#he's so expressive and I love his character development in the manga

[heading-down-to-georgia]

Been trying to figure out what was happening with Blue and Green in the ShadesOfRed au and got carried away imagining what would have happened if the maidens had sent the fairy to Blue rather than Red. I think in this version she is able to get there and warn him just before he gets frozen, and they end up looking for the others (and finding Green in the desert...?)

[puranami]

✿ It's The Little Things ✿

A/N: My first time writing! Admittedly I'm very nervous, but also so excited!! Kept it simple with a small headcanon list to start, but I tried to write a decent amount for each point, and I hope that everyone is in character :0 Posting at 4am because I have no control over my life...

Summary: Little relationship things with the Strawhats. Can be interpreted as the anime/manga or the live action version of the character.

Characters: Luffy, Zoro, Nami, Usopp, Sanji

Content: SFW, G/N reader, slightest hint of angst in Sanji's part, but otherwise, pure unadulterated fluff! ✿

(Part 2 - Buggy, Shanks, Mihawk) (Part 3 - Franky, Robin, Law, Kid, Killer) (Part 4 - Crocodile, Rosinante/Corazon, Doflamingo)

Luffy

✿ He absentmindedly draws shapes on your leg, back, or whatever part of you is there as you sit together, whether you are watching the waves, or listening to one of Usopp's stories. He is almost magnetic in the way he ends up attached to you. If you're not feeling it, he will do his best to keep his hands to himself, but as soon as his focus shifts onto anything else, they're back on you, drawing little clouds and hearts. He tried, he really did!

✿ This bottomless pit inhales food like it's going out of fashion, but, much to the bewilderment of the rest of the crew, he will actually feed you from his plate as he eats, even though you are eating your own food. It may be a case of "1 for you, 5 for me," but it's almost instinctive for him; he's sharing something he's passionate about with you, and making sure that, in his eyes, you are happy, healthy and strong. He values your wellbeing more than food; you are one of the most important things in his life.

✿ Despite how chaotic he is in every aspect of his life, his presence brings you to a state of complete peace, even when he's yelling about whatever currently has his attention. Just knowing he is there comforts you in a way that nothing, and no one else can. As long as Luffy is there, being the same old Luffy he always is, you know everything will be alright in the end, and if it isn't alright, well, it isn't the end yet.

Zoro

✿ He always places a comforting hand on your head when he passes by, or ends up in the same general space as you. It's his version of a hug, a reassuring touch that he is there, and that he's happy to see you. Zoro is very subtle with his affection, at least in public, but even when it's just the two of you, he automatically defaults to the head pat. It comforts him as much as it does you, and the simple action alone conveys his feelings far better than he ever could with words.

✿ You both love silently observing everything going on around you, and it's such a comfortable silence. You just enjoy each others company while watching the world go by, with Zoro also keeping an eye out for any threats, as he does. Sometimes you end up passing silent judgement on what you see, and you have both developed this uncanny ability to gossip without saying a single word. It's honestly unnerving at times, but you are just so familiar with each others micro-expressions that it's second nature.

✿ Insults are terms of endearment. If anyone else called either of you such things, all hell would break loose - swords drawn, blood spilt, bodies hit the floor, the whole song and dance. It actually started out as a form of deflection, with both of you being far too stubborn to admit any feelings were there, even to yourselves; "No, I don't like you, shitstain, I tolerate you." - "Whatever helps you sleep at night, arseface." As you connected though, it just became your thing, and you love seeing who can come up with the funniest insults. Zoro is surprisingly creative in this regard.

Nami

✿ Nami has a habit of fixing your clothes and hair if something is out of place. It can seem overbearing to others, but she knows you appreciate the gesture. She spent years putting up walls to defend herself, and this is a safe way for her to have a little moment alone with you, giving you gentle little touches without revealing to the world just how important you are to her. It is a very grounding experience for both of you, and you end up doing the same for her on the rare occasion that she isn't completely flawless. She may purposely put things out of place so you have the opportunity to fix something too.

✿ She has an eye for the finer things, and loves getting you little trinkets, and especially pieces of jewellery, which often match or pair with hers, like pendants that fit together to make a whole shape, and such. Just don't ask her where she got them; "Shhh, you don't need to worry about that." All that matters is that you now have a tangible connection to each other, no matter how close, or far apart you are.

✿ Another person who relishes in comfortable silence. Of course you love chatting with each other, and often do so later into the night than you intended. Nami is very quick-witted and your shared snark is always so enjoyable! But it's the moments when you are doing your own thing together, basking in the warmth of that closeness that brings the most joy. Every so often, you will share something interesting or amusing, depending on what you're doing, but you always return to that silence. It's very domestic.

Usopp

✿ You both end up in regular fits of giggles, that grow into raucous laughter, before devolving into the sounds of various suffocating wildlife, which only fuels the hilarious fire. He doesn't even have to say anything at times; he just has a look, and as soon as he catches your eye with it, you absolutely lose it. The amount of nonsensical inside jokes you have is absurd in itself.

✿ Ever the storyteller, Usopp will wind down the day with you relaxing under the stars, telling you fantastical stories about the impossible feats of the great 'Captain Usopp.' His creativity and imagination are something you greatly admire, and as much as you try to stay awake to appreciate those qualities, the comfort he brings has you dropping off every time. He'll carry you to bed most nights, but sometimes he can only manage to drag you around like a corpse he's trying to hide, and he'll end up waking you up laughing about it.

✿ You automatically link your little fingers whenever you are close enough to. It doesn't even register half of the time, only realising when you need that hand or try to go your separate ways. When this happens, providing there isn't anything that needs your urgent attention, you like to dramatize your parting, playing up that this is the most painful moment of your lives! "Don't you dare let go, Usopp! We can both make it out of this alive!" - "I'm so sorry, I can't hold on any longer, and I refuse to drag you down with me." - "No! Don't say that!" - "I love you so much, but you need to let me go..." Leading to you unlinking your fingers, and exaggerated fake cries of anguish. It annoys everyone around you immensely.

Sanji

✿ You shamelessly flirt with each other, making everyone around you uncomfortable, groaning at how painful it is. You weren't together when you started playing this romantic game of chicken, giving back everything Sanji threw at you, and then some, but once you figured your feelings out, you actually developed it into a legitimate game where you attempt to be as sickening and obnoxious as possible. If there is no one grimacing, angrily telling you both to pack it in, or simply leaving the room; you aren't flirting enough. There is a points system, and you're currently in the lead. Sanji ends up caving over the things you say, and his brain loses the ability to form words, let alone string them together in a coherent sentence.

✿ Sanji always leaves a drink and a bite to eat for you to wake up to, since he isn't there in person, having to wake up much earlier to prepare the food for the day. Growing up in a restaurant, early starts are just part of his natural rhythm, so it doesn't bother him, but sometimes you try to wake up with him to at least watch the sunrise together, before going back to bed for a couple more hours. He cherishes those mornings, and there is always an extra spring in his step on those days.

✿ He takes every opportunity he can to share a glance and a warm smile, a gentle touch of your hands, or a chaste kiss with you. They are agonisingly brief moments, but Sanji needs them to get him through the day, otherwise he would just cling to you, and neither of you would get anything done! Unknown to you, these moments are also his way of reminding himself that you chose him over everyone else, that he is loved unconditionally, and that he is enough, without having to, in his opinion, burden you with his insecurities. He'll open up to you one day, and you will be able to give him verbal affirmations along with everything else~

[lunahearts]

Okay I'm doing it. I'm chapter 96 posting.

This is not meant to be a big analysis post this is mostly just me sharing all the little moments that Marcille & Laios show their care for each other because they are SO beloved to me. Join me on the journey if you wish.

(but also the above statement may be a lie. I do have a point here, it turns out, and the point gets at some of my Big Feelings of what Dungeon Meshi has to say about the nature of friendship & living in the world)

So, first of all, the conversation about Laios being king at the start of the chapter. Just in general Laios insisting on presenting himself in his own way here is so good. Character development!!

Before the events of the story he hadn't shared his inner world with anyone but Falin. Now he's like Actually I'm gonna dress up in the discarded remains of my monstersona and that's just how it is.

And even though there are a LOT of parts of the story and bits of character growth that go into this, I think it specifically highlights some interactions from a few chapters ago.

After all, his initial reaction to having been in that monster form & coming out of it was trying to hide from everyone.

And I think everyone helping him put things in perspective here contributes to how he is able to present himself as king. They assure him that he is accepted, despite having just been seen by EVERYONE at his Peak "Weird Monster Guy" mode.

Highlighting what Marcille says here especially:

Going out to "face them with a smile" is EXACTLY what he does. Not right away. He's still pretty stressed in the following scene in this chapter. But he is able to face the crowds with a smile, eventually...

As king. Dressed in the memory of his most vulnerable moments, the most honest expression of his desire.

BUT I'M GETTING A LITTLE AHEAD OF MYSELF. Before the King Laios speech, there's a little moment with Marcille I want to highlight, because...

Did y'all know that by the end of the manga, Marcille isn't like... grossed out by eating monsters any more? Or at least, she's definitely changed her reaction to it. It's Namari who makes the "yeah it smells good despite what it is" comment, not Marcille.

We even get shots later of Tansu, Shuro, and Kabru being kinda grossed out by - but still going ahead and eating - the different Falin foods. Chilchuck also throws out a line about it being surprised that it's good.

But there's no disparaging comment from Marcille, despite the Everything of the situation. I just think that's also a nice little detail. She may not be as far in the monster eating game as Laios, but she's more willing to roll with the weirdness.

So after this little moment, this is when Laios comes out in his new regal outfit. And first of all...

This is such a good contrast to the moment when the group goes to save Marcille in chapter 84. The monsters had stopped attacking, and everyone's reactions to Laios and the others framed him as unsettling. Creepy. Maybe even traitors.

They even use some of the same labels (lord of the monsters/lord of the dungeon, dark lord/demon king)., but the context is that they are disgusted. The parallels in this manga....

Have a tendency to destroy me. What a difference in reception.

Anyway, after this moment, Laios stops to talk to the group... and I'd like to point out again: MARCILLE ISN'T FLIPPANT HERE EITHER!!

Chilchuck is still Chilchuck, of course, and I want to be clear I love that, too. Chilchuck is who he is to his core. His little jabs are very affectionate in this chapter.

But Marcille... Marcille only points to the Winged Lion symbol as being weird, not the monster bits. And like, considering what she's just been through with the lion, being skeptical of that part is... fair.

(don't get me wrong, her "that's fine and all" isn't exactly excitement. BUT the point I'm trying to make is less about her completely changing her feelings & preferences. It's more about how she expresses them, and how she treats Laios and HIS feelings & preferences)

And she continues to be so encouraging!! Wah!! Like, despite, all four of these people definitely caring about Laios, it's Marcille specifically who tells him to relax and just be honest. And you know what? I think that's what Falin would have said, too.

Please also note how cute everyone's little faces are in the crowd:

(see, Chilchuck loves him too!! Look at that fond face, and the cheer. and Senshi! and Namari! They really are such a family)

Laios' short speech actually has a little bit I'd like to highlight as well, since I think it is a nice little reflection of his choice to keep the lion insignia on his new outfit:

"Eat to your heart's content," he says. Not just "enjoy," or "let's eat."

Dunmeshi does such a wonderful job of framing so much about the Winged Lion with nuance, and this is a good example of that. Desire is not bad! Craving and consuming is beautiful. As Laios says when explaining the lion insignia...

It's not just something to get rid of.

So then... on to the feast!

And not only does Marcille not express any grossed out feelings, as I mentioned before... she even helps to gross out Chilchuck!!

Her weird girl powers are only just in their infancy. She will only grow more powerful in time...

As the feast goes on of course we get the group's realization about her hair, and I'd like to point out:

I really feel like they have such similar reactions to finding out about how the other has been affected by the Winged Lion

Just... the quiet concern. Not making a huge fuss, but... worried. Understanding. A little heartbroken for each other.

SPEAKING OF HEARTBROKEN REACTIONS THOUGH. WHAT COMES NEXT REALLY GETS ME.

After Chilchuck braids Marcille's hair for her, the topic of her needing to leave everyone comes up and...

God, these expressions. Every Time I see these panels I think about about what Laios saw in her nightmare. Her fears. The weight of inevitable loneliness, and the way it has marked her. As much as Marcille tries to keep things light when talking about it, he knows what this means to her. And it HURTS.

So he doesn't accept it. But do you notice how he frames this. Do you see. Not "do you want me to fix this." Not "hey I have an idea."

"Would you be willing to stay."

He doesn't know whether she will accept. Whether she will hate the idea, actually, of staying here with him. He's putting himself out there fully prepared for rejection & dismissal, as he has faced many times before.

But his pitch, his proposal to her, it's not JUST an excuse to ask her to stay, either. He's put thought into this. Into what Marcille could mean and do here. Not just to and for him, but for the people of this area. The place he has taken responsibility for.

He's also thinking about Falin. And about all the other little girls, the people of all sorts, just like her. He's thinking about the people who have been killed (burned at the stake???), hurt, shunned. About the people who have been abandoned. The people who are still alone.

He's not just offering Marcille an out from her isolation, he's offering her a new purpose. A new way to continue her work, to do the things she cares about. He SEES her! he understands her.

BUT ALSO HE'S SO NERVOUS OUGH. FIDDLING WITH THE PLATE. UNSURE IF SHE WILL CARE. UNSURE IF HE HAS IT RIGHT.

HE'S NOT GOOD WITH PEOPLE HE'S NOT GOOD AT THIS.

BUT THEY UNDERSTAND EACH OTHER. AND SHE WANTS THIS LIFE HE'S OFFERING HER.

Still... it's not that simple for her, even if for a moment she is swept up in how much she wants this.

Again here, Marcille is working so hard to be chill about the whole 'going west with the elves' thing. She looks absolutely devastated in the first panel, but puts on a smile in the second.

Maybe she doesn't want to bring down the mood. Maybe she doesn't want to burden everyone with what seems like the only option she has. Maybe she had already accepted the cost that might come with bringing Falin back. Maybe after everything with the Winged Lion, she doesn't want to risk letting herself fight for her desires too hard.

But hey. Desires aren't always bad. They aren't something to just get rid of.

A small bit of visual storytelling here... I love that Marcille is confined by the panel, but Laios is stepping outside of it. He's literally pulling her outside of the box she feels trapped in.

Also, I love that his first acts as king are:

1) welcome everyone to a big feast

2) stand by his friend and help her find happiness

It's great stuff and it's so Laios.

In addition to that, I love how this whole act actually plays out. I love that, while getting the elves to let Marcille go, he gets to be extremely cool and protective...

but also like. Not THAT cool and protective.

No really, I mean it! I think it's important! It's important that cool 'suave king guy Laios' is a front he puts up when he needs to deal with these strangers, and one that he completely drops once it's just him and Marcille.

He's not trying to impress her, or convince her he's cool and suave. Why would he? He trusts that she's okay with the messy, often unimpressive, sometimes kinda gross reality of who he is.

And isn't that what Dungeon Meshi is all about? Messy, unimpressive, gross reality. And how beautiful, how wonderful, how very precious it is

Especially when you get to share it with your friends.

[mandalhoerian]

sacrosanct | leon kennedy x reader | 1

NEXT >

pairing: leon kennedy x f!reader

summary: Leon, a paladin of the temple who became a disillusioned oathbreaker, returns from years of war with a noble title and shattered faith. Once devoted to the Saintess who healed him, Leon's admiration has twisted into repressed desire—feelings he could never express, tainted by guilt and shame. Now a celebrated hero, he’s drawn back not to the kingdom’s praises, but to the chance of one last glimpse of you to move on with his life.

The god he abandoned has other plans for him.

word count: 14K (i am so sorry)

warnings: descriptions of war, suggestive themes, slow burn so it's only sensual for now, religious shame and guilt

disclaimer: this work contains Catholic imagery that is a part of rofan manhwa worldbuilding tropes. "the saintess" trope itself isn't a saint in accordance with Catholic traditions, it's just a character archetype that developed over time in the isekai genre and means more of a "holy maiden chosen by god" and "healer" with "divine powers" protected by the "church" of that specific fictional world. however, i did my best to do my research. this work has nothing to do with Christianity or any other religions and is totally fictional. please keep that in mind as you proceed!

author's note: mandalhoerian goes back to her reader era! please say thank you to @chesue00 for allowing me to use her artwork in this fic, I wrote a whole scene that depicts the art piece which was the whole inspiration for this 3-day frothing at the mouth frenzy!!!!

now, Sacrosanct is a blend of tropes i love in rofan manhwa/webtoon/mangas that are my favorite, so prepare for misunderstandings galore in the future 😭 but leon specifically is inspired by malthus from hilda furacao. which just means yearning and sexual repression. re2!leon to re4!leon pipeline is just the sweet commoner knight to cold duke of the north pipeline in manhwa, and if you understand what that means, im personally sending you a virtual kiss LMAO Happy reading, I hope yall like it!

don't forget this is the first part only.... heh. the template credit

🌀READ ON AO3 !

The first blush of dawn trickles through the gaps in heavy drapes, bathing your chambers in apricot hues. Crisp echoes of rustling silk resonate as you delicately lift the mask from its velvet perch. Bathed in daybreak's golden light, coloured glass chips embedded into the mask shimmer in lost constellations. The caress of velvety smooth fabric against your skin sends shivers dancing down your spine as you tie on, freshly laundered linen smell intertwining with lingering scent of last night’s incense used in nightly prayers, hints of lavender meet smoky frankincense.

