#he's level 8 and we just got to act 3

[morgotts-moved]

Morthos ⭒ Devotion Paladin / Life Cleric of Ilmater ⭒ Glasya Tiefling

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[sneezypeasy]

The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters

Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:

"But Zuko would have taken the lightning for anyone."

(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)

Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.

(I mean, we stan.)

There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?

But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?

Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.

Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.

(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)

So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)

Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)

But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.

This is the climax we're talking about, after all - now is not the time to go easy on the drama.

So.

Do you make the villain target just anyone?

Or do you make the villain target someone the hero cares about?

Perhaps, someone he cares about... a lot?

Maybe even, someone he cares about... more than anybody else?

You are the author. You are the God of this universe. You get to choose.

What would deliver the strongest punch?

If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)

Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.

And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*

That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.

(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)

This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂

Most importantly c) I'm hungry, and I want snacks.

*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.

[ambcass]

ᴄᴏʙʀᴀ ᴋᴀɪ ᴅᴀᴛɪɴɢ ʜᴇᴀᴅᴄᴀɴᴏɴꜱ (ᴄᴏʙʀᴀ ᴋᴀɪ ʙᴏʏꜱ)

ᴍɪɢᴜᴇʟ ᴅɪᴀᴢ:

->You two are in the same dojos no matter what. When he was in Cobra Kai, you were too. When he switched dojos, you did too.

->You two started dating during season 3.

->He fell first (after the FIRST Sam break up) but you fell harder. ->If you do karate, you two would train together. He doesn't like training with you because he's so scared that he'll hurt you.

->He was so awkward when it came to PDA. He didn't wanna weird you out. He would always ask you if it was okay to hug you or kiss you. Even asked if he could hold your hand.

->You're parents love him soo muchhhh. When he comes over, he'll help out with housework and is overall a gentleman.

->Jealousy levels: 8/10. OH HE IS A JEALOUS MAN. If he thinks that you are getting too comfortable with a guy (or girl), he'll go insane. He wouldn't admit it but his whole mood would change from happy to angry

-> If you speak another language, he'll try to learn it!!

-> His love language is acts of service and physical touch fs (He would gift you smth but bros broke asf) ʀᴏʙʙʏ ᴋᴇᴇɴᴇ:

->You two started dating when he broke up with Sam.

->He doesn't encourage you to do karate because of what happened to him and Miguel but he'll teach you the basics so you can defend yourself.

->He can't cook at all but he'll try to. (yk that one meme where a little girl is standing outside smiling as her house is burning... That's Robby)

->BIG PDA MAN!! Hands around your waist at all times, forehead kisses, and long hugs are a must!! (I want him broo)

->Oh his jealousy levels are high high... 9.5/10 Like it's not like you can't talk to other people but if you two are getting too comfortable with each other.. (el es toxicooo pero lo amamos<3)

->ROBBY DEF TEACHES YOU HOW TO SKATE!! But even allat training, you still can't do an ollie 💀💀💀.

->You visited him during his juvenile times BUT he lowk was a bitch and didn't want to see you because he needed "space"...

->yall made up dw

ᴇʟɪ ᴍᴏꜱᴏɪᴡɪᴢ:

-> This one is for you @yippeeyoppee (you'll get ur kon fanfic when I finish it)

->Moon didn't understand him but you did. You've been there for him before he even became "Hawk", when he was just "the kid with the weird lip"

-> When he was still a nerd: You would always tell him that his lip looks badass (it does idk why ppl hatin) and comfort him when people try to bully him.

->He liked you for a long time but just didn't know how to express it because he thought that YOU THOUGHT HE WAS LAMEEE

-> we all know that Eli is still secretly a nerd... He would definitely make nerdy references from time to time.

->He got a tattoo of your favorite thing on his wrist so he can be reminded of you when he's feeling down.

->Karate is a big no. He's not going to stop you from doing karate but he really doesn't want you to do karate. He's too scared to see you get hurt like Miguel did.

->Jealousy levels are 100/10...Hands around your waist while talking to someone he doesn't know that well. Begging you to leave and stop talking to Robby (when they were beefing). He would probably talk to other girls to get you jealous in order to get you to stop talking to other guys (TOXICOO)

->His love language is physical touch, words of affirmation, and acts of service.

ᴅᴇᴍᴇᴛʀɪ ᴀʟᴇxᴏᴘᴏᴜʟᴏꜱ:

(ima go crazy on this one)

->You're his first girlfriend (maybe first time 😝)

->Rambles about his nerd shit to you every time

-> Gives you cringy ass nicknames fsfs

->Not a big fan of physical touch. Favors quality time more.

->You bought him one Marvel comic once and he went crazy! Like non-stop "thank you"s and "I love you"s

->Super open on you getting into karate. Thinks that you guys can train together like superheroes

-> Bought matching costumes/cosplays for Halloween.

->Jealousy levels 6/10: He easily gets jealous but calms down because he doesn't want to be so controlling. He doesn't want you to feel like you can't be friends with guys.

-> When it does come to PDA- like Miguel, he asks before he touches you (that sounded weird I'm sorry). His palms get really sweaty every time he holds your hand but you don't care.

->You used to have a big crush on Hawk before liking Demetri but when Demetri got his arm broken, you quickly realized how much of a jerk Hawk was. With a lot of quality time with Demetri, you slowly fell for him.

a/n: Flare (@miguelnation) suggested that I should write a !baristia Demetri x Reader.... it's in the works (trust) Also I'm debating if I should like yk write a kinktober fanfic but ill make a poll for that 😭

[mactiir]

ranking baldur's gate characters by how i think they smell

#9) Minthara. Because she’s a corpse, next question.

#8) Lae'zel. You know this woman has never bathed. Washing is for the weak, is'tik. She says this is because needs her musk to attract mates but mostly it's cuz Gith education doesn't exactly make time for personal hygiene. Once it got so bad that Tav dragged the whole party through a chest-deep stream and stood there for 20 minutes to take a "breather" while Laezel stared daggers at them the whole time.

#7) Karlach. I want Karlach to smell nice so badly, and Karlach probably wants Karlach to smell nice too, but you know this woman smells like brimstone and engine exhaust and sweat. On good days she smells like the fine char you get on burgers on a summer day. On bad days she smells like a truck stop at peak hours, and the truck stop is also on fire. She's not happy about this either.

#6) Gale. Gale tries to keep himself groomed, he really does. But he looks like he is perpetually just a tiny bit smelly. Like he hyperfocused on a book slightly too hard for slightly too long and as a result he forgot to shower for a week. He acts like he bedded Mystra because of his towering intellect but really it's cuz gods don't have human senses of smell. His nightshirt looks velvet, too, and you KNOW it can't be easy to get smells out of that shit without a washer. He is one of those poor guys who is cursed to always stink a little bit no matter how much he showers. When Tav confronts him about this he decides, on the spot, that deodorant is for anti-intellectuals, actually, which he wouldn't have expected Tav to know but it's okay, we can't all be enlightened.

#5) Minsc. He doesn't reek exactly, but you know he's 100% man musk, hamster bedding, and butt-kicking

Tied for #5) Jaheira. You know 100 years of living in forests and adventuring with Minsc has endowed her with exactly the same level of manly perfume as Minsc (except with notes of cedarwood).

#4) Wyll. He used to be the best-smelling until Mizora pulled him through every level of hell in rapid succession, and now he smells a little bit like brimstone all the time. He sometimes rubs fragrant herbs on his horns to counteract it, which doesn't get rid of the smell, really, but it gives his smell an interesting dimension. Otherwise, he has enough experience with adventuring, and is well-bred enough, that him and his things are usually well-groomed (and also because his dad was a freak about it).

#3) Shadowheart. This woman puts on tragic makeup every morning and changes her hair to reflect her religion. Appearances are EVERYTHING (especially when it comes to keeping secrets). Shadowheart smells exactly like she thinks she needs to smell to be religiously pleasing to her goddess and/or coMplEtE thE mIsSioN. She does get anxious sweats though, which are very distinctive if it's been a long day of adventuring. She never admits this, though. Ever.

#2) Astarion. Okay, so, sometimes, he smells just the teensiest, tiniest bit like dried blood. But mostly, he smells like baby powder and potpourri. It is a waste of good fashion sense and his pretty face to go about stinking like a beggar. (He does go through a brief 'Cazador can't tell ME what to do' phase where he stops bathing for a day, but he grosses himself out so much that he resumes his normal routime before anyone notices.)

#1) Halsin. You'd expect him to stink, with his whole smelly-hippy free-love vibe, but nah. The man smells heavenly. He spends all his time frolicking through fragrant herbs and lounging in scented hot springs with whomever strikes his fancy. He probably has a whole ass medicine cabinet full of stuff he uses to freshen up. His breath probably smells like mint and his hair like cedar. He probably puts coconut oil or smth in his hair. He knows how to smell good as literally any animal in the realms. Wanna know why? Dogs have a sense of smell several thousand times better than people. I bet bears do, too. You do Not Fuck As A Bear without understanding not only how to WASH your ass, but also perfume it. Halsin also knows: thou shalt not give yeast infections. And if you got bear dick, that means HYGIENE. It's a point of pride for him, actually.

BONUS: WITHERS. Withers smells like nothing. Like, freakishly, unsettlingly like nothing. Like, you expect him to smell like dust or pitch or smth. Nope. He's a black hole of smell. You come near him and if you ask, he resets your entire hygiene routine for 100 gold and leaves you smelling like roses.

[character-fan19]

So I calculated the exact screen time of all the love square ships in season 1

Yeah, it's exactly what it says. With 99% accuracy I went through all the episodes of season 1, calculated the exact screen time of ever love square ship in every episode, added them all up and made charts to compare them.

But first of all, where did I get the idea to do this? Well, I was looking through Tumblr and I so a post by someone called purrincess-chat answering an ask about Adrienette in Season 5 and in her reply she mentioned how Ladynoir and Adrien have around the same screen time in seasons 1-4 with Ladynoir having slightly more and that is simply reversed in season 5 with some Maricat and Ladrien sprinkled here and there. So that made me wonder: how much really is the distribution of screen time between the love square ships? So I did this, starting with season 1. But before we get into the results...

Some Ground Rules

What does and doesn't count as screen time for a particular ship? Here are the rules I laid out:

Both characters of the ship must be present in the scene for it to count. That's means no scenes of Marinette fawning over ads and pictures of Adrien or Adrien swooning over the fact that the love letter he found in "Dark Cupid" might be from Ladybug.

At least one of characters of the ship must be reacting to the presence of the other character for it to count or at least doing something together. We can't have Maribug and Adricat both just doing their own separate thing acting like background characters and call that shipping content.

