It’s just archery!

(That was obviously in jest but you get my point.)

Additionally, Apollo never complains about important things. He complains about having to walk, but not the injury that’s literally turning him into a zombie and physically tormenting him.

That post really made me think about this, and then I asked myself; “Why? Why are people’s thoughts so different on Annabeth v Apollo showing emotion?”

It became apparent rather quickly, if you ask me.

Annabeth is a woman. Of course she should be able to show emotion! also maybe deep-seated sexism of ‘women are emotional’

Apollo is a man. And God forbid men show emotion I guess smh so also sexism

Because think about it. How many of the RRVerse male protagonists were allowed to cry? To be fully, and undeniably, upset?

I can only remember Frank crying on the plane after his grandmother’s presumed death, and Grover sniffling/getting teary-eyed in PJO. I don’t recall Percy, Jason, Leo, or Nico ever crying, or really having powerful bursts of emotion.

Yes, yes, Percy and Nico have both gotten mad and unleashed their fury upon someone, but that’s not what I’m talking about here.

I’m talking about letting them feel, letting them be emotional.

Not a burst of anger. But real, genuine character-driven emotion.

The fact that I can only name Frank and Grover from the previous two series is truly saddening.

Apollo gets to feel. To let his emotions flow freely. He whines, yes, but he also gets frustrated, he gets upset, and most of all he cries.

That all makes him a real character, someone people can relate to.

I’ll admit I’m a rather emotional person too. I have a quick temper, and more often than not the water-works come on real quick when I get upset. It’s a normal emotional response, but it can be difficult to work with, especially when you’re trying to stay calm.

Apollo is the first RRVerse protagonist to be allowed to have feelings— strong ones, even. And I can relate to that. There’s a reason why Apollo, Reyna, and Annabeth are all favorites of mine, and that’s because I see myself in them.

Annabeth is prideful. I can be too. She gets obsessed over her work. I do that too. Hates spiders? Oh hell yeah.

Reyna gave me someone to connect with over my sexuality. Ignore that Rick mixed what aro and ace are for a moment please She really gave my demiromantic self somebody to relate with, because the lack of aro rep is criminal. and no the Hunters are not aro rep

Apollo is emotional. He’s made mistakes and wants to do better.

Who wouldn’t see themselves in him? I certainly do.

And yet, he gets called whiny for having the literal rug pulled out from under him again and again, and he doesn’t even let himself complain over what he should, absolutely complain about!

Idk. I think there’s a lot to be said about how this fandom treats emotional characters, especially based on gender.

I guess this is all to say don’t judge a fictional character, because you’re judging a real person too.

And real people have feelings, you know.

[cornertheculprit]

Dhurke: Ah, my attorney's badge. You don't see those around here anymore.

Apollo: It's not exactly something you can wear publicly, is it?

Dhurke: Yeah... And if you did, people would jeer and throw things at you. I've had tomatoes, cabbages -- even eggs thrown at me.

Apollo: That sounds awful. But at least they didn't throw rocks.

Dhurke: ...True. Plus, if you were good at catching things, you'd have the start of a good meal.

Apollo: What?!

Dhurke: It's true. An hour's walk can yield all you need for a nice, big hot pot! Hah-ha ha ha ha ha!

Apollo: (Dhurke... I'm sorry I never knew how bad things were when you were raising us.)

also i swear to god dhurke has to be fucking with apollo here on some level because he can't say shit like "[Inga] was the most hawkish one in the Ga'ran regime. He established the secret police to arrest us rebels without due process. Those they managed to capture were immediately executed. My compatriots in the Defiant Dragons came to call him 'The Executioner.'" and then go on to say that he was just. plainly walking around with his attorney's badge on for the world to see. the only other option is that he disguised himself somehow and played it off like he was a regular attorney taking a stroll around town because otherwise what in the actual hell is going on

i don't know why spirit of justice has lodged itself so firmly in my head in the last week or so out of nowhere but for better or worse it Has, so i want to point out a line from it that i think is really funny:

Apollo: Tehm'pul Temple is just up ahead. When I was a kid, I used to race Nahyuta and my friends to the top.

dhurke was literally public enemy no. 1. apollo and nahyuta were raised in a super isolated fashion in the fucking mountains because of it and they both also have super distinctive looks. nahyuta ESPECIALLY given he got his looks from amara which is the thing that would put them in the most amount of danger. so. who in god's name was letting them (and other kids apparently??? maybe the children of other defiant dragons??? who the hell knows) out in broad daylight around the city to race to the top of the fucking temple??? like. girl that's where the high court is. girl there are royal guards to look out for. what were they DOING

[walid-family]

Hello, I am engineer Walid Al-Qatrawi. I am 34 years old. A Father for Adam, Hala, and Nay. I have lived in the Gaza Strip since I was born. Recently, the Gaza Strip has been subjected to a war of genocide like no other. I am now looking to leave the Strip, me and my small family, to search for a life like living in peace. Away from wars, After losing all means of life in Gaza and everything I own, The only hope i have is your support so that I can get my family out of Gaza as quickly as possible to save my family again outside the Gaza Strip in peace.

The only thing im looking for is a happy and peaceful life for my children far away from war... Thank you in advance - Link to support Walid and his family click here

-

-

@theropoda @riding-with-the-wild-hunt @punkitt-is-here @northgazaupdates2 @northgazaupdates @catd3m0n @nativehueofresolution @el-shab-hussein @ibtisams-blog @nabulsi @vetted-gaza-funds @sayruq @ripe @sar-soor @fairuzfan @catchymemes @commissions4aid-international @fairyfans @communistchilchuck @commonpeopleshirts-blog @freewatermelon0 @freegazapalestine-blog @palestinegenocide @straycatj @thunderstruck9 @haflacky @catasters @90-ghost @northgazaupdates @northwezt @northernsiberiawinds @palestine-button-reminder @palestinegenocide @galacticpoop @trickstarbrave @ash-angelic @palestinegenocide @riding-with-the-wild-hunt @punkitt-is-here @thesblu @magnus-rhymes-with-swagness @marnota @gay-yosuke @foolish-edworm @floof-ghostie @nativehueofresolution @apollos-olives @apollodalizard @popo-salad @olovelymoon @fallenangellostfeathers @fallahifag @andypasta @freewatermelon0 @fingernailathome @freepalestine-xo-blog @freeplaidknightkid @freepalestine-xo-blog @amosnaomi @awesomepeoplehangingouttogether @amazingphil @zain-leen1993 @zain-gaza @zombzgutzz @everythingfox @catcrumb @catherinebronte @90-ghost @amosnaomi @amanita-rubescens @quadruple-agent @catasters @nabulsi @fairfieldfarmer @sar-soor @el-shab-hussein @palestinegenocide @northgazaupdates @ibtisams-deactivated20240709 @commissions4aid-international @communistchameleon @fallahifag @ripe @rainbowgazes-archive @cottoncandiescupcakes @soulmvtes @ms-mxyzptlk @thenewgothictwice @thishartominefeelz

[familyvideostevie]

the meaning of it all

joel miller x reader

summary: Joel Miller, of all people, teaches you to ask for help. 

word count: 13.6k

warnings: jackson au, post part i, joel and ellie worked it out! joel is soft! language, violence, fluff, learning to accept help and love.

a/n: this fic is a soft joel (think part ii joel but make it two years into jackson because he and ellie resolved everything <3) and a reader who is much more me than i've written before. i hope you like it! thank you again to @strangerfreaks who held my hand through this, i owe you my life.

___

Luck. God damned old-fashioned thank-fuck-for-that luck has kept you alive since the world ended. Deep festering rage and a near-constant state of fear have helped. But every bullet you've found, every undamaged can of food, every shot that landed in the right place so you were the last one standing -- that's all luck. Or a curse, depending on the day. Depending on how you're feeling about it all.

And Jackson? That's the biggest stroke of luck you've had in twenty years. A single woman on her own with plenty of working years left and no obvious red flags was probably a no-brainer for the community to take in but you feel like you've finally made it. After two decades of violence and horror and pain, you fucking made it somewhere safe.

You spend as much time as you can making sure everyone knows how grateful you are. You don't have any special skills, not really. You can shoot well enough, cook well enough, clean well enough. Young enough when all the shit went down that you don't have a trade or any work experience, you just go wherever they need someone in town.

Keeping busy means you're bone-tired most nights. Exhausted sleep means fewer nightmares, less time to wander the halls of your very nice but much too-big-for-you-home and miss everything you've lost. But picking up shifts wherever you can also means you don't meet many people beyond hellos and exchanging names. Farming is easy and you get to work with a lot of the kids in town, daycare much the same. You're lousy with power tools but you're able to carry materials wherever they're needed. Cooking is easy when it's stew for hundreds of people and doing dishes is even fun when someone turns on the radio. You're making it work.

Patrol is...patrol. You're able, so you're on the roster. It's not that you hate it, not exactly. Going outside the walls makes you feel like you're someone else. You slip back into the mask of fear and anger, the one that kept you alive for so long. And the worst part is it's comfortable. 