Your gaze shifts to the mirror, the mask now concealing your mortal features, intricate filigree swirling across your face in an ethereal web and tiny crystals dotted along the lines sparking like stars. Taking a deep breath to stand a little taller and square your shoulders, you reach up to adjust your veil, ensuring no errant strands of hair are visible. The gauzy fabric falls in diaphanous folds around you, the whispers arising with your every movement the only sounds in the stillness of dawn.

Though the sacred mask and veil hide your earthly form, they cannot conceal the weakness of the human soul in your eyes.

The gateway to your wishes is wide open, one closer look is all one needs to see how you yearn to walk unencumbered through the gardens, to feel the caress of sunlight on your bare skin.

But the edicts are clear - when you leave these chambers, the Saintess must be fully shrouded, an exalted vessel and naught else.

You amble down to the sacred chapel for morning prayers before breaking your fast - a custom enacted in hushed reverence. As you descend stone steps weathered by time, you're swaddled in the scent of smoldering incense permeating from open timber doors, trailing invisible veins into the invigorating morning air. Inside, familiar faces of fellow sisters and brothers offer gentle nods of greeting as you find solace before the altar, sinking onto the cushioned bench tailored specifically for you, in the name of quiet contemplation and prayerful kneeling.

In honor of Ethelion, your one true Lord, silence descends��a pause amplified by its gravitas. Then with an authority that makes everything else seem trivial in comparison, there's the priest: his directing is ripples on still water reaching out towards infinity—sound molded into sacred words known only too well to heart.

The humming drone of faith-soaked chants serves as a welcome breather from the constant ponderings on war and sacrifice that’s been plaguing you for weeks. Those gnawing realities always sneak up and nibble away at your moments of peace, but here in this church, Ethelion’s mercy reigns supreme—the refuge is heard in the choruses belted out emphatically, slicing through any weighty thoughts, their lyrics loftier than any worldly worry.

As the sun stands at its zenith above and sends shards of golden light filtering through the stained glass canvases, the ceremony unwinds. It feels like saying goodbye too soon amidst vibrant echoes of hymns that grip onto ancient brick walls built upon stories spanning centuries, currents of history carrying their inevitable fade. Here, they stand still—if only for a while—pinned by lingering notes lost in air rich with incense burn and oakwood musk coupled with memories tasting of sacramental wine still clinging to tongues.

Stepping into the courtyard, you're swathed in a prism of pastel hues—blossoms unveiling their sugared whispers to the inviting warmth of a lingering breeze. You catch wind of their fragrance; it hooks you, a blend of sweet floral undertones and spring's renewed vigor carrying history within its essence, and you cannot wait to check on your lily garden.

Children dart amongst looming pews, mischief gleaming in their eyes as they engage in hushed games, shards of laughter echoing softly around the otherwise hallowed space. The sight tugs at a wisp of nostalgia, memories when life was simpler, less layered with expectations and daunting futures.

The youngest ones eyeing your departure don't miss a beat. Like mini warriors possessed by unruly spirits, they break rank from the congregation to run after you—a whirlwind of giggles and shouts lacing the air. Their excitement thrums against your skin, buzzing like electricity—an unexpected surge that leaves behind a ghostly imprint.

Yet before they can reach you or even conflict with stone-faced paladins on guard duty, an adult hand restrains them. Respectful bows font towards you as if to acknowledge an unspoken understanding—a solemn line between what is allowed and what isn't negotiated under sacred roofs and watchful gazes.

The breaking of your fast happens solely in the intimacy of your chambers, where you can abandon the weariness of your mask.

Fresh fruits and bread baked by the monks in the kitchens await you on a simple wooden table, their colors vibrant against the muted tones of your chamber. The apples gleam like polished rubies, their skins taut and inviting, while clusters of plump grapes spill over from the plate. The bread, golden and crusty, emits a warm aroma that fills the air with comfort; its texture promises a satisfying chew that will sustain you through the day’s trials.

You pour yourself a glass of tea, steam curling up like ethereal wisps as you set it beside the fruits, its sweetness rendered by generous dollops of honey that transform each sip into liquid amber. As you bite into a slice of bread, the crust crackles under your teeth, giving way to a soft and airy interior that melts on your tongue. It’s simple fare—yet it nourishes not just your body but also stirs echoes of childhood memories spent in the kitchens, where laughter mingled with the scent of baked goods.

The weight of your impending sacred duty hangs over you like storm clouds heavy with rain.

It's not just a responsibility; it's an anchor dragging you into the depths of despair, each step forward to navigate it is like wading through molten lead.

You peer through the frost-kissed window, and the courtyard below unfolds like a battlefield before a decisive clash. Figures clad in armor move with the grace of dancers and the determination of warriors bound for glory or doom. The pieces of gleaming plate mail reflects the pale light, casting fractured rainbows on the cobbled ground.

The gleam of virgin armor, polished to a high sheen, is nothing more than a facade.

It's an ornament, untouched by the brutality of combat—it’s their holy calling that these paladins embrace, not the bloody stain of war. And yet, you sit there on your throne and hesitate to send even one amongst them into the fray for your crown's sake.

How easy would it be to fool yourself into believing that time has frozen, and these young knights in training are simply rehearsing under the guise of some distant uncertainty. But your eyes have skimmed those sealed parchment letters, their inky truths seeping more dread into an already strained air; you're not as naive as all that. The chilling certainty of the Holy War lurks just on the other side of these weathered stone walls—it's only a matter of moments before a gasping messenger dispatches reality like storm clouds breaking open.

Regardless of how fervently you pray or how deep your self-sacrifice runs, it won’t alter this predetermined destiny.

Even as you grip your blessed rosary so tightly it leaves hardened impressions in your palm's soft flesh. Even when unshed tears blur your vision, scalding hot yet stubbornly refusing to fall free, and a knot of shame twists low within your stomach like vile poison—an uncomfortable squirming inside that is almost visceral. Your journey forward leaves much to be desired–mired with dark ambiguities, where faith resembles something more akin to a clumsy blind groping in the vast unknown.

Your heart twinges—a raw ache—at the sight of blond hair all too familiar.

"Leon," escapes in a murmur from between your chapped lips against the icy window pane—the cold seeping into your skin; tiny tendrils numbing any sensation away.

The young paladin has blossomed into a towering figure since his personal guard duty by your side the last month, his frame enveloped in the armor that’s bigger than his still-growing form. The sight of him clad in battle gear is a poignant one, for the metal plates seem to engulf him rather than adorn him. He looks anything but menacing, sweet consideration towards those he’s sparring with, despite clad head-to-toe in battle gear, with such carefree confidence that threatens to split your aching chest.

In a split second, on the other side of that cold glass wall; Leon’s focus latches onto your unveiled and unmasked presence like a sunflower bending towards light.

It's as if you've breathed some forbidden word into the wind - an inaudible gasp tingles the silence and ripples off his lips. He stammers mid-battle stance, frozen under some unseen celestial hammer, scorched into oblivion.

You step back hurriedly, yanking your veil down over your face once more; it's rough underneath your fingertips, but nothing compared to the turmoil swirling inside you. His own stunned gaze falters, tugs itself away as if burned - damn those beautiful eyes! But that moment costs him dearly as his rival lunges and he crumbles under the assault, and your heart won’t stop racing, undeniable fondness with a foreign heat creeping up your neck.

Leon bounces back from the blow almost instantly, staggering back to his feet like it's second nature; like he hasn't just had the wind knocked out of him and seems more rattled than before.

His opponent’s moves are unforgiving, one after another until Leon's guard slips. With a resounding thud that sends shudders up your spine, Leon gets slammed into the dirt floor.

His helmet soars through the air with an eerie ring that echoes around the courtyard, tumbling to rest at the boots of a nearby Paladin whose gaze is stuck on Leon’s prone form - filled with something close to pity but still masked by pride. A comrade extends a roughened hand, helping Leon upright, his comforting pat lingering just a moment too long on his shoulder blade as if unsure whether to leave or stay for strength. Jovially yet sternly, the older knight cuffs Leon on his arm, gauntlet striking armor with a dull clang.

As you retreat from your voyeuristic post at the window when reverberating tolls from the grand temple's bells signal practice time has run its course, there's an adrenaline rush buzzing under your skin even though you were merely watching. The upcoming blessing ceremony casts its shadow over you – all consuming and much larger than life; leaves no space for silly fancies.

Sunset paints the temple grounds in a bronzed hue as Leon treks alone back to the barracks, his mind adrift. Training bruises throb under his armor, though it's the sting of his fractured pride that truly wounds him.

None of it matters in the face of the glimpse of divinity he accidentally caught.

He nearly bends with the weight of it, an abyss of greed that he fears his brothers-in-arms can sense infecting his spirit. It maligns his growth as a paladin; he's sure Ethelion sees the invasive avarice lurking beneath skin and bone, an illicit truth residing within him nipping at him from the inside like a woodworm.

The seed of which had been planted over a decade ago, in these lily gardens, in the healing hands of a young Saintess whose presence and unmasked face lingered in his heart and grew into an infatuation with her holy touch.

He was but a boy back then, brittle and broken in body, his fragile skin stretched thin over bony limbs, rife with illness that stole the color from his cheeks and the air from his lungs. His very life seemed held together by prayers of his parents alone, fluttering like leaves in the wind. He'd stumbled into the garden by accident, chasing a stray cat with his siblings, not realizing he was lost.

Yet fate cast her sanguine smile and Ethelion himself turned an eye on him, sending the Saintess his way.

A warm glow drew him further through the bushes, and there you stood, cloaked in a robe that made your radiance seem as if it were born from moonlight. His eyes should have burned upon landing on you unmasked, youthful face that unmistakably belonged to a human girl of his age and not that of Ethelion in the flesh, but instead, his lungs expanded with an unknowable strength because of the divine power around you, an easiness that made it feel like he was breathing for the first time.

Not met with punishment for such audacity—he was instead gifted healing through your sacred touch–and got left laced with a perpetual yearning, sickness eradicated from his being and infused life onto starved limbs.

A lesson was disclosed to him later on when he’d become aware of himself, about why the Saintess had to be veiled.

His desires knew no end. It was for her spiritual purity that the Saintess could not be seen unmasked or reveal herself to mortals. Could one imagine the consequences of men akin to him lying eyes upon such magnificence, gracing skin intended only for Ethelion's touch? The impressionable child that he was had bloomed into an adult consumed by her divinity, hell-bent on basking in it all life long. Surely kingdoms would fold, as mortals were bound to disrupt natural balance attempting to seize the maiden of god.

So, when you appeared in the tower window today, he was overcome with a sensation so powerful it felt like angelic apparitions traced their wings down his back.

Divine grace embodied, shining forth in ways he couldn't articulate.

An inexplicable need arose from his bones for him to go to you, throw himself down in worship, confess sins one by one and receive penance:

In the hush of many nights when the temple halls were empty, he would wander like a ghost and always come back to kneel at the feet of Ethelion, daring to touch the cushions before the altar where you prayed, his fingers lingering where only your robes should caress. The audacity of his gaze tracing the delicate embroidery of your veil when he stood guard by your side, seeking to unveil something meant solely for Ethelion’s eyes, was but one of his many transgressions against the sanctity that cloaked you…

His form of worship seemed askew, borne more out of desire than devoutness; staining the starkly white fabric of his duty with its off-colour ardour.

He could never allow you, the revered Saintess, to know about this sinful sentiment dwelling within him; tarnishing every sweet memory associated with you.

The fantasy he harbored diminished his image, trendlessly etched as an obedient paladin's plight – but for him, you represented something significantly more profound. To even admit how dreams featuring you bewitchingly bathed in grace tainted his oath of celibacy would risk jeopardizing the hope invested in recognizing his service towards Ethelion.

The desire to earn the highest recognition, a Paladin's title and acceptance of his fealty to protect you as such – got increasingly tangled in a visceral wanting lost somewhere between sacrilege and worship that left a devout hunger echoing within him for your sake.

To satisfy this, he threw himself fiercely into arduous training channels to strengthen both his body and mind with every challenging day that went by - striving ceaselessly with dreams of deserving a place by your side.

Now, he stands precipitously on the verge; holding on desperately to this undisclosed confession – harboring a stolen glance of you from earlier as a secret talisman.

How could he go into the Holy War with his brothers now, knowing he'd seen beneath your veil and… Felt.

“You seem troubled, Sir Leon.”

Leon doesn’t dare turn; a jagged lick of dread splinters down his spine. He recognizes that voice—how could he not when it haunts his dreams night after night? Instead, he stares into nothingness, rooted to the ground, his mind unable to process that you're speaking to him.

But he does turn, finding you standing serenely beneath an archway covered with tangled fragrant vines in the Temple's back garden.

Your presence fills Leon with equal parts awe and unease, as if Ethelion himself is shaming him from above for desiring what should be beyond mortal reach.

Yet your countenance remains unchanged, unmarred by his inner turmoil. The mask stays in place, an extension of your divinity—only now, Leon swears that beneath it, your eyes are smiling at him.

Leon stands within the cool shadow of the ancient temple, its weathered stones holding an age-old embrace that wraps around him like a cloak. The air is thin with the delicate scent of lilies that’s wafting towards him from the garden—from you, and outside, where sunlight filters through the leafy canopy, you stand amidst color. Your garments catch the sunset, casting a shimmer that mirrors the beauty of your surroundings.

The difference between his shadowed presence and your radiant figure is a shaming from above, showing Leon your place in His divine light while he remains shrouded in sin.

The clinking of Leon's loose armor rings as he lowers himself to one knee before you, “Forgive me, Saintess. I did not mean to disturb your meditations.”

The rustle of silk heralded your approach, brushing against the cool stone floor like a gentle breeze stirring a field of wildflowers. He inhales sharply, his breath hitching in his throat as the fragrance of lilies envelops him.

You stop before him, your robes cascading around you like a mirage of opal waves, he is captivated by an urge so primal that it sends a flush of heat to his cheeks and makes his palms sticky; he longs to press his lips to the delicate fabric that seems to breathe with divine grace.

“Please rise, Sir Leon. I saw you training today. Your skills are formidable.”

His pride swelled silent and strong within his chest – a sudden weight that could unbalance him more than any physical blow ever could.

"Your words honor me greatly," he manages to speak to the stones at his feet, even after he is back up at his feet.

"Yet you seem to have much on your mind."

He cannot meet your eyes; it feels overwhelming to face such beauty and concern directed solely at him.

"Pardon me, that was a silly question, wasn't it? Of course you have much on your mind. You're about to ride into battle. Such thoughts are not easy to bear. Do you wish to talk about it?"

"It's not my place to trouble you with such things, Saintess. They will soon be far from here, and you will be safe in the Temple.”

He glances at you, and the look in your eyes is enough to make him forget how to breathe. It’s a blend of curiosity and tenderness; an innocence that nearly pierces through his mask and grazes the wicked depths of his heart.

You tilt your head, much like a bird contemplating a worm, and gently ask, "Would you indulge my curiosity and share one worry with me?"

It's an impossibly generous gesture, for you to extend this small piece of yourself to him in the middle of your meditations. Leon's teeth ache at the sweetness of it, at your kindness that extends even to him.

“I’m doubting my worthiness to serve,” he confesses unceremoniously. “I train relentlessly, but I lack the innate spark my brothers were born with. It's as if... as if I'm play-acting at being a Paladin.”

Those aren't the only doubts that torment him—but the ones he can actually say out loud without burning at the stake for.

"Do you remember the day we met, Sir Leon?" you begin, clasping your hands and turning around to face the gardens, the gentle breeze is making your veil flutter.

Leon nods, keeping his eyes fixed on the ground. Even so many years later, the memory still has the power to stir his soul, churning something in his chest that makes it hard to think straight.

"It seems like it was yesterday that a young boy came stumbling into the garden, barely able to stand up, and looked me dead in the face. What do you think I saw in him?"

He always assumed the Saintess would have forgotten such a brief encounter, yet it was etched firmly into his memory and to hear it spoken aloud has his pulse miss a couple beats.

"Do you think I saw weakness as he lay gasping in the dirt? Or did I perhaps see an innocent curiosity that was easily swept up by the cruelty of this world and tamed into obedience? Or maybe I saw something else entirely.”

He shakes his head, trying to make sense of your words. It sounds like you're making a statement, but it's not clear which part you agree with.

"Tell me, Sir Leon. What is a spark? Does it come to life, or can it be nurtured from the smallest ember of resolve?" you whisper, fingers trembling as they ascend, tracing a path as delicate as a petal's fall, nearing his cheek with hesitant affection.

He’s paralyzed when your touch indeed lands instead of drifting away.

Your fingers linger, tracing the curve of his jawline with such gentleness, demure and awkward; and the pressure of it makes his skin sing, sparks dancing along every inch.

It's barely a caress, but he feels it in his bones—this ache—that swells and burns, a fire set alight inside his chest that’s on the precipice of consuming him whole.

A whole-body shiver breaks free, but you remain unfazed—your hand is still there, stroking his flesh with such tenderness; soft against the corner of his jaw.

"One is not born to greatness, one achieves it." You're calm, yet firm, a voice that commands respect. He's reminded of the many times he heard you deliver blessings on high ceremonies. There's something about the cadence of your words that pulls at the strings of his soul, drawing him in closer—deeper. "What truly matters is the conviction behind your actions. And, Sir Leon, you may not see it yet. But there's a spark inside your chest that burns brighter than any candle. Don't let anyone dampen it, for it shall shine a path forward unto others and bring glory to our land."

You pull away, leaving a void in your wake. Leon finds himself wanting to reach after you, wanting nothing more than for your skin to keep pressing against his, for your warmth to bleed through his own and ease the burden that's crushing him.