If one or both of the characters believe that there are speaking with the alter ego of the other character, then it counts as screen time for that ship. Meaning when Ladybug goes to check on Adrien in "Volpina" and Cat Noir pretends to be his civilian self taking a shower, it counts as Ladrien screen time, not Ladynoir.

Now that that's dealt with let's get into the distribution.

Screen Time Distribution

To the surprise of absolutely no one, Ladynoir dominated season 1, having 76% of the total love square screen time. Makes sense, right? There's an akuma every episode so there's Ladynoir ever episode and since this is season 1, it's more focused on the strict formula rather than some actual development between the other ships.

Coming in a definitely-not-close second is Adrienette with 18.5% of the total love square screen time. No surprises here. Adrienette along with Ladynoir are the main 2 ships while Maricat and Ladrien are simply the side ships. Plus, it's not often for just one of them to be transformed.

Speaking of which, Maricat and Ladrien come in 3rd and 4th with 3% and 2.5% of the total love square screen time respectively and pretty close to each other, Maricat having a slight edge over Ladrien.

Now let's see the trend across the episodes.

Screen Time Trend

For the most part, Ladynoir is on a completely different level than the other ships, only temporarily being dethroned for one episode- that episode being "Gamer"- by Adrienette which was the episode they both practiced for the Ultimate Mecha Strike Tournament and we got some Adrienette bonding with Marinette giving Adrien her lucky charm bracelet. Other than that, it's been on top the whole time, with there even being episodes with solely Ladynoir screen time and having an average of 4 min 22 sec of screen time per episode, with most screen time being in "Animan" (8 min 28 sec) and least being in "Pixelator" (1 min 3 sec) a.k.a the episode where Adrien was stuck in the titular villain's prison dimension for most of the episode. It mellowed down a little towards the end of the season due to there being more plot relevant stuff in those episodes than akuma battle but picked itself right back up for the finale.

Adrienette stayed fairly low in screen time and having screen time in most episodes having a huge spike in the episodes "Kung Food" to "Animan", even temporarily dethroning Ladynoir like I mentioned before with 6 min 28 sec of screen time.

Finally, Maricat and Ladrien had a few small to moderate spikes here and there with some even being two episodes in a row and Ladrien having most of it's screen time towards the end of season 1.

Conclusion

Yeah, so that's it. I'm going to be doing these after I complete every season so keep a look out.

[itsmarsss]

Scandalous (Blitzø x Fem!Succubus!Reader x Stolas) [Helluva Boss] pt. 4 - Immediate Murder Professionals

How the mighty do fall. (Getting into a weird three-way situation with an imp and a succubus isn't exactly considered classy, Stolas)

Blitzø just might be stupid.

pt. 1 | pt. 2 | pt. 3 | pt. 4 | pt. 5 | 1st bonus | pt. 6 | pt. 7 | pt. 8 | pt. 9 | 2nd bonus

Word Count: 2,340

Warnings: eh, mentions of sex only i think. also stolas is newly separated so he's trying this new thing called flirting. yes i'm a firm believer that stolas is naturally so weirdly flirty he could make a succubus flustered no questions asked.

“...and then I yelled ‘sorry I fucked your husband’ and just kinda… left.” 

Everyone was gathered around the big table in the meeting room at I.M.P., per Blitzø’s request. Well, he didn’t request it, per se- it was something more along the lines of yelling “Anyone who’s not a whiny bitch follow me, I got something to show you” and everyone just sort of complying. 

He had been on and on in excruciating detail about how he’d up and stolen whatever it was he wanted to show you. He had yet to show you a thing.

“Oh wow. You are an idiot,” you state.

“And why is that, witch bitch?”

“You stole from a Goetia prince?”

“Yeah I did. And I looked sexy doing it.”

“What did you even wanna steal so bad?” Millie asks.

“Oh-ho-ho. You’re not even fuckin’ ready. None of you are even fucking ready.” He slams a big, heavy book on the desk. You inspect it, trying to figure out why he would go out of his way, in a borderline suicidal quest, to steal a book. Your eyes widen when you realize you know exactly what it is. 

“You stole from STOLAS?” He had to be fucking- wait. “Wait, you fucked Stolas?” 

“What how’d you know it was him?”

“It’s- it’s his Grimoire. That’s what this is isn’t it?”

“Yup. And with this,” he explains to the others, since apparently you already knew of it, “we’ll be able to go up to the living world and kill any human we’re paid to kill.”

“That- that’s- Blitzø this is insane. And I don’t mean good insane. I mean batshit crazy insane.”

“How do you even know what this is?”

“I- I used to see him a lot. You know. Ozzie stuff. They’re always in meetings. I didn’t- I’m really having trouble believing he acted like that-”

“What, like a needy bitch in heat?” Blitzø cuts you off.

You feel yourself get flustered at the implication, not managing to finish whatever you had been about to say. 

“Oh my fucking Satan, Blitz,” Loona lets out a groan, frustrated at what she was hearing, which is fair. It’s enough to prompt her to leave the room entirely, assumingly to her seat at the front desk. 

“Sir, you need to give this back.” Moxxie pushes the book across the table back to him.

“What? After everything I had to go through to get it? No way!”

“No, Mox is right. Stolas is nice, but he’s still, like, one of the most powerful demons down here, dude. And this is- this is next level doing him wrong. You didn’t just steal from him, you played with his feelings too. That’s so much worse.”

“Feelings? Come on! So we’re all ganging up on Blitzo now, are we?” You all cringed a bit whenever he used his own given name. It felt weird and just totally… wrong, considering how adamant he always was about correcting everyone else when it came to it, but, to be fair, he didn’t really seem to notice when he did it. He just happened to absentmindedly call himself that sometimes when he was feeling criticized, which… well, you weren’t sure if you wanted to unpack whatever that meant. He keeps on. “I’m sorry I worry about us having jobs and money to pay rent and food to feed ourselves!”

“Blitz that’s not-” Millie starts, but gets cut off by Loona, who walks back into the room. “Guys, there’s an… owl… guy… thing… looking for Blitz out there.”

Oh, shit.

“We’re gonna die,” Moxxie mutters under his breath, starting to chant it over and over again, eyes almost popping out of his head. Millie puts her arms around his shoulders and brings his head to her lap to try and calm him down, sending a death glare- much like yourself- towards Blitzø, who now looked like a deer in headlights, caught red-handed, apparently not expecting to be found that soon. 

“Uuuhhh, tell him I’m not here!”

“Already did, he said some weird shit about being able to smell you or whatever the fuck that was about. That guy’s a fucking freak.” Huh. Maybe Blitzø wasn’t lying.

“Uhhh fuck fuck fuck fuck, gotta think, gotta think,” Blitzø begins pacing in circles around the room.

“Well? What the fuck did you expect?”

“I didn’t think that far ahead, alright? Sue me.”

“Oh really? I could have sworn you had everything figured out!” 

His head shoots up and he points at you, completely ignoring your sarcasm. “You go talk to him!” 

“Me? This is your problem!”

“Our problem! You work here don’t you?”

“Blitz I swear to Satan.”

“Pleeeaaaase?” He tries making puppy eyes at you. It’s kind of bizarre, but not entirely useless. “You said you know him, he’ll probably be nicer to you. Maybe you can soften the blow. Ha. Blow.”

“If it doesn’t work I’m ratting you out and I’m not gonna feel bad about it.”

“Thank you thank you thank you, I’ll owe you one, now go!”

You let out a groan, making sure he hears it. You could not believe you were about to do this. Sure, let’s confront pissed-off demon royalty about something of theirs that you definitely have in your possession just in the next room. Nothing could possibly go wrong with that. “Can you tell him to go to your dad’s office, Loons?”

“Yeah whatever.”

You make your way out of the meeting room and into Blitzø’s office, which is… a sight to behold. There were horse drawings scattered everywhere around the room, figurines of Millie, Moxxie, and yourself on top of his desk (you didn’t even want to know), guns you knew definitely didn’t have their safety locks on just laying on various different surfaces. Yeah, it was all very on-brand. 

You sit down on his chair, getting barely a few seconds to prepare yourself for your talk with Stolas before he walks into the room.

Well, no, he doesn’t exactly walk in. He leans against the door frame, pulling a leg up and running a hand up it as he starts speaking, yet to take a look into the room. “For someone so remarkably sexy you are so hard to find, Bli- oh my!” He’s visibly startled when he finally makew eye contact with you, evidently having expected Blitzø to be the one in your place. Almost tripping over himself, he tries to pull himself together, fixing his posture and wiping non-existent dust off of his clothes as if to pretend he hadn’t just made a fool of himself. Stolas had always kept his composure around you whenever he went over to meet with Ozzie, so this behavior… it was definitely new. 

He clears his throat. “I’m sorry. I thought you were-”

You decide to save him the embarrassment. Or, well,  further embarrassment. “Your Highness! Hi.”

“Y/n.” He remembers your name. What, of course he remembers your name, dumbass! That’s completely normal. “You… Do you not work for Asmodeus anymore?”

“Not really. I’d been working there a long time. Wanted to try something new.”

“So you chose to work… here?” He motions around, and you couldn’t blame him. It didn’t look like the best place in Hell. And you supposed it did seem like an odd change in occupation. 

“We’re a work in progress.”

“Well, do you and Asmodeus still keep in touch? I recall you were quite good friends.”

“Yes! We still are. We still are. How have you been, uh, doing, your highness?” You ask, carefully. 

“Please, there is still no need to call me that.” Your interactions always went like this- you called him by his title, he insisted you call him by his name, and you always refused to. Strangely enough, you called him by his name when referring to him in conversation with Ozzie. 

But you don’t feel the need for all of that now. “Right, I’m sorry. Stolas.” 

“Well, I haven’t been doing quite so great, actually. I’m sure you’re aware why.”

You shut your eyes, taking a deep breath before opening them up again and forcing yourself to make eye contact with him, trying to stay collected. Play it cool. “I… might have an idea, yes.”

“You see, you have worked with Asmodeus for a long time. You’ve been around myself plenty, haven’t you, darling?”

Had he ever called you darling before? You’re positive he’s never, ever done that. 

Chill, dumbass! It’s just a fancy people thing. No big deal. “Yes.”

“Yes, so you know how crucial my Grimoire is for my purpose in the Ars Goetia, don’t you?” He speaks to you in an almost condescending manner. You almost feel insulted. Did his voice always sound like that?

“Yes.”

“Perfect. So I suppose you understand why I would be very upset when I came to find out your friend, Blitzy, stole such a sacred artifact from me.”

“I understand.”

“My Grimoire contains spells that are meant for mine and, in the future, my daughter’s use only, and it would simply be a scandal if it fell into the hands of itty bitty imps such as yourselves.” Okay, he was definitely being condescending now. Why was it kind of hot? It was definitely hot. 

