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ncssian · 3 years

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A Favor: Part Twenty-Eight

Nessian Modern AU

Masterlist

a/n: the beginning of the end :,) if u made it this far i think ur cool

***

“Where do you see yourself in five years?” Lana asks.

Nesta closes her eyes, letting the picture swirl and take shape in her mind.

This time last year, she would have imagined nothing. Nothing but a desk in a busy law office, and maybe a nice apartment if she was lucky. That would be it. But now she sees…

“Somewhere with good food and good music,” she muses. “Maybe a sea breeze.” The sun-faded buildings of Portofino fade into the foreground of her imagination. “There are lots of people with me,” she hears the sound of children shrieking and Cassian’s rumbling laughter, “but it’s okay, because I love every one of them.” Her eyes open. “Is that a good answer?”

A near invisible smile tugs at the corners of Lana’s lips. “You tell me, Nesta. Do you like what you see?”

“It’s a little too cinematic if you ask me,” Nesta says nonchalantly, picking up her bag from the ground, “but I suppose all dreams are that way.”

“It’s a good dream,” Lana says. “A worthy dream, and one you deserve to chase.”

Nesta shrugs lightly, not too worried about the burden of the future for once. “Maybe I will.”

“In that case, congratulations on completing your final therapy session,” Lana says, setting her notebook aside. “You’ve made some amazing progress this year.”

Nesta gives her therapist her signature what’s-wrong-with-you look. “I’m going on vacation, not firing you for good. I’ll see you again in two months.”

“Two months can be enough to lose all your progress, if you forget everything you went through to get here.”

Nesta isn’t stupid. She knows that she isn’t suddenly desperate to make babies or be maid of honor at her sisters’ weddings or some bullshit. She knows that the image she just dreamed up, with Cassian and kids and her unburdened heart, is likely more than five years away. If it happens at all, it could be ten, even twenty years of hard work away.

She’s not nearly finished growing yet. “I’ll see you in two months, Lana,” she repeats.

Lana smiles at her fully this time. “Enjoy your summer, Nesta.”

***

The air is different in the Smokies.

Nesta rolls the truck windows down so she can inhale it, relish it. Wind whips her hair every which way as they drive down the winding freeway cutting through the lush mountains, and something about the look on her face makes Cassian chuckle and press down on the accelerator.

Nesta watches the red needle on the speedometer cross ninety, then one hundred. She can barely feel the June heat with how fast they’re going.

In the end, it was Feyre and Elain that reached out and invited her to the Tennessee summer home. Cassian had made it obvious that he wouldn’t push her to go if she didn’t want to, and at first she really didn’t want to. But Feyre had looked so hopeful when she asked Nesta to come with them, and even Elain had revealed a glimmer of eagerness that Nesta would say yes.

So against all odds, she agreed to go.

Exchanging one mountain home for another isn’t much of a getaway, but Nesta can’t help but be excited. Even with the unhappy memories of her childhood, she loves these hills more than any other.

The pure exhilaration of being back in Tennessee overcomes her at some point during the drive, knocking her out in the passenger seat where she sits. In her drowsy state, she distantly hears the windows being rolled up, before feeling Cassian’s hand guide her head to rest against the glass. The rest of the drive is warm and sunny, enough to lull her into a deep sleep.

The next thing Nesta’s aware of is the crunch of gravel and the feeling of the truck tires slowing to a stop. Fingers brush against her heated cheek, and then Cassian is murmuring at her to wake up.

Blinking her eyes open, Nesta twists around to see their destination.

For a moment, she thinks she’s still dreaming.

“Welcome to Holly House,” Cassian says with a grin. The house in question is quaint and sprawling at the same time, the way most upper class Southerners like their houses. The whole thing gleams with a fresh coat of white paint under the afternoon sun, complemented by a sky blue wraparound porch. Colonial style windows and proud columns decorating the facade of the building makes it look like the setting of a fairy tale.

Beyond it, Nesta can see cherry blossoms. Pink, fluttering cherry blossoms that fly off their branches and swirl through the air, some of them disappearing into the thick woods behind the house. Woods that Nesta has walked countless times before.

“The rest of the guys won’t get here until tomorrow afternoon,” Cassian is saying to her, “so we have the whole place to our—”

Nesta isn’t listening anymore. She unbuckles her seatbelt and shoves open the truck door, hobbling outside on unsteady feet to make sure she isn’t hallucinating things. But no, this is…

“Cherrywood,” she breathes, eyes wide in disbelief.

Cassian gets out of the truck, coming up beside Nesta to slip his hand into her shorts pocket. “What’s wrong? You okay?”

“This is Rhysand’s summer home?” Nesta points at the house. “This place?”

Cassian looks around at the building grounds in confusion. “Has been for the last two decades, yeah.”

It’s been eleven years since she last stepped foot on these grounds.

With wonderment in her voice, she utters to Cassian, “I’ve been here before.”

At his puzzled look, she explains, “I lived just on the other side of those woods.” She points to the trees. “There’s an old cracked road that hasn’t been maintained since it was first paved, and you can follow it straight to the poor side of town. Whenever I wanted to get away, I would come down that road and trek through the woods, and I’d end up here. I stopped coming because…” she trails off.

Because she got caught that one time.

Cassian seems to realize it at the same moment as her. His hand slips out of her pocket. “You…”

Nesta remembers a tall boy with shocked eyes and shaggy hair, and she shakes her head slowly in forceful denial. It can’t be true. It’s too much of a coincidence.

But he points at her, then her feet. “You—with the size six Converse,” he sputters. “It was you.”

Before Nesta can confirm or deny it, he grabs her by the wrist and starts tugging her along, up the porch stairs and inside the house.

Even with Rhysand and Feyre’s renovations, it looks undeniably the same as all those years ago. The living room is to her right and the farmhouse style kitchen and dining area is to the left, though she speeds by it all as Cassian pulls her farther inside the house, to the closet beneath the curving stairs.

He lets go of her hand to search the small closet, muttering, “I know they were here somewhere.” But the closet looks like it was stripped empty for renovations, with only bolts in the walls indicating that shoe racks used to hang there.

Cassian turns and heads for the stairs, and Nesta blindly follows him. She also wants to go upstairs, wants to see if the bay window looking out onto the garden has stayed the same.

Like he read her mind, he leads her straight to the room she used to spend hours reading in. It’s smaller than all the other bedrooms in the house, but it’s always been her favorite because of the view.

As Cassian keeps looking for whatever it is he’s looking for, upturning boxes and checking beneath furniture, Nesta drifts toward the bay window. She looks from the cherry blossom trees outside, to the full-sized bed, to Cassian, and a weight drops even heavier in her gut. She has to reach out and grip the edge of the dresser for support.

Finally, Cassian pops out of the closet victorious. In his hand are a pair of ragged shoes that Nesta hasn’t worn in a long, long time.

He comes over and drops them with a thud at her feet.

“Whose room is this?” she asks with a rough voice, still staring down at the shoes.

“Mine,” he answers simply.

“Oh.” She met him before. She met him before.

When Nesta dares to look up and meet Cassian’s eyes, what she finds there nearly robs her of breath: wonder, astonishment, and unwavering fealty. He breaks into sudden wholehearted laughter, which dazes her even more.

“What’s so funny?” she demands.

Cassian gets out between laughs, “What was it Rhysand said about Feyre? When they found out they were close to crossing paths when they were younger?”

Nesta’s earth-tilting shock slowly slips away, replaced by a stern look. “Don’t say it.”

He pretends to remember. “I think it was fate.” A wicked smirk pulls at his lips at Nesta’s resigned sigh. “But I have another word for it, too.”

“Don’t say that, either.” She pleadingly holds up her hands, only for Cassian to snatch one out of the air and intertwine his fingers with hers.

“Soulmate,” he says quietly, now less amused.

Nesta swallows thickly, not having any words for him. All she knows is that he is never going to let her live this down.

“Imagine if we’d gone to the same high school,” Cassian says to her later that afternoon as they lounge in his old room. “Fuck, I could’ve saved myself so much time with all those random girls.” They’ve been swapping childhood stories for the past hour, as if they might find more instances in their history of a red string tying them together.

Nesta doesn’t need coincidences or fateful run-ins to know that a string has always been wrapped around her ring finger, pulling her to Colorado and to that cabin. But for Cassian’s sake, she’ll gladly amuse him. “I would have been a freshman while you were a senior,” she says matter-of-factly. “It never could have happened.”

He hums in thought, head propped up in his hand, elbow propped up against the bay window seat. “Maybe if you were older. You would have been the smart, quiet girl, and I’d have been the player jock, and as soon as we locked eyes in math class, I’d be head over heels in love with you.”

Nesta cackles from where she sits in the window seat above him. “Now you’re just writing fanfiction.”

Cassian grins up at her but doesn’t send a rebuttal her way. The conversation falls into a lull, until Nesta has to reach out and ask, “What are you thinking?”

His smile turns a little sad. “That I wish we weren’t doing this right before I leave for another country.”

Right. That’s what’s been hanging over them the entire trip to Tennessee: that as soon as they get back to Colorado, Cassian is going to be on a plane to Milan.

Getting Keith O’Connell to quit—how exactly Cassian went about accomplishing it, he still won’t tell Nesta—left Rhysand at square one with his search for a team leader for his overseas venture.

When Cassian brought up the idea of taking the job to Nesta, he sounded like he hoped she would shoot him down, talk him out of it. He both wanted to go and was reluctant to leave, like his very soul was glued to his home and he didn’t want to unstick himself.

So Nesta, being his home, had to do the unsticking for him. She nearly accepted the year-long Milan position herself for Cassian’s sake, and it took weeks of coaxing and convincing to put him at ease about the whole thing.

“But we promised to go together for the first time,” he kept saying.

“We’ll still go together one day, and it’ll still be our first time there with each other,” she reassured him.

Eventually, he relented to her and Rhysand’s pressures with a single condition. “I’ll do six months. Not a year.”

Only Nesta knows deep down how much Cassian needs this opportunity. Though Cassian must know it a little bit too, because he wouldn’t have taken the job if he didn’t.

Nesta might have needed him in order to come out of her shell, but now he needs to get away from her in order to find his own shell. Something he can call his own, unburdened by his loyalties to the people he loves. So he can find who he wants to be for himself, without always being attached to her hip.

Rising to her feet, Nesta raises her arms in the air in a full body stretch. Her back and legs ache with being curled up in that window seat for so long without movement.

Dropping her arms, she holds out a hand to Cassian still sitting on the floor. “Come on,” she urges him. “Let’s go outside. I haven’t seen a Smoky sunset in years.”

“But it’s not evening yet,” he argues while taking her hand.

Outside, they explore the garden that leads into the woods while waiting for the sun to slink down the sky. Cherry blossoms ride the summer breeze wherever it takes them, resulting in Cassian sniffling and scratching at his neck as they walk hand in hand.

“Rhysand wanted to take these trees down and replace them with a flower garden for Elain,” he tells Nesta as they walk. His sinuses sound clogged, but he’s refused to go back inside until he’s explained every inch of the land to Nesta. “I convinced him not to because it would ruin the view from my bedroom window. Didn’t I make the right choice?” He throws a grin in her direction.

Nesta’s swallow is tight at that grin. “The view from your room was always my favorite part about the entire place. So yes, you did good.”

His eyes widen at that tidbit of information, and she can almost see him tucking it away as more Soulmate Evidence.

They stroll through the woods for a while, and Nesta points out the path she would take to get to Cherrywood—she still insists on calling it Cherrywood, even when Cassian argues that the house’s original name has been around since the sixties.

“Show me the rest of the way?” Cassian asks her, face lit up in boyish hope. “Show me where you ran away to that day I found you.”

Nesta almost expects the memory of the rundown apartment complex she grew up in to feel like being shoved into sludge: dirty, cold, and slimy. Instead, she finds she has no problem with looking back at her old home, no matter how many ugly memories she holds from there.

However, the dappled sunlight streaming in through the trees overhead has turned from yellow to dark gold, and she shakes her head in apology to Cassian. “Another day,” she promises him. “It’s almost sunset.”

They walk back to the house, rounding it until they reach the front. At the bottom of the hill that the house is perched on stands a pier that leads all the way out to the lake. Green mountains frame the lake from both sides, creating the perfect cradle for the sun to sink into.

They go all the way out to the edge of the pier, as if they’re trying to get as close to the sunset as physically possible. Dragonflies lazily swoop by as the lake is gradually painted in a hundred different colors.

Once there’s more darkness than light in the sky, Cassian nudges Nesta with one of the arms he has around her. “Look.” He points.

Along the shoreline of the lake, little dots of light have lit up to welcome the evening, their blinking glow so small that Nesta almost doesn’t catch it. Fireflies.

Nesta watches the insects flit in and out of the long grasses of the lake shore, getting tangled in the weeds and wildflowers. In that moment, she remembers something Cassian once confessed to her not long after his birthday.

I want to see more beautiful places with you.

Nesta ticks this beautiful place off the long list in her head—the first place out of many that she plans to see with Cassian.

More beautiful than the scene before her is the man in her arms. The man who was kind enough to understand a woman who barely understood herself, and to be her friend when she had none. The man who is extending his kindness right now by not having made any breaking-and-entering jokes about Nesta so far, though she’s sure he’ll pull them out eventually.

Discovering that she once found Cassian, just to let him slip by running away from him, only to find him again over a decade later—it comforts the tiny part of her that’s loath to say goodbye to him in two weeks.

Like Cassian is thinking the same thing, he murmurs into the dark, “I can’t wait to come back to you.”

Nesta huffs in amusement. “You haven’t even left yet.”

“I know.” After a moment, he adds in a low voice that not even the fireflies can hear, “Thank you for convincing me to go.”

She reaches up to squeeze his bicep. “Always.” And then she adds what she really wants him to hear: “Don’t come back until you find what you’re looking for.”

“I better find it quick then,” he jokes. Still, he nods in promise against the side of her head.

The only sound after that is the chirp of cicadas and the occasional lap of water meeting the pier beams. Nesta and Cassian stay outside in the June heat long after the sky turns ink blue.

***

a/n: next chapter is just some ic bullshit so take all ur bittersweet sentimentality here and go

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#nesta archeron #nessian #cassian #ncssianwrites #a favor #nessian au #nessian fic

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darkficsyouneveraskedfor · 3 years

Note

Hi! Can I possibly get the promps, 145, 130, 85, and 238 with Bucky please! 😊

I didn't get 85 in there, sorry, but did my best.

Glory Days

Warnings: humiliation, mention of bullying, thigh riding, nonconsent.

🍸

You remember the laughter, the vicious snickers as you ran out of the house in tears, bass pumping in the early fall cool. Several other girls follow in a similar state but you hardly notice as your feet hammer on the pavement. The noise echoes still in your mind, ten years later as you stare at the man just ahead of you.

Bucky Barnes was the most popular guy in his frat a decade before, he seemed like the star of campus. Now he stands just a few feet away at a tall table, giving cheers to the blond across from him with one other man. You recognise the one with the blonde hair, Steve Rogers, ever his stalwart companion, but the other is unfamiliar.

You think at first it isn’t them. You don’t want it to be. You don’t want your rare night out to be ruined by bad memories. You blink and carry on past their table, certain to keep your head straight ahead. You dip into the washroom and to a stall. When you emerge from the small cubicle, you have to take a moment to catch your breath.

It was one night, ten year ago, eleven, maybe. What's worse was he probably doesn’t even remember it. To him, it was just another night, another party.

You go back out and your eyes meet his blue ones as you try to sweep quickly by. He tilts his head and smirks, a little wink as he sips his sparkling pint. You look away quickly and skirt by, heading back to the table with your coworkers, Jessica and Tegan. You sit and lift your empty glass and mope.

“About time for another round,” Tegan offers, “jeez, what a week.”

“God, don’t get me started,” Jessica drains the last of appletini, “it’s not even over.”

“You know the great thing about not fucking your boss is that your day ends at six o’clock,” Tegan teases but it’s well known she had a crush on Karim before Jessica hooked up with him.

“Mmm, it’s really not work,” Tegan giggles as the waitress approaches. You order another round and wait for her to clear the table.

“This place isn’t bad,” Jessica says, “maybe you’ll find a cute guy.”

“Speaking of,” Tegan preens as she flips her curls, “I think he’s heading over right now.”

“Hmm?” you follow Jessica’s gaze as Tegan gives a subtle nod.

You hold in a wince and turn back, hoping he isn’t heading over your way. Bucky Barnes could not be coming to your table. He just couldn’t.

“Hey, ladies,” his deep voice cuts through your prayers, “how are we doing tonight?”

He has the same snakish tone as he did all those years ago. The one that made you think you were the diamond in the rough plucked out by him alone. That you really were beautiful. Well, you changed since then, you weren’t the bookish girl with her goggly glasses and flaky complexion.

“Good,” Tegan smirks, “and you?”

“Well, you know, pretty good,” his hand rests behind your shoulder on the back of the booth, “me and my friends were just celebrating another Friday and we saw you three lovely ladies and there’s three of us, so naturally…”

“Naturally,” Jessica says, “I mean, who can resist a perfect balance?”

“Jess,” you hiss under your breath, “Karim?”

“We’re not exclusive,” she waves you off, “we would love to join you,” she says over your head, “but we did just order another round to the table.”

“I think there might be enough room for us,” he suggests, “we can make it work, huh?”

“Oh I think we can fit you in,” Tegan arches a brow and you hide your face.

“Great,” Bucky hits the seat and you glance at his thick fingers, “be right back.”

“We should let you choose the place more often,” Jessica trills at you and the waitress appears with her tray.

You accept your tropical cocktail and stir it with the little umbrella, “oh, so you didn’t notice the ring?”

“Ring? I don’t know it means anything,” Tegan shrugs, “not my problem.”

“Wow,” you squint at her and her eyes flick past you.

“Pardon us,” Bucky approaches with the two other men, beer glasses in hand, “I didn’t even get your names. I’m Bucky, this is Steve,” he points to the blonde, “and Sam.”

Tegan offers your name as she stands to let Sam sit between her and Jessica and gestures you curtly to shimmy over. You find yourself crowded between Bucky and Jessica on the curved seat. You take a gulp of your drink and try to think of a way out.

“So, you ladies work together?” Steve asks.

“Sure do,” Tegan chimes.

The conversation quickly splits off into pairs but you sit quietly next to Bucky and wish you had more to sip. You didn’t mean to drink that fast, this night is supposed to be stress free. He clears his throat and angles slightly to face you as he rests his elbow on the table, his sleeve rolled just above as it hugs his thick bicep.

“And what do you do in the office?” he asks as he looks you over, “you’re quiet, like a secretary.”

“I’m an accountant, actually, senior,” you purse your lips derisively and wave your fingers above his head for the waitress, you need more alcohol.

“Ah, I’m just another corporate shill,” he says as the waitress approaches, the whole table takes your lead and orders.

“Oh, and a loving husband?” you look at his finger as you return to the stunted conversation.

“Not, actually, divorced,” he spins the ring, “why so shy?”

“Not shy,” you answer bluntly, “the ring kinda puts women off, you know?”

“Bad habit,” he says, “you know, it costs a lot so why not?”

“I guess,” you sigh.

“I didn’t know you were so sensitive,” he sits back as the waitress sets down your drink and then his. The sentence takes you back, the keg, the smell of beer, the jeers of drunken frats, and cruel laughter. You come back and shake your head.

“Sensitive? No, but I think it’s a valid concern,” you take a drink.

“Hmm,” he considers you as he tastes the head of his beer, “you’re sharp. I like it. And damn hot, if I do say so. You wear the hell out of that skirt.”

“Ah,” you put your drink down, “it’s not my favourite.”

“I see,” he leans his chin in his hand, “you like to play hard-to-get.”

You wrinkle your nose and glance over at Tegan. She laughs as she rubs Steve’s arm and leans into him and Jessica is almost halfway in Sam’s lap already. You hide your discomfort and grab your glass again.

“Maybe that will loosen you up,” he taps the bottom of your cup.

“Maybe I’m not interested,” you hiss.

“Oh, no?” he slides closer and his hand goes to your thigh, “you’re shaking.”

You feel the anger spike and you spill your drink down your front. You curse and stand up awkwardly between the seat and the table. You put the glass down and the others look at you in concern. You wave Bucky over as you snap out a blunt ‘excuse me’.

He stands and let you out but says he’ll “help” and follows. You stomp back to the bathrooms as you try to outpace him. You reach the ladies’ room door and spin to face him.

“I don’t need your help,” you snarl, “alright? Can’t you take a hint?”

“Is that an oink I hear?” he mocks as he lifts his hand to cup his ear, “you don’t look like a pig anymore but you sure sound like one.”

Your lips part and you scowl at him. You shake your head and shove his chest as you turn and storm into the bathroom. He remembers. He knows it’s you and he’s all smug because he can see it so plainly. You grab a wad of paper towel and start daubing your blouse.

The stall behind you opens and the only other woman in the room goes to the sink beside you and washes her hand. She smiles tipsily at you in the mirror and you give an awkward grin back. You toss the towel as the door swing behind her only for the hinges to squeak again.

You hear the lock and glance in the mirror. You see the dark hair and the broad shoulders. Bucky turns to you as he leans on the door with one hand, his other on his belt. He bites the tip of his tongue as he eyes you.

“You always were a dramatic bitch,” he sneers as he pushes himself straight,

“Fuck off,” you try to brush past him as he nears and he catches your wrists. He backs you up between the sinks and crushes you against the wall, eyes boring into yours.

“You know, you left so early you missed out on all the fun, can’t have that happen again,” he purrs, “you know, you don’t win at a pig party unless you get the swine’s panties.”

“You’re disgusting,” you try to twist free but he pulls your hands above you and presses his body to yours.

“You’re a fucking prude,” he growls as he pushes his knees between your legs, your skirt rising as he plants his thick thigh there, “can’t just let go of the past and have a little fun.”

“Let me go,” you huff as you bare your teeth.

“Now, little piggy, don’t squeal too loud,” his thigh meets your panties and you flinch, “you just need to relax, let loose. That’s what you girls came for, isn’t it?”

“Get off,” you snap, “I’ll--”

Before you can promise a scream, his hands over your mouth and his other falls to your hip. He tuts and shakes his head. He holds you against the wall as a knock comes at the door and he waits until the heels clack away from the other side. He lifts his legs higher and slowly guides your hips so your cunt rubs against his thigh.

“You need to get some of that tension out,” he hums as his eyes wander down and he watches the way he rocks you. You try to stop him but can’t plant your feet as he has you on your toes, “the only way you’re getting off is on my thigh.”

You try to shake your head as you latch onto his wrist and hit his chest with your other hand. He doesn’t even flinch as he keeps you moving, his gaze clinging to the motion as he tilts you against him.