He wants to kiss those fingers that have—

Red hot shame enough to set firewoods aflame shoots straight to settle on his cheeks, flushing them as a wicked feeling sinks in his stomach, a heavy sinking pit. The meaning of your words resounds in his heart like a thunderclap after the lightning that was your touch, your holy words washing over him like a balm—or a warning.

He's brought back to reality abruptly with the harsh cackle of metal against stone as a group of paladins walk by and salute him and bow for the Saintess, pulling him out of a daze as he greets them. Their voices seem distant, faces a blur. It's a miracle Leon manages a nod at them in acknowledgment.

He finds his tongue eventually, his face still aflame with embarrassment at the realization of being in front of the Saintess, an idol of the Church, a woman he thinks of during his late-night ruminations, and still feels guilty for.

"T-thank you, Saintess,” his voice wavers, trembling even with those two simple words that leave him shaking, stirred to the core as if a sudden storm just swept him away to sea, and you are the shore he longs to return to. He fears he might drown in the depths of those beautiful eyes, pulled under by the current.

"It is I who should be thanking you, Sir Leon. You're risking everything to ensure peace for our realm."

Your words wrap around him like a hug, holding him in place while also offering a moment of comfort, like coming home from a long trip away. He treasures those precious few seconds, committing them to memory. But you are a Saintess, not a fellow knight, and there are no hugs or handshakes in his world.

"I'll see you in the ceremony," you continue, before leaving Leon with his heaving chest and a pressure knotting deep in his stomach, walking back to the serenity of the Temple, robes fluttering around your feet like snow settling over frozen earth.

Once you have disappeared into the confines of the temple, he lets out a deep breath. His heart is still beating wildly; the memory of your fingertips brushing his skin is seared into his flesh, an indelible mark that cannot be scrubbed away. He is unable to shake the feeling that he has committed some unspeakable sin; his body a living, breathing violation of his vows.

Leon washes himself in the barracks' bathing chambers, and as he stares at the naked flesh beneath steaming water, his thoughts turn to the ritual that awaits him. In the heat and sweat of it, he wonders if you can wash him clean, baptize his tainted heart.

His sweat trickles down his back, leaving shimmering beads of perspiration in its wake, he can feel each droplet sliding down like a ghostly caress overheated skin glistening under the light of flickering candles; his head is thrown back, and wet hair is slicked away from his face as he reclines in the wooden bathtub. He reaches up to trace the lines of his jaw with trembling fingers that hover just above his skin, remembering what it felt like to have your touch there. He closes his eyes and lets the steam envelop him; he feels the heaviness in his groin, thick and full between his thighs.

In this moment, he is alone with his guilt and shame; but underneath all that self-recrimination there lies a deeper emotion he dares not acknowledge: hope.

The blessing ceremony unfolds with the break of dawn the next day.

Rows of paladins stand at attention, forming a formidable barrier outside the towering chapel. You make your way up the marble steps, flanked by your retinue, and lift your veiled face to behold the regimented paladins before you. Their armor catches the sunlight in a dazzling display, swords resting peacefully in their scabbards. Every single one of them is an anonymous guardian, faces obscured by identical helmets and billowing white capes adorned with a shimmering blue starburst emblem emblazoned on their chest plates.

Upon reaching the summit of the staircase, the massive oak doors swing wide open, revealing an expanse filled with devout worshippers immersed in fervent prayer. Bathed in hues of multicolored light filtering through intricate stained-glass windows, their worshiping forms kneel upon the cool marble floor. Sunbeams caress their bowed heads like a halo, creating a mosaic of ethereal radiance that plays upon their serene features.

The hush that descends as you cross the threshold is whispered benedictions through the hall, enshrouding all present in a solemn embrace as you draw nearer to the altar at its heart.

At the altar stands the head priest, garbed in ceremonial robes—the deep hues of white and gold intertwining with ancient symbols. His palms are raised towards the statue of Ethelion, supplication etched into every line of his face. Before him sits an empty altar table covered in rich crimson velvet trimmed with gold brocade, and at its center rests a silver bowl filled with holy water, reflecting shards of light like fragments of a broken mirror.

Beside the basin stands a golden chalice and a sharp blade gleaming ominously.

You sink into a curtsy before the priest—your knees grazing the cool stone floor—as he intones your full title: "I salute the Beloved of Ethelion, Avatar of Eternity and Renewal,” before he gently beckons you to rise.

Taking your place before the altar, you feel the weight of an entire kingdom resting upon your shoulders. This ritual isn't mere superstition; it's a tangible link between mortal and divine—a celestial promise that Ethelia is indeed favored by the gods.

Yet beneath this grandeur lies urgency cloaked in ceremony: you're chosen by Ethelion to channel his blessing—a gift that comes with strings attached. It promises good health and protection from injury but depletes as quickly as candles flicker out in gusty winds.

You've done this countless times, yet it never becomes easier. You can only hope that the god residing within you answers earnestly today—gracing the paladins with divine strength and healing their wounds as you pour every ounce of yourself into them.

A hushed silence envelops the chamber as the priest lifts up the basin and blesses its water. He then raises it above your head, pouring its contents slowly over your body. The liquid cascades down your shoulders like molten gold—cool initially but warming as it mingles with your skin—and pools at your feet like melted sunlight. It seeps into the hem of your flowing robe which now shimmers like saffron touched by daylight's first rays.

The priest murmurs prayers of consecration while taking up the gleaming blade from beside chalice's stem. Gesturing for everyone gathered to join hands, he swiftly cuts into your wrist without warning—precise and unyielding. Blood oozes forth; dark as ink with whiffs reminiscent faint iron scent permeating air around tendrils curling upward almost ethereal fashion dripping fingers’ tips.

"May Ethelion guide thy swords on this path forward!" you invoke in a solemn tone. The words carry an authority that rings throughout the entire Temple, sending vibrations through the gathered crowd as they repeat your verse.

With a sharp exhale, you approach the priest and rest your open wound over the golden goblet, watching your blood drip into the vessel, drop by painstaking drop. All the while, the attendees recite their blessings in a swelling crescendo, their voices echoing back from the domed roof like an urgent prayer caught between earth and sky.

Your arm throbs incessantly—a dull ache blossoming into searing pain, but you press on, undeterred. Despite how difficult it becomes, there's solace in sharing this burden with others, knowing that they too have a part to play.

Finally, when enough blood has been collected, the priest holds the chalice high and exclaims, "For the kingdom! For Ethelion!"

On command, the paladins march forward with military precision, lining up in single file before the altar, the line extending out of the doors. With measured steps, they kneel in succession, resting their forearms atop the surface in a gesture of humility. You are handed the holy sword, its blade shimmering beneath the lights, its hilt ornately decorated with rubies and diamonds.

Placing your bleeding wrist atop the hilt's cool metal surface, you hold it above the first kneeling paladin's helmeted head. Slowly and carefully, you dip your finger into the cup of crimson liquid and anoint him with your blood by marking his crested forehead—a tangible sign of his sworn loyalty. Whispering a blessing so only he can hear it feels almost intimate—the sword becoming a conduit for divine power. The tip of the blade descends upon his crown; his shoulders instantly stiffen under this sacred touch—they tremble when it grazes one shoulder then moves to deliver an ethereal blow to the other.

The process repeats itself, endless and exhausting, as you move down the line.

Each anointment saps more of your energy reserves until you're left weak and nearly hollowed out from within. Yet pouring every bit of life force into each paladin so they may be shielded on battlefields ahead brings bittersweet satisfaction mixed with aching relief—you find strength anew just enough to persevere.

By the time you reach the end of the rows, your skin feels as paper-thin as the gauzy fabric covering your body. The edges of your vision have started to blur, and it takes considerable effort to stay upright, gripping the edge of the altar to steady yourself. Your heart is fluttering beneath your ribs like a frantic bird, wanting to burst free from its cage of bone and muscle and escape this agony. Your palms are clammy; you're sweating profusely beneath your robes, but despite this, you must see this rite through till its completion.

The ancient wooden door of the chapel creaks open, its mournful groan deafening in the silent night. A thin beam of moonlight slices through the gap, illuminating the dusty air. Inside, flickering candle flames cast warm, trembling light on Ethelion’s marble statue, which gazes down at you with unblinking, expressionless eyes.

You place your mask at the base of His effigy; unveiling yourself like this is a crucial part of the ritual—a moment of communion with the deity. You stand exposed before Him in every way—physically, spiritually, and emotionally. He serves as a mirror reflecting your deepest essence—a piece of you laid bare without fear or shame. Hiding from Him would be like refusing to acknowledge your own existence.

Summoning all your bravery, you remove the fragile veil that acts as your last shield against the world’s curious eyes, letting it rest gently next to your discarded mask. With both face and hair now revealed, you kneel before His statue. Your head bows low in penance, hands squeezed together in a gesture of deep devotion.

"Blessed Ethelion, forgive your servant," you plead with a tremor. "I have doubt in my heart. I'm afraid."

The statue remains silent; only overpowering stillness fills the air as seconds stretch into eternity. Then warmth radiates through you—starting from your chest and unfurling into your limbs—like sunshine poured into your veins, igniting every fiber with radiant energy.

"I don’t want any of them to die," you confess quietly, tears spilling free to splash against the cold flagstone floor. "They’re innocents caught in a war not their own."

There are no words in response, yet you feel an undeniable answer; Ethelion’s reassuring presence envelops you like a warm embrace. He is there to listen to you in silence.

This ritual is a moment of weakness—where fear manifests openly for release. These men are about to step into hell itself beyond the walls. Though they fight for honor and glory, deep down you know it will become a bloodbath—a massacre that will rend this kingdom apart.

"There's nothing sacred about this; yet here I stand sentencing Your children to death," you lament as tears trickle down your cheeks, mingling salty bitterness against trembling lips. No further sign comes; Ethelion appears content merely to observe from His heavenly perch—perhaps reminding you gently of your divine duty—the role He has ordained for you. "I beg forgiveness, O Lord. I could not change the minds blinded by ignorance. My heart bleeds for those suffering because of this conflict. Please protect them so they may come back to bask once more in Your radiant light."

You bow deeply before Him; rising again is a struggle as your knees quake beneath you.

"Saintess."

You jump at the familiar voice that slices through the sanctity of silence, eyes widening in recognition and trepidation.

This is the third time Leon has witnessed you this vulnerable without the holy artifacts shielding the flesh beneath, yet he remains unassuming and gentle; shock absent from his spirit this time. He stands close behind you in this hallowed space belonging solely to Ethelion's infinite wisdom, and you dare not breathe—afraid of shattering this ethereal moment.

"Avert your eyes, Sir Leon.”

The hairs on the back of your neck prickle, standing erect. You remain there unmoving, save for the tiny droplets of sweat gathering on your hairline as he moves with the grace of a shadow, his steps measured and deliberate, until he stands by your side, his eyes unwaveringly fixed upon the towering statue of Ethelion that looms before you both, as if seeking solace in the stone divinity rather against the evil of your human form.

He drops down onto both knees, bowing so low that his forehead nearly kisses the cold stone floor.

A subtle movement draws your attention, and you steal a glance from beneath your lashes. The moonlight caresses strands of golden hair and spins them into threads of silver. His attire deviates from the usual paladin's armor; instead, he wears a simple cotton shirt, its sleeves rolled up to reveal strong, veiny forearms sculpted by hard practice. The fabric clings to his form, hinting at the sinewy strength that lies beneath. Riding breeches embrace his legs snugly, tucked into worn boots that have weathered countless journeys.

The collar of his shirt is notched open, revealing a tantalizing glimpse of the base of his throat and the expanse of his upper chest. Your gaze traces the contours of muscle defined beneath the sheer material, and traitorously ventures lower, lingering on the curve of his bent knees before daring to explore further down to where his knuckles rest—taut and unyielding atop thighs etched with power. It leaves your mouth dry.

The intensity with which he shuts his eyes mirrors that boy from years past—the one who clenched his fists tightly against pain, refusing to cry as he battled an illness that should have claimed his life but didn't.

You yield to an impulse, enveloping him in the ethereal embrace of your veil, a shield against the world's gaze and your own. His body tenses beneath the delicate fabric as you glide it over his features, a soft gasp escaping from deep within him. With a trembling exhale, he quivers imperceptibly, fingers pressing into the cloth with a fervor that leaves faint dents on his skin, hands strained from the intensity.

"Open your eyes," you murmur tenderly, reluctant to disrupt the fragile moment.

Gleaming blue flickers into view through the white, translucent shroud, their clarity distorted by the gossamer material. You observe his swallow, the rhythmic rise and fall of his Adam's apple as he tentatively reaches to draw it down over his face.

Through the veil's prism, you must appear as a kaleidoscope of hues and forms to him; a phantom of your true essence, an elusive apparition hovering at the edge of reality.

"The… The blessing went well today," Leon sputters, cracking at the end like glass under pressure.

"Why did you come here, Sir Leon?" you ask gently, sensing that beneath his stiff formality lies a multitude of untold emotions.

"Are you alright?" The genuine concern for your person sends shivers cascading over your skin; fine hairs on your arms lift as he touches his wrist—mirroring right where your blood had been drawn. "Does it hurt every time the blessing is performed? I've never watched it before. It's..."

He falters, mouth opening and closing, and you notice how the fractured light from the windows bathes the swell of his cheeks in a tender luminescence. His words hang between you both, delicate strands of silk trying to knit themselves into coherence.

"It's awful, Saintess. To see your suffering laid bare before everyone."

"I would drain my whole body if it meant those brave men will go out knowing they are protected," you say with resolute calmness, though deep down, you're curious about how he truly perceives you now.

A barely audible "I know," escapes him. It feels like a confession—an unpleasant truth he doesn’t like being faced with. Whatever it holds makes warmth surge through you, igniting your skin and causing another involuntary shiver as he moistens his lower lip with a slow sweep of his tongue. "I know."

"Don't worry about me, Sir Leon. Your job is out there defending these lands, while mine is to ease your burdens. Think only of protecting those who need your shield.”

“Is it wrong to care for those I serve?” His wholehearted question tightens something within you—stirs an undefined yet potent emotion ready to bloom.

"Not at all," you reply almost breathlessly as he gazes intently at the curve of your jawline—your face blurred but memorized by him with stunning accuracy. "Remember whom your sword serves; we live only to honor Ethelion."

"I wish the world were different," his words seem hollowed out, lacking meaning, and yet there's an unmistakable conviction there, a resolve that drives him.

"As do I."

You glide your fingertips over the altar's slick surface, taking in a deep breath that fills your lungs fully with the sanctity of this space.

Then he straightens up suddenly; determination shines in his posture. He doesn’t rise from his kneeling position, yet it frightens you in the same way it would if he had shot up to stand.

"If you'll allow it, Saintess," he says, venerating, and the delicate fabric of his veil brushes against the embroidered sleeve of your robe. That fleeting contact sends a jolt through you, reverberating like a soft, whispered promise. His simple gesture, his proximity—it shouldn’t mean anything. But you feel he might as well have taken your hand in his. "I would pledge an oath to you as well."

There’s a deliberate slowness in how he pulls back, the motion of a man lingering at a threshold he has no right to cross.

Your chest tightens, your breath coming slower as you try to compose yourself. “Of course, Sir Leon,” you manage, though the stillness between you is filled with your uncertainty. What if you're not worthy of his devotion? Of his sacrifice? If he saw what lay beneath the veil, beyond the role of saintess, would he still look at you this way? Or would he recoil, realizing the truth of what you are: flesh and blood, no more divine than the earth beneath your feet?

You feel his stare. It’s as though they’re tracing the length of your body, reaching you through the barrier of the veil, and somehow, that makes the sensation more intimate than if he were standing before you fully revealed.

His breath catches, just slightly. You hear it, feel it, even though the veil between you muffles the sound. "It’s not about whether you’ll accept it," he continues, and there’s a shift in his stance. You can’t see his face, but the way he holds himself, the slight movement of his shoulders beneath the fabric, tells you that he’s grounding himself. "I give this vow because it is mine to give. For you, not for recognition or reward. It’s my choice, my will. No one needs to know."

His spine is ramrod straight now, but there’s a softness in his words, a slight tilt of his head as his eyes search yours. “My loyalty belongs to you alone.”

You swallow hard, the meaning of his words sinking deep into your soul. A lowly servant of Ethelion, that’s all you are. A vessel. No name, no family, no identity beyond the veil. His words... they speak of individual loyalty, devotion to you, not to Ethelion, not to the divine purpose you embody. You are no one. You have no right to such things. How could you take from him what rightly belongs to the god you serve? Wouldn’t you be struck down for such hubris? For leading a paladin astray, pulling him from the only true master he should follow? You tremble at the thought.

"Sir Leon, I cannot accept this." Your fingers curl around the skirt of your robe, the fabric twisting beneath your grip. “It’s—”

His chin lifts, eyes steady on you. "—wrong?"

You start at his interruption. Your voice sounds so feeble as you finish the sentence with a meek, "Yes."

He stays rooted, motionless, but something in the atmosphere shifts again. His breathing, though controlled, seems deeper, and you sense the quiet resolve in the silence that stretches between you.

"Then let me be the one who wrongs Ethelion." His tone carries a weight that presses against you, not through sound but through the way his body holds firm, unwavering. His movements are subtle, restrained, yet the soft brush of his hand grazing his side signals something deeper, a release of tension. "I pledge myself to you, Saintess. To your will, your desires. You are my strength."

The air feels dense, thick with the weight of what he’s offering.