What the fuck.

“Uhhhhh-”

“It makes things so much worse that he simply hurt my feelings! After a night of such passionate fornication, you could only imagine my surprise when I came to find out the book had been missing! Had I not known better I would have sworn it had been deceiving work of someone like yourself.”

“Like myself?”

“You are a succubus, aren’t you, dear?” He tilts his head to the side as if what he meant had been obvious. And it probably had- you’d just read too much into it. Was what Blitzø had told you about what happened getting to your head or something?

“Ooookay. Uh. I’m really- I’m really sorry about… all of that. Uh. Wow. Uh that really is a lot huh? I’m just gonna… I’m just gonna go call Blitz now and you guys can talk it out maybe. That fine for you? Fantastic. Good talk, Stolas!”

You slip past him and out of the office, catching your breath before going back into the meeting room to call Blitzø and let him handle the situation. What the actual fuck was that?

[. . .]

“So?” Millie questions Blitzø as he enters the meeting room again after a good half hour. Everyone follows, looking at him expectantly. 

He pauses, for dramatic effect. “Guess who just founded the first human-killing business in Hell?”

“What?” You ask, incredulous.

“I’m sorry sir are you saying the Prince is letting us use his spell book?”

“You heard it, Mox.”

“H-how?”

“Well I’m gonna have to dick him down every full moon but I guess that’s a good trade.”

The room goes silent. 

Moxie breaks the silence first. “Uhh, what?”

“What?”

“What’s that about the full moon?”

“Oh well. Well, apparently I’m a fantastic fucking lay, just unforgettable. So all I gotta do to have the book is give it back to him every full moon and then fuck him into oblivion and we’re good to go.”

“And you’re sure you’re fine with that?” You ask him, carefully. 

“Well yeah? It’s fucking great! We get the book AND I get to fuck a Prince into submission every once in a while? Couldn’t be better.”

You’re not that sure about it, but what was the point in arguing with him? You shrug. “If you say so.”

“And he’s just… fine with that?” Moxxie questions, not buying it.

“What, you think I’d lie?”

“Yeah,” everyone replies, without hesitation.

“Well I’m not!”

“Well shit. Your dick must be good.” Well, that wasn’t supposed to come out.

He grins. “Ya wanna find out?”

You stare at him, unamused, for a second, locking eyes with Moxxie soon after. 

“You deserved that,” Moxxie points out.

“Yeah I regretted it as soon I said it.”

“You really should have seen it coming,” Blitzø himself adds.He grabs the Grimoire, bringing everyone’s attention to it. “So. Aren’t y’all curious? I know I wanna know what the human realm is like.”

“It’s really not that different from here,” you tell him.

“Oh yeah, I forget you’ve been there before. What do you guys even do there?”

“Uuuhhh.”

“They fuck people to death, Mills, ain’t that cool?”

“Oh shut up you know that hardly ever happens anymore.”

“But’cha could.”

You sigh, knowing he just wanted to hear that he was right. You give him a little smile. “But I could.” 

“Hell yeah!” It was always weirdly nice that he thought that part of what you were was cool rather than being disgusted by it.  “Should we go take a look?”

“How’d ya even work this thing?” Millie asks, examining the book in Blitzø’s hands.

“Fuck if I know.”

“You didn’t ask him?” Loona asks.

“Not really.”

“I’m not even-” she rolls her eyes. “Gimme that” Snatching the book from him and going through the pages for a bit, she stops in a particular one, attempting a few times to read some words from it. Fair enough, a portal leading… somewhere… appears. You’d have to put a pin on that for later and ask her how she knew what to do, but right now everyone was too excited.

“Let’s go fuck some humans to death!” Blitzø exclaims.

“No.” You say sternly.

“Let’s go fuck some humans?” He tries again.

“Sir! No!” Moxxie yells, disgusted.

“Let’s go kill some humans!”

“Hell yeah!” Millie finally agrees,

“Yeah! Wait why am I even listening to you guys, I’m the boss here!” 

“Sure thing Blitz.” You assure him, getting your foot through the portal. “You coming?”

Blitzø turns around. “Looney? You’re not killing anyone there. Got it? It’s too dangerous.”

“But that’s no fun!”

“Looney.”

“Fine.”

“Let’s go kill some humans then!” He shoves you into the portal, jumping through right after you. Jackass.

A/N: i did a lot of things different than i said id do lmao and i toned down the flirting from stolas to leave it for a different chapter hope this is fun it aint gonna be fun for v long luv yall

[spongek-squidge]

My Headcannons for which bachelor(ette) is the most intimidating on first meeting

90% self indulgent headcanons 10% canon, let me have my fun~

#1 Shane

We all expected this one

Gruff old alcoholic man is not a very trustworthy or comforting persona

Also he’s rude when first meeting people so that doesn’t helps

Only reason he doesn’t completely scare people off is cause he’s baby faced (this fact annoys him greatly)

#2 Sebastian

Emo boy who lives in his mums basement, smokes and owns a motorcycle?

He’s literally the kid everyone’s parents told them to avoid

No matter if you love that bad boy persona or not there’s still that intimidation around it, ya gotta admit!

#3 Haley

She’s very mean

Literally comes off as everyone’s Highschool bully when you first meet her

She’s also just intimidatingly pretty on top of that so…

Pretty much a tie with Sebastian tho, I only put her lower because pritty gurl

#4 Alex

He a buff mysoginstic boi!

He’s like chill when you meet him but the bias leaks off him like the sweat when he’s exercising in his bedroom

Literally just a highschool jock, you move into town and think Haley and Alex are gonna be the biggest asshat powercouple

In reality they’re just some confused queers with dual mummy and daddy issues

#5 Abigail

Goth gfs are inherently a bit intimidating ngl

Also she just has a lot of energy and an urge to fight, that’s a fairly intimating combination-

Also if she could drive a car she would have biggest road rage, she got those vibes about her

#6 Harvey

Okokok hear me out

Ik he’s a big sad wholesome man but he’s also a doctor and anyone who sticks with the education system that long is a bit intimidating ngl

Also he’s a very tall boi and if you combine that with my head canon of him being dad-shaped it can give off an unintentionally intimidating aura!

Also people just don’t like going to the doctors so that won’t help

#7 Leah

She works out and it shows

It’s hot af but also a bit intimidating ngl

But she’s too chill for that to put her further up the list so here she be!

#8 Elliott

He uses big person words that I don’t understand

Big people words intimidate me

Words are powerful

But also I could easily beat him in a fight so he’s lower down than Leah

#9 Maru

One of her favourite objects is radioactive ingots

Need I say more?

Most of her intimidation comes from Demetrius being an overprotective cockblock tho, so it’s not as much her as her father

#10 Emily

She gives off chill aunt/cousin vibes

However she is also high as a kite 24/7 and that level of zoned out can be a bit freaky, especially when she zones out staring at you

She’s fine tho, would never take drugs that make her act up in a negative way

#11 Sam

He is a golden retriever and you can tell from the second you meet him

Big smile constantly and no thoughts behind those eyes

Only intimidation he could ever possibly have is the skater boy stereotypes, but other then that he’s got no negative vibes whatsoever

#12 Penny

I’m sure we all saw this coming, but she’s really not intimidating at all

She’s a shy woman that just wants to teach kids and read her romance novels and I love that for her

If she needed to intimidate someone she’d have to summon her mum to do it for her, no chance she’s scaring anyone herself

[nutellaninja0001]

I’ll have to admit, I truly thought I was done talking about this but here I am to say once again, the conflict between Sansa Stark and Daenerys Targaryen in season 8 was not “out of nowhere” it was not “pointless drama” and it was not “Sansa was just being a bitch” I started thinking about this debate again when I rewatched a recap video of GoT 5 years later. The creator went on to talk about how it didn’t make sense for Sansa to “not trust Daenerys” but why exactly SHOULD Sansa have trusted Daenerys?

I’m going to go over some points again just to break it down to the most basic level.

At this point in the series, it would be dumb for any Lord/Lady in Sansa’s position to openly trust a newcomer. Dany already had a reputation. She had dragons, an army known for its cruelty and the other for its pillaging/raping. Even if Jon had warned Sansa he bent the knee to Dany there isn’t one scene Jon actually vouches for Dany as a good or trustworthy person. Sansa only had what she might have heard about Dany whether that was burning lords or sacking cities. She only ever had Jon telling Sansa they need Dany to survive. Either way, why would Sansa want that coming to her doorstep? Fans point out time and time again how Foolish Ned was for trusting the wrong people. They just felt different because this time it was Dany.

Daenerys shows little interest in the actual preparations for winter/survival of Winterfell beyond her affections for Jon. Dany outright admits to Sansa Jon is the only reason she is here. Why would Sansa want to hand over a Kingdom she fought and suffered for to Dany, considering she sees it as yet another conquest on her list. If anything doesn’t make sense, to me it’s why Dany didn’t mind if the Iron Islands were independent but the North couldn’t be?

Sansa’s desire for northern independence wasn’t a season off arc she forgot about. It was a consistent character arc that pushed her from hopeful southern Queen to Queen of the North. Dany from day 1 made it clear that would never be under her rule.

Sansa asked some real questions as a ruling Lady while Dany tried to charm Sansa and it didn’t work. I think it was one of the only consistent writing choices made in season 8 considering this arc for Sansa reclaiming/coming home had started back in season 4. What did fans expect from Sansa? Both characters as I’ve said before were MEANT to be in conflict. Both women had been fighting for a long time to be in the positions they were. Neither were going to let that go or because Jon and Dany were together. I don’t even think we would’ve gotten as much of a debate had it been Arya speaking out against Dany but I’m glad it was Sansa as fans really thought she was going to up and serve Dany. 🤷🏻‍♀️

Let’s also please remember that after Sansa asked what Robb, Jon, Mance, The Wildlings, Yara and Dorne all asked. To be ruled as their own Kingdom. I gotta say, since it was Sansa as the main driving force for Northern independence in the last seasons fans made it out to be Sansa was once again, just being stupid. I never see the same arguments used against any of the other characters who wanted/died for the same thing. Even when Dany was outright threatening Sansa in the middle of her own Home

Why did Dany say this again? Because Sansa asked how they were to feed 3 large dragons in the middle of Winter. How they were going to feed Dany’s armies. Yet I never saw many fans argue Dany’s behavior to Sansa. She was a guest at Winterfell. Hoping to make good alliances and instead acted like this. You will never catch me defending most of the writing of GoT in season 8 but this was not one of them. The conflict started the minute Dany expected the North to bend and the minute Sansa said they will be an independent Kingdom

[mephistopheleswasrobbed]

It's the penultimate episode, I've got some words for P'Dome that he'll never get to hear but most importantly I'm here to congratulate Peach and Home on not breaking up this episode. So let's get to it!