“Look at you, piggy,” he taunts, “your legs are shaking… you gonna cum on my leg like a slut, huh?”

You mumble into his palm as your breath flows from your nose and glosses over his hand. You wriggle between his strength and the wall. The tingle flurrying in your core makes your eyes water and your heart race.

You grab onto his tie and yank desperately, trying to get him to stop. He chuckles as it tightens and lets go of your hip. He grabs your hand and pulls the silk tighter until his neck tenses and his face reddens.

“You know what I like, piggy,” he says in a strained voice, “now finish.”

You whimper as he keeps your hand around his tie and his other clamps tighter around your mouth. You close your eyes and move your hips. You just want it to be over with. You want to leave and you can’t see any other way past him. He rasps and groans as he senses the urgency that guides you.

“That’s it,” he breathes, “fuck my leg like a good little piggy. Fuck it.”

You whine into his hand and squeeze his tie as your muscles tighten. Your release swells and spills over as your eyes shoot open and he stares at you as he watches you cum. You feel it soaking through your panties and onto his slacks. You slow as you quiver and he lets your hand fall from his neck.

He reaches down as he slides his leg out and touches the wet spot on his leg. You see the darker patch streaked there as he drops his hand from your mouth and tisks. He snickers as you try to stand straight and he pushes you back.

“Can’t forget these,” you brace the wall as he reaches under your skirt and rips your panties down your legs. He tugs until you step out of them and he folds them before he slips them into his pocket, “I’ll just tell them you spilled some on me, huh?” he rubbed the streak again, “you think they’ll buy it?”

“Get away from me,” you fix your skirt and stand straight on your wobbly legs, “get away--”

“Shhhh,” he puts his finger to your lips, “you keep oinking and I’ll have to really make you squeal.”

#bucky barnes #dark bucky barnes #dark!bucky barnes #bucky barnes x reader #drabble #ask #request #mcu #marvel

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parkerslatte · 3 years

Text

Years Passed [Chapter One]

Spencer Reid x Fem!Reader

Word Count: 1.6k

Part Summary: After a decade of living in England, Y/N finally moves back to America to be closer to her family.

prologue / next chapter

Years Passed Masterlist

Main Masterlist

Taglist

***

CHAPTER ONE: FAMILIAR FACES

Y/N was always one to follow her dreams. Originally her dream was to become an astronaut but she soon found that she wasn’t smart enough for that. That’s when she found herself falling down the route of art. Y/N had always been a gifted artist since she was a child. While everyone in her class was drawing stick figures and calling it a day, Y/N would take time to get the proportions of the body right. People would always say she was trying too hard or just trying to get attention. Y/N didn’t care - she was doing what she loved.

It wasn’t until high school where she began to take art more seriously, people would come to her to do art commissions. At first Y/N refused, she didn’t want to charge people for her art but once she realised how much she could make from it, doing art commissions became her job. Throughout high school it was her main source of income. However, it wasn’t until the end of high school where Y/N decided that art was the thing she definitely wanted to go down.

Opening up her own gallery became her dream. A couple of years after breaking up with Spencer Reid, Y/N moved to England. She didn’t exactly know why, all she knew was that she wanted a fresh start. Y/N moved into a small flat in Cornwall. It was perfect for what Y/N needed. She spent just over ten years of her life living in Cornwall and Y/N couldn’t be happier, however there were many instances where she missed her family. Y/N could never afford to constantly go between England and America and neither could her family. A lot of her time was spent on phone calls and video calls with her family.

It was only recently that Y/N moved back to America. Six months to be exact. After nearly eleven years of being away from her family constantly, Y/N decided to move back to America. She didn’t make the decision lightly, it took her many months to come to the conclusion. Y/N had many friends in England. She had her small art gallery. Most importantly, her daughter had her friends in England and her school - everything she had ever known.

Y/N’s daughter, Harper, was seven and she was the light of Y/N’s life. Everything she did was for Harper. Y/N didn’t want to pry Harper away from her home, but she wanted her to get to know her family. When Y/N told Harper the news, Harper was excited, she had always been a curious girl and moving to a new country was exciting for her.

“Mummy!” Harper yelled, running out of her room to Y/N who was sitting on the couch. Her daughter’s accent was a little messed up. Some words would come out in an American accent and some in a British accent - more specifically the Cornish dialect.

Y/N smiled upon seeing her daughter. As she ran, the wild curls on top of her head bounced up and down. Harper approached Y/N and climbed onto the couch next to her. Y/N wrapped her arm around her daughter and pulled her in close to her side.

“What’s got you so energetic?” Y/N questioned.

“Can we go to the park?” Harper asked, “You said that we could go today.”

Y/N checked the time on the clock on the wall, “You really want to go at ten in the morning? You don’t want to wait until midday then we can go out for lunch?”

“Can we go now? I’m bored.” Harper draped herself over Y/N’s lap dramatically.

Y/N shook her head, a smile on her face. Harper was definitely one for dramatics, something she inherited from her father.

“Okay, how about this?” Y/N started, “We wait until eleven and we can invite Melanie and Toby and we can go and get lunch with them?”

Harper nodded her head vigorously causing Y/N to chuckle slightly. The only reason as to why Y/N wanted to wait longer to go out was because she was waiting for Harper’s birthday present to turn up. It wasn’t her birthday for another three weeks but Y/N always wanted to leave time in case the package never turned up in case she needed to buy something else.

“Why don’t you go and play in your room and I’ll come and get you when it’s time to go?”

Harper nodded before running off to her bedroom down the hall. Checking the clock again, Y/N realised the package wouldn’t be here for another half hour. Deciding she had time to kill, Y/N made her way to her bedroom to get changed. If she was going to be out for most of the day, she decided that being in sweatpants and an old shirt wasn’t going to look so good.

Picking out a simple sundress, Y/N got changed in a flash before she found herself seated on the couch again. Over the last few days, Y/N had found herself being more tired than usual. Everything she did drained the life out of her, obviously she wanted to run around and play with Harper but she would tire out quickly. Harper would try not to get sad about it as she understood why Y/N got like this once a year. Y/N wasn’t going to explain it until Harper got a little older but she understood perfectly.

Grabbing her phone off of the coffee table, Y/N pressed on Melanie’s contact. Melanie had been Y/N’s friend for a while. They met a year before Y/N had moved to England, due to their long distance friendship, Y/N had expected that they would fall out of contact but they never did. Melanie was godmother to Harper and Y/N was godmother to Melanie’s son Toby.

The phone rang a few times before Melanie picked up.

“Hello?” Melanie’s voice came through the phone.

“Hey Mel!” Y/N greeted.

“Hey, what’s up?”

“Well Harper and I are going to the park in an hour and I was wondering if you and Toby would like to join us?”

“We’d love to,” Melanie answered, “Toby’s been pulling my leg asking when he would see Harper next.”

Y/N chuckled, “We’ll meet you at the park if that’s alright.”

“That’s more than fine, we’ll see you then.” Melanie responded before hanging up the phone.

Y/N tossed her phone back on the couch and slumped back down. She could easily turn on the television and watch something but she didn’t feel up to it. Getting back up from the couch, Y/N headed over to Harper’s room and pushed it open. Her daughter was hunched over her small desk, scribbling away on a piece of paper. Y/N smiled at the sight. Her daughter had taken after her in artistic skill, always having the dream that one day she would be as good as her mother.

“Hey Harp.” Y/N said, entering her room.

“Mummy, look I’ve done a drawing!” Harper said excitedly holding up the picture, “It’s the same one you painted.”

Y/N took the drawing out of Harper’s hands and held it up. Y/N had painted a landscape of a forest a few weeks ago and Harper had copied it almost exactly. Every time Y/N would do a commission or a painting for fun, there would always be smaller versions of the same painting but made with colour pencil. Sometimes Harper would sit next to Y/N while she was painting and they would do it together.

Y/N always enjoyed doing art with Harper by her side. She would constantly ask questions about it and Y/N was always more than happy to answer. From sitting next to her and watching her paint, Harper had been teaching herself how to paint. Y/N would always offer to help her but Harper always refused the help, letting Y/N only watch from a distance. Their whole house was filled with paintings from both Y/N and Harper.

“It’s incredible, Harp.” Y/N said crouching down, “Even better than mine.”

“No it isn't, your one is better.” Harper said, “Yours are always better. I want to be like you when I grow up.”

Y/N pressed a kiss to the side of Harper’s head, “I don’t want you to be like me, I want you to be like you. You are going to grow up and be an extraordinary person, like you already are.”

Harper hugged Y/N tightly, “I love you mummy.”

“I love you too, sweet girl.” Y/N pressed a kiss to the side of her head once more before she heard the doorbell ring.

“Is that Melanie and Toby?” Harper questioned.

“No, it’s someone else, Mel and Toby are meeting us at the park,” Y/N explained, “Now why don’t you clean up in here before we head out.”

Harper nodded before she began clearing everything away. Y/N headed out of her room and opened the front door. Y/N expected it to be Harper’s present however she was greeted by two people - more specifically FBI agents. Y/N looked between the two, very obviously confused.

When Y/N looked up at the male agent, her eyes widened the slightest amount. His hair was curlier and he had a slight stubble. He looked as if he filled out his clothes more as well. Even if it had been more than a decade, she could recognise him anywhere.

Spencer Reid.

PERMANENT SPENCER REID TAGLIST

@spenxerslut @averyhotchner @drayshadow @moviequeen51 @spencer-reid-am-i-right @ssavanessa22 @amurderofcrowsinatrenchcoat @mbjackie @jklemps @reformedmoneyshovel @nomajdetective @jesuisbenny @jooniehomie @spencerreid-187 @onyourfingertips @uhuhuh @rubyhi208-42 @archer561 @c0rpsecore @sweetandsunny @zoeygraygubler @algonsa @jswessie187 @shemarmooresfedora @kaz-2y567 @alfonsais @aikrus @nani-2305 @death-becomes-her @sarejane @isabelle-558 @measure-in-pain @the-nerd-gang @manuosorioh @luredwithpretzels @ceeellewrites @totallyclearwitch @jekkles @this-is-doctor-and-its-calm @sarahpaulsonlov3r @periwinklemax @kuolonsyoja @heartmira @hoodpankow @parahmur

SERIES TAGLIST

@its-9pm @nani-2305 @reidsfish @mochionly @spencerswildestdreams1 @magnetas @matthewscumslut @madsgraygubler @bakugouswh0r3 @rexit-mo @shinshankai

#spencer reid #spencer reid x reader #criminal minds x reader #criminal minds #spencer reid x y/n #spencer reid series

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stillebesat · 3 years

Text

An Unconventional Defeat

Sanders Sides: Patton, Virgil Blurb: Patton knew that heroes started out young, far younger than villains ever did. But this young? Inspiration: From the Anon prompt: “I can take care of myself just fine.” with Virgil. Fic Type: Superhero!AU, Villain!Patton, Hero!Virgil Overall Fic Warnings: Near Death Experiences, Death Talk, Injuries, Hospitals Taglist in Reblogs:

He’s fourteen.

Patton stared down at the prone form of his nemesis, Onyx, in the darkened hospital room, mind racing.

He knew that heroes started out young, far younger than villains ever did. But this young?

Sure, that no good empathy that the heart twinged with seemed to chime all stronger for the children. For those naive fools who were still optimistic about life and wanted to believe that good would always win out in the end. That being good was the best way to live your life. That you could change the world for the better.

Patton had been a fool like that. Once.

He’d wanted to be a teacher. Once. Be an example to the rising generation. Once.

And then he’d had his eyes forcibly opened in college to just how cruel and heartless the world actually was. Goodness only got trampled. Squashed. Taken advantage of. Goodness only got used until it wasn’t useful anymore and then got dumped like so much trash. If one wanted to change the world permanently. One couldn’t do so by being good.

Kids though?

The poor fools didn’t realize that yet. That being good wasn’t well...good. For anyone. Hero work? Pointless. Especially with how active Patton was in the city.

Hero work didn’t put food on the table. Hero work didn’t pay the bills. It was a thankless never ending job.

A job that landed a fourteen year old in the hospital with head trauma, a broken leg, arm, fractured ribs, and multiple puncture wounds in the shoulders and abdomen that had only avoided killing the kid by sheer dumb luck.

A fourteen year old that Patton had been fighting for a good three years now, not that he’d known that until nine hours ago.

Onyx had always snarked at him in a deep distorted voice, had always been covered by an ever shifting melee of shadows that never showed just who was manipulating the darkness around him.

He growled under his breath, rubbing the back of his neck. Eleven. The kid had been freaking eleven when he’d first shown up to stop Patton from razing the police department to the ground.

No wonder Onyx had been so ferocious in defending the place. He’d still been of an age to see the cops as fellow heroes. The good guys. He hadn’t yet discovered their darker side. Just how much like school ground bullies most of them could be to the weak.

Patton clenched his hands, conscious of the frost coating his fingertips, of the room getting noticeably colder. “You’re an idiot.” He told the sleeping hero in a low voice, tensing as the shadows sluggishly stirred at the sound of his voice. “Ruining everything.”

He’d been trying to take down Onyx for ages. Perfecting the best way to use his ice bolts to freeze those shadows of his once and for all. It had been the best moment of his life seeing the hulking figure finally stagger when his ice had successfully pierced through the darkness and not fly out the other end. To know that they had stuck. To see those dark wisps vanish like so much smoke as the hero plummeted from the sky. To have a crater form from the impact that left a dust cloud floating in the air with no hint whatsoever of his shadows preparing to strike back.

It had been his greatest moment of triumph. The final defeat of his main nemesis.

An icy javelin had already formed in his hands, aimed for Onyx’s heart before Patton’s feet had even hit the ground.

But instead of the square jawed overly muscled hero he’d expected to finally see underneath that murky shadow disguise...he’d found a freaking child laying there, bleeding, broken, and unconscious.

One Virgil Hawkins. Fourteen years old. Orphan. Parents dead since he was nine. Grandmother dead since he was eleven though apparently no one else had realized that little tidbit yet besides Patton because he’d actually tried to find the woman last night after he’d rushed the boy to the hospital for emergency surgery only to discover the little urn with her name on it on the mantle of the fireplace in her home.

It was one thing to kill a Hero. And Patton...well he’d done in his fair share of heroes over the last decade. But killing a child? His heart might be cold. Frozen even. But as much as he itched to end Onyx the hero permanently...ending Virgil the child was an entirely different matter.

Not that anyone would know. Not that anyone would care if Virgil vanished the same evening Onyx died. He could freeze the kid’s heart here and now and not even the staff supposedly watching the boy would think much of it, injured as he was.

Patton frowned, breath misting in front of him as he held out an ice coated hand over the child, an icicle easily forming in his fist.

It would be so easy.

Who would care about the disappearance of a single boy? One who was practically a ghost in his civilian life. Certainly not the news. Certainly not the cops the kid had risked his life to defend. A kid only surviving as it were because he’d been clever enough to keep his grandma’s social security checks coming to the house as a source of income.

No one would notice if he just...vanished. Not even the school the kid attended would. Not when they couldn’t even tell him if he’d shown up yesterday for class.

No concerned teacher. No concerned counselor. No friends to worry about him suddenly vanishing. Not even the staff here in the hospital cared enough to keep more than a cursory eye on their John Doe as the police attempted to track down the boy’s nonexistent family.

Virgil had no one.

Patton let the icicle dissolve back into his skin, his hand lightly resting on the boy’s warm forehead, fingers lightly brushing the stitches there.

No one to pay the hospital bills. No one to look after him once he was released. No one to ensure that he had food, clothes and shelter. No one to stop him from being a fu-freaking idiot and going out to attack a villain old enough to be his Father.

Patton shuddered, pulling his hand back. Crofters forbid that. Teenagers were the worst. Onyx only proved that tenfold with how easily he’d wound up Patton in their fights. To have one living in his own home? With their constant mood swings, inability to do chores, and dependence on social media? Ha. No.

A groan from the bed drew him from his thoughts right as the shadows around the bed surged at him, latching onto his arm and jerking him forward with a startled yelp.

“Cold.” A hoarse voice whispered as pale fingers shakily rose from under the blanket, twisting to catch Patton’s wrist as the shadows pulled him within reach. Onyx’s eyelids fluttered as he placed Patton’s hand on his forehead. “Cold.”

Was he insane?! Patton growled, the temperature in the room dropping another ten degrees as he struggled against Onyx’s shadow grip. “Let. Go!”

The hero had the gall to smirk, dark eyes unfocused as he opened them fully, the shadows pulsing around them. “No way, Icy.” He whispered. “You cold. Feels good. You stay.”

WHAT?! He wasn’t an icepack! “I’ll freeze your burning head off! LET GO, you idiot!” He allowed a thin layer of ice to form under his hand to prove his point. It was bad enough that Onyx could match him throw for throw on a good day, it was worse knowing that a fu--freaking half-drugged teenager could still hold him with minimal effort.

Virgil closed his eyes, stupid smile growing wider. “Rubber. Glue. Back to you.”

Patton blinked. “Huh?” What was that supposed to mean?! This was why he hated teenagers. They didn’t make a lick of sense whenever they spoke.

“You’re the idiot here.” Virgil dropped his hand, the shadows releasing their grip. “Coming in uniform? To a hospital? To see me? For shame.”

Patton scoffed, taking a step back. He wasn’t some first year amateur to walk in the front door dressed like this. “Like I care if anyone sees me, kid.”

If it weren’t for the fact that he couldn’t afford to let anyone see him actually caring about anyone’s welfare, especially some ‘random’ kid found on the street after the big fight with Onyx, he would have blasted the front doors off their hinges and made a grand entrance instead of manipulating the ice of his clothes to resemble simple civilian attire before sauntering inside, no questions asked. After all, no one ever looked twice at some guy walking around in a black shirt and blue jeans, not even in a hospital.

Though. He flexed his fingers. It wasn’t like it was outside his wheelhouse to freeze people to death if they got in his way.

Onyx frowned, the shadows pulsing as he opened his eyes again, making eye contact. “No...you wouldn’t would you….why are you here--No.” The darkness gathered underneath him, carefully carefully pushing the kid upright in the hospital bed. He hissed, uninjured arm moving to wrap around his stomach. “Why am I here and not dead, Icy?”

Patton lifted his chin, glaring at the hero. “Did you want to be dead?” He asked, hefting a javelin of ice in his hand.

The teenager had the gall to roll his eyes, though Patton didn’t miss how the shadows surged around him in a protective shield. “Missed your chance, buddy. Don’t tell me your frozen heart actually thawed a little during our fight.”

“No.” Patton jabbed at the shadows, not at all surprised when they easily shattered his weapon with a quick twist.

So the kid wasn’t as out of it as his dilated eyes made it seem. Good to know.

“So I’m alive then….why?”

Why did it matter? “You’re fourteen.”

Virgil scoffed, slowly moving the arm that was in a cast so it too rested against his stomach. “So? You’ve killed kids before.”

Patton stiffened, ice flashing from his feet to cover the floor like a mini ice rink. Did the boy honestly not care about his own life?! “You shouldn’t have been fighting me in the first place, Onyx! You’re a kid. A Fu-FREAKING KID. Your biggest worry should be passing some stupid Math test! Making friends in school. Not squaring up against the worst villain the city has ever seen!” A villain that always, always killed his nemeses no matter what.

Virgil huffed, spreading his arms, the shadows twisting around them. “Last time I checked, this kid could wipe your ass into the dirt without breaking a sweat. I can take care of myself just fine, thank you very much.”

“But you shouldn’t HAVE to.” This wasn’t some stupid dystopian novel. No normal eleven year old should have such a stupidly high Chosen One complex.

“And who’s fault is it that I have to, Icemas?” Virgil’s eyes practically glittered like obsidian shards as the shadows lifted him off the bed, turning him to face Patton properly, the machines squeaking in protest as the various tubes connecting them to the hero shifted out of alignment. “No one else was stepping up. No one else would face you.”

“That’s the point!” Patton hissed, shooting a ray of ice to the door, crystals covering the window there and locking it in place so no one else would be able to investigate the alarms going off, before stepping forward to jab a finger at the boy’s chest, though he was careful to not actually touch the wounds there or send any ice bolts at him. “I’m showing everyone that being a hero is a useless archaic practice! No one should have to risk their life day in and day out for complete strangers who will never appreciate your sacrifice! If you had died tonight, Virgil, who would have cared?! The media? Ha.” He shook his head, gesturing to the blank TV screen in the corner as the shadows pulled back to quiver behind the young hero. “They’d mourn you for maybe a week tops before moving onto the next sensational story, the next stupid hero trying to make a difference. Maybe, maybe they will name some shiny new building after you, to remember you by, but then what? NOTHING. You’d be DEAD before you could ever drive and it would have all been for naught!”

Virgil frowned, shadows lowering him so he was sitting on the bed. “...You know my name?”

Patton stiffened. That’s what the kid was worried about? Him figuring out his civilian identity instead of nearly dying?! That was so messed up. “Someone had to try and track down your family, kid. The idiots here weren’t gonna do it.”

The hero had the gall to grin, though Patton didn’t miss how his fingers clenched the sheets. “Aww, well isn’t that sweet of you, Popsicle. How did that go?” He tilted his head to the iced over door where distant voices could be heard as the handle rattled. “Good old mom and dad waiting outside to see me? To check in on how their ickle Virgikins is doing?”

Teenagers. He hated them. “You know they aren’t. You have no one.”

Something flickered in the boy’s eyes. “Oh! Then let me guess.” He rested his chin on his uninjured hand. “You let the staff know I’m on my own? Do I get the oh so fun opportunity to experience our stellar A+ foster care system now?”

Patton rolled his eyes, shooting another bolt of ice at the door for good measure. “Please. They still think you’re a John Doe.” The lazy bums were waiting for him to wake up first. Hoping that Virgil would tell them who he was before trying to track down his identity or family.

“Excellent.” Virgil gave the door an appraising look. “Think they’ll believe amnesia?”

Patton blinked. “....Do you not feel the stitches holding your head together?” Or the baseball sized lump on the back of his skull from hitting the pavement?

The hero shrugged. “Honestly?” The shadows pulsed around him. “It’s all kinda fuzzy agony currently. Can’t differentiate what parts of me hurt and what doesn’t.”

How was this kid even awake?! Patton stepped forward, pushing the boy back down flat on the bed. “Then REST before you hurt yourself further, idiot.”

“Aw, love you too, Popsicles.”

“DON’T CALL ME THAT.” He would never be a fu-freaking Father to anyone.

“Or what?” Virgil relaxed against the pillows, even as his hand twisted to catch Patton’s wrist again. “You’ll kill me?”

If he wanted to do that the kid would be dead already. Patton jerked free, another ice spear forming in his hand, pointed to the boy’s throat. “No.”

“Aw. You scared to?”

