#Lockwood re-read

[indelen]

This is my reread of the Lockwood and Co. Books, organized by @blue-boxes-magic-and-tea, I'll make a general summary of several chapters and then post bits and pieces that jumped out at me.

Part I, Chapters 3-4:

Things go predictably bad. And I say predicably because there's these details all through the first chapters about how things went wrong before so you're kind of see it coming when things go wrong again. My favorite detail is that Lockwood once got locked in an bathroom while on a case? (By a ghost he maintained!). But this all builds tension and sympathy for the main characters. Through it all you don't think "oh these idiots!" you think "damn, these are just kids!" of course they mess up, get themselves in trouble, pull reckless stunts, forget stuff, push the blame around, talk shit about each other and so on. Their prefrontal cortex hasn't developed! They act on impulse because literally the bit of their brain that plans ahead hasn't finished cooking! They react differently to stress and fear. And I think the books telegraph this well. Lucy knows logically she should not use Greek Fire indoors and yet when shit hits the fan she uses Greek Fire indoors. And who is really to blame here for the resulting outcome? The kid or the system that entrusted the kid with a thermite bomb in the first place?

Bits and bobs:

Girl, you're 14, you shouldn't be trusted with a soft serve machine at DQ!

And that's the saddest part of all. The kids don't have a chance to look into solving The Problem themselves because they're in survival mode. And the adults are too busy profiting from putting their lives on the line to care.

I like how the closer the ghost gets the more terrifying it becomes. At first you think the fact that she has no face is the worst but, but then all these creepy details start coming into focus...

I'm sorry but all I kept thinking when I read this was:

Lockwood is such a slave to fashion it nearly actually gets him killed. Meanwhile Lucy probably cuts her hair over the sink with kitchen scissors so as to avoid getting ectoplasm on it. Truly they were always meant to fall for each other for our entertainment. A modern day Sophie and Howl.

I find Lucy's relationship with the ghost of Annie very interesting. In the show they made her resemble Norrie which is an understandable move to visually tie her to the main character's past and motivations. But in the book it's different. Lucy goes out of her way to point out this girl is nothing like her and in fact if they had met in real life they would probably not like each other very much (Lucy's very complicated relationship to Other Girls and how she perceives and carries herself around them is an essay for another day). But despite this Lucy feels an enormous amount of compassion for the victim and this effectively jump starts the story. I feel like this is very important, especially in a book for younger audiences. There is no such thing as a perfect victim, but your compassion and your sense of justice must extend to even, or perhaps especially, those whom you might not especially like.

Lucy describes Lockwood's smile count: 3

[tropicallamour]

took me three years to realize how much the iron trio really is a family; they’re lockwood’s family brought back to life.

we know he sees jessica in lucy, in her bravery, in her stubbornness, in her “strong will” as he puts it.

but lockwood also sees his parents in george, in his intellect, in his fascination with the problem, in his wisdom far greater than his years, in his steadfastness.

the two greatest friends he ever had, echoing the loving family taken away from him too soon.

[undignifiedaquarium]

loving you out loud

for @locklyle-week day 1: firsts

a/n: First “I love you.” Here’s a little something I wrote because as much as I crave reading desparate confessions drawn out in the middle of dangerous situations, they also deserve something softer. Set in the future. I am v new to this fandom and writing these characters so please, be kind.

They’ve never been much for words. Or at least he hasn’t, not in the way that matters, Lockwood thinks as he peers over the top of his magazine at Lucy curled up on the other end of the couch. She’s got her nose buried in a book, completely oblivious to him. Her eyebrows are adorably scrunched together and her eyes feverishly tear across the pages in front of her.

It’s been years since she walked into his life and it still always feels like there are so many things he hasn’t told her, or doesn’t say enough. They are much more practiced at revealing things through unspoken communication. So much can be said through a glance across the kitchen table in the morning, smiles exchanged over tea, or touches and gifts and rescues that they have done a million times over by now. Sometimes it feels like they don’t ever need to articulate what’s left unsaid because they both know the score. But still, Lockwood thinks to himself, she deserves more than that.

It’s not like Lucy has ever been one to mince words. She’s called him out on his own bullshit time and time again, challenging him and reminding him that there are people who care about whether or not he makes it home alive. Her honesty was one of the first things that impressed him in that fated interview. She says what she thinks, and doesn’t back down. Truth be told it has saved them all in so many ways since then, even if it may drive him and George mad from time to time.

Looking at her now, Lockwood is once again captivated by her. In her pajamas, curled up with a quilt nestled around her and a steaming cup of tea in her hand she looks so comfortable, so relaxed. She looks radiant. It makes his heart pang with adoration. He wants to capture this moment and keep reliving it for the rest of time.

Because for every moment like this that they get, there are three more where his heart is hammering in his chest with worry or panic that something bad is going to happen to the beautiful, brave, incredible girl cozied up across from him. Too many of their firsts have happened in or been born from those moments when their lives are on the line and he aches a bit to give them both some softer memories.

Lucy chuckles lightly to herself at the other end of the couch, clearly having read something of note in that book of hers. She then takes a massive bite of the biscuit in her hand and finally looks up, meeting his eyes.

“What?” Lucy asks, “I got crumbs on my jumper or something?”

Lockwood laughs, “No, nothing like that. I just…I love you, that’s all.”

“Oh is that all?” She sits up and puts her book down next to her, a grin splitting across her face but also a hint of exasperation in her voice.

He feels himself blushing slightly, and looks down at his hands before glancing back up at her.

“Yes, well I know that sometimes I’m not the best at…articulating what I’m feeling. But I wanted to get it on the record and all that.”

“Lockwood I — “ she starts, scooting close and reaching out to take his hands in hers.

But he’s already on a roll. “I just realized I had never actually said it out loud and, well, we’ve put off a lot of other things until we’re in the thick of it and I wanted to make sure I told you now and not when we’re, you know, fighting for our lives. Point being, I don’t want that to be one more thing I’ve left unsaid.”

He’s really started rambling now, because her eyes have gone wide with something bordering on disbelief. Lucy is giving him a look that tells him she had absolutely no idea he’s been head over heels for her for…shit he doesn’t even know how long. Long enough that loving her feels as natural as breathing.

“Oh come off it Luce, you know I’ve been in love with you for a damn long time now.”

Her response comes out as a half laugh, half shout, and she smacks him with a throw pillow, “I did not, you idiot!”