1

We begin with Home being sad looking at their ad while thinking about his gramps trying to teach him the meaning of "home"

But while Pangpang puts it plainly into words

Home is apparently so dense that he still hasn't figured it out

We've been seeing quite clearly, and Home seems to be aware on a subconcious level at least, that Peach and the rest of the squad have become his home. But well, Home the man, clearly put all his character points into cuteness leaving none for intelligence so I guess we'll have to wait for the last (TT) episode for him to finally get it.

2

Peach has gotten to know Home very well. So of course he can tell that there's something up with his platonic? boyfriend. (on the first watch i thought this was him fishing for "Home is so sad that you're leaving"-validation)

He's also totally definitely not at all worried about Home. I'd say acting isn't Peach's strong suit but he did quite well with the fuckery they put on so I guess it's a case of the old can't-lie-when-it-comes-to-love.

Despite his utter non-worry he still delegates Home-care to Kan which kind of implies that he sees it as his job to take care of him. (and shows how much he is worried and cares about Home but that's not really news at this point)

3

Even Kan is teasing them about their relationship now.

4

Sure, their fight turned out to be somewhat staged to distract evil lawyer but the sentiments are nontheless quite real. The familiar territory of fighting allows them to finally speak out their feelings about what happened at the end of last episode. And, surprise, surprise, both are hurt by the idea of being left by the other, of ultimately not meaning that much to each other. (as I said, abandonment trauma rearing its ugly head) At this point, regardless of their relationship status maybe they should just get married so they'll finally feel some security in their importance to each other. (this is almost definitely not a good solution to this sort of problem irl, of course)

5

It's a good thing they've been perfecting their nonverbal communication over the course of the show. It comes in quite handy in situations like this.

6

Surrounded by the betrayal from his blood family, Home knows there's someone he can always trust.

Peach. And the rest of the gang. His real family. (+ the friends they made along the way)

7

This scene was honestly the cutest shit. The way he goes from his legs raised in happiness, to lowerd in disappointment, to swinging with giddieness. The way he's hiding under his duvet to secretly talk to his boyfriend on the phone. Ridiculously cute. This man is so in love. And he shows it like a stereotypical 12 y/o girl.

And Peach isn't any better with his arms on display and that fondness in his face.

8

Peach really doesn't want Home to go back to America.

But while he's not getting that reassurance for now (I can't bring myself to believe he'll actually leave. Not after everything, not when the reason for his exile has been resolved, not when he's finally found the meaning of "home" so his grandpa would have allowed him to come back, anyway. And how ironic btw, that he had to come home first and face the consequences of his actions, in order to find his meaning of "home"), at least he gets some surprisingly clear real-talk on Home's feelings.

9

Peach is smelling the bs on uncle and he's not looking to become a widower. He already watched Home die once, he's really not inclined to repeat that experience.

Unfortunately he let's Home convince him it'll be fine (and unfortunately Home has retained a lot of that naivete that he displayed when he first met Kan) so he's left behind to worry about Home's safety.

10

This plan from the uncle is absolutely evil. To not only kill his nephew but make people, possibly even Home himself, believe that Peach is the one who killed him? To destroy his nephew's most important person in the process, not only worldly by framing him for murder, but also spiritually by having someone (Home!) die from his cooking? I'm sure to Kid this was mostly a matter of hitting two flies with one stone but whether intentional or not this plan is clearly designed for maximum cruelty. And it's made even more cruel by the love and trust Home and Peach clearly have for each other, plain for everyone, even the evil uncle, to see. But he doesn't even grant Home the knowledge of being loved at the point of his death.

Stop trying to bury our gays you pos uncle!

11

As a palate cleanser, please enjoy this image of the whole happy family. Including the dads, their daughter + her wife, and ... Suradech!

Lesbian Corner

Kan has been spending so much time with Pangpang that she's internalising her speech patterns.

And THIS is her reaction when Peach calls her out on it. Someone's in luuurve!

[absolutebl]

This Week in BL - It's weird where I am right now, Okay?

Organized, in each category, by ones I'm enjoying most at the top. However, I've put quite a few on hold for travel reasons.

Oct 2023 Wk 4

Only a few screen shots for you this week, my hotel wifi is actually THAT bad.

Ongoing Series - Thai

My Dear Gangster Oppa (Thurs iQIYI) 1 of 8 - Classic unlucky in love failed crush on straight bestie = both v queer and v emo yaoi. I gotta say I like these actors way better in this than their previous series, and maybe that’s because Tew is more like Tul and I just like Meen better when he’s… erm… mean. All of which is to say, this is off to a wonderful start and I am about to lose my very sleep deprived little mind... ready for a ABL ecstasy rant?

I LOVE THIS SO MUCH I CAN'T EVEN.

"I play support because that way everyone is happy to see me show up," might be the single best moment of characterization BL has EVER seen.

Look here, in the grand cornucopia of BL universes this is my metaverse. It's pulp... but relatively high production. It has an established pair that I know I like... but who were given crap before. It's a tidy little script, it's not gonna run too long, and it's ALL the archetypes and tropes I love but rarely see. It's Japan's style otaku plus Korea's style gangster, Thailand's style friendship group, and it arrived out of NOWHERE. It's Korea's IP & money, Thailand's talent, and China's streaming service.

Do we know what the hell is going on?

No we do not.

Do we care when it's this much fun?

No we do not.

(In this I speak for everyone... no, EVERYONE.)

This show I why I got into BL.

Don't bother me with trifles. Me and My Dear Gangster Oppa are sailing off into the infinite pixilated sunset together, thank you very much.

Dangerous Romance (Fri YT) ep 11 of 12 - I managed to watch most of it on low rez before YT "discovered" I was in Asia and therefore could not be allowed to watch Asian shows. (AKA my VPN failed me.) But it seemed like a good ep.

My Universe (Sun iQIYI) Lucky Love ep 10 of 24 - I enjoyed this 2 part installment, it’s a bit of a sad sack recovery SAGA, but the acting is genuine, the couple believable, and the story felt particularly queer to me. 7/10 but close to an 8. It was really quite charming.

However: Next week looks not good on many levels - it's horror and I spotted guitar. Which is even more horrific. 

Absolute Zero (Thai Weds iQIYI) ep 5 of 12 - do temporal paradoxes exist in Thailand? That is the question. I gotta say Tor (Ongsa) is carrying this show and is doing a really great job, it's just the story itself doesn't resonate with me. Ugh it's so sad.

Is it, indeed, better to have loved and lost than never to have loved at all?

We only on ep 5 and had a full story arc already, there is A LOT more to go.

Venus in the Sky (Tues iQIYI) 9 of 10 eps - the fact that in losing Sky Venus also lost his surrogate family explains his resulting bitterness a little bit more. I wish we had gotten this back story much earlier. Still stupid pulp made me cry, which of course means it's back in my good books. This story is slow as fuck, but I'm going on a rollercoaster with it.

Ongoing Series - Not Thai

Kiseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 11 of 13(?) - I love them, okay? All of them. This is a great sappy classic Taiwanese BL and it is my baby and you can’t take it away from me. MINE. 

You Are Mine (Taiwan Fri Viki) eps 8 of 10 - oh noes it got sad, I thought they would at least would have had drunken sex before the drama. Sigh. Still the kissing was good, as it should be from Taiwan.

If It’s With You AKA Even If I Fall In Love With You AKA Kimi to nara Koi wo Shite Mite mo’ (Japan Gaga) ep 4 of 5 - Amane is so brave. About being gay. Being out. Confessing. Its admirable if scary. Otherwise this ep was pretty slow. 

Bump Up Business (Korea Gaga) 3-4 of 8 - how do I feel about this show? Conflicted. Are OnlyOneOf doing a great job? Yes, actually. Am I enjoying it? No, not really. Is this anyone's fault? I don't think so.

The little linguistic negotiation was cute tho. And we seem to have gotten idols kissing in a BL both in the same group, so that glass ceiling dildo has finally been broken.

NineMill are unexpectedly good, also KB plays a great evil ex. Of the 3, I think only Nine is good enough to go into acting permanently (but he's not tall enough). Still, all hail OnlyOneOf... kings of the "gay concept." You boys make me v nervous but as couple-branding goes, you just out branded Thailand. Mad props baibies. Legit never thought I'd see the day.

Trust Korea to be in it to win it.

Mr Cinderella 2 (Vietnam Sat YT) ep 6 of ? - i pretty much just forgot to watch this.

It's Airing But...

I Feel You Linger in the Air (Fri grey) ep 8 of 12 - I will try to watch and do a series review in November but... not sure I will be able to. Fingers crossed.

Love in Translation (Sat iQIYI) ep 8fin - completed but I couldn't catch the last ep, my final thoughts in Nov.

Only Friends (Sat YT) ep 12 fin - completed, but see afore mentioned YT issues. I'll review it in Nov. I anticipate better internet soon.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Fri Gaga) ep 1 of 10 - I find this series more fun to binge, so I'm waiting until it completes its run.

I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) - in classic JBL fashion, I Cannot Reach You could not be reached. 

Can I Buy Your Love From A Vending Machine? AKA Sono Koi, Jihanki de Kaemasu ka? (Japan cinema release in-country only) - This one is a movie from Japan so in customary fashion who tf knows when (or if) it will get international distribution. Salaryman Ayumu Koiwai just can't tear his eyes away from the strong, muscular man as he checks on the stocks of the vending machine in his office.

One Room Angel (Japan Gaga) - adaptation of Harada’s manga of the same name (which I did not like) about a convenience store clerk who's stabbed, nearly dies, and returns home to find an angel waiting for him. With only 5 eps and a good chance this won’t end happy, I'm gonna wait and let you tell me how it goes.

Next Week Looks Like This

Upcoming October BL

10/31 SHADOW (Thai Gaga) 1 of 14 - this is a horror BL featuring ghosts and other paranormal elements in a high school setting. I'm not wild about Thai horror (or horror at all). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools.

Upcoming November BL

11/3 Twins the series (Thailand ????) 1 of 10

11/17 Pit Babe (Thai) - Pavel my love!

11/19 Bake Me Please (OhmFluke but not, Thailand)

11/22 7 Days Before Valentine (Thailand) - horroresk

11/25 The Sign (Thailand) - horroresk

11/30 For Him the series (Thailand) - high heat

VIP Only (Taiwan) - may be delayed/canceled

Cooking Crush (OffGun, Thailand) - may be delayed, there some kinda gossip/rumor/shade happening at GMMTV

Wuju Bakery AKA Space Bakery (Korea) - this one may be DOA

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).

THIS WEEK’S BEST MOMENTS

My Universe - I just enjoyed the angle of this kiss shot.