“NO. I’m not killing a KID. Our fights are done with, Virgil. No more Onyx. He’s DEAD.”

The boy scoffed, pushing the spear to the side. “Last I checked, Icy,” The shadows surged over him in a swirling mass until the familiar shadowy form of Onyx stared back from the bed. “We’re the same person.” His voice echoed. “And I’m still alive and kicking.”

Ooooohoooho. Patton could feel his eye twitching as ice crept up the walls and window. If it were just Onyx he’d take great pleasure in killing the hero here and now. He itched to do so. But he couldn’t. Not with knowing that Virgil the child hid underneath the darkness. “I won’t fight you, kid.”

The shadows pulled back, revealing Virgil looking far paler than before, his face glittering with sweat. “Coward.”

“Idiot.” The kid needed to see a shrink. No normal fourteen year old would be this stubborn about wanting to constantly go up against him and face death by his hand!

“I know you are but what am I?”

The window shattered, sending frost covered glass glittering to the floor. “Hopefully grounded by the fool that ends up taking you in.” He got out through gritted teeth, ice particles shimmering in the air, ready to defend as the shadows around Onyx sprung up like a series of blackened tentacles writhing behind him.

He pitied whoever ended up with this troubled teen in their home…though...maybe he could arrange for the kid to be shipped across the country to live far far away from here. Getting out of this place could set him straight. Snap him out of this stupid hero phase he was in.

Virgil threw his head back, laughter ringing throughout the room as banging sounded from the door, the ice blockade cracking under the strain.

Judging by the way the ice was shearing off, someone with heat abilities had finally shown up.

Virgil shook his head, still grinning, though his eyes held no laughter as the shadow tentacles sharpened into jagged points, all aimed at Patton’s chest. “Oh that’s rich. Me, grounded? Like a normy would be able to stop me from coming after you the next time you decide to wreck the city.” He pushed himself up onto one elbow, jabbing his cast at Patton, the shadows quivering behind him like a pack of hunting dogs waiting to be unleashed as the temperature in the room dropped even further. “Face it, Popsicle. If you’re not gonna kill me then you’re stuck with me being your nemesis. If you want me to stop being the hero and keep me alive, then you have to stop being the villain. And we both know you’re not gonna do that. Your precious plan is too important to just give it up for my sake.”

And that was the crux of the matter wasn’t it? Patton snarled, raising his hands, the ice particles in the air morphing into a slew of arrows all directed towards the boy. He didn’t want to kill Virgil. But he couldn’t give up his plan. Give up being the villain. Not after a decade of fighting to get all those idealistic fools to see what a farce being a hero was. He was so close to winning. So close. “Fine.” He surged forward, grabbing the boy by the throat, ice arrows darting about to block the shadow tentacles of the kid’s from interfering. “You value my plan more than your pathetic life? Then you should--”

BANG.

The door behind them shattered, sending a heat wave full of shrapnel blasting into the room.

IDIOTS.

Patton whirled, flinging a wall of ice towards the figures in the doorway in an attempt to block the worst of the heat from outright killing Virgil then and there. IDIOTS! Did they not care at all that an already injured kid was in the ro---

A half melted silver door knob burst through the resulting steam before Patton could react to it, clocking him between the eyes with enough force to knock him backwards, his world vanishing into cold, silent darkness as the hospital floor rushed up to meet him.

#An Unconventional Defeat #stillebesat #Sanders Sides #Patton Sanders #Virgil Sanders #Morality #Anxiety #Superhero!AU #Villain!Patton #Hero!Virgil #Near Death Experiences tw #Death Talk tw #Injuries tw #Hospital tw

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winterscaptain · 4 years

Text

no deal.

Aaron Hotchner x Gender Neutral Reader

a/n: and thus begins the 100 arc! i am so excited to share this with all of you. these are going to include more canon episode moments than my other episode-attached fics because everything builds on itself and the details are key. i promise we’ll still get a lot of added scenes and little changes!

words: 8.4k warnings: canon-typical violence and discussion of violence, language

summary: a case comes back to haunt Aaron in more ways than you can imagine. you’re there to be his shadow, to catch him when he falls.

masterlist | a joyful future masterlist | requests closed!

“Hotch?” You poke your head around the door, and you find him at his desk, in a surprising ensemble of khakis and an earthy quarter zip.

Almost whimsical, for him.

He looks up, his eyes softening for a moment before his brows pull in confusion. “You’re still here?”

You gesture to his desk lamp, the only light on in the entire office. “You are, so I figured…” You shrug. “I dunno. Is everything okay?” He looks exhausted, but it’s bone-deep - nothing sleep can fix.

He shakes his head and sighs.

That’s his tell.

But he says, “Yeah, everything’s fine.”

You don’t believe him.

“Are you sure?” You cross the room and lean on his side of the desk, quickly scanning over the documents you find there. He doesn’t mind your nosiness. He's mostly accustomed to it by now.

Most of it is pretty normal - after-action reports, performance evaluations (it looks like you’re doing well), and task force meeting agendas - but there’s one file that sticks out.

Your brow furrows. “The Boston Reaper?”

He shakes his head again. “I’m just reviewing it for an academy lecture about dormant or otherwise inactive serial killers.”

“Ah, I see.” You know he’s still lying. “Anything I can help with?”

A little half-smile tugs at the corner of his mouth. “No, thank you.” He looks up at you and you offer him a small smile. There are many things at work behind his brown eyes.

He never keeps things from you without reason, so the lying doesn’t bother you so much as the unease radiating off him in waves.

For now, you decide to let it go and pat his shoulder as you stand. “Alright. Walk me out?” It’s a pointed question - you know he won’t leave if left to his own devices.

He’s about to throw you a denial, but the look on your face leaves no room for it. “Yeah. I’ll just be a minute.” He starts packing up, sorting the files into neat little stacks that will be there waiting for him when he gets back tomorrow. The Reaper case, you notice, goes into his briefcase, decisively snapped shut and taken into his hand before you can process much else.

The walk down to the garage is a quiet one. You take the stairs, happy for the excuse to stretch your legs.

You snag the sleeve of his (very soft) quarter zip before he turns toward his car. “Aaron?”

His eyes snap to yours at the use of his first name.

“Just…” you aren’t sure where you’re going with this, but he’s probably used to that by now, too. “Just, erm...Drive safe, please? Get some sleep when you get home?”

He takes a little breath and nods, his gaze softening. He’s quiet as you release his arm, quiet on the walk to his car, quiet (you imagine) as he drives out of the garage.

You watch him until the echo of his tail lights fall out of your sight.

+++

The next morning, JJ trots up the stairs to Hotch’s office and exchanges a few words with him before he flies out of his office and down the stairs.

“Shouldn’t we wait for the official request? We haven’t been invited.” JJ does her best to keep up with him, trotting down the stairs behind him with a file in her hand.

“We will be.”

You look at her with questions in your eyes and she shrugs. Derek, too, looks at her with confusion. Hotch continues toward the doors.

Is he already headed toward the plane?

She throws her hands up. “Well, it looks like we’re going to Boston.”

+++

When all your things are packed and ready, you settle in beside Aaron in your usual place, on the arm of the couch across from the table.

He walks you all through his work from a decade ago as you all review the files in your hands. "The Reaper is driven by a need to dominate, control, and manipulate."

Emily’s the first to speak up. “So then why would he offer a deal that would stop him from doing that?”

“Well, killing gave him power, but after so many, the payoff began to diminish. So he decided to switch tactics. Offering the deal gave him the ultimate power, better even than killing. He manipulated the police into voluntarily surrendering.”

“He even got it in writing,” Reid adds. He’s looking closely at the letter, likely starting the structure of what would become a linguistic profile.

JJ looks up, a little confused. ”He won. Why start killing again?”

“Because the only person who knew he'd won, the person he made the deal with, just died.” Morgan says, closing the file and tossing it on the table in front of him.

That’s an easy train of thought to jump on. “Narcissistic killers need other people to recognize their power.” With a little smile, you remind her, “That's why they contact the media.”

Emily’s next. “So how did he stop for 10 years?

“In Night of the Reaper, the author suggests he had been arrested for an unrelated crime or died.” Reid pulls the book in question from his bag, placing it on the table. “Perhaps he's trying to correct that misconception.”

“Like BTK,” you offer.

You can see Aaron's eyebrows rise for just a moment in your peripheral vision. Good one.

You purposefully bump his shoulder on your way to steal one of Morgan’s snacks. Thanks.

JJ takes the book, thumbing through. “What has he been doing all this time?

“Well,” you say, “I would imagine he was planning what he would do if he started killing again.” You look at Aaron, who nods with his mouth in a thin, grim line.

Morgan opens the file again, running his finger down the metrics as he speaks. “So, from '95 to '98, he shoots, stabs, and bludgeons twenty-one victims - men, women, all ages, all types, no specific victimology or MO.” He looks up at Hotch. “How did you build a profile from that?”

“We didn't. Shaunessy sent us home before we had a chance.” Aaron takes a breath before his next thought. “BTK, the Zodiac, and the Reaper all have similarities. They're all highly intelligent, disciplined, sadistic killers who name themselves in the press.”

“Highly intelligent may be a bit of an understatement,” Reid says. “The Reaper and The Zodiac Killer have never been arrested. And the BTK killer was only caught after twenty-five years because he went to the press to counter a book that said he'd died, moved away, or been locked up, just like this one.”

“Speaking of the media,” JJ notes, “when this gets out, it's going to be a frenzy. If they get wind of this, they're going to be all over the Boston Police.”

Aaron agrees with a brisk nod. “The longer we can float the copycat story, the better chance we'll have of catching him.”

You sit up straighter. “Meaning, if we keep pushing at his ego, he might take another risk?”

“Exactly,” he says. “Rossi, Prentiss, and Morgan, go to the field office, set up shop, go through everything there.” He assigns himself, you, JJ, and Reid to the crime scene.

You’re happy for the chance to keep an eye on him. There’s still something off about this whole thing, and the fingers on his left hand worrying his pen is only the most obvious clue. You reach out for his sleeve across the aisle when the team breaks, tugging a little, just like you did last night.

He looks over at you, almost startled. “Yeah?”

You don’t say anything. Tell me what you need.

“I’m fine. Just want to get on the ground and get to work.”

Bullshit. Your squint says it all.

He sighs and you release his arm. He’ll talk to you when he’s ready.

He always does.

+++

You and JJ stand off Aaron's shoulder as he introduces the three of you to the local police authorities. Hotch is already on edge.

An odd exchange between Hotch and one of the veteran cops leaves you with the entire department at your disposal. How he manages to do that every time is beyond you.

Reid, the case file in his hand, walks you all through the preliminary findings. “Nina Hale, ninteen, and Evan Harvey, twenty-three. Nina's throat was slashed, she was stabbed forty-six times. Evan was bludgeoned and then shot. No shell casings were found.”

“A revolver, maybe?” You ask, in-step with Aaron, whose gears are turning as he examines the inside and outside of the car.

“He preferred revolvers, .44 magnum.” If he weren’t so focused, you were sure he’d be impressed by your observation. “The younger the female victim, the more time he spends with them, usually with a knife.”

You point at one of the photos of the female victim. “Tan line on her wrist. Probably wearing a watch of some sort.”

Aaron’s on the other side of the car now, leaning close to the driver’s side window, looking at a photo of the male victim. “Do we have his wallet?” At your questioning glance, he adds, “The Reaper took items from each victim and placed them on the next, so as to make sure we knew it was him.”

“That’s quite the signature,” you muse, straightening.

One of the crime scene techs hands him the wallet in question. After a quick examination: “No corrective lens requirement.”

Your brow furrows and you look over at him. “The glasses aren't his?”

“He only took glasses from one victim--the ninth.” He looks increasingly agitated as he speaks and the crease in your brow deepens to match his. “We should have found them on the tenth, and we didn't. They were never found.”

How does he know which victim was the ninth? How does he remember?

“What was so special about the ninth victim?”

Aaron levels you with a look that sends cold wriggling up your spine. “He survived.”

Oh.

+++

JJ and Dave take the second car back, intending to make a few stops on their way back to the precinct. You sit shotgun, staring out the window, while Aaron drives. His fingers tap arrythmically on the steering wheel.

He’s restless. Fidgety. It’s weird.

“What are you thinking about over there?” You ask.

He shakes his head, just a little. “It’s not a copycat.”

Your brow furrows. “We knew that, though.”

“Right.”

Oh.

It must be surreal to have a case come back to life like this. “Wasn’t this one of your first cases? You joined the BAU in ‘98, right?”

When I was a sophomore in high school…

Oh, shut up.

You snap back to the audible conversation as he nods. “It was my first case as lead profiler, so I’d been on the team a couple of months. Gideon thought, well...I don’t know what he thought. He gave me point on this one for some reason or another.”

“Look at you, hotshot.” You reach out and shove lightly against his shoulder and you’re rewarded with a huff. “Only on the team a few months and you get assigned your very own case.”

He rolls his eyes. “I did it with you.”

It’s true - he did. Spencer may have saved the day in the end, but you polished, delivered, and implemented the profile throughout the investigation. As scared as you were for the professional leap (and the personal one, given the nature of your teams’ closeness), it paid off.

“That doesn’t count.”

He glances at you before returning his eyes to the road. “Why not?”

You shrug. “We’re kind of…” You clam up, for some reason, a little embarrassed.

Don’t be stupid.

“...I don’t know? Friends?”

You get a real smile from him this time and you match it. “Well, ‘kind-of-I-don’t-know friends’ seems like a stretch, don’t you think?” He looks over at you and holds your gaze a little longer than he should, considering he’s driving a little more than eighty miles per hour.

You’re an idiot, your eyes say, an amused chuff leaving your nose.

His eyebrows bounce before he looks out at the road again. And?

+++

“George Foyet, 28, was the ninth victim and the only one to survive The Reaper.” Aaron passes you files as he speaks, clearly not needing any notes or other aids to regurgitate the details of the case, verbatim.

Dave snorts. “Not for lack of trying.”

Hotch walks you all through the Foyet attack, outlining the oddities and patterns that collectively create The Reaper’s signature. His good mood from the car has either entirely evaporated or been smothered by his focus on the case, leaving him with his normal operational stoicism. “The Reaper always uses some sort of ruse to get close to and spend time with his victims.”

“So, how did Foyet survive?” You ask.

It’s weird he’s not summarizing it for you all, but then again, this case is odd in its obvious, meticulous execution. It’s probably best to let it speak for itself.

Hotch wordlessly starts the recording.

“911. What's your emergency?”

“I just murdered two more.” The voice is distorted, ominous.

“Excuse me, sir, did you say you murdered someone?”

“Victims eight and nine, by a silver Toyota on Riverton past the Tyson Quarry.”

Reid fills you in. “That call was made from a payphone about a mile from the crime scene. EMTs arrived fifteen minutes later. Bertrand was DOA, Foyet barely breathing.”

“So,” you ask, looking over the case. “The Reaper made one of these calls after each of his killings telling the police where to find the bodies?”

Aaron nods. “Until this one, the ninth. If he hadn't made this call, Foyet wouldn't have been found in time. The call saved him.”

You look up from the file. “Can I guess that the Reaper didn't make any 911 calls after this one?”

Aaron’s brows raise for a moment. Exactly.

“There's a reason he left Foyet's glasses at the last crime scene.” Aaron looks grim as he presents the glasses again.

Morgan pulls his phone out of his pocket, likely for access to Penelope. “Foyet could be in danger.”

“Uh, Hotch,” JJ pops her head into the room, looking more than a little confused. “There's a reporter outside insisting on speaking with you.” At Aaron's questioning look, she adds, “Roy Colson. He says he knows you.”

You watch him leave and exchange words with the reporter, your lower lip planted firmly between your teeth. JJ hangs at your side while Derek comes up behind you, putting his hands on your shoulders.

“Is Hotch okay?” He asks. Spencer, Dave, Emily, and JJ also look to you for an answer.

You shake your head the barest amount and when you speak, it’s almost a whisper. “I don’t know.” You clear your throat and try again. “I don’t know.”

+++

Dave peers into the car. “Another couple. Much older this time. One shot and one stabbed.”

“No reason to stop out here.” You’re just off Aaron's shoulder, following the line of his flashlight.

Dave sounds resigned, tired. “His license and registration are out of his wallet.”

You squint. “Looks like he used a cop ruse."

“Good spot, isolated, few drivers.”

Hotch sighs, coming in close to something with his flashlight. “He left Nina Hale's watch."

"Okay," Dave says. "So what'd he take?"

“His wedding ring.” You note the tan line on the man’s fourth finger - a dead giveaway.

Pardon the pun...

A local officer is quick to give you the victim information, approaching Aaron with a file. “Arthur and Diane Lanessa. Weymouth. Married 32 years. They were coming home from the Elks, where they played bingo twice a week.” He looks over at the press, rapidly arriving at the perimeter. “I gotta go make notification.”

You refocus on the crime scene, anticipating Aaron's wandering eyes and shining the light where he needs it most.

“Looks like he went through her purse,” he says.

You hover over his shoulder again. “Any idea what he was looking for?”

Hotch shakes his head, moving on.

A photo falls out of the drop-down mirror during Hotch’s cursory check. It depicts the victims and who you assume are members of their family. In blood, FATE? is scrawled across the front of the photo. Aaron straightens, leaving the car and crossing to Dave. You, of course, follow.

When you both reach Dave, you finally have an opportunity to take a look at the photo. “The question mark is new.”

“It's for us.” Aaron doesn’t need further examination for his assessment. “He's saying it's not fate. He's saying we had ten years to save them and that these latest ones are on us.”

“You got all that from one question mark. That's impressive.” Dave’s compliment is only a little undercut by his sarcasm. You can’t help but agree with the implication.

Aaron sighs, copping to it. “I may know him better than I've let on.”

“What does that mean?” You step closer to him, your brow furrowed.

He levels you with a somewhat guilty look. “It means that there is a profile on The Reaper.”

Dave frowns. “I thought we were called off before we had one.”

“We were. I had just started the profile, and then he stopped killing, so officially we were done. But this case…”

“It stuck with you,” you finish for him. Your brows drop lower over your eyes, finally understanding the stakes at play.

“I kept coming back to it over the years, and I worked on it alone.”

The exhaustion in his voice, gravelly and low, worries you more than you’d like to let on. “So you never shared it with anyone.”

“I know I'm always preaching that profiling is a collaborative effort, but this one wasn't. I don't know, maybe if -” he sighs. “If I was wrong, I was gonna head us in the wrong direction.” The doubt in Aaron's voice breaks your heart a little.

“Now you think you're right.” Dave, of course, has the brief words to coax the thought out of Aaron. You’re thankful he’s here. Between the two of you, you’ll get more out of your unit chief in twenty minutes than anyone else would get in three days.

“The more I see, the more accurate I think it may be.”

“Okay,” you say, “then we need to hear it.”

+++

It’s decided that Aaron will deliver the profile solo, with only a little input from Dave. It’s odd to see him up there all by himself while the rest of you stand off to the side. You’re students just as much as the local police, this time.

You tune into Aaron, whose eyes are bouncing all over the room, from person to person, holding and keeping their attention. His eyes meet yours and you hope the respect and pride overflowing in your chest is visible on your face.

“The Reaper fits a profile we refer to as an omnivore. Unlike most serial killers, an omnivore doesn't target a specific victim type. Although he tends to focus on his younger female victims with his knife, he essentially is a predator who will kill anyone.”

One of the local cops has a decent question (for once). “Why is he so democratic?”

“Because his kills aren't just about his victims. He needs recognition. He needs us to know.”

Dave chimes in. “The symbols, the placement of prior victims' possessions on subsequent victims--it's all for us.”

“Why?”

“Power,” Aaron answers simply. “The Shaunessy letter is the clearest example of this. He manipulated Tom Shaunessy into literally surrendering to him.”

It reminds you of the first time you saw him - alone, in front of a room of people focused only on him. It was one of your first lectures at the academy, your favorite, and the one that inspired you to ask for a placement with the BAU when Jenny told you to take a running leap.

How far you’ve come.

Without permission, your mind wanders to a few things that haven’t changed in the last year and a half. Aaron is still the most handsome man you’ve ever seen - capable, worthy of deep admiration and respect. His voice is the same - demanding respect and carrying the weight of the world in it.

Anything that won’t condemn you to a life of unrealistic expectations of men?

No. Maybe you’re a better shot?

Great. That’s useful.

“Like BTK killer Dennis Rader,” Aaron continues, “The Reaper is extremely disciplined. In his everyday life, this will very likely make him so inflexible, he can't keep close relationships or work closely with others.

“I believe our killer has another interest that may give us the best opportunity to catch him.” You’re glad Dave is there to help, his seasoned expertise coming in handy once again. “The Reaper's last victim was an older woman. He killed her quickly, with a single shot. The prior, younger victim, he spent more time with and stabbed forty-six times.”

Yet another “Why?” from one of the local officers.

Curious group, it seems.

Aaron answers. “He pays special attention to his younger female victims, and his weapon of choice with them is the knife, a substitute instrument for bodily penetration.”

Dave, again, has something else for you all. “The younger the victim, the more time and effort he spends. I think our guy is a hebephile.”

“Hebephile?” Naturally, that particular proclivity is not a familiar one to the layman.

Reid lends an assist. “A hebephile is someone who's attracted to adolescent post-pubescent children. Teenagers.”

“Look for men with access and authority -” Aaron assumes command again, “- high school teachers, counselors, coaches--and anyone who's been charged with sex crimes against teenage girls in the last ten years.” He checks in with you, and you nod. “That's all for now. Thank you.”

+++

You look up as Aaron walks into the room, Derek ready with bad news. “Garcia can’t find George Foyet.” You stand and resume your post as his shadow, beside Emily.

Morgan holds the phone toward Hotch. “I’ve got nothing, sir,” comes Garcia’s voice from the speaker.

“What do you mean?

“I mean, he’s gone. He’s completely off the grid. He’s gone.”

“How is that possible?” You tap Aaron's shoulder with the back of your hand as his tone grows sharper with Penelope.

Be nice.

He shakes you off and you clench your jaw, looking over at Derek as Aaron tries to wiggle more information out of Penelope. It doesn’t work. “Garcia, we don’t have much time.”

“I know, sir.”

You huff. “I mean, how would you even drop off the grid like that? There has to be someone he talked to.”

Aaron wordlessly dials a number, shooting you a somewhat grateful, if not a little rueful, look. “Roy, Aaron Hotchner. I need a favor.”

+++

“That’s him.”

Aaron shuts the back door of the car behind you and out of habit, you take quick stock of him while he does the same for you.

You spot the man you’re looking for skittering across the street and toward the apartment. “George Foyet?” He’s visibly skeptical, and Aaron pulls his credentials. “It’s okay. We're FBI.” He introduces you and Rossi while you flash your credentials for good measure. “I'm Agent Hotchner. We met once before. Do you remember?”