Lockwood suddenly turns deadly serious, desperately needing her to understand how much he means this. How he is truly deeply, irrevocably in love. “Lucy, you make me feel seen and cared for in a way that for a long time, I didn’t think would ever be possible again. Even when everything is hard and frankly terrifying, I am still so glad you stormed into my life. I love you.”

At this, Lucy moves one hand to his face, rubbing her thumb softly along his cheekbone and looking at him with such longing and tenderness that he feels like he might just fall in love with her all over again. Lockwood slowly closes the distance between the two of them and kisses her like he’s drowning and she’s a breath of fresh air.

“I love you too, you know.” She breaks away and looks up at him with a soft and teasing smile, “to put it on the record and all that.”

[penultimatestalematewithdeath]

Made a mistype in my wip that has me CACKLING on re-read:

“I’m sorry, Lockwood, I wish I had been less useless tonight.”  

“It’s fine, Luce, really.  You’re just useless."

[uku-lelevillain]

i keep seeing posts saying that in the fourth book lockwood catches george and flo making out but apparently i wasn’t paying attention ?? like it doesn’t surprise me at this point but i don’t understand how i could have missed something like that ? at which page/chapter does it happen please

[eggy-the-boy]

My books came!!!!! I now have the whole Lockwood and co series baby!!!

[sisterdragonwithfeathers]

so I just finished The Empty Grave and

AAAAAAAAAAAAAAAAAAAAAAAAAA

(overwhelmingly positive, I have so many thoughts, I may have to learn how to draw clothing just for this series, I am going to own it one day)

anyway what should I read next?

no rhyme or reason I don't need something similar if nobody says anything I might start on Dune for the heck of it

[wexhappyxfew]

you don’t know pain until you’ve finished reading the last book in one of your favorite childhood series and are in a copious amount of tears and unbridled nostalgia

[anthonylockwoods]

Love that Lucy's first impression of Lockwood is that he has a nice smile.

[mermaidsirennikita]

I feel like my life would be exponentially better if Joanna Shupe’s Fifth Avenue Rebels became a (very explicit) tv series

In part because it is just one of my all time favorite book series in general and would be great television, but in part because the buildup to people realizing that throughout the entire first three love stories Lockwood and Nellie have been driving each other to the brink of insanity in the background…. Would be exquisite

[indelen]

It’s tragic backstory hours so I’m fortifying myself with a chocolate loaf!

This is my reread of the Lockwood and Co. Books, organized by @blue-boxes-magic-and-tea, I'll make a general summary of several chapters and then post bits and pieces that jumped out at me.

Part II, Chapters 5-6:

I think it’s significant that Lucy comes from the north of England specifically. Northern England got the bad end of the stick multiple times in English history. The area was razed to the ground and starved viciously during the conquest of William the Conqueror. It was raided by Vikings. It suffered during England’s wars with Scotland. It’s a part of UK that saw a lot of violence and poverty. It has a lot of industries like mining, smelting, etc. and that means coal and factory towns and all the economic issues that come from them. A lot of hard, low wage jobs that are the first to go when the economy downturns or society changes. North of England was the worst hit my Margaret Thatcher’s policies and by austerity measures during the mid-2000s economic crisis. Knowing all that and from what Lucy tells us of living in Cheviot Hills we can guess that while life for people and especially kids sucks in London, it sucks a lot worse outside out it. North England post war had a lot of mines and factories with multiple shifts and late work hours. When The Problem kicked off and the curfew was enacted probably only the very wealthy owners could afford to make changes that would keep their factories running and there were probably massive layoffs. So the financial burden was shifted onto children and there are no competing agencies who try to poach the best kids here, just washouts like Jacobs who run The One Agency that’s your only option. If you’re born in that one town with Talent you’re stuck going to that one washout guy. And you don’t see the point in moving because the next town probably just has some other washout guy.

In the context of all this Lucy running away was an act of extraordinary risk, and yet you get it, because continuing working for Jacobs was both her only option and unbearable. She tried giving evidence against him at the trial and he was the only person who could complete her certification. This negligent alcoholic had untold amount of power over her and the law was on his side.

Odds and Ends:

The way Lucy consistently tries to be detached from this part of her life is so heartbreaking. She knew these kids from age of 8 to age of 13. She tries to separate herself from the horror of it all but the damage is so very much there.

Lucy simply wasn’t educated and apparently many children in this universe are not. Children’s brains until the age of about 8 can only focus on learning things one at a time. It’s why some kids pick up skills earlier or later than others. Something has to come first and the order of how the rest stacks up is different for every child. The ability to learn in parallel develops later and this is where proper education of multiple subjects really starts. In North America this is about Grade 3 level. That doesn’t mean the time before this is wasted, since that’s when you learn the basics of reading, writing and math but also things like social play, following instructions of authority figures, measuring time, adhering to a schedule and the general flow of whatever school system you have. But, in this universe this is all they teach agents! they teach just enough to make them obedient and no more. They learn to follow orders, read to do what they’re told, complete basic tasks, but nothing else. This is a world the people who do the most dangerous job are given no analytical or critical thinking education and if you display any independently, you’re told to shut up and die for your country like a good little soldier.

The most "this was definitely written by Anthony Lockwood"-ass ad imaginable. Spare a thought for poor Lucy alone and low on funds in a new metropolitan city trying to find a photo atelier for a portrait to staple to an application.

Lucy is often mean, but let the record state George fucking started it with her. Sir, she made an appointment and sent an application and presumably a photo. You know she's not Arif's girl. You're just crashing from a lack of snackies and are cranky.

Remember kids, always good to ask what happened to the guy you're replacing in any given interview!

Hang this dialogue in the Louvre, i don't care how

Now girl that's no way to talk about your future husband. But also, what I kind of love about this is that Lockwood is obviously conflicted here because her realizes Lucy quite literally too good to be true. She's obviously the most Talented person to ever apply for any position with them. And yet if she's really that powerful why hasn't another bigger agency scooped per up? He senses that there is some flaw, some lie beyond the fact that she doesn't have a reference. He extends her an offer and gives her a chance because she seems like a good fit and it's too good an opportunity to pass up, but he's not foolish or naive about this either. It's why for all his flaws he is a good agency leader.

RIP beloved "biscuit rule" slain in battle with a US publishing editor whose hands grow out their ass and who thinks brittle North American teenage brains will crack at the mere mention of certain British terms and idioms.