These words flow from him like water spilling over stones, filling up spaces where it couldn't previously reach. The warmth in your chest expands, spreading outward until it seeps into every fiber of your being. Your fingers twitch, the edge of your sleeve twisting between them as you try to ground yourself.

"Please grant me a token of your favor."

Your hands tremble at your sides, your pulse quickening as you fidget with the fabric between your fingers.

What can you possibly offer him?

You glance down, but everything feels out of reach, the world reduced to this one moment.

"But I..." you begin, unsure, your fingers tugging nervously at your sleeve, "I am not a Lady."

There’s a pause, the kind that stretches, and though you can’t see his expression, it feels charged. He shifts ever so slightly, enough that you catch the faint rustle of fabric as he moves.

"All the more reason," he says, a shy smile in his words. "An unworthy paladin asking for a favor from the Saintess—what could be more fitting?"

"Then you may pick whichever object from the temple you desire—"

"I want something of yours, not an icon, nor some relic," he replies immediately, cutting you short, the butteriness sending shivers running down your back. "What do I lack that you have plenty of, that you won't miss, even if it's just a small trinket?"

Your heart stumbles in your chest, the weight of his request crashing into you like a wave. Real? What could you give him? What is yours to offer?

"A lock of hair?" you whisper, feeling your pulse quicken as you say it. The words feel small, vulnerable, but they tumble out before you can stop them. "Would that… suffice?"

Silence follows, his breathing seems to stop.

A lock of hair would belong to you, not the Saintess. A proof of your worldliness, beyond the connection to Ethelion's divine essence. Something that is of the girl and not the holy maiden. Is that what he seeks?

"Your hair," he breathes out in an exhale, as if tasting the words. He appears completely entranced and you become conscious of yourself, the inappropriate nature of just what you brought up.

You draw a slow, shaky breath, the idea settling uneasily in your chest. There’s something intensely personal, too intimate about the exchange. "No, you misunderstand—"

"Your hair, Saintess," he repeats it again, this time more forceful than you've ever seen him; you'd never dare refuse this request and it steals your breath, silencing every protest rising in your throat. "I will accept no less."

Leon rises to his feet, dwarfing you with his broad frame. For the very first time, in Ethelion's presence, you feel small and helpless, like a child who's wandered into his garden. There's something overwhelmingly disarming about sharing this space with him. A foreign sensation blooms within you— a spark that threatens to ignite your world into flames—but you dare not give it voice.

Leon had once worn his armor with pride, each plate fastened like a second skin, the weight of his sword as natural as the rhythm of his heartbeat. Every step forward felt as if he marched hand in hand with something divine, a force greater than himself guiding his every move. The blessing of the saintess had lingered on his skin, a quiet touch that had etched itself into his soul, fortifying his resolve. He had believed, back then, that he was a vessel of the god’s will.

That was years ago.

Now, standing at the edge of the battlefield, the familiar weight of his armor feels heavier, pressing down like an unbearable burden. The bitter taste of dried sweat clings to his lips, and a dull ache pulses beneath his ribs where his armor had done little to stop the last blow. The sun glares down on the blood-soaked earth, the cries of the wounded melding with the clash of steel and the sickening thud of bodies hitting the ground.

This was not what he envisioned. There was nothing divine here.

A shout rises above the noise, sharp and commanding, drawing his gaze toward the horizon. The enemy soldiers draped in black, surge over the hill like a wave of shadow. His grip tightens around his sword, the hilt slick with a mixture of blood and sweat, fingers straining against the leather-bound grip.

“Leon!” A voice, rough and worn from years of battle, cuts through the din. Leon turns, his eyes locking onto Captain Krauser, a veteran whose gaze is as sharp as a hawk’s. His expression is hard, impatient. “Orders from the Temple: we flank their left side!”

Leon’s heart clenches at the mention of the Temple.

It had been a long time since the orders felt pure, righteous. The Church’s demands had grown more questionable with each passing day. What had once been a campaign to protect the kingdom and its people now reeked of ambition—land grabs disguised as divine conquest. Territories seized, villages razed under the pretense of holy duty.

But Leon doesn’t question. He never has. He is a soldier, a paladin. A servant of Ethelion.

The memory of you—serene, always hidden beneath the mask you wore as the Saintess—surfaces in his mind, unbidden, his anchor to the divine, the blessing you placed on him sacred. You believed in him, blessed him with your blood, and for that, he would fight. For that, he would fulfill his duty.

He moves after Krauser, silent as a ghost, maneuvering through the throng of soldiers until they reach the flank. The enemy’s forces are spread thin, their attempt to push the kingdom’s army back leaving them exposed. It should be an easy victory. A victory that would tighten their grip on the region, crush the enemy’s morale.

The order comes swiftly, brutal and final: Leave no one alive.

Leon hesitates, his sword held in a grip that tightens until his knuckles ache. Leave no one alive. The same command they’d been given in the last village. And the one before that. What once felt justifiable—crushing the enemy for the kingdom’s safety—now sits like lead in his bones.

Those they slaughtered hadn’t been soldiers. They were farmers, villagers. Innocents. Women and children.

He closes his eyes for a brief moment, and the memory of the last village rises unbidden, a flash behind his eyelids. He can still smell the smoke, hear the anguished cries of mothers shielding their children. His punishment for hesitating, for not cutting through them as he did the soldiers, feels lighter than the weight of that memory.

“Are you deaf, shiny?” Krauser says with a low growl, dragging him back to the present. “I said move.”

Leon’s jaw tightens, the muscles in his neck pulling taut. His body moves automatically, his sword rising as he steps forward, following the rest of the paladins into the fray. Steel clashes with steel, bodies crash against one another, but the noise fades, swallowed by the gnawing doubt lodged deep in his chest. He strikes down another soldier, their blood splattering across his already stained armor, but the pit in his stomach only deepens.

He had been blessed to protect the kingdom, to serve the saintess. How did it come to this? When did righteousness turn into this—bloodlust veiled by holy orders?

Each swing of his sword feels heavier, as though the weight of every soul he cuts down drags him closer to the earth. He fells another enemy, watching as the light drains from their eyes, but it’s not just the life that drains from them—it’s something in him too.

This war, it’s nothing like he’d imagined. In the temple, they had spoken of glory, of righteousness, of battles fought in the name of Ethelion. His fellow soldiers had whispered about the honor of dying for the Temple, the promise of eternal life in the afterworld. They had made war sound like a divine calling, a sacred rite of passage where every death was sanctified, every act of violence blessed.

Out here, there is no glory.

Only blood.

The blood of his brothers, mingled with the enemy’s, staining the dirt beneath their feet. The screams of dying men linger in his ears long after the fighting stops. He’s seen cities burn, watched women and children scramble through the streets, faces twisted in terror, only to fall under a volley of arrows or be trampled beneath the horses of his comrades.

Leon had thought he could stomach it. He’d steeled himself for the brutal reality of war. But nothing prepared him for the guilt, the crushing weight of it, as each atrocity committed in Ethelion’s name piles higher on his soul.

At first, he’d believed the bloodshed was necessary, part of the divine plan. But with every passing day, that belief crumbles a little more, cracking like fragile glass.

Now, standing over the bodies of men who’d once fought to protect their own, Leon can barely remember why he’s here. He can’t recall the saintess’s face anymore—only a faint echo of your eyes, the memory fading like a forgotten dream.

How did the lines blur so completely?

He tightens his grip on his sword, but the weight of it feels foreign, like a weapon forged for someone else.

Facing the fire, Leon watches the flames dance, their orange glow casting restless light over the camp. The logs hiss and crackle as they blacken, edges curling inward with each passing flicker. Every so often, flares shoot out from the heart of the fire, sending sparks spiraling up into the night before falling back down into the pyre. Heat washes over his face, warm yet uncomfortable, the kind that burns if stared at for too long. Leon turns away, unable to face his own reflection in the fire’s glow.

Around him, shadows shift across the ground as torchlight flickers over tents and hastily constructed barriers. Laughter rises from nearby campfires, men gathered in groups, boasting about their conquests in battle, their stories of women left behind growing hazy with time. The smell of roasting meat mingles with the sharp bite of smoke as soldiers cheerfully drink from their ale rations. Some play cards or dice, animated, full of hope for victories yet to come. Others simply bask in the temporary lull, telling tales of their glory to fill the silence.

Leon keeps his distance, seeking refuge near a cluster of trees where the light barely reaches, and the noise fades to a murmur. His back rests against a sturdy trunk, sword and shield propped beside him, the armor around him a forgotten weight. He has no desire to join in the revelry. Solitude feels more fitting—more honest. He closes his eyes, trying to relish the brief respite, though the chance of true rest feels distant, as elusive as peace itself.

"If you don’t eat, you’ll lose your strength." A gruff scoff breaks the silence, drawing Leon from his thoughts. He glances sideways to find Captain Krauser standing above him, holding out a steaming bowl of stew. The smell of the meat, thick with gravy, rises into the cool night air, but Leon’s stomach churns at the sight of it.

"Captain Krauser," Leon mutters, accepting the bowl out of obligation more than hunger, balancing it on one knee. "Didn’t feel like celebrating with the others."

Krauser doesn’t move. He stands there, arms crossed, his bulk casting a shadow that blocks the faint moonlight. His scarred face is half-illuminated by the fire’s glow, the deep lines etched into his skin more pronounced in the flickering light.

Leon stirs the stew absently, blowing on it before taking a small bite. It’s warm, but tasteless. Each mouthful feels like ash, though he forces himself to swallow.

Krauser lets out a bitter laugh, shaking his head. He lowers himself to the ground beside Leon with a heavy sigh, the earth shifting beneath his weight. "Is that guilt weighing you down, shiny?" His voice is rough, edged with a mockery that barely conceals his weariness. "Because that’s a damn waste of time."

Shiny. The word used to grate on Leon—an insult for paladins whose armor hasn’t yet been sullied by enough blood and battle. His once-polished metal has long since dulled, but the name lingers. Now, he doesn’t care what anyone calls him. It’s just another word.

"Just a bad feeling," Leon replies with a shrug, forcing another spoonful down. The broth is bland, lukewarm at best, but he eats slowly anyway, chewing as if it will somehow ground him in the present.

Krauser grunts, his large frame shifting uncomfortably as he leans back against the tree. "You’re learning." He pauses, eyes narrowing slightly as he glances toward the distant glow of campfires. "New orders came in. We move south at first light to intercept a convoy carrying supplies."

Leon keeps eating, though his grip tightens slightly on the spoon. He waits. There’s always more.

"Intelligence says there may be hostages," Krauser adds, his voice turning grim. Leon notices how the lines around his eyes seem deeper, more etched than before. There’s exhaustion in them, though it’s well hidden behind his hardened exterior. "Our task is to eliminate the threat to the kingdom."

"Kill the hostages?" Leon’s response is flat, more a statement than a question.

A heavy silence falls between them, stretching like a weight neither of them wants to bear. The fire crackles on, sending occasional sparks into the air, while the distant hum of soldiers' voices fades into the background. The smell of burning wood fills the space between them, thick and stifling.

Krauser doesn’t answer immediately. His jaw clenches, the scar on his face pulling tight as he looks ahead, not meeting Leon’s gaze. "You know the orders," he says finally, the words dropping like stones into the quiet. "We do what we’re told."

Leon lowers the spoon, the taste of the stew forgotten as his stomach twists. He’s not surprised, but that doesn’t make it any easier to swallow. He stares into the fire again, watching as the flames curl around the blackened logs, reducing them to nothing but ash.

The sword feels heavier today.

Leon rides ahead of the troops, the rhythmic clop of horseshoes striking the stone path echoing across the endless stretch of open land before him. The morning sun climbs lazily in the sky, casting pale light that stretches the shadows of soldiers and horses over fields soon to be stained with blood.

His breath puffs in the crisp air, small clouds that vanish as quickly as they form. His fingers tighten around the sword’s hilt, knuckles whitening under the strain, even though there’s no immediate need to wield it. Sweat runs in a thin line down his spine, sticking his shirt to his skin beneath the armor.

Behind him, the sounds of the army in preparation are a constant hum—swords being drawn from scabbards, armor buckled into place, horses snorting in nervous agitation. Soldiers march in disciplined ranks, though their faces carry the tension of men too aware of what’s to come. Some are barely more than boys, fresh to the battlefield, eyes wide with fear they think they can hide. The village lies beyond the next ridge, nestled in the hills. The command had been clear: leave none alive.

Leon shifts uncomfortably in the saddle. His throat tightens with the weight of it, as if each breath is a struggle to swallow the bitter taste of what they’re about to do. He glances to the soldiers beside him, seeing faces too young, too eager to kill or die, all in the name of a god who remains as distant as the stars.

There was a time when Ethelion’s will felt as close as his own heartbeat. When the saintess’s blessings had filled him with purpose, your touch a reminder of the grace he fought to protect. What would you think of him now? Would you still offer him your blessing, knowing the blood that stains his hands? The lives he’s taken, the innocents who died beneath his blade?

As they near the village, Leon pulls back on the reins, slowing his horse. The captain riding beside him narrows his gaze, a sharp glance cast his way, but Leon doesn’t acknowledge it.

“Captain,” Leon’s voice comes out rougher than intended. “What if we’re wrong?”

The captain scoffs, not even turning his head. “Wrong? These people are traitors. They must be dealt with.”

Leon’s grip tightens around the reins, the leather biting into his palms. “But we have no proof. No confirmation that they’ve—”

“There is no what if, shiny,” the captain cuts him off, his tone as cold and unyielding as iron. “Our orders are clear. Or have you forgotten your place?”

Leon swallows hard, his throat dry. His place. To serve, to obey, to carry out the will of Ethelion without question.

But his place has never felt so wrong.

They crest the final hill, the village coming into view below. Smoke rises lazily from chimneys, the scent of cooking fires carried on the wind. From a distance, it looks serene. Peaceful. The villagers go about their day, unaware of the army bearing down on them, unaware that in moments, their world will be torn apart.

Leon’s stomach churns. His horse shifts beneath him, sensing his unease, and he forces a slow breath, trying to calm the storm of doubt swirling inside him. His brothers-in-arms march forward, steady and resolute, their swords ready, their minds set on the task ahead.

But Leon’s horse won’t move. It stands rooted, mirroring the weight in his soul.

The captain urges his own horse forward, barking orders to the soldiers to fan out and surround the village. Leon watches as they obey without hesitation, without question. Their faces remain emotionless, minds focused on the task at hand.

How can they not feel it? How can they not sense the wrongness of what they’re about to do?

As the soldiers advance, the first shouts of alarm rise from the village below. Leon can hear it—the panic in their voices, see the sudden fear on their faces. Mothers pulling children close, men scrambling to gather their families. Chaos erupts as arrows fly and swords are raised, and yet, Leon remains frozen in place, his hand trembling on the reins.

The first bodies fall, the clash of steel and screams blending into a cacophony that drowns everything else. The world tilts beneath him, the ground shifting as the sickening sound of death fills his ears, louder than the wind, louder than anything.

I can’t do this.

The thought slices through the haze like a knife.

I can’t.

His grip tightens further on the reins, every muscle in his body tensing, ready to move, ready to do something. Anything.

A shout from behind jerks him from his paralysis. “Sir!”

Leon turns sharply, his pulse racing. A young messenger rides toward him, his face pale, fear etched into every line as he pulls his horse to a stop, barely managing to speak through gasps for air. “Urgent orders from the capital! Princess Ashley has been taken by the enemy. We must mobilize immediately to retrieve her.”

Leon’s heart slams against his ribs.

The princess. The heir to the throne.

For a brief, blessed moment, the chaos of the battlefield fades away, replaced by the only thing that matters. He can save her. He can stop this madness and do something that truly matters.

But the church has other orders.

The captain rides over, his brow furrowed as he tears the sealed letter from the messenger’s hand, the royal crest glinting in the sunlight. He scans it quickly, his expression hardening with each passing second before crumpling the parchment and tossing it to the ground.

“We proceed as planned,” the captain snaps, his tone cold, final.

Leon’s blood runs cold. “But the princess—”

“The orders stand,” the captain repeats, not even glancing at him. “We were sent here to purge this village of traitors, and that’s what we’ll do.”

The sound fades from Leon’s ears, replaced by a sharp ringing that drowns out the Captain ordering the messenger away and trying to direct him to the nearest base.

His pulse pounds in his temples, each beat like a hammer driving nails into his resolve. This isn’t just another village. This isn’t just another order. It’s the future of the kingdom hanging in the balance, and they’re about to throw it all away for what? For bloodshed masquerading as faith?

The bile rises in Leon’s throat, bitter and burning.

He thought he could stomach war. He thought he could follow orders, no matter how brutal. But this?

The last thread of the leash holding him snaps.

Leon’s hands shake on the reins as the captain’s sharp gaze lands on him. “Leon,” the captain growls, noticing his hesitation, “Remember yourself.”

An oath. To serve, to obey, to protect.

But as he looks out over the village, sees the smoke rising, the screams tearing through the air, Leon knows the truth.

This isn’t the will of Ethelion.

This is the will of men.

Men who’ve twisted the divine into something grotesque, something that demands blood for power. Men who’ve forgotten what they were supposed to protect.

Your face flashes before him—soft, kind, with that quiet strength. The words you once spoke come back to him, clear in the chaos.

One is not born to greatness. One achieves it.

“I can’t do this,” Leon whispers, the words slipping out before he can stop them. His voice is barely a breath, but the weight of the truth in them rings louder in his mind than any shout of command.

The captain’s gaze sharpens. “What did you say?”

Leon meets his eyes, feeling the fire build inside him. “I won’t do this,” he repeats, stronger now. “I won’t sit by and watch us slaughter innocents while the kingdom’s heir is in danger.”