"Yeah, I remember.” He’s agitated, his eyes jumping to every moving person on the near-empty street. “Would you mind if we get off the street, please?

You follow Dave and Aaron into the cramped apartment, noting the clutter and general feeling of paranoia permeating the space. Everything looks rushed - half-lived in and half-finished.

When you reach the kitchen, Foyet collapses into a coughing fit and Dave immediately supplies him with a glass of water.

“Thank you.” He takes another decent gulp. “How'd you guys find me?”

“Roy Colson,” Aaron says. He’s focused on Foyet, but you can tell he’s keyed into the peripherals, just in case.

“Oh.” He seems disappointed, though in what you’re not sure. “Well, is this gonna take long? 'Cause I really can't be late for work.”

“What do you do?” You ask.

“I'm a freelance computer specialist with the city.”

Dave steps forward. “We're sorry to bother you. We'll make it as quick as possible.”

Aaron pulls the evidence bag containing the glasses out of his breast pocket. “This yours?”

“I knew it wasn't a copycat.”

You pull a chair for Foyet as he coughs again, feeling only a little odd about taking care of this man in his own house.

“Thank you.” He takes another sip of water. “I'm sorry.” He pauses, remembering. “I was gonna propose to her that night...At the restaurant, but I got cold feet. The ring was still in my pocket when he approached us. He said he was lost. He had one of those sightseeing booklets. I was looking at it when he stabbed me. Yeah...Perfect timi-”

You interrupt him, attempting to stem his agitation. “Mr. Foyet, you don't need to go through this again.” Nevertheless, he continues, increasingly distraught.

“I couldn't move. I just sat there, bleeding. I watched him kill Mandy. He stabbed her sixty-seven times. Do you know how long it takes to stab somebody sixty-seven times? ...I never found the ring.”

For some reason, your mind drifts to the man beside you, the horrifying thought of seeing him stabbed, the life leaving his body. You shake it off with a little shudder.

Why, brain? Why? That’s a fucking awful thought.

And yet the image sticks with you, forcing you to manually lock it away. Aaron looks at you, almost like he can read your mind.

That’s nightmare fodder.

The smallest flex of his brow asks, Are you okay?

Fine. You offer him a tight twitch of your lips. It’s not a smile, but you’d be thankful for at least a mockery of one right now.

With a little bit of a squint, Aaron turns back to Foyet. “He should have left your glasses on his next victim, but he didn't. He held on to them all this time.”

“What, you think he's got some special interest in me?” He almost laughs. “I've been living with that possibility for the past eleven years.”

“Have you received any strange letters or calls? Hang-ups?” Dave asks.

“I keep residences under different names. I move between them randomly. He likes to get you in the car, so I take the bus. Believe me, I've gone through great lengths to make sure that none of the things you've just mentioned ever happened.”

What a terrifying, sad existence.

Dave offers George his notebook and a pen. “We'll need your other names and residences so we can reach you.”

“We can take you someplace safe until this is over.” Aaron’s brow is knit in concern - it’s a look you’ve seen many times, but it never fails to inspire a little flicker of warmth in your chest.

Quit, would you?

“No. Boston is my home. It's the one thing I promised I would never let him take from me.”

Aaron insists, pushing. “Then we'll protect you here.”

“You can't protect me. Nobody can.” He frantically writes in the notebook for a moment before handing it back to Dave. “Please be careful with this. Please.”

Dave assures him, “It's safe with us.”

“He's just a man, nothing more.” You hope it’s the right thing to say. You feel Aaron take a breath, and you almost feel bad. It’s a line he’s said before, one you borrow when necessary.

Don’t mean to steal his thunder.

Instead of looking at you, he looks at Aaron. “Then why can't you catch him?”

“We will.”

+++

You’re both sitting in Aaron's hotel room, the photos from each of the crime scenes spread out all around you. It’s far later than you’d like, but the time spent is worth it if it gets you one step closer to this sick, scary bastard.

“What was it like? The original case?”

Aaron sighs, pulling a hand down his face. “Frustrating. Exhausting. Like this.” He shakes his head. “Every day was another dead end, and then another pair of bodies every few weeks. Then…they just stopped.” He holds up the note. “Now I know why.”

You tip your head to the side, studying him. “What would you do?”

“What, you mean about the deal?”

“Yeah. What if -”

The phone rings, cutting you off, and you rise to answer. You’re stopped by a hand on your wrist as Aaron passes you and picks it up. “Hotchner.”

You plant yourself back on the bed, legs folded underneath you. It’s probably one of the team, given the hour and -

“Who is this?” His voice is low, almost angry.

You scramble to the edge of the bed, giving Aaron space while remaining completely keyed into him.

“...You think I’d take that?...I’ve misjudged you. I thought you were smarter than this...Then you’ve misjudged me...I don’t make deals.”

Oh my god. It’s The Reaper.

No. It can't be.

You pull out your cell and fire off a text as quickly as you can to Penelope.

3:42am trace call to ah’s room stat

She doesn’t disappoint.

3:42am on it.

“I’m the guy who hunts guys like you..." Aaron laughs, dark and humorless. "You all think that...I’ll see you soon.” He slams the phone down and starts to pace, his hand over his mouth.

“What’s going on?” You stand, stopping him with a hand on his arm. “Hotch. Who was that?”

He stares down the phone like it’s a living thing, but doesn’t breathe a word. After a moment, he jumps back into action, sitting heavily on the bed and going over everything with a renewed, almost frantic, focus.

You watch him for a moment before you pull out your phone. A text message from six hours ago blinks up at you.

Haley Brooks-Hotchner

9:13pm when you get a chance, can you have aaron give me a call? no rush. just school paperwork for j. he’s not picking up his phone. thanks xx

You answer her, praying she didn’t leave her ringer on. The hour alone will reveal the extent of the team’s attention on this case and you can only hope she understands.

3:48am can do. this one’s bad. might be a minute.

Aaron looks up at you, a question in his eyes.

You shake your head with a little smile. It’s nothing.

+++

“Six bodies, not including the driver. He put 'em down with the gun--or more likely guns--and finished them off with his knife.” Dave looks around while Aaron stands stock still near the driver, slumped over the wheel.

The scene inside the bus is macabre - bodies and blood everywhere. The numbers on the window send shivers up your spine.

“There;s Arthur Lanessa's wedding ring.” You peer over Aaron's shoulder. “What'd he take?”

He scoffs. “Does it matter?”

He straightens quickly, shoving past you and getting off the bus. You get out of his way, letting him go with a frown. Dave meets your eyes and tips his head. You follow him out as he goes after Aaron, giving them just a little bit of distance

Dave catches up to him. “Hey. What's goin' on with you?”

Aaron stops in the alley a little ways away from the bus. “He called me tonight and offered me the deal.”

So that’s what happened.

You thought as much, but the thought alone was too much to consider. It’s never been less satisfying to be right.

“What did you say?”

“I hung up on him, and then he does this.” Aaron gestures to the crime scene, NO DEAL staring you all in the face, along with all those numbers.

The idea of The Reaper torturing Aaron like this is horrifying. Plenty of unsubs have made your skin crawl in the past, but this is a new kind of awful. You’ve never seen him like this.

“So, you think this is your fault?”

“It is,” he insists. You’re shocked to see tears in his eyes when he looks back up at Dave. There’s a part of you that wants to reach out, but something keeps you back.

Dave pulls his gun and releases the safety, turning the grip toward Aaron.

What the fuck?

“Well, here, use mine. You convinced me.”

Aaron waves him off with one hand while he pinches the bridge of his nose with the other.

Of all the things you would have thought of at this moment, pulling a gun on SSA Aaron Hotchner wouldn’t have made the list. You watch, ready to jump between them at a moment’s notice. They’ve never gone after each other before, but you’ve seen more worrisome behavior from Aaron in the last forty-eight hours than in the preceding eighteen months.

Even at the height of the divorce proceedings, he was steadier than this.

“No, no, you hung up on him.” Dave pushes the gun at him, trying to wrangle it into Aaron's hand. “You practically killed them yourself. Go ahead, get it over with. Don't worry about us.” He gestures to you and Aaron's eyes flicker to yours. You have no idea what you look like right now. “We'll get this guy without you.”

Dave is a genius.

He blinks, tears wetting his cheeks. It’s certainly one of the more alarming things you’ve ever seen. He’s audibly frustrated, his hand flexing at his side as he talks. “Dave, I had 10 years to do something about it.”

That’s not fair.

When has Aaron ever been fair, or even kind, to himself?

Well, shit.

That’s why you’re here. Do your job.

You step forward, keeping your voice down. Approaching him like a cornered animal seemed the best tactic at the moment. “Shaunessy made the deal. The killing stopped, as promised. He closed the case and sent you away, Hotch.” Your eyes beg for his as you continue. “You moved on. You worked on other cases, active cases. You saved lives in that time. It wasn’t wasted.”

Aaron huffs, clearly frustrated. “But I kept coming back to this one. I kept coming back to this profile.” There’s something desperate in his voice and you know he’s trying to get you to understand something he can’t articulate.

Dave takes over again. “Hey. I was retired. Should I blame myself for every victim who got killed while I was on my book tour? Look, if you want to end up like Shaunessy, like Gideon, blaming yourself for everything, you go ahead.”

Damn. Good point.

Aaron’s eyes meet yours for just a moment before looking away again. You keep your face soft, neutral.

Safe.

“But that voice in your head,” Dave says, “it's not your conscience. It's your ego. This isn't about us, Aaron. It's about the bad guys. That's why we profile them. It's their fault. We're just guys doing a job. And when we stop doing it, someone else will. Trust me. I know.”

Aaron checks in with you for a moment and you nod. It’s okay. You’re okay. We’re okay.

He wipes at his eyes before leveling Dave with something that looks almost like his classic glare, gesturing to the offered gun at his chest. “You can put that away.”

With a cheeky smile, Dave says, “You sure?”

“It's a little dramatic, don't you think?” You ask, stepping up and clapping Dave on the shoulder.

“My wife always said I had a flair for the dramatic.” Dave’s deeply chuffed pleased that he was able to bring Aaron back to his senses. He holsters his weapon, throwing the safety back on.

“Which one?” Aaron asks. You’re relieved to hear a little bit of humor in his voice.

“All of 'em.”

The three of you share a little smile before you walk back to the crime scene.

Aaron’s thanks is so quiet you’re almost certain you made it up.

You’re only sure it happened at all when Dave replies, “Anytime.”

+++

“He knows where Foyet lives. We’ll split up and cover each address. Go.”

You rise and somehow end up with Derek. Though not your intention, it’s probably for the best. For good measure, you take Jameson, a seasoned SWAT agent. The three of you had the biggest of Foyet’s properties on lock.

Derek speeds to the house, flooring it with sirens blaring.

“I’ll take front,” Derek says, nearly shouting over the siren.

You’re locked and loaded, ready to go in your vest as soon as the car stops. “I’ll take the back.” You twist in your seat to look in the back. “Jameson, you good on my six?”

“I’ve gotcha.”

You’re clearing the house, kicking in the back door. There’s a thump behind you and you turn. Before you can do anything, something makes contact with the back of your head, sending you straight to the ground. You hit something else on your way down, and you’re done.

Fuck.

You’re knocked out cold, but come to only a few minutes later. You stumble to your feet as lights and sirens round the corner. Bringing a hand to your head, you feel the blood on your forehead. There’s probably a decent cut near your hairline and when you look down, you find an alarming amount of blood on your vest.

Head wounds bleed. You’re fine.

Oh.

Oh no.

Derek.

You brace yourself on the wall as you rise, checking your service weapon. It’s not in your holster, but you find it nearby on the floor.

Why didn’t he take it?

Kicking it under the table, you draw your secondary weapon. The thought of leaning down to reach for the gun on the floor is too much and your only aim is to get to Derek, then Jameson.

Blinking blood out of your eyes, you do your best to clear the rest of the house before finding the mess in the living room and front yard. Without much of a thought, you haul yourself over the broken window sill, getting a nice slice in your arm for your trouble, and land hard at Derek's side. With a groan, you roll over onto your knees, crawling toward your prone teammate.

You look up as headlights hit you, shading your eyes with one of your hands. The other rests on Derek's chest. To your relief, you can feel his breath under his vest. He’s alive. He’s okay.

With the intensity of the lights shining on you, you can’t see Hotch as he lifts you to your feet by your upper arms. He shields you from the light with his body, his brows drawn and concerned. You’re dizzy in the extreme, your right eye almost unable to open with all the blood caked down the side of your face.

He takes you under his arm and brings you to one of the ambulances posted on the street. The paramedic takes your vitals, but Aaron keeps a hold on your other hand. You’re not sure he realizes he’s still got you, but you’re not about to let go.

“What happened?” He asks, quiet and tense.

You shake your head even though it only increases your dizziness. Blinking a couple of times, you answer, “I don’t know. He came out of nowhere. I had the side of the house, Jameson had the back, Morgan the front. We were clearing room by room and he just…” your eyes float to the front of the house, where Emily has Derek with a paramedic. “He appeared and I didn’t have time before he hit me with...Something. I was out before I could blink. I think I hit the table on the way down.”

Hotch sighs and to your dismay, you see the coroner approaching the back of the house with a gurney. Jameson’s dead.

Why aren’t you?

“He didn’t take my service weapon. It’s under the table in the kitchen now, but it was next to me when I came to. I don’t -” you swallow, still dazed. “I don’t know why he left us alive.”

You can see Aaron's teeth grinding as he collects himself. “He’s trying to get in your head. Don’t let him.”

“What, like you?” You know your functioning isn’t at one hundred percent - you’d never make a jab at him like that, even weak as it was, at a moment like this if you were clear-headed.

He sighs as your eyes flutter shut, leaning on the inside of the ambulance. You hear the paramedic tell him you’re concussed and need to be kept awake for the next ten hours. Hotch gets the details on your other injuries before squeezing your hand once and leaving you.

After another few minutes, EMS releases you with a packet of concussion information (which you immediately crumple and shove into a passing crime scene tech’s jacket pocket). Far too quickly, you make your way across the yard and into the house, avoiding Jameson's body and the coroner’s staff.

You find Derek and Emily sitting together on the back of the couch as he, too, is patched up.

“You okay, kid?” He asks.

You nod. “Just concussed, a couple of lacerations. I’m fine. Are you okay?” There’s a compulsion to fuss over him, but you resist.

He nods, bringing a pristine .44 caliber bullet into your eye line. “He left this.”

A shiver runs down your spine. “Sadistic bastard.”

Emily raises her eyebrows and cants her head, agreeing with your brief assessment.

You look outside to where Hotch stands in the middle of the yard, with his arms crossed, looking over the damage to both the house and his team.

Eventually, he returns to the house with Spencer in tow. You follow them, moving slow.

Reid points to evidence as he talks. “Jameson was clearly killed outside. This is someone else. There are signs of a struggle and a lot of blood."

"But no body,” you note.

What the hell happened here?

Reid nods. "Just the drag marks. The human body holds 5 quarts of blood. I'd say there's a little more than half that here. Whoever the bleeder was, they lost too much to survive."

It begs the question, so you ask. "Foyet?”

“It was his worst fear, that the Reaper would come back and finish the job,” Dave says, appearing out of nowhere and leaning on the door jamb to the kitchen.

With a firm conviction, Aaron says, “We offered him protection. He refused. It was his choice.”

+++

JJ’s brow crumples as she looks over the files again. "Why is he so focused on Foyet? What's so special about him?"

Aaron, of course, answers her. "He was his only surviving victim, the only one he couldn't defeat."

“But he's not a threat. Defeating him would be no great accomplishment. There's something there that we're missing.” You thumb through the case again, certain the answers are there for you to find.

JJ’s persistent. “What about the girlfriend, Amanda Bertrand? Wh-what do we know about her?”

“Nineteen. A freshman. She came here from Michigan to go to school. Foyet was a teacher's assistant in one of Amanda's courses.”

“Michigan. Where The Reaper had Shaunessy post the personal ad.”

“That can't be a coincidence.”

“He told us she was the love of his life, that he was gonna propose. But she just got here from Michigan. They only met when the class started.”

“How long had she been in the class?” You ask

There’s an incredulous laugh in Emily’s voice. “Four weeks.”

“So it was either love at first sight or what?”

Derek picks up JJ’s thought. “Foyet was lying?”

“He's a 28-year-old teacher's assistant in freshman classes.” Hotch immediately starts dialing a number, and you’re sure you know which one. As you suspected, he gets Penelope on the phone.

“What are Foyet's aliases?” Quickly, you hand him Dave’s notebook, the rest of your body coiled for action. He bows his body over the phone, rattling off instructions. “I want you to look up in Boston city records Kevin Baskin, Miles Holden, and William Parker. Try the Department of Education.”

“Well played, sir.” You hear her keyboard in the background. “They all work for the Department of Education, they're all substitute teachers, and they all teach computer science.” She pauses. “Oops. Scratch that. They're not all working for the Department of Education.”

“They're not?” Aaron’s head tilts, listening.

“No. William Parker was fired for alleged inappropriate behavior with his female students.”

Something clicks. You watch the gears turn and turn and turn, Aaron’s eyes flickering over the photos, the file, back and forth as he puts pieces together.

“Hotch?” Your hand hovers over his shoulder, but he pays you no mind.

“Roy Colson went to see Foyet.” He begins to stand, his voice rising as he gets farther from the phone. “Garcia, I need you to trace Roy Colson's cell phone. George Foyet is The Reaper.”

Garcia gives you the address and the rest of you chase Aaron out to the car. The headache pushing behind your eyes is the least of your worries. “What? What do you mean George Foyet is the Reaper?” It’s almost comical, the efforts you take to keep pace with him down the stairs and to the car.

Aaron communicates all the details he put together in the conference room, taking you step-by-step through his process. “He stabbed Amanda Bertrand to death, he drove a mile, he called 911, he went back, and he inflicted those wounds on himself.”

You’ve already caught up, the pieces clicking in before he can repeat them. “He knew EMS would get there in time to save him.”

“And between the phone call and the severity of his wounds, we never considered him as a suspect.” There’s frustration in his tone, but you know it goes deeper than that. It’s his pride.

“Hotch, you couldn’t have -”

Derek cuts you off. “Why would he do it?”

“It put him at the core of the investigation. Everything we had came from him.”

Talk about inserting yourself...

Derek is right there with him. “He left his own glasses at the crime scene, he pointed us right back in his direction, and still, we didn't see it.”

Aaron nods, his jaw tighter than you’ve ever seen it.

Don’t blame yourself.

Hotch rolls up to the house, no lights or sirens, and you surround the house, on his six. You quietly breach the back door, clearing the kitchen and the hallway.

“It's over.” Aaron’s tone leaves no room for argument as he levels his gun at Foyet’s head.

There’s a strange smile on Foyet’s face as he speaks. “I'll kill him.”

“You need him to write your story.”

“I'm taking him with me. I'll let him go as soon as I'm safe.”

You step to the side, trying to get a better shot, but Aaron stops you with the smallest turn of his head as Foyet redirects his attention to you.

“I said I'll kill him.”

Aaron pulls his focus again. “You kill him, I kill you.”

“You think I'm afraid to die?”

“You're not afraid.” Aaron sneers. He’s aiming to hurt and it’s a good idea. “You're greedy and narcissistic. You want the recognition that's gonna come from the book that he's gonna write. You want the fame that's gonna come from the media. It's gonna be like Bundy.”

“I'm gonna be bigger than Bundy.”

“Well, you can't enjoy it if you're dead.”

You’ve got him there, Aaron.

“If you know me so well, how come some many had to die to bring you here?”

You can almost feel the lance of shame and guilt that shoots through Aaron. He almost flinches. Between you and Emily, if looks could kill, Foyet would be long dead.

You fucking asshole.

It takes everything in you not to leap on him and pummel him into the floorboards. You’d love nothing more than to wipe that smug grin off his face.

“That's your choice, not mine. You're the serial killer.” To your ears, it sounds like Aaron's convincing himself as much as telling Foyet.

“That's right.” He turns, smirking. "Hello, Derek.”

He drops his gun and Derek pounces on him, restraining him. "Where's my badge?” He jerks Foyet’s head back by the hair. “Where is it, you son of a bitch?”

He doesn’t answer Derek's question, but shifts his icy gaze to you. “How’s your head?” He gives you an imitation of a pout, and anger sears through your chest. “You took quite a spill last night, Agent. Probably had your unit chief very worried.”

You squint at him, but don’t respond. Aaron steps a little to the side and you’re not even sure he realizes it, but he’s made himself a barrier between you and Foyet.

The bastard notices, though, and the corner of his mouth lifts. “I'm gonna be more famous than you even realize.”

The look he gives Hotch makes you shudder.

+++

Only an hour or so after you land back at Quantico, JJ jogs from her office to Hotch’s. Your heart sinks.

That’s never good.

“Foyet escaped.”

You grab the remote and stand from your desk, turning the volume up on the TV.

She chases Hotch down the stairs as he joins the rest of you, surrounding Derek's desk. “Guards found him in his cell vomiting blood and convulsing. They rushed him to the prison hospital.”

“Get me the U.S. Marshals office.” He turns, but she stops him.

“I already called Don Reilly. I offered our assistance. He said they'd call us if they needed it.”

Aaron doesn’t stop moving until he’s at your side. Your search for his eyes and he meets your gaze after a moment.

What do we do?

His jaw clenches. I don’t know. Then, a huff. Fuck.

You shake your head a little. It makes you feel a little dizzy. Fuck, indeed.

“How’s your head?” He asks.

Of all the things to worry about…

“It’s fine. I’m fine.”

Just then, Emily returns, a file in her hand. “The Boston field office just identified documents from Foyet's house. They're schematics for the electrical, heating, and water ducts of the East Woburn Correctional Facility.”

You take it from her, looking it over before looking at Hotch. “He had the schematics. And not just for Woburn. For every jail, prison, and courthouse in Massachusetts.”

“And 10 years to plan,” Dave adds.

"They're gonna find him, right?" Penelope’s voice is small, and you can’t blame her for it. Derek’s at her side, staring at the news footage with a grim look on his face.

Aaron’s eyes are trained on the television when he answers. “No, they're not.”

Derek turns to you before looking at every member of the team individually. “He said he'd be more famous than we knew, and he was right.”

+++

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omniscientwreck · 3 years

Text

With Every Single Thing I Have

Beginning note: ***MAJOR SPOILERS FOR C2 E141***

CW: Character Death, Talk of Death

This is my interpretation of the canon description of Essek and Caleb’s days with some good angst thrown right in there. I have no knowledge of what is or isn’t cannon about the afterlife in Critical Role so this may be canon divergent but I needed it to cope. I hope you enjoy! Title Is Taken From The Song Two by Sleeping At Last

Caleb Widogast is dying.