Lucy describes Lockwood's smile count: 5

[jj-5656]

I’ve Got My Love To Keep Me Warm With; Anthony Lockwood

A/N: HEYYYYY. Well if it isn't another six-month hiatus...I fear I've done this too many times to keep apologizing. There are some long-overdue requests in my inbox, and for that I truly am sorry. With college, work, family, I'm not sure how you guys keep up with finding the time or motivation to write. Nonetheless, I just recently re-watched this amazing show, and I'm yet again horrified Netflix canceled it. I put a holiday spin on this and I hope you all like it!

CW: Characters are aged up. I wouldn't be comfortable w/ this if they were played by minors but that's not the case. Let's also pretend ppl don't typically lose their gift til their mid-20s

You're getting ready on the floor of 35 Portland Row's master bedroom. Makeup is littered all around you as you add the finishing touches. The smell of cookies flows from the kitchen all throughout your home, ones you'll decorate later upon Lucy's request. Christmas music sounds from the record player in the living room, crackling every now and again with its age.

Lockwood's leant up against the door frame, moving silently to the worn armchair across you. You can feel his eyes on you, quietly admiring, yet still brooding from a recent look at the newspaper. Kipps and his team were beaming brightly across the front page, having just solved yet another notary case on behalf of Fittes.

"I've told you not to read the papers on our day off, haven't I?" He's pulled out of his trance then, adjusting his slouched shoulders as though he's been caught.

"A bunch of posh showoffs, think their ridiculous uniforms and bureaucratic nonsense makes them superior. I swear-"

"Anthony."

"Yes, darling?" It's through clenched teeth, blinking hard to regain his composure. You brush on your mascara, still chastising when you face the mirror once more.

"It's our day off, isn't it?"

"Because we have yet to find another case-" He stops himself under your look of warning through the glass, fiddling with his rings and straightening. "I suppose it is our day off, yes."

"We don't have much of those, do we?" You approach him, then. Voice soft and sweet, unknowingly easing his tense stature with each syllable. He only hums, forehead pressing into your stomach as you run gentle fingers through his hair, careful not to disrupt the intricately combed strands. "We need this. You need this. So let's make it a good one, yeah?"

"Tell that to George. Why must we do the holiday card today?"

"We're all available, Scrooge. And if I'm not mistaken, this was your idea. Something along the lines of 'it's good for business, people are seeking a company with a personable image, clients need people to relate to-" You only stop your mimicking when he pinches at your side. The overly-posh, deep reenactment enough to bring a reluctant smirk to Anthony's lips.

"I do not sound like that." He tugs at your hips so you'll sit on the arm of the chair he's rested in, keeping an arm wrapped over your stomach and knees to settle you against him.

"Bunch of bureaucratic-" Your own yelp ceases your teasing, the arm that's snaked around you tugging hard enough to have you fall into his lap and victim to his incessant poking at your stomach and sides. Your squirming is no use, both of your laughter echoing throughout the room as you hopelessly swat at his hands.

He stops his torture eventually, avoiding an oncoming lecture on how he's ruined your neatly done hair with his tickling. You're breathless under him, stretching out over him to glance at the other mirror just above the dresser. Even with the reflection upside down, you're able to tell you'll have to redo multiple curls. He's grabbing at you before you can scold him, hand under your head to pull your faces just inches apart.

"Stop it. You look lovely." He's pulling out the charm, of course. Voice low and hoarse, the tone that he knows damn well well sets your skin on fire. He's smug then, knowing smirk playing over his dark features as his eyes dart to your lips and then to yours.

"Looked lovely." You correct, breathless all over again. His eyes narrow, incredulous.

"Can I prove it to you?" He moves only slightly closer, swallowing thickly as his thumb traces your bottom lip. You almost let him, nearly succumbing to his enchantments. Only when his lips are nearly on yours do you turn your head, keen on revenge for his sabotage.

"You've already toyed with my hair, I'll send George spiraling if I had to redo my makeup."

Lockwood, genuine betrayal littered across his face, can't even plead his case before your roommate takes his cue.

"Oi!" His shout rings from downstairs, tinged with impatience and growing irritation. "You two better be fully clothed and picture-perfect in five minutes. The camera's ready!"

Anthony can only bury his face in your neck, sore attitude overcoming him all over again.

****

"Wait!" Lucy exclaims just as the flash of the camera ensues, voice strained with exasperation. "I wasn't ready!" There's a collective groan from the lot of you, George shuffling past the redhead to reset the camera. You take the time to fix Lockwood's collar, dodging his swatting, grumpy hands.

"I assume ghost touch is a more amenable torture than this," he mutters pointedly.

"You wanted the bloody holiday card, Lockwood. And I'm the only one with enough creative vision to make the lot of you look remotely presentable." There's a collective sneer toward him, though he doesn't notice with all his tinkering with the outdated lense. Of course, George had insisted using film would make the photos hold a 'certain sense of novelty' that couldn't possibly be reproduced with less difficult equipment. "Take five, this might take a while." He waves you all off, adjusting his glasses and muttering a string of unintelligible curses as he works.

Lucy turns to you then, biting back a smile as Lockwood flushes under your doting hands, trying desperately to maintain his grouchy disposition. "Where's your chapstick, the strawberry one-"

"You always steal?" You cease grooming your boyfriend, to his relief, in order to tease her. Smiling when she only sticks out her tongue in mock disdain, already headed for the stairs and presumably your bedroom. "Right side of the bureau, just above Anthony's sock drawer." Your tone grows into a shout to accommodate her distance, grabbing onto Lockwood's wrist so he can't escape away to the study.

"Love you lots!" She calls from upstairs, most definitely making more of a mess of the bedroom in her search.

"Would you unhand me, dove? Pretty sure you're cutting circulation." He's got your attention again, face pulled with irritation. The bags under his eyes look particularly apparent this close, a dull ache in your heart at the sight. It's apparent the attitude is only due to all the stress he puts himself under. The pet name a clear sign the animosity is by no means directed at you. You smirk despite him, digging into your back pocket and ignoring his then curious expression.

Only when you get closer does he catch on. Socked feet clumsily stepping on his boot-covered ones to attempt to gain height, your arm reaches up above both your heads. Letting his eyes follow yours, Anthony can't help but let a dazzling smile spread across his features. Stubborn nature no match against the warmth and adoration overcoming him at the slightly crumpled branch above him.

