#he's not afraid to cry

[softquietsteadylove]

Hii love, how are you? I have a little request if thats ok.

Gilgamesh has the most horrific nightmare ever, Thena dying in his arms, there is blood and she is in pain and when she closes her eyes one last time Gil finally wakes up, only to find Thena missing from their bed, he searchs for her like a mad man, only to find her in the kitchen drinking water, he picks her up and refuses to let her go for the rest of the day.

Gilgamesh shoots up out of bed. He's gasping for breath, sweat on his brow. He presses his palm to his chest and flexes his fingers. He looks over at Thena's side of the bed, frantic for her presence.

She isn't there.

It's still warm, though. He can see where the weight of her body wrinkles the bed sheets and he can smell the scent of her fondness for the garden. His hand slides over to it, feeling the latent warmth of her presence.

He throws back the covers, desperate to see her with his own eyes. He can still feel the weight of her body in his arms--the dead weight. What it was like to look at her face, still and motionless and cold. He can vividly recall the feeling of carrying his wife to her funeral pyre and watching her body be consumed by flame.

"Thena?!"

He runs out of their bedroom, ripping the door off its hinges--weak things in comparison to his unchecked strength. He looks around their home frantically. His heart is searching for her, the Cosmic Energy in his veins screaming for her.

She's here--he can feel her presence! It exists, she's close, and even if she weren't, her existence would tether his and pull, like ends of the same string.

"Thena!" he calls out again, moving into the kitchen. He can see everything the way they left it last night. Their chairs are pushed in lazily, his apron is thrown over the edge of the sink after she told him to hang it up where it belongs yet again. He turns, ready to break this door open too.

Then she walks in. She's unaware of the nightmare that nearly sent him into hysterics. She walks in, barefoot as always, her long white dress dancing around her legs. The sun streams in behind her, lighting her bright blonde hair like an angel's halo.

"What are you yelling about?" she asks as if he's been shouting at the tv again. "I could hear you all the way from the water tower. I just looked over the garden, although th-!"

She stumbles, although any creature from this planet would have been plowed through the far wall from sheer force. But she corrects her footing, letting him latch onto her and hold her for all the eternal life in him.

He whimpers, burying his face against her shoulder. He inhales the scent of her breath, absorbs the warmth of her through her cotton dress, hears the beat of her heart as his own syncs to it.

"Gilgamesh?" she asks without asking. She runs her fingers through his hair, but he remains cloistered around her. Her face turns to kiss his temple, "what ever could be so wrong?"

She has no idea. He nuzzles the side of her neck, "don't move."

She sighs for the sake of sighing, but she does as he asks. Her fingers run through the hair on top of his head lightly and soothingly. Her other hand rubs his back. He, the Strongest Eternal, truly dwarfs her lithe frame in size. But she lets him lean on her like a tree losing its strength.

Eventually his nervous system puts out its own fire. The fear in his mind settles enough for him to open his eyes. He stays close, pressing his nose against her skin as he drags it up her neck and her jaw until he holds her cheeks to look at her--really look at her.

Thena blinks at him, her marvelously green eyes gone wide and adorable. They close as he leans in for a kiss. When they part, her lips are pulled into a smile. "Will you tell me now?"

"No," he denies, and kisses her again. He gives many more kisses, receiving her return with each. He does that until he feels strong enough to take even half a step away from her. He sighs, letting his shoulders drop, tilting his head as he gazes upon his beautiful wife.

"Gil," she prompts him more gently. Her eyelashes flutter, and her concern for him travels through her palm as she slides it up his chest and then to his cheek as well. They have been married several hundred years, and she will get an answer out of him sooner than later.

He sighs again, wrapping his arms around her and moving her to the sink, where she pours water for them. "Just a bad dream."

"Hm." It's obviously more than just a bad dream. But she leaves it at that, because their days now are full of small battles, not large ones. She raises the glass to his lips for him, as if they were wearied after the Trojan War again.

He remains wrapped around her. He can't let her go. The fear that lived in his mind during that dream hasn't left yet. It's still there, watching him despite the light of day.

Thena takes a sip for herself. "Sit?"

He makes a small sound of agreement. She moves towards the table but he prevents her from separating from him again. "Couch."

