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pomefioredove · 3 months ago

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Can I pretty please have The housewardens (Plus Ruggie and Rook) with a kawaii metal singer? Like soft feminine voice and cutesy outfits and then on stage is just death screaming and gets embarrassed because apparently "Guys find it embarrassing when fem people metal scream."

interesting... I'll see what I can do!

*ੈ✩‧₊˚ kawaii metal singer

type of post: headcanons characters: riddle, leona, ruggie, azul, kalim, vil, rook, idia, malleus additional info: romantic or platonic, reader is gender neutral but implied feminine in the way they dress, reader is not specified to be yuu

imagine having a conversation about music with Riddle

he's pleasantly surprised!

he thought he had nothing in common with you

but you're a musician!

to him, mastering an instrument is akin to mastering a subject or acing an exam

and he'll talk your ear off about his favorite composers and concertos

of course, he's curious about what you play

so, you show him a song

and he's...

...well...

it's... music, he supposes

it takes the same skill to play (perhaps even more?) so he's still impressed. just... surprised!

*ੈ✩‧₊˚

Leona's reaction? yawn

a musician is just like a theater kid with a weapon

based on the way you dress, he can already guess

piano? pop? wannabe indie?

undoubtedly something upbeat and fast

that he has no interest in

it's not until he starts hearing the whispers that he gives it a second thought

funny enough, it's the other boy's dislike that draws him in

and, oh, was he wrong

the first time Leona hears you screaming, he's smitten

you've got some voice on you, that's for sure

*ੈ✩‧₊˚

Ruggie already associates femininity with strength

(whether you're girl or not, mind you)

so, he's not really taken aback or 'nothin

you show him a clip of one of your performances, and his reaction is more like:

"Cool. Nice chords. What's for dinner?"

he knows that not everyone is gonna see it that way

but to him, it's nothing to write home about

...unless he thinks you're gonna be a good provider for him

then he might tell his grandma he's bringing you home for break

"How much do you singers make, anyway?"

*ੈ✩‧₊˚

now, Azul was captivated from the start

when Jade came back to him with intel on you, he wasn't expecting you to be a singer

how intriguing...

Azul is a musical person himself, so, of course he was curious

but it's not until he tries to strike a deal with you that he realizes he was very, very wrong

your voice in exchange for anything you desire...

...and you start laughing at him

"my voice? do you know what I sing?"

Azul is a little taken aback by your reaction

now, what's so funny?

eventually, you share a little of your work, and he...

...well, he's impressed, that's for sure

it takes a lot of vocal training to be able to do that

but unless Floyd takes up a new hobby, he has no use for a metal singer's voice

so, for now, he'll simply admire your talent from afar

*ੈ✩‧₊˚

People tend to see Kalim as this witless little flower who can't be exposed to anything "scary"

and, sure, he can be naive at times

but it actually takes a lot to freak him out

he's also been hanging out with Lilia Vanrouge for two years, so, you know

he'd just be impressed, if anything

"Wow, that's so cool! I wish I could do that, but my voice can't go that high, and Jamil doesn't want me to hurt my throat..."

I mean, really impressed

he'll beg you to show him all of your songs

and he might try to get you to one of his club meetings, too

*ੈ✩‧₊˚

Vil is more like,

"Well, I hope you're taking adequate care of your throat. You'll overexert yourself if not,"

...so, no

he's not even phased by it

Vil is a performer himself, after all

he's more concerned with your physical and mental wellbeing than you being "embarrassing"

the next day, he'll show up at your door with an armful

this is for your throat, this will keep your skin from drying out under the lights, this foundation is designed for stage...

he's always been generous, after all

and he certainly won't accept no for an answer

*ੈ✩‧₊˚

similarly, Rook doesn't think anything of it

he's simply taken by you

...your devotion, your energy, your heart!

sometimes he, too, feels like screaming for his passions!

you can expect him to be your number one fan

and be at each of your performances, whether small or big, on stage or just in your room

(whether you know he's there or not)

he always seems to know just what to get you, though. tea with honey? salt water for your throat?

he's thought of it before you even have to ask

*ੈ✩‧₊˚

Idia is fangirling over it before he even meets you

listen, in his defense-

one of his favorite animes is about a kawaii metal singer!

and he was already familiar with the genre, anyway

so... no, it's not weird to him

if anything, he feels weird for never being able to talk to you about it

it's basically like talking to one of his idols IRL

whether you're a well-known performer or just make videos online is irrelevant to him

you'll be receiving a lot of anonymous donations from someone named gloomurai

*ੈ✩‧₊˚

when Lilia makes an offhand comment about your music, Malleus is intrigued

you'd never mentioned being a musician, after all

the next time you see each other, he asks

but, much to his confusion, you seem... embarrassed?

he quickly explains he only heard it from Lilia, and didn't mean to offend you, and-

ah...

that's why you're embarrassed?

you think he won't like you because others have said it's unbecoming?

humans are so strange, he thinks

it's only music, after all. it'd take much more to make him dislike you

besides, this is Lilia's foster son we're talking about. he's been exposed to every genre at least once

#twisted wonderland x reader #twst x reader #queued #riddle rosehearts x reader #leona kingscholar x reader #ruggie bucchi x reader #azul ashengrotto x reader #kalim al asim x reader #vil schoenheit x reader #rook hunt x reader #idia shroud x reader #malleus draconia x reader

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irisbleufic · 5 months ago

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REVIEW

Gatsby: An American Myth (Welch, Chavkin, Bartlett, Majok, & Tayeh; American Repertory Theater)

Something that most adaptations of Gatsby get wrong, whether film or stage, is the treatment of characters as archetypes rather than individuals. Symbolism drowns out most genuine attempts at capturing emotional connections and conflicts of personality. They forget that this story is not only a failure of the so-called American Dream; first and foremost, it’s a tragedy of failed roles and relationships. Almost every one of the players is attempting to be someone they are not, and even as they reach for what they believe they should want, they reveal with increasing fervor what they actually want. This is the heart of what makes Welch’s new adaptation so devastatingly, disarmingly unique, so true to its source.

The set design is literal wreckage. Crushed and warped automobile chassis scaffold the moving staircases, and concealed trap doors. The backdrop shows no clear incorporation of the infamous Eckleburg billboard; rather, it is made up of a dotted grid resembling headlights. These play out effects ranging from a downpour to camera flashes to, briefly and only once, a pair of eyes that make no effort to hide behind the owlish frames of glasses. The only thing infusing this jagged framework with meaning is the people who move through it.

The lighting design works with the set’s incongruences, deepening or excavating shadows as needed. The brightness, when it flares, is blinding. Jewel tones either enhance or diminish a costuming scheme that is composed of either very pale or very dark shades, no in between. And whether it’s the post-apocalyptic black and gray cabaret garb of the ensemble or the wealthy protagonists’ pale suits or the gunmetal and gray denizens of the wasteland, everyone’s trouser and skirt hems are conspicuously rimed with reddish dust. The visual effects are nearly impossible to describe without sounding like I had some kind of desperate fever dream.

So far, I realize that these descriptions of the set and lighting design sound like this production is about to fall into the trap of overplaying symbolism, but please bear with me. With all of that established, I can focus on what’s truly extraordinary here, what’s meant to and does shine unhindered. The acting, musicianship and vocals are all so precise that it was hard for me to believe this show is still in previews. It feels Broadway ready, West End ready, major international tours ready. If I was the production crew, I’d turn this loose on a massive scale from the get-go without a second thought.

Much like with Hadestown, the musicians are not down in an orchestra pit. They’re characters in their own right, present on the stage from start to finish on tiered risers that run up from the center on each side from one of the catwalks. I’m sure Chavkin’s involvement as director has everything to do with why this show feels so much like, moves so much like Hadestown. The company is on an equally small scale, about 23 - 25 people including the principals.

Costuming among the ensemble is delightfully gender agnostic. I mention a cabaret aesthetic earlier in this review, and I’m not kidding. If you had shown me the ensemble costume designs without showing me the principals’ designs, I would have assumed I was looking at a Cabaret revival. They’re the most talented dancers I’ve seen occupy one stage in more than a decade. The choreography relies on movements in eerie unison for a significant portion of the show, but not without allowance for individual flair within those constraints. The guy sitting next to me, when I spoke to him at the intermission, said he works as a choreographer in regional theater, and he’d never seen anything like this. I couldn’t agree more; the dancing is singular, and as impressive as the musicianship is, the dancing and unusual body movement are maybe the greatest achievements of this show on the living, breathing end of things. I could have watched the dancers for those three hours without any dialogue or vocal intervention and still understood the story. That takes so much fucking doing.

As for the principal cast, they’re constantly among the ensemble; when I say these are all triple threats in the purest sense of that terminology, I really mean it. You always expect a few of the principals to be less dance and movement focused, more polished on the acting and singing side, but this show gives you terrifying proficiency from every angle. Even the guy playing Meyer Wolfsheim is at the center of what I think is the most memorable dance number in the piece. I’ve just never seen such versatile principals all in one production. What’s even more extraordinary is that I had never heard of or previously seen any of them, and that takes some doing given how much live theater I’ve consumed in several decades of life.

Ironically, the musical composition is the one aspect of this production on which I’ll be spending the least time. I need not tell you why Welch and Bartlett were perfect for this job. They understood the assignment, and then some. There’s not a single weak number among the track listings, and I desperately hope they release a recording soon. The standout numbers all have something in common: they showcase Soleia Pfeiffer as Myrtle Wilson. You can tell that’s the role where Welch sank most of the sound that’s considered her signature style. I don’t even need to describe it; you already know what I’m talking about. What’s impressive otherwise is the restraint, the lack of over-reliance on that signature style.

The principals are fucking perfect. I’ve kept this review tautly professional without meaning to thus far, but from here on out is where I start bleeding feels all over the post. If you don’t already know who my blorbos are due to my writing history with a Gatsby-related novel (The Pursued and the Pursuing, 2021), you’re going to know by the time you’re done reading this. You’re going to know exactly who I love and why, who I hate and why, who I ship and why. But you’ll also know that I approach all three of those elements from a place of enjoying every moment of those characters, even the ones I hate. Nobody’s performance put me off or struck the wrong tone when taken in context of the novel and how the tragedy of how their relationships play out.

For a long time, I’ve been saying that there are certain support roles, certain sidekicks, that make or break the higher-profile person to whose side they’re stuck, ride or die, until the bitter end. Horatio is a great example that I’ve ranted about before; if your Hamlet production has a lackluster Horatio, then it doesn’t matter how good the Hamlet is. You have nothing if you don’t have the binary star system at the heart of that harrowing universe. I’ve seen other adaptations of Gatsby consistently fall apart because Nick Carraway is treated like the kind of voyeur who doesn’t matter, the kind of voyeur who serves as the audience’s eyes and ears, and nothing else. Anyway, this is all to say: Ben Levi Ross as Nick might be the most compelling argument I can make for the fact that the creative team behind this show understood the assignment. He’s awkward, warm, sincere, and reactive in all of the ways you need Nick to be. He’s not a passive observer; he’s in the middle of everything, and he knows it. There’s a self-deprecating response he makes when one character, Jordan if I’m not mistaken, quips that maybe he’s the reason for Gatsby’s parties for all he knows. “Maybe I am,” he says, and the tongue-in-cheekness belies a gutting meta-sincerity. We believe Daisy is the point, Gatsby believes Daisy is the point, but what’s borne out every breathtaking moment of this production is that Nick is the point. He always was. He’s also given his due as a gay man in context of the story for the first time ever. I might make some folks mad when I say Nick has always been gay; I’m going to point you to Myrtle’s apartment party and the hookup with Mr. McKee as textual evidence in the novel. The kiss with McKee, the hookup with McKee, is unapologetically here. His lack of belonging everywhere else he’s ever been, because he is gay, is unapologetically here. One of the most memorable numbers in the show hinges on the hope feels at being able to be himself in New York. Queer fans of Gatsby have been waiting a long time for this. Anyone who’s read the text closely and understood him has been waiting a long time for this. I’ve been waiting several decades as a reader, and I would’ve waited forever to have Nick so fully, lovingly realized.

