#smiley raxl

[michelles-garden-of-evil]

Episode 32 Review: Sea Fever

{ Not available on YouTube }

{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

{ Screencaps }

I apologize for the delay in posting this review. Once again, I’ve been busy in real life and didn’t have enough time to work on it last week. (And so soon after starting my Shadow Over Seventh Heaven review series!) But now I’m back and I have enough time to write about my favorite show again--and, in a week or so, hopefully enough to continue my other review series as well.

This is the first episode to differ completely from the Lost Episode summaries published in various U.S. and Canadian newspapers--and therefore probably the point at which the original outline and the final one began to diverge. Episode 30′s summary described an event that happened in the episode, but whose cause appears to have been changed during forced rewrites; last episode’s was still accurate after revisions; but this one’s summary is the first to describe a scene absent from the final, aired episode. (More on that later.)

Shall we begin this review? This episode features some of the darkest Jean Paul (yes, Jean Paul!) dialogue thus far, along with many entertaining facial expressions as multiple characters feast on the scenery. It’s a wild ride with a genuinely scary scene, and, if you like those things, I think you’ll enjoy it.

We open right where last episode left off, with Elizabeth reacting to Jacques’ little comment about Holly and how he would stake her life in a bet that Vangie couldn’t contact Erica in the planned séance. ”Jean Paul,” she shouts, “your inference that I would harm my daughter to take her fortune for my own is insulting and in bad taste: something I’d never expect of you!”

The handsome devil replies, “Your strong defense against a simple query lends credence to a simple supposition”--which is just a fancier, less archaic way of saying “the lady doth protest too much.”

She flounces and runs into Vangie at the door--figuratively, not literally, although that would be amusing. “You interrupted Mrs. Marshall’s romantic exit from which there might be no return,” Jacques comments, which sounds suspiciously like foreshadowing.

The conversation drifts to the séance and how Jacques is most definitely not going to back down because he’s not a coward, and then, suddenly,

Vangie SCREAMS!

Apparently, every time a female character other than Raxl screams, she has to try eating her hand immediately afterwards.

She’s screaming because she can sense that someone is tampering with the cryonics capsule. And, at the same time that this happens, Jacques also de-possesses Jean Paul:

I’ll let these headache faces speak for themselves.

Jean Paul who threatens to kill anyone who tampers with the capsule. Very nice (not)! Normally, I find his concern for Erica romantic, but this is going too far. He reminds me of the captain in the CBS Radio Mystery Theater episode "Sea Fever" (also by Ian Martin) who…well, I don't want to spoil the ending, but let's just say that he is even crazier in love than Jean Paul. It isn’t one of the best CBSRMT dramas, but it will likely chill your bones. It certainly chilled mine.

Love this shot of Colin Fox backacting while Paisley Maxwell and Angela Roland stare at him with wide-open eyes. This episode is full of unintentionally funny facial expressions.

Jean Paul hurries back to Maljardin with Elizabeth and Vangie, and heads to the crypt immediately to see Raxl about the capsule. She recaps to him about the capsule tank’s malfunctioning in the previous episode. He asks who discovered it; she tells him Dan, which only makes him more suspicious of him. SHe also recaps to him about how Alison and Dan are searching for the cyanide that he stole from the lab. “Everyone questions my changes of mood,” he shouts. “Now I must question changes in others!...There is danger hiding everywhere on Maljardin. It has a history that has plagued the family, that will plague all who pry into my affairs!"

While Vangie questions the sincerity of Elizabeth’s devotion to Jean Paul above, Jean Paul leaves red flowers on the cryocapsule and announces his planned next moves to his love: “Erica, my dove, now [there] are some people here on our island who would destroy the process by which you will be returned to me and fill my arms again, but I promise you, no one, no one under any consequences [line flub], will live again if he or she causes you to remain forever dead!"

A beautiful shot of Jean Paul with flowers for Erica.

When Raxl next joins Jean Paul in the crypt, she tells him that “only the priestess of the Serpent knows what is really on their minds.” Jean Paul mentions that she has told him before about the human sacrifices that the priestesses used to perform on the island--which is not recap (as we have only heard her tell Matt about them so far), so she must have told him sometime before Erica’s death. She insists that, although that was true long ago, their altar has not been used for them since Jacques's time.