He can imagine her rolling her eyes, although it's only for the humour of it. She moves past the kitchen table and towards their more comfortable space. She seats herself and lets him seat himself around her, cradling her against him preciously. "The door?"

He grunts; he'll fix it later.

Once reclined on their couch, he breathes a little easier. This is more familiar and gentle. This is where they've spent sunny afternoons together. Sometimes they read together, sometimes he reads and she sleeps on him the way a cat would. She never liked those creatures.

He would run his fingers through her hair and sometimes she would idly rub his back. They would spend evenings here reminiscing about their thousands upon thousands of years together. Sometimes they would go out to their hammock and watch the stars.

Thena settles herself in his arms. She turns over, letting her head tuck itself under his chin, her hand over his heart with his arms wrapped around her. "Better?"

He nods. They speak the other's language--a way of understanding that only they two have. Usually it's she who has few words to offer but even now, with him being reticent, she understands it.

They sit like this for a long time. He watches the shadows rise and stretch and fall in the other direction. When it's in the windows and on them he moves his hands, only to shield her from the direct touch of its rays.

That privilege is for him and him alone. By the second time he does this she turns over again. He's not entirely certain if she's truly gone to sleep or not. But holding her, feeling the rise and fall of her chest, the way she feels comfortable with him; he feels eased.

Thena senses this. She sneaks one of her arms around his back and against the couch. The other she toys with the opening at the neck of his shirt. Her pale, pearly nail taps against his skin. "Now?"

The Warrior Eternal is not a patient woman.

Although, she has expended more patience than he has seen from her in quite a long time. For beings with all the time in the world, she is not the best at watching it go by. At least not with the menial. When they were first raising chickens, he could swear she would observe the eggs every quarter hour.

"Bad dream," he repeats from earlier. He already knows she knows this, and he already knows she knows how bad it is to have him this paranoid. He squeezes her shoulder. "Terrible, really."

"Hm," she encourages him, moving her hand from his shirt to his neck, cupping his jaw from below. She strokes it, pulling the words from him with her gentle touch.

"You..." he pauses. He doesn't want to lie to her, even if it's by omitting the truth. "I killed you."

"Impossible."

It's not, and they're well aware of it. But Thena speaks of it lightly, and he likes to think it's because she knows that he would take the utmost care of her, even in a nightmare.

"Felt possible," he argues, pursing his lips as he tries to get the image of her still and unblinking face out of his head. His face gets moved, tilted down to look at her lying on him. It's upside down, but this image of her is much better. He smiles.

Thena smiles too, leaning up to kiss him, letting their lips stretch no matter how far to do so. Hers are always so plump and luscious, like berries. He wants to grow berries here for her, but the ground is simply too dry.

She runs her fingers through his hair again, letting her palm press against his forehead. "It's gone now."

It's such a simple statement, but she's right. As soon as a dream happens, it's already a thing of the past. And maybe he will remember it for a long time to come. Maybe pieces of it will always be with him. But it's not in front of him now, she is.

Thena laughs as he stands suddenly, spinning them around with her hands around his neck. "What has gotten into you?"

He just gazes at her, lucky enough to have his own version of a star to brighten and dazzle and illuminate his every moment on this green and blue spec of cosmos. "Do you remember coming home like this?"

He's carried her like this plenty of times. But she knows what he means; he means the first time he carried her inside like this, as his wife. She nods, stroking his cheek again.

"Y'know, I hear humans can get married again sometimes," he grins, refusing to let the dream colour any more of the beautiful present with his beautiful wife. "They call it renewing your vows."

"We didn't make vows."

Ah, his wife, ever the romantic. He chuckles, touching the tip of his nose to hers. "We can make some this time."

"Construct some poetry for the benefit of a strange human to witness?" she scoffs at the utter absurdity.

"You would write me poetry?" he asks and receives another bubbly laugh.

"I would consider it," she appeals as he spins them one more time and sits with her again. She remains in his hold, on his lap, curled against him. "But for your eyes only. A mortal mind could never wrap its mind around what we have been through together."

That is true. Their love isn't for a mortal to comprehend. He is immortal, and sometimes he's left in awe of it. He stares at his wife, wondering if he should learn to weave so he can make a glorious tapestry devoted to every second - every minute, every hour - he's had with her.

