#heads up it takes forever to find all those screencaps

[theabominableblogger]

Rewatching “Revenge of the Sith”

Ohhhh yeahhh, I’m going there.

My apologies in advance because this post is so long...

*silently boogies out to 20th Century Fox jingle and ends up throwing popcorn everywhere*

*mouths along to opening theme*

WAR!

“Evil is everywhere.”  Dude, this is Star Wars we’re talking about...

Just a heads up, I am so freaking glad that we have The Clone Wars because honestly, it has a lot more flowing character development when it comes from jumping from “Attack of the Clones” to this movie, especially Anakin.

Lens flare!

Holy snot how many Republic ships are there?!?  Did the Separatists come with every single ship imaginable?  Is that why?

Aaaaand that’s a dead body.

The hell are those things?

“Nothing too fancy.”  Says the man [Obi-Wan] who dramatically drops his robes whenever possible.

*imitates the buzz droids*

“IN THE NAME OF-”  Finish the sentence, Obi-Wan!

R2′s taser thingy looks like the Twelfth Doctor’s sonic screwdriver.

What if they didn’t notice the shield in time?

Boom!  End of saga.  Cue end credits music.

Ohhhh this asshole.

WHAAAATTT’SS THE SITUATION, CAPTAINNNN???

*imitates the droids saying “Roger roger”*

How come Anakin and Obi-Wan aren’t getting jostled around when the elevator car first stops?

*quotes the entire “No loose wire jokes” conversation in the elevator*

Is that the same freaking chair that’s gonna pop up in “Return of the Jedi?”

Anakin and Obi-Wan fight Dooku but every time their lightsabers clash, it’s Obi-Wan going “Hello there”

Did Dooku just backwards kick Anakin away?  Oh my God...

DEW IT

 *Anakin kills Count Dooku*  Well done, prequels.  You done didn’t use your Christopher Lee effectively enough.

ALL BATTERIES FIRE, FIRE!

Wilhelm Scream!

*imitates droid saying “Reversing stabilizers...”*

Holy crap, you can actually see Grievous’s face kind of twitching with anger when he commands the droids to level out the ship.  Dang.

Freaking Obi-Wan’s little yell of horror when he wakes up...

*ugly cackles*

*quotes the entire ray shields scene*

I cannot freaking believe that the TV show took the time to make freaking sure that Anakin never met Grievous until this movie.

Actually, yes I can.  They have a goddamn script continuity department.

How come one of them didn’t take one of the electrostaffs?

The Separatist flagship just tore in half when it entered the atmosphere and yet I remain completely unfazed.

“8 plus 16...”  Pfftt, what the heck does that mean?

Guys, I think I found the origin for the Dramatic Hair Flop of Angst in TCW

Pretty sure that’s the Millenium Falcon at the bottom hangar

“Oh, I’m not brave enough for politics.”  *cough cough*

Obi-Wan gets a whole freaking bus to himself.  Chaos will ensue.

How has no one noticed Padme just hanging out next to one of the pillars?

“There were whispers... that you [Anakin] had been killed...”  Really?

Anakin’s reaction to Padme telling him that she’s pregnant is actually really good.

Wasn’t there like a deleted interaction where Anakin first accused Padme of sleeping with someone else while he was gone but then they decided that was not that great of an idea?

The music that plays when Grievous exits the shuttle is pretty sweet

*imitates Grievous saying “Yes, Lord Sidious?”*

*claps with each word*  This is not how you write romance, [George] Lucas!

Oh I didn’t realize that you could actually hear Anakin’s robotic arm move when he puts his face in his hands

“How long is it gonna take before we start being honest with each other?”  You [Padme] should have asked that before you two got hitched in the first place.

Ladies and gentlemen, the absolute worst therapy lesson in the history of Star Wars:  Yoda telling Anakin to basically get over himself and accept the sudden, incoming death of the people he loves.

“What must I do, Master Yoda?”  MOTHEREFFING IGNORE HIM!

“Train yourself to let go of everything you fear to lose.”  NOOO, OH MY GOD...

There’s actually a whole video by Pop Culture Detective that went into detail how terrible the Jedi Council were when it came to giving Anakin emotional support.

“Be careful of your friend Palpatine.”  And your pal, Friend-patine.

I just noticed that there are less chairs in the Jedi Council room

“The Council doesn’t like it when he [Palpatine] interferes with Jedi affairs.”  Then why the heck don’t they confront Palpatine about it?

Holy crap, I just realized that this movie came out 13 years ago.

“Hold me, like you did by the lake on Naboo...” Was that really “holding” though?

Anakin’s delivery of “At last!” sounds like Darth Maul when he said “At last we will reveal ourselves to the Jedi” in the first movie.

This entire opera scene should be a dead give away to Anakin learning about Palpatine being the Sith Lord.  The minute Palpatine even said the word “Sith” should have raised a few red flags...

This entire Darth Plaguesis explanation is so good and ominous.  Just the minute Palpatine finishes the story and tells Anakin that there are other ways to gain that sort of power, you can just gradually feel the dread setting in for the rest of the movie.  You just know something bad is gonna happen (besides Anakin becoming Darth Vader)...

Look at the way Obi-Wan’s sitting in his chair!

Oh my God... the Wookies just did a Tarzan yell...

Headcanon:  he’s [Anakin] checking for updates about the Siege of Mandalore

OK, everyone craps on the Utapau storyline with the fight scene between Obi-Wan and Grievous but I actually think this is one of the best parts in the movie.

I love the design for the Pau’ans

GUYSSS I LOVE BOGA SO MUCH YOU HAVE NO IDEA!!!

Someone get me a plush animal of her on my desk pronto!

HELLO THERE!

GENERAL KENOBIII... YOU ARE A BOLD ONE...

That pose though!

That spinning helicopter move Grievous does while stalking toward Obi-Wan was always really cool to me.  A little extra, but still cool.

ARMY OR NOT... YOU MUST REALIZE... YOU ARE DOOMED!

Oh I don’t think so!

*imitates Obi-Wan using the Force to throw Grievous*

Wait, so how many times has Cody had to hold onto Obi-Wan’s lightsaber when Obi-Wan freaking drops it?

Death Star plans?

Big question:  so how old is Anakin here?  He’s 19/20 in “Attack of the Clones” and there’s at least a one or two year time jump in S3 of TCW.

Yo, that means he was like late 30s/early 40s when he died in “Return of the Jedi.”  Well shoot, man...

Yeah, Obi-Wan, let’s freaking kick the crazy homicidal cyborg.  Great idea.

Is Grievous just covered in gasoline or something because he just went up in flames *snaps* just like that.

Ohhhh this scene with Anakin and Padme looking at the windows of their respective places is really good...

Look at freaking Anakin here! 

George Lucas deserves any and all sins for the bad dialogue for Anakin because Hayden Christensen can really act when he’s not given any dialogue and he’s just told to react. 

So, with that, henceforth, there shall be no dissing Hayden Christensen on my blog.

I AM THE SENATE!

Dramatic window break!

Palpatine’s lightsaber just freaking deactivated as soon as Windu kicked it out the window

Wowwww... the prosthetics on Palpatine look.. bad....

UNLIMITED.... POOWEEERRRRR!!!

I just realized that Anakin kind of walks over to Palpatine on his knees before he pledges himself to Palpatine

Why Darth “Vader” though?  Is there any special reasoning for that?

AN:  Holy crap, there’s an hour left and Anakin has just turned to the Dark Side...

Pfftttt....

THESE SHOTS THOUGH

Man, I need to download more tracks from this soundtrack...

You can tell that that’s green screen behind Cody

*in best Palpatine impression*  Execute Order 66!

Nooooooooooooo, Boga!

Aaaaand everyone dies and it sucks now!

Ughh, Aayla Secura...

NOOOOOOOOOO PLO KOONN!

What planet is that?

Here’s my question:  in Rebels, how the heck did Thrawn get Gree’s helmet?  Was there an imperial campaign out on Kashyyyk and he found it somewhere?

That small matte painting shot of the Jedi Temple burning is actually really pretty now that I see it again

Yooooo can we talk about this padawan though?

Kashyyyk has twin moons...

So what happens to Chewie after this and before the Han Solo movie?

Heeeyyyyyyy I know that kind of ship!

“Have faith, my love [Padme]...”  Uhhhh... Padme should have picked up on how... off that line was

How has NO ONE in the Senate (besides Organa and probably Mon Mothma) picked up on Padme’s pregnancy?

*imitates Palpatine*  Mustafaaarrrrr....

“Could be a trap.”  It’s Star Wars.  There’s always a trap.

What’s that planet right next to Mustafar?

Random xylophone scales!

Yoda is taking no prisoners!

Where are the lightsaber/balster holes in the younglings?  Yoda said that they were probably killed by lightsaber so where are the marks on their bodies?

Yellow eyes...

“So this is how liberty dies:  with thunderous applause.”  Best.  line.  Ever.  Someone send flowers and chocolates to Natalie Portman.

“I've recalibrated the code, warning all surviving Jedi to stay away.”  Aaaagghh and we see it in Rebels and in the Last Padawan comic!

Don’t mind me casually dying

I just noticed that gradually throughout this movie, you can see Obi-Wan get grey hairs in his sideburns

*Obi-Wan sneaks onto Padme’s ship to Mustafar*  Where did he come from?!?

“You [Darth Vader] have restored peace and balance to the galaxy.”  *in best Anakin voice*  OK... now what?

“And together, you [Padme] and I [Anakin] can rule the galaxy! We can make things the way we want them to be!”  Wow, “The Last Jedi” is just smackin’ me in the face right now

Anakin... you’re breaking my heart!

That is just extremely bad timing on Obi-Wan’s part

YOU HAVE DONE THAT YOURSELF!

Your new Empire?!?

DEMOCRACY!

“Only a Sith deals in absolutes.”  A what?

That’s a pretty nasty lisp you have there.  Might wanna do something about that.

You know how this Yoda vs. Palpatine fight could be more amazing?  Just add helium

Honestly, for the BIG DEAL fight between Anakin and Obi-Wan, it just goes on for a little bit too long.

Plus when it’s intercut with the Yoda vs. Palpatine, the latter is way more entertaining (hello, two most powerful peope going head to head with actual Force lightning being involved?)

Are they [Anakin and Obi-Wan] just kicking each other with the Force now?  Wow...

NOT EVEN HITTING EACH OTHER!

Seriously, they’re just banging their lightsabers together and calling that a fight.  C’mon... actually try to hit the opponent!

Duel of the Fates!

*Palpatine throws the Senate chairs at Yoda with the Force* So I threw the Senate at him!

Honestly, you could cut out this whole balance thing on the sinking balcony and mining buildings/walkways

Commander Fox?

ExPLOsions...

Noooo... cut this out...

“Into exile, I [Yoda] must go.  Failed, I have.”  And yet people complain about Luke doing the exact same thing in the sequel trilogy

You’re not even trying to hit each other!

FROM MY POINT OF VIEW, THE JEDI ARE EVIL!

IT’S OVER, ANAKIN!  I HAVE THE HIGH GROUND!

YOU WERE THE CHOSEN ONE!

“You were my brother, Anakin.  I loved you.”  Uuuggghhhh....

I actually read somewhere that Ewan McGregor actually asked George Lucas to change the line to past tense instead of the original present tense.  Which is sad, so thanks Ewan.

Can’t you just put out the fire with the Force?

How did 3PO and R2 get an unconscious Padme on board?

Where is this?

*Palpatine’s shuttle lands in Coruscant*  It was a dark and stormy night...

Y’know, at this point, me comparing Anakin being repaired and transformed into Darth Vader and the creation of Frakenstein’s monster is almost inevitable at this point...

Stupid question, but what’s the significance of the names “Luke” and “Leia” concerning the themes present in the movies?  Or is that up to people like me who enjoy the meta to find that out?

He [Darth Vader] just killed that medical droid next to him...

NOOOOOOOOOOOOOOOOOOOOOO!!!

Do not want....

“...[Qui Gon] learned the path to immortality...” In the TV show!

I like how the last line in this freaking movie is “Oh no!” and it’s from 3PO...

Triceratops rams!

The design for Padme’s funeral garb is actually Iain McCaig’s favorite concept art

How did they develop TIE fighters so quickly?

Oh my God, the dude they got to play Tarkin... oh God...

Definitely not Peter Cushing

*gasp*  Leia’s theme!

Random eopie noise!

Oh my God, “Binary Suns”...

Obi-Wan’s like “Great, now I gotta help a pair of random, separate Force-sensitive teenagers and their astromechs in the near future...”

Wait, they put Ewan McGregor in top billing?

“With Samuel L. Jackson as Mace Windu”  Thamuel El Jackthson!

Holy crap, I forgot Joel Edgerton plays young Uncle Owen

[ommsims]

story process challenge

i was tagged  by @xldkx​​ to do this challenge, created by @herpixels​​​ , like a month? a month and a half? ago and it’s been sitting half finished in my drafts for nearly as long. *sigh* (regardless, i love stuff like this so even if it takes me forever to get to it, i appreciate the tags! 💕). 

i decided to answer all the qs because it took me damn long enough to get to this, so i might as well put some extra elbow grease into it (plus it was fun!). btw it’s all going under a cut b/c it is long. i apologize in advance.

1. My Writing Process - used to be a hot damn mess. literally word docs strewn throughout my pc. However, I recently switched to using Onenote (it’s what i use to organize my d&d campaign notes) and hoo-boy is it so much nicer. this is how it’s set up and it’s honestly night and day. i can have a page with outlines, a page to organize & order screenshots, and a separate page for drafting text, and i can easily toggle though them without having to switch windows? a big thumbs up from me.

When it comes to actual writing- I used to write my drafts in novel format, which i enjoyed but it made “converting” them into tumblr posts time consuming and frustrating. I ended up scrapping most of the text in the process, retaining pretty much only the dialogue. 

Anyway, nowadays I write in more of a screenplay format: dialogue only + key scene information with the occasional note to self. 

I do keep a master “arcs” page with key events and each individual character’s arc from beginning to end and secondary “outline” pages with slightly more detailed outline for each leg of the project. No screencaps b/c spoilers galore! 

My typical work flow process for a scene goes: (1) brainstorm scene ideas, (2) take screenshots, (3) organize screenshots into a rough storyboard, (4) add 1st draft of text, (5) edit photos, (6) edit text, (7) upload to "drafts” here on tumblr, (8) let sit for a bit (9) take a final look at things/proofread and edit as needed. It may sound counterintuitive, but i find it much easier to write dialogue for a set of images rather than attempt to take images based on prewritten text. I feel more comfortable editing and tweaking tone and content in the text this way. Otherwise, I get frustrated when I “can’t” shoot a scene exactly as it appeared in my head.

2. How I build my scenes - A lot of what i do is rooted in gameplay, therefore my sets are usually (a) play-tested and (b) not super pretty. I’ve certainly improved at decorating & building over the years but more often than not I download lots off tumblr and the gallery because I don’t have the patience, aptitude, or time to build all of my own sets. That being said, I frequently gut builds only to build a number of completely unrelated mini sets inside to reduce the number of times i have to replace lots. I also keep a list of “important locations” and where certain characters live / will move to, to help keep this all straight as there aren’t nearly enough lots per neighborhood or even per world in this damn game...

my least favorite part of scene building is actually decorating. lol. Don’t get me wrong, I love clutter. I honestly do. but fuck me if i expect myself to spend hours meticulously decorating a set, spend another 3 hours toggling back and forth b/w BB & live modes adjusting things to get rid of the damn routing errors. (yeah, yeah, i know i could ignore them, they’re not important, especially in those scenarios where i’m using a set for screenshots and nothing else, but idk. it really grinds my gears.) and then have to replace the lot like a week later because there aren’t enough lots in the game. *sigh*

3. CC/Pose Making - i do not consider myself to be a cc creator nor a pose maker but i do dabble occasionally. And to be completely honest i’d much rather spend my time doing other stuff, so it’s not high on my list of priorities atm. plus there are so many talented cc creators in this community; i can usually get by with what’s already out there.

4. Getting in the zone - Honestly, I do a lot of brainstorming for plot & dialogue in the shower. I don’t have any particular playlists to get me “in the writing mood” but I do enjoy listening to music as I work. Either instrumental stuff or simply artists/songs I like. If something just so happens to “fit” a scene I’m working on, one i’ve got planned, or even just gives me vibes for a certain character or group, I add a quick note to the top of said scene’s draft. Most of the time I stick it in the recesses of my brain and add a quick link when I finally get to the point of posting the draft to tumblr. For whatever reason, when I have one of those “oh this song is perfect for X” moments it’s essentially ingrained in my mind for the rest of eternity. 

5. The screenshot folder - this will most likely give some of you out there major anxiety. but i swear it’s an organized chaos. :)

yep. 32.9gb of screenshots & related things... 

So with the raws from a single random scene selected, you can see i take roughly 10 screenshots per image posted. not terrible i guess but i’m working on it. Typically I take screenshots and once I’m done editing a scene I’ll move them from the general folder to a more specific project folder.