You've done the training runs, the group patrols for three months. Infected still freak you out a little but you're smart enough to be more scared of people. All of the senior patrol members have cleared you for paired patrols and today is your first one.

Tommy meets you at the stables to check-in.

You don't really have any friends, though everyone is perfectly nice to you, but Tommy and Maria are probably as close as it gets.  You figure they take a shine to newcomers like you, ones who come in alone, maybe to keep an eye on them as much as anything else. But they've both got a smile and kind word for you whenever you see them, always asking if you need anything. You always tell them no, you're fine, thank you.

"You ready?" Tommy says. "I've had them pull Apollo for you." You pat yourself one more time to make sure you have everything. Pistol on your thigh, knife at your hip, pack secure on your back. Hat and gloves tucked into your jacket pocket to account for the wind on the trails.

"I think so," you tell him. You blow a raspberry at your horse and he blows back, nudging your shoulder with his nose.

"After this, pretty sure you'll have done every job there is to do in this town. Pullin' crops, plantin' crops, cookin' crops. Kids, the library, cleanin', buildin' that ramp at Lenore's last month. You've been here, what, six months? And you've done it all."

It should make you feel good that he's noticed. It does, but only a little. You still feel like you could work every day for the rest of your life and not repay what he and this town have given you. To make up for the things you've done on the road.

"I'm the best floater in Jackson," you joke instead. Smiling makes people like you. You haven't had much cause to smile in recent years so you're still getting used to the urge. Tommy scoffs. "I don't do important council stuff like you and Maria, though."

He ignores that. "Y'know, pretty sure they call that a jack-of-all-trades. A real Ren-ai-ssance woman." You try to come up with a retort, eyes wandering to the patrol assignment board. Your name is under ELK CREEK and under it is --

"Quit harassin' her."  Tommy rolls his eyes and flips off whoever comes up behind you. You turn around and see a man you know of but have never actually met.

"Joel," Tommy says. "I believe this is called havin' a conversation. You ever tried it?"

"Funny," Joel replies. He nods at you. "You my partner today?"

"Seems so." You introduce yourself, Apollo's warm breath at your back.

"Joel Miller," he says back.

You're a little intimidated, truth be told. You know him by reputation mostly. Tommy's big brother who came to town a few years ago with a little girl. They're both pretty much everywhere. Joel fixing houses and talking to kids in the street, going on patrols and always bringing back extra for whoever needs it. Ellie galloping around town with other teenagers and bringing home the biggest game. You've handed her books a few times at the library, too, seen her bright eyes and infectious energy underneath teenage angst that transcends even an apocalypse. And you've seen them together, heads down in the dining hall or pressed closed walking down the street -- heard rumors about why they came here, how they came here, too -- and one thing is clear to you: the Millers are beloved. By this town and by each other.

It's a miracle all its own in this fucked up world.

"You two ain't met yet?" Tommy says, pointing at the space between you. You snap out of your thoughts. "You've been here long enough to have met everyone by now."

"Guess not," you say with a wry smile. The younger Miller is too polite to call you out for not having a single friend in that time period, either.

"Well, here we are," Joel says. "Gonna keep us here forever, Tommy? Or can we do our job?"

Tommy claps him on the shoulder and winks at you. "Tone down the asshole for her first paired patrol, yeah?"

Joel snorts. He grabs a horse that was already tacked for him and leads it out of the stable. You follow with Apollo. The patrol coordinator hands out rifles and reminds everyone of the rules.

You hop on your horse. "You ready?" Joel asks, startling you a bit. "We'll gallop to the mouth of the river and then start patrollin'."

Something in you relaxes a bit at his clear confidence in you to handle yourself. You know you're with him for a reason -- he's one of the best. That, or maybe he just doesn't give a shit. Somehow you think it's the former.

You follow him up the hill outside the gates and through the tree line. The noise of the Outside is different than that of Jackson. Birdsong, snapping branches and dry brush under your horse, the wind rippling down the hill. You take a deep breath through your nose and feel a part of you come alive. It's funny how a world so beautiful can be so deadly.

Joel gallops a little ahead of you, strong and steady. You watch him, think about what you know. He's older than you, that much is obvious. Greying hair curling around his ears, lines on his face from more than just a stressful life. But he's strong, good at what he does. Those rumors come back to the front of your mind. How he and Ellie showed up, half-starved and bloody. How he and Tommy are the most famed patrol duo for Infected kills and otherwise. It makes you feel safe. It makes you want to learn from him. It makes you want to know more.

And he's got kind eyes. Somehow, he's got kind eyes.

"Alright," Joel calls back to you. "Route starts here." He slows his horse and you pull up beside him. He shifts in his saddle and turns his face to you. "Now, I know this is your first pair," he says. "I won't order you around or nothin' but my main piece of advice is that everyone has a different patrol style. Know how to adapt."

You dig your gloves out of your pockets and wiggle them on. Joel watches before his eyes snap back to yours. "Noted." You honestly didn't think he'd talk this much. "And let me guess. Yours is patrol in silence?" You punctuate the nervous quip with a smile.

Joel snorts. "Nah," he says. "Unless you're Max. Can't stand that fucker."

It startles a laugh out of you and any ice you'd imagined breaks for good. Max is one of the middle-aged men who probably would have been a lawyer or a politician based on the way he likes the sound of his own voice.

"Now," Joel says. "You done this route before?" His knuckles are a little red but he doesn't put on any gloves.

"Twice, I think. First log book in that old station, right?" Joel nods. "Second in the town?" He nods again.

"Color me impressed." His mouth tugs up at the corner into something you might call a smile. You try not to look too pleased with yourself. "Some of the dipshits on the roster don't even remember that much."

It feels like you've passed a test. His praise makes you feel nice. Noticed. Not something you often seek but you know yourself well enough to admit that you'd like a little more of it. Even if it's from a man you just met.

"Not that hard," you say softly. Joel looks at you for a moment longer before clicking his teeth. His horse starts to walk. You signal to Apollo to follow.

The patrol goes off without a hitch. Joel signs the log book in the station and you sign it in the tower. He lets you snipe two runners that he spots and doesn't scold you when you take three tries on the second one.

"Settlin' in okay?" he asks once you've rounded the town one last time and started back towards Jackson. "Six months, Tommy said?"

Despite his earlier words, you haven't chatted much this patrol. While you'd like to know more about him, want to get him to smile at you again, you're really just enjoying being out here with someone else, knowing that you're safe. That you've got somewhere to go back to.

"It's nice," you sigh. "I never imagined I'd find a place like this."

You really should pick up the pace to get back to town but he doesn't seem to be in any hurry.

"I know the feelin'," he murmurs. "Ellie'n me slept on the floor for a good two weeks at the start. Been two years and some nights I don't take my boots off."

"What a fucking life, huh?" That earns you a wry smile. "Having a house is...strange. All of the hinges squeak and I --"

"The hinges squeak?" You look over at him and Joel's brows are furrowed.

"Oh, I mean, it's no big deal --" You stumble over apologies. You don't want him to think you're complaining about a home his brother gave you when he sure as shit didn't have to.

Joel taps his thumb on the pommel of his saddle. "Can get that fixed, y'know."

You didn't know, actually. "Really?"

Now he looks at you like you're a little stupid. "Ain't you the one hauling shit to people's houses when they need a hand?"

He has a point and you hate it. It never occurred to you to ask for someone to come fix your hinges. They're just hinges, for fuck's sake. Other people have holes in their floorboards or leaks or need new rooms for family members. You're just...you.

Joel sighs. It feels like you've disappointed him and it swirls in your gut. "I'll take a look at it this week."

Your neck cracks audibly with how quickly you look up at him. "What? No, Joel, you don't have to --"

He says your name in a tone that you know means no arguing. "I know I don't have to. I offered."

"You don't even know me!" The words fly from your mouth before you can stop them.

He brings his horse to a full stop so quick you almost run into him.

"Look," he says. His gaze holds yours. Wow, he really can be intimidating when he wants to be. You can only imagine the things he's done, the things he's capable of. Anyone who has made it this long has blood on their hands. You've washed it from your own skin plenty of times. And yet, you feel completely safe. And you know that you'll probably do whatever he tells you. "I know how it can be."

Your gut swirls. "You don't know what I've been through," you say softly. It's not a jibe, it's just the truth. No one knows because you've told no one because it doesn't matter. You're here now.

"I've been alive for a while longer than you," he continues. "I've seen the world, just as you have. I've been out here. I was out here for a long, long time." He runs a hand through his beard, fiddles with his broken watch in what looks like reflex. "I know how hard it is to ask. To get back to something that makes any damn sense. But you can if you try."

The words linger in the chill around you. He's right, obviously. He's so fucking right that you want to be mad. You haven't asked for anything because you don't want to fracture the good thing you've got. Don't want to be too much, to be a burden they can't support, to make people think you don't deserve to be in Jackson. All things that don't make any fucking sense, not really, but you can't stop them. It's just how you're wired.

"So I'm comin' over this week to fix those hinges. Alright?"

"Alright." Something in Joel softens when you agree.

"Good," he says. "Good."

