i. i just realised something about the kiss.
the way when aziraphale puts both of his hands on crowley's back, you can see them kinda shift so aziraphale isn't leaning. he held onto crowley for stability, and leaned in. pushed closer to him. he leaned forward. anyone ever says he didn't want the kiss im going to hunt you down because HE HELD CLOSE!!! HE KISSED BACK!!!!
EDIT: also im like WELL aware he kissed back i was even when i first watched it like its not a big revelation, its just that SOME people☠️ on TIKTOK☠️ KEEP SAYING HE WAS DISGUSTED BY THE KISS???? like i swear some people are watching a different show entirely
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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how the LIs kiss
18+
pure!sydney's kisses are sweet, mouth soft and his tongue warm. he kisses you in the same way he savors the hard candies you'd slide over the library counter, slipping them into his hands just so your fingers could brush. when he pulls away, his glasses are foggy, a nervous smile on his face. "was that..." he says, blushing. "was that alright?"
corrupt!sydney's kisses are hungry. he's got his hands under your shirt and his tongue deep in your mouth. he's been waiting so patiently, after all, and now he finally has you to himself. "you taste divine, beloved." he says, fingers slipping under your waistband. when you sigh against his mouth, he smiles. "but i think it's time i have my dessert."
whitney's kisses hurt. they're full of teeth and bruises and blood and his nails digging crescents into your skin. whenever he crushes his lips to yours, he always makes sure to leave you aching. and like every fight you've had against him, you never come out unscathed. "there," he says, marveling at the fresh marks blooming along your neck. "now everyone will know whose slut you are."
kylar's kisses are desperate. his hands roam your skin as his mouth murmurs endless promises into the hollow of your neck. "we'll be together forever," he says, drunk on the scent of you. he presses his body to yours, eager to get closer, to envelope you in his embrace. to never, ever, let you go. "nothing will ever change that."
eden wastes no time when he kisses you. he has known the lean months of winter and the lonely days of fall. you cannot deny him the sweetness of spring. he bites into the curve of your neck like the first fruit of warmer days, licks at your lips to drink in your sweetness. but a hunter is always hungry, always wanting. "it's been a long day," he growls, deepening the kiss. when he takes your shirt in his hands, the fabric rips apart easily. "too long without you."
robin's kisses are warm. they're fingers running through your hair, a smile against your mouth. sunny days and lips that taste like fresh lemonade. he always laughs when he kisses you, like he can't believe he's doing this. like he can't believe he's yours. when he kisses you, the world is a little brighter. softer. "it's a beautiful day to be with you," he murmurs after he pulls away, pressing a peck to your cheek before taking your hand in his.
there is no way you can truly describe how the ivory wraith kisses you, but there is a note of familiarity to it. your mind conjures memories of kisses whispered in passing, of lips locked in darkened halls. "as sweet as ever," he hums, licking your lips with his cool tongue. "as sweet as always." the passing of centuries have done little else but make him yearn. the wraith, with his great and terrible beauty, kisses you like he's been waiting for you all this time.
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✨Parallels✨
Garden Of Eden Shenanigans (Pt. 8 of Pt. ???) Pt. 7
This is like a day later than I said it would be but as much as I would like to stay at home and draw these fuckers all day I have to go to work so I can live. 😤
Next up is another set of drawings and then the plan is to start drawing just comics that are gonna tell what I think happened after Eden and also Eve's fate, which will kinda wrap this little series up.
I plan on still having drawings in between comic posts but there's probably going to be fewer of those.
I'm excited to show y'all what I think happened, there's going to be some fucking ANGST.
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