He has all the time in the world.

[chloesimaginationthings]

FNAF Cassidy is nervous to meet Abby,,

[sangthael]

get your shoes off the couch you bum

[rainbow-sunshine-unicorn]

Deeply obsessed with how Anthony Bridgerton will do anything and everything for the vibes, the ambience and to set the mood for his wife

Why did he lift Kate up halfway to the ceiling just to simply set her down on the desk? THE MOOD, THE AMBIENCE, THE VIBES

Why did he scatter the papers after setting her down as opposed to clearing the desk beforehand? THE MOOD, THE AMBIENCE, THE VIBES

Because of course scattered papers are an essential aspect to heir-making on a desk!!!

[exolovek]

thinking about how Merlin had to light Arthur's pyre.

thinking about shared destinies and being two sides of the same coin, about fear and nightmares coming true but not as you expect.

thinking about irony, of thousands of sorcerers that died in a fire lit by Pendragon blood, thinking of the last heir burning by the hands of magic.

thinking about Merlin alone in a shore with golden eyes and fire on the distance.

[dudethatsmyundeaduncle]

Danny’s parents want to kill him and he’s like “f in the chat y’all dinner boutta be so awkward tonight smh”

Ok so I know everyone loves the angsty headcannons where Danny is terrified of his parents cuz they wanna kill him but we’ve had that hot take since 2005 I’m here for a source material revival, the much more entertaining “Danny’s parents want to kill him and he actively doesn’t give a fuck”

CUZ UH, IM REWATCHING THE FIRST SEASON AND I FORGOT HOW GENUINELY BLASÉ HE IS ABOUT MADDIE AND JACK TRYING TO GET HIS ASS ITS SO FUNNY.

Like mom holding a literal ghost gun to his head: eh kinda unphased he even has time to quip, his parents say they wanna tear em to pieces: meh see u guys at dinner, LIKE OUR GUY IS SO UNPHASED HE THINKS THIS SHIT IS FUNNY! (s1 ep. 14 public enemy)

And he’s unphased despite knowing his parents tech works and knowing that his mother is actually a good shot. So like I love angst Danny and y’all should keep up the good work but where is my s1 Danny ‘COULDN’T give less of a fuck about his parents’ Fenton representation?

Cuz think of this, for your DPXDC AU consideration, Danny would fit in so well with the bat gang if only because they could try to stab, shoot, capture, brainwash, and stalk him and he’d be like “oh cool villain of the week shit? Nice, what’re we having for lunch.” He. Wouldn’t. Flinch.

[somewhereincairparavel]

when Ravi couldn't stop crying after Pip revealed her final plan to go mia till Max's trial, cried on her shoulder and CONTINUED to cry on his knees for a long time even after she left.

Pipravi. Pls save me pipravi.

[4525yaoi]

i h8 u

[karofsky]

the fact that Nandor not only knew to keep the glasses on him during the ceremony despite any hope he might have had paired with not only him silently handing them over but also the fact that they don't... talk about it. Guillermo just quietly thanks him as if that wasn't the most fucking brutal understated gesture of defeat for them both. they literally both had to face it fully in that moment that he'd chosen mortality. they both lost their dreams and the first exchange after it's done is Nandor silently confessing that he not only knows Guillermo inside and out but that he was prepared to still care for Guillermo regardless. and it goes just as unsaid as everything else between them. I'm unwell

[ohitslen]

Promises

He should know better. 

Wolfwood has seen Vash make promises, or hear about the ones he has made in the past. He has also seen the end of each one and how every single time the outcome is less than what was promised. 

Vash likes to say embellished words, with a soft and determined voice that lures you into his hopes and dreams, it almost feels like a spell, as if he was calling for you to come closer and believe him. But Wolfwood knows better.

He believes in him, but Vash is much closer to being an idealistic dreamer than a realistic person like he is. He might not be aware of it, but his beautiful promises of a better future give people hope, a hope that is usually embraced with things like disappointment and abandonment. 

He doesn’t think that Vash does it with the intent of looking for any of those things. Far from it, he might even do the impossible in order to accomplish said promises, but life is too short and humans are too mortal for his wishes, so in the end, most of Vash’s promises end up being empty or they come to haunt him as a reminder of his failed vows. He admires the man, for his perseverance and idealism, but he also hates the man, for his stubbornness and lies. 