"Is that-"

"Yep." You mutter, straining under the effort to reach above his head. His gaze is on your face then, arm snaking around the smalll of your back to keep you steady. "You're supposed to-"

"Oh, I know. But I'm having so much fun watching this." A small pout puckers your lip at his teasing, tone filled with the familiar mirth and smugness you hadn't known you missed so much with his solemn mood.

"Forget it then, Grinch." Your reaching arm falls to your side, attempting to push at his chest to force distance between you.

The camera flashes just as Anthony pulls you in for a kiss. Soft and sweet, each of you eventually smiling into it.

"I'm not developing that one." George frowns, adjusting the lens before shooting a pointed look to Lockwood, who loosens his hold only slightly on you. "You've got shade 205 right here, mate." The curly-haired boy draws an imaginary circle around the entirety of his mouth. Anthony scrubs his sleeve across his face at George's comments. Flushing as you laugh into his chest.

Taglist: @sunshineangel-reads

[penultimatestalematewithdeath]

Me: Ah yes, writing Lockwood & Co. fic!  Let’s include a little tidbit about a Specific Type of Ghost for the book fans!  Ah, I should explain it for the show fans too.  hmm.  Let’s check TEG glossary and scenes for info!

Me, a solid 30 minutes later of reading the La Belle Dame scenes: I FORGOT I WAS WRITING A FANFIC

[burningvelvet]

more rambling thoughts about wuthering heights now that i've finished my re-read

1 wuthering heights is basically the looney tunes if the looney tunes were goth. 90% of the novel is people arguing, dying, and running around threatening to kill each other, and often all three of those at once.

2 love how it's filled with dark humor. "he's such a cobweb, a pinch would annihilate him" is such a camp thing to say about the terminally ill child you abhor and who you spend weeks trying to set up on dates with your dead lover's child so you can steal her property when your son finally dies. heathcliff lecturing his son on Seduction 101 right in front of cathy 2.0, trying ridiculously to play cupid and compel them to fall in love with each other before giving up and just kidnapping her instead... surely he's the most insane brontë man?

3 i can't remember what i had for dinner last night but nelly dean can remember what the weather was like on any given friday twenty years ago (love her and her snarky comments)

4 love how after nelly finishes telling the story to lockwood she's like "any way. so you know cathy 2.0 is single right ;)))" and then cathy 2.0 shows zero interest in him. so then he's like "oh i just remembered i have somewhere to be :/" then fucks off to london for nearly a year then when he comes back nelly is like "nvm as it turns out cathy and hareton are actually soulmates lol who knew! gee, it's a good thing she didn't like you!" and he's just silently suffering. emily was just fucking around here. hindley was the only linton/earnshaw/heathcliff who was wild enough to marry someone who didn't share either his gene pool or his neighborhood.

5 i imagine joseph to look like smeagol from the lotr films but taller

6 [heathcliff, after stabbing his alcoholic arch nemesis and then pushing his servant into the puddle of the blood] "Wash that stuff away; and mind the sparks of your candle—it is more than half brandy!” LMAO

7 this opinion list is just turning out to be a list of the most insane heathcliff moments but truly the novel should've just been called "heathcliff"

8 heathcliff's weird paternal feelings for hareton, saving hareton's life, him saying he would truly love him if only he wasn't hindley's child, basically giving hareton his blessing to love cathy 2.0 toward the end... so oddly endearing

9 heathcliff walking out just before the "i am heathcliff" part of her speech. why WHY

10 hindley protecting isabella from heathcliff before she flees was nice and i wish we saw more of their dynamic around the heights. honestly aside from the child neglect (which is par for the course in wuthering heights) hindley is a pretty sympathetic character; his rivalry with heathcliff was fueled by both sides and truly the fault of their father for pitting them against each other by letting heathcliff usurp hindley's place of favoritism as a boy. hindley's gambling and drinking, his general dissipation and failure to secure his son's future, are all tragic.

11 i think hindley/edgar/heathcliff are all interesting foils for each other; they each lose the women they love and are left to be single fathers, and each responds to the task totally differently. if we include mr. earnshaw, all the fathers in the story essentially fail their children after all the mothers die. hindley and heathcliff have a special parallel through their lifelong brotherly competition, the women they love both dying in childbirth, and in their own deaths. hindley slowly kills himself while ignoring everyone around him; heathcliff also kills himself, but only after trying to systematically ruin the lives of everyone around him. they also say that they want to kill each other but fail when they try; heathcliff nearly kills hindley but ends up saving his life at the last minute.

12 heathcliff jr. is so terrified of heathcliff sr. and so traumatized and petrified by fear and he doesn't deserve the hate he gets for being annoying. he's been sheltered his whole life, his mother just died, he was sent to his uncle/cousin only to be immediately torn away from them to be abused by a stranger who treats him horribly, he's terminally ill, he's still a kid, he's threatened into marrying someone he barely knows, etc.

13 if any of you have seen the british comedy show "the young ones" that's literally hindley's household in wuthering heights when joseph/hareton/hindley/heathcliff/isabella all live together. the filth, the slop for dinner, the petty games, the violence, the fierce hatred yet weird loyalty to each other, etc.

14 i really wonder how cathy would have reacted to heathcliff's treatment of everyone else if only she had known the full details (ie his harsh abuse of isabella, his son, cathy 2.0, etc.)

15 heights was my first brontë novel but i think i like jane eyre and tenant better now that i've read them all back to back! next on the list is likely agnes gray. anne, my underrated queen!

[eggy-the-boy]

I have ordered the rest of the Loxkwopd and co books and they are hopefully coming tomorrow!!!! I'm going to be very normal about this (lie)

[aislinrayne]

[𝔐𝔞𝔰𝔱𝔢𝔯𝔩𝔦𝔰𝔱] [𝔖𝔢𝔯𝔦𝔢𝔰 𝔐𝔞𝔰𝔱𝔢𝔯𝔩𝔦𝔰𝔱]

𝔖𝔲𝔪𝔪𝔞𝔯𝔶: Anthony Lockwood makes it through a late and relaxed morning, a leisurely afternoon well suited to reminiscing, and the earliest part of a normal evening before his luck runs out.