You finish the patrol in comfortable silence. All told it's been nice. To talk to someone, to feel like they give a shit about you even for just a few hours. You have no doubt Joel will be over to fix your hinges but you figure it'll fizzle out after that -- it always does. You don't know how to ask someone to stick around, anyway. But even this little bit of him will have been worth it.

Something both loosens and tightens in your chest when you get back to Jackson and through the gates. Goodbye beautiful, horrible outside world, hello safety, community, home. It's a trade-off. You and Joel hop off your horses and return your rifles. You're about to hand Apollo off to be brushed and returned to the stables when you feel a hand on your shoulder.

Joel says your name and you turn around.

"Good job today," he says softly. "Not too excitin' of a patrol, but you're good out there."

You blink owlishly. "I-- thanks," you manage. "Maybe we'll get to go out again as a pair." You're showing your hand but you can't help it. You want more of whatever this was.

Joel's mouth pulls up at one corner. "Maybe."

___

Two days later you drag yourself out of the house for community breakfast. Most mornings you're out the door and at your work detail for the day before you can pop over but you don't have anything assigned today. It's a rare respite and it has you antsy. You don't remember how to be idle, aren't any good at it. Sitting in your empty house means your mind might wander to the thoughts you try very hard to keep at bay. The loneliness, the regret, the fear. The loss. It's always there and you've gotten better at dealing with it after so many years but some days you really just wish you could talk about it to someone, could just bitch and moan about how fucking awful this life can be.

But everyone is carrying their own shit and you don't need to add to it. You don't want anyone to have to carry yours, too.

Breakfast is quiet this morning. You settle at a table with your toast and your eggs and your potatoes and smile back at anyone who smiles at you but no one sits with you. If they did you don't know what you'd say.

But then the air changes. Your neck feels a little hot and you slowly look around until you see what's caused it -- Joel and Ellie are here. He's already looking at you when you meet his eyes and he smiles a little, a half-moon curve of his mouth, and nods. You wave.

Ellie waves back, which you don't expect. She says something to Joel and he frowns, rolls his eyes. She punches him in the arm and he flips her off and grabs two plates, starts to fill them. You smile down at your own food.

"Man, are the potatoes that fucking good today?"

You look up and find Ellie in front of you. You're pretty sure she's 16 or thereabouts, still growing into herself based on the way she shifts on her feet. Her right forearm has the outline of something floral. She notices you looking at it and crosses her arms, looking unimpressed. Ah, teenagers.

"Pretty okay," you tell her. "I don't know if we've met yet --"

"We kinda have," she interrupts. "I know your name and you know mine, so. And you're at the library sometimes when I check shit out."

This still does not explain why she's over here talking to you. You can see Joel in the breakfast line still, glancing over his shoulder every so often to see if she's still in the room. You try not to catch his gaze because you're a little afraid of what Ellie might read in it.

"Can I do something for you, Ellie?" you ask, not unkindly. She scrunches up her nose and then sighs.

"Joel told me not to bother you but I wanted to ask if you could look out for a book for me. At the library." Her words get faster as she reaches the end of her sentence. She takes a look at you, sees that you're not telling her to fuck off, or something, and keeps talking. Some book about the history of comics or something.

"Oh," you say. You feel a rush of affection for her and the fact that she can hold the record for headshots on a group patrol and still want to read about something she loves in her free time. "Yeah, I'll look for you. I don't have a library shift until tomorrow but I'll look and put it aside if I find it for you."

Ellie tugs on her fingers. "Don't you need to write it down or something?"

You smile at her. "No, I'll remember." You recite the title and author she just told you back to her and it seems to satisfy her. It's like a switch is flipped -- her earnest expression morphs into something you can only call mischief.

"So Joel's coming over to fix your doors, or whatever," she says. "How'd you crack him?"

"I--what?"

"You patrol with him once and he's coming over to your house," she says. "It took him like, weeks to laugh at one of my jokes. And I'm fucking funny!"

You have no idea what to say to that. Patrol with Joel was your first time talking to him and while he's a bit intimidating, sure, he never came off as anything other than...good. But you'd bet he wasn't always that way in this world. Maybe this girl in front of you had something to do with it.

And honestly, you're sure he just feels a little bad for you. He's nice enough to worry, to make sure everyone in town can do their part and you'll take what you can get even if it's temporary attention.

Part of you knows Ellie is just giving you a hard time because she's a teenager and you're kind of connected to the guy who looks after her so you're fair game, too. But she's talking to you like she wants to which is throwing you for a loop. And you're realizing it's been a long time since you actually wanted someone to like you. Well, Joel aside.

"You want to tell me one?" you ask. She looks surprised and then delighted.

"Oh, fuck yeah. Okay, let me think." You take another bite of your breakfast. "Okay, okay, I got it. What did the mermaid wear to her math class?"

You give it a few seconds before you shrug. Ellie grins. "An algae-bra."

Your laugh makes her grin bigger. "See? Fucking hilarious." She holds out her hand for a high five and you oblige. "Anyway, Joel's gonna come over tomorrow, I think. Seriously, dude, I don't know how you did it. He never used to be this nice!" She looks over her shoulder at the man in question. He's sitting down at another table. "He's getting soft."

Her voice is fond and you're pretty sure she doesn't notice. "You should go eat your breakfast, Ellie," you tell her.

She sighs like the weight of the world is on her shoulders. "Yeah, I'm fucking hungry. Let me know if you find that book!"

"I will," you call after her. You can't help but watch as she barrels back to her table with Joel and immediately makes an attempt at his bacon. He fends her off with his fork before surrendering a piece with a scowl.

He looks up and catches your eye again. You stand with your tray and nod at him, turning around before you can see his expression. Stupid, so stupid to be caught looking like that. But you can't help it -- looking at the love still alive in this shitty world and wondering what it feels like.

___

You run into Joel on your walk home from the next day's shift at the library. You spent probably far too much of it looking for the book Ellie wanted but it was worth it because you've got it tucked under your arm. It feels like a small miracle but you're not one to question it.

Maybe it's the good mood you're in, but when you see Joel from behind you call out his name. He doesn't stop walking but turns his head like he heard something. When he spots you he does stop, waiting for you to catch up.

"Hi," you say, suddenly a little less brave.

"Howdy," he replies, amused. "I'm headed your way."

"You --" He lifts a toolbox you now realize he's carrying. "Oh, right. Hinges."

"I can come by another day if it's not a good time."

Joel could knock on your door in the middle of the night and it would be a good time. "No, ah. Now's good." He motions for you to lead the way even though he clearly knew where he was going. He must have asked Tommy.

It seems like everyone waves as you two head for your street. They call out Joel's name and he knows pretty much everyone. You feel a little self-conscious being seen with him like this -- you, pretty much a nobody in town through your own doing and Joel, beloved by all.

It doesn't stop until you're almost at your door. "You're popular," you say, trying to make it sound teasing. Instead, it sounds awed.

Joel runs his free hand through his beard. "Don't remind me," he grumbles. "Can't go for a walk without a damn conversation."

You pull out your keys and unlock the front door. There are plenty of people in Jackson who don't lock their doors but you can't shake the need. "Sounds difficult."

He chuckles and you feel it zing up your spine. It's nice to make him laugh. "Yeah, yeah. S'pose it's nice." The front door opens with a creak and you look at him sheepishly. His eyebrows touch his hairline. "They all like that?"

You nod. Joel whistles. "Christ," he says. "Alright." He follows you into the house. You try not to think about what he sees. You've tried to make it your own, just a little. Posters you traded for, books you've collected. You cleaned the whole thing top to bottom when you moved in but somehow it still looks a little un-lived in. You're working on it.

"Don't let me bother you," Joel says, getting on one knee with a grunt and prying open his box. "Probably need 'bout an hour to get 'em all. I'll holler when I'm done."

That's your cue to busy yourself with something, anything, but you don't want to. You want to talk to him, to watch him do whatever he's going to do, to soak up this time with Joel before he walks out the door and you go back to being acquaintances.

"What are you going to use?" you ask. He looks up, a little surprised, before pulling out a spray bottle and a rag. He shakes it at you.

"It's some sorta homemade shit one of the younger guys cooked up," Joel says. Somehow he manages to sound self-deprecating, like he thinks he should've thought of it first. "I think it's...soap? And cleanin' stuff? Fuck, I don't know." He huffs a laugh. "I know it works, though. Back in the day we'd use shit you could buy on the shelf." He stands with a grunt. "You old enough to know that?"

That gets you to laugh. "Yeah, Joel," you say. "I'm old enough to remember the hardware store."

His gaze feels a little different than before, like he's allowing himself to look. "Hmm," is all he says. "I'll just --"

You don't know how to justify shadowing him as he oils your hinges -- there's a joke there's somewhere -- so you don't. You grab a book from the shelf and settle on your couch and try your best to read but your mind wanders.

It's pretty clear that you have a crush on Joel. You've spent one patrol with the guy but somehow he's gotten under your skin. It's inconvenient but also...nice? A crush at the end of the world. The fact that you can still feel something so sweet, so juvenile after all you've seen and all you've done is almost laughable. And it's not like it's going to go anywhere -- you're sure Joel thinks you're too young for him, too green, and he's probably tripping over admirers in town. But you can let it be something to keep your days interesting until it fades.

