#he's surprisingly underrated!

[brights-place]

could you maybe do dating capper from my little pony?? you dont have to! im not even sure you do much other than trolls, ahah

Capper Dating Headcannons

Pairings: Capper X Reader

Warnings: Fluff

A/N: LOVELY! HAVE YOU SEEN MY MASTERLIST AND ALL THE FANDOMS IM IN?! LOVELY PLEASE GO TO MY MAP I DO MORE THE TROLLS SO DW HONEY! plus my Map is pinned on the top of my account when you see my blog ₍⑅ᐢ..ᐢ₎

- Okay but what capper did at first in the movie like planning to sell twilight and her friends I was like “Uhm BITCH?!” - Anyways heres the dating headcannons for Capper that little cat bastard who I contemplate whether I like or hate him tbh I stand my ground when he tried to sell the ponies to the circus I wanted to punt that little pussy cat SORRY SORRY! - Capper is portrayed as smooth talking, streetwise, and opportunistic, able to charm and trick others with his charismatic personality and quick wit which was something you fell for - He loves you with his WHOLE heart - Capper IS a loving and caring boyfriend though sometimes he can be an ass from time to time including his crippling debt he tries not to get you pulled into it - Loves how you treat him gently and lovingly he would stare up at you when you cup his face as he purs which he didn't know would be possible around you - He likes helping you out when he can to show you that he doesn't feel ashamed to assist you because he loves you. For him it means a lot that you are asking him to do these small tasks, he feels special. he will purr if you kiss his cheek as a reward. - Capper is not used to receiving genuine compliments, as he didn't often receive them alot due to his... career - But when you compliment him it always catches him off guard a but he eventually learned to appreciate it and it even made him feel a little sentimental and melt into your hands easily

- " I don't want to be a thief forever. I just want to find a place where we can just... be." Capper says cupping your face in his paws as you chuckle softly "No matter what happens I love you everywhere we are is better with you" you two hold each other closely - Though he is an thief and tries to pay of his debt he doesn't want you to ever EVER! be involved in his work - Cappers an con-artist, was once a swanky aristocrat living the high-life with pride and dignity which is sometimes hard to deal with in some moments yet you still love him and ask him to just tone it down abit since you didn't want people to think bad about Capper anymore

- When it comes to cuddling doesn't mind being the big or little spoon! though he very much prefers being the big spoon due to loving the fact feeling you close to his fluffy chest. - He likes it when you run your fingers through his fur or use his fluffy chest as a pillow - Capper will whisper sweet nothings into your ear and tell you how much you mean to him! - He'll place kisses along your face and cover you up a bit when you finally fall asleep don't worry he's not going anywhere because he'll fall asleep next to you and would grip onto you tighter when you leave his arms - He whines and tries to charm you to stay longer with him before you go out - Since he’s like an cat I feel like dating him would also be like having an pet cat to take care off

- Head scratches are 100% didn’t even know he liked it until you did it to him with an huge smile he was absolutely befuddled before relaxing and a low purr left him

- But at the end of the day you know that your fluffy boyfriend can be a sweetheart.

reblogs + comments are appreciated ⸜(｡˃ ᵕ ˂ )⸝♡

©brights-place 2023 — do not repost on another platform, copy, translate or edit my works! if you fit my DNI list please don't interact!

[hyunin]

omg as an aside from my tags on the last post. i briefly worked for a company that wrote letters to political reps on behalf of constituents who couldn't/wouldn't write to them themselves for whatever reason and i know for a fact that letters are WAAAAY more effective at influencing government officials than emails are, and sometimes they're even more effective than calls. emails are better than nothing but a lot of times (especially if they all have the same subject line/content) they will just be considered spam and get deleted without making it to the rep at all. letters are way more likely to make it to them for them to read! they Are more effort but that is a big part of why they're more influential too. so if there's an issue you're passionate about i rly encourage u to write a letter/letters to the people who can do something about it 🙏 there are websites out there where you can write the content of a letter to your rep and they will send it for you but i don't have any on hand atm, but otherwise writing and sending a letter yourself is not as intimidating as it might seem and is a great way to make your voice heard

[k4pp4-8]

Who's your fav out of Rad, KO and Enid?