ℜ𝔞𝔱𝔦𝔫𝔤: M

𝔚𝔞𝔯𝔫𝔦𝔫𝔤𝔰: They're idiots, your honour, unrequited pining (it's requited, they're just stupid), language, canon typical violence, only proof-read while sick

𝔄𝔲𝔱𝔥𝔬𝔯'𝔰 𝔑𝔬𝔱𝔢: I love me a good miscommunication trope, and coming up with ideas on how to make long-term mutual pining work is way too much fun, so finally figuring out both angles of what these two lovebird's dynamic was going to be was a major driving force behind this re-write hehehe I'm not sorry This chapter fought me every step of the way, and I had to split it into two parts so it wasn't outrageously long, but in the end I'm incredibly happy with the result! Chapter three will take place only a few minutes after the end of this.

Since this is where the 'slight au' part comes into play, I'm curious to see what you guys think of the world building in this one! Please feel free to leave any comments or questions if I was a bit vague on something, or if you just want to know more about this little headcanon universe of mine

𝔚𝔬𝔯𝔡 ℭ𝔬𝔲𝔫𝔱: 5.17k

⇠ 𝔓𝔯𝔢𝔳𝔦𝔬𝔲𝔰 𝔠𝔥𝔞𝔭𝔱𝔢𝔯

  The sun has only just begun its descent towards the horizon, but the chill on the wind already cuts to the bone.  In spite of the numerous layers of suit and coat, it bites into Anthony’s flesh.

 “Don’t do anything I wouldn’t do!” a woman calls out to him, loud enough to be heard over the chorus of cafe patrons hiding from the cold behind steaming cups of tea and coffee.

  “I think I’d be better off not doing anything you would do, Luce,” he shoots a wink at her over his shoulder, holding the door open with his elbow to shoot a two-fingered salute at the ginger woman beside her laughing unabashedly at their playful bickering.

  Lucy mutters a retort under her breath, a particularly colourful string of insults if the swat on the arm it earns from her girlfriend is anything to go by.  

  The door swings shut behind him, abruptly cutting off the sound of Norrie chastising her partner about ‘publicly decent language’ and leaving him with a pep in his step as he wanders towards Regent Street in the general direction of his favourite rapier shop.  

  Something about afternoon tea with his best friend and her girlfriend always leaves him feeling reminiscent, the water-colour splashes in soft shades of orange across the horizon only serve to heighten the feeling.  His short walk to Mullet and Sons allows him some time to indulge.

  A lot had changed in the six years since Lucy had joined himself and George at Lockwood & Co..  For one, they’d gained quite the reputation.  Fittes and Rotwell were still most people’s first choice, but now you’d be more likely to hear their little agency recommended than Bunchurch or Tendy’s.   He’ll admit, initially it seemed as though they were going to become infamous rather than renowned; between the disaster at Sheen Road, the disaster at Combe Carey, the disaster at–

  Well, you get the point.  It hadn’t looked promising.

  Their luck had begun to change with the case of the Bone Glass, then eventually Aickmere’s, but it hadn’t felt like nearly enough.   Those days had been filled with anxiety.   Worst of all was the fear of his Talent fading, the uncertainty of what his life would look like without the thing he’d based every choice he’d ever made on.  How was he supposed to survive in a world in which he couldn’t See?  He’d been terrified of running out of time to achieve his dreams, petrified he would fail his family by never achieving anything worthy of their name.  It was safe to say he hadn’t been in the best headspace.

  The fear almost overwhelmed him as time rushed on towards his eighteenth birthday, made all the more unignorable by his experience watching Quill Kipps lose his own Sight.  And while they’d found a solution for the retired Fittes agent in the form of Fairfax’s Ghost-Vision goggles, there was no replacement for the real thing.

  And then the daunting milestone had come and gone with no discernible difference.

  George was the next oldest.   Over the course of that year his Talent faded slowly, then all at once.  He hadn’t minded overmuch, the library had become preferable to being in the field somewhere around their fifth arson-related-incident.  In his defence, Mrs. Manfield flying across her lawn like a bat out of hell screaming about her antique doily collection being smoke-stained would have been enough to traumatise anyone.

  The following year had gone quite flawlessly, if he did say so himself.  With George as their dedicated researcher, and Lucy and Anthony’s competitive spirits driving them to never fall behind each other in skill, they were capable of taking on a significantly larger number of cases.  If they needed additional hands in the field for any particularly challenging jobs they’d enlist either George or Kipps with the aid of the goggles.

  But by her nineteenth birthday, Lucy actually seemed upset that her Talent refused to fade.  The boys had been confused by this at first, and while Lockwood had the sense to leave it alone, George had continued to question her.  They’d found out the full story of how she’d come to be an agent when she’d finally broken down.     She’d never chosen this life, and even though she loved her time with Lockwood & Co., she’d always been comforted by the notion that this life of fighting and fear had an expiration date.  In contrast to his own relief and excitement at the prospect of never losing his Talent, she felt nothing but trepidation.  George was watery eyed by the end of her confession, his lips pressed tightly into a thin line to prevent them trembling.   Anthony felt like he might be sick.   By the light of the numerous mismatched candles on Lucy’s lopsided birthday cake, they made a pact to pretend as though her Talent was fading, and phase her out of the agency within a year's time.

  A few short months later, the first headline popped up in a small gossip rag. It wasn’t even one of his top five.  Someone had taken notice of his remaining Sight at his advanced age, but hadn’t yet noticed their attempts to fake Lucy’s waning Listening.

  In the days after the first article's publication, the obnoxiously loud business phone began ringing more often.   Then, another article in a larger paper.  Followed by another, then several more.

  Anthony had to restrain George from ripping the phone’s cord out of the wall after one too many interrupted naps.  The researcher moved in with Flo not long after, but still kept his room mostly furnished for the evenings he worked far too late to make it to their flat safely.

  By the time their story had been told often enough for the media to lose interest, they had gone from having enough cases to keep them busy to too many to keep up with in what had to be some kind of record time.   In light of the extra attention they had considered hiring another agent, but their options were slim and the thought of bringing in a child to fight their battles was surprisingly difficult to stomach.  Anthony made a mental note to apologise to Barnes after that realisation, gaining some perspective on the man who’d tried so desperately to keep them away from the front lines.

  Time felt more like an undefeatable foe in the six months that followed than it had at any previous point in his life.  How was he supposed to keep taking on cases without anyone to watch his back in the field?  Would he end up alone in this bloody house yet again?   Despite the thoughts that haunted his darker moments, he knew he would let Lucy leave without any fuss.  Even in the last weeks of her employment he knew he could never be selfish enough to ask her to stay.   Though, had he known–

  A street sign reading ‘Half Moon Lane’ interrupts him from his stroll down memory lane, heralding the end of his journey.   The old building slumps under the weight of time.  Even the paint on the window is chipped, almost removing the ‘Sons’ in Mullet and Sons.   Although the storefront's outward appearance borders on decrepit, they have undeniably the highest quality rapier’s in London.  The hinges shriek as he pushes the door open, alerting the proprietor to the presence of a customer.