6. Captions - I’ll answer this in three parts:

for my townie story. not really. I prefer using the text box. I tend to write (& re-write) the dialogue for each one of these scenes several times over as I add more “scenes” into my drafts. It would be incredibly inefficient, time consuming, and would waste a lot more space on my pc to have to save .psds of each image just so i could edit dialogue when I decide: “oh hey maybe so and so needs to bring up X in this scene” and then change my mind an hour later.

for niko, noor, & co. I’m a text on image type gal here. don’t really know why, but it gives the project a different energy. ironically it makes it feel more laid-back to me. which i guess makes sense, it’s a much more light-hearted “story” than my townie project. which is, imo, very soapy haha.

for legacy stuff. all text goes below the images in the text box. reasoning: it’s gameplay, I don’t brainstorm, outline, or pre-write for this. I play the game, take screenshots, plug ‘em into my drafts and write some commentary / dialogue to go along with it.

7. Editing - i am a creature of habit and have not majorly changed my editing process in probably a year and a half (when I began using reshade and had to adjust my color correcting psd). it’s a super basic system:

drag & drop my “color correction” psd.

run actions in ps. (i made my own “all-in-one” actions to really streamline the process; i have different “actions sets” for my premades’ story and for other things that get posted to tumblr. even if no one else notices it, i like the little details that keep my projects separate and “identifiable”. 

voila. all set to upload.

sometimes i crop images, add “text effects”, or do more in depth editing (i.e. editing a phone screen or adding rain etc.) but overall i try and keep it simple for myself. 

8. Throwback - i posted an image of one of the first (but never posted) scenes I’d written for my townie project up above. but as for how would i redo a scene i’d already posted. well i’m currently re-doing my townie story so i guess i’ll just say you’ll see how it’s redone when i get to part 1! 😉

anyway, no tags because i’m so embarrassingly late to this party but if you hadn’t gotten around to this tag, wanted to do it but didn’t get a tag, or started it and left it to sit and now you’re thinking “oh god that was months ago should i even post this anymore?!?” consider yourself tagged by me and go ahead and post it for all to see!

[ghostmartyr]

SnK 127 Thoughts

“Let us speak for 46 pages about how we still don’t actually have any real plan, we’re just all very against genocide (except Magath and Yelena) and very upset and feel like we should be doing something.”

The characters are sort of doing my job for me this month.

Maybe this whole post should just be illicit screencaps from Crunchyroll with me providing links and saying, ‘and here’s the panel that makes the point I whined about in this post here.’

That would probably provide more entertainment than whatever I’m about to come up with.

-sees the amount of swearing in the first section-

Hm.

First off, fuck Magath.

Like no, I’m sorry. This is not about what happened 2000 years ago. You know what it’s about? It’s about Marley sending in child soldiers to assault and rob a land that had caused literally no problems for 100 years. It’s about Marley doing this despite being aware of its own history, being that their personal hero collaborated with the First King of Paradis to make Marley’s independence possible.

You want to talk about history, Magath?

Jean isn’t the one who sounds like a child.

Jean is reacting to actual pain that he has experienced in his lifetime thanks to Magath’s very intentional military strategies.

Magath is blaming Jean and everyone else on the island for being born.

That is not equivalent.

That is not remotely equivalent, and while Eren is being a fucking bastard about it, Jean’s right. Eren has the power, means, and will to do all of this because of what Magath and Marley did to Paradis.

Magath doesn’t recognize Eldians as people.

The Eldian Empire was bad.

No one except Floch is disputing that. That is how you know that it is bad.

Marley, as well as the rest of the world, has been free from the Eldian Empire for over a hundred years, and in that time, all they have done is take every horrible thing about the Eldian Empire and exploit it for their own gains.

Magath doesn’t get to be angry that he lives off the backs of abused, brainwashed children that he treats like crap.

Years ago, the Eldian Empire was the worst terror in the world.

A year ago, it was Marley.

Now, it happens to be Eren.

And you know, I’ve been actively against pretty much everything Eren’s done. His plan, if he has one, has mostly managed to make everyone angry and get a lot of people killed who weren’t even involved in the beginning. He gets his head blown off close enough to his brother that he doesn’t die. That’s how the beginning stages of him committing genocide goes. He betrays his friends, makes his besties from childhood feel like crap, and honestly has just been a dick to pretty much everyone.

But at least Eren’s indiscriminate murder has the decency to actually be indiscriminate.

Marley takes children it despises and turns them into their willing slaves for the promise of a better life they have no intent of dispensing. They take these children, and full of hatred for the very ability, demand that they shorten their lifespan and murder people to prove that they’re a “good Eldian” who deserves to live.

Marley is why people can stomach rooting for Eren.

Because Marley is such an abomination that it almost feels worth it to destroy the world if it means Marley’s gone too.

Hell, I’m with Hange. There’s not an avenue where I accept genocide as a way to deal with any of this.

But if someone wanted to burn Magath alive, and we spent a dozen pages gloriously detailing his flesh curling off his bones, it would make me happy.

That’s a more dignified death than he’s given any of the children he’s forced into Marley’s wars.

He does not have the fucking moral high ground.

He's the one Jean should have punched. There is not a single person around that campfire that he has not damaged deeply, and noticing that Gabi is a little girl and he cares when she is in pain does not magically remove that.

Fuck Marley. Fuck Magath.

Grow the fuck up and stop viewing genocide as an acceptable response, you fucking halfwit child. You are the individual who saw four children off on their solitary mission to murder thousands of people. Two of them are dead. Two of them are deeply traumatized, with one of them wishing he had died.

But oh yes, Magath. You’re the victim, here.

Because you baited one angry idiot with the power of a god into destroying part of a city you didn’t give a damn about.

Truly, your justice is a thing to aspire to.

Perhaps Eren taking notes is the real reason we’re here.

Motherfucking fuck I hate Marley. I hate that Eren’s put any of these characters in the position where they have to put up with this shit for the sake of civility. I don’t have a problem with the Warriors. I don’t have a problem with the Survey Corps. I don’t have a problem with the kidlets. Hi Onyankopon, sorry about your life. Yelena has many problems, but she’s also attractive, so I don’t mind as much.

Magath, though.

Pieck, just eat him. Everyone’s too depressed to really throw down over it at this point, and the two small ones are so deeply traumatized that one more body really isn’t going to make much of a dent.

Jean’s clearly the star of this chapter, and a good deal of that comes from the potent hopelessness hovering over him like a rain cloud.

He can point to how bad everyone is at talking things out like it’s the key to the entire mystery, but the long list of problems Jean offers at the beginning of the chapter are still present. Unless they have a way to talk to every person in the world out of their (at this point, rather justified) fear and anger, Paradis and Eldians around the world are very much screwed.

Paradis has forever been running out of time against the hatred the rest of the world has for them.

They do have to fight against what Eren’s doing, and talking instead of blowing each other’s heads off is a good start, but it’s a good start thousands of years after the worst possible one.

And the last time they tried to talk to Eren, Armin punched him, and that was the most productive thing to come out of it.

Jean being the everyman who recognizes the heart of an average person because he is one has been a great tool. It’s still great, here. He wants to close his ears to all of this. He wants, desperately, to run away, because there is no good solution that doesn’t end in death.

When he joins the Survey Corps, they at least have Eren as a brand of hope. They can believe that years of the same tactics and bodies piling up won’t end the same way.

Joining this squad is all about stopping Eren, and despite having figured out their next course of action, no one has yet to provide a real idea.

Genocide is wrong, so you stand up and try to stop it.

That’s the only plan they have.

The Scouts from Paradis don’t even have the promise of saving the people they love if they stop Eren. Annie, Pieck, Gabi, Reiner, Falco... they have a home. The world might forget to hate them. They might get to go home and have a life after this.

The people sitting on the other side of the fire are fucking screwed. They’re fighting entirely for their principles.

...Also Yelena is here.

I do like Yelena.

She’s not the worst, because this manga has too many horrible people in it, but she’s delightfully terrible. I especially like how the fact that she’s actually from Marley hardly gives her any pause.

I do so like Yelena.

It’s a beautiful sentiment.

After all, everyone’s drunk on something.

If you can just save the world, what does the rest matter? What do the crimes that kept you awake at night mean, when you’ve accomplished something so miraculous? All the good deeds cleanse the rottenness, and maybe then the world rights itself and you can breathe again.

...Hey wait, where’s Reiner’s reaction shot to finding out Gabi killed Sasha?

...Did he even know Sasha was dead?

But I guess we’re doing Marco angst.

Wow. Marco angst in 2020.

I think my favorite thing about this chapter (outside of the fact that Mikasa still hates Annie and it makes me giggly because wow Mikasa) is that Annie does absolutely nothing while Jean’s beating the crap out of Reiner.

My less favorite thing is I’ve stopped enjoying Reiner getting the crap beaten out of him. It’s been done, and... really the kid just needs to have not been born into this particular life. Watching Jean beat him bloody is. not cathartic. It’s really just awful.

Annie dodging with her food is glorious, though.

Because while Jean beating up Reiner over Marco is sad and kind of miserable, Annie watching someone beat up Reiner after the years she spent putting up with Reiner and Bertolt brings it back to almost funny.

Until you look at Reiner’s face and go back to feeling bad.

-turns page back to Annie getting out of the way-

Much better.

Truly, I love Annie.

Her forgiveness status is interesting, though. I think besides Marco, she enjoyed more of the kills she’s responsible for than anyone feels a need to dig up.

She’s also been more alone than most of the others in the wagons, and essentially spent four years imprisoned for her crimes.

I’m not surprised she asked, because she’s Annie, but I’m a bit surprised we don’t have an answer yet. Probably too close to the end of the chapter to open up that can of worms.

If it makes everyone feel better, I think we know for a fact that Mikasa will never forgive Annie for anything, even if it only displays itself as petty brandishing of weapons every time they make eye contact.

It’s not even a ship thing.

I just love that Annie is the one person Mikasa can’t stand. They’ve been in one chapter together and Mikasa’s already pulling out swords. These two shouldn’t be allowed anywhere near each other. It’s perfection.

Then we get to plot complications that really don’t register as complications because like. Yeah, you guys need something to do while you figure out what the hell you’re doing.

Because you don’t actually have a real plan, just so we’re clear.

Killing Eren would result in all those Wall Titans operating under their own power.

That is not fundamentally less destructive.

Killing Eren has a nice ring to it, but much like talking to Eren, it does not solve any of the other problems looming ahead.

So you enjoy your little subplot with Floch!

It’s one of the last times your combined competence will have any meaning.

-looks over at Kiyomi-

Honest question, but why are you alive if Floch dislikes you enough to hold you hostage? If Eren’s gonna kill everyone, shouldn’t Floch be following suit and just do his Floch thing of murdering every slight inconvenience?

We’re in the boring stages of the finale right now.

No clear plan for either side to contend with. No real progress in any direction because the tiny squabbles are just a delaying tactic for the massive squabble that no one has an answer to. None of any of this chapter really matters except for clearing the air.

Which is not a useless investment, it’s just not very exciting.

At this point, no excitement is allowed, because there’s that One Huge Thing, and the entire story hinges on it. Maybe someone will die on the way to dealing with it, but that’s all the drama we’re going to get until we find out enough about the plot to have a future worth rooting for.

Right now, there is no good outcome for the people we’ve watched fight for 127 chapters.

Pulling a story along with that weight is hard, and I can feel my brain turning itself off until we’re back to a point where the story is permitted to address the stegosaurus in the room.

One more month.

Again.

Until something happens and we all regret everything.

[tjkiahgb]

Episode Recap: 3.19, “A Moving Day”

Can you believe we only have 50 or so minutes of content left with this show?

I want to love every single one of them and not take any for granted. Each minute feels truly precious.

Never mind.

Folks... we got ourselves a Toast-Off!

Cyrus has brought Jonah, Buffy, and Andi together to make toast. I wish I had more here, but that’s the extent of it.

Jonah presents his toast first. It’s burnt.

Andi says toasters are the trickiest appliance in the kitchen, which is true. Sure, anybody can figure out how to put the bread in, but when it comes time to select between the settings of Light, Medium, and Dark, too many people just twist the dial all the way past dark to Burnt to a Crisp. Avoid that setting. That’s where most people get tripped up.

Jonah advises Cyrus to not eat his burnt bread, and Cyrus agrees.

Buffy presents her toast, which is more like the concept of toast.

Buffy claims it wasn’t fair because Jonah was using the toaster. To think, if only Jonah had used the toaster less, both he and Buffy could’ve made decent toast and been in the running to win... I don’t know, something. I really don’t know what we’re doing here.

Anyway, because Jonah sabotaged both his and Buffy’s chance to win the Toast-Off, Andi can walk away with the competition if she’s just made a piece of non-ruined toast.

And, of course, Andi went extra and made some kind of toast chicken coop.

Seems like an easy win, but Cyrus can’t declare it thus until he’s had a taste.

He thinks it’s pretty good, but there’s a flavor on it he can’t place. What is that, he asks.

Cyrus spits it out as Jonah and Buffy chuckle about one of their friends almost poisoning their other friend.

I guess it was only right to get one last random cold open in before the show ended. Here’s to the nonsense cold opens: the Toast-Offs, the extended oral hygiene montages, the projects for school about eggs, the bad coffees made, the phone chargers stolen, the games of Scrabble played, the times the Mack family argued about what to eat or what to watch or who stole clothes from whom. Oh, random nonsense cold opens, you were always... there, and we shall sometimes remember you.

49 or so minutes left. Each one from here on out? Truly precious.

At Celia’s, Celia has gathered her family around to do an aggressively large jigsaw puzzle.

Frankly, I’m a bit worried for her. This puzzle size is the type you buy when you want to make a statement: No, I don’t have anything better to do and no, I don’t plan on leaving the house for the next week! This puzzle is my life now.

Bex comes walking in, finishing a phone conversation. She tells the family she won something. The family guesses what she won, but they don’t come anywhere close to the right answer, which is a free meal cooked by famous chef Raoul Ricci. No one’s heard of Raoul Ricci, not even Celia, which you might think would tip them off that something’s afoot here, but no one seems interested in digging for the truth.

Even a quick Google search would’ve told them that something was wrong, as it seems the only known Raoul Ricci is an Italian dentist.

Or, as they call them in Rome, a dentista.

Anyway, Bex explains, through a long and bewildering story, Raoul Ricci was famous and had restaurants, but then he didn’t want to have restaurants anymore, so he left to be a hermit.

Andi’s like...

...oh, can we keep him?

Bex explains the prize is that he’s going to cook for them. They just have to go out into the forest and find him. Once they do, though, he’s going to make them the meal of a lifetime.

I can’t stress enough how shady this sounds. There’s a 75% chance this ends with Raoul Ricci chasing the Macks through the woods in some kind of “Most Dangerous Game” type scenario.

Bowie and Andi are in. Celia’s like, this sounds like an awful pain.

Bex warns her if she doesn’t go, the whole family is going to “rhapsodize” about this meal forever. Quick question: where does Bex get off? Just dropping rhapsodize in a sentence like that? Who does she think she is? I’m offended for Celia and I’m offended for us.

Celia is still not interested, despite the threats of rhapsodization, so Bex turns to Andi and Bowie for help. They basically say they’re not going to do puzzle-time with Celia unless she goes with them to the woods, so she relents, with one condition.

A puzzle so big it causes you mental anguish just thinking about it. It ain’t a real puzzle unless your fingers are bleeding by the end.

Meanwhile, Cyrus, Buffy, and Jonah walk around, somewhere, and talk about that “thing” they all have tomorrow. Jonah’s worried he won’t be able to make the thing because his family is moving. Cyrus and Buffy agree to help him move, but Jonah asks Buffy if she will be able to, given her foot and all.

Buffy’s like, of course I can...

Okay, but I’m pretty sure a strong gust of wind could lift Cyrus. I would require stronger proof. Jonah, however, doesn’t need to see more than that minor show of strength, and agrees to let them help.

The next day, the Mack family is all loaded up in Celia’s SUV that we’re seeing for the first time this entire series in the penultimate episode. Celia goes through a long series of things to get ready to leave: moving seats, checking mirrors, putting on gloves, searching for sunglasses. It’s agonizing.

Eventually Celia puts on her suit of knight armor and night-vision goggles and chugs an entire large coffee and she’s ready to operate a motor vehicle.

I do want to warn her though, she should make sure all those production lights and reflectors are moved out of the way before she starts driving.

Wouldn’t want to run over one of the crew members.

Celia drives off. They head for the mountains.

And in a hurry, too. Celia seems to be doing at least 80 on these winding mountain roads.

Me? I’d be worried about ice or sudden hazards or taking a turn too fast, but I guess the Macks trust Celia’s driving ability more than I trust my own.

The Macks all sing songs and make jokes and-- OH MY GOD!

LOOK OUT FOR THAT BUS!

THEY’RE BOTH DOING 70 ON A TWO LANE MOUNTAIN ROAD AND HEADING RIGHT FOR EACH OTHER!

IS EVERY DRIVER IN THIS TOWN MAD?!

The family survives that hairpin turn, though, and makes it up to Mount Washington, named, of course, after America’s most famous obelisk.

Bex leads them onto the trail at Panther’s Hollow, which naturally leads Celia to ask if there are panthers around. Bowie’s like, no, no. Well, maybe one.

And then he scares the hell out of an already nervous elderly woman.

Everyone has a good laugh about it and they set off walking to find the hermit.

Then we get about twelve minutes of footage of the Mack family walking through the woods. I’m not going to include screencaps. I’m just adding that for posterity’s sake.

Over at the storage unit the Beck family rented to put all their stuff in, Cyrus and Buffy help Jonah move said stuff into trucks.

Cyrus comes across a crate of old VHS tapes and DVDs and screams when he sees their contents.

He calls Buffy over to show her.

It’s Judy Bartholomew!