“You swore an oath.”

“I swore an oath to protect,” Leon retorts, his breath catching as conviction tightens his chest. “And that’s exactly what I’m going to do.”

For a long, tense moment, silence stretches between them. The captain’s face twists in fury, his hand hovering near his sword. “You defy the Temple, and you defy Ethelion himself. You’ll be branded an oathbreaker. You’ll never be able to return.”

An oathbreaker. Cast out from the temple, from the faith, from you.

But Leon knows, deep down, that this decision was made long before he spoke the words.

“If following the Temple means abandoning the kingdom, then I’ll bear that title gladly.”

The captain’s jaw tightens, fury flashing in his eyes, but Leon doesn’t wait for the response. He turns his horse with a sharp tug, spurring it forward. The wind rushes against his face as he rides, faster and faster, leaving behind the chaos, the orders, the lies.

He knows what this means. He knows what’s waiting for him at the end of this path. There will be no place for him in the temple, no return to the saintess’s grace.

But as the wind cuts through him, sharp and freeing, he knows one thing for certain:

He’s made his choice.

And now, he’ll live with it.

The streets of the capital are thick with people, their cheers rising in waves that echoed off the towering stone walls of the city, the air alive with the sounds of celebration—laughter, music, the rhythmic beat of drums that thrummed through the cobblestone streets like a heartbeat. Banners of blue and gold flutter in the breeze, catching the midday sun and casting fractured patterns of light across the throngs of spectators who lined the streets.

And there, at the center of it all, rides Leon, astride a massive warhorse clad in gleaming black barding, the royal crest of Ethelion emblazoned on its chest. The horse’s hooves clatter against the stones, a steady, rhythmic sound that matches the beat of the drums, though Leon barely hears it. His focus is elsewhere—distant, cold, fixed on a point far beyond the horizon as the cheers of the people wash over him like distant waves.

He sits tall in the saddle, his body encased in full black armor that gleams like polished obsidian despite the streaks of dried blood splattered across the metal. His cape, once a regal white, fluttered in the breeze, its edges torn and frayed from the brutal campaign that had crowned him victor. Though battered, the helmet is tucked under his arm, leaving his face exposed to the cool autumn air.

The cheers from the crowd echo off the stone buildings, filling the air with a roar of excitement and adoration. Cries of “Long live Sir Leon!” and “Hail the hero!” ring out from every direction, the people pushing and jostling to catch sight of him as he rode by.

It all means little to him.

They shout his name, faces alight with joy, hailing him as their hero, their savior. He has returned from the war triumphant, Princess Ashley safe at his side, the enemy defeated and the kingdom secured. To them, he is a figure of legend, a warrior draped in glory and victory.

But to Leon, the glory feels hollow, like fool’s gold.

He fought for close to a decade, driven by a purpose that no longer existed. The blood on his armor, the lives lost in his name—it all seems to blur together in his mind, a swirling mass of faces and screams that he can’t escape. Even here, amidst the fanfare and celebration, the battlefield clings to him, its shadow cast long and dark over his soul.

The people can’t see it. They see only the armor, the crown of laurels resting atop his head, the bloodied sword at his side. They don’t see the burden of it, the way it presses down on him like a sin he could never lay down.

He glances to the side as the parade moved forward, the crowds pressing in closer as they strained to catch a glimpse of the soldiers coming home. Children are perched on their parents’ shoulders, waving small flags, their faces painted in the colors of the kingdom. Women throw flowers from their balconies, petals raining down like confetti, their bright colors almost a mockery to the dark steel of his armor.

And then, through the sea of faces, something catches his eye.

A small blur, darting between the legs of the adults, weaving through the crowd with surprising speed and determination. Leon’s gaze sharpens, his body tensing instinctively as he tracks the movement, his hand hovering near the hilt of his sword.

It’s a child.

A little girl, no more than seven or eight years old, her hair tied in messy braids, face flushed with excitement. She breaks free from the crowd, slipping past the guards who stood watch along the edges of the street, and before anyone can stop her, she runs toward Leon, her small hands clutching something tightly to her chest.

The crowd gasps, a murmur rippling through as the girl reaches Leon’s horse. The guards move forward, ready to intervene, but Leon holds up a hand, signaling for them to stop.

He looks down at the child, eyes dark and tired. The little girl stares up at him, her chest rising and falling with quick, shallow breaths, wide eyes filled with awe and something else—something Leon hasn’t seen in a long time.

Hope.

For a moment, the world slows, the noise of the crowd fading into the background as Leon and the girl lock eyes. She is so small, so fragile, standing there in front of him, her little hands trembling as she holds something out to him on her tiptoes.

A flower.

A single white lily, its petals slightly crumpled from her tight grip, but still intact, still whole. She raises it up to him, her hands shaking, lips parting in a shy, nervous smile.

“For you, sir,” she yells, her voice barely audible over the distant roar of the crowd. “Thank you for saving us!”

Leon stares down at the flower, his heart constricting painfully in his chest. The blood on his armor, the dirt caked beneath his fingernails, the weight of the sword at his side—all of it feels wrong in the presence of such innocence. He’s a soldier who threw away his oath, a killer, a man forged in the fires of war, and yet here stands this child, offering him a flower as if he were something more than just the weapon the kingdom had wielded.

His hand, still encased in the cold metal of his gauntlet, moves slowly, hesitantly, as if it doesn’t belong to him. He reaches down, the armor creaking with the motion, and gently takes the flower from the girl’s outstretched hands. The petals brush against the bloodstained metal of his gloves, stark and bright against the darkness of his armor.

“Thank you,” Leon mumbles, rough and strained, the words catching in his throat. His grip tightens around the delicate stem of the flower, careful not to crush it. For a brief moment, the warmth of the child’s gesture pierces through the fog of guilt and weariness that’s permanently settled over him, a glimmer of light in the darkness.

The little girl’s face lights up with a smile, her eyes shining with pure, untainted joy. She stands there and jumps up and down with excitement, beaming up at him as if he were the sun itself, as if his presence alone could banish the shadows that lingered at the edges of her world.

But Leon knows better. He feels the lock of hair curled inside the locket above his heart burn his skin.

The grand doors of the royal palace groan open with an echoing creak, revealing the hall beyond—a glittering display of prosperity and flamboyance that seems to scorn the simple austerity of the life Leon has known. Polished marble floors gleam beneath chandeliers of wrought gold, their light refracting off mirrors that line the walls. The air here is crisp, almost sharp with nose-breaking blends of perfumes, with none of the heavy warmth of the temple's incense.

Leon’s boots click sharply against the marble as he enters, each step ringing out in the cavernous hall, a sound swallowed by the murmurs of the courtiers who line the edges of the room. The steady hum of muted conversations fills his ears, escorted by the occasional clink of glasses. They watch him with calculating eyes, the nobles dressed in silks and velvets of every hue, faces painted with smiles too precise to be genuine, as suffocating as the armor that once bore him through battle.

He feels naked without it now, standing here in formal garb, his sword sheathed and distant at his side, a mere symbol of his victory rather than a tool of survival. The dark fabric of his tunic hangs heavy on his shoulders, trimmed with the royal blue of the kingdom.

Ahead, at the far end of the hall, the king sits on his throne. The high-backed chair is a towering edifice of dark wood, inlaid with gold and precious stones that sparkle under the dazzling chandeliers. The king himself is an imposing figure, draped in royal blues and deep purples, a crown resting atop his graying hair. He watches Leon’s approach with the same detachment as the nobles—his gaze that of a man weighing the worth of a tool rather than acknowledging the triumph of a soldier.

As Leon reaches the dais, he stops, kneeling—an action that should feel natural after years of service, but here, it is different.

The king rises slowly, the robes trailing around his feet like the velvet shadows of dusk, and approaches with the same calculated precision that governs the court. A ceremonial scepter gleams in his hand, more ornament than authority, but its significance is clear.

“Sir Leon,” the king’s words cut through the room like the edge of a blade, each syllable crisp, measured. “You stand before this court as a hero of our realm. For your valor in battle, for your unwavering loyalty to the crown, and for the rescue of Princess Ashley, I bestow upon you the title of Margrave.”

The tap of the scepter on Leon’s shoulder is light, almost delicate, but it might as well have been a hammer.

The king returns to his throne, settling back with a rustle of silk, and gestures for Leon to rise. “Rise, Margrave.”

Leon pushes to his feet, the formality of the moment bearing down upon him as the court claps in practiced politeness. Their applause is soft, a murmur of sound that fades almost as quickly as it had begun, leaving the room in an expectant silence.

It is time.

A low ripple of movement stirs at the far end of the hall as the clergy step forward. Robes of pristine white trail across the floor as the procession approaches, a stark contrast to the vivid blues and purples of the nobility. At the head of the clergy is the Archbishop, his ceremonial staff clicking rhythmically against the floor with each step. And beside him—veiled, serene, and radiant in her holy robes—is the saintess. The mask is a pure white, veil milky and opaque; the contrasts of light and darkness across its fabric give the impression of a reflection on water, of a thousand shifting stars under the sun. On your head rests a delicate crown of silver thorns, interwoven with fine filigree, glimmering like fresh snow, hands folded in your lap are covered by silk gloves, so smooth they almost shine.

Leon’s heart stutters.

This is the moment he has been longing for, the only prayer that’s ever left his lips even after his faith had fallen.

He has endured the war, survived the bloodshed, all for this. For you. For the woman who has been his guiding light, the saintess who had once healed him with her touch, whose presence had filled the void within him during the long, cold nights on the battlefield.

He steps forward, his hands trembling at his sides, his breath catching in his throat as the group approaches the dais.

His knee wants to bend before he even realizes it, the instinct to kneel before you stronger than any other impulse.

But as when you take your place atop the steps of the dais, hands raised in the familiar gesture of blessing, something gnaws at him—an unease that creeps along the edges of his mind. The movement of your hands, the tilt of your head—it is all wrong. Too stiff, too formal.

He hesitates.

The room holds its breath, the nobles watching in silence as the saintess descends down towards him, the veil obscuring your features, body swathed in layers of white that flutter with each step.

Leon’s pulse quickens, and his eyes—despite his every effort not to—search for yours through the veil and the mask. He needs confirmation that it’s him who has changed. He needs to see, even if it is just the glimpse of the eyes he had held in his memory through every moment of agony, through every victory.

But as you draw closer, his stomach drops.

The eyes behind the veil—dark, unfamiliar, and cold—are not yours.

His body freezes, his muscles locking in place as the realization hits him with the force of a blow.

This isn’t you.

This woman—this stranger—isn’t the one he had fought for, the one whose face had kept him alive in the blood-soaked trenches of the war.

The saintess lowers her hands, preparing to lay her blessing upon him, but Leon jerks back, his knees refusing to bend, breath quick and sharp in his chest. The room grows still, the murmurs of the nobles faltering as the tension thickens around him like a noose.

The Archbishop’s head snaps toward him, the ceremonial calm in his expression faltering for just a moment. His fingers tighten around the staff, the knuckles turning white beneath the pressure.

“Margrave,” the Archbishop’s reprimand is sharp, cutting through the air like the crack of a whip. “You must kneel to receive the Saintess’s blessing.”

Leon’s fists clench at his sides, the leather of his gloves creaking under the strain. His body is trembling, but it isn’t from fear. It is from the fear-soaked anger that is building inside him, slow and burning like a fire stoked too long. His gaze fixes on the false saintess, his heart thundering in his chest, his mind spinning with questions that have no answers.

Where are you?

The walls close in, the air thick with the silent judgment of nobles and clergy. Each breath is a growing struggle, laden with the oppressive load of their expectations. His limbs feel anchored, refusing to bow before this stranger, this imposter.

“Margrave,” the Archbishop’s voice cuts through the tension, sharp and commanding. His eyes flash a stern warning. “You will kneel.”

The pressure shatters.

Leon’s body moves before he can stop it, his hands flying out to grab the front of the Archbishop’s robes, yanking him forward with a force that sends the man stumbling, the ornate staff clattering to the floor. A collective gasp sweeps through the room, the nobles recoiling in shock as Leon’s voice, low and ragged, spills out.

“Where is she?” His hiss is a harsh rasp, breaths coming in short, jagged bursts. “Where is the real Saintess?”

The Archbishop’s face twists in fury, his hands flailing against Leon’s iron grip. “Unhand me, you fool! You stand in the presence of Ethelion’s chosen—”

“No.” The word is a snarl, the growl of an animal promising to get violent. Leon’s grip tightens, the anger boiling over, his muscles trembling with the force of it. “What have you done with her?”

The room descends into chaos. Nobles rise from their seats, the sound of their hurried footsteps mingling with the low murmur of alarmed voices. The clergy shift uneasily, their faces pale, but none of them dare to move. The paladins stationed near the walls exchange nervous glances, their hands hovering near their swords, but none step forward.

They have seen what Leon is capable of.

“Release me!” The Archbishop’s voice cracks, his pale face contorted with fear and rage. “You dare attack the church? You will be branded a heretic for this!”

Leon barely hears them, his body trembling with rage as he stares down the terrified clergyman clawing at his arm, nails digging into Leon's skin, leaving behind bloody scratches.

“I don’t care.” Leon’s voice is low, silent, the words spilling from him like venom. “Tell me where she is.”

Before the Archbishop can answer, a hand—small, yet firm—clamps down on Leon’s shoulder.

Princess Ashley doesn’t release his arm as she pulls him toward the side of the throne room, guiding him through the side doors that lead into a quieter, more secluded hallway. The heavy wooden door closes behind them with a dull thud, cutting off the noise of the throne room and leaving them in a sudden, suffocating stillness.

Leon exhales, his breath shuddering as he leans against the wall, one hand coming up to palm at his face, and between his fingers, stares down at the ground with a wild look.

[demonslayerunhinged]

Unhinged theory

The Passion of Sanemi Shinazugawa

Sanemi has no chill.

We all been knew this. His chill is one of the things that the fandom has accepted canonically doesn't exist, like Inosuke's uniform shirt or Zenitsu's dating standards, but the reason for his lack of chill and generally aggressive behavior is still a much debated topic to this day.

I have made two posts here and here breaking down his backstory, his trauma and socio-economical circumstances that made him the man he is today but, I still wasn't satisfied. Something nagged me about this character and his personality that I couldn't put my finger on. So I pondered, for days going through each episode, rereading the manga taking note of his actions and interactions with other characters.

Then, it finally hit me.

Ladies and gentlemen, I believe I've found the answer.

Sanemi, our sweet boy, is SEXUALLY FRUSTRATED.

Let me explain.

butt first...

What is sexual frustration?

According to Medical News Today,

Sexual frustration describes a state of irritation, agitation, or stress resulting from sexual inactivity or dissatisfaction. Sexual frustration is a common, natural feeling, and it can affect anyone.

Some symptoms include:

Feeling irritable, restless, and edgy (so Sanemi's entire personality?)

Engaging in unhealthy coping skills (like wanting to brawl with another man for no reason and after having a sexually-charged training session 🤨)

Performing riskier behaviors to fulfill sexual desires (like exposing your entire chest and leaving it vulnerable just so you can show off your tits like a slut 🤨🤨).

Compulsive or hypersexual behaviors (like wanting to grab another man by the hair just so he won't go away 🤨🤨🤨)

Depression or anxiety for men (see this post)

“Seeking revenge” against targets that are the believed source of the frustration (basically Sanemi vs Giyuu)

Displaced frustration on targets with no connection to the frustration (Sanemi vs Tanjiro vs Junior Slayers)

How did this cum to be?

Okay so, I have this headcanon that the Shinazugawa men have a high sex drive. I mean, there's the seven kids from Kyogo which means he had to be laying pipe...a lot(F's in the chat for Shizu 😔) and Genya's horniness when he breathes the same air as a girl, so it's safe to say that Sanemi also has a high sex drive.

After the tragedy that struck his family (Shizu killing the kids, not Kyogo's death because fuck that guy), Sanemi lost any hope or chance of a normal life. In the light novel Sign post of the Wind, Sanemi tells Masachika that life isn't for fun, and he has expressed his distaste for 'frivolous' things.

He denies himself these things because he believes he doesn't deserve them, why should he enjoy life when he killed his mom, when he couldn't protect his siblings, when his brother rightfully hates him, when demons still exist, when families are still being ripped apart, when his colleagues and juniors are being killed and when Genya is in constant danger. The only thing he allows himself is ohagi which is a reminder of happier times.

He has no time for friends, for love and definitely not for sex, which by extension includes masturbation. He won't be able to jerk off without seeing the faces of his mom and his siblings -and yes, that sentence was just as awkward for me writing it as you reading it- so he resigned himself to a life of solitude and sexual frustration, which caused him to develop his aggressive and no-chill personality but at least he was able to manage for a while, that was until he met Giyuu.

Cum hither Giyuu

Sanemi's no-nut journey became even more unbearable when he met Giyuu. There was just something about that sappy, derpy, stupid face that stole his heart and even though Giyuu's personality should've made it easy to stay away, the power of love and horny didn't allow that to happen.

Like I mentioned before in a previous post, what followed was a series of sexually-tense situations and interactions between the two Hashiras, so every time Giyuu happened to enter Sanemi's field of vision, I guess you could say more or less he was:

Reaching out for help

In the light of their impending doom with Muzan's arrival, Sanemi has a realization; he's obviously going to die soon, that doesn't scare Sanemi, he's accepted the fact that he's going to die anyway but to die as a virgin? Now that's not good. With the failure of trying to reach out to Giyuu in the Hashira meeting and the disaster that was the attempted eye-poking incident and being shamed by a 16-year-old Sanemi decides 'fuck it' and tries to reach out to Giyuu again.