Uh huh. Sure, honey. (Bump Up Buisness)

COULD THIS EXPLAIN THE SNUFFLE KISS?!!!!

(Last week)

[cellarspider]

Spider's Big Prometheus Thing: Index Post

Being a list of all the posts produced in the course of this inexplicable project of mine. This project is now complete, at an unexpectedly extensive thirty entries long.

I swear, I didn't intend for it to go like that, but it was fun to write.

All entries have at least a minimum level of citations for where to start looking for more facts on any subject external to the movie itself, which includes everything from how DNA is sequenced to how Nickolodeon slime is made, and from the comedy in mislabeled portraits of early church fathers to the correct attribution of a cat's contributions to historical linguistics.

Be aware that there's also hidden rambling and bonus facts in the image alt text. A lot of them.

0. Introduction

Setting the scene, including my background, my intent, and where this movie is going.

1. Opening

Expectations, landscapes, and aliens.

Rambles: DNA, whether aliens would have it, and why it doesn't look like a pale bacon ladder.

Alt-text rambles: nano-bubbles.

2. Discovery

The Isle of Skye is gorgeous, the movie attempts to establish its themes, and why it had already got my hackles up. Rambles: how cool ancient and pre-modern peoples were, the implications of humanoid figures in European cave paintings, and misplaced lions. Alt-text rambles: seriously, Skye is just so cool. Erich von Däniken and modern publishing royalties are not.

3. David

We meet the loneliest android, and his fandom of choice. Rambles: I go nuts for a paragraph over Proto-Indo-European. Alt-text rambles: Help me remember a dude's name, that time Ron Perlman saw Sigourney Weaver do something so cool he forgot to act, and a Coronation Street conspiracy theory.

4. Humans (Derogatory)

We meet the human crew, and analyze why they're a mismatch to the movie's established expectations, and what subgenre they fit in most. It isn't the one the movie seems to be aiming for. Rambles: 50s B-movies and their Men Of Science, modern movies and their quietly suffering scientists. Alt-text rambles: inconsistently moist characters, Idris Elba's christmas tree decorations.

5. Pseudoarchaeology (Extremely Derogatory)

We meet Old Man Capitalism, poor logistics, and how the movie began to really lose me through dropping in some racist pseudoscience tropes. Rambles: more logistics (of alien bioengineering), historical art styles, what the world was getting up to in the 600s CE Alt-text rambles: Linguistics, more ranting, the life and extraordinarily ornate death of Kʼinich Janaabʼ Pakal. Rants: the existence of writing, people who don't look like you can still think, stargazing and how conspiracy theorists don't understand it.

6. Roads

Poor firearm safety with Chekhov's Gun, when movies move too fast, atmospheric chemistry, and the moment I began to yearn for blood. Rambles: First contact protocols, why 3% CO₂ won't kill you but it will make you weird, my personal experience digging up a Roman road. Alt-text rambles: the logistics of securing items in moving craft, linguistics, atmospheric science, colorblind-friendly diagram design, swearing about orology, and cursing the crew for their fictional crimes against archaeology. Rants: Why they should've stayed in orbit, and my impassioned defense of historically significant transportation infrastructure.

7. Masking

The bit that made most people realize these characters were idiots. Featuring an attempt at themes. Rambles: NASA's policies on biological contaminants Alt-text rambles: Benedict Wong having nothing to do, helmet design, driving on dusty track, the tiny overlap between archaeological horrors and Minecraft, the CDC's excellent captions on men sneezing. Rants: Nominating a man for the Heinrich Schliemann Archaeology Award, all these people are catching space covid

8. Ghosts

Comparing the Engineers to their series antecedents, and I develop a slight soft spot for the geologist. Rambles: Set design in Alien, how carbon dating works. Alt-text rambles: Adventure games, GET DOWN MISTER PRESIDENT, I get very excited for Dune: Part Two, the archival devotion of people with rare blorbos.

9. Dignity

Personal, professional, social, and media context for the treatment of people's remains. Rambles: Personal experiences around the archaeological discovery of human skeletons, professional codes of ethics, movies that handle dead bodies better by being more crass about it. Alt-text rambles: None, the main text gets full focus this time.

10. Atmosphere

How intertextual imagery is overused, how the one major character arc is developing, and a whole grab bag of miscellaneous shambolic events. Rambles: How tourist-breath can destroy artifacts, and a deleted scene Alt-text rambles: Whether explaining mysteries is always the wrong decision in fantasy, the usefulness of helmets, Mass Effect's loading screens, please someone give me more recommendations for things where Giger creatures aren't all bad, and how cultural variation in gestures can make you look like an asshole. Rants: they aren't done desecrating the dead oh boy it's just gonna get worse

11. Decontamination

How to present an audience with events that make no sense, how to do it eerily, and how Prometheus does this by accident. Rambles: NASA's Apollo 11 quarantine policies Alt-text rambles: How 2001: A Space Odyssey put on a cosmic lightshow, how traditions are faked for political and social power in Midsommar, confusing lab equipment, robot arm safety, the use of camper vans in space exploration, umarell behavior, and robot horror movies. Bonus text rambles: pressurized gas cylinder safety, and how the cargo of one truck apparently tried to join Roscosmos. Rants: Laboratory safety

12. Shocking

Mary Shelly would not be proud of them. Rambles: Which home electrical appliances their tomfoolery is equivalent to. Alt-text rambles: Semiotics and Alien, reuse of props and art department equipment, the cast's inability to look at things, how the first chestburster scene intelligently incorporated spontaneity, and I completely lose my mind over a single computer readout, finding out in the process that the Engineers are close cousins to the common house mouse. Rants: I didn't think that "don't stick electrical plugs in people's ears" would be something that needed to be said, but here we are.

13. Family Tree

A soothing ramble about some of the cool bits of my job. Rambles: How evolution has made some vertebrate blood white or green, how genomes are sequenced, and how to determine the relatedness of species. And more. A lot more. I love my job. It's so cool. Alt-text rambles: How Nickelodeon slime was made, how hecking tiny molecules are, why blue-tongued skinks have blue tongues, my review of Dune: Part Two, how hard I worked to not turn Gene Wilder into a jumpscare, lots of enthusiastic explanations of DNA sequencing techniques, the aesthetics of the machines wot do that for you, how "snip" no longer sounds like a verb to me, and how I started out as a computational scientist.

14. Cheers

David poisons a man, and how his character arc ties into christian-influenced existential dread. Rambles: series continuity, gnostic theology, Ridley Scott's beliefs. Alt-text rambles: How to ruin petri dishes, Vickers' questionably carbon-based existence, the game of Operation, hand doubles in filming, how the funniest possible misidentification of an early church figure is wandering around the internet, the cool genders of suit actors, gnostic Archons, and the Engineers as Sophia. Rants: Holloway seems unaware that archaeologists study dead people, Ridley Scott is his own biggest problem.

15. Unworthy

The movie does something I'm not going to joke about. Don't read this if you're having a bad day. Big content warning for Holocaust imagery.

16. Intimacy

Your asexual commentator grapples with Hollywood's terrible track record on romantic and sexual chemistry. Rambles: Why we don't say an archaic-looking species is "older" than another, how religious scientists do what they do Alt-text rambles: the human family tree, Abbott and Costello, pitcher plant cultivars, the creative possibilities of a Buddhist version of this movie, and Stephen Still's lack of accordions. Rants: I've never been a boyfriend but I'm pretty sure that's not how you do it

17. Threat

Prometheus takes a hard turn into old slasher movie tropes. Rambles: A movie trailer that gave Wee Spider the screaming heebies Alt-text rambles: The age rating of Prometheus, a spontaneous X-Files crossover AU, Pitch Black, how likely it may or may not be that the images in the post will get flagged, critter behavior, insufficient EVA suit design, and the content balancing I take into account when selecting screenshots. Rants: This movie does not seem to know what it is. Alt-text rants: Ditto, focusing on characterization.

18. Flames

"Mac wants the flamethrower!" Rambles: I wandered off in the middle to watch a 40k comedy video, does that count? Alt-text rambles: More content-balancing, what kind of very English critter David appears to be, dune buggy design, Star Wars: The Old Republic is worth your time, Dune: Part Two is worth your time, an extremely long ramble about integration of CG background elements, and Oblivion memes. Alt-text rants: Movie color grading and lighting, undercutting scares.

19. Stars

The movie shows how good it can be when no dialog is involved. Rambles: The movie Contact and how Prometheus could've learned from it. Alt-text rambles: How I estimate large numbers from a still image, a brief Baldur's Gate 3 appearance, the set design and staging of a room made for giants with squishy computers, the use of color to make a cohesive scene, facts about Uranus, visual intimation of threat, VFX wizardry, practical FX wizardry, Michael Fassbender's wordless acting.

20. Expectant

The movie shows how good it can be when character choice is removed from the horror. Rambles: the inspiration and place of chestbursting in Alien movies, the continuing religious symbolism in the movie, the clunky dialog, how to build or undermine tension, and the good blending of practical and CG effects, and how tiny creatures of the ocean manage to be more uncanny than horror critters. Alt-text rambles: reading details the prop department never meant for you to see. Alt-text Rants: the return of the head-exploder and the first sight of actual PPE, slowly mangling a plot point's name until it has been thoroughly folded, spindled, and mutilated.