It was hard enough to love yourself before the world ended for reasons anyone could understand. Societal pressures, stupid comparisons, things that don't matter at all now. Who has time to think about being loved when you're constantly faced with death? Feeling desired, feeling loved, feeling looked after isn't exactly top of mind. You're not even sure you remember how. You put one foot in front of the other and that's enough.

But wouldn't it be nice to be on the receiving end of affection from a man like Joel?

"All finished." You startle and realize you haven't turned a single page of your book. If Joel notices he doesn't say. He wipes his hands on a rag and eyes you. "Pretty sure I got all the doors."

You hop up from the couch and try to find your words. "I -- that's -- you're --"

"Thank you will do just fine," he says with a smirk. He tucks the rag in his back pocket and crosses his arms, leaning against the wall.

"Let me cook for you," you blurt out instead. "In exchange." You can make a few things fairly decently and making him something is another excuse to talk to him like this, to be on the receiving end of those eyes. "I can make chili. Does Ellie like chili?"

"Don't have to do that," he says kindly. "Helpin' you ain't a business deal. S'what people do here." He stands straight and heads for your front door, picking up his toolbox on the way.

"Joel," you say, snagging his sleeve with your fingers. You pull them back quickly and grab the book you brought home, holding it out for him. "Ellie asked me to look for this. Could you give it to her?"

He looks at the book the same way he looks at his kid. It's tenderness so raw you look away. "I will," he says softly. He tucks the book under his arm like precious cargo. "Thank you for findin' it for her." He clears his throat and looks at you, smirk back in place. "Wasn't so bad, was it?" he asks. You don't follow. "Havin' someone help you," he adds.

Your face feels hot. "I'll still cook for you," you say, opening the door. He shakes his head.

"You let me know if you need anythin' else, alright?" A quick smile and he's down the steps and back into the street, strolling back to his own home.

"I will." You say it to yourself and almost mean it.

___

You patrol a few more times over the next month but never get paired up with Joel. If you were a little braver you'd ask Tommy or the kid he's training to take over the schedule to put you two together but you don't. Instead, you wave at Ellie when you see her, nod at Joel from the other side of rooms where he's always talking to someone else. You let yourself enjoy the way your heart picks up at the sight of him and the thrill you feel after he smiles at you. It's a nice change to the boring, lonely routine you had before.

The doors in your house open and close silently.

Being outside is fine. You don't like it any more or any less, it just is what it is. Life at the end of the world continues on.

Until you have a bad patrol.

It's no one's fault and no one gets bit. You and your partner, Astrid, are tailing a buck that's wandering along your route. If you can shoot it you can load it on one of your horses and ride back together on the other. Winter is on its way and any extra meat helps.

You follow protocol. You're lining the deer up through the scope while she keeps watch. Just as you prepare to pull the trigger you feel it -- the pull of your gut telling you something isn't right. That feeling has kept you alive all these years so you lower the rifle and turn to Astrid just in time to see a stalker lunge out of the brush.

Its broken and jagged nails catch your shoulders and you go down hard enough to bruise. You can't hear anything over its snarls and the blood pounding in your ears but you do your fucking best. You wedge your forearm under its chin and try like hell to keep its mouth away from you. Your other hand somehow makes it to your belt and unsheathes your hunting knife and in one swift movement, you shove it into the soft jaw of the infected. Hot blood spurts over your face and you keep your mouth closed, shoving the corpse off you.

A gunshot has you whirling around and scooping up the rifle. You've got it ready to fire but you only find Astrid standing over a stalker corpse of her own, forehead bleeding and revolver smoking.

"You clean?" you ask her, eyes on her forehead. She nods.

"Shoved me into some thorns. You?"

"Yeah. Can we go home now?"

Your hands don't shake until you get back to Jackson. They tremble when you wash the blood from your face, your hair. You wish for just a second that you had someone to hold them, someone to tell you it's alright. Someone to talk to about how shitty your day was and how scared you were and how sometimes this life is so fucking exhausting and just when you think you're safe you're reminded that no one is safe anymore.

Maybe this is the kind of thing Joel was talking about. Asking for help.

The thought fades quickly. You can deal with this. You're just out of practice. You just got comfortable.

You go to bed as early as you can bear, closing your eyes and hoping for dreamless sleep.

You could only be so lucky.

You're no stranger to nightmares. Hell, who isn't? Usually, it's the same old shit -- people you've lost, fucked up things you've done, horrors you've seen. You know how to deal with it.

But this is the first time in a while you've got new nightmare fuel. The hot, rancid breath of the stalker and the agonizing sound of its moans. Your own choked gasps as you try with all of your strength to keep its rotting teeth away from you. Unlike reality, your dreams don't allow you to grab a hold of your knife and instead, you feel it take a chunk out of your neck, hot blood splattering your face and you have to just lie there as it bites and bites and bites --

You jolt upright with a small gasp. Necessity has taught you to wake silently.

"Fuck," you say to the empty room. No way you're going back to sleep after that. You swing your legs over the side of your bed and put your head in your hands. "Breathe. Breathe."

The sky is black through your windows. You have no idea what time it is but you stand before the lingering panic can take hold and make things worse. Fresh air will get the iron smell out of your nose. You dress in the dark in more layers than necessary but you want to stop shaking.

Jackson at night is quiet but there are always a few people around, always someone else who can't sleep. The sky is clear and the moon is bright and it smells like woodsmoke and the unique earthy feel of the valley. This is your home. So long as you have this you can get through it.

Your feet take you through the streets of houses, most of the windows dark. Just another lap around town and then you'll go home, try to sleep again.

Then you hear something. The gentle strum of an acoustic guitar weaving with the night air like a dream. A song from before, a song you recognize but don't know the name of, don't know the words. You wrap your arms around yourself and follow the sound down Rancher Street. If you find whoever is playing it you'll wave and walk slowly home.

Your breath catches in your throat when you see whose house it is. Joel is on the porch, rocking slowly and head leaning back, eyes closed as he strums. How did you not know he played guitar? It only makes sense that the hands that are capable of such violence can also make something beautiful. He can ruffle Ellie's hair and pull the trigger and fix your doors and do this.

Something in your chest tightens.

Joel's eyes open and land on you immediately. You realize how it looks -- you standing in front of his house in the middle of the night, watching him. But he stops his playing and calls out your name.

"Hey, you alright?" he says. You hover between taking a step forward and a step back.

"Couldn't sleep."

He shakes his head. "Can't hear ya," he says. "C'mere."

Step forward it is. Up the stairs and onto the porch that creaks a little under your boots. There's only one chair and a small table with a lantern on it. Wind chimes dangle over the railing and you drag your hand through them on instinct like a child with a toy.

"Sorry," you say softly.

"Only got one chair," Joel says. He's got one boot resting on his knee, guitar slung across his lap. He looks tired. "I'll go get another --"

You wave him off. "No, please," you say. "I'll stand. I'm too antsy to sit, anyway." If you sit down in a chair next to Joel Miller you might never get up.

He frowns but settles back into his seat. "You alright?" he asks again.

His gaze is a little too much. You feel silly all of a sudden, not sure how you got here. A fucking nightmare? God, you're ridiculous. You cross your arms and lean back on the railing and look anywhere but him.

"Couldn't sleep." Joel hums.

"Heard that one before."

He strums some more and you relax again despite yourself. "Sounds nice. Do you play a lot?"

"Sometimes," he says. "Old habit."

"It's a nice one. Better than walking the streets in the dark." Your tone is harsher than you mean it to be and Joel frowns.

"It's safe to," he says, as though your wellbeing is his personal concern. "Bit cold, though."

"Why are you out here then?" You're frustrated with yourself and taking it out on him just a little bit. The smell of blood fills your nostrils again and you press your fingertips into your crossed arms, hard, and close your eyes. Your breath stutters in your chest.

"Nightmares," Joel says wryly. There's some shifting, the scrape of wood on wood and you open your eyes. His are fixated on your fingers and you stop squeezing. The guitar is now leaning up against the house and he's got his elbows on his knees like he's about to ask you a serious question. The lantern light makes his hair look darker, less silver, but it also makes the lines on his face look deeper. You wonder what kind of shit he's seen. What things he has nightmares about.

"Had this conversation with Ellie a million times," he huffs, rubs his hand through his beard in what you now consider a familiar gesture. "You don't need to talk if you don't want to. But can't hurt."

Is he asking you to talk about your nightmare? Does he actually want to know? Do you know how to talk about it?

"I take it you're a fountain of emotional sharing, huh?" Again, the misplaced frustration. You don't know how to turn it off.

His eyes flash but he just leans back in his chair and shrugs. "Depends on the day."

The low-level hum of your infatuation with him flares and your traitorous brain bats it down right away. You want to see all sides that he can offer you, want to make him frustrated and angry just to see if that'll make him sick of you.

You run your hand through the wind chimes again, watching your fingers move through the air. You remember what the knife felt like in your hand, the way the blood was hot as it dripped down your wrist and onto your face.