Who’s Judy Bartholomew? She’s an old workout video lady who became a meme. Cyrus feels like he has to show Buffy the video, so he pulls out his phone.

They both have a good laugh about it. Cyrus is surprised to learn she’s real. He’s like, I can’t believe how big a fan Jonah’s mom is. She must be to have the entire Judy Bart collection like this.

Then Jonah’s mom shows up and she’s like, hey Jojobear, can I finally meet your friends? The ones you’ve been good friends with for like a year and a half now and that you won’t let me be around for some reason?

She walks over to Cyrus and Buffy who are shocked to see the Judy Bartholomew standing right in front of them.

Jonah’s like, yeah, it’s her.

Honestly, I’m impressed Jonah’s been able to hide his mom from his friends for this long. Did they never hang out around his family? Did she never come to pick him up from some place?

And doesn’t she wonder who his friends are? When he’d talk about the stuff they’d done together, would she just sit there going, “Oh, that sounds nice, Jonah. Sure would like to meet some of your friends one of these days.” And would Jonah be like, “Uh huh, yeah, you should,” and then he’d just continue putting it off for 15 months? Just kept kicking that can down the road?

Anyway, I still appreciate the show broaching this subject. Media so often lacks in representation of children whose parents have become internet memes.

Back out in the woods, the Macks walk through the woods. All but Bex grow restless. They ask her for proof that she knows where she’s going, like a map.

This doesn’t make them feel comforted.

Bowie pulls Bex aside and asks her what’s really going on. Bex is like, you trust me, right? Bowie says of course. Bex is like, okay, good, back into the forest we go and she walks off.

Bowie tells Andi and Celia it will all be worth it, like a liar, and they start another walking through the woods montage. Bex carries Andi. Bowie carries Celia.

This episode has more characters carrying other characters than any other episode the show has done.

Back at the storage unit, Judy Bart teaches Cyrus and Buffy how to trot.

She’s doing like this locomotion move, very simple.

Cyrus is like, AM I DOING IT?!

As he twists his body back and forth and throws his arms out.

Like, no, man. You can’t tell that what you’re doing is nothing like what Judy is doing? That it’s like, almost the opposite of what she’s doing?

Judy tells Jonah to show them how to do it, so Jonah steps up and does a whole dance routine that I’m also not sure is what Judy was doing.

But it looked good and had a nice finish, so whatever.

Jonah says he’s been doing that since he was six and it’s permanently ingrained in his head now like so many childhood scars.

Then Judy’s like, hey, didn’t you kids have to be in the mountains right about now? And they’re like, oh yeah, we have to get changed and get to the mountains, so they leave her in the storage unit.

Speaking of the mountains, the Macks find rocks.

They collapse on the rocks.

Bex is like, no, don’t sit on rocks now! We almost made it. The family doesn’t want to believe her, but she convinces them it’s true. She leads them around the bend where they find a fancy set up and...

Cyrus?

You see, Cyrus, for three years now, has been posing as celebrity chef Raoul Ricci and sneaking off to the mountains to prepare three course meals for random tourists.

No, wait.

Buffy appears from out of nowhere and this whole thing reeks of a setup.

How in the world did these two get up here so fast from the storage facility? Helicopter?

Andi’s like, what is going on? Where is the hermit I was promised?

Bex tells everyone there’s no hermit. This was all made up to trick everyone into going to the mountains. Bowie asks why.

Bowie’s like, oh, is that back on?

Cyrus and Buffy bring them rings and flowers.

Bowie’s says finally and they embrace.

They all head for a gazebo.

Jonah plays Bowie’s song, “You Girl”, on the guitar.

Andi walks Bex to Bowie.

The two take each other’s hands as the officiant begins doing his officianting.

Where did he come from, too? Did Jonah and Buffy and Cyrus ride up here with him? Carpool?

The wedding goes as weddings do. You know, rings and stuff. Bex and Bowie are about to kiss when--

Everyone looks around trying to figure out whose phone that is before Andi realizes it’s hers. She shuts it off and the music and kissing starts again.

They complete the kiss this time.

Bex is like, I know... it’s been a lot. Thanks for not fleeing.

Later, Bex and Bowie delight in calling each other husband and wife. Everyone is sort of shocked it actually finally happened.

The Mack family (the ones we’re still counting) share a hug.

That night, Cyrus shows Andi the Judy Bart videos and then he brags that they spent the day with her. Jonah says he introduced her to them. Andi doesn’t believe he knows her, but Jonah’s like, yeah, I do.

Andi’s stunned. She feels bad, but, in fairness to Andi, it’s super weird that Jonah kept her hidden this long anyway, especially from Andi of all people. She couldn’t be expected to make that guess.

Jonah’s like, don’t feel bad, the whole thing is funny. He used to be embarrassed about it but he’s over it. Andi says she can’t wait to meet her. And then they talk about meeting Jonah’s dad. Buffy makes a joke about his dad being one of the hairy guys from the workout video and Jonah’s like, yeah, he is.

Everyone sits around thinking about this for a second before they all decide Jonah’s joking.

He’s not.

I don’t know what makes them think Jonah has suddenly acquired a subtle sense of humor. Jonah’s idea of jokes are jump scaring Andi and “S’less.” You really think he’s got a level of clever beneath all that that he’s been hiding for a year and a half as if it was his mother?

Jonah leaves without saying another word.

Can I just take a quick second to try to piece together the history of the Beck family, because I find it fascinating.

So, sometime in the 1980s/early 1990s (I assume based on the fashion), Judy Bartholomew makes it big as a workout video star. Jonah’s father, Mr. Beck, is hired at some point to be a background guy in one of her videos.

I assume this is where they meet and fall in love. Later, they get married and have Jonah.

In the years that follow, Jonah’s dad undergoes a full-body transformation, getting buff and changing hairstyles and retires from the workout video business to coach little league, and, I guess, control the finances of the Judy Bartholomew workout empire.

Eventually, Jonah’s dad invests the Judy Bartholomew fortune unwisely, and the family loses their house, and they’re homeless until very recently when he gets a new job. Doing what? I have no idea. I can’t begin to assume what his area of expertise is.

I guess my question is this: does any child in this town have a quiet, average family? Buffy’s mom spends half her life in foreign countries doing work for the military and Buffy’s family is still somehow the most normal of the group’s.

Later, Andi wanders off from the group and checks her phone. That call earlier? It was from SAVA.

The school left her a voicemail. Andi listens to it and gets sad, but I don’t think in the “rejected from a school” way.

Plus, I don’t think schools call you just to tell you to screw off. “Hi, this is Caroline from SAVA. Is this Andi Mack? Okay, great. Just calling to tell you you weren’t good enough to get into our school. Have a nice evening.”

Bex and Bowie sneak up on Andi and scare her.

God, this poor girl must live in constant fear. Why is everyone always doing this to her?

As the episode ends, Bex and Bowie talk about how happy they are right now. Andi says she is, too.

Though, as TJ would say, “Tell your face.”

Speaking of TJ...

Aww, this is the last time I get to be excited about seeing TJ in the scenes from the next episode.

One more to go, people. One more.

[michelles-garden-of-evil]

Episode 32 Review: Sea Fever

{ Not available on YouTube }

{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

{ Screencaps }

I apologize for the delay in posting this review. Once again, I’ve been busy in real life and didn’t have enough time to work on it last week. (And so soon after starting my Shadow Over Seventh Heaven review series!) But now I’m back and I have enough time to write about my favorite show again--and, in a week or so, hopefully enough to continue my other review series as well.

This is the first episode to differ completely from the Lost Episode summaries published in various U.S. and Canadian newspapers--and therefore probably the point at which the original outline and the final one began to diverge. Episode 30′s summary described an event that happened in the episode, but whose cause appears to have been changed during forced rewrites; last episode’s was still accurate after revisions; but this one’s summary is the first to describe a scene absent from the final, aired episode. (More on that later.)

Shall we begin this review? This episode features some of the darkest Jean Paul (yes, Jean Paul!) dialogue thus far, along with many entertaining facial expressions as multiple characters feast on the scenery. It’s a wild ride with a genuinely scary scene, and, if you like those things, I think you’ll enjoy it.

We open right where last episode left off, with Elizabeth reacting to Jacques’ little comment about Holly and how he would stake her life in a bet that Vangie couldn’t contact Erica in the planned séance. ”Jean Paul,” she shouts, “your inference that I would harm my daughter to take her fortune for my own is insulting and in bad taste: something I’d never expect of you!”

The handsome devil replies, “Your strong defense against a simple query lends credence to a simple supposition”--which is just a fancier, less archaic way of saying “the lady doth protest too much.”

She flounces and runs into Vangie at the door--figuratively, not literally, although that would be amusing. “You interrupted Mrs. Marshall’s romantic exit from which there might be no return,” Jacques comments, which sounds suspiciously like foreshadowing.

The conversation drifts to the séance and how Jacques is most definitely not going to back down because he’s not a coward, and then, suddenly,

Vangie SCREAMS!

Apparently, every time a female character other than Raxl screams, she has to try eating her hand immediately afterwards.

She’s screaming because she can sense that someone is tampering with the cryonics capsule. And, at the same time that this happens, Jacques also de-possesses Jean Paul:

I’ll let these headache faces speak for themselves.

Jean Paul who threatens to kill anyone who tampers with the capsule. Very nice (not)! Normally, I find his concern for Erica romantic, but this is going too far. He reminds me of the captain in the CBS Radio Mystery Theater episode "Sea Fever" (also by Ian Martin) who…well, I don't want to spoil the ending, but let's just say that he is even crazier in love than Jean Paul. It isn’t one of the best CBSRMT dramas, but it will likely chill your bones. It certainly chilled mine.

Love this shot of Colin Fox backacting while Paisley Maxwell and Angela Roland stare at him with wide-open eyes. This episode is full of unintentionally funny facial expressions.

Jean Paul hurries back to Maljardin with Elizabeth and Vangie, and heads to the crypt immediately to see Raxl about the capsule. She recaps to him about the capsule tank’s malfunctioning in the previous episode. He asks who discovered it; she tells him Dan, which only makes him more suspicious of him. SHe also recaps to him about how Alison and Dan are searching for the cyanide that he stole from the lab. “Everyone questions my changes of mood,” he shouts. “Now I must question changes in others!...There is danger hiding everywhere on Maljardin. It has a history that has plagued the family, that will plague all who pry into my affairs!"

While Vangie questions the sincerity of Elizabeth’s devotion to Jean Paul above, Jean Paul leaves red flowers on the cryocapsule and announces his planned next moves to his love: “Erica, my dove, now [there] are some people here on our island who would destroy the process by which you will be returned to me and fill my arms again, but I promise you, no one, no one under any consequences [line flub], will live again if he or she causes you to remain forever dead!"

A beautiful shot of Jean Paul with flowers for Erica.

When Raxl next joins Jean Paul in the crypt, she tells him that “only the priestess of the Serpent knows what is really on their minds.” Jean Paul mentions that she has told him before about the human sacrifices that the priestesses used to perform on the island--which is not recap (as we have only heard her tell Matt about them so far), so she must have told him sometime before Erica’s death. She insists that, although that was true long ago, their altar has not been used for them since Jacques's time.

“But, if his evil can rise again, as you fear,” he begins, implying that he wants to start making blood sacrifices.

“No! Please, M’sieu, no!” Raxl interrupts.

“I will do what has to be done, Raxl. Nothing more, nothing less.”

Raxl draws the Sign of the Great Serpent in the air and the same Great Serpent symbol that's in the Temple appears on screen. It’s a cool effect and not something that’s ever seen in any other episode.

She leaves the crypt, looking back at Jean Paul a few times, probably in complete disbelief that he wants her, daughter of the unseen Priestess of the Serpent, to sacrifice Dan and any other troublesome guests to protect against THE DEVIL JACQUES ELOI DES MONDES. This is a shocking new low for Jean Paul Desmond, and shows the darker side of his character. This is a man who, even without a curse and even when he is not possessed, is capable of murder because of his obsession with his love interest. This is a male yandere.

She sees Matt in the Great Hall, who tells her that he’s searched all over Maljardin and that there must be many hidden rooms there. It turns out they have both searched in every room they know about and still have found neither the missing cyanide nor the conjure doll and silver pin. He demands that she tell him the legend of Maljardin and that old black magic. And so we learn from her some very important background information, some of which is never brought up again:

Where there is evil, there is magic. Where there is magic, strange things happen, but first there must be evil, and there is!...Before the time of Jacques Eloi des Mondes, when this house first stood, it was a palace of kings and there were many people here until this island became his!…Only the greedy and foolish [natives] remained, and none who left ever returned.

There is a curse here, Reverend: him, that devil!

The implication is that Jacques did not build the château, but took it from someone else, which connects to his revelation about a month earlier that he was a “free looter”--or, in other words, a pirate. Matt argues that Jacques cannot still hold control over Maljardin because he died three hundred years ago, but Raxl says that “for some of us, three hundred years is but the span of a single lifetime,” indirectly revealing her true age to him.

She smiles at him right after she reveals to him that she’s centuries old. I think this is the first time Raxl smiles on the show, and the only time in the entire Maljardin arc.

Matt asks about the natives who stayed on the island, and Raxl says of them, “They died very soon. It was the curse on Maljardin. Have you ever seen a man who has lost his soul, Reverend? Their eyes down, the fishermen no longer fish, the children cease to play. They do no more than sit and wait [for death]...Since then, no native has ever tried to settle on Maljardin.” Only Vangie, the Conjure Woman, can go back and forth to and from the island “on the wings of the Great Serpent,” but she, too, is destined to die someday on Maljardin.

At the end of this scene, Vangie enters and adds that she doesn’t know when she’ll die, because the tarot cards did not (and cannot?) give her an exact date. This would seem to make her death on the show a foregone conclusion, but that may or may not be the case. (I say that not only to avoid spoilers, but also because the show and the original scripts give the Conjure Woman radically different fates, as we shall explore in future reviews.)

Meanwhile, down in the crypt, Jean Paul is still talking to Erica about how he is determined to kill anyone who interferes with the cryonics process when Jacques starts intruding on his mind. Like in Episode 27, the special effects team illustrates this by superimposing Jacques’ face from the portrait over that of Jean Paul when he is talking to him:

The best example from this episode.

None of Jacques’ lines in this scene are as funny as those of the old, pre-Lost Episode era Jacques, even if Fox-C still delivers the devil’s lines with the same amount of sarcasm and relish as before. His best line this time around is, in my not-so-humble opinion, “Suppose we just whisper so dear Erica may sleep.” I miss early Jacques’ jokes already--yes, even the ham-handed, cornball puns--and it hasn’t even been a week’s worth of episodes since the last.

We cut to Raxl and Vangie in the Great Hall, discussing the upcoming séance. Vangie says that she wants to find out if Erica’s spirit genuinely wants Jean Paul to continue mourning her and keeping her frozen. She insists that Raxl let her touch the cryocapsule before the séance, most likely to get a sense of Erica’s energy before they perform the ceremony.

Jean Paul: “What are you doing!”

Raxl: “Please, M’sieu. The Conjure Woman is trying to help.”

Jean Paul: “Only for a séance, Vangie. Erica must remain undisturbed.” Vangie: “And if you don’t like what you learn?” Jean Paul: “I’ll face that--when the time comes!”

The Lost Episode summary indicates that, at some point in the original draft, Raxl and Vangie had a conversation about Jacques, and Raxl would have told her how she can tell him and Jean Paul apart. As I’m sure many of you have realized, Raxl and Vangie oscillate between knowing that Jean Paul is being possessed and merely suspecting, depending on the episode. In the original Episode 32, Raxl would have known when Jacques is controlling Jean Paul’s body and Vangie would have only suspected until after Raxl explained. Ruling out all obvious non-diegetic clues such as the vanishing portrait shots and Jacques’ theme music, she could have said any number of things, including:

His energy/aura changes (although, logically, Vangie would notice that, too).

He wears the ring from the portrait (which we know is diegetic, because Elizabeth commented on it in Episode 13).

He opens his eyes really wide and makes silly faces.

He makes corny puns Never mind, we’re not doing that anymore.

He acts far too cheerful for a man who is supposedly mourning his dead wife.

He talks about kippers.

Etc.

I suppose we’ll never know which one(s) she mentioned, but I suspect #1, #2, and/or #5. Anyway, Jean Paul leaves to return upstairs and Vangie continues whatever she started doing with the capsule. He orders Jacques to “stop turning people against [him],” which he refuses to do, threatening to keep Erica dead if he doesn’t shut up about it.

“When we really get into the battle, someone has to die,” quips Jacques.

“Perhaps it will be you!” shouts Jean Paul in response.

“Or you, Jean Paul Desmond,” the handsome devil replies. “Or will you be preceded by one of our guests? Now let me see. A likely candidate could be...”

Jean Paul turns away from the roars of laughter, and the episode ends before Jacques can name the guest(s) he plans to murder.

Could it be Vangie? Or Holly? Dan? Alison? Even Elizabeth?

This episode was a fun one to watch, and probably the first review I’ve completed in only one day since sometime last winter. Jean Paul’s willingness to put everyone’s life on the proverbial line to save Erica shows a dark side to his nature that mostly vanishes at the end of this story arc--which is a shame, because I find morally ambiguous antihero Jean Paul the most interesting version of his character. I recommend this one, if you have access to it.

Coming up next: A Quito-centric episode where the detained guests learn shocking truths about Jean Paul’s manservant.