But he can't go crawling to Giyuu and be like 'please fuck me', no no no that would not do instead he has the brilliant idea to challenge Giyuu to combat under the guise of 'training' in some misguided hope that the spar would get both their temperatures up which would in turn get Giyuu horny enough to rip off his clothes and fuck him. Yay! The plan is foolproof!

I already mentioned in this post how Sanemi's suggestion for a brawl made no sense as he could have just taken the Muichiro route and suggested they use their actual katanas, but no he wanted a full body contact brawl. Like look at how excited he was at the concept of brawling with Giyuu, like no wonder Tanjiro was scared for Giyuu!

JUST LOOK AT THIS FACE!!! LOOK AT THE DESPERATION!!! OUR BOY IS SO PENT UP HE'S ON THE VERGE OF INSANITY!!!

THIS IS THE FACE OF A MAN WHO HASN'T NUTTED IN 21 YEARS! He was literally begging BEGGING Giyuu to touch him! 😭

Tanjiro(bestest boy ❤️) was rightfully afraid for his big bro, so he intercepts (read cock blocks) Sanemi! Imagine how he felt at that moment; he was THIS close to some body contact and then comes in the same child who kills his rep at every turn! Not only that, but Tanjiro clocks in Sanemi's intentions and decided to put a stop to it by hitting him where he hurts; ohagi.

Imagine your biggest social opp coming along with his innocent, stupidly sweet face when you've finally decided to open yourself up to fucking your forever crush and killing whatever and all sexual tension with his annoying innocence!

Then, as if on a mission to destroy your spirit, reveals your secret love of ohagi! A sweet typically enjoyed by children! Right in front of his future baby daddy!

Tanjiro then drives the knife even further by asking him his ohagi preferences, talking about how his grandma used to make ohagi and shit!

LIKE BOYYYYYYYY

That explains why he was so salty even hours later. If I were him, I'd be pissed too! The fuck! I love how he stopped walking on the steps just to cuss Tanjiro out, like you can tell it came from the very depths of his soul.

I mean, you can literally hear the pain and frustration in his voice. That is the cry of a man who spent three hours douching, only to have his Grindr date cancel on him.

Celebrating the big O

After the events of the final showdown we see a more relaxed, almost peaceful Sanemi which tells us one thing - our boy finally got laid!

But when? and with whom?

Well Giyuu, duh. I theorize that it happened sometime during the three months of recuperation before Tanjiro woke up, and they had their last Hashira meeting. I mean, look at how they're smiling at each other, you can't tell me these guys didn't fuck at least once.

Sanemi came(lol) out(lol again!) of the encounter a changed man. He's moisturized, demure, in his lane, thriving.

Look at him here; tits covered 'cuz Giyuu has made an honest man out of him, and that peaceful look? Damn, dick was so good blud had to look up to the heavens like

In Conclusion, Sanemi's character development is really inspirational because it's a story of one man's triumph over thirst and yea I don't know how to end this post, so I'll just leave you with some words of wisdom:

[cry-stars]

Komaeda and Dementia: Part 1 of 5: Introduction and Overview of FTD

Hi everyone!

I’m an aspiring Komaedologist with an interest in dementia. I often see people doubting Komaeda’s stated diagnosis of frontotemporal dementia, since it presents differently in him than in the common portrayal of dementia in the media. While his portrayal may not be completely accurate, there is a lot of truth to it, and there are many symptoms visible in-game. I wanted to share a few posts about dementia symptoms that we do see canonically in Komaeda’s portrayals in SDR2 and DR:AE, and share some information regarding his specific diagnosis as opposed to Alzheimers, for example.

I work with people living with dementia as a recreation worker. This means that I see them living their daily lives, and know about difficulties they might have with recreational or day to day activities. There are a lot of observations that I might make that can’t be backed up scientifically yet, but do make sense in a practical way. Everyone with dementia is different, and since I work with seniors for the most part, some observations won’t transfer onto Komaeda. However, I’ll do my best to back up whatever I can with sources.

This post is just for fun and to give people ideas. It means a lot to me to see a fascinating and endearing character like Komaeda portrayed with dementia, since it is a sad and terminal disease, and I usually see it end badly in my job, so I hope to give people ideas on how to portray it, or just to notice things in a different way they might not have before!

My main sources for this post and the following ones include “Dementia Diaries,” which is a really cool project where people with dementia talk about their experiences, National Institute on Aging, Alzheimer’s Association, Alzheimer’s Society, and my own work experience. I plan on doing more posts about specific symptoms that we see in Komaeda later, but I would be happy to hear from other people who have dementia knowledge, or to answer any questions that I can.

For the most part, I'm only going to be talking about SDR2 and a little bit of DR:AE. I haven't finished watching the anime yet and have not read any of the manga. If anyone has ideas from any of those sources, I would love to hear about them!

Overview of FTD: Which Variant does Komaeda Have?

There are two major forms of frontotemporal dementia. The first, which Komaeda likely has, is the behavioural variant (BvFTD), which is also the most likely for young people to develop. This variant of FTD mainly affects behaviour, empathy, judgement, and planning.

Komaeda is less likely to have the other variant of FTD, primary progressive aphasia. This form of FTD mainly affects language skills, including speech and comprehension.

Komaeda doesn’t seem to have very much trouble with understanding the concrete content of what people say to him, but he does occasionally seem to have trouble fully comprehending hidden meanings behind statements (for example, taking statements literally rather than as sarcastic). To me though, this is less connected to him not being able to understand the words or content of statements, and more not picking up on the emotions hidden in the statements (which I’ll address more in the behavior post). He does seem to have some trouble with word-finding in the Japanese version of the game, but again, it doesn't inhibit his ability to express himself given enough time to speak.

Another thing to note about FTD is that, in its early stages, it mainly affects behaviour and language processing, as stated above, rather than memory. In later stages, memory does start to be affected as well, but it’s different from Alzheimers (probably the most well-known form of dementia) in that memory loss isn’t the main symptom.

FTD’s prognosis is about 6-8 years. Komaeda states in his fifth free time event that his life expectancy is between half a year and one year. However, he is also referring to his lymphoma diagnosis, meaning he expected to die from a combination of both illnesses within that time frame. In SDR2, Komaeda is probably in the early to middle stages of FTD, since he was diagnosed right before entering Hope’s Peak, and was a Remnant of Despair for some time without treatment, so while we can see evidence of memory issues (which I will address in another post), it’s something he’s able to cope with and isn’t a debilitating symptom yet.

One more observation: while dementia as a whole is usually seen in elderly people, Komaeda’s specific frontotemporal dementia diagnosis has an earlier age of onset, usually between ages 40-65, and is rarely seen in elderly people. Even though being diagnosed in high school seems unlikely, it is not impossible. According to Alzheimer Society Canada, early-onset or young-onset dementia (between ages 18 and 65) accounts for 2-8% of all dementia cases.

Thank you for reading! I plan on making five posts total. The other post topics will be Outward Behaviour, Judgement/Thought Processes, Other Symptoms, and Writing Ideas.

[lifeafterartsch00l]

My fav sns smut

or some of it anyway

If Naruto x Sasuke fking nasty is your ☕️

I tried to find all these beloved authors to tag them, but I couldn’t find them all, if you know who they are, plz tag them! Let’s share the ❤️

In no particular order

Healing the Broken by KizuKatana

When people tell me about smut they read in printed books I’m like

Because it’s fics like these that amaze me with their ingenuity, creativity, originality, and boldness 🔥🔥🔥

AKA

This fic isn’t just PWP (although that’s fine too in my book), it’s so well written with character development, action & romance ❤️‍🔥 Predators by the same author is also excellent 👌🏽

Thx u @kizukatana 😊

“Chapters: 23/23

Rating: Explicit

Warnings: Underage

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uzumaki Naruto, Uchiha Sasuke

Additional Tags: Angst, SPOILERS MANGA CHAPTER 693, Drug Use, sex during drug use, Canon-Typical Violence, canon!sasuke, canon!naruto, Addiction, Slash, narusasunaru, Fix-It, my version of how it should have ended, Friends to Lovers, Enemies to Friends to Lovers, Alternate Universe - Canon Divergence, NSFW, Smut

Series: Part 1 of HTB universe

Summary: The war is over, and Sasuke is brought back to the village after his defeat by Naruto. But he is struggling to re-assimilate into the village. As his mental stability continues to erode, Tsunade and Kakashi ask Naruto to try a different treatment method. Naruto x Sasuke (slash - boy x boy). Post manga chapter 693.

Warning: Hard Yaoi (Boy x Boy) language, angst, mental illness, substance abuse, masturbation, eventual sex. Not appropriate for young readers. 18+

Disclaimer - As with everything I write on this site, I don't own the characters (Kishimoto does), and I make no money. My only payment is in reviews.

Spanish Translation by Linme (thank you!) “

[doujinshi] My Lost Himawari by SouthNorthSound

Me, to the artist (and English translator) of this visually stunning and well written doujinshi -

Seriously. It’s amazing. The visual metaphors. The angst. The way the artist can simply draw a single panel of a close-up Uchiha eye that is so outrageously sultry and sexy I don’t understand 🥵 one of the extra chapters unlocked something in me (the dream one). Bonus that it’s also really funny & has a lot of respect/empathy for its women characters too! If anyone knows who this artist plz let me know I would like to follow them until the end of the world ❤️ the ending healed me 💔

EDIT HOLY S*** GUYS I FOUND THE TRANSLATOR & ARTIST ON TUMBLR

Thx u @southnorthsound 😭❤️🫡🙇🏻‍♀️

Thx u @gigihorseinthehouse 😭 I love you I low key think you’re a genius ok sorry bye 👉🏽👈🏽

"https://archiveofourown.org/works/36581581

[doujinshi] My Lost Himawari by SouthNorthSound

Chapters: 60/60

Fandom: Naruto, Boruto: Naruto Next Generations

Rating: Mature

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uchiha Sasuke, Uzumaki Naruto, Haruno Sakura, Hyuuga Hinata, Uchiha Sarada, Uzumaki Boruto, Uzumaki Himawari, Hatake Kakashi, Nara Shikamaru, Temari (Naruto), Nara Shikadai, Akimichi Chouchou, Gaara (Naruto)

Additional Tags: Fanart, Fan Comics, Alternate Universe - Canon Divergence, SasuNaru - Freeform, NaruSasu - Freeform, Translation, Doujinshi, Fix-It, how it should have ended, Angst, If you don’t understand how they ended up like that in Boruto READ THIS, Poetic, comedic, Loyal to canon, Angst with a Happy Ending, Fluff and Angst, NSFW Art, Sex

Summary: A love story consists of different perspectives and different memories. It’s about saudade / realization / entanglement / out of control / hope / restart

Chapter700 background

Warning: adult content in extra chapters

Fan comics, doujinshi. It's highly recommended to read it on big screens such as iPad or PC. So you can see details about their facial expressions

One of the best Naruto fanart I’ve ever seen. So I translated it ❤”

Inevitablity by Sanauria_Maldhun

If the answer is

A) Yes

B) Kinda

C) Mind your own business rando internet pervert

Congrats all answers are correct = GO READ IT PLZ

Possessive & desperate 🥵 super gay, delicious angst, really hot 🔥 very enjoyable - fun tropes, everything hits just right, utter perfection ❤️ I’m not saying a lot because I don’t want to give away spoilers 😍

I couldn’t find this author on tumblr, plz tag in the comments if you know who they are!

“Chapters: 4/4

Rating: Explicit

Relationships: Uchiha Sasuke/Uzumaki Naruto, Haruno Sakura/Yamanaka Ino

Characters: Uzumaki Naruto, Uchiha Sasuke, Yamanaka Ino, Haruno Sakura

Additional Tags: Fake/Pretend Relationship, (between Ino and Naruto), Mutual Pining, Angst, Fluff, Fluff and Angst, Banter, Domesticity, Pining, Naruto is so in love, and doesn't know how to handle his Feelings, Jealousy, Jealous Sasuke, Jealous Sakura, Post-Chapter 699 (Naruto), Explicit Sexual Content, Anal Sex, Gay Sex, Angst with a Happy Ending, Hurt/Comfort, Slow Burn, Bottom Uzumaki Naruto, Top Uchiha Sasuke

Summary: Naruto's stressed and pining after a man who views him only as a friend. Deciding to get married to Ino isn't the best decision he's made (ever), given that they had been absolutely drunk while making such a declaration, but it's... a decision. Besides, what does he have to lose?”

You’ve gotten into my bloodstream (a bite of his heart) by lovenmaze

Nom nom nom 😉 kidding! Not literal cannibalism, it’s a metaphor for love, and this fic is beautiful 😍 poetic & sexy. One shot. Love how Naruto talks to Sasuke in this one (and makes him talk, too, hehe…) 🥵 delicious, please go tuck into this feast ❤️ author made an excellent fic playlist too!

Thx u @lovenmaze 😊

“https://archiveofourown.org/works/56430019

Chapters: 1/1

Rating: Not Rated

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uchiha Sasuke, Uzumaki Naruto

Additional Tags: Cannibalistic Thoughts, Cannibalism imagery, First Time, Top Uzumaki Naruto, Bottom Uchiha Sasuke, Tender Sex, Blank Period (Naruto), Confessions, Idiots in Love, Not Beta Read, Anal Sex, Anal Fingering, Oral Sex, Alternate Universe - Canon Divergence, Emotional Sex, Eventual Fluff, Fluff and Smut, they’re both crazy about each other but thats not new, Poetic, Italicized Oh Moment, cannibalism as a metaphor for love, trust me it works and its SO good, consent is sexy !!!, lowkey vampire sasuke vibes

Summary: Sasuke tries to bite softly, he’s not going to eat him, maybe get a taste. Perhaps it’s stupid, but he wants to make sure, so he does. He opens his mouth, tongue touching the skin. His body shudders, and Naruto tastes warm, like skin or flesh; he tastes alive.

“A kiss is the beginning of cannibalism.”

AKA, The tender, fluffy, first-time, cannibalism (imagery), smut NaruSasu AU. [EDITED.]”

❤️Thx all u amazing authors u make me feel like this❤️

[wisyhana]

I'm a bit shy to draw Messeshipping because I haven't got to the point in their story where they develop more of their relationship, but I really wanted to make this drawing.

So let me talk about this piece a little bit, please.

The drawing has to do with Kaiba's fear and confusion related to his relationship with Saya. He's defeated, kneeling down, spreading his arms towards her wanting to grab her, touch her, or catch her but he doesn't do it, he's confused and frustrated by it. He doesn't know what hit him and looks at Saya for answers and all he gets is that sweet smile, confusing him more.

Saya's veil works as an offering with Saya offering her compassion and love to him. She's wearing her gothic dress in front of him, she's finally herself and honest with him. I usually give the 'floating' illusion to some characters to give an idea of empowerment and a sense of mysticism.

I also took inspiration on that one panel of the manga for Kaiba's pose.

I love how expressive his jacket is and how it goes along with his mental state.

Here, even if Saya is offering and exposing her true self, the most vulnerable and exposed is Kaiba. He has nowhere to run with all his questions so he stays there waiting for the answer.

Messeshipping comes from messy and Grosse Messe, a mass. Kaiba thinks to himself that Saya is his Angel of Music. And the Kyrie Eleison on the Grosse Messe is all about fear to God and imploring for salvation. So you can see Kaiba acting more on that side, begging for a solution to this black angel. But you don't worship an Angel but God, and he's breaking that one rule.

That's all! Sorry for the long ass explanation, I just love to talk about them especially how I try to draw them. I love my sweet girl and gosh it is so fun to write Kaiba with her.

[dokidokitsuna]

Magical Girl #1

So I realize I haven’t been posting a lot here lately…there are several reasons.

Most of it was just a garden-variety depressive episode, which was unfortunately extended after I had to go on antibiotics for a couple weeks. It got to a point where I considered canceling a bunch of projects because I just didn’t like to draw anymore. ¯\_(ツ)_/¯ (Still recovering from that, tbh…)

After a while I decided to focus on my writing instead, at least to take my mind off that frightening thought. ^^; I got pretty far into a new novel (which I’ll probably talk about later) but more importantly, I managed to complete a 19-page script for ^this concept, the first new original comic idea I’ve had in years.

It’s basically my take on the idea of a solitary magical girl, which you don’t see so much of nowadays…I think the most famous is Cardcaptor Sakura, and even she had some magical sidekicks (iirc, they just had different sources of power, something like that). I’m not familiar with any examples in the genre where it’s literally just her, ala typical Western superhero…

But that’s not really the reason I wanted to write this story– I developed it mainly to explore the idea of a solitary protagonist, someone who doesn’t have any conventional social relationships outside of their family, AND doesn’t use the story to form any. How could I develop an entertaining story around such a person; what sort of character arc would they go through? Might this character realize, to some degree, that they’re not a ‘traditional’ protagonist, and have some thoughts about this…?

For a while I toyed with the idea of applying this framework to an existing idea, but then I figured it’d be easier (and shorter) to write a completely new self-contained story. Which led to the creation of Anno the magical girl, and her partner Armitage. ^^

My #1 rule was ‘no crutches’: No making her (2) family members stick to her like glue and take the place of the usual friendgroup, for instance. This rule also forced me to change the usual characterization of the helpful fairy sidekick to that of an abusive parasite…which ended up being one of the best writing decisions I ever made. ^^ I love Armitage; not only are he and Anno a great comedy duo, but I think his meanness makes Anno a stronger character.