“But, if his evil can rise again, as you fear,” he begins, implying that he wants to start making blood sacrifices.

“No! Please, M’sieu, no!” Raxl interrupts.

“I will do what has to be done, Raxl. Nothing more, nothing less.”

Raxl draws the Sign of the Great Serpent in the air and the same Great Serpent symbol that's in the Temple appears on screen. It’s a cool effect and not something that’s ever seen in any other episode.

She leaves the crypt, looking back at Jean Paul a few times, probably in complete disbelief that he wants her, daughter of the unseen Priestess of the Serpent, to sacrifice Dan and any other troublesome guests to protect against THE DEVIL JACQUES ELOI DES MONDES. This is a shocking new low for Jean Paul Desmond, and shows the darker side of his character. This is a man who, even without a curse and even when he is not possessed, is capable of murder because of his obsession with his love interest. This is a male yandere.

She sees Matt in the Great Hall, who tells her that he’s searched all over Maljardin and that there must be many hidden rooms there. It turns out they have both searched in every room they know about and still have found neither the missing cyanide nor the conjure doll and silver pin. He demands that she tell him the legend of Maljardin and that old black magic. And so we learn from her some very important background information, some of which is never brought up again:

Where there is evil, there is magic. Where there is magic, strange things happen, but first there must be evil, and there is!...Before the time of Jacques Eloi des Mondes, when this house first stood, it was a palace of kings and there were many people here until this island became his!…Only the greedy and foolish [natives] remained, and none who left ever returned.

There is a curse here, Reverend: him, that devil!

The implication is that Jacques did not build the château, but took it from someone else, which connects to his revelation about a month earlier that he was a “free looter”--or, in other words, a pirate. Matt argues that Jacques cannot still hold control over Maljardin because he died three hundred years ago, but Raxl says that “for some of us, three hundred years is but the span of a single lifetime,” indirectly revealing her true age to him.

She smiles at him right after she reveals to him that she’s centuries old. I think this is the first time Raxl smiles on the show, and the only time in the entire Maljardin arc.

Matt asks about the natives who stayed on the island, and Raxl says of them, “They died very soon. It was the curse on Maljardin. Have you ever seen a man who has lost his soul, Reverend? Their eyes down, the fishermen no longer fish, the children cease to play. They do no more than sit and wait [for death]...Since then, no native has ever tried to settle on Maljardin.” Only Vangie, the Conjure Woman, can go back and forth to and from the island “on the wings of the Great Serpent,” but she, too, is destined to die someday on Maljardin.

At the end of this scene, Vangie enters and adds that she doesn’t know when she’ll die, because the tarot cards did not (and cannot?) give her an exact date. This would seem to make her death on the show a foregone conclusion, but that may or may not be the case. (I say that not only to avoid spoilers, but also because the show and the original scripts give the Conjure Woman radically different fates, as we shall explore in future reviews.)

Meanwhile, down in the crypt, Jean Paul is still talking to Erica about how he is determined to kill anyone who interferes with the cryonics process when Jacques starts intruding on his mind. Like in Episode 27, the special effects team illustrates this by superimposing Jacques’ face from the portrait over that of Jean Paul when he is talking to him:

The best example from this episode.

None of Jacques’ lines in this scene are as funny as those of the old, pre-Lost Episode era Jacques, even if Fox-C still delivers the devil’s lines with the same amount of sarcasm and relish as before. His best line this time around is, in my not-so-humble opinion, “Suppose we just whisper so dear Erica may sleep.” I miss early Jacques’ jokes already--yes, even the ham-handed, cornball puns--and it hasn’t even been a week’s worth of episodes since the last.

We cut to Raxl and Vangie in the Great Hall, discussing the upcoming séance. Vangie says that she wants to find out if Erica’s spirit genuinely wants Jean Paul to continue mourning her and keeping her frozen. She insists that Raxl let her touch the cryocapsule before the séance, most likely to get a sense of Erica’s energy before they perform the ceremony.