He’s old, nearly 90 years of age. His body aches with every rain, stairs become more difficult, but his casting never fades. His mind is sharp and he reads, learns, and teaches until the end comes for him. Up in his tower, exhausted and bed-ridden he hears shuffling outside the door before it opens without so much as a touch and a tray of food is brought in. Essek Thelyss glides gently into the room, “Oh good, you’re awake. I prepared a light lunch for you, would you eat?”

Nodding back at the drow, the bittersweet smile that’s become a companion to him in Essek’s presence settling again into his wrinkled features. Essek sits on the bed beside him, book in hand as he often does and the memories written all over Caleb’s face come flooding back.

They had gone back to Aeor after the business in Rexxentrum concluded. Jester had helped Caleb locate Essek and when he found out he wasn’t too late, he was still at the outpost, he’d gone almost immediately. The winter clothes they’d bought all those months ago to chase their lost friend still fit and they carried many memories in them with the promise of more to come.

Their time together in Aeor was long. They took many months scouring the ruins for every book they could find. Between his Vault of Amber and Essek’s Wristpocket as well as a borrowed bag of holding they were able to collect the knowledge of Aeor. They found every device, every tiny dunamantic stone. They went back to the machine, the one that promised Caleb his dreams, closure, a chance to atone. The one that could change Essek’s past, that would give him his freedom.

Essek gazed upon the machine and he decided to remain in hiding. He looked directly at Caleb, made the decision to live forever with the consequences of his actions, because without them they wouldn’t have this. This moment, this trip, these memories.

It is Caleb’s turn now to gaze upon his destiny. He looks into the lavender eyes boring into him with the question Will you do it? His plan is perfect, the only thing that changes is that his parents are not dead and one day maybe he can reunite with them. He can see them grown old, he can tell them everything he’s done. They can be proud of him.

His mind shifts to the Nein, to Veth, Jester. To Astrid and Eodwulf. Back to Essek. It’s impossible to know what would happen if he did this. If he’d be able to come back. Is it really worth giving up everything he knows? Potentially giving up the Mighty Nein not only for himself but for them too?

He reaches into his components bag, smears dust across his forearm and with a green ray he carves away the experiment. He destroys, permanently, any hope of ever going back, in favour of hope for the future. Essek helps him burn everything and when they’re done he can only stare at the drow. The man who’s come so far, allowed himself to be so changed by the love of friends (Caleb’s love) that he went from enemy to beloved companion. He stares and divergent futures flash before his eyes as if he’s staring deep into the Luxon. They all end the same, he dies and Essek lives on without him for many years. The change is in the times in between now and then.

He knows which one he want and if the last two months were any indication Essek had his own hopes.

A week or so later, they ate in the tower. When the Nein first separated the tower had felt empty, he usually elected to sleep in a hotel room or in the dome under the stars. With Essek it’s easier to be there. They’ve fallen into a comfortable routine while researching that involves them spending the day immersed in ancient secrets forgotten to time. They would spend hours in complete silence, reading in tandem or copying runes and arcane patterns and then one of them would find something truly tantalizing and the silence would be broken as they began theorizing. When Essek gets excited his lavender eyes brighten and his whole face lifts and it’s no secret to Caleb that his heart races and his face melts into a soft, tender expression that Essek catches and matches.

After, they’ll go into the tower and eat, served warm soups and breads by little fey cats and then they read in the study in companionable silence until they retire to separate rooms. This night, a week before their time was up, Caleb’s keen mind caught up with him. Suddenly he became very aware of the passage of time, the potential futures slipping away and he rests his spoon on the table, overwhelmed by the shrinking timeline ahead.

They talk that night, instead of reading. They sit in two armchairs in a quiet carpeted room lit by purple globules of light, gently bobbing around their heads and they talk. They talk for hours. Essek tells Caleb his sins and Caleb elaborates on his own. They talk plainly and it’s hard to do, but at some point the chairs moved closer, and then their hands touched, eventually Essek’s hands were folded into Caleb’s.

He felt closer to Essek after that. For the rest of the week it was easier to reach out and grasp his hand, to pull him into a hug. Two weeks later, they talked again and after that they kissed. Their kisses weren’t frequent but they were familiar, a warm comfort over those last weeks in Aeor.

Theirs was not a whirlwind romance. It was something more precious and much more difficult to describe. It burned slow and and steadily rose until something had to be done. They kept in close contact after Aeor, it is those letters that begin the new collection that fills Caleb’s left holster.

They visit occasionally until the burn of the eyes of the Dynasty on Essek’s back became too hot. Caleb has taken to staying in Nicodranas when he and Beauregard are taking a break from dismantling centuries old systems to weed out the rot so he asks Essek to come stay with him. Quietly, out of the eyes of the empire and most of their friends, they begin to build a life. They construct with care, laying a sturdy foundation because though they both know this arrangement is temporary they promise to always be together in one way or another; because though gravity can be altered, it always rights itself and the pull Caleb feels towards Essek, has felt for some time, is a law of his nature.

They allow themselves as long as the other will have them and they spend years together. The kisses become more frequent as they gradually abandon inhibitions. Caleb’s life is a blink compared to Essek and he becomes more aware each year of the limited time he has. He and Essek stay together in varying locations for as long as he can bear it, he realizes now that they have earned this happiness, however fleeting. It will always be a larger portion of his life than it will be of Essek’s so he holds out as long as he can. He begins to teach in this time and though Essek cannot really be free he still has his work studying their findings and occasionally he travels.

Caleb watches him advance so much in their decade together and he gets bleary eyed imagining all Essek will do when he’s gone. They learn together, share every meal, he learns Undercommon and teaches Zemnian, and they spend every possible night together in every possible way. They share a sweet and intense passion and Caleb’s love sinks deeper and deeper into his heart.

When his forehead wrinkles and his hair is greying he realizes his time is up. He has goals, he needs to teach, he needs to fully commit to being in the Empire and his short life must be spent doing as he promised all those years ago, making each place better than he found it. That is the hardest conversation he’s ever had. “I wish it were not this way. That it didn’t have to be, but I do not have as much time as you so I must burn brightly to make my impact. I will always love you Essek Thelyss.”

“And I you Caleb Widogast. When you stumbled into my life all those years ago, Empire infiltrator holding my greatest crime in your hand I had no idea what would happen. You were a variable I did not account for, could never have foreseen. Of all the possible futures in store for me this one, where I am here with you, where I have been here with you for ten years and where I will continue to be by your side thought it is not the same is the best one I could have never predicted.”

They give themselves one last year. They don’t travel, Caleb takes the year off and they spend 328 days exactly together, in bliss. They do their best not to allow the apprehension of good-bye to creep in. Caleb knows it’s not good-bye, not truly and not forever. But when the day comes though he tries to hold it back he cries bitter tears and holds Essek tight and the smaller man shakes with his own sobs. But they loved each other for eleven years, and they manage to continue loving each other for another fourty or so.

Essek leaves and travels for a while to do his own work. This is frequent in the latter half of Caleb’s life but every time he comes back and his friend brings him stories and listens to all of his own. They help each other research, Caleb still tells him everything and relishes every moment they spend together. They no longer kiss but they are still partners.

Caleb’s life has been better, more fulfilling than he could ever have hoped stumbling out of that wretched prison at the beginning of his second life. He learned peace through the Nein and later through Essek and now that he’s at the end of his time he knows he could not have lived a better life.

Caleb Widogast is old, older than he ever thought he’d be and while his bones and muscles give out and he goes to the Blooming Grove where Caduceus has always said he will end up, to spend his final months, Essek follows.

He cooks the soups the cats used to, they remember everything together, Caleb’s mind keen but Essek has kept up well. At just the right time, Caleb knows. Essek is sat beside him in the bed, the wizards reading in tandem as they’ve done before and fallen into again in this late stage. They have been kissing again, Caleb allowing this last indulgence, one last selfish act. Essek needs it too.

“Essek Thelyss, thank you for everything you’ve done for me. My constant companion, the center of my gravity. You who bent time and space for me and taught me so many things from magic to forgiveness. I have loved you all my life from the moment I could and I would never dream to change a single thing.”

“Caleb Widogast. I have treasured every moment we have spent together, you changed my life, saved a man who knew not that he was dying. I have been happy because I know you and I will continue to be happy because you will never be far from my heart.”

“Please promise to me that you will take care of the others. Allow them to care for you. Find new people and care for them and allow yourself to be cared for in return, live your life as fully as you are able, and when you are done I will see you again just as I am about to see my family.”

“I will. You have loved me all of your life and I will love you for all of mine. I will never know someone like you again. Thank you for allowing me the privilege of your companionship. It is an honor to love you and it always will be.”

The quiet conversation fades and they share one final kiss and Essek sits as Caleb drifts to sleep, gently running his fingers through his hair. Then he goes to get Caduceus. Caleb Widogast is dead.

---------------------------------

Essek Thelyss is dying.

He is nearly 740 years old and he is in decline. He, like his friends before him, retires to the Blooming Grove to live out his remaining days, however many they might be. Caduceus’ kin are caring and when he shows up on their doorstep they expect him. “He told us you would arrive one day. Welcome home and thank you for being here.”

Essek’s life has been a thing of remarkable chance, nearly improbable. He has learned to manipulate as much as he can but even he could not have foreseen the path he ended up taking. He has lived so long, and his life has been full but he is tired.

Fjord had been the first of the Nein to pass. After him Caleb. After Caleb the group coalesced around him. They had never shared many details, but they seemed to know. Keeping his promise to Caleb he allowed them to care for him. To bring him food, to message him to make sure he was okay. They invited him on adventures when they needed and he never turned them down.

They continued asking him to teleport them and every single time he did. Kingsley goes next and then Beauregard. Those years are full of so much loss condensed into such a tiny portion of his existence. He isn’t used to things happening so quickly and he begins to reach out. New connections. He finds people to care for, to mentor and to bolster. He dedicates his life to using aliases to research and study and publish materials to help the mages after him and Caleb. He finds himself beseeched by parties of assholes for assistance and while he never fights alongside another group he makes himself useful in any other way in his ability.

He always imparts the lesson to leave the world better than they found it, and if they listen, if they are the same as his friends, the best people he’s ever known, the world will survive yet. There is a pause between good-byes for a number of years. Then he loses Yasha and Jester. Jester is one of the hardest, the friendly little blue tiefling with a heart for adventure who hugged him when touch had still burned. After her goes Veth and after Veth, finally Caduceus goes back to the earth.

He promised Caleb to live a full life, but every year, the anniversary of the day they met several lifetimes ago, he visits the Blooming Grove. He walks the grounds, he sits with Caleb and he tells him of his research, he reminisces and he whispers love to the flowers that grow. They are fiery orange and yellow with some deep purple and blue spattered among them. Caduceus says on his first visit that the blue ones are called forget-me-nots. Essek picks one every year and presses it into a book, like Yasha showed him once upon a time.

Caduceus and Essek drink the tea from the flowers Caleb gave them. For centuries they sat together, telling stories, having extended conversation year after year. Some years Caduceus travelled so Essek made his vigil alone, but he never forgot Caleb and he never forgot the Mighty Nein. They lived as long as he did for they were in his heart always.

The last time he visits Caleb they talk for hours. “Every good thing I have done, every positive emotion and happiness I have known in these centuries has been because of you. You allowed me to feel again and the best decision I could have ever made was letting my plan go to allow myself to grow close to you.”

He is lying beside the grave twirling a delicate blue flower between wrinkled, aching fingers. “Caleb Widowgast you have lived with me for a long while and I thank you again for the gifts you gave me while you were here. I hope you are proud of me. I love you to the end of my days my friend.”

He falls asleep then, in the night of the Blooming Grove, fireflies and an infinite expanse of stars casting gentle light across his stilling form.

As Essek Thelyss fades he finds himself again in a garden. It is brightly coloured and lush, well cared for. There is a small cottage there and as he glides to the door, drawn to it as if by gravity, it opens and he sees copper hair, vibrant blue eyes, and the widest smile he’s missed the most, “I told you my friend, we would meet again.”

“I never doubted you Caleb Widogast.”

#shadowgast #essek thelyss #caleb widogast #critical role #the mighty nein #fan fiction #my writing #wreckwrites #critfic #cr spoilers #critical role spoilers

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let-it-raines · 3 years

Text

I Hope We Never See October (5/?)

When his personal life and football career go up in flames, Killian Jones escapes England for America, finding seclusion in Martha’s Vineyard in order to hide from his demons. It’s a fresh start, or at the very least a paused moment in his life, and all he needs is a few months alone to allow his heart to heal. He doesn’t count on meeting Emma Swan.

Emma’s life depends on tourists who come to the island every summer. It’s how she makes her money working in restaurants and clubs across the vineyard, but every year, she cannot wait until autumn comes and her life returns to normal. She especially cannot wait for Killian Jones to leave.

Rating: Mature

ao3 : beginning | current

tumblr: 1 | 2 | 3 | 4 | 5 |

-/-

Emma likes seafood.

She likes seafood, but she mostly eats like a ten-year-old boy. Apparently, there’s a little place near her house called Granny’s where she devours grilled cheese and onion rings like arteries aren’t a thing. It makes him laugh when she tells him because she eats how he’s always dreamed of eating. The only time he ever gets the chance is when he’s with his nieces and they convince him to get them food Elsa and Liam never let them get.

She also likes 80’s music, has been working at the Blue Dog for over half a decade, prefers her kickboxing classes to cycling ones, and her favorite color is blue.

That last one was a bit of a throwaway question, but he asked it anyway. Then, of course, he made sure to let her know that his eyes were blue. He got an eye roll and a ‘shut up’ for that before she started rolling her hips again. It was damn distracting, but he didn’t stop laughing at how frustrated she was that he wasted his one personal question a day on that.

One personal question a day.

It’s childish, but he thinks it works. It keeps the line between them defined. He knows what this is, has done it enough times before to not be blind to it. They’re both visitors in each other’s lives. They have expiration dates, and when there’s an expiration date, there’s no harm in spending time together.

There’s no commitment, so there’s no hurt.

He’s not an expert on Emma Swan, no matter how much she fascinates him, but he gets the feeling she’s avoiding relationships just as much as he is. There is a past hurt there, a damned painful one, and if anyone gets that, it’s him.

But he doesn’t ask about that in his one question a day. He asks for her favorite color and food and if she’d rather hike uphill for 10 miles or swim for 20.

For the record, she’d rather hike because she could sit down and eat along the way.

“Would you look at that?” Emma says as she runs her hands under the water of the sink at the bar. “You, sitting at this bar, again.”

He slices his salmon with his knife and grins. “I tried that Granny’s place, but the food had too much grease. Met a rather charming waitress, though.”

“Let me guess. Red streak in her hair, boobs on full display, argued with the owner the entire time?”

“How’d you know?”

“Because that’s Ruby, my best friend.”

“Is she now?” he asks, already knowing the answer.

“Is that your personal question of the day?”

“Nope,” he says, taking a bite of his food. “I’m saving that for a later time.”

“A later time,” Emma repeats, like she’s considering the words. She crosses her arms over her chest and leans back against the bar. “What makes you think you’re going to be seeing me at a later time? This isn’t enough for you?”

He looks around them and leans closer to her. “Too many clothes.”

Emma laughs, legitimately, and that feels surprisingly good. “I’m literally in a tank top and shorts. That’s about as dressed down as you can get.”

“I was talking about myself, actually. There are too many clothes on me, but it’s nice to know you think so highly of yourself.”

That gets him another laugh and a shake of her head, and he likes that too. He may have no real inclination to become overly attached to her, but he can at least admit to himself that he enjoys her company.

“Shut up.” Someone calls Emma’s name from across the restaurant, and she holds her arm up, putting up one finger. “I get off at The Oaks at eleven. I’ll drop by your place if I’m not too tired.”

“Why the hell are you working there so much?”

“I like the money. And, Jones, that counts as your personal question of the day. I’ll see you later...maybe.”

She grins and winks before walking away, and he swears she puts a little extra sway in her hips. Killian shakes his head as he feels his own smile tugging at the corner of his lips.

“What a bloody woman,” he whispers to himself before spearing another piece of his salmon.

-/-

“Right there,” she moans. “Like, seriously, right there. Don’t fucking change anything.”

Kilian smiles against her, but he’s quick to return to what he was doing. Emma’s legs tighten over his shoulders, her hands yank at the sheets, and as much as he is throbbing right now, it’s bloody glorious to have her like this. The filter is gone, so too are the reservations, and he gets a bit of satisfaction knowing this is him doing this to her.

His only skills aren’t on the football pitch after all.

He is definitely a bastard for thinking that right now, but he’s never claimed to be otherwise.

“Fuck,” Emma huffs after she comes down from her high. Her legs shiver over his shoulder, thighs tightening so all the sounds fade for a moment, but then her legs fall and all sounds come back in screaming color. “What did I do to deserve that so early in the morning?”

“It’s ten, love.”

“Yeah, that’s early on my day off.”

Killian laughs and kisses the inside of Emma’s thigh before making his way up her body, planting a final one underneath her collarbone before he collapses on his side of the bed and pulls the sheets above his waist.

“It’s not early for the rest of the world.” He smiles, which she doesn’t appreciate, and she sinks further into the bed, yanking the covers over her. He can still see her flushed cheeks and the slightest content smile on her face. “You should try it sometime. See the sunrise, dodge early morning joggers, eat breakfast at a normal time.”

“Trust me, I’m usually up early enough to want to drive into the early morning joggers while I have a Pop Tart hanging out of my mouth. My summer schedule is just...it’s different than usual.”

He has questions about that. It’s something she’s alluded to before, but he doesn’t know if she’ll count that as his question of a day.

He’s thirty-five years old, and he doesn’t know if he can ask the woman he’s sleeping with more than one question about her life. He knows he’s fucked up a lot, but this seems to be the culmination of several screw ups in his own life.

He doesn’t have time to dwell on that. Well, no, he has all the time in the world, but lately, the boredom has dissipated, the loneliness too.

Lately, he’s got a damn good distraction, and he’s not about to fuck that up.

Emma flips over on her side, her hair a wild, curly mess. She used his pool last night and didn’t wash her hair after. It’s made it even crazier than usual. He thinks he likes it. Makes her seem less reserved.

His phone rings on his bedside table, and he leans over to pick it up.

“Hello, darling.” Emma’s brow raises, but he ignores her. “How are you?”

“Good,” Elsa says. “We’re all good. The girls are in the garden right now, running around and getting all their energy out. I haven’t heard from you in a few days.”

“I’ve been...busy.”

Emma’s hand finds his thigh, and his leg jumps before steadying. She is not about to do what he thinks she’s about to do. Bloody hell.

“Busy?” Elsa asks, as Emma’s hand walks a little closer to his groin. “Doing what? Have you made friends?”

“Why do you always ask me that like I’m a child?”

“Because you’re basically my baby brother.” Killian laughs and then hisses as Emma’s hand wraps around him. She smirks, obviously satisfied with herself, and he knows she’s doing it for the reaction above anything else.

Tease.

He doesn’t mind.

Except this is a poor idea.

“I believe I’m actually older than you.”

“Semantics.”

He laughs again, and Emma’s hand starts working a little more. Fuck. He needs her to stop, and even though she’s doing delicious things to him, she is looking away, acting as bored as can be. And maybe she is, but then he sees one corner of her mouth tick up.

“Mum, is that Killian?” he hears Ally ask, echoed by a squeal from Sophia, who is obviously having the time of her life. There’s a bit of a shuffle, some muted voices, and then his niece’s voice comes through. “When are you coming home?”

“Hello, Ally,” he says, his voice going high when Emma moves her thumb. “How is one of my favorite nieces doing?”

Emma immediately stops and yanks her hand away, practically falling off the bed. She catches herself and kicks up, moving the comforter up and nearly pulling it off him.

“What the actual fuck?” she whispers hisses, slapping him.

He ignores her as Ally asks again when he’s coming home.

“At the end of September, sweetheart,” he promises. “I’ll come home, and then I am going to kiss you right on the cheek.”

“Ew,” she complains, and he can imagine her nose scrunching.

“I also might give you a present.”

“I like that better.”

“Good. I thought you would.” he watches Emma get up and pull a t-shirt out of a drawer. It’s an old Man. United shirt, and he pretends that doesn’t do a damn thing to him, especially since she was just working him up a minute ago. “Listen, Ally, darling, will you hand the phone to your mum? I - ”

“Sophia, that is my hat! Do not wear it!”

And then the line goes dead, and he wonders how long it’ll be before Elsa gets back to her phone and calls him back.

“You let me do that to you while you were on the phone with your niece?” Emma mumbles, pulling the shirt down then pulling her hair into a mess of a knot on the top of her head. He’s not sure if she’s annoyed or amused. “I hate you.”

“Technically, at first it was my sister-in-law,” he corrects, tapping his head.

“That doesn’t make it any better.” Emma gets back in the bed, pulling the comforter all the way up to her chin, and then she shuffles a little further into the bed before sitting up against the headboard and groaning into her hands. “I am mortified.”

“I did stop you when Ally took the phone,” he points out before pulling at the arm of her shirt. “Nice shirt.”

Killian stands from the bed and walks toward his bathroom, grabbing his briefs along the way. “It’s comfortable,” Emma says. “Is this the team you played for?”

Killian stops, the tile cool against his feet, and then keeps moving, leaving the door cracked as he gets half dressed and starts brushing his teeth. As good as it was a few minutes ago, the mood is gone.

Especially now.

How the hell does she know he used to play football? And how long has she known that? Is that why...no, that couldn’t be why, but he knows that’s why a lot of women have.

“A long time ago,” he says, spitting out toothpaste. “I was with Chelsea when I retired.”

“Is that another team?”

“Uh, yeah,” he laughs, continuing to brush his teeth but sticking his head out of his bathroom door. “You didn’t know that?”

Emma shrugs as she types on her phone. “I don’t know anything about soccer. I only know you played because Ruby internet stalked you a few weeks ago and showed me your Instagram. I literally thought you were just one of those adults who is really into his hobbies.”

Killian nearly lets out a sigh, but he stops himself and turns back around to the sink to spit again before rinsing his brush. He looks up at the mirror. His hair is disheveled, there are lines around his eyes and on his forehead, and his stubble is growing to the point where a beard is beginning to form. He’ll shave later.

So Emma doesn’t know anything about football then. Or him, for that matter. He’s not sure he entirely believes her, that she didn’t look up any more about him, and he doesn’t like that uncertainty. Usually, when he meets someone, they have the upper hand and know the surface layer of all the dirty details of his life.

They usually don’t care to find out the real stories. Not that most of them redeem him in any way.

“Not a hobby,” he says, taming his hair with his hands. “It was a damn good job.” He leaves the bathroom and leans against the doorframe. “You ever play?”