One of the other things that Gatsby adaptations have persistently gotten wrong is the titular character himself. The invention of Jay Gatsby hides the underlying James Gatz, makes it feel as if that old self is truly subsumed, as if it never mattered. But Isaac Powell gives us a Jay who’s exactly as he should be, who can’t hide beneath his own attempt at artifice and reinvention worth a goddamn. He’s young (as young as Nick; they’re 32 and 30 respectively both in the novel and here), painfully earnest, and just barely keeping a handle on the criminal shit he’s had to do in order to get where he is. When he says old sport to Nick, it’s not an affectation; when he says it to Tom, it becomes a biting insult. This is a Jay who knows where and why he’s vulnerable; he latches onto Nick like a not because he sees a man close to Daisy that he can exploit, but because he sees another young man who’s equally vulnerable, equally an outsider, equally haunted by the things they had to do in the war. From the moment they meet, they are almost always touching—a hand on the shoulder, on the back, getting in social harm’s way for each other, eyes seeking each other without cease in the most crowded of settings. When Jay takes Nick to lunch to meet Wolfsheim (who has in this production taken on the function of Dan Cody as well), it’s not to have somebody else vouch for the artifice of who Jay Gatsby is. It’s taking Nick to meet his fucking father-figure, and all of the messy, sincere “if you hurt my boy, I’ll kill you” sentiment that Wolfsheim aims at Nick was the moment I knew just how much the Nick’s loss by the end was going to hurt. Jay’s love for Daisy is a ghost of itself, even if as painfully earnest as everything else about him. Meanwhile, his attachment to Nick is so disarmingly genuine from the start that you understand the true tragedy you’re about to watch untold: these men who need each other, maybe even were made for each other, each prove unable to step outside their parallel distractions from what they truly are to each other. Jay’s interactions with Daisy and Nick’s interactions with several male and/or gender ambiguous members of the ensemble have something in common, which is a shocking level of physicality. This show had an intimacy coordinator; that’s the level of no holds barred we’re talking about. When you look at Tom and Myrtle, you can see why that was merited, too.

Speaking of Tom (Cory Jeacoma), the treatment of him here is every bit as scary as it should be. There’s no attempt to make him palatable, unlike what I’ve seen done with him in other adaptations. He towers over everyone else in the cast, I mean everyone, to a physical degree that’s uncomfortable. The way his wife, lover, and friends all flinch when he gets too close to them speaks volumes to the fact that he’s an abuser in every sense of the term. Even Nick, the prodigal college friend from Yale, is on eggshells around him (which, by the hotel blowup at the end of the show, becomes a sneering, reckless contempt, one of the driving forces that drives Nick to put himself between Jay and Tom whenever real harm is on the table). At the same time, this is a Tom who sincerely loves his wife and was only ever using Myrtle as a fling. You can tell he never meant any of the promises he made Myrtle. When Daisy tells him she didn’t stop the car on purpose, it’s as if his wife’s unapologetic act of manslaughter (“It was her or me!”) is the thing that wins him back. They aren’t careless people; they are people who consciously choose, day in and day out, to use others until they’re bored or done with them. The ruthlessness of Tom and Daisy as a couple is impressive, played up to a level that I feel more adaptations should do without fear of exaggerating the text.

As mentioned above, Daisy (Charlotte MacInnes) is no delicate, nervous creature who can’t help her actions under duress. She knows what she’s doing every bit as much as Tom knows what he’s doing. They use people, hurt people because they get bored and restless and enjoy it. I respect a Daisy who’s in control of her actions every step of the way even if I don’t like her; it’s better than trying to depict her as weak and at the mercy of the men around her. She’s a pragmatist and a survivor. So many of her songs are about choices and being conscious of those choices. She is a person you should fear every bit as much as you fear her husband, and even Jordan knows she’s not safe in Daisy’s orbit.

As Jordan, Eleri Ward is one of the neatest personalities on stage. Like Tom, she’s noticeably taller than most, which gives her a commanding physical presence. She has no romantic interest in anyone; I fucking love that this production show her and Nick bonding on the basis of being queer and tired of everyone else’s shit. This is a more likable, relatable Jordan than I’ve seen in the past. This is a Jordan whose relationship to Gatsby is much more familiar and warm, much more akin to the friendship she forms with Nick. In fact, the queer-and-tired vibes that roll off several of the principals in this production are palpable.

Myrtle and Wilson (Matthew Amira) aren’t always played as effective foils for Daisy and Tom, but here? They unquestionably are. They do actually love each other in spite of the things they’ve done to hurt each other, and it’s a constant dance of daring each other, challenging each other. The most memorable duet in the entire show is between them, during Act II. The confrontation is positively electric. These are two people with deep, complicated history. Of all the couples in the show, they feel the most real, the most alive. It makes the loss of Myrtle so much more wrenching; she’s not just a plot device emblematic of the bad choices they’ve all been making. She’s not shallow or frivolous or anything like that. She’s a shrewd woman with complex motivations, and for the first time ever I find myself loving her and caring what happens to her. She’s thrust even further into the action in that one of her part time gigs is working as a maid at Gatsby’s parties, a conceit that works shockingly well and hastens the devastating consequences of her affair with Tom.

I’ve made mention of Meyer Wolfsheim’s (Adam Grupper) uniquely enhanced role previously, so I’d be remiss if I didn’t comment on him again. This is a man who does, in fact, seem to give a shit about Jay above and beyond using him as a tool in his criminal empire. It’s not necessarily a healthy father-son dynamic, but Wolfsheim is usually played as ruthless, opportunistic, inhumanly calculating. Here, he’s a charming, but unquestionably dangerous man moved by a young soldier’s plight. He seems conflicted between his love for Jay and his need to have Jay continue to hold the party line within their business relationship. Wolfsheim is deeply conflicted about Jay in a way that I haven’t seen any Wolfsheim be played previously. And, as I mentioned earlier, the actor has a showstopper of a song and dance number. That may be the #1 “I wasn’t expecting that, but I’ll take it!” moment for me in this show. And I say “may be” only because the moment that truly stopped my heart, will stay with me until everything else fades from memory, is perhaps only understandable in the context of my engagement with the text of Gatsby as a writer of transformative works.

Daisy’s and Tom’s daughter, Pam Buchanan doesn’t always appear in adaptations because she’s a toddler. Even in the novel, she a throwaway mention plus a single scene near the end where the nanny brings her out to meet Jay and Nick. She’s most often left as a throwaway mention without even grave of the scene where she appears. The scene in the novel, however brief, is memorable—and has been captured in all its fragile beauty for the first time in this adaptation. Jay and Nick both pay bewildered, wondering attention to this kid when she’s brought out. Jay drops to his knees and takes her hand when she greets him while Nick looks on in a moment of singular focus on both of them. The child who plays Pam here has a spark, an expressiveness that made me choke up even though she’s only on stage for a few minutes, if that. The tableau is one in which you can feel the shock of reality, however brief, touch on these men—Daisy’s and Tom’s reckless actions may yet do harm to someone who’s barely even begun to live her life, but who is just conscious enough to be a participant in it. They recognize that they, like this child, are probably in for a word of ruin—and that they have let it go on for so long that there’s now nothing they can do about it. For me, the deepest tragedy was watching Nick and Jay throw off that moment of heartbroken, horrified recognition prompted by Pam and return to the parts they’d decided to play out until the moment one of their hearts stopped.

Speaking of grief, of Nick’s grief since he’s the one who loses so much: there is only one person who loses more, and that’s Mr. Gatz, Jay’s father. They preserve his arrival at the house when Nick is the only person who stays around to carry out Jay’s funeral and burial. And when he arrives, the visceral shock of seeing his dark skin, braids, and beaded elements of Native regalia in juxtaposition with his otherwise period-typical Western garb underscore the tragedy of what young Jay was running away from, of what he never quite succeeded in erasing from himself. The burial scene shows Nick reverently bringing several of Jay’s folded shirts from the house and handing them down into the grave to Mr. Gatz, who places them reverently as possessions to accompany his son into thereafter. The cultural ramifications are all at once understated and devastating. Nick has moments with each of Jay’s father figures that are among the most complex and moving in the show. The program does not make clear the name of the ensemble member who takes on this most memorable of all Mr. Gatz appearances, and this erasure in and of itself is both unfortunate and telling. This is a world that never belonged to the majority of those who inhabit it, and Nick realizes it with heartbroken clarity after having this final interaction. Even though he’s an outsider, he’s part of a world that has erased and betrayed the man he loved so much at every turn.

The closing number, “We Beat On,” felt like it needed something more, but it utilized the final line of the novel to a deeply moving effect. The lights go down suddenly as the last word is sung; it feels like the song is half finished. When the lights came up, Nick and Jay were center stage in each other’s embrace, just withdrawing from each other as the entire company transitioned into final bows. That’s how I’ll remember them, always: touching even when they’ve already lost each other, borne ceaselessly back into each other’s arms. If Nick is Orpheus, then I have no doubt that he, too, will tell this story again and again until someday, somewhere, something gives.

#the great gatsby #gatsby musical #florence welch #gatsby #natsby

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dreamescapeswriting · 8 months ago

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Melodic Rivalry ~ KNJ

WORD COUNT: 3.5K

GENRE: Enemies to lovers, implied sexual interaction, surprise pregnancy, hiding pregnancy trope, angst, soft ending [Didn't include smut as it's an anon and I don't know your age, so it's implied that they have sex xx]

PAIRING: Namjoon x Fem!Reader

⤜Copyright: © DreamEscapesWriting - March 2024

⤜MASTERLIST

You stared down at the magazine with a disgusted look on your face, a photo of you and Namjoon on the cover with giant smiles on your faces as you sat together but the shot wasn't real. The two of you could never sit still long enough for a photo to be taken so the magazine had to photoshop the two of you together to fit the story that they had written and published.

All about how you and Namjoon were the perfect team, both of you had undeniable talent and worked well together in the studio. Namjoon was a musician with the knack of composing soul-stringing melodies, his talent knew no bounds and his music had the oer to move even the most stoic of souls. You were a producer with an unparalleled ear for sound, with the ability to transform raw talent into polished masterpieces and despite working well together in the music industry that was where everything stopped.

The two of you were like oil and water - constantly at odds with each other. Your egos clashed, your opinions collided, and your tempers flared at the slightest provocation. Working together was fraught with tension, each session devolving into a battle of wills and creative differences but each time the music came out brilliantly.