{ <- Previous: Episode 31   ||   Next: Episode 33 -> }

[duhragonball]

7 Comfort Movies

Tagged by @pandemicpicnic . List your seven favorite comfort movies, then tag 7 people.   

This is a good thing to pass around, since I could use the diversion, and as I think about this list, I realize how long it’s been since I last saw a lot of these movies.  

In no particular order...

1) Dragon Ball Z: Fusion Reborn

I dunno if these are necessarily comfort movies, as opposed to just movies I like the best, but I don’t watch movies a whole lot, so I’m guessing my all-time favorites are probably close enough.   Movie 12 is good watchin’, period.   This is a movie about everyone working together.    Friends, enemies, strangers, the living and the dead, the damned and the divine.   I watch this movie and wish that we in the real world could put aside our differences so easily and blow up all the Nazis.

2) Superman IV: The Quest for Peace

People say this is the worst Superman movie, but fuck that noise.   This is the only one where Superman throws all the nuclear weapons into the sun.    But one of them has a chicken nugget attached to it, which grows into a clone of Superman with scratchy fingernails, his only weakness.    So Superman has to kick his ass on/with the moon, and then tell everyone that nuclear war is too big a job for Superman, because we’ll just re-arm the minute his back is turned. 

This is a story about high school physics, Luthor.     Sometimes the things we fear the most are only the darker side of our greatest strengths.   If humanity has the power to destroy itself, then doesn’t that mean we have the power to save ourselves as well?   The choice is ours.  

3) Spaceballs

Some killjoys actually hated this movie, and point to it as evidence that Mel Brooks lost his touch.   I respectfully submit that those people are dumb.  Spaceballs came out during the dark years between Return of the Jedi and Phantom Menace, when we all wanted more Star Wars but thought we would never get more.    Brooks heard our pleas, and gave us this movie, which is basically Star Wars with dick jokes all over it.   People always go on about how Star Trek predicted smartphones and the Simpsons predicted the Trump administration, but only Spaceballs was prescient enough to declare: “Fuck!    Even in the future, nothing works!”

This is a story about following your heart.    If all you care about is duty, and obligation, and profit, you’ll end up marrying some dullard, or owing your soul to a talking pizza, or roaming the universe in search of air.   

4) Batman: Mask of the Phantasm

This is the best Batman movie ever, and maybe even the best comic book movie period.    In 1994, Batman the Animated Series was popular enough that they made a feature film and ran it in theaters and everything.  I remember some smartass article at the time questioning whether parents would see the point in taking their kids to watch a movie of something that’s on TV for free, which is just dumb.    It’s not like they ran four episodes of the TV series for this thing.   It’s an original story!   Anyway, Batman has to figure out what the deal is with this new vigilante who fights crime with murder, which is also a crime.   He also gets very sad in place and it’s very emotional and I bought the soundtrack as soon as I could because I wanted to listen to it and feel things.

This is a story about the future, and promises, and the roads not taken.   And when all is said and done, maybe the choices we made were the right ones after all, in spite of our second-guesses.

5) Star Wars Episode VI: Return of the Jedi

I considered putting Revenge of the Sith on this list, since that’s usually the one I look up clips from on YouTube, but there’s no topping Jedi.   I saw this in the theatre when I was six and everything was awesome.    Jabba the Hutt, wint-o-green lightsabers, speeder bikes, Ewoks breaking stuff with logs and rocks, it’s just a pleasure to watch.   Also, this movie introduces Emperor Palpatine, and lays the foundation for the Sith lore that made me love Revenge of the SIth in the first place.  Not long after we got home from seeing this movie in 1983, I tried to draw this scene in the screencap above, because it left such a deep impression on me.   

This is a story about feelings.    Every butthole in Star Wars is always telling everyone else what to feel and how much they should feel it, and don’t get too attached to this or that.     But in this movie Luke has to exercise restraint and then cut loose, give into his passions and then reign them in, care for his friends and family but also be willing to let them go.    Everyone can give him advice, but he’s got to hoe that row himself, and figure it out as he goes.   He doesn’t always get it exactly right, but he still gets it.   

6) The Transformers: The Movie (1986)

The historians will say that cartoons like the original Transformers were nothing more than glorified toy commercials, made possible by the deregulation of children’s entertainment in the 1980′s.    I find this incredibly unfair, because that analysis ignores the fact that Transformers was a fucking awesome cartoon.    They’re all robots, so they could shoot and punch each other without any guff from standards and practices. And since the show was designed to promote an entire toy line, there were literally dozens of characters, each given a surprising amount of character and personality.   Starscream (center) and Ramjet (right) are practically the same toy, but kids wanted both of them because Starscream is a whiny, shitty drama queen, and Ramjet is a dumbass who likes to hit things with his head.     Astrotrain (left) is just a cool dude who can be a train or a space shuttle. 

This movie is the height of the franchise, where they could raise the stakes even higher, and introduce even crazier concepts like planet-eating monsters and robots actually killing each other for keeps.    I see fans from my generation acting all traumatized over all the deaths, like they never should have done that in a movie marketed for children, but this was a story about renewal.   The old order changeth, and it falls to the newcomers to rise up and carry on.    I’ve always taken a lot of comfort in the way these characters pass the torch.    The Smurfs were never brave enough to have Papa Smurf name his successor.  

7) UHF

Geez, I haven’t watched this one in forever.    I’d have to double-check to see if I even have it on DVD.    UHF was the ‘Weird Al’ Yankovic vehicle from the late 1980′s.   I want to say ‘89.    He plays a guy who takes over a TV station and runs all these ludicrous shows on it until it becomes the most popular channel in town.   It’s basically a bunch of sketch comedy stitched together into a movie, and it doesn’t try to apologize for this.  

This is a story of the importance of imagination, and of being true to yourself.   Al’s character has trouble finding a steady job, and its’ easy to conclude that there’s something wrong with him, but it’s really just that he hasn’t found the right opportunity for his passions and skills.   Once he finds his place, he rises to the occasion.  

And that’s my list.   Now I gotta tag people.   @auralime, @ediblenonsense, @semercury​, @twobellsilence​, @drowning-in-this-starry-serenade​, @cozymochi​, and @glintea​.

[expelliarmus]

I saw that ask meme with questions for gif makers going around, but I felt like answering them all on my own lmao

1. What are your top 3 favorite sets you’ve made

This one, this one (if the timing works lmao), and this one (I’m so proud of my AU gifsets... where did all that creativity go??)

2. What is your least favorite set you’ve made

I honestly don’t know... I don’t think I hate anything I’ve posted though. If I don’t like how it’s turning out, I just won’t post it lol

3. Which of your sets has the most notes

The most notes ever is this one I think

4. A set that flopped but deserved better

I don’t know... there’s a bunch, but I’m fine if a gifset flops

5. What is your favorite movie/TV show to gif

DOCTOR WHO

6. What is your least favorite movie/TV show to gif

I really don’t gif anything else lmao...

7. Who are your top 3 gif makers

I’ll just pick 3 people off the top of my head :) @shatner​, @melodyspond​, @stupidape​

8. What gif trend do you hate

The pale/black and white gifs that are so hard to see.......

9. What/who inspired you to start making gifs

I wanted to gif my favourite parts of DW that I didn’t see anyone else doing, so I was like alrighty, time to learn how to do this!! I think the people that inspired me are long gone from tumblr, or I’m no longer following them because they’ve moved blogs (Natasha aka lumos-maxima... wherever you are, I MISS YOU... also Courtney aka needlebug I MISS YOU TOO)

10. What was the first gif you ever posted

THIS ONE! I remember being so happy about posting it, haha. Also, I still love that Confidential episode so much. I miss my space hipsters...

11. What is that one set you made that just won’t die

The Zoboomafoo one

12. What is the most embarrassing thing you’ve ever giffed

Everything I’ve ever posted

13. Where or from whom did you learn how to gif

Various tutorials on here and just by experimenting. I don’t even think I used Photoshop to begin with, since back in my Neopets days I used Paint Shop Pro to make graphics so I think that’s what I used first to try making gifs of videos.

14. How long does it usually take you to make a set

45 minutes to an hour or so?? It’s been taking longer and longer because the screencaps are so huge though and my poor laptop can’t handle it.

15. Have you ever had gifs stolen and reposted

Yes, and don’t think that I can’t tell when those are my gifs, even without a watermark!!

16. How long have you been making gifs

Since 2011...... my god

17. 10 sets, 8 sets, 6 sets? How many gifs to you prefer in a set

As many as it takes!!!!! But usually between 6-8

18. For the aesthetic, for the laughs, or for the feels what your preference

For FUN!

19. What is your gifting process like

Open video, find scene, screencap, load screencaps in Photoshop, resize to gif dimensions, add colouring, curse myself for picking a hard-to-colour scene, continue adjusting colouring and become increasingly frustrated because it’s not turning out the way I want it to, give up, add text, save gif, POST!

20. Mac or PC

PC

21. PSDs or original coloring for each gif

Original colouring. PSD who???

22. What fandom/movie/show/person etc do you gif the most

DOCTOR WHO and more specifically, David Tennant... I think his tag has the most :’)

23. What is the thing you gif when you don’t have anything else you want to gif

Any episode with Ten and Donna, or The Eleventh Hour, or the Day of the Doctor, or Blink

24. 480p 720p 1080p? What is the minimum quality you’ll gif from

I used to be all good with giffing 480p back in the day, but I guess now it’s 720p since the gif limits have gone way up.

25. Old dimensions or new dimensions and why

New dimensions because they look nicer on the dashboard.

26. How many un posted sets are in your drafts right now

ZERO.

27. Have you ever made a set, decided you hated it and deleted it? What was it

Probably at least one or twice, but I don’t remember.

28. Have you ever posted a set, regretted it and immediately deleted it

No, I don’t think so. I’m leaving my mistakes there for all to see!

29. Have you ever posted a set, realized you made a mistake later but it was already too late

Yes, I did this just the other day with that Missy, Bill and Nardole set. I got the dialogue slightly wrong lmao..... shh

30. How frequently do you like to post

I try to do at least one gifset a day if I can!

31. Do you schedule/queue posts or do you post right after you’re done

Right away. These gifsets are fresh off the grill.

32. What is your favorite tool/adjustment layer in Photoshop

Selective Color or Color Balance

33. Do you like to/can you make edits and graphics too or only gifs

Yes, I can do both but gifs are way more fun imo

34. A set that took you a long time/was really hard but you’re really proud of how it came out

I’m gonna say this one again because I was so proud of it when I made it, and I can’t believe I used to put that much effort into my gifs.

35. Do you change your giffing style a lot or do you have a set routine

I have a routine, as described above. My gifs are pretty much all made the same way as I describe in my colouring tutorial too.

36. Do you gif with something specific in mind or do you just wing it

Usually a mixture of both. I like to try to gif a different Doctor each day, so I’ll know who I have in mind but I’m not planning on a specific episode. I’ll just open up one of their series and go from there!

37. What sets if any do you have planned to make in the future

Idk, I was thinking of doing yet another gifset with Donna in it since I just finished her Big Finish series... but maybe I’ll do one with Eleven and the Ponds??? We’ll see.

38. What are you really excited to gif that isn’t out yet

The next Doctor Who holiday special?? :D

39. How often, if ever, do you delete old sets that you don’t like anymore

Never!! I love seeing how my gifs have slowly changed and improved over time.

40. Why do you make gifs

Because it’s fun, and it’s a way for me to relax after a long and busy day at work.

41. What is your least favorite part about your gif making process

When it takes forever for my screencaps to load, and when it takes forever for my gifs to save sometimes

42. How is your gif folder organized? Is it organized at all?

Lol nope.

43. Do you keep videos forever or delete them once you’re done giffing

I keep the episodes forever, but honestly I think I keep everything forever because I forget about getting rid of the other stuff like trailers and interviews... I should go through my downloads folder.

44. Ever had a gif become a meme? Would you like that if you haven't

I’ve had people use my gifs as reaction gifs and it is a weird feeling, especially seeing the gifs being used on websites other than tumblr. I remember seeing one of my gifs used in someone’s book review on Goodreads and I was like “WAIT THAT LOOKS FAMILIAR!!”

45. Ever gotten hate over a set

Not really hate, but I do get a lot people that are like “WHERE IS ______?” in their tags. And sometimes I just want to be like “Make your own gifs if you think they should be there!!!”

46. Ever gotten a really sweet compliment over a set

Yes :’)

47. Any advice for novice gif makers/people who want to start making gifs

Don’t give up!! Make gifs of whatever makes you happy, don’t worry about the notes too much, and use your tags! KEEP PRACTICING!

48. How would you describe your giffing style

I don’t know??? If someone else has a way to describe my style, then please let me know haha

49. How much would you say you’ve improved since you first started giffing

It’s been almost 9 years since I’ve started, so I hope I’ve improved quite a bit! :P

Well, that was fun. Congrats on making it to the end of this post!!! Now I will go make a gifset.

[three-cheers-for-pretty-odd]

Okay, so I have some thoughts about the possibility of Disney making a Percy Jackson reboot

For those who don't know, I am a big fan of the PJO books and spin-offs, as well as Rick Riordan. So when I heard that Disney might make a new adaptation of the books, I was really excited. (For those who haven't heard of this, you can find a nice, detailed article here)

Now, having given this topic some thought, I realized that a part of me does not wish to see this adaptation. Anyone with the faintest knowledge of the PJO fandom knows that we just loathe the two existing films. To be honest, they are the reason I am always scared to go see movies or similar adaptations of books that I love.

I am currently in the same situation with the PJO fandom. I am scared that whatever they opt for, whether it was a Disney+ series, an animated show, film, whatever, I'm absolutely terrified that they won't do it right. I know this is fricking Disney we're talking about, but it simply does not ease my fears.

Part of my fears, beside the possibility of another terrible adaptation, is that the fandom will change. I get that we are supposed to evolve and move on and all that shit, but something that makes this fandom so special to me is the very absence of a live action adaptation (as I said, we loathe the existing film and just pretend they never happened.)

You see, the PJO fandom is insanely large, up there with Harry Potter and other big fandoms, and has some of the most loyal, most creative fans. All of these other fandoms have decent moves. PJO does not. We only have the fan-made content, art and cosplay and such. I can just see that if there is a live action remake, the edits that people make will change from art to simply photoshopping screencaps from the new adaptation. It has happened with other fandoms, and will too with this one. And it just scares me to think that we won't be the same, that we will lose the universality of view in art and just settle for what we are given in live action.

I can't really put it into words, but there is just this unnerving feeling that makes me believe that if we do, by some miracle, get a live adaptation, we will lose that one thing that makes the PJO fandom so special, which is fan-made content, without the influence of a live action models. I love this fandom with all my heart and would hate to see it ruined by a reboot. I trust that it will be good if they let Rick write the script and just involve him in the process of creating and producing everything. I trust that he will do right by us, as he has for almost 15 years. I just fear that a remake will take something from the fandom, forever stripping it from seeing these characters in our own way, because so far we have not had a proper live model of Percy, Annabeth, Grover and the others. I do not wish to lose the ability to see them as I imagine in my own head, like I did with Harry Potter for example. I always see Daniel, Emma and Rupert, and I practically never had the ability to see the characters in my own way, as I saw the movies before I read the books. Don't get me wrong, HP movies are great, and the fandom still has view just as PJO, but much lesser. PJO has these original views of readers on a much greater scale. And I would hate to see it taken away, so the (possible) reboot scares me a lot.

Also, just to clarify, I like Logan Lerman, who played Percy in the existing films, and I like his work. He is an amazing actor and I genuinely enjoy watching his work. He did extremely well with the poor script and production he was given, as did most of the cast. I do not blame the actors for the films, only the writers, producers and director(s). If I hadn't read the books prior, I probably would have enjoyed the movies as they are. They're not bad if looked at as just movies, but as movies based on books, they are terrible.

[mittensmorgul]

300, and other random observations

Last night Mel and I were scouring the episode looking for the expected obvious “300″ to jump out from some random door or building number, or appear SOMEWHERE in the episode the way 100 did in 5.18:

or 200 did in 10.05:

In case it isn’t obvious from this image, this is the 200 Motel:

So I was looking for the 300 in 14.13, and weirdly didn’t find anything quite this obvious. I rambled a bit about my search here on @drsilverfish;s post:

http://mittensmorgul.tumblr.com/post/182669346730/14x13-lebanon-some-silent-storytelling-notes-on

But I saw some interesting things in the pawn shop and around Lebanon that I can appreciate, as well as some very well hidden “300″ references. Basically this is just my Jerry Wanek appreciation post, because what a guy!

All screencaps are from hotn.

The one thing I’d overlooked as a HUGE “300″ is the most prominently featured guitar in the shop:

That one right in the middle, raised up above the others, looks a bit downtrodden. It’s missing its strings, first off. While another guitar is labeled “PLAY ME!” this one isn’t playable at all. And yet it might be the rarest instrument in the shop, and with a bit of tlc could easily be worth thousands. It’s a ww2 era Gibson ES300. Between 1942 and 1946, Gibson only produced a few acoustic guitars, since metals for the electric pickups were needed for the war effort. I think this could be one of those guitars. So talk about a big, blaring 300. Unstrung, a product of war, seemingly unplayable, but with care and attention, possibly the most valuable and precious instrument in the shop. Easy to see why it’s given pride of place.

But again, this isn’t an obvious 300. You kinda have to know something about something to even recognize it among all the other second-hand guitars.