Jean Paul: “What are you doing!”

Raxl: “Please, M’sieu. The Conjure Woman is trying to help.”

Jean Paul: “Only for a séance, Vangie. Erica must remain undisturbed.” Vangie: “And if you don’t like what you learn?” Jean Paul: “I’ll face that--when the time comes!”

The Lost Episode summary indicates that, at some point in the original draft, Raxl and Vangie had a conversation about Jacques, and Raxl would have told her how she can tell him and Jean Paul apart. As I’m sure many of you have realized, Raxl and Vangie oscillate between knowing that Jean Paul is being possessed and merely suspecting, depending on the episode. In the original Episode 32, Raxl would have known when Jacques is controlling Jean Paul’s body and Vangie would have only suspected until after Raxl explained. Ruling out all obvious non-diegetic clues such as the vanishing portrait shots and Jacques’ theme music, she could have said any number of things, including:

His energy/aura changes (although, logically, Vangie would notice that, too).

He wears the ring from the portrait (which we know is diegetic, because Elizabeth commented on it in Episode 13).

He opens his eyes really wide and makes silly faces.

He makes corny puns Never mind, we’re not doing that anymore.

He acts far too cheerful for a man who is supposedly mourning his dead wife.

He talks about kippers.

Etc.

I suppose we’ll never know which one(s) she mentioned, but I suspect #1, #2, and/or #5. Anyway, Jean Paul leaves to return upstairs and Vangie continues whatever she started doing with the capsule. He orders Jacques to “stop turning people against [him],” which he refuses to do, threatening to keep Erica dead if he doesn’t shut up about it.

“When we really get into the battle, someone has to die,” quips Jacques.

“Perhaps it will be you!” shouts Jean Paul in response.

“Or you, Jean Paul Desmond,” the handsome devil replies. “Or will you be preceded by one of our guests? Now let me see. A likely candidate could be...”

Jean Paul turns away from the roars of laughter, and the episode ends before Jacques can name the guest(s) he plans to murder.

Could it be Vangie? Or Holly? Dan? Alison? Even Elizabeth?

This episode was a fun one to watch, and probably the first review I’ve completed in only one day since sometime last winter. Jean Paul’s willingness to put everyone’s life on the proverbial line to save Erica shows a dark side to his nature that mostly vanishes at the end of this story arc--which is a shame, because I find morally ambiguous antihero Jean Paul the most interesting version of his character. I recommend this one, if you have access to it.

Coming up next: A Quito-centric episode where the detained guests learn shocking truths about Jean Paul’s manservant.

{ <- Previous: Episode 31   ||   Next: Episode 33 -> }

[michelles-garden-of-evil]

Episode 16 Review: Jean Paul’s Latest Detained Guest

{ YouTube: 1 | 2 }

{ Synopses: Debby Graham | Bryan Gruszka }

{ Screencaps }

I wasn’t going to start working on another review until next week at the earliest, but I have been re-watching the Agatha episodes from Desmond Hall and, oh my Great Serpent, are they terrible! I don’t wish to spoil too much of what happens then because those reviews are a long way in the future, but I will say that (1) I can’t stand Agatha Pruitt and (2) while some episodes of Desmond Hall Part I have decent writing, in others the writing is very, very, very bad. I can’t help but feel sorry for the fans of both this show and Dark Shadows in early 1970, because Agatha would have been swanning around Desmondton getting on everyone’s nerves during the same period as one of the least-loved arcs on DS, the Leviathan arc.*

Normally, I would type out my complaints about Desmond Hall in the OneNote notebook where I take screencaps and save them for when I write those episode reviews in a year or two. However, I felt that I had to mention the awfulness of Episode 91 in this post, because that is what compelled me to return from my hiatus early. I needed to remind myself why I like this show enough to dedicate a whole blog to it, and so I took a (metaphorical) trip back to Maljardin to re-watch and review Episode 16.

Our mascot!