As you got to the studio door you pushed it open and found it dimly lit, the only light coming from a soft glow of a mixing console. Namjoon sat at his piano, his fingers dancing across the keys getting lost in whatever he was composing so you stood at the soundboard, your arms folded across your chest as you stared at him. He was supposed to be working on something more upbeat, not another love ballad he was no doubt writing.

"Oh, how touching. Another one of your generic love ballads, I presume?" You asked sarcastically, ignoring the glare that Namjoon shot your way, his jaw tight as he stared down at the keys.

"If you have something to say, Yn, say it. Otherwise, keep your critiques to yourself." He said through gritted teeth.

"Typical. Can't handle a little criticism, can you?" You rolled your eyes at him.

"Criticism? All you do is tear down everything I create! You have no respect for my talent!"

"Respect? Please. You're the one who waltzes in here with your inflated ego and expects everyone to bow down to you."

The tension in the room was thick with unresolved animosity but you stared at one another, your eyes twitching.

"For someone who claims to hate my music so much, you spend a lot of time listening to it." You stared at him, shaking your head and scoffing a little. Of course, you listened to it, you had to because it was your job.

"That's because it's my job, you arrogant prick!" You cried out, your anger way past your boiling point now but Namjoon just stood up and took a step closer to you, his gaze burning with intensity.

"Is that the only reason?" He asked softly, your breath caught in your throat, your resolve weakening with each passing moment.

"Of course not." You whispered, your voice barely coming out. Your eyes locked, a silent understanding passing between you. And in that moment, the world fell away, leaving only the two of you in the quiet sanctuary of the studio.

Without a word, Namjoon closed the distance between you, his hand reaching out to gently cup your cheek. And then, in a rush of pent-up emotion, your lips met in a searing kiss—a collision of desire and frustration that sent shockwaves through you both.

For a moment, you were lost in each other, your bickering and resentment fading into the background as you surrendered to the undeniable chemistry that had always lingered between you.

But as quickly as it had begun, the moment passed, leaving you breathless and uncertain. You stepped away from him, your fingertips gently touching your lips as you stared at him.

"We shouldn't have done that." Your voice trembled a little as you looked up at Namjoon, his eyes were blazing.

"Why not? We both know there's something between us." He stares down at you.

"This... this is madness. We can't stand each other." You whimpered, shaking your head at him, Namjoon stepped closer to you though, his voice dropping as he stared down at you,

"Maybe that's because we're so alike. Two stubborn souls fighting against the inevitable." You determined to hate him, to push him away from you crumbled, your walls tumbling down in the face of Namjoon's unwavering honesty.

"We can't even stand to look at one another." You mumbled at him, it was true. The two of you could barely go ten minutes without a fight breaking out. The kiss had been a one-off, the passion and sparks you'd felt were nothing more than a static shock or something.

"Stop fighting it, are you scared?" He smirked at you and you hated him for it. You wanted to wipe that smug look off his face,

"No," You scoffed at him, rolling your eyes as you tried to ignore the way your heart was thumping for him, the way your palms were sweating.

"Everyone knows we should be together, we should just embrace it," Namjoon smirked, your eyes meeting as you bit down on your lip. You had your reservations, the two of you bickered like an old married couple and you weren't sure it was healthy.

"Stop overthinking it," He whined before your lips met once more, the tentative kiss turning quickly into a fiery passion neither of you could deny. Your arms wrapped around the back of his neck as finally that pent-up tension and longer erupted into a raw and unbridled kiss.

"I've wanted to do that for so long." Namjoon rushed out, his voice husky as you worked on unbuttoning the shirt he was wearing,

"Me too." You breathed out, kissing him deeply as he carefully took you over to the sofa, both of your clothes being strewn around the room as the kiss between you heated up once again.

Ever since that night in the studio with Namjoon, you did everything within your power to avoid him, you started working from home, switching to another group to work with not being able to face him but today had been inevitable, you had to go into work because of a meeting with Hannah, your manager and also one of your best friends.

The two of you had shared one night of unbelievable passion but when you woke up the next morning he was gone, his clothes were gone and there was a note on his desk asking you to lock up when you were dressed. Since there you'd not even received a text asking how you were, or even a call and you hated him more for it.

I've wanted this for so long.

Had been such bullshit, something he was saying just so that he could get laid, anger bubbled inside of you until you snapped the pencil you were holding.

"You okay? You look unwell," Hannah said as she gently rubbed your back, you were feeling a little under the weather but you put it down to the fact that you were going to have to face Namjoon sometime soon.

"Just a little queasy, that's all." You said with a forced smile, trying to brush it off but Hannah narrowed her eyes at you and exchanged a look with John, one of your other work friends.

"You've been feeling off for a while now, maybe take some holiday days." He suggested with a furrowed brow. It wasn't like you to get sick which was a little concerning for all of them.

"Yeah, maybe you're right." You muttered weakly, slowly standing up from the desk as your stomach churned with anxiety and a sinking feeling settling in the pit of your stomach.

"Yn?" Hannah called out but you sat back down in the chair, your bin between your legs as you threw up the contents of your stomach again.

"Here, drink this," John said as he slid you over a glass of water, Hannah was running to her desk and rummaging through it all.

"Hans? What are you looking for?" You mumbled, wiping your mouth with a tissue and staring at her as she walked back over to you.

She was the only person other than you and Namjoon that knew what happened in that studio 6 weeks ago and John frowned at the blue box.

"Take it," She told you plainly, John sent her a puzzled look with confusion written across his face.

"I...I can't...It'll make it all real," You'd had your suspicions that it was true but you figured if you ignored it long enough and denied it then it couldn't be real.

"Take it, we'll be here for you, no matter what," Hannah told you as John nodded, helping you stand up as they all walked you toward the women's toilets.

Those three minutes you were supposed to wait for the test felt like three hours, each second ticking by tortuously slowly as you, John and Hannah stared around the small office waiting for it to tell you the truth.

"Time," John said as his watch began to beep, your hand linked with Hannah's and you stared down at the pink stick, tears brimming inside of your eyes.

"I'm pregnant." Your voice trembled and instantly you were engulfed in a hug from your two favourite people.

"Work from home until we figure something out," Hannah told you, running her hands over your cheeks and wiping away the tears.

It had been almost five months since discovering you were pregnant and you'd done everything you could to hide it from Namjoon. If he had done everything to get you to leave him alone after your night together then you weren't going to tell him about the kid but the weight of hiding it was crushing you.

You paced around your office, a mix of fear and uncertainty raging inside of you as you waited for John to hurry back with the next stack of assignments you needed to work through.

"Everything is there, I'm sorry I promise next time I'll bring them to you. I'm just swamped." John said as he gave you a bag, you nodded quickly kissing his cheek and making a dart out of the door. You needed to get out of the building before anyone could spot you and the news got back to Namjoon.

Lost in your thoughts as you walked through the halls, you nearly collided with someone as you rounded a corner. You slowly looked up and whimpered finding Jungkook standing there,

"Hey! Sorry! Are you alright?" He frowned staring at you,

"You look like you've seen a ghost." He laughed nervously but you just shook your head at him,

"I'm fine, just a bit...distracted." You said with a forced smile but Jungkook's browns knotted together as he slowly looked down at you, his eyes lingering on your swollen belly/

"Is everything okay? You look like you're about to pop.." He laughed softly and your heart raced, panic bubbling up inside of you as you struggled to come up with an explanation. Jungkook had seen you those seven months back coming out of Namjoon's studio with a freshly "fucked" look on your face.

"Yeah, everything's good. Just...tired, that's all." You said hesitantly, smiling weakly as he stared down at you.

"It's his...right?" He waited for you to say something but you didn't even want to admit it to yourself, admitting it to Namjoon's bandmember was going to be damn near impossible,

"Jungkook." You pleaded, shaking your head at him as if asking him to stop all of this.

"Yn, is it his?" You stared at him, your stomach churning with anxiety as you tried to think of something to say but your mind was racing at a million words a second.

"Please, Jungkook, you can't tell Namjoon. He can't know about the baby." Jungkook's eyes widened in surprise as he stared at you. Everyone knew how badly Namjoon wanted to be a father and hiding something like this from him would no doubt kill him.

"Why didn't you tell him? He has a right to know." He didn't mean for it to come out as harsh as it did, he knew you were pregnant and in a delicate place right now but Namjoon deserved to know he was going to have a kid.

"He lost that right when he made it clear that night meant nothing to him like he claimed it did." You grumbled, pulling your coat over to cover your bump to make sure no one else was likely to see you.

"Yn," Jungkook said slowly but you held your hand up,

"Don't make excuses for him Jungkook. He fucking used me." Your voice trembled as tears welled up in your eyes, the weight of everything finally causing you to crack.

"You can't hide this from him forever. He has a right to know."

"Just let me figure things out first." You mumbled, begging him as he stared down at you.

"Fine." He stared at you as you nodded, slowly walking away from him as you felt an impending doom hanging over you, threatening to shatter everything you'd built to protect yourself.

After you left Jungkook stood outside of Namjoon's studio, his heart heavy with the weight of the truth he was about to reveal. As much as he wanted to keep your secret he didn't want to do that to his friend and he knew there was more to the story than Namjoon ignoring you after a night together.

"Joonie, we need to talk." He said as he walked into the studio, Namjoon frowned at him but nodded for the youngest member to sit down.

"What's up?" He asked him slowly as Jungkook's throat tightened, his head muddled trying to find the right way to say it.

"It's about Yn." Namjoon's hand on his pen tightened,

"What about her?" He asked, animosity laced in his voice as he thought about you.

"She wanted to come crawling back to us? I don't want her working with us anymore." He grumbled out, Jungkook eyed him up as he stared at him wondering what had gone so terribly wrong between the two of you.

"She's not welcome here anymore."

"Why?" There was going to be no more dancing around the topic and not mentioning your name as if you were Voldemort.

"She knows what she did wrong." He hissed making Jungkook frown. It seemed the two of you believed the other was in the wrong.

"What did she do, Hyung?"

"She slept with me when she had a boyfriend waiting for her at home." Jungkook knew you were single, you'd devoted every single second of your life to music.

"Boyfriend? Noona doesn't have a boyfriend."

"So who was John? He was texting her all night, asking where she was and when she was going to go back to him because he was waiting for her back home." None of that made sense,

"John is one of her co-workers, he works with TXT," Jungkook told him before realisation began to register with Namjoon who the man had been.

"So...W...What did you want to talk to me about?" Jungkook sighed a little.

"She's pregnant, Namjoon. Seven months along." Namjoon's world came to a crashing halt as he stared at him, his mind reeling in disbelief and confusion.

"How?" He asked shocked, Jungkook hesitated, his gaze filled with sympathy as he watched everything hit Namjoon.

"You know how." He said softly but Namjoon just stared at the floor. The truth hits him like a ton of bricks, everything falls into place. Your sudden avoidance, working from home and refusing to be their producer anymore. It was all making sense now.

"She's carrying my child," He whispered as Jungkook sighed a little.

"She asked me not to tell you but you needed to know," Namjoon nodded at him, barely acknowledging him as he slowly got up and made his way out of the studio.