RADICLES!!!! I love KO and Enid but Rad has always been my favorite out of the three!! Mostly bc I think he's the funniest one and I'm enamored by his patheticness and his :3 smile

[borgialucrezia]

damn i checked my followers for the first time in forever and i can't believe i'm almost at 2k when i originally created this blog only last year just to blow off some steam about the borgias by writing meta, analyzing symbolism, drawing parallels, and furthering my agenda of how lucrezia/cesare/juan should've fucked nasty

[octalians]

Hello MML fandom I would like for everyone to appreciate this particular screenshot of babby Zack

[hellishgayliath]

I love the idea of Todd being a dad figure to Pico

Me too, he's just the most dad ever

[np5enkidu]

i need fgo to acknowledge servants horses more

[leafwateraddict]

Transparency Project for Color Theory

Fun fact: all these colors are their own colors :D

[louis-quatorze]

new pathetic man alert: Freddy in The Gentlemen

[castellankurze]

An underrated piece of Final Fantasy XIV: Dawntrail character design is the way the individual personas of the three promises is communicated by their combat jobs.

Zoraal Ja - a viper, one of the two new jobs. A dual-wielder entirely focused around attacking, lacking any defensive cooldowns apart from cross-class skills. Zoraal Ja has immense skill, to the point that his entire persona is developed around that expertise. Conversely, he's surprisingly fragile and his self-image is delicate, full of self-doubt about his comparisons to his father and his "miracle" status.

Koana - a machinist. Technology is his first answer to every problem. But more than that, as a ranged class he inherently sees Tural's problems from a distance, his attitude clinical and detached, making himself an outsider to his own nation.

Wuk Lamat - a warrior. As a tank, she's durable and likes to confront problems head-on, but to tackle the biggest fights she needs to be a team player and find support (memes about WAR self-healing set aside) which fits neatly with her eagerness to make friends and will to protect Tuliyollal.

[angelbarelywrites]

♡ slashers scenarios | let’s get kinky

♡ fandoms; Halloween, Texas Chainsaw Massacre (original + 2006), House of Wax, The Boy, Dead by Daylight, slashers (general)

♡ characters; Micheal Myers, Thomas Hewitt, Bubba Sawyer, Vincent Sinclair, Brahms Heelshire

♡ reader; gender neutral

♡cw; graphic sexual content, kink content

♡notes; pretty much just kink lists babey

oh boy i hope this doesn’t reveal anything about me

also happy easter lol

•┈••✦ ❤ ✦••┈•

Micheal Myers

> Knifeplay and breathplay are a given with this one

> He likes to be in complete control

> And a hand around the throat or a blade ghosting the skin definitely help him achieve that

> He also loves both tying you up and being tied up, surprisingly

> Letting you ride him while he’s tied to the bed is just about the only way you’ll get the man to relinquish any of that control

> And even then he makes sure you know he’s still the boss- if you’re too much of a brat he’s slipping the restraints and fucking you so hard you walk funny after

> He loves marking you up, mostly through biting

> And he likes to keep the mask on- even if he’s at a point where he rarely wears it around you

> He’ll quietly degrade you if you’re into that- you have to earn praise though

> But if you praise him you may actually be able to fluster him for once

Thomas Hewitt

> Breeding kink breeding kink breeding kink you can’t convince me otherwise

> He loves pinning you down into a mating press and watching your face as he fills you

> He’s so rough and overwhelming

> He likes to lick away your tears when it’s just too much

>And sometimes he’ll keep you pinned there well after, keeping himself inside.

> He’d let you call him daddy- and god does he get into it, but he’d be too shy to suggest anything like that himself

> He loves praise and he loves letting you know how good you feel

> Not usually verbally, but he’ll growl and moan and purr shamelessly

> He’s the king of oral, he’s like a man starved and you’ll end up overstimulated 9 out of 10 times

> And he loves when you reciprocate, especially if you don’t mind him fucking your mouth

Bubba Sawyer

> He’s a bit vanilla, not having much experience or knowledge beyond sex for procreation.