21. Underdelivered

The movie shows how terrible it can be when horror doesn't build tension. Rambles: Contortionists in horror, hillbilly horror/hixploitation movies. Alt-text rambles: Resident Evil 7, Dead Space and "strategic dismemberment"

22. Hubris

The movie tries to do some themes again Rambles: my ineffable desire to genetically sequence ditch weeds, Left Behind Alt-text rambles: Brad Dourif's commitment to the bit in The Two Towers, nigh-invisible wheelchair product placement, the Fallout series in general and the upcoming show in particular, praise for an epic-length critique of Left Behind, Robert Zemeckis' bizarre quest to mocap everything Rants: This movie does a terrible job representing both religiosity and atheism

23. Informed

Exposition is delivered, and plot points try to knit together. Rambles: The Silent Hill movie, Pacific Rim Alt-text rambles: Pyramid Head's secret unclothed backside, demanding environmental enrichment for scientists, greebling, Tumblr's favorite shitty copper merchant Rants: What could've been done instead of an exposition dump and daddy issues Alt-text rants: these people and their interior design are tempting fate and testing my patience

24. Inscribed

I go rogue and ramble about constructed languages and cuneiform for an entire post. Guest appearances from Klingon pop music and a delightfully eccentric Assyriologist. Rambles: All of it. Alt-text rambles: the self-awareness of conlangers, fingernail length, Schleischer's Fable as a warm-up for the next section, my primary conlang derangement, speculation about whether cuneiform was legible for the blind, my beef with the cowards at Lucasfilm for refusing to use Star Wars' coolest letters, my love for Warframe's Grineer, going into far too much detail about redesigning Prometheus' Engineer script, and finally, the many crocodiles of ancient egyptian hieroglyphs. Rants: None/all of it

25. Judgement

We discuss some of what the movie doesn't. Rambles: Fiction and morality, Blade Runner, biblical allusions the story could've made and doesn't Alt-text rambles: Lance Henriksen's insane career, the paintings of John Martin and a surprise George Washington, Rutger Hauer's effect on Blade Runner, my tentative plans for the next essay series. Rants: Germs, old man makeup. Alt-text Rants: The characters are reading ahead in the script again, the half-assed Engineer writing system continues to hurt me

26. Awoken

I go bananas over PIE. Rambles: fix-it fic for this damned movie, PIE, how to avoid PIE, how to analyze PIE, and my personal alternative to PIE. Alt-text rambles: calculating how long the Engineer's overslept, their potential spiritual kinship to Moominpapa, behind the scenes photos of the suit actors, Prometheus rants in the days of LiveJournal, the game Hades, how hard it personally is to get PIE right, the linguistics nerdery of the Hittite empire, and watermarks. Rants: how the movie fails its premise and hurts my soul with linguistics

27. Shortcomings

The characters, and movie, fail to get their message across to someone bent on their destruction. Rambles: David's confused religious symbolism, Star Trek Alt-text rambles: My desire for fanfic, behind the scenes photos, what other critters the Engineer's suit actor has played, the naming of Australopithecines, crash-proofing a movie set, alien gender, Gandahar and how French animated SF in the 80s was awesome, Scorn and its expert consultation from a cenobite, and Doctor Strangelove. Rants: the assumptions of the human characters, I go from trying to be measured to actively spiting the writer for his take on thoughtful SF Alt-text Rants: Del Toro is the only one who gets me, the movie has forgotten its main character just had a major surgery, one last rant about how terribly unsafe the Prometheus was as a ship, before it becomes definitively not a ship.

28. Momentum

It's the bit where she doesn't turn. Rambles: How to fix the dumbest thing we've seen in a hot minute, Edge of Tomorrow and feeling Tom Cruise's fear, how the dead thing is never really dead in horror. Alt-text rambles: How hard it is to find the most catchy song in We Love Katamari, more behind the scenes pictures of my blorbos, Friday the 13th Part IV, bad braille, and trilobites. Rants: I mean how can you not when the movie forgets how space works? Like, the idea of 3D space as a concept? Also, a particular rock earns my ire, and my ranting about interior designs on ships finally pays off.

29. Dissonance

The ending of the movie, and its tonal incoherency. Rambles: Protagonist-centric morality and lack thereof Alt-text rambles: Star Trek TNG, green blood, caecilian teeth. Rants: shallow christian themes, sequels that could have been, Shaw's confusingly deployed robo-racism Alt-text rants: sequel disappointments, inadvisable post-caesarian activities, how the hell do you fit that much 'burster into one chest, biological plausibility in alien extend-o-mouths

30. Justification

A breakdown of a post-release interview with Ridley Scott, explaining some missing details. Rambles: Gnosticism again, Mesoamerican and European human sacrifice and the exoticization of shared cultural practices, and a hearty book recommendation. Alt-text rambles: Icelandic volcanoes, The Collector (2009), Stephen Speilberg's War of the Worlds and how scaring the shit out of someone isn't necessarily the job of a horror film, the Tollund Man, unique cultural practices, Hello Future Me, and my opinions on what we've seen of Alien: Romulus. Rants: Ancient peoples weren't stupid, an unexamined christian-centric worldview, an unexamined christian-centric worldview, I CANNOT STRESS ENOUGh

[theshinazugawaslut]

what's your opinion on the other Canon ships in kny, tanjiro x kanao, zenistu x nezuko, etc (I personally dislike them but I wanna know your opinion 🤧)

𝑹𝑨𝑵𝑲𝑰𝑵𝑮 𝑫𝑬𝑴𝑶𝑵 𝑺𝑳𝑨𝒀𝑬𝑹 𝑺𝑯𝑰𝑷𝑺

a/n: honoured someone wants my opinions. I'll go through canon ships first, then un-canon!

𝘵𝘢𝘯𝘫𝘪𝘳𝘰 𝘹 𝘬𝘢𝘯𝘢𝘰

4/10

I personally really dislike this ship since it came out of nowhere and it feels incredibly forced. Their designs and personalities don't complement each other that well. They seem more like good friends to me.

If we got more of them, it would've made sense.

But I do like the characters separately! The ship just isn't for me!

𝘻𝘦𝘯𝘪𝘵𝘴𝘶 𝘹 𝘯𝘦𝘻𝘶𝘬𝘰

3/10

Zenitsu and Nezuko COULD have been a good ship but it's not very well done and again, their personalities just don't match. Zenitsu's writing is already rather terrible when it comes to the screaming and yelling (though he has very good morals, great character concept ect.) and the yelling/being perverted is what ruins the relationship.

We also don't see a lot of Nezuko in the first place and she isn't aware of Zenitsu's feelings since she's a demon, so the ship just feels strange and uncomfortable to me.

I also just don't like the ship.

𝘢𝘰𝘪 𝘹 𝘪𝘯𝘰𝘴𝘶𝘬𝘦

1/10

TERRIBLE FUCKING SHIP

I don't even know where it came from

I cannot stress this enough but their personalities do NOT match (what I mean by this, they are not the right people to balance each other out).

Doesn't help they deadass look like siblings.

Inosuke should've gotten a girl that had Tanjiro's personality, it would've worked better.

Aoi and Inosuke have borderline no meaningful interactions. Aithor just sloppily meshed them together.

𝘶𝘻𝘶𝘪 𝘹 𝘩𝘪𝘴 𝘸𝘪𝘷𝘦𝘴

8/10

I think the ship works rather well; the girls each have their own separate personalities but I do feel like Hinatsuru is the only one who compliments Uzui's personality well but Makio and Suma are also good!

I think you can tell Uzui cares for them but it's not my favourite ship.

My friend James thinks Makio and Suma are annoying. Hinatsuru is "good" though.

𝘰𝘣𝘢𝘯𝘢𝘪 𝘹 𝘮𝘪𝘵𝘴𝘶𝘳𝘪

10/10

I adore this ship — Obanai and Mitsuri were made for each other; their writing, characters, personalities, and designs are just so cute and well-done!

I liked how the author fleshed out their characters.

My favourite ship!

𝘴𝘢���𝘦𝘮𝘪 𝘹 𝘬𝘢𝘯𝘢𝘦

-10/10

What a shitty ass ship.

Doesn't work

Contradictory on every level (Sanemi claims he doesn't like ditzes/certain sort of women when talking about Mitsuri but Kanae is basically just Mitsuri in a different design)

Doesn't make sense

Creepy since Sanemi sees his MOTHER in Kane (the way Inosuke sees his mother in Shinobu/Nezuko).

Barely knew each other; Kanae died a few weeks after knowing Sanemi.

Definitely one-sided (Shinobu adopts Kanae's habits ect. Meaning how Shinobu acts is a reflection of how Kanae would've acted and Shinobu seems to not be all that fond of Sanemi, meaning Kanae probably respected Sanemi but didn't particularly like him.)

Sanemi and Kanae DO NOT match

The author sloppily put it together

𝘺𝘰𝘳𝘪𝘪𝘤𝘩𝘪 𝘹 𝘶𝘵𝘢

10/10

They complimented each other SO well.

We don't see much of them but you can tell they were made for each other

Yoriichi cradled her dead body for TEN DAYS

𝘩𝘶𝘬𝘶𝘫𝘪 (𝘢𝘬𝘢𝘻𝘢) 𝘹 𝘬𝘰𝘺𝘶𝘬𝘪

10/10

Devastating story.

He loved her so much.

Koyuki was a perfect match for him.

𝘮𝘰𝘷𝘪𝘯𝘨 𝘰𝘯𝘵𝘰 𝘱𝘰𝘱𝘶𝘭𝘢𝘳 𝘶𝘯-𝘤𝘢𝘯𝘰𝘯 𝘴𝘩𝘪𝘱𝘴:

𝘴𝘩𝘪𝘯𝘰𝘣𝘶 𝘹 𝘨𝘪𝘺𝘶𝘶

1/10

I hate this ship since I hate how they look together

I also feel like Giyuu doesn't need someone who jabs at his insecurities ("You really shouldn't be a Hashira, Tomioka-san!" she says to the man who obviously has issues about his place in the Corps.)

Shinobu's teasing nature doesn't match all that well with Giyuu in my opinion, even if she means it lightheartedly.

𝘴𝘢𝘯𝘦𝘮𝘪 𝘹 𝘨𝘪𝘺𝘶𝘶

7/10

I feel like people slander it too much — the interactions the two have later on in the story give reason for people to ship it.

But I feel like whilst Sanemi fits Giyuu, Giyuu doesn't fit Sanemi. Like, what I mean is, I think Sanemi's nature matches Sabito's towards Giyuu, especially later on in the story, but I feel like Sanemi needs someone that isn't Giyuu.

I personally don't ship it because I feel like Giyuu's writing isn't all that delved into.

I love these two platonically though —Sanemi's parallels with Sabito will always keep me in a firm chokehold.

I'm fond of them since they remind me of todobaku but I personally don't ship sanegiyuu.

𝘪𝘯𝘰𝘴𝘶𝘬𝘦 𝘹 𝘵𝘢𝘯𝘫𝘪𝘳𝘰

10/10

These two, platonically/romantically, are so cute to me.

Inosuke always holding onto Tanjiro and Tanjiro's understanding of Inosuke is so precious to me.

𝘨𝘦𝘯𝘺𝘢 𝘹 𝘮𝘶𝘪𝘤𝘩𝘪𝘳𝘰

10/10

Such an adorable ship — I love the shy, angry guy paired with the oblivious, dense guy trope so much (#todobaku).

Their friendship was so sweet, too.

I wish we got more of them since they compliment each other so well!

𝘴𝘢𝘣𝘪𝘵𝘰 𝘹 𝘨𝘪𝘺𝘶𝘶

7/10

I love this ship BUT only if it's aged-up Sabito

To be honest, I think I only like this ship because I had such a big crush on Sabito when he first came up on screen (that man has such a strong personality).

I think the possible dynamic has lots of potential.

Giyuu obviously cares a lot about Sabito — unable to survive with the guilt of his best friend dying for years and causing him to become suicidal, like, bro was in love?

𝘮𝘶𝘻𝘢𝘯 𝘹 𝘬𝘰𝘬𝘶𝘴𝘩𝘪𝘣𝘰

6/10

The fanfics for this ship are always written so well

I don't actually SHIP it but the dark potential it has for fanfics...