Before he knew what was happening Namjoon was outside your place and knocking on the door. He knew it was going to be hard to talk to you about all of this since so much time had passed but it was time to face the truth.

"We have to talk." Namjoon said as soon as you opened the door to him, your chest aching with seeing him standing there. You knew Jungkook wouldn't have been able to keep his mouth shut so you'd been preparing for him.

"What about?" You stared at him as he took in a deep breath,

"About the baby," His eyes were filled with something you'd never seen from him before, he looked so vulnerable.

"What about the baby?" You asked, stepping to the side and letting him into your apartment.

"I want to be a part of their life, Yn. I want to be there for them, to watch them grow up, to be their father." Your breath caught in your throat at his words,

"Why? You practically kicked me out the night after we had sex so why all of a sudden do you care?"

"I thought you had a boyfriend! Okay? I saw a text from John and I thought-"

"That I was whoring myself out to everyone so you just decided to give me the cold shoulder?" You snapped angrily at him, you couldn't believe he would do something like this.

"You're the one hiding my child from me!" He grumbled at you and you sighed, rubbing the bridge of your nose.

"This is why we can't do it together. We fight all the time, we just scream at each other." You mumbled, sitting down on the sofa and feeling completely defeated.

"Yn."

"Can you look at me and tell me that when this baby comes it'll work out between us?" You didn't want to keep his kid from him but you also were scared of everything that was coming,

"No."

"So-"

"But I love you, okay? Fuck, I've loved you for so long and I just never show it right." You stared at him in complete shock.

"I love you and I love our baby. I may not have been ready to admit it before, but now...now I can't imagine life without you."

"But-" You barely had a chance to object before Namjoon continued.

"The last seven months without getting to see you have been torture. I miss the jabs you used to say, I miss seeing you...Please."

"We've both made mistakes, Yn. But that doesn't mean we can't try and make things right. For the sake of our child, and for the sake of our love." Tears built inside of your eyes as you struggled to process everything.

"I want to believe you, I do...but...But I'm scared. Scared of getting hurt, scared of losing you again." You finally admit, your tears free falling as you finally let yourself admit you loved him back, that you were hopelessly in love with him.

"I won't let that happen, Yn, I promise you. Just give me a chance to prove it to you and show you how much you mean to me."

"I love you too," You whispered to him, your heart racing as he smiled down at you.

"We can try." You told him as he hugged you close to him,

"Tell me everything I've missed? D-Do you have photos?" You nodded at him, slowly taking him through to your bedroom to get the album you'd already started making of your ultrasounds.

A soft glow filled the cosy living room as you and Namjoon sat together on the couch, your laughter mingling with the sound of your son's joyful giggles. It had been a year since that fateful night when Namjoon had shown up on your doorstep, and in that time, your lives had changed in ways you could have never imagined.

Your son toddled around the room with boundless energy, his chubby cheeks flushed with excitement as he chased after his favourite toy. Namjoon watched him with a smile, his heart swelling with pride at the sight of his little boy.

"Look at him go, babe. He's getting so big." He said with a giant grin on his face, you smiled as you stared at him, your eyes shining with love as she reached out to ruffle his hair.

"He's growing up so fast. I can't believe he's already a year old." You whined, you hated that it was going too quickly. You wanted him to stay young forever.

"I'm so grateful for you, Yn. For him. For everything." Namjoon said as he kissed your head softly. Your heart swelled with emotion at his words, your eyes shining with unshed tears as you reached out to take his hand in yours.

"And I'm grateful for you, Namjoon. For giving us a second chance, for never giving up on us." Your voice shook a little and he kissed you softly.

In that moment, as you sat together in the warmth of your shared love, you knew that they had found something truly special—a love that had weathered the storms of doubt and uncertainty, emerging stronger and more resilient than ever before.

@chiisaiblog@sw33tnight@kaitieskidmore97@laylasbunbunny@tinyoonsblog@whitefoxgirl@katnisspeetaprim@acciocriativity@choisoorin@heyjiminnie@btsiguess-kpop@halesandy@gothic4under4lord@soulphoenix1618@aerastus@jin-from-the-block@lenfilms@elizaschuyler18@piratequeen-impact @Namgiswifey@delulu18@xyahrinx@katsukis1wife@anthropologymajorkpopmultistan@blairscott@4-chan-inpadella@swga-ficrecs@niktwazny303@armystay89@myyouthdonut@xakx@kittymaryam-thebrowniefairy@kpopmenace143@loveforred@b1nn1e-1s-cut3@elissasimp @royallyjjk @parkjennykim @piercedddriver

#bts #bts x reader #bts imagine #bts imagines #namjoon #namjoon x reader #namjoon imagine #namjoon imagines #kim namjoon #kim namjoon imagine #kim namjoon imagines #kim namjoon x reader

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childrenofcain-if · 5 days ago

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I'm hooked onto D's route and it's amazing how you're putting a band storyline inside another storyline. I can't wait to see where it goes cause my MC is gonna have her hands full trying to juggle both being a part of a secret society and a band on top of being a full-time student 😭

My question is if we'll be able to have any creative control over the music? I'm guessing D does most of the writing but I imagine my MC to also be a songwriter. They're already sharing vocals with her, I wonder if they'd be willing to write songs together or have some of her songs featured in the album.

I'm also curious about the rest of the band, what do they think about having two vocalists and do they have any creative control over the band's music? I'm salty Julian isn't an love interest, my Italian heart immediately recognised a kindred soul and it doesn't help that he looks like Jeff Buckley lol

none of the band members aside from D, except maybe mavis at times, are very keen on writing songs. they’re strictly musicians who are great at a variety of instruments but songwriting is where they draw the line. D is the brains of the band, and the reason why their lyrical aspect is as good as the instrumental parts.

in similar way to how the rest of the band members have little to no interest in writing the songs, D has little to no interest in the production part of it. they gladly let everyone figure out how the instrumentals are supposed to go and how they must be layered alongside the vocals. their discography has a fair amount of songs where there are no vocals to simply let the talent shine.

eli is the main producer and arranges everything together to form the final product. they’re their keyboardist, sure, but they’re also an amazing composure who turned down going to the royal college of music in london because yale was giving them a full ride scholarship as an international student and they didn’t have the funds to attend the former.

MC can join the creative process alongside eli and help composing and producing the final product. they can also have their written materials be featured in the band’s discography cause they’re all happy enough to have another good songwriter in the group.

D won’t have a thrilled reaction to having to share the vocalist spot in the future but you can change their mind with the upcoming auditions 👀 they’re very much not immune to someone who clearly has the talent to back everything up 🤷🏻

i’m glad you loved julian omg, he is an absolute sweetheart and he is very much based on jeff buckley because my mum loved the guy’s music growing up 🤭

#i love writing characters who aren’t unnecessarily mean to the protagonist #it’s to soften y’all up since a lot of rude asf characters are about to start appearing lmao #if: the ballad of the young gods #interactive fiction #interactive novel #interactive story #twine wip #ro: d diaconu

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justrainandcoffee · 12 days ago

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“Good Morning” (Tom Hardy x fem!oc)

Part 1 of the series: “Only for tonight”

Summary: It's 2012 when Hannah received a call from an important executive to work with them. She's a great musician only until that moment she didn't have the chance to really show her natural talent. The BBC offered her the opportunity to finally do it and at the same time the opportunity to meet him. || Three years later, everything is very different. Two different realities linked by the same phrase: “good morning.”

Warnings: None. Although there's some angst towards the end. || This is pure fiction. All names are made up except his. Even in future chapters all filmography named here was invented. || The story is divided in past (2012) and present (2015)

Words: 2.7 k. || Remember that English isn't my first language. Please, consider leave a comment or reblog considering this is the first time i post this and still don't know what I'm doing 👉👈🥺.

Three years ago.

Hannah Murphy was born in London a morning in middle of May. His father was architect, her mother owner of a several beauty centres and her eldest brother was a neurosurgeon now working in Boston, United States.

Big things were expected from Hannah. Maybe being a doctor like Eric, her brother, or having a PhD in Economics like one if her cousins because first and foremost, the Murphys were successful people. Her grandfather, Mr. Andrew Murphy, was the one who designed the building for one of the most important corporations that existed nowadays in England. So, considering that everyone had their eyes on her, even as kid. But Hannah W. Murphy wasn't born with numbers and theories in her veins, she was born with music.

"You're wasting your life," her mother said when she was 10 and her father accepted to take her to a conservatory of music to learn to play piano. "Look at Eric, he's reading books that are for advanced students! And you're nothing compared to him, Hannah. Music! What kind of shit is that?"

But Hannah knew, even when she was 10, that music it was going to be her life. And she was right.

"Your daughter has a gift," one of her teachers said not longer after she started to study there.

But Greta Murphy, her mother, insisted on study something that could give her a name in the future and her brother thought the same as her. The only one who supported her was her father, Andrew Murphy jr, who was also the only one who went to her first solo in a theatre when she was 15.

Hannah was 16 when one of her plays, composed by herself, was part of a local play. Small, but it gave her some money and the hopes that her dreams could be possible.

Yet, when she finishes school, to stop hearing her mother for once, she decided to study engineering. During those years, she didn't stop writing music but she just kept it to herself.

At the age of 23, she finished her career and threw the diploma in front of her Great. Hannah never worked as engineer.

Teaching kids and offering her music to different people who was interested in her talent, she was able to earn enough money to rent her own apartment and lm have her the freedom she was craving for.

Seven years later Hannah Murphy, 30 years old, was about to face the biggest change of her whole life.

She was walking Solomon, her black staffy and the most brainless dog in the whole world, when her phone on her pocket started to vibrate. It was an unknown number but she answered anyway.

"Hannah speaking."

"Ms. Murphy?" A female voice on the other side of the line made her stop walking.

"Yes?"

"Good morning, Miss Murphy I'm calling you in name of Mr. Henry Atwood, he wants to have an appointment with you, miss Murphy."

The first Henry Atwood that crossed her mind was the director and executive producer the BBC had and the brain of one of her favourite tv shows the last years. But the idea of someone calling her and saying that that Henry Atwood wanted to see her was ridiculous.

"I'm sorry, I don't understand. Who's Henry Atwood? and how did you get my number?"

"Mr. Atwood, the tv producer," by her voice tone, Hannah believed that the girl considered her stupid. "I'm his secretary and I got your number because he asked for it to one of the directors you worked with."

"Scott?"

"Mr. Scott, yes"

If it wasn't because she was in middle of a park, Hannah could've screamed.

Travis Scott was a director working on a play and he asked her to help his team with the music. Finally after several failed meetings she ended up working alone and the final result in Travis's words was "the best fucking thing he ever heard."

That was four months ago but she didn't know that he knew Atwood and even less than he was going to receive a call from him. Or his secretary to be more specific.

"Ms. Murphy?"

"I'm sorry I'm trying to understand what's happening… I- the answer is yes! If he wants, yes of course I can. I just need to know when."

"Great. I'll make an appointment, then."

Two days later a very nervous Hannah was waiting for Atwood in the waiting room. It was perfectly tidy, with magazines on the glass table, some flyers prompting the movies and TV shows to come and some from previous months. The tiles shone reflecting the lamps on the ceiling.