(also lol at the giant tv in the background that makes us think of 13.16)

(and lol at the tuba that makes me think of the house of horns or whatever from 6.06. This show has such a bizarre history with pawn shops...)

Under a cut because this got way longer and more rambly and tangential than I intended >.>

There’s a lot going on just at the register:

Roadhouse Monkey, “You break it, you buy it,” and the sign that says “Your baby daddy sitting in jail? Sell your gold and get bail!” with the weirdest assortment of random jewelry pictured on it... and oddly a mala draped around the register itself. Clearly this dude hasn’t been using his mala for meditation practice.

In the post I linked above, I already described their entrance into the secret back room, where everything was “one of a kind” and we immediately saw two identical goblets. Go read that post for more on that. :D

Behind the goblets, it almost looks like a heart frozen in a block of something. But what the shop owner points to is a Hand of Glory, which was the central magical item from 3.06, the plot of which had to do with people who committed acts of violence against family (and the spell they found to banish the ghost killing people forever contained the first use of the word “Castiel” on the show).

He goes on to point out “gris gris bags” and “anointed dove’s blood.” Gris gris bags are protective talismans, which my brain immediately associates with Gordon Walker. He traded his to Bela for the Winchesters’ location in 3.07, and after giving it up, he was turned into a vampire and then killed by Sam. I can’t remember any use for the dove’s blood in canon...

It’s hard to see, but one shelf over is a Jason Voorhees style hockey mask (which is interesting to me because of 14.04 and the horror movie callbacks that were referenced later in 14.13 again at the movie theater in Lebanon playing All Saint’s Day and Hell Hazers). Not to mention as we talked about during 14.04, the original “monster” they were supposed to fight with in 3.10 in their nightmares was Jason, but Kripke didn’t realize they couldn’t obtain the rights to it, so that scene had to be cut. So in a roundabout way we get another reference to that iconic scene between Dean and his demon self, rejecting John’s influence over him. Beside the mask is the first of three Centurion Helmets we see in the episode (actually the second instance is probably this helmet again, but in a different context, in the box the teens steal from the Impala and take into their party house, along with the teddy bear Sam plays with here in a minute).

There’s the spray bottle of Dragon’s Breath, that looks like an innocent bottle of perfume with the squeezy bulb, but shoots out a gout of fire. 

Inside his safe, along with the skull of Sarah Goode, executed during the Salem Witch Trials, is an odd assortment of things, double-locked inside this already secret room:

It looks like a clock of some sort, a brass globe, and a genie’s oil lamp. But it’s the fact he had the skull at all, stolen from a murdered hunter that they knew, meant that he’d been involved with that horrific crime, like the previous references to Bela who traded in these artifacts (and had sold the hand of glory when she’d needed to destroy it to save her own life... I mean this was pretty heavy Bela parallels here), the owner turns the Dragon’s breath on them and pulls out a saber:

It’s called “Chrysaor.” Whether the one from Spenser’s “The Faerie Queene” that belonged to Sir Artegal, the Knight of Justice, and had supposedly been used by Zeus to battle the Titans, or to the offspring of Poseidon and Medusa and the brother of Pegasus, or whether it was a nod to Assassin’s Creed (I honestly think it’s the former and the latter is a bonus here...)

This reminded me SO MUCH of Gog and Magog and their Special Swords forged by a god, with the reference back to Zeus and the Titans here, AND to the actual circumstances around how Dean managed to kill them. Because Gog and Magog... just would not shut up. Dean even lampshades the fact this guy stood there with the sword over his head, raised above Sam sprawled on the ground the same way Cas was in 13.14:

But he talked long enough about Cas’s “beautiful death” that Dean was able to stab him from behind, just as he was able to shoot the store owner now, because he wouldn’t stop talking. Forged by a god, touched by God...

Then we see the store’s secret ledger:

I honestly don’t want to know what’s in the “genitalia jar.” But these entries are dated from 1956. How long has this shop been into this sort of shady business? At least as far back as the original MoL was operating in the US (they were annihilated in 1958 by Abaddon). And there’s even a reference to a “Men of Letters membership discussion” in the ledger:

Of interest on the next page is a lock of hair from a victim of HH Holmes (taking us back to 2.06), as well as trinkets associated with Vlad the Impaler and Napoleon, a “bag of sorrows,” and a “razor of the damned.” Among other items of interest.

But here’s the page with the magical pearl:

And nowhere in this book does it say the pearl “gives you what your heart desires.” It says, “a pearl that grants wishes.” So... where did Sam get that additional information? I find it fascinating how things that are written in books are interpreted in a much broader fashion by the reader-- first Dean with the book Billie gave him in 14.10, and now Sam with this entry in this ledger.

Because this has been happening a lot.

For example in the scene immediately prior to this, the kids outside are talking about the Winchesters when they actually drive up. Their conversation is really interesting:

Eliot: People say they’re brothers. All I know is I was standing right here when-- when I heard this BAM! from the trunk of their car. And then, this like, shallow breathing. Max: No way. Flower Shirt Girl: Eliot, you’re creeping Max out.

I have to assume this was when they still had Garth in the trunk of the car, and just :’). Eliot is making some assumptions, but he’s much more terrifyingly accurate than he probably could guess. And Max’s flippant comment in her next scene proves it:

Eliot: I mean think about it. Where do they even come from? Them or their weird sidekick with the trenchcoat. Or what about the kid with the dumb Bambi look on his face all the time? Max: So what, it doesn’t mean they kidnapped Bigfoot or whatever.

And they all laugh, and Eliot calls them dicks. :P

And all of this makes me think of how the show spent the early part of the season teaching us how to read between the lines, to fill in narrative gaps, and to parse the subtext to understand exactly what it was they were actively not showing us.

Like in the scene at the party house where the John Wayne Gacy clown appears, we don’t see Dean thrown by the clown (just as we didn’t see the other boy who was attacked escape from the clown), nor do we see Sam light the fire that burned the cigar box tethering the ghost. But it’s clear that Dean was thrown because we saw him land, and Sam obviously eventually got his lighter to work because there’s the evidence of the flames.

Also, did they bring that old pickup truck from the bunker? Because they should DEFINITELY drive that thing more often. :’)

And Eliot follows his instincts, wanting to know what’s up and witnesses the ghost going up in flames. And he knows what he saw, and doesn’t even question it. When Sam confirms it, he feels so validated. Just like us when we read the subtext and fill in the blanks.

I have no idea how I got here from rambling about finding the 300′s in the episode but here we are.

OH. Right! The Centurion Helmets!

The first we see was in the shop pictured above. We see it again at the Party House in the Establishing Shot inside, nestled in a box with Sarah Goode’s skull, which was the original Macguffin that led Sam and Dean to that pawn shop in the first place, which enabled them to find the pearl to even be able to make this wish at all:

And the second and third Centurions are on the wall of B&E Pizza:

(and the one on the other side of the menu board hasn’t been screencapped yet, but is much more clearly visible than this one because Cas lights it up:

Three Centurions. Each of whom commands a century, or a group of 100 soldiers. So I’m going to use the fact that the show is actively telling us to notice and read between the lines, and assume we’re seeing yet another 300.

Especially after Misha’s tweet joking about it: https://twitter.com/mishacollins/status/1093606706532282371

[joyfulprincessdragonlover54]

How to Train Your Dragon to Me (Edited) 

I would like to start off by saying thank you to @hello-em75 for creating this awesome project for the fandom on Tumblr.  I think it’s truly wonderful how it’s being encouraged for all of the fans to share why this franchise is so special to them as individuals.  I also appreciate how it was encouraged for everybody to do it in whatever way they feel the most comfortable. Mine will simply be by the “Text” page of Tumblr.   I’m afraid I’ve never had the unique talent in fan art or tribute video making.  Yet even before I found out about this fantastic HTTYD themed project.  I always hoped to create a post in which I could share my love for this franchise with other devoted fans.  And why it means so much to me. So once more, thank you @hello-em75 for conceiving this brilliant idea. It’s not about competing against other fans. Instead it is about everyone diving into their personal stories with the franchise and keep supporting all the fans who are shy about their love for it to speak out. We all want to hear what everybody has to say.  No pressure to be concerned it won’t be good enough in comparison to anybody else’s level.   Only share how you feel. I just love it! 

My story in being introduced to How to Train Your Dragon was back in February 2010.  I was 21 at the time.  Always been an animated film lover.  I won’t deny that my fiber stemmed from mainstream studios. Even still, I was always up for traveling off the beaten path.  Found some spectacular hidden gems. DreamWorks has quite a few of those.  Be that as it may, I never would have predicted the film I was about to see would create such an impact on my life.  I saw the trailer and thought to myself “ What an interesting film. I wonder if it will share the same DNA with another DreamWorks film? Spirit: Stallion of the Cimmeron.”  

Needless to say it became far more then an “interesting film”.  My soul was re-awakened! I say that without of any kind of irony or exaggeration.  I’ll first address that this was the film that introduced me to the value of 3-D format. Nope it was not another famous  record breaking box office hit.  How to Train Your Dragon was the one who changed my perspective of how this can benefit a story on screen.  Rather then manufacture it as the sole reason to see a film.  I was engaged from beginning to end. 

One of the main reasons the story appealed to me was how it synonymously displayed it’s lead character as someone who was identifiable and admirable. There were uncanny traits Hiccup and I have in common.  Sometimes it felt borderline identical.  It was as if the filmmakers had been clandestine in studying many of my struggles and displayed them on screen for the world to see. A medium that has done a swell job at bringing to light self identity issues people from all walks of life grapple with.  Yet his resilience and resourcefulness despite being an outcast in his society is commend worthy.  And that was well before we even reach the middle of the first film.  This was already becoming a consolation piece of fiction for me. 

Then they bring in Toothless.  A character that in it’s roots is exceedingly difficult at earning sympathy from the audience.  Animal driven films in animation have a notorious history of dividing movie goers.  If they talk it seems cliche.  The redundant corny trademark people roll their eyes at.  If they don’t talk, the audience sees them as mere props for the human characters in their story.  They can’t resonate with the audience as they don’t know how exactly to relate to their plights if it is not verbally stated.  It becomes even more staggeringly challenging as he is a dragon.  For fiction has a long history for interpreting these fantasy creatures in the villain bracket.  Even author G.K Chesterton made a significant point on what their role was in literature.  “Fairy Tales don’t tell us dragons exists. We already know they exist.  But that they can be beaten and killed.”  The filmmakers of this franchise took a bold risk at turning this classic notion on it’s head.  Hoping the audience would be willing to surrender to their story.  That by using a different but equally classic adage of “The eyes are the window to the soul” the audience would understand and sympathize with Toothless as much as any human character.  Now Toothless to this day still has his detractors from professional critics and amateur movie buffs alike.  Regardless of that, he has touched my heart beyond compare! He is a fully realized character who is multifaceted and has his own dilemmas. 

Book series author Cressida Cowell, directors/screenwriters Dean DeBlois and Chris Saunders are so brave for taking this chance in creating a dragon themed narrative that is not about conquering a monster as a ritual in transitioning into adulthood.  But about the obstacles of earning trust from a creature that is long ingrained in everyone’s mind is apart of evil forces who live to bring humans emotional torment.  Sure this franchise is not the first to explore this theme.  And nobody on the creative team tried to take credit for it.  They all openly acknowledged their inspirations and thanked them for it allowed them to take a closer inspection of why it is rarely explored in text or on screen.  What they did though was unconventional (in terms of mainstream studio features)  in it’s own right.  

At it’s core is a love story.  Not the typical owner and pet fictional iteration.  A genuine brotherhood team love story. One that requires slower pacing.  Another risk the creative team was willing to gamble on.  Earning trust is not immediate.  Mainly being Hiccup’s goal to prove he is not a social leper. He initially intends to kill Toothless. His own unique empathy for Toothless leaving him conflicted.  He does not grasp why he is ashamed of what his tribe does despite all of the rules and regulations drilled into his conditioning.   But his conscious tells him otherwise. It is wrong to murder this frightened creature. He deserves to be released unharmed.  A travesty to the Viking culture he grew up in. Hiccup freeing Toothless then Toothless sparing Hiccup’s life is a shocker! Neither quite comprehends why they just gave their sworn enemy a second chance at life. But this question is an internal odyssey Hiccup is willing to take. 

Hiccup did not dive in head first expecting  Toothless to cuddle up to him and offer him a ride on his back.  This had to be a gradual process.  Trial and error. Repetition and reinforcement.  Compassion and respect.  All of these features were crucial of guiding their story about strangers who met under negative circumstances and would later become brothers in arms.  The filmmakers shamelessly display every bit of this.  Hiccup and Toothless unexpectedly become dependent on each other.  Hiccup needs to brainstorm and invent contraptions as to feel worthwhile as his upbringing as has gone awry.  Brute strength and fast reflexes are not in his being.   Toothless needs to fly to survive. Navigating from island to island in the archipelago.   They each believe their purpose is to make it by in a society that wishes to subjugate them.  They just want as little confrontation as possible.  The chance encounter of Hiccup trapping Toothless with his own version of a catapult and him later venturing into the forest of Berk to find him was the beginning of their “Forbidden Friendship”.  Hiccup and Toothless alike always knew they were misfits. But neither ever dreamed of having the agency of seeking someone or something out who could potentially be like them.  They both believed they were all alone in the world. That is why I find their journey so rewarding to watch! 

They never expected to find one another.  Let alone feel so joyfully fulfilled.   This in turn was why I was so emotionally caught up watching the films.  In particular the first one.  Pretty much everything they do contradict’s their society’s dictation.  Their lives are literally in danger by merely engaging with the other presence.  Their secret of knowing and allying with one another is a secret that casts as much liberation as it does a burden.  They can be themselves when alone together. Exploring new ideas and places. Yet Hiccup’s tribe is acutely aware something is off.  Initially believing that he is inadvertently discovering dragon weaknesses that could lead to concocting a plan to eradicate all dragons.  Hiccup’s time with Toothless runs dangerously low.  My heart was in my throat with dread they would be separated from each other.  Hiccup and Toothless together gives them a purpose to live! I wanted them to live happily together and in harmony in their society. 

Such a love story is often over hyped and I could care less as is has their characters saying a bunch of frivolous dialogue with empty gestures.   Love is proven through consistent actions.  The hardships Hiccup and Toothless would have to painfully face head on to reach a happy end was not glided over.  The creative team was not shy about offering it’s share of agonizing lows.  Hiccup’s self-esteem dropping to practically zero.  Same goes for Toothless.  I still can not get over how blatantly the filmmakers do that to these precious characters. It’s so harrowing it hits me every single time.  Yet these emotions happen in reality.  These fantasy animated films are a mirror to it.   No happy ending is worth getting if  the characters don’t hit rock bottom.  

This is precisely what this entire franchise stands for and why it has become my all time favorite piece of fiction. It is as emotionally draining as it is fulfilling.  And I want to keep returning to them.  Both films have this in spades!  For me personally this is is so rare to watch a film that has all three of these qualities.  But the HTTYD franchise still had unexplained factors I can’t wrap my mind around  that it stands above anything else I have ever come across.  All I know for certain is that it is special.   And I am forever grateful to have discovered it.  

Also a huge shout out to Animation screencaps for these! They alone can define this beautiful under-rated love story.   :)  

[theabominableblogger]

Rewatching “The Force Awakens”

Welp, “The Last Jedi” is officially coming out in theaters FRIDAAAAYYYY so I thought “... I might as well rewatch the last onee.... I mean... why not?”

*scats opening theme crazily out loud*

GUYS THEY TELL YOU WHO “THE LAST JEDI” IS IN THE OPENING CRAWL!

Plus Yoda actually calls him “the last of the Jedi” in Episode 6

That Imperial ship passing in front of the planet there looks like a big fat middle finger.  Like “Haha suckas!”

BB-8!

So, age old question, is BB-8 a boy or a girl?  I think BB-8′s a boy...

Oh hi Max von Sydow, who’s barely in this movie!

So how is the Max von Sydow character connected to Luke?  And how does he have the last bit of the map needed to find Luke?

Yeeep, this is a J.J. Abrams movie

Oh that one Stormtrooper had a freaking flamethrower!

“I’ll [Poe] come back for you [BB-8]!”  Aaawww...

I like that the first indication we get that Finn is not an ordinary Stormtrooper is that we actually hear him breathing.  You never hear the other Stormtroopers breathing, just their voices.

*Kylo Ren’s leitmotif starts playing*   Yessss, blare those French horns, John Williams!

OH THAT’S AWESOME

Lens flare!

Take a shot every time one comes up in this movie.

“So who talks first?  You talk first, I talk first?  It’s just very hard to understand you with all the... apparatus...”  OK, so there’s the indication that Poe clearly knows who Kylo Ren was before he turned to the Dark Side so he absolutely gives no shits and goes forward with the straight on mockery.  Amazing.

He’s probably like “Ooooh why hello, Darth Edgelord.  I like your cape, did your mom make it for you?  NO, BECAUSE SHE AND I ARE TOTES BFFs NOW, I HAVE A DROID FOR A SON, AND YOU HAVE A STUPID FACE!”

Oh hi Phasma, who barely has anything to do in this movie!

You guys got Brienne of Freaking Tarth to play a bad guy, and she doesn’t do anything?!?

Aaawww, BB-8!

That’s the nightwatcher!  And it pops up in “Forces of Destiny!”

John Boyega!