𝘨𝘦𝘯𝘺𝘢 𝘹 𝘵𝘢𝘯𝘫𝘪𝘳𝘰

7/10

It's such a sweet idea — I feel like Tanjiro and Genya really connect

Don't personally ship it but it has such adorable fanarts

𝘬𝘢𝘯𝘢𝘰 𝘹 𝘯𝘦𝘻𝘶𝘬𝘰

4/10

Random ass ship

Seem more like besties that hold hands and run around together

But the shippers are sweet

𝘶𝘻𝘶𝘪 𝘹 𝘳𝘦𝘯𝘨𝘰𝘬𝘶

6/10

The fanfictions are SO funny

I don't actually ship it but they'd be so fun together.

A couple that seem like besties then you find out they're married with fifteen adopted children.

𝘴𝘩𝘪𝘯𝘰𝘣𝘶 𝘹 𝘮𝘪𝘵𝘴𝘶𝘳𝘪

10/10

Adorable ship

Only person Shinobu seems to genuinely like

I love these two together

/ if you guys want my opinions on anything else or would like me to expand, don't hesitate to ask!

[indelen]

It’s tragic backstory hours so I’m fortifying myself with a chocolate loaf!

This is my reread of the Lockwood and Co. Books, organized by @blue-boxes-magic-and-tea, I'll make a general summary of several chapters and then post bits and pieces that jumped out at me.

Part II, Chapters 5-6:

I think it’s significant that Lucy comes from the north of England specifically. Northern England got the bad end of the stick multiple times in English history. The area was razed to the ground and starved viciously during the conquest of William the Conqueror. It was raided by Vikings. It suffered during England’s wars with Scotland. It’s a part of UK that saw a lot of violence and poverty. It has a lot of industries like mining, smelting, etc. and that means coal and factory towns and all the economic issues that come from them. A lot of hard, low wage jobs that are the first to go when the economy downturns or society changes. North of England was the worst hit my Margaret Thatcher’s policies and by austerity measures during the mid-2000s economic crisis. Knowing all that and from what Lucy tells us of living in Cheviot Hills we can guess that while life for people and especially kids sucks in London, it sucks a lot worse outside out it. North England post war had a lot of mines and factories with multiple shifts and late work hours. When The Problem kicked off and the curfew was enacted probably only the very wealthy owners could afford to make changes that would keep their factories running and there were probably massive layoffs. So the financial burden was shifted onto children and there are no competing agencies who try to poach the best kids here, just washouts like Jacobs who run The One Agency that’s your only option. If you’re born in that one town with Talent you’re stuck going to that one washout guy. And you don’t see the point in moving because the next town probably just has some other washout guy.

In the context of all this Lucy running away was an act of extraordinary risk, and yet you get it, because continuing working for Jacobs was both her only option and unbearable. She tried giving evidence against him at the trial and he was the only person who could complete her certification. This negligent alcoholic had untold amount of power over her and the law was on his side.

Odds and Ends:

The way Lucy consistently tries to be detached from this part of her life is so heartbreaking. She knew these kids from age of 8 to age of 13. She tries to separate herself from the horror of it all but the damage is so very much there.

Lucy simply wasn’t educated and apparently many children in this universe are not. Children’s brains until the age of about 8 can only focus on learning things one at a time. It’s why some kids pick up skills earlier or later than others. Something has to come first and the order of how the rest stacks up is different for every child. The ability to learn in parallel develops later and this is where proper education of multiple subjects really starts. In North America this is about Grade 3 level. That doesn’t mean the time before this is wasted, since that’s when you learn the basics of reading, writing and math but also things like social play, following instructions of authority figures, measuring time, adhering to a schedule and the general flow of whatever school system you have. But, in this universe this is all they teach agents! they teach just enough to make them obedient and no more. They learn to follow orders, read to do what they’re told, complete basic tasks, but nothing else. This is a world the people who do the most dangerous job are given no analytical or critical thinking education and if you display any independently, you’re told to shut up and die for your country like a good little soldier.

The most "this was definitely written by Anthony Lockwood"-ass ad imaginable. Spare a thought for poor Lucy alone and low on funds in a new metropolitan city trying to find a photo atelier for a portrait to staple to an application.

Lucy is often mean, but let the record state George fucking started it with her. Sir, she made an appointment and sent an application and presumably a photo. You know she's not Arif's girl. You're just crashing from a lack of snackies and are cranky.

Remember kids, always good to ask what happened to the guy you're replacing in any given interview!

Hang this dialogue in the Louvre, i don't care how

Now girl that's no way to talk about your future husband. But also, what I kind of love about this is that Lockwood is obviously conflicted here because her realizes Lucy quite literally too good to be true. She's obviously the most Talented person to ever apply for any position with them. And yet if she's really that powerful why hasn't another bigger agency scooped per up? He senses that there is some flaw, some lie beyond the fact that she doesn't have a reference. He extends her an offer and gives her a chance because she seems like a good fit and it's too good an opportunity to pass up, but he's not foolish or naive about this either. It's why for all his flaws he is a good agency leader.

RIP beloved "biscuit rule" slain in battle with a US publishing editor whose hands grow out their ass and who thinks brittle North American teenage brains will crack at the mere mention of certain British terms and idioms.

Lucy describes Lockwood's smile count: 5

[still-a-morosexual-help]

Part 2 of this (diavolo & lucifer being very gay in canon) because I ran out of space in the first one

1. The entire Devildom thinks Diavolo & Lucifer are dating/in love;

2. It just sounds cute okay

3. Diavolo apparently notices when Lucifer's pupil dilates by 2mm 😐

4. Diavolo probably has a 500pg book about how great Lucifer is

5. Remember how much Diavolo gushed about Lucifer's butler uniform, took a lot of pictures of it etc? Apparently he saved that uniform or had a new one made, then took the first chance he saw

6. Cottagecore?

7. Diavolo finds Lucifer sneezing cute😬

8. Diavolo prioritises Lucifer over everything, even his own kingdom & the way Simeon keeps poking at it & Diavolo keep avoiding directly answering him + Simeon later teases Lucifer about Diavolo liking him in S3👀

9. The snow sculpture which looked incredibly realistic and had absolutely nothing to do with Christmas

Can't have more screenshots so here's some important conversation word for word:

10. Diavolo, after meeting Lucifer for the first time, Lucifer tries his best to act like an ass to make Diavolo hate him but Diavolo still treats him kindly. Lucifer despises Diavolo at the moment because he's a Demon who according to Lucifer & the Celestial Realm can't even have a "well-ordered society". Diavolo somehow in a single night manages to form a crack in Lucifer's prejudices & make him doubt his Father who he holds in very high esteem. Diavolo also uses chess to prove his point about creating peace and a balance between the three worlds. This is the conversation that follows:

Lucifer (an angel): I see. ...Diavolo. Your strategy truly is fascinating. Do you think we could get together sometime? I'd like to learn more about it.

Diavolo: Are you talking about chess now? Or the nature of our relationship?

Lucifer: Heh...

^The ambiguity Lucifer uses when talking gives that old queer feeling of: Our relationship (whatever it may be) is very forbidden and anyone catching wind of it will be bad so for plausible deniability I'm going to tie the true meaning of this conversation to something more innocuous

11. Conversation they have after this^ flashback/particular conversation:

Diavolo: ...That's when you finally held out your hand to me, and we shook. The way you radiated charm as you smiled at me. I still remember it like it was yesterday. When I saw the look on your face I was convinced. You were fair and righteous, someone who would be able to lend an ear to anyone, to listen to what they had to say. Someone who had a truly beautiful spirit.

In other words Diavolo has the worst case of rose-tinted glasses, specially considering Lucifer was choking Mammon & trying to rip his arm of while Diavolo said all this.

12. Diavolo (in demon form): Back when he was an angel, he was so divine, so awe-inspiring that it was intimidating. But now he's attractive in a different sort of way. He draws your eye toward him and then doesn't let go. He truly is worthy of the moniker "Morning Star"! Even steeped in the darkness of the Devildom, he shines just as brilliantly as ever!

Lucifer (in demon form), blushing: ...Diavolo, could we change the subject, please?

Lucifer (in demon form): I've told you that it embarrasses me when you shower me with such excessive praise in public.

Diavolo (in demon form): Afterall you're already beautiful enough as it is!

a.) This is Gomez Addams level of devoted jfc

b ) Diavolo was straight up reciting poetry at one point

c.)......What's with "in public"....so it's fine in private?

d.) Diavolo gushing about Lucifer has the same energy as Mammon gushing about MC

e.) What do I have to do for someone to be this in to me?

13. Diavolo has multiple copies of Lucifer in a swimsuit saved in different places (not the swimsuit he wears around MC & his brothers btw but the one he wears around Diavolo which is actually just trunks and & an open hoodie/shirt)

14. Diavolo might actually have a whole file of rare pictures of Lucifer? He's got the butler ones, the swimsuit ones and the candid glasses one that he threatened some poor guy to delete after saving a copy for himself

15. The ship in a bottle that Diavolo gave Lucifer, that he loves so much he keeps it in a place where he can always see it

16. Lucifer: No, that scream was far too vile to have come from Diavolo.

....so you know what he sounds like when he screams and you think it sounds good...?🤨

17. Diavolo gives a flustered Lucifer a piggyback ride around RAD

[indiangp]

Analysing Valentino Rossi's handwriting

okay so to preface this so I don't have to explain myself if I ever get anything wrong:

1. I have lost most of my knowledge regarding graphology after I got deep into it about 4 years ago. I rediscovered it about 3 days ago. Moreover, I'm just a girl on the internet, not a scholar. Some things might be inaccurate.

2. Graphology is considered a pseudo-science. There is no empirical evidence backing up graphology; if it's more understandable that way, think of it as analyzing someone's birth charts.

3. I generally do not know the people whose handwriting I analyze. I nor know what Valentino Rossi is like in real life, and neither will I ever. This is for funsies <3 I just enjoy graphology.

4. An important, somewhat unspoken, rule of graphology is that it's imperative I keep aside my knowledge of what I've seen him act like in public and focus solely on what the page tells me.

5. ALSO. Our handwriting has fixed as well as unfixed traits. For example, your IQ is fixed, likewise, your aptitudes, temperament, and identity are all fixed. There are unfixed traits as well in our handwriting. They keep changing depending on the conditions. Your abilities, attitudes, moods, beliefs, motivational level, and physical conditions are unfixed traits. People's handwriting also changes depending on whether they are writing for themselves (eg. a personal note, journal) or for someone else (eg. a letter <- like the sample currently at hand !)