Hannah felt stupidly nervous. Most people there arranged things thanks to secretaries or managers but she didn't have any of those. She had a dog without brain cells and she was sure Solomon didn't know how to talk. Although she did know that the staffy was the best to calm her and right now she needed his comfort.

Hannah would remember that day for the rest of her life. It was 20th of June, 11:30 am and it was a guy talking about the European football league on the radio sounding in the background when he saw him for the first time. He was wearing a white shirt and jeans. He'd have been any other man but he wasn't.

"Good morning," Tom said to her who was sitting in the chair next to the office's door, so still that she wasn't sure that was even blinking.

"Good morning," she managed to say.

Don't be awkward.

Tom smiled before walking towards the elevator "call me, okay?" he said to the other man.

"I will."

Both him and Hannah look at Tom go. "Quite a character," he said. "You are Hannah, right? I'm Henry Atwood."

Hannah was still seeing the corridor where he disappeared from their sight and Atwood couldn't help but chuckle.

"Tom Hardy," she said "It was him?"

"Yeah, it was him. We hired him for future our project. And I have an offer for you, too, But please first, come in."

Hannah called Betty, her best friend, as soon as she left the building like if everything was a dream. All was so surreal that she needed something to drink and to eat to process what just happened. Both women went to a pub, ordered beer and fish and chips.

"The main theme?" Betty asked. "Are you fucking kidding me?"

"No, I'm not!"

"Oh, my god! Your mother is going to freak out and probably pass out. Imagine her telling her friends about this."

"She's going to say that the BBC isn't Hollywood and no one outside England is going to see it. And probably she's going to say that the music is horrible."

"She doesn't know a shit about music."

"But she does know how to destroy people. Believe me, I know."

"Then fuck her. Don't tell her a word, better that way."

"I won't."

"But you already signed the papers?"

"No. I mean I said yes, but I need to make it official. I'm going to read it tonight and then sign them. Fuck me, I can't believe it."

Betty smiled at her Hannah couldn't help but imitate her. That was a good day.

Good morning.

Hannah was very tempted to say to her about her seeing Tom inside the building, but suddenly she felt really silly. What she was going to say? Do you know I saw Tom Hardy today and he said good morning to me? Besides, it was something so random and something that Hannah believed that wasn't going to happen again that she felt unnecessary to say it.

Next week, Hannah returned to the BBC building with the papers signed and her hopes higher than ever before. Hannah was happy and it was good. Not long ago she ended a relationship that left her with debts, without her motorbike but with Solomon. The only good thing the bastard did was abandoning the dog in her house. Solomon was just an eight-month puppy, playful and sweet, but according to his ex, he was just a waste of money. As if he himself wasn't a waste of money and oxygen.

So these unexpected good news was exactly what she needed. And her first salary was more than welcome.

"There's a meeting this Friday. The whole team," Henry Atwood said. "Including you."

"Including me? But I have nothing to do with the cast."

"That's the point. It's not just the cast. There are always new ideas to add or to erase from the plot, suggestions, new plans. Etc… maybe you can create something even more great if you know what it's this about. Can you come?"

"Yes, I'm free, so… yes!"

"Good then!" Henry offered her a big smile and his hand to shake it "Welcome aboard, Hannah."

Hannah preferred to be one of the firsts to arrive there instead of being there late. It was her first meeting and officially it was also her first day at work. It'd be considered rude to be there late. Not to mention that the idea of people looking at her was something she wasn't used to. Not without her piano as shell, at least.

The meeting office was big and chairs and tables were in a circle so everyone could look at the rest.

Hannah couldn't help but felt nervous. The idea of working for them suddenly hit her in her face with fury. On her first day at work, she had to leave the office and find an empty place to calm herself. She felt sick and she was hyperventilating. Her mother's voice in her head didn't help at all "You're going to fail, because you're a failure."

"Look at your brother, head of the surgeon committee of Boston."

"Your music is quite mediocre."

"Shut up! Shut up!" she said to herself resting her forehead on the cold window that was in that corridor. The last thing she needed that special day was her mother and her awful vibes with her. "Please, go away."

Hannah closed her eyes and tried to think about good things. Her dog, her best friend, her piano… she imagined herself sitting in front of it and tried to breathe normally again.

"Are you okay?" A male voice brought her again to reality.

Hannah gasped and back off surprised by the unexpected company.

"I'm sorry, I'm sorry. I didn't mean to scare you. I'm sorry," he said.

It took Hannah few seconds to recognise that Tom was in front of her, but when she did it, she rushed to reply. "Yes, yes. I- uhm, I was nervous and I felt anxious. I needed to clean my mind. It happens, from time to time."

"Are you sure?"

Hannah nodded as Tom walked to the water dispenser and offered seconds later a glass of water.

"Thanks," she said smiling briefly.

People tend to see celebrities as deities, not humans. Because of course they're people but also, they're beyond of what could be considered approachable. Not everyone could be near one. And suddenly Hannah was few inches away from a famous actor that seemed to be concerned about her. Like, indeed, any good person in the world could be worried about another. Famous or not.

"I started today," Hannah said "I think my brain felt I couldn't do it."

"It's normal, a new job make everyone feel nervous. You'll be fine. You'll see. What's your name?"

"Hannah Murphy."

"The composer," Tom said. His voice denoted surprised and he smiled at her "Henry talked a lot about you. You're a little celebrity here."

"Oh, please, no! I'm just- I'm not. I Just play the piano."

"It seems to me that more than that. Were you in the meeting?"

"I tried to be there before feeling sick."

"Come on, Hannah. They'll love you, don't worry about it."

Tom smiled at her again and something in his reassuring made her feel better. Together they entered in the meeting room.

___

Now. Three years later.

The apartment was still dark, the windows were closed despite the morning was a reality. She could hear the cars, people… even birds. Everything was the proof that outside those walls nothing changed.

Hannah didn't sleep in the whole night in that bed that now semeed to be awfully big for her. The empty spot.

She didn't want to cry again, but new tears appeared in her eyes.

Where was her morning kiss on her shoulder? The beard tickling her skin? The "let's stay five more minutes"? His morning coffee, too strong for her taste, but whose smell was synonymous with the beginning of a new day?

It's not like Hannah didn't break up with another person before… but never before everything hurt that way.

Tap tap tap.

Solomon was wagging his tail against the wooden floor because he saw her moving in bed. Against all odds, she smiled briefly. She pat the mattress and the dog didn't waste time to jump and snuggle with her in a single motion. His big head was now on her chest and she caressed it with her hand.

"You're hungry, aren't you?"

The animal looked at her. He didn't know anything about broken hearts, empty beds and tears. But he could feel her sadness. He'd wait for his breakfast until she felt better. Solomon settled closer to her.

It was 10am when she finally decided to go out of bed. The sun was shining, the city was indeed awake long time ago. Looking through the window she'd say that everything was the same. Only it wasn't.

Her phone was full of messages from her family and friends. Especially Betty. But Hananh didn't have the energy to deal with them, especially not her mother that for sure was ready to say that she was nothing but a disgrace, not even smart enough to keep a relationship with the best man she ever found. And for the first time in her life, Hannah hated the feeling that her mother was right.

She sat on her couch with a cappuccino mug in her hands and some toasts on a plate. On a chair on the opposite side of the living room still was one of his T-shirts, one that she stole from his wardrobe and ended its days as her pyjamas. She didn't use it for a while and she didn't want to touch it now, afraid that it'd smell like him.

The memories of the previous night overwhelmed her. It was her fault, she knew. For being too weak. Her mother was right, she wasn't like the rest of them, never was.

The sound of a new message caught her attention. She didn't need to see who it was. That was his ringtone, she personalized it long time ago.

Hannah took her phone and read the message.

[Can we talk? Ily]

Hannah pictured Tom in his house with his own dog next to him. His phone next to his nose because probably his glasses were somewhere where he couldn't find them.

She ruined it.

She received a new message from him.

[Pooh, let's talk]

Hannah broke into new tears when she read her nickname. No one before him ever called her Pooh. And everything started the moment he knew her second name was Winifred. Winnie. Hannah hated the name and she always used just the W, as reference for it. But with Tom, Hannah learnt to love her second name, even before dating. Or maybe it was because it was him.

Hannah called Tom.

He answered before the second ring, for a moment no one talked until he did "Good morning, Pooh."

#tom hardy #tom hardy rpf #tom hardy x oc #tom hardy x ofc #tom hardy imagine #tom hardy fanfic #real person fiction #tom x hannah

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harrisonarchive · 3 months ago

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Photo by Henry Daniels.

“[Harrison] insisted that he was an ‘extremely reluctant Great One.’ Typical of George that he doesn’t consider himself a brilliant talent — either as guitarist or composer. […] [H]e said: ‘Talking about COMPOSING songs sounds funny. I don’t really COMPOSE and I don’t see myself as a composer. I don’t write songs at all, really; just get a few bits of tunes together and a few dumb lyrics. And that’s all.’” - Record Mirror, January 1, 1972 Derek Taylor: “This positioning [as the youngest member of the Harrison family and of The Beatles] might have made him the Baby, all the more surprising, and nicer therefore that he should turn out to be a Very Old Soul. […] Bob Dylan, Leon, and Billy Preston, Klaus, Eric and Ringo, Claudia Linnear, Ravi Shankar, all on one stage on one night and the man with the strength to do it, and the character to do it so well was George Harrison. […] There are few people who could have pulled this off. George is one of them. His love begins at home, began in his childhood home. He is an example of what a man can be if he wills it.I guess that really he is a great one, and not the tenth in my list.” - ibid Doris Troy: “George is the greatest as far as I’m concerned. As a musician he is fine and he’s already a good producer, but I think his real bag would be as a missionary or a leader of people. He has great heart and soul, a really beautiful person who is able to communicate peace and joy.” - ibid (x)

#George Harrison #quote #quotes about George #quotes by George #Derek Taylor #Doris Troy #et al.#Concert for Bangladesh #George and fame #Harrison songwriting #Harrisongs #The Beatles #1970s #1971 #1972 #fits queue like a glove

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galedekarios · 5 months ago

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#this took so much work#but i really wanted to make this#sorry it got so long

Personally I thank you for your hard work and that gif set is just as long as it needs to be. I for one can't recall hearing the dialogue in the second gif before so I'm glad to see it now.

thank you so much, i really do appreciate the support and kind words a lot! 🖤

the line is from early access! i touched on it in this post.

if you want to see and listen to it, tim's performance of it, i included a short clip from early access:

the quote itself is from gale's early access romance scene in act i after the tiefling party. that scene was cut and most of it is completely gone. some lines were re-used in the full release version of the game: in act 1, for the reveal scene where gale lets the protag into his mind, and others for the beginning of the act 2 romance scene/last night alive scene.

the conversation started like this:

Gale: I know we have to get moving again soon, but before we part, I’d like to tell you something. I’d like to tell you a story. It is a story full of answers long overdue. It is a story of a man who fell in love with a goddess. Player - Option 2: It’s clear as day you are talking about yourself, you know. Gale: I know, but a bit of narrative distance will make it all so much easier in the telling. Indulge me.

if you then chose to indulge gale, letting him tell the story with "a bit of narrative distance" to make it "easier in the telling" for him, this was the story he would tell the player in early access:

Gale: Once upon a time, not quite that long ago, there lived a wizard in a tower. The wizard was what one might call a prodigy, who from an early age could not only control the Weave, but compose it, like a musician or a poet. Such was his skill that it earned him the attention of the mother of magic herself. The Lady Of Mysteries, Mystra.

from there, the conversation branched again:

Player - Option 1: What did Mystra’s attention feel like? Gale: Love. Player - Option 2: He sounds like a very talented individual Gale: He was. Even though it was in Mystra’s affections that his true power lay. Player - Option 3: Teacher’s pet, was he? Gale: He fancied himself much more than that. He fancied himself favoured above all others. Perhaps it was not quite love, but you see, the wizard was but a very young man. It was most certainly love to him.

leading to the quote that i used for my gifset, highlighting gale's lines about the life of a chosen:

Gale: Mystra showed him the secrets behind the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. ‘Chosen One’ she whispered, as she slipped them off completely.

i'm thinking about dedicating a full post to the original ea romance scene in act 1 when i find the time to do so because it's an interesting scene.

anyhow, i hope that was helpful! 🖤

#gale dekarios #gale of waterdeep #baldur's gate 3 #bg3 #baldurs gate 3 #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #text: asks

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city-of-ladies · 2 months ago

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"I learn that the orphanage was created in part because illegitimate babies were being drowned in the Venetian canals. I learn that the girls of the the Ospedale della Pietà were allowed to play instruments usually reserved for men; that they earned money for their performances and rubbed shoulders with kings and queens. “What makes the Pietà so famous,” wrote the Prince of Saxony, Frederick Christian, after seeing them play in 1704, “is not just that all of the instrumentalists are truly excellent musicians, but … that all of the instruments are being played by females without any males in the ensemble at all.”

I discover that Vivaldi spent almost his entire career working at the Pietà and composed most of his pieces while there. But of the hundreds of girls and women who studied there, one name keeps rising to the surface: Anna Maria della Pietà. A prodigy violinist, she was Vivaldi’s favourite student. He composed many pieces just for her. It was in this experimental environment, with a plethora of talented female musicians to test ideas with, and Anna Maria by his side, that Vivaldi was able to perfect a whole new form of music: the concerto, most famously realised in his Four Seasons.

I learn that several of the orphans at the Pietà were composers in their own right, in addition to many being copyists. In the study Women and Music, researchers Yves Bessieres and Patricia Niedzwiecki describe the Pietà as a “nursery for the virtuosos who provided Vivaldi with his ‘musical material’”. They cite a letter from a Pietà student called Lavinia and write, “[Lavinia’s] cantatas, concertos and various works had to be composed in secret and in imitation of Vivaldi’s style.” But Lavinia wanted to compose her own pieces too. “The music of others is like words addressed to me; I must answer and hear the sound of my own voice,” Lavinia wrote. “And the more I hear that voice, the more I realise that the songs and sounds which are mine are different … Woe betide me should they find out.”

I speak with another scholar, Vanessa Tonelli, a leading expert on the female musicians of Venice. Is it possible that these girls helped Vivaldi compose his works? “Anna Maria certainly designed her own solo cadenzas for Vivaldi’s concertos,” she tells me. She explains that some partbooks that belonged to the girl musicians still exist, and that there are examples within these of notes and solo lines scribbled into the margins. “Musicians often improvised cadenzas, ornamentations, and other solo lines, and they occasionally jotted down their ideas for these improvisations.”"

#history #women in history #Ospedale della Pietà #Anna Maria della Pietà #18th century #antonio vivaldi #composers #female composers #classical music #venice #italy #italian history #women's history

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stop-breaking-my-heart-telltale · 9 months ago

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I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

#twdg #twdg clouis #twdg clementine #twdg louis #clouis #long post #happy valentine's day y'all i got you a totally normal louis/clouis analysis #i initially got you flowers but then i ate them sorry #real talk though I started out normal and slowly descended into unhinged waters while writing this... I don't know how it happened #years later and clouis still pierces my soul i am half agony half hope tell me not that i am too late-#I'm fine okay it's only louis asking clementine to carve herself into his soul it's fine #i can already hear 'it's not that deep bro' like i dunno try getting out of the shallow end and learn to swim you coward #2024 is the year cj goes full gremlin. no self-control. writes whatever bullshit her very normal mind comes up with.#apologies in advance for my bullshit skskskss

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sivseven · 16 days ago

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housemates and some others

archons x gn reader [smau & hcs] (modern au)

[potential romantic: venti, zhongli, ei, furina, mavuika ft. neuvillette & scara // platonic: nahida]

Economy in Teyvat has recently been… less than stellar and you have had some certain huge adjustments. Mainly because when you accepted your work, you had to move to the city because that was where your place of work was located. Your line of work does not really want you flaking out on them, meaning you have to be close by when you are needed on certain emergencies.

And so, you had to look for listings on a living space. Most apartments were quite expensive, nothing your current savings could not handle… for like the first three months. But you had to scrap that, you’d rather not risk it, especially on possible medical emergencies that could put a dent on your bank savings.

But then, by some miracle, just a month before your new work starts, you found something relatively cheap — except the very reason why it is cheap is because the villa you will be living in will be shared with a couple of people around. Six to seven people, give or take. And that is not even including you.

You had decided to inquire, and to no one’s surprise, the owner accepts you after running a background check and getting your deposit. You’re already good to go and have been told that you won’t move in until a week later after the last few renovations are done.

You met with your landlord by then, and you are positively smitten — Mister Neuvillette is so nice and dreamy. You feel nothing but some intense catholic guilt for just imagining stupid things that involve him and you.

But this isn’t about you and him.

It’s about you and your really weird roommates.

VENTI

A musician, a composer, just an overall bonafide artist, some kind of member in an idol group that you may or may not be exposed to already — a soul like no other with one hell of a talent in drinking.

He once invited you to hang out with him on a patio, wanting your input for his new piece, you ended up drunk out of your mind with what you think to be the start of your liver problems and maybe the shortening of your lifespan.

Venti is terribly cryptic with his words and it takes every fiber of your being not to crack his skull open to just… understand what is going on with his mind. You tried deciphering most of the shit that he was saying to no avail.

He has a tendency to give you a quick ‘ehe ;P’ whenever he breaks your things, and he pays them eventually… in installments, one measly mora for each week, he tells you all the time about how he’s a starving artist with no mora to his name.

(He quite literally invited you and your other roommates to watch him perform a concert with his idol group, and you watched him get paid stacks for it — and of course, you made him buy you a new pair of headphones).

He owns a blue dragon he named Dvalin and it just floats around the tank like some washed up corpse. To this day, you don’t know if Dvalin is a plastic toy or an actual sea slug.

A huge troll — mostly to Zhongli, hassling him constantly about the ‘good old days’ and how Zhongli was so old and that he sure looks like it (probably from all his boring work, according to Venti).

One of the biggest shit talkers, but he is so cryptic about it that it takes a while for the target to understand, yes you have been on the receiving end at times but in good fun (like hiding his alcohol).

But he does shit talk anyone that does you wrong. Like any time you come to him just venting about this one person, he is quick to jump on your side and even quicker to say something so underhanded about that person that even you’re a little baffled. You and him are definitely a pair of gossip besties.

ZHONGLI

One of the more levelheaded residents in your little clubhouse arrangement. He is responsible, and extremely well put. He has the energy of either a good househusband or a grandpa, waiting for you with tea.

You got along fairly well, and you have unofficially promoted him as your encyclopedia since he seems to know so much, especially from his nation. A proud Liyuen through and through.

He has a regal aura around him, kind of like your landlord, but for some reason, you hardly see the both of them chatting or having tea. You once tried to set up an afternoon tea with him and Neuvillette, and both cancelled on you despite seemingly interested at first.

Come to think of it, you never once had him accompany you to Neuvillette’s office to pay rent — the rest always accompanies you, Furina and Nahida more often than the rest just to have some tea and chat with him. But Zhongli never did.

He is wise beyond his years, and has himself a job as a museum director. This man is a historian, you’re pretty sure with how much knowledge he has around the world. His room is always off-limits to Venti (which turns into your room becoming the drunk’s usual hangout spot that isn’t his room) because sometimes he takes home rare artifacts that could crumble into dust if anyone even dared breathing on it.

He has… odd friends. Really… really odd friends. You thought they were cold at first, but then you realized, the moment they started talking, they sound like regal idiots that are so awkward with talking, like they are not used to talking to people of your caliber (which is like… way below them).

A stickler for contracts, never did break them once. Any deal you make with him is written on paper. You still have a souvenir of a crude contact written in a Starbucks napkin.

Every time you guys go out, dinner is automatically on you. He always forgets his wallet at home that at this point, you consider giving him a chain for his wallet to not forget it.

He has a frog named Azhdaha and it hates you… and a bit of Zhongli too.

Bless this woman. She is your purple wife, a hardcore recluse and gamer, going in her room for hours to just game. You’ve come to learn that Ei is a popular streamer and has once walked in on her doing so when you came to bring her dinner over.

You nearly got cancelled because apparently, her parasocial fans really dislike the idea of her having a possible caring partner that brings her food out of nowhere. They found your twitter quickly and some asshole was planning to dox you so they can hunt you down and punish you for stealing their ‘gamer wife’.

For some reason, even after that debacle, she makes you sit beside her at times during a stream and makes you ‘get along’ with her chat.

You nearly had a #[Name]IsOverParty a second time when you lightly directed her to the right direction when she was exploring the same game you were also playing just to help her, saying you were being condescending and that apparently it means you must not believe women can be gamers.

Ei cannot cook. It’s like her cooking just cannot exist in any type of universe. You were sure that if there was another universe where even she is an almighty ruler of a nation, she’d still be unable to cook.

You once made the mistake of asking her to cook you something when you were newly introduced in the house and she gave you the weirdest looking soba noodles. You swore it looked at you, but she had an expectant look on her face that you had no choice but to stomach it.

You and her are the epitome of the meme that goes like ‘x who just woke up at 2am’ 🤝 ‘y who is just about to sleep at 2am’.

Often these run ins turn into a 2am session of just binging shitty videos on the internet, or her trying to teach you the better builds for your Tarnished after you make yourself and her a bowl of instant ramen noodles.

She has a friend… Yae Miko, who is some… CEO of a publishing company. She terrifies you sometimes and you do not recommend being alone with the both of them, it is likely you will not survive for reasons… that are not to be disclosed.

NAHIDA

You were confused when you first met her. Actually, you even asked your other roommates if they also brought their kid. And everyone looked at you and said, “Oh yeah, that’s Nahida, don’t worry, she makes the best soup when you’re sick.”

And you were just genuinely perplexed about her existence. She is a literal child, but her mind transcends so much — you can even say it has a better mileage than Venti’s, but to be fair, he has borderline alcoholism to deteriorate his cognitive functions, so that probably wasn’t saying much.

She is the epitome of someone who either knows too much or knows too little and there is little space for the normal in between.

Also wise beyond her years… how many that may be. You wonder how she can pay for her rent or even afford to live without her parents… but apparently, it’s better that you know little about her origins, and that her family is with you and your other roommates (it was so hard not to melt at that).