His worst ‘friendless loser’ insults towards her are just simple statements based (oddly enough) on things I’ve heard people express about themselves. So his dialogue becomes almost cathartic, and Anno’s reactions to it become more realistic as a result. She can’t just brush off his comments as meaningless hate; she kinda has to internalize them whether she wants to or not…if she were just a little more sensitive, this story would probably have a very unhappy ending. ^^;;; But as it is, it’s just an introspective comedy about a neurodivergent girl learning to love and trust herself.

I’m not 100% sure what I’m going to do with the script now that it’s done…mostly I’ve just been using it as motivation to draw for fun again, and to continue developing a manga style (I think I’m getting close to something solid).  But will I actually attempt to draw the manga? Will I try that thing I always wanted to try where I commission some artists to draw it with me…? Or will I just hang onto it and start writing a sequel in my spare time, like I usually do? ^^; Only time will tell…

[lurkingshan]

Japanese QL Corner

It's raining jql! Hang onto your butts because this is a jam-packed post. We now have three shows airing weekly on Gaga, plus several fan subbers making our dreams come true. What a time to be alive.

Takara's Treasure

I love them, your honor. This show is from the same directing and screenwriting team as Our Dining Table, so it should come as no surprise that the characters immediately endeared themselves to me. Taishin is a lonely boy still mourning the death of his beloved pet bird and latching on to the senior who was kind to him in his low moment. Takara is a reserved tsundere who seems a bit taken aback by this weird kid who followed him to university, but Taishin's sincerity and gentleness is working on him already. It doesn't hurt that Taishin is not faking his interest in the things Takara loves, that boy is an amateur botanist. This one is going to be so much fun, and almost certainly make me cry. Can't wait!

I Hear the Sunspot

These two already own my heart. I loved that we took the time to get to know Kohei better at this early stage and understand how isolated and excluded he has felt since he began experiencing hearing loss. He needed someone loud and straightforward and unapologetic like Taichi to barrel into his life and pull him back out of his shell again. I was so relieved when Taichi confronted him immediately about his avoidance and cleared up the idea that he only wants to see him when he's being fed. The joy I felt seeing Kohei laugh and finally relax and play a simple game of basketball with his peers was immense. I could gaze at his smiling face all day.

Ayaka is in Love with Hiroko

Holy shit, I love this show! We begin our story with a makeover, and it only gets better from there. Adapted from a manga, this is an age gap office romance between an experienced lesbian and the purportedly straight junior who is in love with her. Hiroko is everyone's favorite boss at work, but she keeps her private life separate, so her colleagues have no idea she spends her nights at the local lesbian bar or that before work got so busy, she was a consummate party girl. Ayaka fell for her after an act of kindness, and she is on a mission to get Hiroko to take her seriously, but her perceived straightness is getting in the way. Shenanigans ensue! This show is charming as hell and so genuinely funny, and Hiroko is an instant fav.

Bonus: Ossan no pantsu ga nandatte ii janai ka

Episode 9 has is now available on @isaksbestpillow's blog, and besties, Daichi and Madoka are getting married!!! The way I lost my entire shit when this happened, you have no idea. I was carrying on so much I had @bengiyo worried something terrible happened, but THE VERY BEST THING HAPPENED.

Ahem. This was another fantastic episode! Makoto accompanied Mika to the Random show, where he developed his very own bias and a newfound respect for the power of kpop. Mika got to share the story of how her fandom saved her in a low moment, Moe and Makoto had a heart to heart about her lack of desire for romantic partnership and the expectations he should let go of, and the entire family is getting along so much better than we could have dreamed a few short months ago. And just as the fam was headed out for parfaits, Daichi appeared and expressed his own desire for a family, Madoka took the hint from the universe and proposed, and we all collectively held our breath and cried and cheered when Daichi said yes. What a fantastic show, I really cannot believe this drama exists.

Bonus: Zettai BL 3

And to complete this week's fan subs, @ikeoji-subs has begun posting A Man Who Defies the World of BL 3. Head here to find the latest, and if this is the first you're hearing of this series, mosey over to Gaga or Viki to watch parts 1 and 2 first! The episodes will be dropping over the next week or so, and I will share more complete thoughts about the season once they're out!

[angy-grrr]

btw, im not waiting a whole week just to see izu///ocha confession, and tbh I dont think hori would spend that energy in it -he didnt before after all. I just think a platonic interpretation opens up the possibilities for closing more arcs -for example, the whole control your heart, the future of heroes and villains, etc.

Doing a confession would actually be too abrupt in my opinion, considering she is here crying over Himiko, this isnt about him and loving him.

EDIT:

btw this doesnt mean im dropping bnha. Im just saying I dont think it makes sense to wait two weeks for a confession of a ship that has not that much development in the first place -and this isnt about time spent with them. Its about emotional investment. Ochako and Himiko dont have the spotlight that much when thinking about all the manga chapters and arcs, however it got a loyal fanbase because the times they are together they are impactful. We didnt even know she was this invested in Toga in those ways, like the lovely smile and liking it ever since she saw it for the first time, until she said it. After only two chapters, they felt like a very beautiful and tragic ship because they care for the other in ways incomparable with others, and their dynamic feels extremely romantic. In another hand, izu//ocha doesnt have that feeling at all even if they have more panels together -there were many ways to connect them in a relevant way, but their moments arent as emotionally charged.

When Ochako jumped to defend Izuku for example; it could have been like that but instead we have her thinking about who saves heroes when focusing on him -this isnt emotional for them together-, and when she talks about smiles, her mind jumps to Himiko crying -this is personal and emotional at the same time. If we had her thinking "who will save villains" for Himiko, it would come out as way less romantic for canon; and if we had her thinking randomly about Izuku like she did at the beginning, with drawings of her face with an embarrassing expression or starting accepting it, it would be more romantic*

Its not that they have nothing in common, or dont care about each other in a meaningful way, its just that Hori decided to focus on other relationships instead of them together. The togachako confrontation in comparison shows us how he can focus on mainly the pair without forgetting about other important characters or feelings -she thought about him, and confessed she fell in love with him, yet it hit me way harder when she remembered her sad smile.

They just are... casual? It doesnt get me invested in them because none of their moments are intimate, I think (I mean Himiko and Ochako feel way closer than Izuku and Ochako even when they share goals and have cute moments, maybe bc some of the themes that hori seemed to introduce in the beginning for them got dropped after Katsuki was chosen to remain as a supportive pillar for Izuku. I hope the phrasing comes out as I intended!)

*I guess the closer to this would be her wishing him to give his best when she was at the helicopter, but personally I dont count it as random because everyone was feeling the same -and Iida is the link to this, narratively speaking. It wasn't her in the helicopter in a different scene with nobody else discussing these topics, neither it was Izuku thinking of this aspect of her on his own. So it doesnt come off as impactful.

[bibibbon]

https://www.tumblr.com/witchedwicked/765961864937177088/it-sucks-because-all-hizashi-ever-does-is-push?source=share

When I tell you this scene grinds my gears...

Hi @anartisicandautisticstararcher 👋

Absolutely I understand the sentiment completely especially because we get so little from yamada and in the end his arc really never gets resolved!!!!

From the beginning and going as far as back as the vigilante manga ever since oboro's death, you see yamada bury his true feelings and constantly hide under his persona of the present mic.

There's quite an obvious symbolism with present mic always being calm and collected whenever he has his glasses on and yamada lashing out without his glasses or with his glasses slipping of his face, without his hero persona and so this scene that grinds your and my gears is shown to be the first scene where yamada and present mic's personalities merge with present mic outwardly and directly expressing grief and anger towards midnight's death.

If we did get a scene where aizawa and yamada got to talk here it would of done wonders for BOTH of their characters and would of given us some justice for midnight whoms death doesn't seem to be properly acknowledged past this point as even in the finale hori shows us the pair visiting oboro's grave and not hers.

For aizawa, this scene would have shown him actually giving back to his friends, which is something that many aizawa critics point out that he doesn't do!

For present mic, this would have kickstarted and started to resolve his own arc. This scene, being the stimulus to present mic, acknowledging his own trauma and grief caused by the situation and having him finally discover his true self being a mix of both yamada and present mic.

Yes, yamada is violent and angry at the world. Yes, he is grieving and never got the chance to properly do so. However, yamada also loves people interacting with others , which brings him joy. Interactions with oboro are a core part of his high-school days. He also loves the radio and music but there's an intersting interpration here of him loving these two things to hide and cover his true self from the world as we see that he does this with the yamada and present mic persona's. However, you can have him develop and reach a point where radio and music become an accurate part of representing and expressing himself instead of using it to hide from the world.

(Yes, there are a lot of interesting contrasts he has with jirou here!!)

And for midnight, this scene could have expanded upon her own life and would have shown us people outside of 1A students grieving her.

In the end, I heavily understand why this scene grinds your gears because it does for me to and it seemed like there was so much wasted potential for this trio as a whole especially present mic who is my favourite out of the rooftop squad.

[nonbinarypirat]

I promised to do a break down on Azz's and Clara's relationship specifically since the initial post was so long (Iruma's relationships within the love trio) so here it is! This is long compared to my initial post breakdown of the relationships since I am just focusing on these two. And I wanted to do these two right since so many people think Azz doesn't like or appreciate Clara.

As we know, in the beginning the two of them mostly revolved around Iruma. Azz was very much annoyed with Clara's personality, there wasn't much to tie Clara to Asmodeus besides playing, and as they mention in the manga, more than likely they would have never met and/or become friends without Iruma. Iruma was very much needed for the initial start of their relationship. However, that doesn't mean that by this point in the story we don't see they both care deeply for each other outside of just getting along for the sake of having Iruma.

Similarly to Iruma, Clara has enabled Azz to experience more playfulness and childlike fun than he ever experienced previously. Clara is not just some afterthought within the love trio. She is necessary for the two of them to open up more emotionally. Especially Azz. Asmodeus in general is a very closed off person by nature, stemmed from a fairly isolated childhood of no one wanting to interact with him. We see this when the soulmates are first seperated because they have to join other clubs. Azz basically never interacted with the other members unless he had to. It's hard for him to open up and let his excitable, lovely side shine through. Clara is one of the people that inspired that in him because even with just Iruma, Asmodeus wouldn't know how to just let himself be playful. Sure, the first time him and Clara played together was because Iruma asked him to, but that was more than likely the first time he has ever done this.

Additionally, Clara gives Azz an extra challenge. She's not easy to understand and is someone he feel like he must compete with for Iruma's affections (of course that has changed drastically in the latest volumes and chapters). Asmodeus is used to being the best, outshining anyone and anything in his path. He's a young genius. But that means he didn't have something to push him to grow. Clara is someone who is so widely different from him that it causes him to have to strive towards understanding her. When they have to work together for the hell dance, Azz realizes that yeah, she thinks about the world in an entirely interesting way compared to him. And he can learn from this new perspective. Azz has really grown to care about Clara because he knows she can open up sides of him no one else can.

Clara on the other hand learns about more structure then she ever had before. Clara has been on a character development of realizing that yes, unadulterated chaos can be great. But it can also just cause trouble for yourself and for others. She can rely on Azz to shut down some of her more outlandish ideas, not because of meaness but because the situation doesn't call for it (though he'll shut it down in the sassiest way possible of course). She lives beyond the comprehension of most people and that's what makes her so wonderful. But she can go overboard and doesn't tend to second guess things. With characters like this, you need somone/something to stop them before something ends up being a giant mess.

And Clara felt the same as Azz too about the way he thinks. To Clara, he also makes zero sense. That's why she also needs to strive to understand him and be more considerate of his feelings. She understands that emotions and care doesn't come easy to Asmodeus. And she gives him room to express them however he can and gives him the encouragement he needs. She truly is the best at understanding the emotions that Azz and Iruma are experiencing. Her role as the emotional challenger/instigator pushes Azz to understand why he is feeling that way.

Like I said, Clara is very much needed in the group. I'll fight anyone who thinks she isn't. Because without Clara's brazen approach to feelings, these two boys wouldn't push themselves. Like, sure she group in her toy box because she could see something is wrong with iuma, but it was as much for Azz as it was for him. Because she would also know when he's feeling down about something too. I saw someone call her their safe place on twitter and its true. She's someone they can go to when they just need to talk to someone or vent to. And like a trained big sister, she will pet their hair and listen.

I really hope we get to see just these two interact more as the story progresses as well as Clara Iruma solo time. Because I care about the love trio so much, they are basically free therapy for me. Oh and in case you were wondering, yes I am obessed with Azz wanting to take a picture of Clara in her cute swimsuit. He's so in love with his soulmates it's so cute. I know he has the best icloud service and still has to backup his photos often from how many pictures of Iruma and Clara he owns.

[vamphorica]

How would a female Mello, matt, and Near be?

absolutely wonderful question, anon, thank you so much. if you've been on my blog for any length of time, it is probably not surprising that i've given this a lot of thought and, putting aside my intricate transgender speculations for the time being, let's gender swap the wammy's creatures, and consider how that could impact their narratives within death note.

note: i will still be referring to all three using he/him pronouns, but this is not intended to be intentionally contrary. feel free to substitute whatever pronouns your heart desires throughout.

♀ mello -> mihaela may be a little bit obvious, haha, but if mihael is a croatian name that means 'who is like god', and we need to retain the letter 'm' for obvious reasons, i think it works well as a feminine alternative name. mello is relatively androgynous as an alias, if not slightly masculine, but i think it is fine given what i'm about to talk about.

mello's canonical gender expression is already nonconformative, so it is interesting to speculate what he would he look like if he were a girl. one of my absolute favourite genderbent depictions of mello is this piece by thekatzone because it still retains mello's visual ambiguity but in the opposite direction. i do think he would dress more masculine as a woman not only because his subversive appearance is a very significant aspect to his character, but also because of how it might relate to his position in the mafia.

mello spends a significant amount of time in the manga and anime in hypermasculine environments despite his presentation, and i think it is important to retain this idea even if he were to be genderbent. i do think mello would have had a much harder time, if it was at all possible, in attaining a leadership position within the mafia as a woman. the women who frequent the base are implied to be sex workers, and so i'm genuinely curious as to whether mello would have felt able to approach the organisation as a masculine presenting woman, or whether he'd seek out a different group. in which case, what would that group be? would he have been able to effectively carry out his insane plans in the same capacity?

i have very little doubt mello would still have been ambitious, but i actually don't think that he would have been able to pursue his goal to catch kira before near as he went about it in the series. certainly light would not have taken him seriously if the voice he heard down the phone was higher pitched, and that alone could have greatly impacted how sayu's kidnapping played out, as underestimating mello could have easily resulted in her death.

♀ matt -> apparently mail as a name means 'pleasant', and that is very funny to me. i quite like the name maille, which is irish, so fits nicely with a vague headcanon i haven't fully developed. i also learnt it is the name for a brand of mustard, and i think he would appreciate that. matt as a pseudonym might have to be changed to matilda, or martha.

while i am under no illusion that matt would be the kind of girl to give a shit about their appearance, i do think in another life, he would have made an excellent e-girl twitch streamer. i can imagine him wearing cat ear headphones and miniskirts, and referring to "chat" every five seconds. rest in peace, mail, you would have loved twitch subs.

regarding matt's gender identity in the canon series, i think that it worth considering how he might have responded differently to surveying others as a woman rather than as a man. i think matt's approach to watching others is very informed by his own personal biases, which I think are definitively masculine. The most clear example of this is how he describes misa as "an awfully cute japanese girl" which, while isn't necessarily the worst thing said about a woman in this godforsaken series, demonstrates that matt's perspective on women is superficial at best. this isn't helped either by the fact that he completely fucks up when guessing misa's age, even going so far as referring to her as a "child".

i think a female matt would probably feel the most overwhelmed of the three by societal expectations of women, and may even distance himself away from femininity. i'm not trying to suggest here that matt's comments imply he's misogynistic, but i actually think matt is the most masculine of the wammy's kids, which may be controversial, i don't know. i believe that he retains his masculine personality in this genderbent scenario.

♀ near -> i love the japanese pronunciation of near's name, nia, as a girl's name that he could use as an alias. natania has the same meaning as nate – 'gift of god' – which does not match his character at all, haha, but that is what i managed to come up with.

near is the easiest to consider gender swapping because to me, he's a girl anyway. you can point to his female voice actors in the anime, or his long hair in the 2020 manga one-shot, but he is also so clearly coded as a feminine character, a contrast from not only mello's aggressive impulsivity, but the masculine environment of law enforcement. with halle as a notable exception (who herself is very masculine, but another post, perhaps), near is markedly different from every other character in the series. some might say he resembles his predecessor, but i think they are very distinct from one another as characters.

my personal opinion relating to mello and near's gender identities (which you may disagree with) is that mello expresses his gender ambiguity externally whereas near does so internally. essentially, if we interpret them both as androgynous, mello's appearance is far more expressive of this, whereas near's behaviour is his more nonconformative trait. this can be a slightly tricky area to navigate as it's important not to dive headfirst into gender essentialism, but i think near's mannerisms can, and should, be explored here.

girl near would still be able to work as head of the spk, without the disadvantages girl mello would face to become head of the mafia. i really don't think there would be much in the way of significant plot deviance if near was female, other than maybe light freaking out over the fact he was caught by a woman, which would be very funny. in the one shot, near's internal androgyny has manifested itself as a more external expression, and i really like that decision.

to conclude, i do love the concept of the wammy's girls, and i think it invites some interesting discussions relating to how femininity is often dismissed in death note. there's a lot of creativity in genderbending characters. mello, matt and near each have complex and interesting traits that are very fun to explore when thinking about them from this perspective.