"Tough patrol," you say. "Messiest since I got here." Joel says nothing and you don't look at him. "I...it was fine. We got jumped by some stalkers and it was fine but...close. And I -- I didn't realize how badly I wanted to come back here until then. How badly I wanted to go home at the end of it. Does that make sense?"

You finally look up and Joel's knuckles are white on the arms of his chair. When he sees you looking he crosses his arms. "Sure," he says, clears his throat.

The urge to try to explain more is overwhelming. "I mean, we've all done fucked up shit. I've been up to my elbows in infected guts and still come out on top and slept like a rock the night after. And all of a sudden I can't fucking handle a stalker getting in my face. It's like I've never had to get my hands dirty before and what if it means I'm going to fuck up next time --"

"Hey," Joel says firmly. You feel a hand on your forearm and realize you've been pacing, arms flailing as you rambled. He gives it a squeeze and then releases you. "Feel like I gotta say fuck now to catch up with you."

A wet chuckle works its way out of you. Where did that come from? Are you about to cry? On the porch of the man you have a stupid, stupid crush on? This is embarrassing. And his touch. People touch you all the time, all things considered. A tap on patrol indicating silence, a hand on your arm to get your attention, to brace you as you lift something. Children in town who don't know the horrors outside the walls give affection freely. Hell, Joel touched your shoulder after your patrol. You're not touch starved but you feel like no one has touched you with tenderness and meant it in years.

"Sorry."

Joel tuts. "C'mon," he says. "I asked."

"I don't think I feel any better."

He stands and grunts as he does so. He's so much closer than before, so close you can smell what you can only describe as Joel: wood shavings and gunpowder, laundry soap and leather. It's a little dizzying. He leans on the railing next to you.

"Bet when you go back to bed you won't dream," he says. "Usually what happens."

"Here you are again," you sigh. "Helping me out. I promise I get on just fine on my own."

"I know," he says. His eyes are warm and so, so deep. "Don't have to, though."

Joel, for all his kindness and popularity in town, is a man just like any other. A person who has seen and done shit that no one should have to see and do. You know he's got his fair share of secrets, of things he won't talk about. You all do. You know he can be unflinching and maybe even cruel, dangerous and deadly. Whatever is happening here -- this openness, this desire of his to help you out -- is hard won. You think about what Ellie said and let yourself have a dangerous thought: maybe he's this way with you because he wants to be.

You sway into him just a little before catching yourself and standing up straight. "I should go try that dreamless sleep," you say softly. "And you should, too." It does not escape your notice that you haven't talked about Joel's nightmares, whatever they are. You don't think he'd be that open. A piece of you imagines a world where you ask and he answers.

"I might," he says. Neither of you move.

That small piece of you would stay here all night. That small piece of you tries for the next best thing.

"Will you let me cook for you now?" you ask. It sounds a little desperate to your own ears. "Please?"

"Persistent, ain't you?" He taps his closed fist on the railing once, twice. "Well, if it's that important to you. Chili, you said?"

"I can have it done by sundown tomorrow. I'm on greenhouses but we always finish early. You can come by and get it. I'll do enough for you and Ellie for a few days." You're rambling but finally he's going to let you do something for him. Hinges, nightmares, it's too much. Maybe you can somehow cook out this affection for him, get rid of it with your own hands if you try hard enough.

"Alright," Joel says. He puts his hand on your shoulder lightly and squeezes once. You feel it all the way down to your toes. "Now get outta this damn cold."

He doesn't offer to walk you home. You'd say no if he did. You need the time to sort out the mess in your mind. You give him the most earnest smile you can manage and he watches from his porch until you turn out of sight.

__

Joel is on your mind all day. More so than usual, which is saying a lot. The crush has turned into something...more. Something that makes you hope and that something is dangerous. It's just setting yourself up to be hurt through no fault of Joel's when it goes nowhere. Because why would he be thinking about you?

"You're smiley today," Dina says. She's a sweet girl and you're paired together on greenhouse shift today. She's always got a story to tell about plants she and her sister saw in New Mexico or some weird mushroom she found on group patrol. You love how positive she is and you try to absorb some.

"Am I?" you say lightly.

She tugs on one more cucumber, putting it in your shared basket before wiping her face. She gets dirt on her nose. It makes her look young. "Got big plans?"

Your face feels hot. "Just cooking for a...friend." It's the first time you've said that out loud. It's probably true, right? Acquaintance, at least. Joel is important to you and it's taken an alarmingly short amount of time for it to solidify. That's just how the world works these days -- you never know how much time you have so everything moves faster. You care harder despite years of proof that nothing good comes of it. You can't help it. You were made to leak love like an open wound.

"A friend," Dina teases. Teenagers. You remember that she's friends with Ellie and it's very possible she knows exactly what you're talking about but she's too kind to say anything more.

"Yep," you say, popping the p. "Do I have to start teasing you about Jesse or are you going to cut me some slack?"

"Well, hey," she laughs. "I think it's nice to be excited about something. You're so serious all the time."

"Am not," you mutter.

Something you appreciate about Dina is that despite her age she knows when to leave it. "Whatever you say," she says primly.

Once work is over and you're back home the cooking goes quick. You focus just enough considering you want this to actually be good and for Joel and Ellie to like it. It's thank you chili, it's you are important to me chili, it's I want to see you every day for the rest of my life chili.

Well. It's thank you at the very least.

And food, especially in this world, means something extra. There's enough to go around in Jackson, more than enough, but anyone taking the time to fix something with their own hands means more. You know how different a meal can taste when someone makes it with care.

And to say you care is a bit of an understatement.

The chili is simmering and you're about to start on the dishes when there's a knock on the door.

"Shit," you say. You wipe your hands on a towel and pad down the hall in socked feet. When you open it you find Joel bathed in the golden light of the sunset. His hands are tucked in his pockets, the collar of his coat turned up to protect his neck from the chill that's settled in for the season. His face softens at the sight of you but his shoulders are still tight. Is he...nervous? No, you're projecting.

Here he is on your doorstep again. If you're not careful you'll get used to him being there.

"Sorry for bein' a bit early," he says at the same time you say, "I was just thinking about you ."

The tension melts out of him and he smirks like a man with a secret. "That so?"

Your eyes are wide as you find your words. Hopefully ones that aren't embarrassing. "Come in," you say. "I'm letting the heat out."

He follows you to the kitchen. "Smells good," he says.

"It's not quite done yet but that's a good sign, I guess." You stir the pot before rolling up your sleeves and taking your spot in front of the sink. "Sorry it's a bit of a mess, I was about to start on this --"

"Now I know you ain't about to do all that yourself," Joel drawls. It's a syrupy tone you haven't heard from him, not really. Is he...flirting with you?

"I...what?"

"Scoot," Joel says. He steps beside you in front of the sink and gently bumps your hip with his. "Seriously."

"Joel--"

"Does it look like I'm kiddin'?"

He keeps his eyes on yours as he shrugs off his jacket, tosses it on this island, and rolls his shirtsleeves up to his elbow. You look away from him so you can watch.

"This is getting ridiculous," you tell him even as you hop up to sit on the counter closest to the sink so you can see his face. He turns on the tap and starts on the various things in the sink even though some of them are clearly not from cooking tonight. "You'll be sick of this chili before I can pay you back."

"I told you it ain't like that," he scolds. "So quit it."

There's no real bite to his tone but you do as he says all the same. You kick your feet out a few times and do your best not to stare but fail miserably. The fall sunlight seems to have followed him into your house, pinkish-golden beams falling across his face. You can see a triangle of chest at the top of his shirt, a few dark curls teasing the hair on him. The scar on the bridge of his nose is much harsher up close, much deeper than the countless other ones that dot his forehead, his temples. He doesn't look as tired today. Maybe he got some sleep after all.

So did you. You didn't dream.

"How was your day?" you ask. Joel's eyes flick up to yours for just a breath before he looks back down at his task. His mouth pulls up at the corner.

"Fine," he says. "Had to fix the water heater at Ellie's place."

A piece of hair falls in his face and you shove your palms under your thighs so you don't brush it back.

You tap his denim-clad thigh with your socked foot, almost like a compromise with yourself when it comes to touching him. "And that took all day?" Damn, are you the one flirting now?

Joel seems amused in a grumpy way. "Well, no," he says. The faucet is on so he speaks a little louder. "Did some house chores. Worked on a guitar. Took a nap."

The image of Joel sprawled out on a couch is clear as day. You bet he looks relaxed in his sleep, the lines on his face not as pronounced, his breathing steady and even.

"Busy day," you say softly. He's about to say more, lips parted to ask about your day, maybe, but you're not about to admit that you spent all day thinking about him so you keep talking before he can. "Does Ellie like living in the garage?"

"Think so," he says. "She spends a night in the house every so often but I think she likes havin' her own space. S'important to me to give her that."

This is uncharted territory. You desperately don't want to step in shit, to somehow make him bring his walls back up. Everyone is protective of the things they love in this world and for good reason and you're pretty sure there is nothing and no one Joel loves more than Ellie.

"She's a good kid," you offer. "Everyone in town loves her."

Joel smiles down at his hands, that soft, raw smile you've seen a few times when talking about her. It makes your chest ache. "She is," he admits. "Pain in my ass, too."