  “Ah, Mr. Lockwood!  A pleasure, as always.  How can I help you, my boy?” emerging from the back room, the white haired old man beams upon recognising him.  

  “Mr. Mullet, please, the pleasure is mine!  I believe one of my agents placed an order with you recently?  I’m here to pick up for her.”  

  After confirming her name and the details of the order, the old man teeters his way back into the room he’d just come from.  When he emerges again, he does so with empty hands and a deep frown upon his face.  

  “It appears one of my sons has caused a touch of a mixup and sent your employee’s rapier home with another agent.  I can place another order with our supplier, but I’m afraid it won’t arrive until the end of the month,” his tone is apologetic, but Anthony still has to fight the urge to groan in frustration.  

  “Mistakes happen, Mr. Mullet.  We’re only human after all,” thankfully, he’s had plenty of practice schooling his tone over the years, “that being said… we’ve made commitments for this evening.  I can’t very well ask one of my agents to walk into a haunted house unarmed.”

  “Of course, I understand completely.  Since you’ve been doing business with us for so long, I’m willing to offer a percentage off of any of our in stock models as a token of our apology.”  

  It’s a gracious offer, one Anthony is happy to accept.  He defers to the expertise of the older man, allowing him to lead them from option to option within the dimly lit store.  

  Trying to choose such an essential tool for her without her input is a surprisingly daunting task, and he finds himself quickly overwhelmed.   Searching for something to distract him until he can ground himself properly, he lets his eyes wander freely over the different kinds of metal glittering from mahogany shelves before they fix on a single standing display across the room.  Driven by curiosity, he approaches the case to inspect its contents.  What he finds nearly steals the breath from his lungs.    Laying on a scarlet velvet cushion is the most beautiful rapier he’s ever laid eyes on.  It has a fine silver blade, connected to an intricate swept hilt inlaid with gold leaves that wind around the counterguards and down the central ridge.  When his eyes travel to the pommel and find her birth stone caged within golden vines, he begins mental preparations to re-mortgage the house.   Thankfully, when Mr. Mullet wanders over to find him staring transfixed at the weapon, he gives him a knowing smile and cuts the younger man a deal he almost feels guilty accepting.  

  When he departs the shop, rapier tucked safely into a cloth wrap, the sun is dangerously close to the horizon.

  Uttering a quiet prayer to the powers-that-be, he scans the area for a payphone.  Luck is on his side today and he finds one rather quickly, tucked into a nook beside a cafe a few shops down.   As he makes a beeline for it with purpose, he comes aware of the hairs on the back of his neck standing slowly to attention.  At first it’s easy to brush it off as a result of the temperature, but the closer he gets to the booth the more the sensation builds.  It feels like someone’s watching him.   Stepping into the silver-glass encased rectangle, he lifts the phone from the receiver before pausing.  Thinking quickly, he puts on his best thoughtful expression, pretending to have forgotten the number he needs to call as an excuse to let his eyes wander his surroundings.  The droning of the phone waiting for input makes the entire situation feel even more unnerving.  

  Nothing glaringly obvious jumps out at him; no nefarious stalker in a trench coat peers at him from some dark alley, no one stares at him over the top of an upside-down newspaper.  All his eyes can find is folks hurrying into their vehicles before the threat of darkness grows, shop workers locking their doors and flicking off their lights.

  Scoffing at himself for allowing his paranoia to get the best of him, he dials a night cab.  Though he’s quite certain he’d imagined the threat, he still refrains from mentioning his destination out loud.  He hadn’t made it as far as he had by throwing all caution to the wind.  Just… most of it.  Before he can waste too much time chastising himself any further, he slams the phone back into place and turns with purpose to wait for his ride in the safety of the cafe.  

  Honestly, it’s a good thing he’s so dramatic.  If he hadn’t insisted on doing the most theatrical spin, complete with the billowing of his coat as he exited the box, he wouldn’t have startled the man watching him from behind the corner of a nearby bookstore.     The balding head disappears as the body it’s attached to ducks behind the brick wall.  Anthony has several options, but very few of them are good.  He quickly decides his best course of action is to pretend to be unaware of the man’s presence, electing to continue on to grab himself a tea whilst he plans his next move.

  Watching the brilliant orange and scarlet glow of sunset, Anthony finds himself observing the comings and goings of vehicles outside the shop window.  There’s an unusual amount of traffic for this time of day.  He’d expect to see a large number flocking to their homes, seeking safety from the threats that come with darkness.  But to see even two or three vehicles stop to park alongside the road this time of night was unusual.

  The arrival of his cab shakes him from that train of thought, jumping the tracks straight to figuring out how to make it to Mrs. Roland’s house in decent time without being followed.  He hadn’t seen another sign of the man since, but he’s not convinced the danger has actually passed.  With a huff, he draws himself out of the comfortable chair.   The cold air is no more forgiving now than it had been before.  Allowing the warmth of the night cab to envelop him, he instructs the driver to begin a complex route to their destination in the hopes of losing those tailing him.  

  The sky is pitch black by the time they arrive, but his efforts seem to have been successful.  While he’d thought for a moment one of the cars that started up as he’d exited the cafe might have been following them at first, there’s no sign now of anyone suspicious following behind.

  Stepping out of the cab onto the curb, he takes a deep breath and tries to sort his thoughts before he dares to step foot into the house.  Why, precisely, would somebody have him under observation?  For once in his life, he can’t think of anyone who would have reason to.     Pulling up the sleeve of his coat to check the watch on his wrist, he curses under his breath at the time.  There’s going to be a lot of grovelling in his very near future.  It’s nearly thirty minutes past six.  She’s going to kill him, and he can’t even fault her for it.

  He’s about to rush into the house when a set of headlights comes into view at the top of the street, nearly blinding him before cutting to blackness at the sight of his silhouette.  

  Bloody hell, that is the final straw.  He’d done quite a fine job feigning ignorance until this point, but he has to draw the line at this level of obviously shady behaviour.  If they’re this incompetent he can get to the bottom of the matter without the need for secrecy or strategy.    He straightens to his full height, setting his jaw and turning to walk with confidence towards the sleek black car now parked roughly a hundred feet ahead of him.