Wolfwood knows all of this perfectly to a tee. And yet, he has also found himself being drawn to his world. Because he also dreams of it.

A world in where his always present calls for love and peace exist, a world that is far more kind than what he might deserve, a world in where the kids can be happy and roam around without any worry in their heads, a world in where he can peacefully turn grey with age and his hands can shed the harsh callouses of his life. Who knows, maybe a world in where he and Vash can finally know the peace that was taken away from them, in where they can share the calmness that comes with the passage of time, indulging in every tick of the clock welcoming with open arms whatever comes their way without any fear.

It is a beautiful promise. But Wolfwood is a person that has to keep his feet on the ground, indulging in “what ifs” would only make things harder than what they had to be. He can’t have any ifs if he can’t make it through the now. And by the way he is carrying his present, he is doubtful he will even get to see a shed of that promised world that Vash tries to drag him into. So why mourn something he doesn’t even have, or will ever have for that matter.

He hates the way Vash seems to promise things so easily. His tongue silky and pliant, slipping divine words one after the other, promises way too big for what that barren world can actually fit. 

But when Vash talks to him in that holy voice of his, when he hears him say “It’s okay, everything will be alright, I promise” so gently right on his ear, while he holds his face so tenderly making him focus on him and nothing else, he wants to believe him.

He has seen the end of his promises. He knows how impossible they are. But for once, he wants to believe it too. Believe in that loving world that will cradle them both until they fall asleep, listening to the soft sound of the wind laughing while the moons smile upon them. 

So he allows himself to indulge in the warmth of his palms, leaning into the comfort of his existence, feeling the soft air of Vash’s breaths against his skin while their foreheads meet in a touch that feels like a hot brand that will melt him.

For an instant, he allows himself to be selfish and believe that maybe, that is how living in that world Vash so desperately fights for would be. Soft and warm, making him feel safe in the hollow of Vash’s hands where the world seems to fit so well. A world where the blue sky is a blanket that covers the love and care that is nestled in it like the one in Vash’s eyes. He wants to see that world.

For now, he will selfishly think that the world that fits in Vash’s hands is right there in where he is holding him, where his blue eyes are drowning in the light of the sunset dripping with love and care while looking at him, that the gentle touch of Vash’s thumb wiping his tears is the same as the kiss of that laughing wind in that distant future, where the smile of his eyes overcomes the smile of the moons.

He should know better. But he loves the thought of that world. And he hopes that Vash will get to see that world, because that gentle sight is more fitting for someone like him than the one of his violent world.

He promises to himself that he will do what it takes for that day to be possible. Even if the end of that promise will be empty for Nicholas, he knows it will be a full one for Vash. So it really isn’t that empty for him after all.

He hates his lies, and he hates how true they sound, but Vash’s embellished words are far sweeter than his bitter thoughts so they feel better on his insides, almost like a balm that cares for the wounds of his throbbing, painful reality.

He should know better.

But aren’t humans weak at the promise of love?

[beanghostprincess]

Sanji and Usopp during The Sabaody Incident™ won't leave my mind.

Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").

There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.

Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).

Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.

The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.

Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.

And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.

Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.

Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.

Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.

They are so "I can lose everything, but not you. Oh God, not you" shaped.

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[codename-adler]

i’m afraid of diving into good omens tumblr discourse but i just–i have to say

Aziraphale’s face. it’s. that is the expression of someone who does not want to be kissed, but knows it’s inevitable. though even more subtle than that, it’s the face of someone who does not want the thing to happen not because they don’t want it, but because they do, they really do, and yet it is not the way they wish it would be. Aziraphale knows something here. and he isn’t telling Crowley, nor us. he’s got some kind of higher pressure weighing down on him, forcing him to act against his nature and heart, forcing him to act against Crowley. he backs Crowley into a corner with his talk of joining Metatron in Heaven, and knows it. and that is what he wants, because that’s where he needs Crowley to be–away from him; but he pushes too strong, pushes Crowley to risk it all and end up cornering Aziraphale right back. all Aziraphale wanted, all he needed to do, was protect Crowley by breaking his heart and abandoning him, but you can’t undo 6,000 years of companionship without a miracle. it’s a failure.