She laughs and puts her phone down. “No.”

“Not even as a kid? Come on. I hear every lass in America plays as a kid.”

“Is that your question of the day?”

Damn. “No.” Killian walks toward the bed and puts his hands on either side of Emma’s head on the headboard, leaning in close. He sees her chest rise, and he smirks. “My question is to ask you to stay in bed with me all day. What do you say, Swan?”

She sits up, and her lips lightly brush against his mouth when she talks. “You should have asked me about the soccer because I was already planning on staying here the entire day.”

“Really now?”

“If we can get crepes delivered from this place that’s, like, ten minutes from here.”

Killian kisses her, long and slow until there’s heat simmering low in his belly. “As you wish.”

-/-

Emma doesn’t come over every night. Nor does he go to her place. But it seems that way as July rolls by, full of hot days that seem to linger forever. Killian finds himself busy during the days. Emma usually has work early in the mornings, so if she’s staying over, she leaves before eight. He doesn’t know how she has time to breathe working at both the Tavern and The Oaks, but she makes it work. When she leaves, he gets up and uses the gym in the basement of the house, going through his tried and true routines before he laces up his trainers and either runs on the beach or on the sidewalks through his little area of the vineyard. He finds the sidewalks are better for his knees, so he tends to stick with that and leaves walking on the beach for his afternoon phone calls with Elsa and the girls or Ariel and Eric.

It’s a routine, one that changes during the day, but for the first time since he got here, he doesn’t hate every damn day. He doesn’t spend his time actively having to try not drink or thinking about Liam or football. He practically buys out a local bookstore and goes through the novels faster than he has in years. He visits different restaurants, museums, goes along with some tourist activities he finds online, and he explores any shop that strikes his fancy.

And while his routine changes, there is one constant: he eats a meal at the Blue Dog Tavern.

At first, he thought Emma would kick him out for it, but now, she often comes and sits with him for a few minutes or sends him a drink from her office. He always sits in Ashley’s section and lets her talk about her growing belly even if he knows little about pregnancy, and he spends at least an hour eating and watching all the people around him.

It’s a hell of a lot better than the twenty-four-hour diners with sticky floors and bad coffee.

Killian shoves his keys in his pocket and pushes open the door to the Blue Dog. Marina greets him, telling him to seat himself anywhere in Ashely’s section, so he goes to his favorite booth and settles down. He can’t see the television from it, so it’s the perfect spot to completely escape from the world with no risk of his past showing up right before his eyes.

He may be feeling better, may be able to have a drink or too at night without wanting to have five more, but he knows he’s possibly only one bad day from it all coming undone, the thread unraveling faster than he can wind it back up.

“Tea or coffee today, Killian?” Ashley asks, notepad in hand.

“Tea, I think, but not the blasted stuff you gave me last time.”

She laughs and writes down his drink order. “Do you know what you want to eat already or should I come back?”

He hands her the menu. “The daily special and a side salad.”

“Perfect. I’ll be back with that as soon as possible.”

“No need to rush,” he says, smiling. “Is - ”

“She’s filling out orders for next week, but I’ll let her know you’re here.”

Ashley winks before walking away, and Killian wonders what the hell everyone in this restaurant thinks of him and Emma. It must be peculiar, but if he’s picked up anything from Emma, it’s that she likely doesn’t share much about her personal life with her employees. She surely won’t tell him that he’s the man she’s sleeping with for the summer, but they might pick up on that on their own.

The food here is good, but it’s not every day good.

He’s finished his salad and half of his sandwich when she comes out from the back. Today, she’s already in the black dress she wears to The Oaks, and her hair is pushed back into a ponytail. She looks exhausted, and unfortunately, the reason has nothing to do with him.

“I only have a second to say hi,” she says, sliding into the booth and grabbing a roll from the basket, breaking off a piece and popping it into her mouth. “We are having an issue with our fish orders, and it’s an absolute nightmare.”

“That sounds like I won’t be ordering any fish this week.”

Emma takes another bite of her bread. “I wouldn’t if I were you. Do you want to come to my place tonight? I’m off at ten.”

“Sure.” He picks at the bread on his sandwich. “Though, the last time I was at your place, that damn crab pillow ended up in the bed, and I didn’t appreciate that.”

Her nose scrunches with her laugh. “I hate that thing too, but Ariel loves it.”

“You live in that house the entire year. Why don’t you redecorate it for your taste?”

Her shoulders tense, and she stops chewing before slowly starting again. He already knows this is going to be his personal question of the day. Sometimes she forgets about it and lets the conversation flow freely, but when he hits a nerve, she’s more on her guard.

He gets it. He can be the same way.

“Personal question,” she says, and he knows her better than he should. “And I’ve redone my bedroom and little bits in the kitchen and living room, but I don’t know. I guess I keep it how the Fishers have it because it’s their home. There are memories there, and I don’t want to take any of those away for when I do eventually get another place. It’s....it’s good to have a family home with memories.”

Killian arches his brow, but Emma looks away, picking at the roll again. He never really had a family home, not after his mum died and his dad became obsessed with using Killian’s football skills for his own fortune, but he likes that sentiment.

A family home with memories. Good ones. That would be the dream.

“What about you?” she asks, changing the subject before he can press further. “Aren’t you excited to get back to your place where all the stuff is yours? You’re living in a place that’s not your own, so I’m sure you’re ready to get back to your family.”

She doesn’t mean anything by it, but her words cut. He’s here because he lost the one person in his family who he was closest to, but he doesn’t want to talk about that, not now. This is supposed to be a good time. It isn’t supposed to be about dark histories.

“I’m enjoying my time here,” he answers honestly. “There’s this woman who is an absolute spitfire, and she’s been occupying most of my time. I’ve been, well, metaphorically tied up in bed too much to think of returning home.”

“Ha, ha,” she monotones with a roll of her eyes. “That’s not what I - ”

“Hi!”

They both turn, and Emma’s friend Mary Margaret is standing there, bouncing back and forth on her toes. “Hi, Marg,” Emma says. “You’re early.”

“I know. I got finished tutoring early, so I thought I’d drop by. I didn’t know you’d have...other company.”

“Nice to see you again,” Killian says, nodding at Mary Margaret.

“Yeah, nice to see you.” Mary Margaret seems hesitant, like she didn’t meet him weeks ago at dinner, and he wonders just how much she knows about his arrangement with Emma. From what he’s learned, they seem close, but he also knows Ruby is Emma’s more...accepting friend. “How are you?”

“I’m good, love. Just badgering Emma at work. I’m surprised she hasn’t kicked me out yet.”

“Annoy me a little too much, and I will.” Her ankle hooks with his under the table, and Killian bites his lip to keep from smiling too much. “So, what’s up, Marg? Why’d you want to drop by? Have you heard of this thing called phones?”

Mary Margaret chuckles before sliding into the booth next to Emma. Emma’s ankle unhooks from his, and he tucks his feet under the booth. “So, you know how David wants to have that big barbecue for all of our friends and neighbors?”

“Yeah, you guys do it every year because you’re insane.”

“Anyway,” she says, playfully rolling her eyes, “we were wondering if we could get the Blue Dog to cater some of the sides. I know you guys don’t cater, but we could pay extra. Please.”

“You do know there are restaurants who do cater who could handle this?”

“Yes, but we love the food here. Killian gets it, right?”

“Uh, yes,” he mumbles, not sure what he’s supposed to say. From Emma’s death glare, he knows he’s chosen incorrectly. Bloody hell. “I love it.”

“Exactly,” Mary Margaret says. “We’ll pay extra. Promise. In tips so the staff can get it instead of the owners.”

Emma sighs and sinks into the booth, crossing her arms over her chest. “I need to know the order at least two weeks ahead of time, and it’s going to take me some time to figure out how much you guys need to pay.”

“Ahhhh, perfect!” Mary Margaret hugs Emma before sliding out of the booth. “You’re the best! I can’t wait to call David! Oh, and Killian, you should come too. It’s on August 14th. We’d love to have you there.”

Killian scratches his ear and nods, flashing her a tight smile. He doesn’t think Emma would welcome him at a party full of her friends, so he doesn’t want to make her uncomfortable no matter how nice it might be to be in a large group of people.

“He’ll be there,” Emma says, surprising him, and he feels her toe tap his shin. “If he can make it, of course. You know, he has a very busy social calendar.”

“I wonder why that is, darling.” He winks, making Emma smile, and he taps his toes into hers right back. “I’ve heard you keep pretty busy as well.”

Emma’s mouth gapes before closing, and her green eyes widen, lashes nearly hitting against her brows. “Ass.”

“Well, I know you like - ”

“Okay.” Mary Margaret claps her hands together. “I’ve got to go. Emma, I’ll send you the menu after I talk to David tonight. And Killian, we really would love to have you there.”

“I’ll see,” he says as he fights to keep from smiling too widely. “May I recommend the cheddar bites for the menu. They’ll kill you, but you’ll enjoy it.”

“I have never once seen you get the cheddar bites,” Emma scoffs.

He leans over the table, pressing his chin in his hand and smirking the way he knows she likes. She tells him he’s obnoxious when he does it, but sometimes he can see past that hard shell exterior. “I’m full of surprises, darling.”

“That you are, Jones. That you are.”

-/-

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#I hope we never see october #cs fic #cs ff #cs fanfic #captain swan fic #captain swan ff #captain swan

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sohotthateveryonedied · 4 years

Text

No Matter What

Read here on AO3!!

Summary:

Bruce figures out that his son isn't straight from an early age.

That doesn't make him love him any less.

- Eight Years Old -

Bruce is finally starting to get a hang of this parenting thing.

The first few months were rough, there’s no disputing that. Bruce lost track of how many times he panicked and called Leslie Thompkins whenever Dick burst into tears over something and Alfred wasn’t home. Not to mention all the times when Alfred would leave Bruce on his own for dinner, insisting that one must learn how to raise a child without a butler to help. Bruce fed the kid burnt chicken nuggets and garlic bread for two nights straight. Now, though? Bruce is immensely proud of how far he and Dick have come. He’s even taken to attending PTA meetings, if only for the free coffee and doughnuts. He hears the front door open right on time, then wet boots hitting the floor. Dick had a half day today to make room for meet-the-teacher night later. Bruce isn’t looking forward to spending two hours sitting in a chair made for eight-year-olds, listening to a teacher in plastic pearls talk about an elementary schooler’s oh-so challenging curriculum. At least he’s only got the one; he has no intention of having more kids after Dick. Bruce busies himself with his mostly unburnt slice of toast, one ear trained on the footsteps through the foyer accompanied by unceasing chatter that Bruce has grown quite fond of over the months. “—and then they let us outside for recess even though it was raining, and I went on the swings and my hair got all wet and it was so cool.” “That explains the muddy clothes,” Alfred says. “Sorry, Alf. I’m not immune to mud puddles.” “It would appear so, Master Dick.”

The two of them enter the kitchen, Dick working his elbows out of his yellow rain slicker to reveal the school uniform beneath. His cheeks are rosy, his eyes bright. “Hiya, Bruce!”

“Hey, champ. How was school?” “It was awesome. It was raining all day and at recess there were a ton of puddles all over the playground and a million worms. I didn’t touch them though, ‘cause the teacher said not to.” “What snack would you like, Master Dick?” Alfred asks, taking Dick’s discarded raincoat and folding it over his arm. “Can you do ants on a log?” “Coming right up, sir.” Dick heaves himself up on the bar stool beside Bruce, his sock feet kicking against the lower cupboard. Bruce spreads marmalade over his toast. “Tell me more about school. Any fights today?” “Nope,” Dick says proudly, flashing his gapped teeth. Dick and another boy got into a scuffle on the first day over a comment about whether Dick’s parents being from the circus meant they were part monkey. It’s a miracle Dick only gave the kid a nosebleed and didn’t break anything. The principal let Dick off with a warning since it was his first time at a normal school, but Bruce has a feeling the only reason he wasn’t expelled was because his guardian is the most powerful man in Gotham City. Bruce had a stern talk with Dick when they got home about the importance of controlling one’s actions. Traveling the world in a circus train car doesn’t do much to help one’s impulse control. He also banned Dick from watching television for the rest of the night, but Dick’s crocodile tears swayed him to balance it out by letting him have ice cream before dinner. That’s good parenting, right? “I even made a friend,” Dick says. “Oh? What are they like?” “His name is Caleb and his desk is right next to mine, so we talked during reading time. Then he gave me some of his chocolate during lunch and we played on the swings together at recess.” “Ah, the wonders of childhood friendship,” Alfred says from where he’s slicing up a celery stalk at the other end of the counter. He sounds relieved, and Bruce finds himself matching it. Dick has been at Gotham Elementary for almost a week and hasn’t made a single friend until now. Bruce can’t tell if that is more because of Dick’s circus background or because he is a tan-skinned boy with the barest of Romani accents attending a predominantly white private school. Sometimes (all the time) Bruce loathes being associated with Gotham’s high society. If you’re not white, straight, and rich, you are automatically shunned in their minds. “He sounds great, Dick.” “Yeah! And he’s got really pretty eyes too. I can’t tell if they’re brown or green, but they’re sparkly like glitter.” Bruce arches an eyebrow. “You must like him a lot.” He takes a bite of his toast, making eye contact with Alfred over the boy’s head. Alfred doesn’t react but for a twitch of his mustache. Dick nods, focus switched over to the plate Alfred slides in front of him. Dick takes a celery stick and picks off the first raisin coated in peanut butter, licking it off his thumb. “I hope he talks to me again tomorrow. Alfred, can I bring an extra snack to lunch tomorrow so I can share it with him?” Alfred smiles. “Of course. I will pack a second cupcake in your lunchbox tomorrow morning just for him.” “Thanks, Alf.” Dick goes right back to eating his ants on a log, cheerful as ever, completely unaware of the swarm of question marks buzzing around in Bruce’s head. Huh. ----------------------------------------------------------------------------------------------------------

- Eleven Years Old - Bruce gets home from a three-hour business meeting, his sandpapery eyes aching to close and stay shut for...let’s go with ten years? That should be enough. He loosens his tie and prepares to go upstairs to his bedroom where he’ll spend the next decade of his life hibernating, until he sees his ward on the living room sofa. Dick is lying on his stomach with his face buried in a throw pillow, as if he’s waiting for the sofa to swallow him whole. Must have been a bad day if he’s not sliding down banisters and flipping over chairs like usual. Sighing, Bruce goes over. “Dick? You alive over there?” “Mmph.” At least he’s conscious. Bruce sits on the arm of the couch, shaking Dick’s thin shoulder. “Come on, kiddo. Use your words.” “Mmph.” “Bad day, then?” Dick nods. “Do you want to tell me what happened?” Dick shakes his head. Bruce sits back with a frown. “Alfred?” he calls. Alfred pokes his head in. “Yes, Master Bruce?” Bruce gestures to their anguished preteen. “It would seem that our lad had a rough day at school. He wouldn’t tell me what, but I’m making his favorite casserole for dinner. Hopefully that will perk him up.” Bruce turns back to Dick, who hasn’t moved. “C’mon, Dickie. Sit up so I can see your face.” Reluctantly, Dick forces himself upright with one last groan into his pillow. His hair is mussed, standing up on one side. There’s a pillow crease on his cheek. He sits back against the sofa, miserable. “Better.” Bruce prods Dick’s ribs which earns him a giggle, goading the kid into sliding over a few inches so Bruce can sit beside him. Dick leans into his side immediately and Bruce puts his arm around him. “Now, tell me what’s got you down.” “I want to transfer schools.” “How come?” As far as he’s known until now, Dick has loved middle school. His childhood took a bad turn when his parents’ ropes snapped, but preteen life is at a good start. Until now. Dick’s gaze is trained on his sneakers, kicking them where they hang over the edge of the couch. “Some kids in my science class were talking crap about me.” “Don’t say crap.” “Can I go to a new school? Please?” “What did those kids say about you?” Dick picks at a dime-size hole in his jeans. “They called me gay,” he says quietly. Bruce tightens his arm around the boy, his heart panging. Of course someone had to bully Bruce’s kid. As if his life hasn’t already been hard enough without stupid teenagers making it worse. “I wasn’t even doing anything wrong. I was just talking to my lab partner, and the guys at the next table over started whispering about us. Then they started throwing papers.” “Did you tell the teacher?” “No. But I know she noticed. Everyone did. She just didn’t do anything about it.” That sets Bruce’s blood to a boil. Teachers have a responsibility to protect their students, no matter what. What gives her the right to turn a blind eye to bullying, just because a couple of students might not fit the agreed-upon standards of “perfect” upper class society? “I’ll set up an appointment with the principal,” Bruce decides. Dick’s eyes get wide. “Bruce, no. Please. It’s fine, really. I don’t want this to turn into a big deal.” “What did you do when it happened?” Dick shrugs. “Nothing. My lab partner stopped talking to me, so I just asked to go to the bathroom and didn’t come back until the bell rang.” Bruce sighs. Middle schoolers are the worst, every last one of them. (Except for Dick, of course; he is perfect.) “I’m sorry, sweetheart. Kids can be cruel—especially at your age, when they start learning new words that they don’t understand the way they should. They think some words are insults or something to be ashamed of when they’re not. Most kids grow out of this. Too many don’t.” “People suck,” Dick mutters. “I don’t even know why they were saying all that stuff. I’m not...I’m not like that” Bruce bites his cheek. He’s going to have to be careful about this. “Dick, do you know what being gay means?” “Duh. It’s when two guys date each other. I’m not stupid.” “I know you’re not stupid. But gay can mean a lot of things. Men can like other men, just as women can love other women. Like Kate, for instance. Then there are bisexual and pansexual people who love all genders, and asexuals who don’t like either.” Thank god Bruce thought ahead and read some LGBTQ+ research books all those years ago when he first began to suspect that Dick wasn’t heterosexual. “And transgender is when someone doesn’t identify with the gender they were assigned at birth. Sometimes people feel more like a man, a woman, neither, or both.” “...Okay?” “I just want to make sure you understand these things, because part of being a respectful person means respecting others for who they are. And if you don’t completely understand the label they identify as, then it’s your job to try and understand it the best you can.” “Why?” “Because too many people in this world judge others for things they can’t control, and that’s not right. No one should have to feel like they were born wrong. And I want to make sure you know this, that way you can be better than those who choose to hurt others for things they can’t control.” “Does that mean the guys who made fun of me are bad people?” “I’m sure they aren’t. They might just be confused because they don’t understand that being gay isn’t anything bad or dirty. The people in this part of Gotham...they don’t accept a lot of things. They think that being queer or a person of color means you don’t deserve respect, and that’s wrong. It was wrong of those kids to tease you and your lab partner the way they did.” Dick nods slowly. “I’m not gay.” “I know. I just want you to be aware of these things. And if you ever have questions or need to talk, you can always come to me.” He ruffles Dick’s hair. “Even when other people are nasty, remember that I love you no matter what, got it?” Dick shoves Bruce’s hand away and smoothes his hair back out, grinning. “Yeah, yeah. I got it.” ----------------------------------------------------------------------------------------------------------

- Thirteen Years Old -

What’s the difference between a growth spurt and a shark?

Dick doesn’t have any sharks. “We’re home!” Dick announces. He and Alfred stumble into the house, their arms filled with all kinds of shopping bags. With Dick shooting up half an inch nightly these days, he’s growing out of his clothes at a rate even Bane would gawk at. Bruce and Alfred can barely keep up with the kid. “Want to see what I got?” “Show me, pal.” Bruce sets aside his tablet and pushes his reading glasses up on his head. (He does not have poor vision, thank you very much. Leslie just made him get a prescription as a precaution, that’s all. He’s still young by anyone’s standards, just ask Selina.) Dick starts pulling clothing out of the boutique bags, showing off every one of his new sweaters and pairs of Alfred-approved jeans. After ten minutes that Bruce desperately tries to look interested during, Dick pulls out what looks like a t-shirt that’s been sliced in half horizontally. The fabric is bright pink with a chibi whale on the front. “This one is my favorite,” Dicks says. His grin is blinding. Bruce stares for a long moment, his brain a lagging computer drive. “What is it?” “It’s a crop top. You know, like a belly shirt?” Memories from Dick’s Kim Possible phase flash in front of Bruce’s eyes. “Alfred let you buy that?” “Yeah?” Dick’s smile flags. He lowers the crop top, suddenly self-conscious. “Do you not...like it?” “You were supposed to get winter clothes, Dick. For cold weather.” “So?” “That’s clearly something you’re supposed to wear during the summer.” Dick pouts. “But I like it.” He holds it up against himself, twisting this way and that like an amateur model. “Sorry, kiddo. You’re not leaving the house in that until springtime.” “Oh, so Robin can wear tiny shorts in the winter, but Dick Grayson can’t wear a harmless crop top? I smell hypocrisy.” “Yes, because Robin has thermal leggings and a built-in heater in his uniform.” He looks back at the pink monstrosity, at Dick’s pleading eyes. “I would be open to negotiations if you’re willing to wear a sweater under it.” “That’s not how fashion works, B.” “I don’t care. You can wait until it gets warmer out to wear it.” “You’re such a drag,” Dick whines. He lifts his dozens of shopping bags and goes to leave, then turns right back around. “What if I wear a jacket over it and promise to keep it closed whenever I’m outside?” Bruce considers that. “Fine. But not below fifteen degrees, got it? And if I see you outside for even five seconds without the jacket, I’m confiscating the Xbox. Deal?” “Deal.” ----------------------------------------------------------------------------------------------------------