You want so badly to ask him the details. How did they meet? How did they get here? How did they become so devoted to one another? And what happened in the last twenty years to get him to right now, washing dishes in your kitchen?

But you haven't earned that stuff yet. Maybe you never will.

"Does she like Jackson?" You remember what he said about them settling in, sleeping in the living room with their shoes on. You imagine he kept watch for weeks, maybe months, before deciding it was safe.

He nods. "S'good for her to have friends. And havin' school is good for her. She's real smart." He clears his throat. "And you? D'you like it?"

"Well, I like it much better now that my hinges don't squeak."

Joel laughs. "I'll bet you do." He's almost done, everything from your chili-making washed and set aside to dry. He's doing your dishes from breakfast but shows no signs of stopping."Do you cook like this a lot?

Your brows furrow. "I-- no, actually," you admit. "It's just me, so. Not worth putting in the effort that often."

He turns off the tap and grabs a towel and starts to dry. You should offer to help but you feel frozen to the counter. If you get any closer to him you might snap. His jaw is tight.

"When Ellie and I --" he stops, takes a moment to focus on the bowl in his hands. Joel, you've noticed, doesn't tend to say things he doesn't mean, at least not to you. It's like he knows that every word counts in a life as unpredictable as this. "We had a bit of a rough patch last year and we didn't talk for a while. I was damn near eatin' canned veggies on days Tommy didn't drag me to the community meals." He sighs and sets the bowl on the counter ever so gently. Violence and tenderness go hand in hand with him. "Just didn't have it in myself to try cookin' if she wasn't there to eat it."

It's the most vulnerable thing he's said. He keeps doing this -- offering you pieces of himself that you want to hold close, that make you think maybe he wants you to know him.

"Joel--"

"I guess what I'm sayin' is it's easier to take care of yourself when you're also takin' care of people who matter to you. That make sense?"

"Yeah," you breathe. "It does."

The whole scene is so...domestic that your chest aches. Joel in your kitchen doing your dishes. He's helping you yet again but this feels different. It feels like he wants to be here, talking to you. It feels real.

He finishes his task and dries his hands on a faded towel. You hop down from the counter to check the chili. "Should be done," you say. "Do you want to try it? Make sure it's worth it?"

"Oh, it's worth it," he mutters. You work to keep your face neutral. What does that mean? "Sure."

You pull a spoon from the drawer and while it would make more sense to just hand it to him you don't. Instead, you dip it into the steaming liquid and hold it out for him, your other hand cupped underneath to catch any spill. Joel stares at your offering for a few seconds and you wonder if he can hear your heart beating.

Then Joel reaches out slowly like he's afraid you'll bolt if he goes too fast, and lightly wraps his hand around your wrist. It's the first time he's touched you skin to skin and you know immediately that it's a mistake.

You'll never stop wanting him now.

His palm is warm, callused fingertips pressing gently into your skin and he tugs, bringing the spoon -- and you -- closer to his mouth. Everything moves in slow motion for a few moments and it's like you are the only two people in the world. Your kitchen fades and it's just Joel. His lips part and he slides the spoon into his mouth at the same time as his thumb strokes the inside skin of your wrist.

It's very possible that you gasp a little.

He closes his eyes and you're torn between watching his face and his throat as he swallows. You could look at him forever, you think, and never get enough. The set of his brow, the hard line of his jaw. Lines around his eyes and mouth from years of terror and violence but also from laughter and smiles. You want to learn every inch of him if he'll let you.

"Christ," Joel says. His eyes fly open and find yours. "That's good. That's real good."

"You're just saying that," you say weakly. He hasn't let go of your wrist and his thumb strokes once again. You wonder if you realize he's doing it.

Something in his face changes, something so small that you only notice because you're watching. It feels like he has decided something and you wish you knew him well enough to say what. You dare to hope it has to do with you.

"Oh, sweetheart, I'm a good liar but I ain't just sayin' that."

Sweetheart. It echoes in your ears, burrows its way into your chest and takes root.

You're so fucked.

But there's something in Joel's gaze, in the brush of his thumb across your skin, in the fact he's just done all of your dishes and talked to you like he wants to be here that gives your traitorous heart some ground to stand on.

You send him home with as many glass containers of chili as he'll take. He argues that you won't have enough for yourself and manages to convince you to keep a few. You don't tell him that what you really want is to sit next to him at a table and eat it, knees bumping under the wood and his smile making your empty house feel warm.

"Tell Ellie I say hi," you say once he's out your door and on the porch. "And let me know if she likes it."

"Will do," Joel says. You hug your arms around yourself against the chill. He frowns slightly.

You wonder if he'd touch you if his hands weren't full.

"And thank you for--"

He shakes his head. "Not acceptin' thanks," he chides. "Not from you."

You don't know what to say to that. Joel seems to realize he's rendered you speechless, not for the first time, and nods his head before heading home.

"See you around, Joel," you call after him. It sounds half like a question and half like a wish.

He turns. "Countin' on it."

___

You do see him around but not as much as you'd like. Things pick up around town before the seasons can change and send Wyoming into winter. You find yourself in the kitchen most days helping seal jars for the community food stores, hands chapped from the hot water and heart light when you think about Joel. He nods at you from across the dining hall, opens the door of the library when you're going in and he's coming out, and tells Ellie to tell you how good the chili was when you share a shift at the stables.

"Fucking amazing," she says.

You sleep fairly well, going to bed each night with a little bit of lightness in your heart that you allow because why not? There's no way out short of Joel telling you to fuck off and you don't think that'll happen. If only you could get over yourself a little more and actually do something about it.

As much as you want to keep telling yourself that this -- glances across rooms, smiles from a distance, memories of his hand on your skin -- is enough, you're not sure that it is. The force of your want is destabilizing considering the most that's happened is maybe a little bit of flirting. But maybe this is you taking his direction to ask for...no help, not exactly, but to ask for something. To ask for him.

Today you're going on patrol. You decide as you mount your horse that you're going to ask Joel if he wants to get a drink when you get back. You want to talk to him again, let him under your skin a little more. Maybe tell him some things about yourself. Sometimes he's milling around the gate or on wall duty but you don't see him as you and your partner -- a fairly new kid in his twenties -- take your rifles and head out. You're on an easy route today, just clearing out the town over the hill and the highway exits near Jackson. Shouldn't take you more than a few hours.

It goes to shit fairly quickly.

The kid -- Conner? Charlie? You can't remember -- is rambling about the infected he's killed for some reason when you realize something isn't quite right. You can't hear any birds. Apollo snorts and it sounds panicked. You motion for the kid to stop talking but he either ignores you or doesn't see.

He sure shuts up when the clicker bursts out of a house to your left. Apollo startles and rears at the moment you reach for your gun and you can't grab hold in time.

You go flying, bouncing off a rusted-out car and landing hard on the broken pavement of the street with a popping sound. There is a pain in your shoulder so intense your vision whites out. The kid is shouting, the clicker is making that awful sound, but then you hear two gunshots and nothing else.

"Holy fuck," he says, rushing over to you. "Fuck, are you okay?"

Well, for a talker, this kid a good shot.

"Get the -- horse --" You roll onto your back with a groan and he grabs Apollo and settles him.

"What happened?"

You stare up at the sky, blue turning purple. It'll be sunset soon and you very well might be fucked if this is what you think it is.

"I think my shoulder popped out," you say through gritted teeth. Your head doesn't hurt like you smacked it and your side is only a little sore. Maybe some bruised ribs. Your hands are scraped, blood beading on the heels of your palms. "Help me up."

"Holy shit." He helps you sit up and then stand, your left arm hanging limp at your side. You hiss through your teeth as it gets jostled and lean heavily on the car. "You don't look so good," he says. "Can you ride? We should only be a half hour out of town."

"I...don't think so." You're pretty sure you'll pass out from the pain and this kid doesn't look like he can handle that. You don't want to fuck up the joint any more than you have to. "You're going to have to go back and bring someone to set it for me, okay?"

"But the rules say --"

"I know what the fucking rules say," you snap. Don't let your partner out of your sight. Your shoulder is throbbing and you might cry but not until this kid is on his way back to town. "That's why you're going to go as fast as you can, alright?"

"We should at least clear a building first so you can --"

"No time," you say, looking at the sky. "If we want to be back before nightfall you need to go now. I'll handle myself."

You really should know his name. He sets his jaw in a move that reminds you of Joel which causes a pang in your chest so intense you want to rub it away. "I'll clear that garage, okay?" He points behind you and before you can stop him he runs towards it with his gun out.

Lucky for both of you it's clear. You take Apollo inside and slump against the wall, pistol in your hand. The kid closes the garage door behind him and you hear the clop of his horse as he gallops away.

"Fuck," you say into the empty room. It's dusty and full of cobwebs and not much else. Empty metal shelves, a rusted-out lawn mower, some tarps so ratted they're useless. Apollo snorts. "Not your fault, buddy."