6. I will sound nerdy at times as I might quote some graphology experts or use their works verbatim from their books. I have tried to keep it as simple as possible but still, if anything is unclear/your opinions vary, asks are always open <3 

*****Text in italics are random comments that shouldn't be included in any professional graphology analysis document but are there because this is a TUMBLR POST******

Now, the actual analysis

1. Initial Impression

This is a “normal” writing sample at first glance. Form quality doesn't reflect over-embellished or neglectful form. The writing is legible, which is expected considering it is a letter. The handwriting is slightly middle zone dominant(explanation in section 8.) indicating a bit of self-centredness and concern regarding day-to-day life. There are a lot of things crossed off which may show emotional distress at the time of writing the sample. I also noticed the large spacing between the lines at first glance and it generally shows fear of isolation(he was leaving Yamaha 💀) and distrust. There are also some arcades and garlands at the end of words(explanation in section 10). WEIRDASS LOWER ZONES. 

But mainly, it's so… erratic; the baseline is erratic, the slant is mostly vertical but still erratic at times, and the way he crosses off so much stuff is an indicator of emotional distress. 

2. Baseline

The baseline is the imaginary line running from left to right at the same level. It is on this imaginary line that letters rest on dividing upper and lower areas while moving forward to the right. Any movement horizontally along the baseline represents your reaction to experiences, living values, time demands, and learning. Right motion is to advance, expand, and progress and left motion is to revert, constrict, and regress. The baseline reveals 1. attitudes about reaching our goals, 2. the kind of mental energy we apply to our life situations, and 3. our general moods.

Initial lines in the sample display a “Moody” baseline or an erratic baseline(some authors call it a “sinuous” baseline). When a baseline has a number of ups and downs, or ascending and descending it is called erratic. Of course, it shows the moodiness of the person. They may laugh and cry easily and have lots of ups and downs in their lives. They are unbalanced as the handwriting shows. This is not to be confused with an incoherent, aka, ”sociopathic baseline”.

HOWEVER, the end of the sample follows a stable baseline which is an indicator that the person shows controlled/consistent behaviour to the outward world. A straight line is a straightforward path and its meaning is a firm, unchanging foundation. Its positive qualities are straightness, discipline, willpower, constancy of purpose, and responsibility. Its negative aspect impact is inflexibility. 

I wish I had more samples to confirm my thoughts and form a consistent opinion because I cannot conclude a single baseline pattern followed by the person. Language and cultural upbringing differences also don’t help. 

3. Slant

A handwriting can be a. just vertical; it stands straight on a baseline as though at 90 degrees. b. inclined to the right or c. inclined to the left. Further, it can be lightly inclined, very inclined, or acutely reclined. In general:

Leftward slant writers are emotionally cold and defiant, self-centered, and/or selfish. Overly leftward can be very emotionally sick. Extremely left slants often indicate past trauma and/or inability to move on/ recover. 

Upright/vertical slant reveals emotional reserve, suppression, and self-reliance. The person acts not with his/her heart but with the head. The person can be cool under pressure.

One’s right slant indicates compliance with people. The person is emotionally expressive. The person will act according to emotions. Here pressure levels reveal how intense the emotions are expressed. Overly right slant writer cannot control his/her emotions.

Variable slants betray mostly an emotionally unstable person.

I had a terrible time with this one because even when I superimposed a chart on it, it was still unclear which slant it follows. Rossi’s handwriting appears to go in all directions however it is seldom on the extreme ends(ie, acutely inclined to the right or acutely reclined to the left. Both of these are “abnormal” and rare.) 

If we write with an unstable slant, we feel pulled in different directions. An unstable slant is a wobbling slant. At one moment the person is affectionate and at another moment he is aloof. The more unstable a wobble, the more unstable is the writer. The interpretation of the slant is based on the universal concept of ‘left versus right.’ Usually, people associate the left with the past and the right with the future. If the left and the right represent the past and the future, then the centre represents the present.

4. Size

Size simply refers to whether the writing is large or small. Of course, there are many categories in size, like large, overly large, medium, small, or overly small (microscopic). It is an unfixed trait. Because, depending upon the mood, people write sometimes small and at other times big. It also depends upon the paper on which they write. 

Valentino’s handwriting again follows a somewhat irregular pattern when it comes to size. I say this because size changing over a few lines is completely normal but irregular size between words shows emotional instability.

 According to Karen Amend et al, “variable letter sizes, that is, middle zone letters ranging in size from 1116th of an inch upwards, show a writer who is emotionally off-balance a good deal of the time. Too much caught up in his own feelings, he is likely to be self-centered, overly expressive, indecisive, and childish. Those around him often find him moody and immature, but not always without charm.”

(I do not agree with this description too much but this is all i could find regarding unstable size)

The letters enlargen in the middle of the sample, especially when he mentions someone by their name. If a certain word or name becomes suddenly bigger in comparison with other words in the same line, then we can conclude that the writer has invested some emotions either positive in the person or thing signified by that particular word that got enlarged. When we hold somebody or something in high esteem, then automatically that word gets enlarged in our writing. On the contrary, if we have less regard, and think less of the person, then the word automatically shrinks.

5. Margin

NARROW UPPER MARGIN

In short, it shows informality. If your handwriting leaves a very narrow margin on the top, it is an indication that you are informal with the person to whom you write. It shows informality and familiarity. Just because you are comfortable with the person, you start writing from the very beginning. (this does match with the contents of the sample at hand)

(Not much more to say really, the margins are wide on left and right side but it doesn't favor one side, which shows a balance/peace with their past as well future)

6. Speed

Speed refers to how fast or slow one writes. It measures how quickly or slowly an individual thinks and acts, the person’s intelligence level, and finally the degree of spontaneity and honesty. When we speak of speed, we are referring to the natural speed of the writer in thought, action, and reaction. All of us have an optimum speed at which we think and act most comfortably. If one is forced for a long time to go faster or slower than the optimum speed that will end up in difficulties. Speed tells of the intelligence and spontaneity of the writer.

There are barely any signs that the sample was written in a rushed or sloppy manner. He does leave a few large gaps in between which indicate uncertainty and the writer is possibly taking time to gather their thoughts before putting them onto paper. 

7. Spacing

SPACING WITHIN WORDS

The distance that the writer places between the letters shows how he relates on a personal level to other people. Valentino’s handwriting shows more or less balanced and normal spaces within words. There is occasional tanglin but not to a concerning degree.  A normal, well-balanced spacing within the letter shapes and between them shows a personality that is balanced and flexible in relationship to others, with the ability for both closeness and reserve where appropriate.

SPACING BETWEEN WORDS

The space left between the written words represents the distance that the writer would like to maintain between himself and society at large. Rossi’s handwriting has rather narrow spaces between words. Very narrow spaces between the words show someone who will crowd others for attention, craving constant contact and closeness. Such a writer can be selfish in his demands and unwilling to give of his own time and energies to others.

SPACING BETWEEN LINES

The amount of space that the writer leaves between the lines on the page gives clues to the orderliness and clarity of his thinking, and to the amount of interaction that he wishes to have with his environment. Overall the sample at hand shows normal to slightly wide spacing between lines. There isn’t much tangling(sign of confusion/jumbled ideas) between the lines and neither are the lines excessively far apart(signs of suspicions and hostility). Normal spacing has its own personal harmony and flexibility. 

8. Zones

This is the most complex thing in graphology to me personally but to oversimplify, the three zones and what aspects they relate to are as follows:

I. Upper: fantasy, spirit, intellect, creativity, imagination

Ii. Middle: social life, daily life, everyday concerns

Iii. Lower: instinctual self and drives for security, materialistic things, biological needs

People can have a writing that is balanced across all zones or they may have a dominating zone. Valentino’s handwriting is overall middle zone dominant. According to Karen Amend et al, “If the Middle Zone is Strongly Developed, but neither the upper nor lower zones are, the writer is overly concerned for himself and his own daily activities. His self-assurance borders on presumptuousness and conceit, and he will make great issues of trivial things. The danger to this sort of writer is boredom and confinement in a self-centered world. ”

This is a somewhat pessimistic and outdated view of this trait(and respectfully I hate it <3). Most students today actually tend to have this type of handwriting and it’s quite common. While it is a somewhat “childish” trait, it may show the person’s extroversion and general concern over daily concerns. (This view is what I believe in more than the weird self-centred blah blah explanation.)

9. Printing & Cursive Writing

To oversimplify, print writing = intellectual/methodical person/head-over-heart or trying to be coherent. Cursive = fast/connected thoughts. 

Valentino mixes these two and it is considered an example of efficient breaks in print-cursive handwriting. It is quite common and indicates that the writer is intelligent, succinct, efficient, direct and fast, and simple in writing.

10. Connecting Strokes

(This was another aspect I had a hard time with because I am so out of touch with the knowledge I used to have.)

There are 4 types of connecting strokes: garland, angles, thread, and arcades. 

(I’ve already written more than anyone wishes to read so I'll just jump to the conclusions instead of explaining each.) He uses a lot of garlands(upward strokes) as connecting strokes. If you write with garland connectors, then you are open, friendly, sociable, affectionate, flexible, ready to establish a link with others and communicate easily. Garlands are associated with openness and friendliness. More women than men seem to use garland connectors.

Garland is an image of round and open and is sincere, receptive, and obliging. Hence the positive qualities are feminine traits, friendliness, kindliness, natural behaviour, lack of formality, receptiveness, and adjustability. Socially, they are adaptable and flexible, but their strong need for security makes them feel threatened by any changes in their home, family, or lifestyle. These types are expressive yet conventional. They want communication with and acceptance by other people.

11. Signatures

Signature reveals: one’s public self-image, self-confidence, egotism, self-destruction, diversity, and creativity. Signature is the sum and substance of your public self-image. It shows how one behaves in public, how one acts around others, and in short, one’s social persona.

Signature larger than the script 

The writer is advertising and wishes to be recognized as an important person. Pride, self-esteem, ambition, and self-confidence are shown. (also a sign of vanity)

Creative Signature

The graphic imagery of the creative signature will mirror or express the nature of the creative drive, as in the beat of music, the stroke of brush or pen, or creative imagery that reflects the professional involvement.

Ascending Signatures

This is a sign that the person feels good about his public image. 

 12. Letter Specific traits

Capital 'A'

The 'A' seems to be written in a single stroke retracting back up which may show intelligence and originality.

Lower zone letters

I DIDNT KNOW ANYTHING ABOUT THIS AND I HAVE NOTHING TO SAY. SO HERE IS WHAT ONE TEXTBOOK SAYS:

THIS IS WILD AND I DO NOT WANT TO COMMENT ON THIS.

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Yeah so that will be it for the analysis, I wish I could be more coherent about this. please send asks incase if you want me to explain something in particular or you disagree with some aspect of the analysis (eg the slant <- the poll I did was killing me)