- Fourteen Years Old -

Something is different about Dick today. You’d think his boots were made of helium with the way he floats through patrol, and then smiles into his late-night milkshake like it did his homework for him. Bruce sits beside his Robin on the roof of Wayne Tower, silent for as long as he can bear before he can’t hold it back any longer. “Did anything interesting happen today?” “Huh?” Dick looks up as if Bruce pried him and his thoughts apart with a crowbar. “You’ve been...different. Happy.” “Am I not usually happy?” “No, you are. Just seems like you’re...extra happy, for whatever reason.” A blush dusts the kid’s cheeks. He sips his chocolate shake and shrugs. “Dunno. It was just a good day. Nothing special.” Yeah, and Bruce is a goddamn unicorn. Still, he knows better than to pry where Dick doesn’t want him. It’s a delicate thing. “If you say so.” “I got a hundred on my English essay,” Dick offers. It’s a start. “Was that the one on Grapes of Wrath?” “That was last month. We’re on Animal Farm now. It’s not my favorite.” “Yeah, I wasn’t a fan of Orwell either. Shakespeare was okay, but I preferred his tragedies over his comedies.” “Of course you did.” That makes Bruce laugh. He’s not worried; the two of them are high enough that no one can hear it. Bruce even has his cowl down, his face exposed to the cool air. “They had quinoa burgers at the cafeteria today.” “Mm-hm.” Dick is dodging something, beating around whatever bush he wants to talk about. Bruce can be patient while he figures it out. “And I spent some time with Barbara after school.” “Oh?” “Yeah. We walked home together and we took this old path through the park. Then we kissed.” Bruce chokes on his milkshake. He coughs, his sinuses burning and eyes watering. When he recovers, he says, “That’s...that’s great, chum.” “Yeah.” Dick can’t stop smiling, a true schoolboy in love. “And she asked if I wanted to patrol with her tomorrow night, but I said I needed to check in with you first.” “I don’t see why not.” It’s not like Bruce hasn’t patrolled without Dick before. Sure, he misses the company on the few days a week he’s alone, but he’s not about to deny Dick the thing he clearly wants. “You sure? You look...freaked out.” “No, no. That’s...great, that you kissed. Congratulations.” Awkward. He’s so fucking awkward. Stop being awkward right now. He doesn’t know why this is messing with his head so drastically. Bruce has listened to Dick moon over girls for the entirety of his pubescence, talking about them like they’re goddesses he’s forbidden to look upon, Barbara included. And Bruce has seen the way Dick and Barbara interact with each other in between muggings, always talking with their heads bent close like they’re the only two people in the world. Who would have thought Batman could be a third wheel? “I’ve liked her for a while now, but I didn’t know if she liked me back and I was too nervous to ask.” Dick’s face goes even pinker. “Kissing her was cool.” Part of Bruce’s brain jumps at the realization that, holy shit, Dick just had his first kiss, my little boy is growing up, what a milestone. The other part is far less happy about this new development. Yes, Bruce has seen Dick win brawls with men three times his size. He can fly the Bat-jet on his own, knows six languages, and is even leading his own superhero team. And yet, all Bruce can think is, no, not my little boy, he’s just a baby, Batgirl is corrupting his innocence and She Must Be Stopped. With great effort, Bruce holds it all back. He’s read the parenting books, he knows that it’s important to be supportive when they’re at this age. “Good to hear. I’m happy for you.” He pats Dick on the shoulder. “Thanks, B.” ----------------------------------------------------------------------------------------------------------

- Sixteen Years Old - “Hey, Bruce? Can I talk to you?” Bruce doesn’t look up from the metal flakes he’s testing. “What is it?” “I can come back later if you’re busy.” “No, I’m just analyzing some samples. I’m looking for residue from one of Zsasz’s blades.” Dick steps forward, tentative for once. “Need any help?” “I would like for you to come out with whatever it is you clearly need to tell me.” Dick snorts quietly. “Nice phrasing.” “What?” “I think I’m bisexual.” Bruce turns around, forgetting about the samples entirely. Dick’s arms are crossed over his chest, his eyes skipping between everything that isn’t Bruce’s face. At sixteen years old he’s finally tall enough that he doesn’t have to crane his neck to look at Bruce anymore. “You...think?” “I am. I’m bisexual.” “Okay.” “Is that cool with you?” The question shocks Bruce. “Of course it is.” Did Dick honestly think this would change anything? Has Bruce done something wrong, made Dick think that he wasn’t loved unconditionally? Dick squints, appraises Bruce’s reaction. “You knew, didn’t you.” “No.” “Bruce.” “I knew a little bit.” Dick rolls his eyes. The tension slips from his shoulders. His arms uncross. “Of course you did.” “Well, you weren’t exactly subtle about it.” “What the hell does that mean?” “Language,” Bruce chides, more out of habit than anything. “And do you realize how often you would come home after elementary school complaining about stupid pretty boys?” “That was just me being dramatic.” “I’m not disputing that. But they were still crushes, pal.” “I figured you thought it was just a phase.” Bruce shrugs. “Maybe for the first few days. But trust me, I have known you liked boys since you were a kid.” “Then why didn’t you just say so? It took me years to figure this all out, and you’re telling me you’ve been sitting on this info the whole time?” “Because this is your truth, not mine. I knew that you would tell me about it when you were ready. And you have.” Dick is clearly fighting a smile. He bites his lip instead, runs a hand through his mop of black hair that not even Alfred can wheedle him into combing anymore. “Well, I’m heading to the tower for the night, so don’t wait up, ‘kay? Kay. Good talk.” He goes to leave, but Bruce stops him. “Hang on. Why choose now to tell me?” Dick stuffs his hands in his pockets—an obvious tell. “No reason. I just...wanted you to know. Just in case.” “In case of what?” “Oh, you know.” Dick waves his hand in a gesture that clarifies absolutely nothing. “Life happens. People meet each other. You know how it is.” Bruce’s soul implodes. “You have a date?” “I never said that.” “You implied it.” “Real detectives rely on evidence, not theories.” Dick winks. “Tell me who it is. Are they a civilian? A hero? Do they come from a respectable family?” If it’s Roy Harper, Bruce might have to bury a body tonight. Especially after learning about Harper’s drug problem. Dick is too pure for someone like that. Or—heaven forbid—that Wally West kid. Dick is already walking away. “See ya, Bruce!” “You come back here, Richard John Grayson! Do I know him? Does he know your father is Batman?” Dick’s cackle echoes around the cave. “It had better not be a speedster!”

#soho speaks #batfamily #batfam #batman #bruce wayne #dick grayson #robin #nightwing #fanfiction #fanfic #fluff #this is so fluffy my teeth fell out in the first two paragraphs #bi dick grayson #bisexual dick grayson #bisexuality #gay #lgbtq

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wicked-mind · 3 years

Text

Betrayed: Chapter Eleven (Path two)

Series Summary: Everybody thought Steve’s sister had passed away decades ago. But when you show up at the facility and try to attack Bucky, there are questions to be answered.

Word Count: 2.6k

Warnings: Violence

Series Masterlist

All Writings Masterlist

Note: There are two chapter elevens. One is a light path and one is a little darker. I’ll decide which way to go based on your opinion so let me know which one you like better (:

*gifs not mine

Chapter eleven - Killer (Path Two)

As weeks went by, Y/N never talked to Bucky about what was going on inside her head or what the hallucinations had told her. As much as she wanted to tell him, something in her was holding her tongue anytime she tried to confide in him. Y/N didn’t return to any of her next therapy sessions. She could feel an unbridled rage inside her that was getting difficult to suppress and the more she felt the darkness in her bones, the more unstable Y/N became. Her emotions had become erratic, flipping from what seemed like she was in a sad pain to rage without much of warning. She often took out the rage in the training room alone, punching her way through bag after bag until she could feel the anger suppress a little. Y/N had eventually cut herself off from everybody, including Bucky. Something inside her wouldn’t let her got to him or talk to him, holding her back.

Bucky couldn’t figure out what was going on with Y/N. She had gone from his girl to being like a stranger towards him. He would watch her train alone in the gym, seeing the rage across her features was something he had never seen from her before without the venom in her veins. It was pure, white hot rage that illuminated from her and every time he tried to get close, Y/N would retreat out of his grasp, disappearing around corners. Bucky thought he could corner her at night time, but anytime he went into her room she was gone and her window was open. He would sit and wait but as if Y/N knew he was waiting, she didn’t come back until he was gone. Bucky’s nightmares had taken over his mind again, making the moments he slept torturous and he didn’t have Y/N to help keep them away or focus his mind anymore. He felt like he was losing Y/N again and with that, also a piece of himself and he couldn’t reach her.

One night, Bucky was walking down the hallway when he heard the shower still running in the bathroom like it had been for an hour, steam leaking out from the bottom of the door and into the hallway. He had seen everybody around, except Y/N. He gently twists the knob, opening it and letting steam hit him in the face, “Y/N?” He asks as he closes the door behind him, walking over to the curtain and pulling it back. His eyes laid on Y/N, sitting on the floor of the shower curled up with her arms wrapped around her knees, staring blankly ahead. Bucky quickly turned off the shower before taking her cheeks into his palms, “What’re you doin, doll?” He asks but was met with no reply, just a blank stare as if she was staring right through him, “Y/N…” He said, moving his hands to her arms and gently shaking her to try and get her out of whatever trance she was in but she still sat unmoving. Bucky grabbed a towel and wrapped it around her body before picking her up and carrying her out of the bathroom and back to her room. He shut the door behind him with his foot, setting her down on the bed still wrapped in the towel. Bucky kneels down in front of her, snapping his fingers in front of her face to try and get her attention while calling her name but to no avail. He sighed and stood, grabbing one of Y/N’s t-shirts and pajama shorts. He gently put them on her, having to move her body himself as she didn’t move an inch or stop staring. Once she was dressed, he kissed the top of her head, “Baby… Talk to me…” He pleaded, but once again was met with no reply or movement. Bucky panicked, telling Y/N to stay here even though he knew she wouldn’t move anyway. He walks out the door and instantly found Steve sitting in the living room reading over a file, “Steve… It’s Y/N. Something’s wrong and I… I don’t know what to do.” He said, watching Steve instantly and sprinting down the hallway to Y/N’s bedroom.

“Y/N,” Steve said as he approached his sister, sitting on the bed next to her, “Hey, Y/N.” He tried again but to no answer. He looks over to Bucky, “What happened?”

Bucky paced the room, “I don’t know, Steve. I found her in the shower just sitting there like that. She won’t move, won’t speak, won’t blink…” He said, his eyes fixating on Y/N as he stopped, “I can’t get her out of it.”

Y/N stayed in that state the rest of the night, Bucky and Steve watching her closely and one in a while calling out her name to see if they’d get a different reaction. When the sun started to come up, Bucky motioned Steve to come outside of the bedroom with him. He let out a deep sigh and ran his hand through his dark hair, “I think we need to talk to someone who knows more about Hydra, maybe knows what was done to her to put her in this state.”

Steve nodded slowly, “I agree with that, we need more answers and the chip we have is still locked. We can’t access it.” He sighs, “Who do you have in mind?” Steve watched Bucky give him a look, then shook his head, “Really Buck? You want to see him? Are you sure?”

Bucky nodded, “I don’t know anybody else who knows everything about Hydra other than him. It’s probably our only option.”

Steve sighed heavily, “I guess you’re right… Take Sam with you.”

Bucky rolls his eyes, “Really? I don’t need a babysitter.” “It’s Zemo, Buck! You do need someone with you.” Steve shot back, “I’ll get the jet ready and let the prison know you’re coming.”

—-

Bucky and Sam walked in to the prison, pausing outside the doors to the cell that held Zemo. Bucky shifted on his feet uncomfortably and let out a deep breath. He didn’t want to ever see Zemo again, but he may know something about why Y/N was suddenly seeming lost after killing Dimitri. He walks in, standing at the glass that separated him from Zemo.

Zemo looked up from his book to see Bucky, a small grin curling on his thin lips as he started reciting the ten Russian words that were used to activate the Winter Soldier.

“I’m not him anymore.” Bucky said sternly, watching Zemo closely.

“I know. Thought I’d give it a try.” Zemo replied through the glass, his hands behind his back, “What do I owe the pleasure of a visit?”

Bucky licks his lips, wondering if this was a good idea but he would do anything to help Y/N. Even talk to the man who framed him and used him as the Winter Soldier, “Do you know anything about other experiments that Hydra did?” “You’re going to have to me more specific, Soldat.” Zemo said with a small smile, slowly pacing his small cell.

“It was an experiment of three people and it got shut down due to Hydra not being able to control them.” Bucky informed, “They have red eyes.”

Zemo paused in his place, looking over to Bucky slowly, “Project Red-Eye. I read through it. Nasty little creatures. Thought they were locked away forever.”

“Yeah, not so much.” Bucky said, trying to not give information on the fact that it was Y/N, “What do you know?” “Well, they successfully created the first one Damon… No, Dimitri. Although, they couldn’t create another like him from scratch. So they used his blood and bits of Dimitri to make the other two which caused some sort of loyalty between them. When Hydra couldn’t control them, it was thought they were locked away and buried forever. But it seems you’ve found one. Which one is it? Dimitri, Alexei? The girl?” When Zemo saw Bucky slightly twitch at the last guess, he smiled, “Ah, the girl. The sister of Captain America. I read her file, ruthless little thing.” He chuckled.

“Yeah, okay, it’s her.” Bucky spat at Zemo through the glass, “She was fine, her chip from Hydra was removed. The other two are dead but she seems stuck now. Do you know why that would happen?” Zemo walked up to the glass, hands still behind his back as he stared at Bucky, “The brain is a fascinating thing, Mr. Barnes, as you know.” He began, “When they first made Ms. Rogers, she resisted to be controlled by Hydra and Dimitri. And you know what they do when someone resists.” He smiled devilishly, “They played with her brain, updating the chip multiple times until they could have her in control. But they also created a fail safe, brainwashing her subconscious so when she wasn’t mission oriented, she was still what they made her to be. A killer. If she was determined that her mission was to take care of the other two red-eyes and they’re gone now, her subconscious killer part will break through eventually.”

Bucky swallowed hard at his words, looking around the room everywhere except Zemo.

“I would go take care of that, James. You left your friends with a killer.”

Bucky turned and left the room without a word, looking at Sam who was waiting, “We have to get back, now!” He said, quickening his pace down the hallway with Sam on his trail. When they got back to the facility, Bucky sprinted up to Y/N’s room but didn’t find her in there. He ran back out the hallway, finding Wanda. He grabbed onto Wanda’s arms, panic in his eyes, “Where’s Y/N?!” He asked breathlessly.

Wanda looked at Bucky with wide eyes, “She’s sparring with Steve, got out of her trance a few hours ago. She seems fine.” “She’s not!” Bucky said, releasing Wanda and running into the training room to see Y/N sparring hand to hand with Steve and a small smile on her lips, “Y/N!” He yelled at her, walking towards the ring.

Y/N blocked a punch from Steve, holding his hand in her fist as he looked over at Bucky Y/N slowly turned her red eyes onto Bucky as well, “Looks like the funs over.” She said with a small smile before twisting Steve’s arm hard enough to hear a pop. She watched Steve fall to the ground, knowing she dislocated his shoulder. She swings herself through the ropes of the ring, dropping down in front of Bucky, “Learn anything fun?” Bucky frowned at her, grabbing her arm and pinning her against a wall roughly with his other arm pressed up against her throat, “You’re not her.” He growled out.

Y/N smiled at him, licking her lips and wiggling against his grasp, “Oh no, honey. I’m not. I’m the improved version.” She told him before swinging one leg up to kick him away, “As soon as you left the facility out of her presence, she gave up. Letting little old me slip in. It’s her fault you know. She isolated herself from everybody, even you, making it easier for me to slip right on in.” She told him.

Steve had gotten out of the ring, pressing his arm back into place with a wince as he walked over to stand by Bucky, “What’s going on? What did Zemo say?”

Bucky kept his eyes on Y/N, a deep brown still on his features, “Zemo said Hydra created a failsafe in her subconscious through brainwashing. Making sure when she wasn’t mission oriented she would still be the killer they made her to be.” “Yup.” Y/N said, interrupting him, “She’s still in here you know.” She said, pointing to her head, “Crying, screaming, weak little Y/N. She screams for you, trying to find you in the darkness of her own brain. Trying to scratch her way out back to you. I’m surprised you didn’t notice earlier, all that rage was me.”

Bucky walked towards Y/N angrily, shoving her back against the wall, “Let her out!” He yelled, holding her back against the wall.

Y/N smiled sinisterly at him, “God, you’re hot. She should’ve jumped your bones when she had a chance. I bet you’re really good in bed.” She said with a small laugh, pushing her hips up against his slightly, “Sorry, no can do. I like being in control, it’s been a while since I was able to stretch my legs.” She said, pushing him away and onto the floor, “Don’t try to get her back out. Remember, I’m the only one that knows how to reactivate those trigger words in your head now that Dimitri is dead. Piss me off and I’ll turn you back into the little complicit soldier you are.”

Wanda had entered the room, watching the whole thing go down with her jaw slightly dropped at Y/N’s words. Her fingers twitched, glowing red for a moment before Y/N locked eyes with her.

Y/N focused her eyesight over to Wanda, narrowing her eyes slightly at him, “And you, little witch.” She hissed out, “Try to get in my mind and I will snap your fingers off. One. By. One.”

“What do you want?” Steve asked sternly, a frown set on his features as he realized the person in front of him was a shell of his sister, possessed by an evil that was placed in her head by Hydra.

Y/N moved her red eyes over to Steve, “I don’t know yet. From my understanding, Hydra is gone. Good riddance, I didn’t really like them anyway. And I no longer have a chip so I don’t have to listen to them.” She told him, “This place is nice though. I like it. You got food, parties…” She then turned her gaze back to Bucky, looking him up and down, “And him.” She licks her lips at his figure before looking back to Steve, “I guess I’ll just play it by ear, figure out what I want. But right now, I’m going to go take a stroll in the city. Take in the sights.” She sneered out, “And if you try anything to stop me, I will kill as many people as I can before disappearing forever and you’ll never see me again. See you later, super squad!”

The team watched Y/N walk past them, waving to each of them as she disappeared through the doors. The way she sounded with her threats, they knew she was serious that she would follow through on her promise of murder if they followed her. Once she was out of view and earshot, Bucky punched the concrete wall hard with his vibranium hand, causing cracks to appear against the hard surface, “Dammit!” He yelled.

Steve shook his head, pacing in a small circle as he ran a hand through his blonde hair. Wanda was the first to break the silence, her hands shaking slightly at watching her best friend suddenly switch personalities, “What are we going to do?”

Bucky turned to look at Wanda, biting his lip at her words. He closed his eyes for a moment tightly as if trying to wake up a from a bad dream, “I don’t know… But you heard her. The real Y/N is in there somewhere and we have to get her back.”

____________________________________________________

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#bucky x reader #bucky x you #bucky x y/n #bucky barnes x reader #bucky barnes x you #marvel imagine #marvel fanfic #marvel fanfiction #james bucky barnes #james buchanan barnes #bucky barnes series #bucky barnes fanfic #bucky barnes fanfiction #bucky series

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mcfiddlestan · 3 years

Text

WinterFrost Single Dads AU

Hey, ya'll. Told ya I was working on this thing. I've got about six chapters done, but I'm not ready to post it to AO3 just yet. One big reason for that is I don't have a title yet. So I thought I'd post a couple of chapters, let ya'll get a feel for it, then take any suggestions you might have.

Just a small note: I tend to name fics after song titles that inspired the story or somehow fit with the plot.

Anyhoo...here's the first chapter. I *might* post the second tomorrow. We'll see how the response to this goes.

xoxo, La

Pairing: Loki x Bucky Barnes (there are others past and future, but I'm not giving them away just yet)

Rating: M

Word count: 1,775

Summary: Loki is living a great life as a Manhattan lawyer and constantly partying with Tony Stark, his best friend. Loki's life before he came to New York more than a decade ago is a mystery for those close to him. But it's all about to come to light when he gets a call from someone in his past.

Bucky is just trying to catch a break. A few hookups with a fellow soldier led to a quickie marriage and baby -- and two years later, a quick divorce. His daughter is now eight years old and the light of his life. But he can't seem to get his shit together. Struggling to find a job and keep a hold on his sobriety, it's a one-night stand that gives him the kick in the ass he needs to be the man his daughter believes he is.

Warnings: Mature language and situations, some drug use, and talk about addiction.

Chapter 1

The sound of his front door opening and closing pulled Loki from a deep sleep. So deep, it took him a moment to remember where he was and how he knew that was his front door. His eyes opened slowly, once, twice, and then again, to nothing but the darkness of what he was sure was his bedroom. Then he felt the pounding, incessant, pulsing around his entire head. Damn migraines. Loki let out a low groan, thought fuck it, and buried his face deeper into his pillow. Moments later, the door to his bedroom pushed open.

“Rise and shine,” a deep voice sang.

Loki grumbled at the familiar voice, and slowly, he turned his body, rolling onto his back. “Why are you always so chipper in the morning? Oh, for Norn’s sake!” He threw a pillow over his face as the curtains pulled open and let the blinding daylight flood the room. “Close them! I’ve got a damned migraine!”

“Ooh. So sorry, Mr. Friggasson. There’s a cup of tea on the nightstand. Would you like me to get you some water and a couple of ibuprofen?”

Another groan sounded through the room as Loki forced himself to sit up. “Yes, please,” he answered as he rubbed at his face before reaching for the two pillows to prop them up behind him. In his sleepy haze, he remembered to pull the bedsheet over his lap to keep his modesty. Loki reached out for the teacup first, cupping it in his large hand as he took a gentle sip. “Mmm, perfect. Thank you, Fandral. And, for the thousandth time, please stop calling me Mr. Friggasson.” He sipped again, ignoring Fandral’s giggle as he rummaged through Loki’s closet. “What time is it?”

“A quarter to eleven.”

Loki sputtered into his tea. “Quarter to eleven? Why did you let me sleep so late? I have meetings today.” Loki hurriedly set his drink down and started to rise, gathering the sheet to wrap around him. Fandral was suddenly there, nudging Loki back into the bed, “Relax, Loki. You’re fine. Your early meeting was canceled, the board meeting at the Tower was pushed to Thursday, and Mr. Stark canceled your lunch meeting.”

“Cancelled? Why?” Loki settled back in the bed, rubbing at his neck. “He didn’t say. But he left the message for me before three am, and there was a lot of noise in the background. So, take a guess.”

Loki snorted softly. “That’s your boss, Fanny. Don’t judge.”

“You’re my boss. Mr. Stark only signs the checks,” Fandral said through a smile as he laid out a pair of pants and a shirt on a chair in the corner for Loki to wear for the day. “Once the morning meeting was canceled, I thought I’d let you rest a little longer since you didn’t have to rush into the office.”

“Thanks,” Loki muttered from behind his cup.

Fandral gave him a nod and turned to head around the corner towards the master bathroom.

“Any other messages?” Loki called as he set the teacup back on the nightstand. He sat back, his face contorting in pain, willing the migraine to ease up. He made a mental note to see an optometrist already.

“Yes, a few. Natasha called. She got a lead on the security break from a couple of months ago, I guess? She said she’d have a report for you on the improvements she’s already made with F.R.I.D.A.Y.” Fandral stepped out with a small white bottle in one hand, a glass of water in the other. He handed the water to Loki before popping open the bottle and dropping two white tablets in Loki’s open palm. “Also, someone’s been trying to get a hold of you all morning. He’s called four times already. No real message, just ‘need to speak to Loki urgently.’ Someone named Thor.”

Loki went still. He swallowed down the pills and water in his mouth, watching Fandral’s retreating back. A million different questions ran through Loki’s mind, but he couldn’t decide on just one to ask, nor would Fandral be able to answer any of them, judging by what he’d just said. Fandral returned from the bathroom, and Loki hoped he didn’t look as panicked as he felt. “Someone named Thor, you say?”