Death has been nipping at your heels for twenty years now. You've always expected it. And you're fairly certain you won't die out here. Maybe end up spending a night on this floor, having to walk yourself back to Jackson tomorrow morning. But you can't help the fear that rises in your throat. You know how an injury like this means so much more in this world. You won't be able to work for weeks. You won't be able to patrol, to pull your weight.

You're going to need a lot of help.

You close your eyes against the stinging tears and thud your head against the wall.

The pain dulls the embarrassment you feel when you catch yourself thinking of Joel. You wish he was here. If you'd been on patrol together this wouldn't have happened. You wonder what he's going to think of this.

What you'd really like is for him to hold you and tell you it'll be alright.

A few tears slip down your nose. Apollo noses at your knee.

There are no windows so you don't know how much time has passed. You start to question if this was the right call. Maybe you could have made it back on horseback, or at the very least slung across the back of Apollo like a sack of flour, arm be damned.

Your traitorous brain is about to remind you of all the things that go bump in the night out here when you hear something. 

Someone is calling your name. Yelling it.

"Here!" you scream. Apollo whinnies. "I'm here!" You have no idea if they can hear you. You press your good shoulder into the wall behind you and try to push yourself to your feet but just as you do the garage door is hauled open and there stands --

Joel.

A sob bursts from your throat and you will yourself to pull it together. Behind him the sky is much more orange than it was when you first sat down.

Joel's eyes look you up and down once before cataloging the space and locking on some milk crates. He stacks two of them.

"Sit," he says. His voice is tight.

"Joel --"

"Sit."

You do as he says. He kneels at your feet and rummages around in his bag. His horse stands munching on some overgrown grass on the driveway. Did he come alone?

"How are you here --"

Joel cuts you off with a glare. His eyes are blazing, jaw grinding as he holds out a length of bandage.

"Hold this." He stands and his knees crack. "Kid said it's your shoulder. Anything else?"

The throb is still deep, still intense, but his arrival almost made you forget all about it. You shake your head.

"Didn't hit your head? Crack ribs? Nothin' like that?"

"No, I don't think so --"

"Need you to sit up straight," he says. There's no warmth in his tone but it's a little softer now that he's taken stock of the situation. "I ain't gonna lie to you, this is going to hurt like hell." He digs in his pocket for something and pulls out a square of leather. "Need you to bite down on this."

He squats so that you're just about face to face and holds out the leather. It feels like being in your kitchen, you holding out the spoon and fighting your desire to touch him. Except this time he won't look you in the eye. You open your mouth and he gently places it between your teeth, thumb catching the corner of your lips and trailing along the edge of your chin before he pulls away and stands up.

"I'm going to reset it on three, alright? Bite down hard on that." He finally meets your gaze and you nod and close your eyes. He puts one hand on your shoulder and the other on your wrist and you wince even though you feel incredibly safe in his hands. "Alright. One...two --"

Joel jerks your arm up and around before he hits three and you barely hear it pop back into place because, as he said, it hurts like hell. You bite down hard on the leather which also serves to muffle your scream.

Someone is talking to you."I know, baby, I know. Good job, you did a good job."

You open your eyes and wipe away a few tears with one hand and pull the leather from your teeth. Joel looks pained but his face snaps back to neutral when he sees you watching. His eyes narrow.

"Where did that come from?" He gently grabs your wrist and looks at your palm and you both find it bloody. "Got it on your face."

"Scraped my hands when I fell," you say hoarsely. He clicks his tongue.

"Give me that bandage." You don't even get a chance to hand it to him because he plucks it from your lap. "Gonna make this into a sling for this arm. Try not to move it much. Then we'll clean those hands and head home. Get you to the clinic for some meds." He gently positions your arm, which hurts a lot less than before but is still throbbing, and ties a sling so it's bent close to your chest. You can feel his breath on your neck as he does the knot.

And then he's back crouching in front of you.

Joel Miller on his knees for you so many times in one day makes you a little dizzy. Or maybe that's the adrenaline.

"Are you angry with me?" you ask softly as he wipes clean your palms and cheek with firm touches. The muscle in his jaw twitches again and his hands freeze for a split second.

"No," he says. "I ain't mad at you. I just can't believe the fuckin' kid left you here."

"I told him to."

"Can't believe that either. You know better."

"It's fine, Joel," you say. "It doesn't matter. I would have just walked back in the morning if no one came --"

He pulls his hands away and tosses the rag to the floor. "Damnit, it does matter," he curses. "'Course it fuckin' matters. Cut that shit out."

Now you're confused. It sure seems like he's angry with you. "Joel, I don't understand --"

His hands cradle your face and the protest dies in your throat. "You matter to me," he says thickly. His eyes are wide but his stare is steady. "Ain't it fuckin' obvious?" Anger and desperation are dripping from his words. "It matters."

For one long second you think he's going to kiss you. Now that might kill you.

You wrap one hand around his wrist and lean into his palm. A thousand thoughts swirl in your head but you focus on one. Joel is here which means you're safe. Joel is here which means he's going to take care of you. Joel is here. Joel is here. Joel is here.

"Oh," you breathe. You turn your face in his palm and press your lips to the center of it. His breath hitches and it feels like something big between you shifts, slots into place. "Okay," you say against his skin.

He pulls his hands away and stands. He works his jaw a few times before shouldering his pack and holding out his hand. "Let's go home," he says.

You stand with his help. "I think you'll need to help me get on my horse."

"Not a fuckin' chance," he growls but you can still see tenderness in his eyes. "Can't hold on well enough with one arm. We're ridin' together."

This Joel is one you haven't seen. But this is what you wanted, right? You want to see every part of him. Something molten and heavy sits in your stomach at how tense he is, how his hands remain gentle despite his harsh words. How he just told you that you matter to him. Maybe this is all a dream.

He helps you on his horse and then gets on behind you, tying Apollo's reigns to his so you won't lose him. He wraps one arm right around your stomach, mindful of your arm.

"Ain't gonna be comfortable," he says in your ear. "But it'll be over quick."

You lean back into him. Hell, it's all on the table now. If your arm is going to hurt you might as well enjoy your time pressed against him.

"Oh, I don't know," you say. "This isn't so bad." He snorts and snaps the reigns.

He talks low and steady in your ears as you gallop, his palm firm on your abdomen to keep you as still as possible though it's a hopeless venture. Your shoulder aches, sends sharp tendrils of pain through your entire arm with every stride.

He tells you that he was on the wall when your partner came back alone. That he knew something was wrong with you as soon as the kid came into view. He'd seen the patrol assignments and knew you were paired together. Kid didn't know what flag to use to signal his approach because you're not supposed to leave behind your partner.

Joel tells you how he hopped down from the wall and asked the kid where exactly he left you. Demanded to know how hurt you were, if you'd been bit. He was on a horse before anyone else could get their shit together, told them to get Tommy and have the clinic ready for you. Started hollering your name as soon as he got to the street, rifle ready for any infected to show up.

"Damn miracle when you yelled back," he says just as Jackson comes into view. You're sweating and dizzy from the pain, practically all of your weight slumped back into his chest. "Almost there, sweetheart. Doin' real good."

The rest of it is a blur. Joel takes you to the clinic where he becomes increasingly agitated that he set your shoulder wrong until one of the staff says he did it just fine. They give you a real sling and one painkiller to take if you hurt really bad, despite some harsh words from Joel in an attempt to get you more.

"Don't move it above your head for two weeks. Keep the sling on for that time, too. Ice it today, start moving it back and forth a few times in a few days. You got someone to help you for a bit?"

Before you can open her mouth Joel answer for you.

"Yes." The nurse hides her amusement well. She lets you go. Joel keeps his hand on your back as he walks you to your house.

You stop him when you get to your front door. "Joel --"

"If you're about to argue with me, so help me God, I'll --"

"I was going to ask if you need to go check on Ellie." You pull out your keys and after a second hold them out for him. Maybe letting Joel help you is helping him, too. You can handle that. You think.

"Told Tommy to when I left. I'll go home once we get you settled."

We.

"Okay," you say softly. He unlocks the door and motions for you to go in. You sit gingerly on the couch and Joel brings you a glass of water.

And then he paces. He looks at the books on your shelf without seeing them and rubs his thumb against his first two fingers over and over. And all of a sudden he won't look at you.

"Joel, sit down or something," you grumble. "You're making me nervous."

He stops. "Fine." His tone has a bit of bite to it that makes you close your eyes. There's an armchair in the room but he sits next to you instead. He presses his knee to yours, almost in apology.

The adrenaline has faded by now and all you feel is the ache of your shoulder and ribs and rawness of your palms and heart. The shoulder hurts like hell but in a way all of this hurts deeper, harder than that. In the way you know love, or the beginning of it, can hurt.

You sniffle.

Truth is you're overwhelmed. By what happened, by Joel coming to get you and saying all that shit. By him touching you, by him being here, by your own heart beating so quickly at his nearness. Even though you dared hope he felt something close to your affection for him it's a shock to realize he cares about you because you're you, not just because he's a good man. You've always wanted love that came from a place of purpose, which feels selfish on the best of days. You should just accept whatever kindness comes your way in this cruel world.

But, fuck, you've always wanted to feel chosen. Like you matter.

And you do. Right here, you do. From his own lips he's said you do.