> Insert Drayton’s “sex or the saw” quote here lol

> But he’ll try anything for you at least once, he’s so eager to please.

> Most notably he makes a wonderful little submissive

> Whether you want him to bottom or just power bottom yourself, he loves being used to make you feel good

> He enjoys any and all praise

> He’s rather insecure, so he loves compliments on his appearance especially

> If you call him a pretty boy he melts

> 100 percent would love if you called yourself mommy/daddy/any other dom titles

> He loves when you sit on his face more than anything else

Vincent Sinclair

> The softest dom. He wants to take care of you around the clock, but especially in bed

> He’s a service top- it’s all for you. So much more concerned with you getting off than even being touched.

> He’s into wax play (Because it’s funny but also bc it’s underrated)

> And he likes to restrain you so he can worship you completely uninterrupted

> He’s not afraid of using toys, especially when you’re all tied up and at his mercy

> He loves taking pictures of you as well

> At first he claims it’s for reference but you know better, baby has a documentation kink

> He loves just watching too

> Trying to keep control while you touch yourself and moan his name is his favorite pastime

Brahms Heelshire

> Huge brat in need of taming

> Only a switch in the technical sense- he’ll top if you beg/bribe/pester him enough. He’s just lazy tbh

> Love love loves being both degraded and praised

> “filthy little boy” “pretty little slut” etc

> Prefers calling you mommy/daddy but can work with master

> And he’ll be your puppy if you want him to be

> He wears a cute collar and leash and lets you yank on it while you make him fuck you

> He loves when you edge him too

> Until he’s nearly in tears and whining and begging you to let him cum

> If you have boobs he’s obsessed with them

> And even if you don’t he’ll give the area lots of attention

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[pomefioredove]

mirror

summary: vil falling in love with you type of post: short fic characters: vil schoenheit additional info: romantic, FLUFF, reader is yuu, reader is gender neutral, takes place during/after book 6 author's note: vilyuu is such a good and underrated dynamic I'm never not obsessed with it. always thinking about him. holding them like dolls making them kiss mwah mwah

One might be bold enough to assume that actor and model Vil Schoenheit had been a victim of Eros before.

With the world under his thumb and millions of adoring fans at his beck and call, it was easy to fantasize about the image of a shining star that had left a string of broken hearts behind him. His persona of perfection gave off such a dazzling impression that any other truth is simply unimaginable. Beautiful, talented, devoted...

...Untouchable to such a degree that the very truth of the matter was that Vil Schoenheit had never been in love. He had no use, let alone time, to indulge himself in something that he found distracting at best and frustrating at worst. For most of his life, romance was nothing but another part to play, a frustrating rumor to dispel, a disaster to witness, something that nagged at him from the outside yet never made itself a home within him.

This idea of the confident heartbreaker Vil Schoenheit was nothing but a reflection of the image he put out, shone back at him by tabloids and fan accounts. It was a hollow interpretation, fueled by fantasies of a Vil that didn't exist in flesh and blood. And so, every time an invasive interviewer or pesky reporter inquired about the state of his personal affairs, he answered truthfully: Vil Schoenheit could easily go throughout life focusing solely on his career, on improving himself, and not miss out on anything at all.

There have been very, very few things that Vil has called himself an idiot over. That answer was one of them.

Because the very second he saw you again after being separated by Styx, the want to smack you for being so reckless in coming after him was only secondary to his want to hold you and cry until his water-proof mascara was running.

Love is such a strange emotion. Vil could never understand why Rook was so obsessed with it, how the vice housewarden fell in love with every beautiful person he saw. For his whole life Vil thought it to be painful, to be distracting, to be finite and often times nothing but a shallow reflection of all of one's ugliest traits.

And now, it made him feel weak and messy. He hated feeling messy.

...And yet, what he wouldn't do to have his lipstick smeared over your mouths. To have you see him with his hair undone and eyes bleary with sleep, and to see you in that state as well. It was not the time, nor the place, but he wanted to cradle you in his arms until this terrible, sickly feeling of longing you'd left him with went away.