So how can she pay for her share on the rent? She has a covert consultancy job in managing databases. For some reason, this kid is more tech savvy than you will ever be. Everyone comes to her to troubleshoot their phones and she is always happy to entertain them, provided that you let her make you try her candied al— akji… ajilenakh nuts. In all fairness though, they are pretty damn good.

Does she go to school? Technically? But she does it remotely, on her laptop, so there are hours within the day where the villa is so quiet just so Nahida can have her time with her, what you are sure, are university-level lessons.

She has a snake called Apep. It disappears from its cage randomly, and holy shit does it put everyone on edge. Everyone forgets Apep until she turns up three months later.

She has… a friend? No, a son (??), just… someone she supervises. And it’s the saltiest guy you’ve ever met. He’s an asshole but somehow you guys are casual friends that send each other the shittiest memes. He is… definitely well-connected. Nahida supervises him, he is in the same idol group with Venti and a companion of Zhongli’s (the emo one, you recall), and for some reason, he is tense and frosty around Ei.

You and her have tea parties together, with Furina usually and Zhongli. And she always accompanies you when it’s time to pay your monthly dues.

FURINA

Your darling wife in blue. She is actually also a popular figure in Teyvat. An opera singer who is constantly making the most groundbreaking performances in Teyvat. She is from Fontaine, so of course it is already very much expected.

For some reason, she is the only one with a discounted rent payment? Neuvillette permitted it, and when you asked him, he said he was looking after Furina and you just fell harder for the man.

Not going to lie, when you first met her, you were intimidated and a little standoffish. She was a star, a literal legend, a household name that even as someone who doesn’t dabble much in opera arts, you just… know her from the news.

But the moment you further got to know her, you had a cultural reset with how incredibly subdued and skittish Furina is. She is so easy to startle and extremely sensitive. You found out how much of a class act she is though.

The definition of healing her inner child. You walk into her room and you nearly got confused if it was Nahida’s or hers. But if not for the blue themed room, you’d have definitely mistaken her room for someone else’s. It wasn’t just… something you would ever expect from a star like her. Her room’s most distinct features were the four plushies that sat on her big queen bed.

A crab, a seahorse, an octopus, and a huge… thing. She said it was an Oceanid, made for her by the production that she starred a play in which was titled “The Little Oceanid”. You watch her snuggle with it when you would crash in her room just to give her some company.

She hates, hates, HATES, being alone. Not her thing. Not ever. You asked, and it was something about her being isolated for so many years despite the fact that she is a literal star. And because of that, your room gained a new tenant other than the alcoholic idol.

She has a close relationship with Neuvillette, hence the docked rent. They seem to go way back and she always joins you to his office when it’s time to pay rent. You once tried to ask her to put in a good word for you and she looked at you, offended, because she thought you and her were planning a long term cohabitation that was not at all discussed beforehand.

This goes without saying, but she invites everyone to her plays. Front row seats every time and it is just… magical every time she is out there, shining.

MAVUIKA

She is definitely the most normal roommate there is. But she’s also kind of popular? In a sense that she has a lot of connections. She has friends who are actually normal? People you can actually talk to?? No offense to Xianyun, Houzhang, and Jiehu.

Her friends come in to storm the villa every now and then. Your most memorable one was probably this Kinich guy and his rabid… dog, Ajaw. It tried to bite off any person that came close, and it won’t stop barking. Kinich calls Ajaw the yappatron and none dare contest such a name.

Other than in real life, Mavuika is also really popular online. Mostly because of her biker chick aesthetic. Apparently, the internet ate it up. How did they know? Ei posted a picture of Furina taking a selfie with her and Mavuika (and somehow your back was caught on the background picture too). Ever since then, her quiet 8k followers on Twitter and Insta blew up into a million followers.

The opposite of Zhongli. When you two go out together for dinner, it’s HER shout. It always is, somehow it evens it out, you’re not sure why. Of course, those dinners always involve you riding her bike with her.

You guys are the definition of bait. Absolute bait. You post each other on stories, which is just, hilarious because it leaves her fans always speculating. So far no one has decided on which one is it. Though in the end, as crazy as they are, you’re grateful Mavuika’s whipped fans aren’t really as terrifying as Ei’s. No one dared to cancel you and were just making some deranged comments of having a threesome with you and her. Well, now you’re not so sure which is worse.

There is an unoccupied room in the house, and Mavuika uses it for her home gym. She works out and you watch, but you always run away before she could drag you to join her. You tried, but her workouts are so intense, you’d literally rather have liver failure.

Undoubtedly one of the most caring roommate you’ve had the pleasure of living with. She is incredibly dependable and is just a warm blanket of a person. You once got sick and she’s there caring for you when Nahida is busy.

Mavuika is a street racer, and often wins it. You’re not really sure the ins and outs of it, but you’re pretty damn sure that she is, quite literally, loaded from winning those races.

You ask her why she’s still living with you all if she’s already loaded, she only shrugged and dragged you to her room, never to be seen again.

extras:

NEUVILLETTE

SCARAMOUCHE

#genshin impact x gn reader #genshin impact smau #genshin smau #venti x gn reader #venti smau #zhongli x gn reader #zhongli smau #ei x gn reader #raiden ei smau #nahida x gn reader #nahida smau #furina x gn reader #furina smau #mavuika x gn reader #mavuika smau #neuvillette x gn reader #neuvillette smau #scaramouche x gn reader #scaramouche smau

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remembrancer-of-heresy · 4 months ago

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The desire to possess (Part 2)

Summary: In the darkest of times, there is nothing more terrible than choosing between duty and love. And Rogal Dorn has to see it.

Perturabo/fem!Reader, Rogal Dorn/fem!Reader

Warnings: angst, possesive behavior, obsession

Word count: 1961

Song: Rammstein - Rosenrot

As you can see, if I'm not writing yandere, then I'm doing angst. I also realized that I wanted to write as much as possible about this trio. There will be no ending as such. There will be a part 3 - reader's POV (but not in this week). In general, I want to write drabbles around this triangle. Dorn and the reader love each other, and Perturabo suffers for her. Perturabo “loves” the reader, and she and Dorn suffer for each other. Every time inspiration comes, I will write based on them. Good plan? Good plan.

Rogal didn't mind the remembrances. They did their job, recording the deeds of the primarchs to leave them in history. The Emperor himself ordered all his sons to take chroniclers with them after the Uralon Triumph. Many simply resigned themselves to “taking the rats on board” without paying much attention to them. As long as they don't interfere. Fulgrim and Sanguinius took a huge number of historians, composers and musicians under their protection.

Dorn was not against the remembrances, but did not want mortals to interfere too much. Therefore, not everyone could get into the Phalanx. And especially to become Rogal’s personal chronicler. The primarch himself wanted to select candidates for this position. He has already found a historian who can tell the deeds of the primarch dryly and impartially. If remembrances even want to express their feelings, then this can be done through other art.

It was with these thoughts that he walked around the Imperial Palace. That's when he met you. You did not have time to win the attention of all Terra. And yet your master patronized your talent. Many mortals did not know about you, but the primarchs saw your sculptures. Rogal liked them. He even took some of them in his chambers.

But seeing you babble in front of the Iron Lord, the primarch realized that he would have to find another sculptor. You told Perturabo in such detail about which fortresses and buildings amazed you, which military campaigns aroused admiration... Dorn even for a second, but only for a second, felt envy.

"I don't care."

Perturabo rejects your services. He goes home, which not surprised Dorn. Such behavior was in the nature of the Iron Lord. And yet the Praetorian could not help but notice the range of feelings flashing across the Olympian’s face. He was pleased with the praise. And yet he decided not to give you his attention.

The Iron Lord goes away and you are left alone. Disappointed and depressed. And Dorn cannot help but feel a pang of pity for you. And a personal base desire to egg on his brother whom he disliked so much.

“Miss” - The Imperial Fist stands right in front of you and you flinch from the seriousness with which he looks at you. - “I saw your sculptures. You have the honor of serving as my remembrancer for the Phalanx. Follow me. I’ll tell you all the responsibilities.”

You blink charmingly in surprise and bewilderment. And nod before almost running after Dorn. The primarch lays out a list of responsibilities for you, inwardly rejoicing that you accepted his offer.

***

Rogal was pleased. You performed your duties well. You felt when it was worth talking to the primarch and did not distract him with demands to meet. And if he agreed to pose, then you worked strictly according to the schedule. By persisting improving your talent.

You were too feminine and loved beautiful things. But they were practical. You did not have the usual arrogance among remembrances. To be honest, Rogal can count on one hand all the times you didn’t try to not work. All you had to do was pick up any stone or piece of wood and you immediately started carving on it. Even fruit seeds could not avoid such a fate.

Nothing special, nothing significant or important. And yet Rogal himself did not notice how every day he began to think about you more and more. Remember your image. Play your voice in his head. Your gestures. He liked a lot about you.

How your thin, graceful hands were covered with marble dust from your work. The way you blew your hairs away when it came into your eyes. And how you wrinkled your nose when a thought wandered into your head and you didn’t know how to express it in stone.

Grandfather told him about his first love. How he felt at these moments, how he behaved. Almost with displeasure, Rogal realized what he felt for you. It was... unexpected. Fall in love. A mortal girl who didn't really do anything. But during the time that Rogal spent with you, he realized that he had become attached to you. He felt the desire to protect and care only towards his adoptive parent. And now you have appeared.

As you later admitted to Dorn, his declaration of love was... awkward. Almost funny and somewhat terrifying. He simply confronted you with the fact that you were now his beloved. Although Rogal did not put such meaning into his words. But you just smiled shyly at his bewilderment. And at that moment Rogal realized that he wanted to be with you all the time. To spenе the whole life with you. He hasn't felt as calm as he does now for a long time. Next to you.

***

You hold back your tears and don’t give in to hysterics despite your wish. The only thing that gives you away is your clenched fists. But you stand straight and your voice hardly trembles. If something stupid upset you, he would roll you into his grandfather's cape. Well, if you were in a more intimate setting, Dorn would whisper in your ear what a good girl you are... But the conversation is serious and he wants you to understand the whole terrible fate in which Imperium apperead.

“You know I won’t get in the way. I will sit quietly and keep my head down. I’m not stupid, I know that I’m of little use. But at least I can help treat the wounded and” - you take a deep breath without shedding a single tear. You always wanted to appear strong with the primarch and he could not help but appreciate your tenacity. - “I don’t want to leave you. I cannot leave you and go to another corner of the Galaxy while you are fighting for Terra. I won’t even know if you’re alive.”

“My sons, brothers and the Emperor will be with me. We will defeat the traitors, you can be sure. But I must focus on this battle. Your presence... fear for you will distract me from this.” - Dorn gently puts his arm around your shoulders. And with all the gentleness of which he was now capable, he looks into the eyes. - “The Greyestone Fortress is well fortified and, most importantly, is located far from Terra. My brothers have no use for this world, they only need the Solar System. This means you will be safe. And this will give me confidence in the battle. I want to protect you, don't you see it?”

You look closely into the primarch's eyes before nodding uncertainty.

"Fine. If you say that... then I have nothing to worry about. But Rogal, please,” you purse your lips and look as if one more second and he will evaporate. - "Be careful. I will be waiting for your return.”