You don't even realize you're crying until Joel curses softly and one wide, warm palm is on your face again.

"What's wrong? You hurtin'?" His thumb swipes at your tears. "Talk to me."

"I'm fine." You press your face into his shoulder and he holds you, hand soft on the back of your head. "I'm just -- I'm just really glad you're here, Joel."

"Course I'm here," he says into your hair. "C'mere."

There's nowhere for you to go considering you're already pressed against him. But his arms come around you fully, mindful of your shoulder, and your fingers fist in his shirt.

You should be embarrassed. On the scale of fucked up shit that's happened to you, today is remarkably low. But you let yourself have this. You breathe him in and let him hold you.

"I was going to ask you to get a drink tonight," you mumble. His chest vibrates with laughter.

"That so?" he says. His hand rubs up and down your spine. "Reckon I'd say yes."

You pull back just enough to see his face. This close you can see how his eyes have a bit of gold in them. "Really?" Even with proof of his affection right in front of you it's a little hard to believe.

"Am I readin' this wrong?" he asks. "It's okay if I am--"

"No," you say quickly. "No, you're not."

"Thought so." His lips pull up at the corner just a bit. "But, still. You've had a real rough day, and --"

"Joel," you breathe. You free your good arm from your embrace and put your hand on his jaw. He's touched you plenty today and you want to give it a try yourself. His face is warm, his beard gently rubbing against your skin. His eyes flutter close for a breath before he opens them wide and leans into your hand just a little.

"Alright," he says softly. Then he says your name, just once, ever so tenderly. It sounds like a prayer.

Joel Miller kisses you in the middle of your living room. Despite the affection you've been nursing for him over the last little while you never allowed yourself to imagine what it would be like to kiss him.

It's like this: the first press of his lips is soft like he thinks you'll pull away. When you don't he takes your lower lip between his and presses a little harder. Your hand slides into his hair and he palms your hip with one of his and cups your face with the other. His tongue traces the seam of your lips and you open for him, let him lick into your mouth. You sigh into it and tug on his hair just a little. Joel makes a sound deep in his throat and then pulls away.

You're both breathing heavier than before, both smiling. Joel presses his lips to your forehead, your temple. He holds you against him and you breathe against the skin of his neck.

"Will you let me take care of you?" he says into your hair.

"For my sake or yours?"

You think he'll laugh but he just breathes. "Both," he says. "Hell, you know what's goin' on here. I showed my hand. Been showin' it." He pulls away so you can see the honesty in his face. "I told you in as many damn words as I know how."

He did. He did and you make yourself believe it. Love in this life is worth holding on with both hands. Whatever this is, whatever this is going to become, you want it. You want to let this man continue to teach you to ask for help. You want to learn from him, maybe teach him a few things of your own.

You want to love him. You think you could sooner rather than later.

You trace the line of his brow, run your fingertip over the scar on the bridge of his nose.

"Can you kiss me again?" you ask.

"What a fuckin' question," he says. "C'mere."

thank you for reading <3 reblog, send feedback, general masterlist here!

[raphael-angele]

Nico's Big Sisters

I have this headcanon that while Bianca is away, the cabins take turns looking after Nico and he gets to stay with them.

Nico, crying: Thaliaaa!!!

Thalia: Nico? What's wrong?

Nico: *incomprehensible babble*

Thalia: Okay, okay, calm down. Tell me what happened

Nico, pointing to some Hermes kids: Tho- Those boys stole Three.

Thalia: *looks over at the Hermes kids tossing around a dog stuffie with three heads*

Nico: I told them to give it back but they wont. And they kept making fun of it

Thalia, rolling up her sleeves: Just a sec

Later:

Thalia with dirt all over her and slightly bloodied fists: Here you go, Nico. *hands over Three*

Nico: YAAAAY! THANK YOU, THALIA!

---

Nico: Reyna...

Reyna: Yes, Nico?

Nico: I fell down the track and I scraped my knee and hands *shows his hands*

Reyna, sees his injuries: Aww, c'mon let's go get them treated.

Dakota: OW! FUCK! REYNA! ONE OF THE HUNTERS JUST SHOT ME ON THE SHOULDER WITH AN ARROW

Reyna: WALK IT OFF!

---

If Zoë lived:

Bianca: Zoë

Zoë: Bianca, hello.

Bianca: You remember my little brother, Nico.

Zoë: Oh, yes, of course. Nice to see you again, little one

Nico, standing next to Bianca: *shyly waves*

Bianca: Nico made something for you. *whispers to Nico* come on, you can give it to her.

Nico, slowly approaches her: *hands over a jar of paper stars*

Zoë: *takes jar of paper stars*

Nico: Thank you for looking after my sister

Zoë: Well, you're very welcome, Nico. This is a very beautiful gift.

---

Nico, entering the Aphrodite Cabin: Piper...

Piper: Hm? Oh, hey, Nico. What's up?

Nico, shyly whispers to her: Can you make me look pretty?

Piper: Why do you want me to make you look pretty?

Nico, fidgeting with his fingers: Will asked me out on a date

Piper and almost all of the Aphrodite Cabin: *gasp*

Piper: Alright girls, we got a code Apollo! Let's move! Move! Move! Let's get this baby ready for his first date!

---

Annabeth: Alright. C'mon, Nico. Time for bed

Nico: Aw, okay. *climbs into bed*

Annabeth, sitting beside him: What story do you want me to read to you today?

Nico: We haven't finished the one about the big cat, the mean old lady, and the box yet.

Annabeth: ...you mean The Lion, The Witch, and The Wardrobe?

Nico: Mhm. We stopped when Edmund went to the mean old lady's castle.

Annabeth: Ah! Then The Lion, The Witch, and The Wardrobe it is!

---

Nico: Rachel!

Rachel: Oh, hey, Nico. Did you need something?

Nico: No, not really. I was making something and Percy said that you might like it. *hands over a box*

Rachel: *takes box and opens it* What is it?

Nico: It's paint! The Demeter kids let me plant sometimes in their garden and I get the flowers and I made them into paint!

Rachel:

Nico: See? The blue one is from Morning Glory flowers, the red one is made from Roses, the yellow one is made out of Marigolds, the orange one is made from Poppies, the purple one is made from the Lilacs, and the green one I made from Leaves!

Rachel:

Nico: :D Do you like it?

Rachel: This is the sweetest thing anyone has ever given me ༼☯﹏☯༽

---

Mark, training Nico: Alright. Here's what's gonna happen. You want a candy bar?

Nico: *nods*

Mark: It's on that table over there. *points to table behind him* To get it, you need to get past me first.

Nico:

Mark: Now, I'm bigger than you. So you need to be smart and think of how-

Nico: *punches Mark in the groin, and pushes him to the side, then goes over to the candy bar*

Mark, on the floor, clutching his groin: Oh, good gods!

Nico, can't open the candy bar: *goes over to Clarisse and shows her the candy bar* Open, please

Clarisse:

Nico: (´｡• ◡ •｡`)

Later during Capture the Flag:

Clarisse: Alright, listen up! If anyone wants to mess with this kid, know that he is under my protection. You wanna mess with him, you go through me first!

Nico: *holding Clarisse's hand, eating a candy bar*

[iheartgirlzn]

KISS ME BETTER

pairing: percy jackson x apollo!gn!reader

☀️ notes: AAA MY FIRST PERCY ONESHOTT (if you saw this before i edited it - no u didn’t)

percy jackson was someone who was an often visitor at camp half-bloods infirmary. it was usually because he picked a fight with clarisse la rue - the ares cabins head counsellor, or he got too reckless during capture the flag, the list could go on really.

today was one of those days.

he walked into the infirmary, his eyes scanning the room for his favourite child of apollo. spotting them, he made his way over. smiling through the pain and holding his weirdly-twisted arm, he said hello.

“hello percy, oh my-” you gasp in reply, looking up from your book and spotting the way his arm was bent. “again? come on, sit down, sit down!”

you rushed him over to one of the infirmary’s beds and muttered multiple curses under your breath. opening one of the medical cabinets, you got out a bar of ambrosia for the boy.

“eat a piece of this, it’ll fix you right up. again.” you tell him, giving him a stern look. percy laughs nervously taking the food and swallowing it.

“oops?” he grins, looking at you mischievously. he lets go of his arm and flexes it. “hey! still in one piece!”

you roll your eyes at his antics and chuckle to yourself. “i’d sure hope so. you can stay here until you’re ready to leave.”

percy watches as you begin walk away, and his smile falters slightly. “wait.” he says, making you turn around with a curious look on your face.

“uh- kiss it better?” he asks, then internally curses himself for saying something so stupid. “i mean-”

but before he could finish his sentence you’d already knelt down beside him. you held his arm with a delicate hand and kissed his elbow.

he flushes at the soft yet intimate gesture and tries to stutter out a response. “there you go, feeling better now?” you ask, grinning.

“uh huh…” he agrees, hardly hearing anything other than his own heartbeat.

“good, i’ll be over there if you need me then.” and with that you walked away from where he sat, leaving percy to his own flustered thoughts.

‘maybe i should pick fights with clarisse more often.’