On the last episode, Jean Paul hired Reverend Matt Dawson to conduct a funeral service for his wife Erica, still frozen in the cryonics capsule  and awaiting her resurrection by THE DEVIL JACQUES ELOI DES MONDES. Now Jean Paul--who has changed into a very nice pinstripe suit--is showing Matt the crypt at Maljardin where the capsule is located. “Even with the electrical connections, the compressor and cryonics capsule, I think this probably will be the best place for the service,” he says to the horrified minister. “Don’t you think, Reverend Dawson?” All Matt can do is smile and nod in response while privately questioning the life choices that led to this moment.

He’s probably thinking, “I left my ministry to stalk a 20-year-old full-time for this?!”

Jean Paul continues interviewing him. “You have no objection to a service without a burial?”

“No,” Matt shakes his head. “I have officiated at many such services, where the body is usually placed in the family crypt.” Considering that the vast majority of families don’t have family crypts--at least not in their basements--I think that he’s humoring Jean Paul. After all, he’s seen so many red flags already--the isolated island, the extreme secrecy, Jean Paul’s reluctance to tell anyone about Erica’s death, the whole cryonics/resurrection thing itself, and now his insistence on conducting the funeral service around a cryonics capsule.

He questions the idea that a body held in cryonic suspension can be brought back to life, and Jean Paul continues to deny that Erica is forever dead. He also continues to insist that the usual laws of nature don’t apply on Maljardin, and that on that island he is God:

Yes, Reverend Dawson, your new client thinks he’s God. There’s another red flag for you, Matt, that Jean Paul Desmond is not a client that you want to work for and you should probably cancel the agreement, give up on Holly, and try to get off the island while you still can.

Jean Paul tells him of a man who was allegedly brought back to life after dying in a blizzard, and who lived three decades as “a soulless corpse, like a zombie” before dying again. After saying “zombie,” the camera cuts to Quito who is spying on them, confirming that Quito is indeed a zombie--although, considering that Quito has emotions (which he expresses through body language) and pets whom he clearly loves, the “soulless” part is unlikely.

Did he offend Quito when he called zombies “soulless corpses,” I wonder?

It’s at this point that handsome devil Jacques takes over and starts trolling Matt. “You are a theologian trapped by your own logic and teachings,” he remarks with a mocking smile. “When you run out of answers, look to the fire god. He’s got some new ones, new for even you.” Which goes over about as well as proselytization usually does: that is to say, not at all, especially without one of those poorly-written smiley-face tracts that are absurdly popular with Christian fundamentalists. But Jacques, unfortunately, is straight out of copies of SMILE THE FIRE GOD LOVES YOU and so has to resort to confusing Matt (and us) with non sequiturs instead:

Jacques: “I don’t advocate or procrastinate.” (That has to be a line flub.) “I live and let live.”

I’m surprised he didn’t bring up the age-old theological question about how many angels can fit on the head of a pin and awkwardly try to connect that to the situation as well.

Matt storms out and Jacques stays behind to gloat. “I haven’t had so much fun,” he quips, “since one of my colleagues fiddled while Rome burned.” This reference to the Roman emperor Nero is without a doubt the clearest evidence so far that Jacques is indeed supposed to be the Devil, who at some point came to occupy the body of Jean Paul’s ancestor.

Back in the great hall, Matt returns to stalking Holly, who once again rejects him, because stalking only leads to mutual love and committed relationships in bad romance movies. He insists that he has something important to say to her, and she agrees to listen, but only for five minutes. He insists that Elizabeth doesn’t like him and that he followed her to Maljardin because he “thought [she] might need [him] for protection, guidance, maybe even comfort.”

According to StrangeParadise.net, this is an allusion to a real person, Reverend Harold Davidson, described in more detail on this page. I won’t copy Davidson’s bio on here because of its length, so I’ll just quote Holly by calling him a “lecherous minister.”

She rejects him, he leaves with his proverbial tail between his legs, then she proceeds to mope while sprawled in Jean Paul’s favorite chair for arguing with Jacques. Alison finds her there and asks what’s wrong, so she starts to explain before Matt arrives again and interrupts by insisting that he’s not trying to keep her from her inheritance like she claims. He’s right, but that doesn’t change the fact that Elizabeth is using him to do just that. Now it’s Holly’s turn to flounce, and she does it with more gusto than Reverend Stalker.