whatever the Metatron told or did to Aziraphale that was hidden from us, it terrified him enough to make up a wobbly plan that could keep Crowley safe, if he would just go along with it. Aziraphale may have been strong enough, may have loved Crowley that much, to put his heart on the line and sacrifice himself if it meant Crowley could live on, but he underestimated Crowley’s love for him. underestimated Crowley’s courage and capacity for honesty.

the angel lied and the demon spoke his truth and everything crashed and failed.

and it is painful failure and remorse that i see on Aziraphale’s face.

it’s Please don’t ruin my attempt at saving you and Can’t you see what I’m trying to do and I’m sorry I’m breaking your heart but I have to if I want to keep you and To choose you I have to choose Heaven but I know you’re not seeing it that way and Crowley look at me I’m lying just go along and

Oh no, you believed me entirely too much, what have I done?

with the kiss, Crowley seals his fate as undeniably tied to Aziraphale’s. and Metatron will know.

[starry-bi-sky]

I'm having incoherent thoughts about clone danny again from the clone/clone^2 au (when am I not?) but more specifically I'm thinking about his reaction to finding out he's a clone. The standalone clone au digs into that a little more than clone^2, which is more focused on Danny and Damian's relationship. But neither (so far) really get into Danny's issues about finding out he's a clone after 15 years of thinking he wasn't.

Because he resents his parents for not telling him for so long. He resents the way he found out; through a trivial school project rather than a sit-down talk. He resents the fact that, apparently, they had meant to tell him sooner. But forgot. He resents the fact that they never told him because finding out feels like something was stolen from him when it had the chance to not be.

Danny Fenton, just fifteen, cloned not even half a year ago, knows what that personal violation of autonomy feels like. He knows what it's like to be cloned and while he loves Ellie, he does, she's his sister, and in this au his twin. But he is still left with that feeling of unsafety after realizing he'd been cloned. Being cloned is violating. The onset realization that it's so easy to get DNA without the other party noticing, and that what was stopping someone from trying to clone him again?

Followed only after with the rest of the inexplainable mix of feelings of being cloned, the rest of that inner conflict and panic that's an ugly mocktail of emotions that range from horror to fear. Trying to imagine what it's like to be cloned from the cloned party, and I imagine that it leaves you with the feeling of needing to crawl out of your own skin with discomfort.

And then he gets put on the other side of it. Danny Fenton, only fifteen, was cloned not even half a year ago, finding out he is a clone. And reactions, I imagine, can vary from person to person. But to him, it feels like something got stolen from him, like someone took a hole puncher and stuck it right into his chest and stole a chunk of himself from him.

It changes nothing about him and yet it changes everything. It's a betrayal on it's own to just find out he was a clone and they didn't tell him for fifteen years -- it shouldn't mean anything, because he's still Danny, and yet it means everything. It's him, it's him, it's about him. It's his personhood. It's about the fact that a load-bearing rock in his identity just crumbled beneath his feet and now there's a rockslide.

Because then he finds out that they used the wrong DNA. Its like pouring salt in an open wound. He's not even related to his parents or his sister, when for years he thought he was. It's the fact that pieces of his identity that he's been so secure in for so long just got ripped away from him in an instant. Then they tell him -- only through his own horrified prompting -- that the person whose DNA they used -- Bruce Wayne -- didn't even know he existed. That they accidentally used the wrong DNA, then didn't tell the person whose DNA they used.

The betrayal of being lied to for years turns really quickly into horror at his own existence. Something very similar to the horror he felt at being cloned and the skin-crawling discomfort that made him feel like his own skin wasn't really his. And then its not. It's actually not. Nothing but his own name feels like it belongs to him anymore -- not his hair, not his eyes, not his heart or his lungs, nothing feels like his anymore and he didn't know what that felt like until it was gone.

It's a question of Nature Vs. Nurture -- where does the line of "nature" begin and where does the line of "nurture" end? What of him is actually his? What of him is Bruce Wayne's? It's not logical, it's not supposed to be. It's a load-bearing wall on the house of his identity being destroyed and now everything else is caving down in on him. What belongs to Danny, what belongs to Bruce Wayne?

[fun-esta]

[r00beer]

david doodles because i need to figure out how to draw him >_<