For the first time in his life, Vil was suddenly terrified of being alone.

No, not alone- he was terrified of being without you.

To never see your smile again would be a fate worse than death, worse than growing old and haggard. How terrible to think that just one simple person could so easily undo everything about him, and yet, he wanted more of that very feeling. He would unwrap himself layer by layer for you if you asked, taking off all of the years of discipline and poise, and lay vulnerable before you so that you could be soft and simple together. Vil had always regarded romance as difficult, but falling in love with you was surprisingly easy.

He did not have to save Grim from the Underworld, despite what he claimed. Such a risky move cost him everything he loved, everything beautiful about him, everything except for you. And as much as he mourned for himself, he knew he would do it again and again if it meant saving the smile on your face.

And perhaps he was too wishful with his thinking, but he could have sworn he saw that same familiar glimmer of affection and admiration in your eyes when you met his gaze. As if you couldn't even see the pasty, wrinkled mess he'd turned into, and were peering at something behind it.

It made him feel utterly exposed and offered him no comfort, but the thought that you were looking at something not even he could see lingered in the back of his mind, even after his magical energy was rejuvenated.

He had become so familiar with everyone around him being a mirror, reflecting his carefully crafted image right back at him, showering him with two-dimensional praises, that being seen as an object of flesh and blood and tears was a strange notion. To behold his presence and see a person with wants and needs and flaws rather than a flat surface, a decorative magazine atop a coffee table, left him with a strange feeling in his chest. The thought both bothered and warmed him.

Vil Schoenheit was so hopelessly in love with you, and it didn't hurt. It wasn't difficult or ugly or forced, it took not even the least bit of effort. He sunk into the feeling like a warm bath which never grew colder, and he let that be his new reality. It felt strange to imagine that there was a time where he didn't love you, where he didn't look at you as if you were the moon itself, where you weren't such a part of his being that he couldn't imagine life without you.

And he never expressed these feelings in words. They existed inside of him, running through his veins like the very blood that kept him alive and warm, and they weren't distracting, just another part of him that he kept tucked away to occupy his thoughts on rainy days.

...But the best part of it was that he didn't need words. Because when you looked at him, when you saw the Vil that not even he could see, you could already tell they were there. The mirror, the pane of glass that had always existed between himself and others, was non-existent for you.

Vil thought that someday he might be able to see himself through that glass the way you did, but he was perfectly content with simply looking at you instead for the time being.

[meo-eiru]

Personal opinion timeeee🙏(on your ocs)

1.) Who do you think is the most overrated yandere?

2.) Who do you think is the most underrated yandere and deserves more attention and love?

3.) Which yandere was the most fun to make?

4.) Which yandere is the easiest to draw?

5.) Which yandere do you beg to hear more headcanons of?

Omg guys if I suddenly disappear it'll be because of this ask

1- I wouldn't say overrated perse but Silas is definitely A LOT more popular than I ever expected. I mentioned before too but I was fully prepared to get shamed for it when I first posted him

2- Theo is definitely the least popular at the moment (fully my fault), but he has been on the rise lately so I think him and his fanbase are finding their footings

3- I actually have a lot of fun with Micah. I know I technically shouldn't put too much effort into goodnight drawings since they are just there to inform you guys I'm asleep but whenever I draw Micah I just wanna do a renaissance level painting

4- Surprisingly Elias! Something about him is just so easy to do, whenever I can't find something to draw my body wants to default to him because I can just shut my brain off while drawing him (Lavi is the hardest to draw if anyone wanted to know)

5- All of them!!! Send me all your headcanons no matter how silly!! I can't always answer them but they help me a lot with shaping the characters up in my head and you guys genuinely come up with such amazing stuff sometimes.

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[cartridgeconverter]

This is from Who’s Who in Mozart’s Operas by Joachim Kaiser, translated from German by Charles Kessler. I found it on archive.org.

This is possibly the nicest thing anyone has ever said about Dalla sua pace