  The sound of glass shattering fills the quiet night air before he can make it more than halfway, stopping him dead in his tracks as he listens for any further sign of danger.  Usually, the thought of his associate in any form of peril is more than enough to send him spiralling into an – admittedly unnecessary – protective frenzy.  However, considering all elements of the present situation, he finds himself torn.  Their interview with Mrs. Roland prior to the acceptance of the case had left them both confident the Visitor is a Type One, which she’s more than capable of handling herself, and if he doesn’t chase this lead down now–  

  An unholy shriek echoes down the street, sending chills down his spine.

  Sketchy stalker-mobile be damned.

  He turns on a dime, long legs carrying him across the lawn as if chasing his own shadow as the headlights behind him reignite and light his path.  The golden beams veer away, the car pulling a sharp u-turn to flee the scene.  If he wasn’t so worried, he’d probably be frustrated.   He almost can’t stop fast enough to prevent himself from running face-first into the door when the handle refuses to turn.  Swearing loudly, he jiggles it again to ensure it isn’t just stiff before he risks causing property damage.  The screaming is making it hard to think, but he can’t quite put his finger on what about it is making him feel so unnerved.  When it finally hits him, property damage is the least of his concerns.  Barely audible beneath the unnaturally shrill sound, her scream is hoarse and pained.

  He takes a full stride back, rocking his weight back on his left leg and lifting his right.  His foot hits its mark directly beside the lock, the full weight of his panic-aided-strength sending it flying open.  He can’t help but wince at the crunch of drywall, likely from the knob on the far side embedding itself in the wall, but he doesn’t waste any further time on it before striding into the house.   Dead ahead, an electric lantern sitting on the kitchen counter bounces light off of the shining tiles covering the majority of the space.  To his left is a small dining room with only a mid-sized table, four chairs, and a plethora of obnoxiously colourful paintings on the walls.  Deciding having both hands free will be more conducive to survival, he dumps the cloth bag containing her new rapier on the table and rushes towards the commotion.

  Between his relief at seeing her unharmed and the sheer comedic value of the expression on her face as she slides around the corner with arms flailing, he almost bursts into hysterical laughter.  Thankfully, his self preservation instinct is strong enough to encourage him to duck behind the wall while he gets himself under control.   Under normal circumstances he would let her exit the house rather than practically jumping out at her, but he can’t be sure there isn’t someone still waiting outside.  And as a small bonus, if she’s already mentally signing his death certificate, he can’t make it any worse by making an entrance.  He feels a grin spread across his features despite a valiant effort not to enjoy this too much.

  “Sorry it took me so long, darling.  Traffic was atrocious,” he has to bend to wrap an arm around her middle, but that doesn’t stop him.   Instead of lashing out or screaming again, she catches him off guard by completely relaxing into his hold.  A spark of protectiveness flares beneath his breast as the back of her head falls to rest on his collarbone and she lets out a shaking breath.  In stark contrast to her usually unflappable nature, she trembles like a leaf.  There’s no way a simple Type One put her in this state.

  It takes all of his willpower to peel his arm from her waist, to offer her the only shield he can by tucking her safely behind him.  He takes a deep breath in through his nose, exhaling slowly through pursed lips and drawing his rapier.  It’s not enough to eliminate the intoxicating effect of her proximity, but it dampens it enough he can think clearer.

    “Anthony John Lockwood, you fucking asshole!  The sun set half an hour ago!” the rage in her tone fills him with relief, not even the impact of the flat of her hands against his back can take away from it.  He’d obviously prefer if she were calm, but he’ll take anger over despair any day.

  “Any idea what kind of Visitor we’re dealing with?  Or what the Source could be?” he breezes past her outburst, not having to look over his shoulder to know if looks could kill he’d be dead on his feet.  

  He knew this routine like the back of his hand.  She’d be angry at first, call him every name in the book, and then they’d move past it and get the job done.

 Except there’s no scoff, no retort, no rapid fire insults, no reply of any kind.  The silence is deafening.  Taking back every scathing remark he’s ever made about Orpheus’ lack of restraint, he caves to the impulse and glances over his shoulder.   He’d been right about the look, at least.  The incredulous fury painted across her face might have been comical in another place, on another day.  But there, just beneath the surface, was something he hadn’t expected to find; betrayal.

  Shit.  He’s really fucked up this time.

  “Y’know what?  Figure it out yourself,” the venom dripping from her tone feels like knives in his chest, “you would have had to if you’d been a minute later anyways.”   Time comes shuddering to a halt.  His pulse is deafening as it thunders in his ears.  If he’d put her life in legitimate danger – regardless of the circumstances – he’d never forgive himself.

  “What do you mean?  What happened?” he manages to choke around the lump in his throat that feels suspiciously like his heart, turning to face her fully and reassure himself by searching every visible inch of her for any sign of injury.  The urge to reach out and touch her, to feel her body beneath his hands and know for sure she isn’t being stubborn enough to hide some kind of fatal wound from him, is so strong his fingers burn.

  After a few incidents involving him turning into a lovesick moron at the slightest touch from her early on in her employment, she’d gone to great lengths to avoid any form of contact with him.  He’d come to terms with this, resigning himself to the idea of a life spent admiring her from arms length.  So while she hadn’t seemed too opposed to having him in her personal space tonight, he had no intentions of pushing any farther and making her uncomfortable.

  That was the plan, at least.  But when screaming pierces the air once more, the colour drains from her face, and he watches her cave in on herself in an attempt to hide; he feels like this counts as extenuating circumstances.     He takes a single large step forward, arms reaching towards her in unison.  Her hands are over her ears, head tucked into her chest, elbows tight to her ribs.  He allows his upper body to curl at the edges and cage her against him, hugging her head to his chest to muffle the noise.

  Then, it stops.  It’s hard to decide if the ghostly howling or ensuing silence is louder.  

  “You okay?” he murmurs the question, reluctantly releasing her to rest his hands on her shoulders and leaning down to try to catch her gaze in the low light.   There’s merely inches between their faces when her unfocused eyes finally lock with his own.  It’s hard to breathe without acknowledging they’re breathing the same air, but he files that thought away for later.  He concentrates instead on tracing every one of her features with his gaze, every tensed muscle and line that may offer him some insight into her condition.   She squeezes her eyes shut, blinking like she’s just woken up.  When she finally focuses on him, her pupils blow wide as dinner plates.  Her lips part, her small gasp the only disturbance in the air as he involuntarily holds his breath.  