The primarch squeezes your shoulders slightly. He almost reaches out to kiss you... but pulls away. Later. When the Siege of Terra is over he will wrap you in his arms and never let you go. But first he must do his duty. And nothing should distract him from saving humanity.

***

The Emperor has fallen. Dorn failed to protect the master of Mankind. His ghost, seated on the Golden Throne, will haunt Rogal forever. The Emperor's Light, the Beacon for Humanity, was lost forever. They were left alone.

The primarch donned in black. Accepted a heavy burden and a new role. Rogal was not going to allow traitors to continue to rule certain parts of the Galaxy. No, he was going to destroy them all. Spew them into the warp to cleanse the universe forever.

Dorn has not forgotten about you. He sent one of his subordinate ships to Greystone. To replenish provisions and serfs. Bring the necessary equipment to the Phalanx. A few mortals who could help Rogal deal with some matters. And you.

Reuniting with you should have eased the primarch's burden. Bring light and hope back to life. But the Imperial Fists returned with almost nothing. Greystone has fallen.

Perturabo captured the fortress, leaving not even a stone left of it. The Space Marines brought meager supplies of provisions and serfs who could barely stand on their feet. Some mortals close to Dorn survived. Others died during the siege. The warriors learned all the details.

Rogal listened carefully to his sons, not allowing disturbing thoughts to take over his heart. First business, and then love. Duty and service to the Emperor. He assured his father that you would not distract Dorn, no matter how much he was attached to you...

If you're alive, he'll never let you go again. You will live in his chambers forever. You will have your own security. The best mortal warriors. No, Space Marines. Dorn will love you. For real, like he never allowed himself to do. Taste happiness. He will allow his fortress to fall and bare his full soul to you and only you.

But if you are dead... completely dead and your soul is still swallowed up by the warp... Then Rogal will devote himself to cleansing the universe of abomination. No pity, no mercy. All traitors will pay for what they did to you and the Imperium. He will go forward until the very end. Your sacrifice will burn like a beacon in his heart and he will never give up revenge justice.

But everything turns out to be even worse. You are alive. And you are in the hands of Perturabo. Rogal remembered. He remembered that night at the fountain. When he calmed you down. Silently kissed and hugged. How he wanted to show you that he was confident in his choice. That he wants to spend all the eternity with you that you had at the whim of fate. How you smiled happily at the unusual tenderness from Dorn. He is too did not expect this from himself. But this manifestation of pure love only strengthened his thought. You are linked.

And no one will separate you. Especially the Iron Lord, who was watching you from the shadows. Dorn only pressed your figure closer to him, looking into his brother’s eyes. He is already tired of his greedy envy and lack of confidence in his greatness. Perturabo can lament as much as he wants, continue to torment his Legion and mortals... but he will not take you. You belonged to Rogal. No. You both belonged to each other.

And now you are in the hands of a traitor primarch. Who can do whatever he wants to you. He may laugh at you. Revel in your separation from Dorn. He will torment you. Just like the desire to establish himself in war and architecture, Perturabo will certainly want to appropriate your love for himself...

When the Space Marines mentioned that the attack on Greystone happened months ago, he sends them away. Does the Iron Lord want war? Want to laugh in his brother's face? Well, Rogal was more determined than ever to end their personal feud. He had been hearing rumors about the Eternal Fortress for a long time. Now he needed to concentrate all his strength and time on destroying this nest of heretics. The Primarch and his sons would feel real pain together during this siege.

Rogal wraps the Pain Glove around himself like a second skin. The device delivers electrical impulses and the man winces from the tension. More. More pain. He must clear his mind of hatred, anger and revenge through self-sacrifice. If he wants to lead the Imperium to the light, destroy its enemies and bring you back, then he must be calm. Must be humble and reasonable. He must do this.

He has no other choice.

#primarch x reader #primarch x oc #perturabo x reader #rogal dorn x reader #tw: angst #tw: obsession

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doodle-pops · 8 months ago

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Lords of Gondolin | With A Musician Reader

Request: hi mina how have you been? i hope you’re doing ok c: i was wondering if you’d write a scenario about human!reader showing off her greatest musical creation to the elves? it’s a piano they’ve spent a decade workshopping & building to perfection. readers also made middle earth versions of the upright bass, acoustic guitar, & cello. they plan on making more instruments cause it’s their passion and how they want to be remembered by. for the lords of gondolin - @dicksoutformtl

A/N: I’m doing just fine! It was fun writing this request know that all of them would be impressed at reader’s craftsmanship. Enjoy!

.𑁍༊˚ Galdor

Galdor is thoroughly impressed by your craftsmanship in creating new and improved versions of some of the instruments they already have while crafting newly discovered pieces as well.

He would have known you were into the musical arts, hence why you were always playing or composing a new piece every few weeks. However, what he had never suspected was a entire batch of new instruments being presented to him.

He is enthralled and eager. While some instruments may not be a favourite to his ear due to the sounds they emit, you can bet he’s informing you of some upcoming festival where you can show off your creative talents.

Galdor is a proud elf Lord who would happily talk about what you’ve created to the others and recommend you to the King to play your pieces at balls. He wants everyone to be aware that you’ve made inventions and they’re groundbreaking.

There are moments when he’d sit around and listen as you explain to him how you created each piece and the inspiration behind them or watch as you play songs on them.

It touches him when he becomes aware of the purpose of your collection of paper in the corner of your room. They were all songs written to be played on these instruments about how much you like or care about him. He’s touched and appreciative.

.𑁍༊˚ Ecthelion

The musical master is too stunned to speak as he enters your humble abode and notices all the new “classical” instruments lying about. Ecthelion’s curiosity gets the better of him and he can’t help but strum the strings of the bass and cello, or press the keys on the piano and gasp at the new pitch echoing.

He becomes aware that these are not instruments that exist in Middle Earth and bombard you with a million questions. “How did you make this?” “Where did your idea come from?” “What inspired you?” “Who are you really?”

Ecthelion probably assumes that you’re not normal to come up with all these instruments since the Valar would have created their instruments for them…so are you a Maiar or Valar in disguise?

You will be followed around until you answer all of his questions with responses that tickle his brain the right way. And be prepared for him to request if you two can now play duets at festivals and balls. He wants you to be the musician couple.

Ecthelion will show you off, more than Galdor and some of the others because he’s proud and wants everyone to know how talented you are. He doesn’t care if the other Lords comments that you’re more talented than him, he would simply acknowledge and say, “Yes!”

And not to forget, he’s making sure that your name gets recorded in the history books as an important figure in music. He’s even more proud when he realises that you’ve outdone musical protégé like Maglor and Daeron.

.𑁍༊˚ Glorfindel

There is not a person without a ten-mile radius who hasn’t been alerted by him of your musical genius abilities. Even Lord Elrond would be shaken aggressively as he is being told about your creation. “Y/N has reinvented the world of music! There is no one as great as them!”

Goodbye Lindir or Ecthelion, hello to Y/N, the new musical protégé of Gondolin or Imladris. Get used to being announced at dinners or balls to play your newest pieces and having Glorfindel looking like a proud dad (if he had a camera, his look would be completed).

Anytime you’re making a trip to your music room, don’t go without Glorfindel or else he’ll barge in all grumpy, complaining that you forgot him. He wants to be present at each new masterpiece you’re making, whether it be a new instrument or song. He likes watching the look of concentration as you play each piece to conclude which suits the song best.

Be noted that he’s curious, so he is bound to touch the piano or cello and gasp as the notes ring out. I can see him being drawn towards the guitar and requesting that you teach him. I don’t know, but Glorfindel playing the guitar suits him (idk if it’s just me).

Cue Glorfindel wanting to join you whenever you’re playing and the guitar can be included. He’ll happily sit beside you and strum away lightly while you play the piano or violin.

Like Ecthelion, be prepared to be announced/talked about by Glorfindel any chance he gets. He’s not rubbing it in anyone’s face, simply expressing how proud he is of his little human creating instruments that “change everything”.

.𑁍༊˚ Egalmoth

Most proud of them all, however, he’s torn between wanting the world to learn about your skills and also keeping them hidden so he alone can know this secret and cherish it.

A bit stingy sharing your talents with the rest of the world because they should be for him to enjoy and praise. He does complain when people don’t praise you enough and encourages them to be louder.

I don’t see anyone surpassing him in terms of being the biggest cheerleader. This elf considers himself blessed to be around such a gifted person (you’re more gifted than his friends in his eyes). You’re a miracle worker creating new instruments unheard of or reinventing old ones.

He wants to learn about your pieces even though he doesn’t know about music deeply, he would to be told everything. Don’t worry if it sounds all foreign to him, he’s understanding.

Egalmoth would inquire if you would like more materials to make more instruments because he understands that it’s your passion. He would even ask if you would like to open up a school to teach others.

Like the others, he would request that you play at dinners when the Lords come over or if the King is hosting a dinner party. Might get annoyed if someone wants to collaborate with you because you sound great on your own.

.𑁍༊˚ Rog

This craftsman is enthralled, amazed, excited, and proud of your creation. You made these instruments all on your own! Rog cannot cease talking about how you designed and crafted all the instruments by yourself. This is one of the rare moments when he's talkative nonstop.

You’ve got one of the great blacksmiths hooked on your inventions and wants to know the process you took to create each piece. He’ll be teary if you mention that you used some of his instructions during his days of teaching you basic material crafting.

Learning more and more that everything was done on your own and you spent years making each puts a type of ride in his heart that’s unshakable. If you show him how each piece is played, Rog finds himself whipped and ready to boast.

It’s strange seeing the quiet blacksmith boasting and talkative, and it’s for good reasons, you. All the Lords know, the citizens know and the King as well. Very soon, you’ll be having a hearing with the King who was intrigued by your new inventions courtesy of Rog cheerful chattering.

Rog doesn’t mind whether you choose to play privately or publicly, the choice is yours and he’s pleased with either decision. He wants you to be comfortable, but he would ask if you could play him a piece so he could experience the beauty of your creations.

.𑁍༊˚ Maeglin

Curiosity caught his attention for a great purpose and it led him to discover new things worthwhile. Maeglin is enamoured and his curiosity is piqued tenfold. Questions rattle off the top of his head about all that he’s seeing and how did you manage to think about creating these pieces.

You’ll be seen as someone highly skilled and great in his eyes because you’re out here reinventing the world of music, something the elves are passionately known for.

“Can I come to watch?” “Can I sit and listen?” “Will you play for others to see what you’ve made?” He will stand in the doorway as you play your pieces and write songs suited best for each with a sense of pride in his chest. You’re a part of his House and creating all these great inventions to make a name for yourself. How could he not be pleased?

Definitely another one who would recommend you to the King to present your showstopping performances during balls. Whether you play with the orchestra or sole, Maeglin is supportive.

You’re Maeglin little songbird who he wakes up to playing your piano or guitar on the balcony or in the drawing room. You provide him with melodies that allow him to melt in and drive his tension away.

Masterlist

Taglist: @ranhanabi777 @lilmelily @rain-on-my-umbrella @mysticmoomin @asianbutnotjapanese @batsyforyou @mcwentfandomtraveling @stormchaser819 @aconstructofamind @hermaeuswhora @lamemaster @zheiya @addaigio @involuntaryspasms

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