Phasma’s armor in that shot doesn’t really look as shiny as it usually does.  Maybe it’s the low lighting

Rey!

Oh I love Rey’s theme

No lie, Rey’s speeder kinda looks like a USB drive

Man, Zazu looks terrible....

What the heck is that?

*imitates Unkar Plutt*  ONE QUA-TAH PO-TION

So has anyone actually taken the time to figure out how long Rey has been on Jakku based on the tally marks on the wall?

BB-8 looks so offended that Rey just shushed him

Oh my gosh, BB-8′s little “Yep!”

Guys, I want a BB-8 so bad now.  Please get me one.

Holy crap, what the heck did they do to Poe?

Oh hello Hux!

I like the little hissing noise that happens when Finn takes off his Stormtrooper helmet

WHY IS THERE A CABLE?!?!?

Wilhelm Scream!

Oh, there’s a targeting thing on the windshield too!

How the heck could Kylo sense that Finn was exactly that one Stormtrooper who was freaked out at the village?  And how does he know Finn’s identification number?  Did he extract the number just on the whim of it?

“No droid can be that important!”  “This one [BB-8] is!”  ThAT’S HIS SON, DAMMIT

Finn gradually stripping off all of his Stormtrooper gear reminds me of “The Prince of Egypt” for some reason.  Plus there’s a sequence of him trekking through the desert to get to a settlement.

“They’re [Hux’s soldiers] obviously skilled at committing high treason.”  The sass is strong with this one...

Hux is like “Son of a bitch...”

Happabore!

Finn’s face when he sees Rey beat off Unkar’s men!

*Rey charges at Finn like an angry bull*  Pfffttt...

“Yes I am.  I'm with the Resistance, yeah.  *whispers* I’m with the Resistance.”  Finn is the K2-SO of the sequel trilogy.  Brilliant.

“[Finn] Stop taking my hand!” Oh let him!

*Rey offers Finn her hand*  Thank you.

AN:  Just a heads up.  I’m only 31 minutes in.  Because I am a motormouth and the video’s stalling so I got time to write down more thoughts.

“That one’s garbage!”  Don’t call the Falcon garbage!

Run, little soccer ball [BB-8], run!

*Rey and Finn absolutely wreck the Niima outpost with the Falcon*  Guys... no...

Holy shit so what exactly happened at the Battle of Jakku that so many Star Destroyers crashed to the planet’s surface?

“I’m [Finn] getting pretty good at this!”  That’s great, kid!  Don’t get cocky!

*The Falcon makes a sharp right out of the graveyard*  OOOOHHHH THAT WAS NICE!

According to the script for this movie, this dude’s name is Mitaka.... please tell me his first name is Hakuna

Wouldn’t Kylo recognize the make and model of the Falcon?  Because, you know, that’s his dad’s ship

“What girl?”  The one.  The one you’re gonna get super pissed at/obsessed with in the next movie.  Because status and other crap.

“Droid, please!”

Where the heck is the Ileenium system?  Probably in the Outer Rim as per usual I suppose?

Pretty sure BB-8 just flipped Finn off

“[Rey] You got a boyfriend?  Cute boyfriend?”  Oh my God...

The hell is that?  It’s even got teeth!

HAN AND CHEWIE!

Han’s like “Oh yeah.  Reunited with my baby.”

Where and what the heck are half the things/planets Han and Finn talk about?

Why didn’t Han have BB-8 hide with Rey and Finn?  He doesn’t know the Death Gang is working with the First Order so isn’t it only common sense that he take extra precautions?  Well then again, this is Han we’re talking about...

“I got a bad feeling about this.”  That’s prequel style IGABFAT

Take a shot every time someone fires a blaster at a sealed door and it opens

“I [Han] never ask that question until after I’ve done it.”  Same.

“This is not how I thought this day was gonna go.”  Also same.

Hi Andy Serkis (Supreme Leader Snoke)!

I like how Kylo just slowly turns toward Hux like “Excuuuusse me, bitch?”

I know Snoke here is just a hologram but dang the motion capture gets so much better in the next movie

Please tell me we get more of the Knights of Ren in the next movie.  C’mon, Rian Johnson, don’t let me down.

*claps with each word*  More flashbacks concerning Kylo’s turn to the Dark Side, please!

Ohhh the Force theme!  I hear you, John Williams!

“I didn’t know there was this much green in the whole galaxy.”  I mean, it is a green screen...

“Women always figure out the truth.”  Salud!

I would love to see/read an AU of Rey working as second mate with Han and Chewie

*sings along with the “Jabba Flow”*

“Where’s my [Maz] boyfriend?” “Chewie’s busy working on the Falcon.” *spit take*

Skeksises!

“Forgive me.  I feel it again...” *resists urge to sing “Johanna” from Sweeney Todd*

“... the pull to the light.”  Oh thank God.

How the heck was Vader’s helmet recovered from Endor?

“Leia doesn’t wanna see me [Han].”  Why the heck not?!?

Wait, that attack on the village in the beginning was Finn’s first battle?!?

The heck...

Biggest question out of the whole movie:  how was Luke’s first lightsaber recovered from Cloud City in Episode 5?

Yoda...

Palpatine?  Did I just hear Palpatine?

Alec Guinness Obi-Wan...

The heck kind of ship is that?

“These are your first steps...”  Ewan McGregor!

So Maz isn’t Force sensitive but she knows about it... please tell me she’s met Chirrut somewhere before the events of Rogue One

Roll those r’s, Hux!

No, not Martha Jones!

How the heck are the beams separating after being shot into space?  Were they separately programmed to hit a specific planet before Starkiller Base fired them?

“Where’d you [Maz] get that [Anakin’s lightsaber]?”  “A good question... for another time.”  Well that’s mighty convenient!

*Kylo Ren’s leitmotif starts playing*  Here we go...

Han just shot that Stormtrooper without looking.  Badass.

That’s like Hawkeye in “The Avengers” shooting down that one Chitauri without looking

*in best TR-8R voice*  TRAITOR!

Those wave vortexes though!

*Kylo pops out of nowhere*  Oh crap!

I like how when Kylo uses the Force to make people stop in place, it’s just like they literally freezed and they look so uncomfortable and rigid when it happens

I just noticed that whenever Adam Driver speaks like really softly, his voice gets a little high pitched

So how did Kylo knock out Rey with the Force?  Is it like a unique Force ability that’s already out there?

In Rebels, the loth wolf knocks Sabine out but it’s more of a roofie breath effect.  Here, Kylo does this kinda pulling motion when he does it.

Oh my God, Leia...

GOD DAMMIT, 3PO

OH MY GOSH BB-8 RUNNING TOWARD POE WITH JOY!

#WeNeedMorePoe2k17

Fun Fact:  the medic attending Chewie is played by Christopher Lee’s niece

“Princesses...”  Excuse you [3PO]?!?

“R2-D2 has been in low power mode ever since Master Luke went away...”  Well, that’s convenient!

Something I want to see:  young Ben Solo traveling with his dad Han Solo. 

Dad Solo:  A Star Wars Story

“Where am I [Rey]?”  “You’re my [Kylo] guest.”  Is Kylo always super smarmy with his prisoners?

*Kylo takes off his mask*  Oh no, he’s... a regular human being... with somehow perfect hair...

*shrugs*

I mean, hey, apparently we’re getting Beefcake Kylo in “The Last Jedi,” so I guess this was Star Wars getting its fandom ready...

Hey guys, I found the cast of Rogue One.

“You [Rey] know I [Kylo] can take whatever I want.”  EEEUGGHHHHH

This is how the script describes Kylo’s first attempt at reading Rey’s mind:  Kylo Ren nearly TOUCHES HER FACE...  THEY'RE BOTH SURPRISED: they react to a feeling that passes between them -- AN ENERGY THEY RECOGNIZE IN EACH OTHER. And then it's gone. Adversaries again.

STAR WARS, EXPLAIN!  I AM CONFUSION!

“You... you’re afraid... that you will never be as strong as Darth Vader.”  OOOHHHHHH

So what is Snoke’s backstory?  Apparently he’s older than both Plagueis and Palpatine and he’s got his face cut up like a Papa John’s pizza.  So what’s up?

[Kylo starts stalking down the hall] *starts scatting “Stayin’ Alive” by the Bee Gees*

Bwahahahahahaha... *deep breath*  HAHAHAHAHAHA!!

Those two Stormtroopers though!

So to power Starkiller Base, they suck the energy out of a Sun?  Wasn’t that used in “Revenge of the Fallen?”

“It’s just another Death Star.”   AMEN!

“Some things never change.”  “True.  You [Han] still drive me [Leia] crazy.”  AAAGGHHH

*Han and Leia hug*  AAAAAAAAAAGGGHHH

What the heck is Galactic Standard Time?  The announcement at the base said that everyone needs to re-synchronize their time to that.  So does that mean there’s a Galactic Daylight Saving Time as well?

“We’re making our landing approach at light speed?”  Uhhh yeah... that’s gonna work out well...

*The Falcon slides to a stop*  Yeaahhhh no, everyone’s dead after that.

“That’s not how the Force works!”  Best.  Line.  Ever.

I still want that on a poster.

If Rey could get a hold on a blaster, why can’t she also just knock out a random trooper and take his armor?

Finn, why did you leave Phasma at the desk by herself?!?!?

What are those two troopers?

*Finn and Rey hug*  Aaaawwww....

“It would take a miracle to save us now.”  Oh but of course.

No lie, Kylo with his mask on kinda reminds me of Daffy Duck for some reason. 

Aaw Finn gave Rey his jacket!

“BEN!”  WhAt, Daaaad?!?!?

Oh that shot’s awesome

“I’m [Kylo] being torn apart.”  HI BEING TORN APART, I’M DAD!

NOOOOOOOOOooooooooo....

*Han runs his hand along Kylo’s cheek before falling*  Gooodd.... I’mmmm not OK, I am not OK

*Leia senses Han’s death with the Force*  AAAAAAGGGHHH

Take a shot whenever you see a random Stormtrooper go flying from an explosion

I just realized that when Kylo was giving his little speel, he was looking directly at Rey and completely ignored Finn standing right beside her.

“TRAITORRRRRRR!!”  Oh there ya go.  Now ya pissed him off.

“That lightsaber- it belongs to me!”  IT BELONGS IN A MUSEUM!

*Rey uses the Force to summon the lightsaber*  WHOOOOOOO LET’S GOOO!

Oh wow, they’re just hacking down trees right and left.

Ex-PLOsions...

*Rey does a somersault*  PARKOUR!

I love how Rey’s just basically using the lightsaber like a bat.

*softly*  Oooohh the Force theme...

That shot’s awesome too.  Holy crap.

Rey just sliced up Kylo’s face and arm like a Christmas ham.

[Rey and Kylo get separated]  *sings*  We’ll meet again... don’t know when... don’t know where...

I wonder if Rey even knows who Leia is.  Stupid question but it’s gotta be asked sometime...

Someone hug Chewie, dang it!

The first thing R2 does when he wakes up is insult 3PO.  Amazing.

So how long was R2 asleep?  In extension, how long has Luke been away?

Leia:  May the Force be with you

*cries*

Skellig Island [Ahch-To] looks gorgeous

How long has Luke been standing there?  Did he know Rey was coming and go “Oh, I gotta do a dramatic turn around and reveal when she comes.  Better get ready...”

*Rey offers Luke the lightsaber*  So was there a hand attached to that?

It would be pretty freaking hilarious if in the next movie, Luke takes it and then pulls a Moana and just chucks it.  I would literally die laughing.

[vlotd]

The Beginning

Note that I’m not officially posting this yet. (It’ll go up on Ao3 when it’s ready.) But I thought I’d give y’all a taste of what I’m doing. I’m basically writing this as if it were the novelization of the hit show “Voltron: Legend of the Defender.” I’d like to eventually get “screencaps” (read: edits) in here, too, but that’s faaar down the road yet. 

So anyway, this may still change as things develop, but I was re-reading it just now and I thought y’all might like it. ^_^ So here’s how things kick off (for now):

           It was supposed to have been a pretty boring mission. They were taking ice core samples in the Argos crater when it happened. The landing site for their ship, the Amundsen, was 30 kliks from the crater, but that’s what the specially-modified ATVs were for. They’d set up the Argos drill the night before (well, by the ship’s reckoning; a full day on Kerberos was a little over 5 terran hours) and let it run overnight. There’d been some worry that, even set at a slower speed, it wouldn’t work in an extraterrestrial environment.

           Shiro should have known better.

           Commander Holt had modified this core drill himself. He and Matt had checked it over three times (each!) before deploying it. When they pulled the drill up, it seemed to have worked like a charm. Matt began to slowly slide the sample from the barrel.

           “Easy, son,” Commander Holt said. “This ice is delicate.”

           If Matt went much slower, they’d be here a lot longer than the two-month mission timeframe just getting this one sample out. But if he was put out by his father’s warning, he didn’t show it. (Or maybe he just couldn’t see it through the helmets of their space suits.) “Amazing. Isn’t this exciting, Shiro?”

           He smiled at their enthusiasm as he held the barrel steady for extraction. “You guys get a little more excited about ice samples than I do.”

           “This is history in the making,” the commander breathed in awe. “Not only have we traveled farther than any human ever has, but this ice could hold microscopic clues about the existence of life outside Earth.”

           “Think of it, Dad!” Matt said, turning his face towards his father as he continued to ease the core out. “We could use those clues to become the first people to meet aliens.”

           “My life’s work would be complete.”

           It was supposed to have been a pretty boring mission. And it had been so far, if any mission could be called “boring.” Shiro, piloting the Amundsen, had taken them up and out and far away to the edge of their solar system, where there was more dark than light, where your body shrunk as your soul expanded. The beauty of the universe was far more important to Shiro than ice core samples, but he was happy to be out here nonetheless.

           Until the ground beneath them started to shake.

           “What is that?” Commander Holt asked. “Seismic activity?”

           He didn’t know what it was, but he knew he didn’t like it. “We should get back to the ship,” he warned them.

           Matt pulled the sample free of the barrel and got to his feet as a large shadow fell over them. They all looked up.

           “What… what is that?” the commander asked.

           It was a spaceship of some sort, like nothing Shiro had ever seen before. It was dark – the better to blend in with the infinite black around them, he supposed – with purple running lights. It seemed almost like some sort of monster, rising up before them and staring them down. It seemed like he spent an eternity just staring at it as it slid closer, the only sound the rattling of the lights and equipment they’d set up.

           The commander was just as shocked as he was. “It can’t be.”

           What knocked Shiro out of his awe was seeing a glowing point of light spring into being near the front of the ship. It grew larger, began to pulse… and it was aimed right at them. “Run!”

           The Holts were still just standing there.

           Shiro grabbed Matt’s arm as he turned. “Come on, run!”

           That snapped them out of it. Matt dropped the core sample and they ran, leaving the ATV and the equipment. Shiro was already looking for cover, but there was nothing here in the crater. This part of it was long and narrow… they were sitting ducks, he knew it, but he had to try. Running was better than nothing and maybe… maybe there’d be something…

           The ground shuddered more, the delicate ice sundering beneath them. The world was bathed in a pink-purple light and Shiro was suddenly falling up. Chunks of ice and rock were pulled up with him, their equipment boxes, and, of course, his friends. The last thing he heard was their screams – his as well as theirs – before something knocked him out.

             Shiro was aware of sound before anything else. A strange voice was speaking in an even stranger language. Not English or Japanese. He knew enough Greek and Latin roots to know it wasn’t a Romance language. It didn’t sound Russian or German or Chinese – not that he could speak any of that, but he’d heard scraps of them, knew the kind of sounds those languages tended to make.

           He opened his eyes. Floor. Dark, cold metal floor. He was on his knees on it.

           It came back to him: the ship, the light, falling up…

           He raised his head, eyes wide to take in as much of where he was and what was going on as he could. He still had his helmet on, so his peripheral vision was still practically non-existent. But… there in front of him…

           Aliens. They had to be. The alien in front of him had their back to him, but their… skin? Was it their skin? was purple with dark ridges along the top instead of hair. They had some strange sort of uniform on. The screens and few other lights were still that odd pinky-purple. There was a dark face with glowing eyes on the screen in front of them. The voice he had been hearing – presumably the person in front of him – stopped.

           The… person on the screen with the glowing eyes spoke now. Their voice was deeper, a tad raspy, and it sent shivers along Shiro’s spine. He still had no idea what was being said, but there was something about the way this one spoke… The words weren’t as clipped, the tone was authoritative. This was someone in command, and someone very, very secure in that power.

           He turned to see Matt and the commander kneeling next to him… at gunpoint. Safe to assume he had a weapon at his back as well. It was hard to see his friends’ faces with their helmets on, too. They were breathing, but neither seemed to be conscious. I’d rather have the commander take point on this, but… He had no idea if they could understand English, but he had to try.

           “Please!” he called out. “We come from a peaceful planet! We mean you no harm!”

           The alien in front of him turned to look at him. He looked reptilian, with pointed ears and beady red eyes against yellow sclera. He did not look friendly or interested in diplomacy… or even as if he understood what Shiro was saying.

           “We’re unarmed!” he continued, but then something hit him hard in the back and he fell forward. His head bounced inside his helmet and darkness returned.

             When next he awoke, he was being dragged by his arms. A tall alien? Robot? A guard of some sort was walking alongside Matt, still in his suit. His arms seemed to be bound behind him; the guard had hold of one of them. At least he’s up and on his feet. Where’s the commander? He looked around and saw …doors. Doors with small windows in them. Eyes peered out and he heard different voices speaking in different languages, none of them familiar.