He talks to Alison, who fills him in on the whole situation, speaking again about how Jean Paul thinks he’s God and also about how Matt is now a prisoner on Maljardin.

Alison explaining the concept of a detained guest to Matt.

Matt suggests that Alison get Raxl to try to reason with Jean Paul, unaware of how well that didn’t work out a week before, He insists, though, that “perhaps these Tarot cards [that Vangie gave him in Episode 14] will sway her.” Although Alison is skeptical and so is Raxl upon her arrival, that all changes when he gives her the pack of cards and tells her that Vangie said “that [she] should use them for everyone’s good.”

She knows instantly that Vangie has predicted that Maljardin is doomed.

An interesting conversation between the two follows. Matt reveals to her that she should contact Vangie at “the third hour” (3 AM, also known as the “witching hour” or “demonic hour”), which means nothing to him but “everything” to her. She recaps for him about Jacques Eloi des Mondes, the conjure doll, and the silver pin, mentioning that “the power of the Great Serpent made him an eternal prisoner” for three hundred years.

Raxl: “Jacques Eloi Des Mondes! It must be he who walks. It must be!"   Matt: "Impossible!" Raxl: "You believe in God, but what about His work?” [I think this is a line flub for “word,” which would make more sense in context.] “I trust the Tarot cards, but what about the words of the woman who reads them?" Matt: "I'm a messenger, not a convert." Raxl: "One conjure doll, one silver pin. If that pin were still driven into that doll's head, we would all be safe."   Matt: "Raxl, that is witchcraft!" [And reading Tarot cards--a form of divination--isn’t?] Raxl: "Do you feel safe, Reverend?"

He gazes at the portrait of Jacques without another word until Jean Paul returns, explaining that he had to apologize to Quito after inadvertently hurting his feelings earlier, most likely with what he said about zombies. He asks Matt if he’s started preparing a speech for the funeral service, and an argument erupts between the two of them:

Did I mention yet that Jean Paul is more than a bit of a control freak?

Jean Paul decides that maybe Jacques had the right idea as far as the detained-guest thing went, and so puts the island on lockdown: “There will be no further trips to the main island and no trips even for mail until a matter between the Reverend and his conscience is resolved.”

Jean Paul is a male example of what is known in certain fandoms as a yandere, or a character who is madly in love, enough to hurt and even kill anyone who they believe is standing between them and their love interest.

Meanwhile in the basement, Raxl performs a ritual to contact the Conjure Man using Vangie’s Tarot cards while Quito enters the Not-So-Hidden Temple. And with that, the episode ends.

Raxl and the Tarot cards.

This was an interesting episode, with Matt as the central character for a change. The major theme of this episode seems to be belief, and how, whether seen through the lens of science (Alison), Christianity (Matt), or voodoo (Raxl), Jean Paul’s plans to revive Erica appear crazy at best and dangerous and/or sacrilegious at worst. There’s also the suggestion that Erica might return as a zombie, which does not seem to bother Jean Paul as much as it should (make of that what you will). Did it make up for the badness of Episode 91? Yes. It’s genuinely a good episode, even though some of the lines don’t make sense--but I think that at least most of those are line flubs.

Coming up next: Raxl sends a message to the Conjure Man, so Jacques decides to interfere. Also, Jacques’ portrait becomes much stranger.

Notes

* I don’t know the exact original airdates for most episodes of Strange Paradise. Maljardin aired from October 20, 1969 to January 19, 1970 in Canada according to StrangeParadise.net, but the show premiered in the United States on September 8, making the US six weeks or 30 episodes ahead of Canada. The YouTube user retronewfoundland has the endings of several episodes on their channel with the original Canadian airdates. The nearest episode to Episode 91 that retronewfoundland has a clip from is Episode 84, with the airdate of February 17, 1970 (a Tuesday). This means that (according to my calculations) Episode 91 would have most likely aired in Canada on February 26, and in the US six weeks earlier on January 15. Either date places it contemporary with the Leviathan arc, which lasted from November 14, 1969 to March 27, 1970 (source).

{ <-- Previous: Episode 15   ||   Next: Episode 17 --> }