  A sharp stab of heartbreak courses through him as she steps back abruptly, raising her palms in surrender.  His poor heart stops dead for the umpteenth time today when he spots the dark spot on her hand.  She tries to drop her arms, to move to put more distance between them, but his sense of urgency outweighs his better judgement as he grasps her tightly by the wrist.  The chill of her skin beneath his does nothing to assuage his concerns as he pulls her across the kitchen to the light, ignorant to her protests through the haze of his anxiety.   Their proximity to the light confirms his fear, and the crimson red of fresh blood staining her skin has his stomach rebelling against him.  As soon as he drops her wrist she pulls it away and clutches it to her body, glaring daggers at him.    He makes a mental note to beg for her forgiveness later, reaching for her face and watching shades of red begin to decorate her flesh as she reaches new levels of infuriation.  Her skin is sinfully soft beneath the fingers that turn her towards the light and brush against her cheek, tucking the hair behind her ear to give him a better view.     A cold blanket of righteous fury settles over him at the sight of the narrow crimson river running sluggishly down her neck, using his thumb to swipe it away.  Murderous thoughts fill his head at the sight of the stain left in its wake, doubling in intensity at her expression when he shows her the smear of red highlighted by its contrast against his pale skin.

  “Now will you tell me about it?” any attempt at a playful tone is harshly undercut by the tremor of rage in his voice, but she still laughs with less nerves than he’d expected.  

  She studies him closely, but he stares right back, too focused on making the bloody thing pay for hurting her to be self-conscious under her scrutinous gaze.  After a short minute of this, understanding blossoms across her face.  

  “Through the living room, down the hallway - mind the runner, it’s slippery - the primary haunting is in the bedroom.  Husband’s name was Harold Roland.  There’s a painting on the left wall, initialed ‘H.R.’, psychic imprint like I’ve never seen.  Twenty quid says that’s the Source,”  she pauses, lost in thought with her eyes fixed on the ground, “Oh!  And it’s probably obvious by now, but it’s definitely a Screaming Spirit.”

  He can feel the corners of his lips quirking up as she drops the stubborn attitude.

  ‘Good girl,’ he wants to say.

  “Your rapier is on the table,” he says instead, turning his back on her under the guise of watching the direction they’d heard the screaming from.  In reality, he’d just needed an excuse to hide his blush and re-centre himself.

  He’s so busy shaking the offending thoughts from his head and cursing himself out for allowing his mind to wander into unsafe territory that he’s completely blindsided by the burst of other-light lighting up the living room like a flash bang.  He’s still blinking the blind spots from his eyes when rapid movement in his peripherals alerts him to the potential danger.  The ringing of iron fills the air as he draws his rapier, muscle memory taking over despite his still spotty vision as he slices clean through the centre of the spectre mere inches from his face.

  Behind him, the sound of her drawing her own blade drains anxiety he wasn’t aware he’d been feeling.  As she takes her place beside him he admits to himself that nothing in this world feels more natural than having her at his side, trusting him to keep the Visitor at bay whilst he trusts her to strategize.

  Despite being the newest member of their agency, Anthony trusts her instincts more than even his own most of the time.   He’d figured out not long after she’d joined that she had a particular balance of empathy and intelligence - and a sixth sense he couldn’t really explain - that made her an asset in the field.  Of course he’d never been dense enough to phrase it like that to her face, not after sticking his foot in his mouth with Luce all those years ago.

  Her posture shifts almost imperceptibly, but it’s enough to tell him she’s finished piecing together a plan.  All he can do now is hope she’s feeling generous enough to let him in on it.

  The crisp clean sound of her new rapier sliding into its sheath suggests he might be out of luck.  He’s considering whether or not it’s worth asking her directly when his brain sputters, then stalls.   She steps back far enough he has no warning of her proximity until she presses herself completely against him, the surface area of her chest displacing against the back of his ribs in a way that leaves him feeling a little dizzy.  As much as he really, really enjoys her hands dancing along his sides and hips, he can’t help but question her truly terrible timing as he fights to keep his blade in the air to ward off their ‘friend’.

  “Follow my lead,” she says.  It takes a while to filter through the dial-up connection that is his mind at that moment.  He regains his composure just as she hurls the salt-bomb over his shoulder, realisation dawning on him in a flash similar to that of the silver fulminate as it collides with the ghost before him.  So that’s what she’d been up to.

  She’s off like a bullet the second the apparition dissipates, shooting past him and into the other  room.  In a rather impressive manoeuvre, she tucks and rolls to land on her side parallel to a horrifically sunny loveseat before shoving her arm beneath it as though searching for something.  Of all of the things he could possibly expect for her to retrieve, a silver-net was not one of them.  He adds that to the list of questions he has for her once they get this situation under control.

  She’s back on her face and hurdling across the house like a bat out of hell when Mr. Roland decides to make another appearance in the form of a pair of ghostly arms emerging from the white walls.  A stone drops in his gut when he realises there’s no way he can reach her before the grasping arms of the apparition wrap around her shoulders.

“DUCK!” he hollers, an iron taste filling his mouth.  She immediately dives for the floor and–

  He loses sight of her past the walls of the hallway.

  The pounding of his heart drowns out the noises that follow, his legs carrying him across the house on autopilot.  The cold air stings every inch of exposed skin as he closes the distance to the active haunting, but it’s not nearly as cold as the blood in his veins when he spots the telltale sparkle of silver on the rug outside the bedroom.     He ducks to grab the net and sweeps through the doorway just in time to watch her body fly across the room.

  Even the brutal screaming had paled in comparison to the sound of her head hitting the bed frame. 

𝔑𝔢𝔵𝔱 𝔠𝔥𝔞𝔭𝔱𝔢𝔯 ⇢

taglist (if your name is in bold, it wouldn't let me tag you!): @tessas4 @chloejaniceeee @shakespearseclipse @ettadear @kassandra1000 @stardust611 @ell0ra-br3kk3r

𝔉𝔬𝔯 𝔱𝔞𝔤𝔩𝔦𝔰𝔱 𝔪𝔞𝔫𝔞𝔤𝔢𝔪𝔢𝔫𝔱, 𝔱𝔞𝔭 [𝔥𝔢𝔯𝔢]