           He looked to the other side, trying to find the commander, trying to figure out what was going on. Large windows showed him strange architecture that went up and up, beyond his view. It seemed to go on forever. They… they looked like cells. Like a prison.

           It was supposed to have been a pretty boring mission.

[sineala]

Hi Sineala, can I ask you some information on Marvel Unlimited? Is it also for not-USA fan (ex. can I read them from Europe)? Does it work on pc or only on mobile-system? Are they time-sensitive (ex. just 15 days)? Can I read here the last issues? Thanks :) Eli

As far as I know, you can sign up for Marvel Unlimited if you’re not in the US, yes. You can only sign up for regular Marvel Unlimited and not Marvel Unlimited Plus  --  Plus is the one where you pay extra and they mail you a box of some comics variants and pins and patches and an exclusive action figure; honestly, I have been pleased with it because I’ve gotten Plus three years in a row and now I have figures of Rescue, Carol in her Time Runs Out uniform, and Tony in a business suit, so they’ve been doing very well at offering me characters I actually like. Unfortunately, they only ship those to the US, so you can only join Plus if you’re in the US.  But regular Marvel Unlimited is still a good deal, I think. It costs $10/month, which is the less than the cost of buying three paper comics. So if all you wanted to read was Avengers, Captain America, and Iron Man, I think you would still come out ahead.

The thing about Marvel Unlimited is that you can only read comics older than six months old, so if you want to read the very most current comics that just come out, they won’t be there -- you’ll need to buy the individual issues either from comiXology or in paper. But they are really good about adding comics to Unlimited when it’s been six months; every week they will list what has been added to Unlimited.

The backlist of older comics is not entirely complete, but they are always adding new comics to it. Sometimes you will run into weird gaps, but they usually fix them eventually; I think the weirdest I found was when I wanted to read Avengers/Invaders (a miniseries that has twelve issues) and they had every issue... except #2. WHY WOULD YOU DO THIS. But they fixed it! They recently finally added all of Iron Man volume 3, which I am excited about.

The one thing they don’t have on Unlimited is any mature-rated comics. If it was published under the Max imprint, it won’t be there. This means that you can’t read Alias. (Note that it’s a matter of the exact imprint that it was published under that determines whether it counts as mature. So you can read Marvel Ultimates and see drawings of people getting vivisected and having their heads bitten off! That’s apparently not mature and you can read that on Unlimited.)

As far as I know, once something is added, they don’t take it back. It’s on there for good and you can read it forever as long as you keep paying them to be a member.

Marvel Unlimited works on computers as well as phones and tablets, yes; I do a lot of reading Unlimited on my computer (like when I am screencapping panels to answer asks) and the website experience is not the best but it is still readable. There are two major problems you will run into. One is that the site is very hard to navigate if you are looking for a particular issue, even if you know exactly what that issue number is and what run it is; they make you click through a lot of screens, and the pages about each run will only load a few comics at a time. I usually just google for the issue number + “site:marvel.com” and get to the page much faster. The other problem is that if you decide you want to use the single-panel viewing mode rather than the whole-page viewing mode, a lot of the older comics don’t have the paneling done quite right and you will find that sometimes where they have chosen to divide the panels means that the words are getting cut off. (The other other problem is that their website is occasionally very buggy and will do things like log you out without telling you. It is literally doing this to me right now as I am typing this.)

The app version -- for phones and tablets -- is a lot easier to browse and navigate. It also has weird problems sometimes, but overall it is a much nicer reading experience. I have to say that I found reading on my phone to not be something that worked for me, but also I have a very old iPhone and the screen is very small; most people have bigger phones than I do and you will probably not have this problem. You will probably run into the paneling problem I mentioned above if you like old comics, though. The paneling on the newer ones is pretty good.

The absolute best way to read comics on Unlimited is on a tablet with an 8.9″ screen or larger. Seriously, it will change your comics-reading experience forever. If you have a tablet, comics will display one page at a time, each page about the size of an actual comic, and you can just... flip right through. It’s glorious. When I’m planning a fic and I need to read a bunch of comics for research, I grab the iPad and load up the issues I need and just stretch out with my tablet in one hand and my laptop next to me and I can read comics and take notes in Scrivener at the same time and it is the best. No holding books open! No clicking back and forth between windows! It is the future! I love it!

[ghostmartyr]

What does the manga add to Roy and Riza's relationship that the anime doesn't have? Asking out of curiosity since I'm an anime only and they're still one of my favourite pairs of all time!

Oh, ha, I didn’t specifically point to the manga because I have anything in particular against Brotherhood (…or 2003 for that matter) it’s just not my canon, and I’m used to specifying which version of FMA I mean when I talk about the series. I do have a list of petty grievances against Brotherhood, but there is nothing fundamentally altered between Roy and Riza.

..

I mean. Yes. A number of my petty grievances are related to them. And feel slightly less petty as thought is spent on them.

But I would need to go back and watch the anime scenes again to point out the specifics of why.

[many hours later]

(As a note about this post, since I guess I did make the choice of tagging it, this is heavily critical about some specific moments in the Brotherhood anime, but before I get started I want to emphasize that my problems, with the exception of an example that spans a volume, don’t cover even two minutes of video. These things exist, and they bug me, and I clearly have things to say about them, but Brotherhood is 64 episodes long. My impassioned hatred of a few choice features isn’t indicative of my overall feelings on the anime.

Essentially, this is me having fun whining. Not trying to set off landmines. I hope it proves enjoyable.)

So there is this scene change in the first five minutes of episode 19 that has my eternal hatred and I have no plans to ever forgive. That has been true since it aired, and it is still true here today, because I am insufferably stubborn.

(I actually did a session about it before. I’m probably going to repeat most of it, but have a link if it interests you.)

That is not the dialogue the manga goes with.

In the manga, Riza’s interaction with Roy is focused on “what the fuck were you thinking why are you here.” Both versions have the scene with her berating Mustang for endangering the mission to save her.

In the anime, the above screencaps are what follow. After giving him a hard time for showing up at all, she thanks him for saving her life. Sweet, I guess, except Roy fires back with a mission-focused response.

If I were doing an anime-only meta thing, something could be said about the hypocrisy of Roy playing hero only to lecture other people about concentrating on the mission, and it would just be another cute thing. I guess. If I were in a charitable mood maybe.

But this is the first anime adaptation I sat through properly, angsting about every twist and turn and change.

My grudges. They last.

In the manga, Mustang brings up the slightly more personal aspects of what has happened. The reason he runs after Hawkeye is that he just lost Hughes, he won’t lose her, and he loses his head entirely. They have the yelling session over it, and he basically yells back the equivalent of, “yeah yeah fine -sulk sulk sulk-”

They leave Fuery and Hayate behind, and we have the presented moment.

Going to assist Riza is not the Proper choice for the military operation they’re running. It was a dangerous thing for Roy to have done, and she rightfully calls him on it. But he does it because he cares, and the fact that he cares is why all these people follow him. He’s a hopeless, idealistic dreamer at heart. His squad is loyal to him because he’s loyal to them.

Roy Mustang is a damn softy.

In the anime, Riza’s the one to call attention back to the whole life-saving motive. In the manga, it’s Roy.

In the anime, when it comes up, Roy dismisses it.

In the manga, when it comes up, Riza apologizes for worrying him.

It’s a small moment, but small moments are allowed to matter, and when small moments are changed, it leaves a bigger impact than if they were just left alone.

In the anime, this exchange, plus Hawkeye’s smile after, suggests that the sentimentality of the relationship comes primarily from her. Riza’s the one having her heart warmed when they have a job to do.

…That’s a slightly meaner way to put it than the scene perhaps deserves, but there is no unfair bitterness like unfair bitterness towards Brotherhood for me. Whining about this adaptation is a thing I do, despite honestly loving the majority.

Anyway, in the manga, the scene is both of them putting legwork into their dynamic. Hawkeye yells at Mustang for showing up out of sentiment, but when he expresses that sentiment in the aftermath, she expresses understanding of his perspective. He did a stupid thing, but they’re a team, and both at ease with their interplay.

In the anime, stop talking Hawkeye, don’t you know we have a job.

The manga is a conversation, the anime is putting a wall up to prevent that conversation. Especially annoying is that the character putting the wall up is the one who initiates the conversation in the manga. The anime drags Mustang back from his emotional openness and pushes Hawkeye to be more so, then provides a dismissal of her acting that way.

Besides being an inverse plus a step back for their relationship, it. also just feels kind of sexist. Instead of the man talking about feelings, the woman is. When the man talks about his feelings, it’s greeted with understanding and respect, when the woman talks about her feelings, it’s greeted with the instruction to put it somewhere else.

The fact that they changed it bothers me, because the way it is in the manga is great. It’s one of many small moments Roy and Riza have where they are shown to respect and care for each other.

The anime version doesn’t add anything, and lessens the mutuality of that bond.

I snarl in its general direction.

The other change that springs to mind is of a similar cloth.

Mustang and Hawkeye encounter the Elrics before they’re aware of Hughes’ death, and Mustang makes up a story about Hughes retiring in the country with his family so that they won’t go looking for him.

Hawkeye greets this with the face of judgment. “Why are you treating him like a child all of a sudden?” He’s never shied from giving Ed adult responsibilities before. This is a blatant lie. Roy says they don’t need any further obstacles to their journey.

A few moments pass. In silence, in the manga. In the anime, Riza points out that they’re going to find out someday. Then…

“…Who am I trying to kid?”

(Funimation, the heck is with some of your translation choices. Did you just keep the simulcast version for the official DVD subs?)

So there are a few things. The most obvious difference is the dialogue changes. Hawkeye is more insistent about how the Elrics will find out at some point, then after Mustang makes his character commentary, she calls it cruel instead of sighing and moving on to the next topic.

The other most obvious change is that Mustang smiles after calling himself soft in the anime.

These all sort of play together.

In the manga, Hawkeye is just as judgmental as she is in the anime, but she allows Mustang the space to dwell on his choices for himself. She asks him one question about how he’s treating Edward, then they walk in silence, her disapproval creating a tangible aura.

It isn’t simply Hawkeye judging him. He’s judging himself. In the anime it comes off as a, “tee-hee, what a silly softhearted boi I am.” So in the anime, she vocally objects to what he’s doing.

In the manga, Mustang takes in his inability to break the news to the Elrics as the emotional flaw that it is, and Hawkeye lets him off the hook. He doesn’t need a lecture; he knows his shortcomings. It’s not great, but he’s the kind of person who doesn’t want to tell Ed and Al that Hughes is dead because Hughes tried to help them.

Again, Mustang’s softness is part of what endears him to his crew. It is not always a good trait. Sometimes, as in this case, it’s actively causing problems. But it is who he is.

Riza knows this, and she can let this failure pass with a sigh because Roy knows it too. The anime version has a smile when it’s nothing to smile over. The manga version is more, “hahaha… fuck.”

Roy and Riza know each other and themselves extraordinarily well. They might have the boundaries of superior and subordinate, but they are comfortable enough in their understanding of each other that they are allowed to be themselves. It’s the conversation thing. There is an undercurrent of figurative dialogue to their relationship that never stops.

When they do call each other out in the manga, it does not keep the conversation from flowing. It continues it. Both of the above changes take it to a stuttering halt in their scenes.

Then we have episode 30.

After which, I do not have memories specific enough to shout about things or know if there are things to shout about, but episode 30.

-screams forever and ever and ever-

-intersperses screams with tears of anguish-

From what I know of being an FMA fan, it is difficult to be an FMA fan without being passingly familiar with the debates of which version is better. Usually it’s Brotherhood vs. 2003. My personal, obviously right opinion, is that this is the wrong way to do it, and it should be manga vs. 2003, because really it’s an argument over which plot is better, and Brotherhood’s plot is the property of the manga.

I also think it’s impossible to really debate. The two series have different feels and themes. They are both extremely well done, meaning that which one you prefer comes down to personal preference.

I’m pretty sure people who bother to have those discussions could say a lot more on the topic, but that’s my general, broad stroke, very glossed-over perspective on it all.

I mention this because I think anyone who loves FMA should read volume fifteen of the manga. If you’re not a manga person, you don’t want to read 27 volumes of manga, yeah, understandable. You have your version of the story, enjoy it, you shouldn’t feel the need to read the original if you don’t want to. The idea that you have to pour every bit of content into your brain to be a good fan is pretty unhealthy.

But I recommend volume 15 regardless, because the anime does not come close to presenting its content. It is four chapters devoted to the Ishvalan War. Outside the framing device (Ed going to return Hawkeye’s gun and asking about what went down), the entire volume basically stands on its own.

It is a harrowing, intimate depiction of the genocide campaign. That is the focus of the entire volume.

Scar’s backstory is moved to an earlier section in the anime, and Mustang burning Hawkeye’s back is moved to the Envy fight, so this might be an unfair barb to throw, but I still want to say it. The anime covers this volume in one episode.

-goes back to screaming-

(Honestly though, some of the best fun I ever had in fandom came from being on a forum full of manga fans and all of us yelling our despair over Brotherhood’s choices. You would never believe that this anime was considered the gold standard of anything.)

But we’re here for Roy and Riza!

There’s only one thing that sincerely bothers me to pain of the irritation of the above. Most of my sulking is just why did they do this to my favorite volume. Mustang and Hawkeye’s stuff is mostly intact. Except when it isn’t.

Chronologically, the first complaint is that when Riza’s father collapses (dies), Mustang is alone with him. In the manga, the scene ends with a shot of Riza, watching, terrified, from the doorway.

Also known as the scene where Roy calls Riza by her first name.

-still screaming-

The cemetery scene is truncated. The anime jumps right into Roy and Riza discussing Roy becoming a soldier. The manga starts the scene out with the focus on funeral things. Roy asks if Riza has other family, and what she plans to do now.

After that, he offers her his number, and they get to talking about the military and Roy’s dream.

They also cut this.

In the anime, Roy discusses his military life through the lens of Master Hawkeye’s opinion on it, asking if Riza is going to disapprove as well. Roy starts talking because he assumes that’s how she feels about it, and preemptively defends his perspective.

In the original, when Roy hands Riza his information, she asks, “For the rest of your life…?” It’s followed by the above panel.

Roy’s monologue about his aspirations and his dream for what he can do as a member of the military happens because Riza asks. Not directly, but her addition to the conversation prompts him to talk about his views, and he mentions that those views are why he studied alchemy. In other words, why he’s standing in front of a grave, awkwardly trying to talk to his dead master’s daughter.

Following that, the original pays more attention to the lead-up of Riza entrusting Roy with her father’s research. In the anime, she jumps straight from the ideals topic to asking if she can trust him with it.

In the manga, there’s that beat of contemplation after Roy brings up alchemy, and how his master didn’t teach him everything.

Riza tells him that his dream sounds wonderful.

Another beat.

That’s when she tells him that her father did leave his alchemical secrets behind. Words about this are exchanged for a small number of panels.

In the anime, she asks Roy if she can entrust her father’s work (dream, values) to him. Directly after the dream dialogue.

In the manga, when Roy tries to bring their discussion back to Riza’s father, and what he did with his research, Riza redirects him. It isn’t about her father. It’s about her, and by consequence, Roy, and how Roy’s dream inspires her.

“That dream… Can I entrust you with my back so that I can help make it come true?”

The anime severely underplays the significance of Riza offering her father’s research to Roy. They address it a little once Envy is being dealt with, but in the manga, all of the discussion of Riza watching Roy’s back is drawn from how Riza’s back is what’s given Roy the power to rise as far as he has.

It goes from maintextual subtext to subtextual subtext.

Also, the cuts to their conversation just plain means that there’s less of Roy and Riza interacting. The two of them are very, very young, standing in front of a grave and talking about ideals. The longer manga version allows the quality of their youthful awkwardness to truly shine.

The scene is dropped in the middle of the volume, whereas in the anime, it opens the Ishvalan flashback. There’s much to be examined about how that affects the emotional impact, but… geez that gets to be a lot of threads. Trying to go through all of the ways they crammed a whole volume into one episode is just going to make me dizzy.

Even if the theoretical focus of this post weren’t shipping, I’m not sure my brain would be up for that. There’s just so much going on, and the time allotted means it’s a Frankenstein job.

The one major difference for Roy and Riza, which I can’t believe they went with, and can’t believe my sad feelings every time I watch the episode and confirm yeah, they really went that way with it.

Why why why why why why why why must you hurt me this way.

SO!

THE ANIME VERSION!

OF ROY AND RIZA MEETING IN ISHVAL!

Riza walks up and says hi after noticing them because Hughes is babbling about his future wife.

Yay.

The manga version does not. does not do that.

It.

That’s not how it goes.

At all.

In the manga, Roy and Hughes run into each other on their break and start chilling together. Hughes gets a letter, does his excited babbling, Roy tells him to stop being a stereotypical red shirt, when suddenly

Oh noes.

Roy and Hughes react as fast as they can, which might or might not end up fast enough, when a bullet goes through the Ishvalan’s brain.

There’s quiet for a moment, then Roy gets behind cover because oh no gunshot, and Hughes tells him to chill, it’s all good.

“We have the ‘hawk’s eye’ on our side. […] A real ace sharpshooter… who’s causing quite a stir in my circle of friends. She’s still in the academy but because she’s so skilled… they brought her to the front.”

Guess who.