[fuedalreesespieces]

Inuyasha & Demisexuality

i think halfway into writing this i thought about just cramming all my thoughts into a semi-coherent rant due to a combination of a.) lack of access to decent translations of the manga and b.) paranoia about over-analyzing scenes and coming off as delusional (i think by now it's probably too late to thwart that claim) buuut this headcanon in particular is near and dear to me so i want to try and get as in depth as possible.

what is demisexuality?

in simple terms, demisexuality is when an individual doesn't experience primary attraction - that is, the sort of attraction based on immediate observable (often physical) characteristics - and instead only experiences secondary attraction first: the type of attraction that forms after the development of a deep emotional bond.

inuyasha and kikyo

this aforementioned term perfectly describes inuyasha and his relationships with the only women he's ever loved romantically. you could make the claim that his inability to feel primary attraction first stems from his trust issues and not inherent sexual orientation. and to that, i would disagree - he and kikyo develop an emotional bond despite an unspoken lack of trust, which may have improved had naraku not meddled in their lives. still, both find solace in each other's similarities, loneliness, and "outlier" status (though the similarities are in isolation only, if i'm being completely honest) and establish a connection that persists post-revival.

inuyasha eventually did start to feel primary attraction to kikyo during their time together - in the second chapter of the manga, when he compares kagome to her, he states that kikyo "looked pretty."

[source - viz. i haven't been in this fandom long, but what i've gathered is that there are a lot of mis-translations of this manga, even from viz. since i have yet to buy physical copies of the manga and don't have an account for the site, i'm going to be using fan-scans for the rest of these, which hopefully won't really affect what i'm trying to convey since i'll be looking at character expressions rather than dialogue for most of them.]

i'd also note the order in which he lists those traits: kikyo looked intelligent and pretty. her intelligent appearance is the first part of her he remembers, which i think underscores his priorities in this regard. he values things like intelligence and companionship - facets that come to light when developing secondary attraction towards someone - more than aspects of primary attraction.

inuyasha and kagome

as mentioned before, demisexuals don't feel physical attraction before establishing a tight emotional bond. the most blatant examples i could think of this were any instances in which inuyasha sees kagome nude and his difference in reaction - in particular, during the yura of the hair and togenkyo arcs, which are roughly seventy-three chapters apart. there are two new moons in that time, and from that we can say at least two months have passed.

chapter six: yura of the hair

kagome's bathing below him, and i'm sorry, but this expression literally screams "zero fucks given." he does not care in the slightest. not a blush. not a spot of red on his cheeks. not a sweatdrop. not a tee-hee. if i were to describe what he's feeling in this moment i would say "extreme ire." when she uses the sit command on him, it's on the assumption that he's "peeking," but kaede understands that it's actually because inuyasha is trying to steal a shard of the shikon jewel.

"huh?" - he sounds genuinely confused that she reached that conclusion, even though he was quite literally peering over the cliff's edge in what obviously has very perverse connotations. it's almost like he doesn't understand why kagome would think his actions come from a place of sexual attraction because that sort of thing just isn't on his mind at all, and he doesn't get why it would be in the first place.

another extremely blatant example can be see in miroku's introductory chapter: chapter 51, the delinquent priest:

do i even have to say anything. this scene also further emphasizes my previous point - before, the only reason he was there was to try and steal kagome's jewel shard. if his true intentions had been driven by primary attraction, this would have been an opportune moment to "peep." in his words, however, he just isn't interested. note that he could have said something along the lines of "i wouldn't do something like that" (which, if he was attracted to her in that way from the start, wouldn't have done anyway) but specifically i'm not interested. the primary attraction is not there in the slightest. at least, not until:

chapter eighty two: fateful night in togenkyo

the scene i'm talking about needs no introduction, but for context: kagome's half-freaking out after having woken up in a sake bath. inuyasha breaks down the door to come and rescue her, accidentally seeing her naked in the process. well, i'm sure his reaction won't be that dif-

...it's only one panel-

okay, two-

i think at this point it's fairly obvious that primary attraction has developed. besides the fact that he's spent three panels trying not to look like he's having a quasi allergic reaction, it's been approximately two months since they've met, and by now they've definitely formed the deep emotional bond required for him to begin feeling any primary attraction at all. in fact, the chapter where he tells kagome "there's no replacement for you" - that chapter, where he's vulnerable and honest and opening up to her, strengthening their bond further, (ch. 78, a tender smell) is directly before the togenkyo arc begins, and, thus, just before these scenes occur. these chapters have all been building up secondary attraction, and now that primary attraction is just starting to show up.

several chapters later we have this iconic panel from 173:

this is such a look of awe, as though he's gazing up at a goddess. jaw dropped, eyes-wide, words trailing off awe. he's entranced. fully head-over-heels in love, feeling both primary and secondary attraction in regards to kagome, and this trend only continues throughout the entirety of the manga.

conclusion + extra thoughts

my belief in this headcanon comes from not just the evidence depicted above, but because i just related a ton reading those scenes. i found myself just nodding along (as someone who's demisexual themselves!) plus, since ace-spectrum representation is so rare, it's nice to see it reflected in a character whose story and relationships i love dearly.

tags: @nightshade-lullaby

[yuseirra]

Ch 161~

Can't draw so much during the week..!

More commentary about 161..

I'm actually convinced Fatal and Mephisto should be Kamiki's song?? I think some things hint of it.

and that he DOES really care about Aqua.

and that he does have to do with Sarutahiko, Amenouzume's husband(although this part is a speculation)

More stuff in the read more:

(first written in another language and chatGPT helped me translate it... I can't write things like this twice ;v; it's a great world here. so convenient~)

Honestly, it's frustrating and a bit agonizing; what is this even about? The plot is stressful, but...

Still, being able to focus like this... I guess it’s a good thing to find a work that hooks you and makes you think deeply in some way.

LOL, it also means I’m living a life where I have enough time to care about a manga, even though I’m currently in a pretty tough spot.

This manga, whether it's in a good or bad direction, seems to be driving me crazy in its own way.

If I’m disappointed, I can always go read something else, (I even got permission from someone to draw a Persona fanfic fanart, but I’ve been too hooked on this manga to do it.. that fanfic was so good.. I need to do it sooner or later..).

But I was so confident about my analyses. Like, really... I’m usually good at picking up on these kinds of things? This manga is great at psychological portrayal, and it was amusing to analyze that, There are just too many things sticking out for me, and things feel uneasy.

It’s not about the pairing... It just keeps bothering me... Am I really missing the mark on this? I’m usually good at sensing these things...

Without the movie arc, this development would be fine, but that arc is sandwiched in there, and I interpreted the character based on that too...

Honestly, every time I listen to the songs, I get this strong feeling like, "This isn’t Aqua." The kind of emotions in these songs, it's not him that's singing them. It's the dad. I immediately posted about it when I first heard it in July. As soon as I heard it, I thought, "This is it," and got a gut feeling.

I really want to feel that emotion again.

Even if Kamiki does turn out to be a serial killer, I still think these songs could describe his inner state.

I think we’ll get some explanation in the next five chapters or so, even if it takes a bit longer.

Also, the expression Kamiki makes when Aqua stabs him is so genuine. Until that moment, he had been smiling, but...

If that expression was because he suddenly felt threatened with his life, it’s a bit pathetic. But... I don’t think that’s the case. What I really pay attention to are the emotional flow and expressions.

When Aqua says he wants to watch Ruby perform, the smile on Kamiki’s face... it’s soft. That’s... definitely a look of affection. It’s not like, “Oh, I've won him over!” or, “Yes, I’ve convinced him!” I interpreted it as Kamiki having paternal love, and there was a scene that backed up that idea earlier. I’m sure he really likes Aqua.

That’s not a bad expression. It’s more like, "Yeah, you wish to see Ruby, don't you. Go ahead, watch her. Keep living" (Which makes me wonder, is he really planning to harm Ruby? If he harms her, maybe he plans to do it after the Dome performance? But even that doesn’t make sense. Does that mean Aqua would have to come back to stab him AGAIN after that takes place?? Does it really add up to his logic for telling him to go watch her?)

Aqua says Kamiki will destroy Ruby’s future, but...

How exactly is he going to do that? Hasn't this guy literally done nothing? If they're talking about the Dome performance, at least that should go off without a hitch, right? So at least until then, Ruby would be safe?? So, Kamiki isn't planning to harm Ruby now at least, right? Even with that weird.. logic that he proposes (I hope he's lying about that tbh)

Then when Aqua smiles and says something like, "Haha, but I’ll just kill you and die with you," while pointing the knife at him again...

Kamiki’s expression at that moment really stands out, and it’s not like a twisted look of being frustrated about things not going his way. It’s not anger or annoyance he's feeling. It’s the same shocked and despairing expression we saw in chapters 146 and 153.

Aqua seems to have no clue what kind of person his father really is, huh? He can’t read him at all.

Honestly, from the way Kamiki speaks, I get the impression that he’s actually quite kind. He’s not saying anything too wrong.

Remember the scene where Ruby gets angry because people were talking carelessly about Ai’s death? Kamiki probably knows about that too. I think Aqua and Ai, and Ruby and Kamiki, are quite alike in nature. Kamiki might’ve felt a lot of grief over Ai at that time. I do believe he loved Ai.

The phrase, "People don’t want the truth," is pretty painful, especially if you think about Ai. That’s why Ai lived telling lies. Isn't Kamiki thinking about what's happened to her, then? By bringing that up? He should have felt it, loving/watching a person like her and what unfolded.. Ai died because of the truth that she had kids with him. Ugly fans like Ryosuke and Nino couldn't take her being less than perfect. Wouldn't this have hurt Kamiki too? The fact that they loved each other(At least Ai did genuinely, we know that) was unwanted. People could not accept that, and that's one of the reasons why they had to break up.

From the way Kamiki talks, it feels like he genuinely doesn’t want his son or daughter to go through that kind of pain.

I think Kamiki has a pretty good nature. When you look at how he speaks, it’s gentle, and he seems to genuinely care about Aqua and knows a lot about him. Maybe he’s been watching over him from afar for a long time? He probably even knows who his son has feelings for.

It really feels like Kamiki is trying to persuade him: "I’m fine with dying. But you, you have so many reasons to live, right? Shouldn’t you return to the people you care about?"

And, the way Kamiki reacts after Aqua stabs him also shows it. He’s visibly agitated afterward. His expression noticeably shifts to panic and darkness.

Wait... stop it, don’t do this! That’s what he says.

The way he’s talking to Aqua in that moment.

It’s not like, “How dare you?” but more like, “Aqua, please don’t do this.”

It really seems like he doesn’t want Aqua to die.

He’s really shocked by it.

From his expressions, he seems more shocked by Aqua getting stabbed than by his own fall, like he didn’t even know how to react properly. He's being grabbed onto but he isn't looking at the hands that are grabbing him, his line of sight is on Aqua there

The final expression he makes can seem really pathetic, but...

Oh man, I think that’s the truth of that situation.

And it makes sense because Ai dreamed of raising her kids with this guy. I think he could’ve been a really great father who adored his kids... at least until the point they separated. He was just really young back then.

Doesn’t this guy really love his kids? Even without the movie arc, there have been hints of his concern for them.

I’m not trying to interpret him kindly just because I particularly like or find this character attractive.

If he’s a serial killer psychopath, then yeah, he should die here. When I first got spoiled, my reaction was completely merciless. "Well, he should die if he's like that," I said. But...

I don’t think that’s the case. It really seems like he cares about Aqua.

Oh, and Kamiki’s soul being noble in the past is mentioned, right?

So, he was a good person before?

Well, I guess I wasn’t totally off in reading his character? LOL.

Does that mean he could be a fallen god?(could be a stretch, but there IS a lyric in fatal about fallenness!!!)

Sarutahiko is often described as a "noble" and "just" god, so it’s quite possible that Kamiki’s true nature is based on Sarutahiko, the husband of Ame-no-Uzume = Ai.

That couple was very affectionate, and according to the Aratate Shrine description, they even go as far as blessing marital relationships. Those gods really love each other. In that case, Ai being so fond and loving of Hikaru also makes sense. It could explain why she asked her kids to save him...

So, can't “Fatal” be his song? Maybe he’s fallen from grace?

The lyrics in "Fatal" say things like, "What should I use to fill in what’s missing?" Could that be about human lives? But did he really kill people? How can you save someone after that? That’s why I don’t think he went that far.

"Without you, I cannot live anymore"

“I would sacrifice anything for you”

This isn’t Aqua. This is Kamiki.

Would Aqua do that much for Ai? He shouldn’t be so blind.

When I listened to "Fatal," I immediately thought of "Mephisto" because the two songs are so similar in context.

They’re sung by the same narrator, aren’t they? That made it clear what Kamiki’s purpose was, which is why I started drawing so much about him and Ai after that.

He keeps saying he’ll give up his life and that he wants to see Ai again. This isn’t Aqua! These feelings are different from what Aqua has.

At first, I thought because Ruby = Amaterasu, with Tsukuyomi having shown up, and Aqua perhaps having relations to Susanoo (he’s falling into the sea this time, right? LOL) I wondered if Ai and her boyfriend’s story was based on the major myth of Izanagi and Izanami, since they’re so well-known.

That myth is famous for how the husband tries to save his wife after she dies, though he fails in the end.

The storyline is similar to Mephisto’s, so I thought, "Could this be it?"

And then I realized Sarutahiko and Ame-no-Uzume's lores also fit really well. Ai thinking Kamiki was like a jewel when they first met is similar to how Ame-no-Uzume saw Sarutahiko shining when they first met. Sarutahiko guiding Ame-no-Uzume is similar to how Hikaru taught Ai how to act. They even had descendants that have a title that means "maiden who's good at dancing" The two also fell for each other at first sight. The shrine the characters visit in the story is supposedly where those two met and married. If they REALLY are those gods in essence, It feels like something went wrong with the wish because one or both of them became twisted.

Anyway, I think Kamiki was originally noble but fell from grace, and it’s likely that Ai’s death was the catalyst.

But I’m not sure if he really went as far as killing people.

What is Tsukuyomi even talking about? I’ve read it several times, and I still don’t fully understand.

I really hope she's wrong because… killing others to make Ai’s name carry more weight? That doesn’t make any sense. What does “the weight of her name” supposed to mean?? I don't think that's something that should be taken just at face value, I feel like there's more behind this idea.

What kind of logic is that? And on top of that, I can’t understand why Ai’s life would become more valuable if Kamiki dies. It just doesn’t follow.

Why would he even say that?

He must be really confident... Does he think he’s someone greater than Ai?

Even so, how does it connect?

I read two books today, because I started wondering if my reading comprehension has dropped. Thankfully, I’m still able to read books just fine. It’s not like I can’t read, you know? I’ve taken media literacy classes and pride myself on not having terrible reading comprehension.

I tried to make sense of what exactly the heck this may mean, and I think.. if it were to mean something like, “I’ll offer my life as a sacrifice to Ai,” I’d at least get that. That kind of logic, in a way, has some practical meaning.

Kamiki talked about sacrifices? tributes? offerings? in chapter 147. I really remember certain scenes clearly because I’ve gone over them carefully. In that case, if Kamiki dies, then the weight or value of his life would transfer to Ai, and that would “help” her, right?

If the story is going in that direction,

when I look at “Mephisto” and “Fatal,” I can see that by doing this, Kamiki would have a chance to either save Ai or get closer to her. At least that makes some sense.

But is it really right for Ai to ask someone to save Kamiki, who killed others? As soon as the idea of it came up, I knew something was up.

Because of what Ai's wanted, I think it’s possible that Kamiki didn’t actually go that far. In the songs, they talk about gathering light and offering something, but they don’t say anything about killing people… Kamiki said he’d sacrifice his own life. People around him may have died, but…

Kamiki’s true personality doesn’t seem like the type to do that… And looking at his actions when Aqua was stabbed??

He hasn’t shown any direct actions yet, so I still don’t know how far he’d actually go.

It’s not that I don’t believe Tsukuyomi’s words entirely,

but I don’t think the conclusion is going to be something like, “Ai should’ve never met Kamiki.”

Every time we see Kamiki’s actual actions, there’s this strange gentleness to him, and that’s what’s confusing me.

The more I look closely, the weirder it feels, and something about it just bothers me. If Kamiki were truly just a completely crazy villain, I’d think, “Oh, so that’s who he is,” and I wouldn’t deny it.

But each time, I start thinking that maybe Ai didn’t meet someone so strange after all? Ai liked him that much, so on that front, it makes sense to me. I want to believe that’s the right conclusion. I mean, doesn’t what he says sound kind? Isn’t he gentle?

No, but seriously, when Kamiki listened to Aqua’s reasons for wanting to live, I thought his expression was warm. It didn’t seem like some calculated expression like “according to plan” like Light Yagami. It felt more like a fond, affectionate expression. I draw too, you know. I pay a lot of attention to expressions. This character often makes expressions that really stand out.

It’s like he’s genuinely trying to convince Aqua not to do anything reckless. Maybe I’m being soft on Kamiki because he’s Ai’s boyfriend? But actually, it’s not like that?

I mean, I’m the type who’s like, “Anyone who did something bad to Ai should die!!” It’s because he’s a character. If this were a real person, I wouldn’t so casually tell someone to go die or say such strong things.

But… he seems like a good person.

+It’s a small thing, but why did Kamiki drop his phone while talking about Ruby? Ppft If you drop it from that height, it’d probably crack. Was he trying to look cool? (It’s an Apple phone, huh.) Is he a bit clumsy? Well... since it looks like him and Aqua are about to fall into the sea, maybe it was a blessing he did so. The phone might be saved after all. If he manages to climb out of there, he could contact someone with that phone.