Hughes and Roy, being the good people they are, go back to camp to thank the sniper for saving them. Hughes is his cheery self. Roy is not noticeably perturbed.

Then the sniper drops her hood and stands up.

You could say I prefer the manga version. It has Riza being a badass, and adds to the shock they both have of seeing each other here.

Riza gets her own little horrified section of panels all about it.

She was just helping out two soldiers. She didn’t realize until after she fired that one of them was Roy, and that he’s in this hell too.

The other thing that I enjoy about this particular sequence of panels is that in the manga, they come up a bit earlier. Throughout the manga, Ishval flashback panels are everywhere. As this scene is initially presented (Hawkeye looking at Mustang through her scope), many chapters earlier, it looks like maybe they’re on opposite sides.

Or maybe it’s just me who thinks that’s a thing.

In any case, it adds some serious drama to their reunion. In the anime, the drama is entirely that they are both here in this awful war. In the manga, a Mysterious Sniper saves Roy’s life and turns out to be his master’s daughter.

It’s just cooler, okay?

Their conversation when Riza becomes Roy’s aide is also truncated. Riza says her specialty is guns, because death doesn’t linger when you use them. Roy tells her, with what I feel is sympathy, that’s just a deception to make the work easier. She agrees, but because she’s decided that work is necessary, there we go.

…

I thought that would be my last thing, but now that I have volume fifteen open, I can’t help but go to the scene during the Envy stuff. I won’t touch the main scenes of that, though I’m sure there are changes, because this is already too long and I’ve officially gone through the things that personally affect my view of the anime, which… was, at some point, maybe, the point of the ask. ^^;

Basically, I will never stop if I go through everything, but in case it isn’t obvious, I really love the fifteenth volume, so to Envy we go.

Huh. They really didn’t alter much. The core’s all there. Because of the placement, Mustang gets docked a few lines, and he is rewarded one of Riza’s (about making the tattoo as illegible as possible) in return, but it’s basically the same, with the addition of Riza thanking him.

I have no particular feelings on that. The ending of the scene is different because it’s not intended to go with the rest of the Ishvalan War, and… I guess  I could manufacture some dislike over Riza expressing gratitude instead of the pure stubbornness the manga has. It distracts a little from why she’s asking those secrets to be burned off. They’re in a hell of their own creation. The soft thanks blurs the cutting edge.

Which isn’t to say I can’t have other problems with it.

As a manga reader who enjoyed Brotherhood as it was coming out, as well as someone who is writing this mostly from memory and going over only specific scenes, I have no way to ascertain how clear it is to anime fans what happens with Riza’s back and when. In the manga, it is excruciatingly clear that her father puts his research on her back, that is how Roy comes to have Flame Alchemy, and that is what Riza asks him to burn off.

Since that’s all in volume fifteen, the next twelve volumes are read with the understanding that before Riza is instructed to watch Roy’s back in case he falls, she offers him her back, and brings the ruin of Flame Alchemy to Ishval.

That history defines them. Their own choices plant them in that war, but Roy uses the alchemy she gives him out of hope for a better world to commit genocide. It’s a horrific weight on both of them, and his decision to have Riza, of all people, watch his back after the war?

Dude, it is such an amazing ship detail. Riza entrusts her back to Roy. He, in turn, entrusts his to her.

I get why it’s moved. Sort of. Given that volume fifteen is given one episode, I get why it’s moved. It’s most heavily relevant to Roy’s rampage against Envy.

However, I don’t think the power of knowing the depths of their connection earlier on can be understated. Roy and Riza’s devotion and synergy comes from watching their shared idealism burn the people they wanted to protect to a crisp, and their commitment to never letting that happen again. They create a hell through their good intentions. Having done that, they do not abandon their good intentions. They refine them and continue forward.

That is what binds them together. They rise from the ashes of their flames.

I do not, for the most part, think Brotherhood does them a major disservice. My gripes are pretty much all listed above, and my praises are endless.

But if you really love Roy and Riza, I’d seriously recommend reading the manga at some point, because there’s stuff the anime doesn’t bother with. AKA, yes, there is even more royai to be uncovered, don’t you want to seeeeee? :D :D

This kind of obviously grew past what you were initially asking, but I hope it serves a satisfactory answer regardless! Thanks for the opportunity to spam my love for these two!

…Through spamming my hate of stuff, but we’re ignoring that.

[stephtastrophe]

I watched the season 4 finale of The Affair the other week and it was really awesome! I adore this show so much!

I even made those gifs!!! <3 I haven’t made any in ages but now found you can make them quick in The KM Player itself so had to try it, instead of screencapping with and using PhotoShop to make them like I used to but I stopped as every time I tried to take continuous screenshots after a few years it just always crashed so I gave up but now that works again too. 

But I wish they hadn’t killed off Alison off though! I really liked her but she wanted to leave the show. But I knew she hadn’t killed herself and I was right, I really can’t believe that it turned out to be Ben though! D:

He threw her and she hit her head and died and he just dumped her body in the ocean! That’s cold! He clearly never loved her if he could just do that to her. That’s like the worst thing you could ever do and the worst way to treat someone and I don’t see how the two viewpoints could be so different! Maybe his version to forget it? 

That’s just terrible though! Although I didn’t think she would of killed herself and I honestly couldn’t believe that either Cole who still loved her and wanted her back or Noah who may have also still loved her would have done it. So, logically I suppose I should’ve seen it coming that it was him and he was always a little shifty but I didn’t think he’d go so far to just act like nothing happened and be like, oh well, time to dump her in the ocean and pretend she commited suicide. I hope someone finds out.

But that wasn’t even in the finale, that was the previous one although I feel it would have been a good ending point for the season tbh.

The last episode was good too though. I liked the Noah and Anton road trip, and he bumped into someone he knew which I didn’t expect. 

Then Noah went to Alison’s funeral whilst Anton stayed behind because Anton said to go and he would’ve seriously regretted it tbh with how much he loved her in the past. 

It was a bit of a hippy funeral on the beach thanks to her mother Athena, not that it is that surprising with her. Although, a bit disrespectful to cremate her instead of burying her her and Cole’s son Gabriel. 

I’m not surprised Cole was annoyed Ben was there when he knew he was married, but it’d be worse if he knew he killed him. He would definitely kill Ben if he found out, I have absolutely no doubt about that.

I kinda liked that when they passed around the ashes to say something about her that Cole ran off with her and then went to Gabriel’s grave with it and stayed overnight in the cold and sad. It was really sad but quite beautiful he did that and he did reunite them again, if only briefly. It was a sweet and heartfelt gesture, he’s always so sweet! It’s so cute <3

Then he and Luisa mutually decided to end their relationship, because she knew she’d never live up to Alison which in Cole’s eyes she won’t. He obviously thought Alison was the embodiment of perfection and his soul mate which again is sweet. I personally don’t think he’ll ever love anyone as much as he loved her. It’s kind of crushing to think that. He met his soul mate and then lost her and now she’s gone forever. It’s so sad.

But Cole did agree to stay married to Luisa just so she could remain a US citizen and Joanie’s guardian which is also quite sweet and nice. 

Then Cole took Joanie on a road trip to mourn Alison. Awww bless.

We fast forward two weeks and Vik is in hospital with an infection which isn’t good for him in his condition. Whitney is back with her bf at home and not realising what has gone on and kinda made some inappropriate comments. So Helen told her about Vik, who then falls into septic shock! D: Oh no! 

She sees Noah outside and he is kind enough to comfort her which was a really nice scene. Helen starts to wonder if she ever loved Vik and that is a good question. Or was it they just both wanted a relationship or something?

Vik recovers and Helen comforts him and he now admits that he wishes he got treatment because he’s scared to die. I’m not too surprised and he really should have gotten it before but I don’t think he really thought it through enough when he should have. He should have wanted to live before. 

Helen told Sierra to tell him she was pregnant so he would know he had a kid before he died like he wanted which was also sweet because that’s all he really wanted.

Then Helen wandered to the roof to contemplate life and all that it and the future held or so I like to think anyway.

I can’t wait to see next season which is also the last ever season! But this is my favourite show! I just love it so much <3

I wonder how it will end! D:

Dominic West <3

[michelles-garden-of-evil]

Episode 16 Review: Jean Paul’s Latest Detained Guest

{ YouTube: 1 | 2 }

{ Synopses: Debby Graham | Bryan Gruszka }

{ Screencaps }

I wasn’t going to start working on another review until next week at the earliest, but I have been re-watching the Agatha episodes from Desmond Hall and, oh my Great Serpent, are they terrible! I don’t wish to spoil too much of what happens then because those reviews are a long way in the future, but I will say that (1) I can’t stand Agatha Pruitt and (2) while some episodes of Desmond Hall Part I have decent writing, in others the writing is very, very, very bad. I can’t help but feel sorry for the fans of both this show and Dark Shadows in early 1970, because Agatha would have been swanning around Desmondton getting on everyone’s nerves during the same period as one of the least-loved arcs on DS, the Leviathan arc.*

Normally, I would type out my complaints about Desmond Hall in the OneNote notebook where I take screencaps and save them for when I write those episode reviews in a year or two. However, I felt that I had to mention the awfulness of Episode 91 in this post, because that is what compelled me to return from my hiatus early. I needed to remind myself why I like this show enough to dedicate a whole blog to it, and so I took a (metaphorical) trip back to Maljardin to re-watch and review Episode 16.

Our mascot!

On the last episode, Jean Paul hired Reverend Matt Dawson to conduct a funeral service for his wife Erica, still frozen in the cryonics capsule  and awaiting her resurrection by THE DEVIL JACQUES ELOI DES MONDES. Now Jean Paul--who has changed into a very nice pinstripe suit--is showing Matt the crypt at Maljardin where the capsule is located. “Even with the electrical connections, the compressor and cryonics capsule, I think this probably will be the best place for the service,” he says to the horrified minister. “Don’t you think, Reverend Dawson?” All Matt can do is smile and nod in response while privately questioning the life choices that led to this moment.

He’s probably thinking, “I left my ministry to stalk a 20-year-old full-time for this?!”

Jean Paul continues interviewing him. “You have no objection to a service without a burial?”

“No,” Matt shakes his head. “I have officiated at many such services, where the body is usually placed in the family crypt.” Considering that the vast majority of families don’t have family crypts--at least not in their basements--I think that he’s humoring Jean Paul. After all, he’s seen so many red flags already--the isolated island, the extreme secrecy, Jean Paul’s reluctance to tell anyone about Erica’s death, the whole cryonics/resurrection thing itself, and now his insistence on conducting the funeral service around a cryonics capsule.

He questions the idea that a body held in cryonic suspension can be brought back to life, and Jean Paul continues to deny that Erica is forever dead. He also continues to insist that the usual laws of nature don’t apply on Maljardin, and that on that island he is God:

Yes, Reverend Dawson, your new client thinks he’s God. There’s another red flag for you, Matt, that Jean Paul Desmond is not a client that you want to work for and you should probably cancel the agreement, give up on Holly, and try to get off the island while you still can.

Jean Paul tells him of a man who was allegedly brought back to life after dying in a blizzard, and who lived three decades as “a soulless corpse, like a zombie” before dying again. After saying “zombie,” the camera cuts to Quito who is spying on them, confirming that Quito is indeed a zombie--although, considering that Quito has emotions (which he expresses through body language) and pets whom he clearly loves, the “soulless” part is unlikely.

Did he offend Quito when he called zombies “soulless corpses,” I wonder?

It’s at this point that handsome devil Jacques takes over and starts trolling Matt. “You are a theologian trapped by your own logic and teachings,” he remarks with a mocking smile. “When you run out of answers, look to the fire god. He’s got some new ones, new for even you.” Which goes over about as well as proselytization usually does: that is to say, not at all, especially without one of those poorly-written smiley-face tracts that are absurdly popular with Christian fundamentalists. But Jacques, unfortunately, is straight out of copies of SMILE THE FIRE GOD LOVES YOU and so has to resort to confusing Matt (and us) with non sequiturs instead:

Jacques: “I don’t advocate or procrastinate.” (That has to be a line flub.) “I live and let live.”

I’m surprised he didn’t bring up the age-old theological question about how many angels can fit on the head of a pin and awkwardly try to connect that to the situation as well.

Matt storms out and Jacques stays behind to gloat. “I haven’t had so much fun,” he quips, “since one of my colleagues fiddled while Rome burned.” This reference to the Roman emperor Nero is without a doubt the clearest evidence so far that Jacques is indeed supposed to be the Devil, who at some point came to occupy the body of Jean Paul’s ancestor.

Back in the great hall, Matt returns to stalking Holly, who once again rejects him, because stalking only leads to mutual love and committed relationships in bad romance movies. He insists that he has something important to say to her, and she agrees to listen, but only for five minutes. He insists that Elizabeth doesn’t like him and that he followed her to Maljardin because he “thought [she] might need [him] for protection, guidance, maybe even comfort.”

According to StrangeParadise.net, this is an allusion to a real person, Reverend Harold Davidson, described in more detail on this page. I won’t copy Davidson’s bio on here because of its length, so I’ll just quote Holly by calling him a “lecherous minister.”

She rejects him, he leaves with his proverbial tail between his legs, then she proceeds to mope while sprawled in Jean Paul’s favorite chair for arguing with Jacques. Alison finds her there and asks what’s wrong, so she starts to explain before Matt arrives again and interrupts by insisting that he’s not trying to keep her from her inheritance like she claims. He’s right, but that doesn’t change the fact that Elizabeth is using him to do just that. Now it’s Holly’s turn to flounce, and she does it with more gusto than Reverend Stalker.

He talks to Alison, who fills him in on the whole situation, speaking again about how Jean Paul thinks he’s God and also about how Matt is now a prisoner on Maljardin.

Alison explaining the concept of a detained guest to Matt.

Matt suggests that Alison get Raxl to try to reason with Jean Paul, unaware of how well that didn’t work out a week before, He insists, though, that “perhaps these Tarot cards [that Vangie gave him in Episode 14] will sway her.” Although Alison is skeptical and so is Raxl upon her arrival, that all changes when he gives her the pack of cards and tells her that Vangie said “that [she] should use them for everyone’s good.”

She knows instantly that Vangie has predicted that Maljardin is doomed.

An interesting conversation between the two follows. Matt reveals to her that she should contact Vangie at “the third hour” (3 AM, also known as the “witching hour” or “demonic hour”), which means nothing to him but “everything” to her. She recaps for him about Jacques Eloi des Mondes, the conjure doll, and the silver pin, mentioning that “the power of the Great Serpent made him an eternal prisoner” for three hundred years.

Raxl: “Jacques Eloi Des Mondes! It must be he who walks. It must be!"   Matt: "Impossible!" Raxl: "You believe in God, but what about His work?” [I think this is a line flub for “word,” which would make more sense in context.] “I trust the Tarot cards, but what about the words of the woman who reads them?" Matt: "I'm a messenger, not a convert." Raxl: "One conjure doll, one silver pin. If that pin were still driven into that doll's head, we would all be safe."   Matt: "Raxl, that is witchcraft!" [And reading Tarot cards--a form of divination--isn’t?] Raxl: "Do you feel safe, Reverend?"

He gazes at the portrait of Jacques without another word until Jean Paul returns, explaining that he had to apologize to Quito after inadvertently hurting his feelings earlier, most likely with what he said about zombies. He asks Matt if he’s started preparing a speech for the funeral service, and an argument erupts between the two of them:

Did I mention yet that Jean Paul is more than a bit of a control freak?

Jean Paul decides that maybe Jacques had the right idea as far as the detained-guest thing went, and so puts the island on lockdown: “There will be no further trips to the main island and no trips even for mail until a matter between the Reverend and his conscience is resolved.”

Jean Paul is a male example of what is known in certain fandoms as a yandere, or a character who is madly in love, enough to hurt and even kill anyone who they believe is standing between them and their love interest.

Meanwhile in the basement, Raxl performs a ritual to contact the Conjure Man using Vangie’s Tarot cards while Quito enters the Not-So-Hidden Temple. And with that, the episode ends.

Raxl and the Tarot cards.

This was an interesting episode, with Matt as the central character for a change. The major theme of this episode seems to be belief, and how, whether seen through the lens of science (Alison), Christianity (Matt), or voodoo (Raxl), Jean Paul’s plans to revive Erica appear crazy at best and dangerous and/or sacrilegious at worst. There’s also the suggestion that Erica might return as a zombie, which does not seem to bother Jean Paul as much as it should (make of that what you will). Did it make up for the badness of Episode 91? Yes. It’s genuinely a good episode, even though some of the lines don’t make sense--but I think that at least most of those are line flubs.

Coming up next: Raxl sends a message to the Conjure Man, so Jacques decides to interfere. Also, Jacques’ portrait becomes much stranger.

Notes

* I don’t know the exact original airdates for most episodes of Strange Paradise. Maljardin aired from October 20, 1969 to January 19, 1970 in Canada according to StrangeParadise.net, but the show premiered in the United States on September 8, making the US six weeks or 30 episodes ahead of Canada. The YouTube user retronewfoundland has the endings of several episodes on their channel with the original Canadian airdates. The nearest episode to Episode 91 that retronewfoundland has a clip from is Episode 84, with the airdate of February 17, 1970 (a Tuesday). This means that (according to my calculations) Episode 91 would have most likely aired in Canada on February 26, and in the US six weeks earlier on January 15. Either date places it contemporary with the Leviathan arc, which lasted from November 14, 1969 to March 27, 1970 (source).

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