Fandral, staring at his phone, made a noise of agreement. “Sounded foreign, but I couldn’t place the accent.”

“Norwegian.” Loki shook his head dismissively when Fandral looked at him with a quizzical look. “Did he say how to get a hold of him?”

“Yes. At least, I have the number for you.” Fandral lowered his phone, eyed Loki, who’d gone much paler in the last thirty seconds. “Are you all right?”

Not in the slightest. “Yes. Uh, Fandral, I’m going to take a shower.” Loki rose from the bed, his migraine still there but hardly forgotten. He held the bed sheet tight at his waist and walked around Fandral. “Listen, if he calls again, tell him I will call him back as soon as I’m free. If he doesn’t, when you hear the water stop, give me twenty minutes, then put the call through.”

Fandral frowned at Loki as he followed him with his eyes. “Sure, boss. Are you sure you’re feeling all right?”

“Fandral. I’m fine. Will you order some food? Get me a sandwich, please. Something toasted, turkey.” Distracted, Loki didn’t wait for Fandral to confirm. He walked into his bathroom and started the water in the shower, then moved to the sink. He stood before the mirror for a moment, thinking, fretting, irritated. Why would Thor be calling him after all this time? What could he possibly have to say to Loki? After more than ten years of no communication, Loki felt as if they were strangers.

The steam began to fill the room, fogging up the mirror, so Loki dropped the sheet and stepped under the spray. He let the hot water wash over him, easing the ache of his muscles. He took the showerhead in hand, adjusted the setting of the water, and held it over the back of his head to let the hot water pummel the skin of his neck and his scalp, hoping to make the migraine go away. Though with the newly added stress of a phone call with someone from his long-forgotten past, Loki wasn’t sure it would go away now.

Washing his body and hair quickly, after just fifteen minutes, Loki stepped out and went through the motions of grooming then getting dressed. When he stepped out into the living room, Fandral was just taking his food from its delivery packaging.

“Did he call?”

“No. Feel any better?”

Not at all. “Much. Fandral, could you give me some privacy?”

He froze with a wrapped sandwich half out of the bag. Only his eyes moved in Loki’s direction, “Um, sure? Do you want me to come back in, what, an hour?”

Loki shook his head. “No. In fact, why don’t you take the rest of the day off?” Fandral dropped the sandwich on the table and faced Loki fully, crossing his arms. “Don’t look at me like that. Nothing is wrong. I just don’t know how this conversation is going to go, and I’d rather not have an audience if you don’t mind.” He spotted a bag of chips and snatched it up, ripping it open to pop one into his mouth.

Fandral, still frowning, reached into the bag once again to split the napkins between the two of them. He repacked his meal, then lifted the bag from the table. “All right. Your phone is on the counter. I input the phone number since he called the office, not your cell phone. And – I’ll be available, just in case.”

“Thank you. Fandral.” Loki gave his back a quick pat as he paused beside him. “I mean it. Thank you. I don’t know what I’d do without you.”

“Well, I think we both know that’s a mutual feeling.” He reached for Loki’s arm, giving his wrist a quick squeeze. “Call me later? So I know you’re all right?”

Loki nodded and didn’t move until he heard the door close behind Fandral. It was true; he didn’t know how he would function without Fandral. They were classmates in law school, and both started at equally prestigious firms upon graduation. They were good friends but fiercely competitive, too. Loki credited that manic drive to one-up each other for getting him to the top five percent of their graduating class. But after a few years, while Loki had been on the up-and-up, Fandral was drowning, barely keeping his head above water as a tax lawyer. Loki watched one of the first friends he’d made in New York crumble under pressure and struggled to help him find a way to deal. Eventually, Fandral walked away from the six-figure salary, the company car, and all the perks that came with it. Loki was impressed that Fandral

dared to do it. After a few months of getting help and finding a better mental space, Fandral moved off of Loki’s couch into a modest apartment that was a fraction the size of the loft he was in before and looked for a less-hectic job. Loki had snagged a cushy position as Stark Industries’ in-house counsel, thanks to his friendship with its C.E.O., and was still getting settled. Managing New York’s richest son’s money, company, and public image was turning out to be a full-time job. And Loki needed help. He’d already recruited Natasha Romanov, a former N.Y.P.D. Officer, he brought her on for her computer and investigative skills. So he offered Fandral a position as his assistant. Fandral took it and promised to be the best right-hand man. Loki expected he’d be bored within a month just answering phone calls and setting up meetings. But Fandral’s duties, mostly taken on of his own volition, had grown exponentially in the past five years. He acted as assistant, maid, valet, and social buffer for the notoriously introverted Loki.

Loki would be a mess without him.

Because he was starving, Loki wolfed down half his sandwich and chips, grateful that the shower, the food, and the medication had helped relieve the worst of his migraine. Taking a deep breath, Loki picked up his phone from where Fandral left it for him. His thumb hovered over the screen, over the unknown phone number. And with his heart in his throat, Loki tapped it. He listened. He waited. And, finally, after three rings, the line picked up.

“Hello?”

“Hello, Thor.”

#WinterFrost Single Dads AU #winterfrost #yay i wrote a thing #my fic #loki x bucky #questions & comments are welcome

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midnxghtsunwrites · 4 years

Text

LAID OFF

PAIRING —

Andy Barber x Black Reader

SUMMARY —

You get fired from your workplace of eleven years and Andy tries to comfort you.

WARNINGS —

Just good ol' fluff and angst, ignorant people doing ignorant things — yakwtfgo

It was midday when Andy received a text from you saying that you were on your way home from work. As far as he knows, your workday definitely does not end at twelve pm. Immediately, he called you and the conversation went as vague as he expected.

"Why are you going home, sweetheart? You okay?" He questions. You can't see him but you can tell that he has those crinkles in between his eyebrows that usually come with concern.

"Yeah, I'm fine. Do we have anything on our grocery list? I'm gonna stop by Walmart on the way home." He doesn't have a chance to answer before you cut him off, "Never mind, I'll just go to the house and grab it."

"Y/N —"

You hung up.

A day of shopping went by with you trying to take your mind off of what happened just hours before. Your boss of eleven years called you into his office, handed you a termination packet, a crappy explanation, and a company pen.

A pen.

"It has your name on it," He'd quipped.

As you now stand in your bathroom, twisting your hair into bantu knots, you wish you would've stabbed that motherfucker in the eye with that pen. You're absolutely taken aback by his audacity — it followed you throughout the day.

Even when your son came home from school and greeted you. You were in the kitchen at that point, aggressively stirring up some chicken soup — your comfort food. He gave you the weirdest look and retreated to his room.

During dinner (without Andy) you listened intently as your son recounted his day, trying to get your mind off of how much time you'd wasted in that company.

Now, you can hear the security system speak that the front door is open. Andy's home.

You try not to think about the packet you left on the bed — he has to know somehow and you don't want to say it out loud. Part of you feels he'll be disappointed in you.

When he enters the bathroom, the packet in hand and a thoughtful look on his face, you try not to let it faze you and get back to spraying leave in conditioner in your hair.

You can feel his stare burning into the side of your face.

You blink and meet his eye in the mirror, "I don't wanna talk about it."

"We have to talk about it." His voice is calmer than you thought it would be.

"No, Andy, we don't have to do anything — I, on the other hand, have to finish these bantu knots that I started way too late in the day. Should've done this tomorrow. Not like I have anything else to do —"

Andy scoffs, "Y/N, stop doing your hair for a minute and talk to me."

"What?" You question, beyond irritated, "What is there to possibly talk about? Huh? I wasn't good enough at my job and I lost it. There's not much else to it, Andy."

"Y/N —"

"No." You deadpan, slamming the bottle down on the granite counter top and turning to face your husband, "I gave eleven years of my life to that place. Just to get a letter of termination and a pen. A stupid pen? Is that what my life has come to? They could've had the decency to send me to fricking Jamaica or some shit — they're good for it."

Andy leans back against the wall and watches you as you rant.

"If I'm that replaceable, why the fuck didn't they just fire me ten years ago when they saw what a crap job I was doing?" You know you're a great employee but the rage is pouring off you in waves, "I was sacrificing my weekends with family to go to that bum place — for terrible fucking pay, mind you — and this is what they do? This is how they pay me back for wasting a decade of my life? I'm just so —" A frustrated groan finishes your statement.

"And I know you're disappointed in me. You're disappointed in the fact that I didn't work hard enough. I didn't fight hard enough. Well, fuck that. I'm fucking over it."

"Are you?"

"Yes, I'm over it." You reiterate.

Your husband knows you too well to think that you're over it. He counts down from five in his head.

Five..

Four..

Three..

Two..

One..

"Is it because I'm black?" You ask, suddenly.

Right on cue. Andy whistles lowly, proud of himself.

"Fucking hell," You scoff as if just realizing something, "I knew there was some shady shit when they took us to a damn plantation for a mixer and only asked me to bring food."

Your husband's head shoots up in surprise, "Wait, they did that? Why didn't you tell me?"

You shake your head, "I wasn't thinking too much of it. Plus, it was like six years ago — I was naive as hell."

Andy furrows his brows in thought, "What was the reason they gave for firing you?"

"My disruptive behavior. Apparently, they don't like when someone accidentally drops their stapler." Saying it out loud pissed you off even more.

"Those assholes." Andy comes to your defense, biting his bottom lip, irritated. Finally, he nods, "Okay. We'll sue for wrongful termination. I'll call someone in the morning so we can get this sorted out."

You pause for a moment, glad your husband is there to fight by you and defend you. A part of you is tempted to do just that — get a couple thousand from that hating ass job. But no, you don't even want to think about them anymore.

Begrudgingly, you shake your head, "Nah, baby, I just wanna wash my hands of them. I'll send out my resume in the morning and I'll probably take a couple more days to mope, but I don't wanna think about them anymore. Just the fact that I'm jobless."

"There's my girl," Andy jokes as he wraps his arms around you. Your hair is haphazard on your head seeing as you haven't finished the knots yet, but Andy doesn't care. He's obsessed with you either way. "And I'm not disappointed in you, Y/N. You're the best at what you do. Them letting you go is their loss and they'll definitely realize what they're missing out on when you're out there doing your own shit. We have enough in our savings to spare — you can start that restaurant you've been dreaming about."

"And you'll be my greeter when you're not putting criminals in jail?" You ask, sweetly, a bright smile growing on your face.

Andy pecks your glossed lips, "Wouldn't have it any other way." He taps your ass, "Now, how about I help you finish your hair, we can drink some hot cocoa, I can give you a massage. Plus, I can take tomorrow off, we can pull Y/S/N out of school and we can go on a hike to clear your mind."

You almost cry at how much Andy is willing to do for you.

"Ugh, how did I get so lucky?" You rest your hand on his chest, right where your name is tattooed and pull him down to kiss you.

He pulls away, slightly, his beautiful blue eyes lighting up with such joy and admiration, "I ask myself that everyday."

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grigori77 · 4 years

Text

2020 in Movies - My Top 30 Fave Movies (Part 3)

10. WOLFWALKERS – eleven years ago, Irish director Tomm Moore exploded onto the animated cinema scene with The Secret of Kells, a spellbinding feature debut which captivated audiences the world over and even garnered an Oscar nomination. Admittedly I didn’t actually even know about it until I discovered his work through his astonishing follow-up, Song of the Sea (another Academy Award nominee), in 2015, so when I finally caught it I was already a fan of Moore’s work. It’s been a similarly long wait for his third feature, but he’s genuinely pulled off a hat-trick, delivering a third flawless film in a row which OF COURSE means that his latest feature is, beyond a shadow of a doubt, my top animated feature of 2020. I could even be tempted to say it’s his best work to date … this is an ASTONISHING film, a work of such breath-taking, spell-binding beauty that I spent its entire hour and three-quarters glued to the screen, simple mesmerised by the wonder and majesty of this latest iteration of the characteristically stylised “Cartoon Saloon” look. It’s also liberally steeped in Moore’s trademark Celtic vibe and atmosphere, once again delving deep into his homeland’s rich and evocative cultural history and mythology while also bringing us something far more original and personal – this time the titular supernatural beings are magical near-human beings whose own subconscious can assume the form of very real wolves. Set in a particularly dark time in Irish history – namely 1650, when Oliver Cromwell was Lord Protector – the story follows Robyn (Honor Kneafsey, probably best known for the Christmas Prince films), the impetuous and spirited young daughter of English hunter Bill Goodfellowe (Sean Bean), brought in by the Protectorate to rid the city of Kilkenny of the wolves plaguing the area. One day fate intervenes and Robyn meets Mebh Og MacTire (The Girl at the End of the Garden‘s Eve Whittaker), a wild girl living in the woods, whose accidental bite gives her strange dreams in which she becomes a wolf – turns out Mebh is a wolfwalker, and now so is Robyn … every aspect of this film is an utter triumph for Moore and co, who have crafted a work of living, breathing cinematic art that’s easily the equal to (if not even better than) the best that Disney, Dreamworks or any of the other animation studios could create. Then there’s the excellent voice cast – Bean brings fatherly warmth and compassion to the role that belies his character’s intimidating size, while Kneafsey and Whittaker make for a sweet and sassy pair as they bond in spite of powerful cultural differences, and the masterful Simon McBurney (Harry Potter, Mission: Impossible – Rogue Nation, Tinker Tailor Soldier Spy) brings cool, understated menace to the role of Cromwell himself. This is a film with plenty of emotional heft to go with its marvels, and once again displays the welcome dark side which added particular spice to Moore’s previous films, but ultimately this is still a gentle and heartfelt work of wonder that makes for equally suitable viewing for children as for those who are still kids at heart – ultimately, then, this is another triumph for one of the most singularly original filmmakers working in animation today, and if Wolfwalkers doesn’t make it third time lucky come Oscars-time then there’s no justice in the world …

9. WONDER WOMAN 1984 – probably the biggest change for 2020 compared to pretty much all of the past decade is how different the fortunes of superhero cinema turned out to be. A year earlier the Marvel Cinematic Universe had dominated all, but the DC Extended Universe still got a good hit in with big surprise hit Shazam! Fast-forward to now and things are VERY different – DC suddenly came out in the lead, but only because Marvel’s intended heavy-hitters (two MCU movies, the first Venom sequel and potential hot-shit new franchise starter Morbius: the Living Vampire) found themselves continuously pushed back thanks to (back then) unforeseen circumstances which continue to shit all over our theatre-going slate for the immediate future. In the end DC’s only SERIOUS competition turned out to be NETFLIX … never mind, at least we got ONE big established superhero blockbuster into the cinemas before the end of the year that the whole family could enjoy, and who better to headline it than DC’s “newest” big screen megastar, Diana Prince? Back in 2017 Monster’s Ball director Patty Jenkins’ monumental DCEU standalone spectacularly realigned the trajectory of a cinematic franchise that was visibly flagging, redesigning the template for the series’ future which has since led to some (mostly) consistently impressive subsequent offerings. Needless to say it was a damn tough act to follow, but Jenkins and co-writers Geoff Johns (Arrow and The Flash) and David Callaham (The Expendables, Zombieland: Double Tap, future MCU entry Shang-Chi & the Legend of the Ten Rings) have risen to the challenge in fine style, delivering something which pretty much equals that spectacular franchise debut … as has Gal Gadot, who’s now OFFICIALLY made the role her own thanks to yet another showstopping and definitive performance as the unstoppable Amazonian goddess living amongst us. She’s older and wiser than in the first film, but still hasn’t lost that forthright honesty and wonderfully pure heart we’ve come to love ever since her introduction in Zack Snyder’s troublesome but ultimately underrated Batman V Superman: Dawn of Justice (yes, that’s right, I said it!), and Gadot’s clear, overwhelming commitment to the role continues to pay off magnificently as she once again proves that Diana is THE VERY BEST superhero in the DCEU cinematic pantheon. Although it takes place several decades after its predecessor, WW84 is, obviously, still very much a period piece, Jenkins and co this time perfectly capturing the sheer opulent and over-the-top tastelessness of the 1980s in all its big-haired, bad-suited, oversized shoulder-padded glory while telling a story that encapsulates the greedy excessiveness of the Reagan era, perfectly embodied in the film’s nominal villain, Max Lord (The Mandalorian himself, Pedro Pascal), a wishy-washy wannabe oil tycoon conman who chances upon a supercharged wish-rock and unleashes a devastating supernatural “monkey’s paw” upon the world. To say any more would give away a whole raft of spectacular twists and turns that deserve to be enjoyed good and cold, although they did spoil one major surprise in the trailer when they teased the return of Diana’s first love, Steve Trevor (Chris Pine) … needless to say this is another big blockbuster bursting with big characters, big action and BIG IDEAS, just what we’ve come to expect after Wonder Woman’s first triumphant big screen adventure. Interestingly, the film starts out feeling like it’s going to be a bubbly, light, frothy affair – after a particularly stunning all-action opening flashback to Diana’s childhood on Themyscira, the film proper kicks off with a bright and breezy atmosphere that feels a bit like the kind of Saturday morning cartoon action the consistently impressive set-pieces take such unfettered joy in parodying, but as the stakes are raised the tone grows darker and more emotionally potent, the storm clouds gathering for a spectacularly epic climax that, for once, doesn’t feel too overblown or weighed down by its visual effects, while the intelligent script has unfathomable hidden depths to it, making us think far more than these kinds of blockbusters usually do. It’s really great to see Chris Pine return since he was one of the best things about the first movie, and his lovably childlike wide-eyed wonder at this brave new world perfectly echoes Diana’s own last time round; Kristen Wiig, meanwhile, is pretty phenomenal throughout as Dr Barbara Minerva, the initially geeky and timid nerd who discovers an impressive inner strength but ultimately turns into a superpowered apex predator as she becomes one of Wonder Woman’s most infamous foes, the Cheetah; Pascal, of course, is clearly having the time of his life hamming it up to the hilt as Lord, playing gloriously against his effortlessly cool, charismatic action hero image to deliver a compellingly troubling examination of the monstrous corrupting influence of absolute power. Once again, though, the film truly belongs to Gadot – she looks amazing, acts her socks off magnificently, and totally rules the movie. After this, a second sequel is a no-brainer, because Wonder Woman remains the one DC superhero who’s truly capable of bearing the weight of this particular cinematic franchise on her powerful shoulders – needless to say, it’s already been greenlit, and with both Jenkins and Gadot onboard, I’m happy to sign up for more too …

8. LOVE & MONSTERS – with the cinemas continuing their frustrating habit of opening for a little while and then closing while the pandemic ebbed and flowed in the months after the summer season, it was starting to look like there might not have been ANY big budget blockbusters to enjoy before year’s end as heavyweights like Black Widow, No Time To Die and Dune pulled back to potentially more certain release slots into 2021 (with only WW84 remaining stubbornly in place for Christmas). Then Paramount decided to throw us a bone, opting to release this post-apocalyptic horror comedy on-demand in October instead, thus giving me the perfect little present to tie me over during the darkening days of autumn. The end result was a stone-cold gem that came out of nowhere to completely blow critics away, a spectacular sleeper hit that ultimately proved one of the year’s biggest and most brilliant surprises. Director Michael Matthews may only have had South African indie thriller Five Fingers for Marseilles under his belt prior to this, but he proves he’s definitely a solid talent to watch in the future, crafting a fun and effective thrill-ride that, like all the best horror comedies, is consistently as funny as it is scary, sharing much of the same DNA as this particular mash-up genre’s classics like Tremors and Zombieland and standing up impressively well to such comparisons. The story, penned by rising star Brian Duffield (who has TWO other entries on this list, Underwater and Spontaneous) and Matthew Robinson (The Invention of Lying, Dora & the Lost City of Gold), is also pretty ingenious and surprisingly original – a meteorite strike has unleashed weird mutagenic pathogens that warp various creepy crawly critters into gigantic monstrosities that have slaughter most of the world’s human population, leaving only a beleaguered, dwindling few to eke out a precarious living in underground colonies. Living in one such makeshift community is Joel Dawson (The Maze Runner’s Dylan O’Brien), a smart and likeable geek who really isn’t very adventurous, is extremely awkward and uncoordinated, and has a problem with freezing if threatened … which makes it all the more inexplicable when he decides, entirely against the advice of everyone he knows, to venture onto the surface so he can make the incredibly dangerous week-long trek to the neighbouring colony where his girlfriend Aimee (Iron Fist’s Jessica Henwick) has ended up. Joel is, without a doubt, the best role that O’Brien has EVER had, a total dork who’s completely unsuited to this kind of adventure and, in the real world, sure to be eaten alive in the first five minutes, but he’s also such a fantastically believable, fallible everyman that every one of us desperate, pathetic omega-males and females can instantly put ourselves in his place, making it elementarily easy to root for him. He’s also hilariously funny, his winningly self-deprecating sass and pitch perfect talent for physical comedy making it all the more rewarding watching each gloriously anarchic life-and-death encounter mould him into the year’s most unlikely action hero. Henwick, meanwhile, once again impresses in a well-written role where she’s able to make a big impression despite her decidedly short screen time, as do the legendary Michael Rooker and brilliant newcomer Ariana Greenblatt as Clyde and Minnow, the adorably jaded, seen-it-all-before pair of “professional survivors” Joel meets en-route, who teach him to survive on the surface. The action is fast, frenetic and potently visceral, the impressively realistic digital creature effects bringing a motley crew of bloodthirsty beasties to suitably blood-curdling life for the film’s consistently terrifying set-pieces, while the world-building is intricately thought-out and skilfully executed. Altogether, this was an absolute joy from start to finish, and a film I enthusiastically endorsed to everyone I knew was looking for something fun to enjoy during the frustrating lockdown nights-in. One of the cinematic year’s best kept secrets then, and a compelling sign of things to come for its up-and-coming director.

7. PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all. It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering deeply troubling answers. Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s good luck charm, Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two pennies together, until they’re presented with an intriguing opportunity. Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun). Soon the rest of the Kims are getting in on the act, the kids contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically. But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon. This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head to stunning effect. The cast are all thoroughly astounding, Song once again dominating the film with a turn at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon. This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away. Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with, and looks set to go down as one of the true cinematic greats of this new decade. Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …

6. THE OLD GUARD – Netflix’ undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular series with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping great ultraviolent action thriller, ushering in a thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered. Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), who’s working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan. The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here. Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’. They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story. Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large. After this, a sequel is not only inevitable, it’s ESSENTIAL …

5. MANK – it’s always nice when David Fincher, one of my TOP FIVE ALL TIME FAVOURITE DIRECTORS, drops a new movie, because it can be GUARANTEED to place good and high in my rundown for that year. The man is a frickin’ GENIUS, a true master of the craft, genuinely one of the auteur’s auteurs. I’ve NEVER seen him deliver a bad film – even a misfiring Fincher (see The Curious Case of Benjamin Button or Alien 3) is still capable of creating GREAT CINEMA. How? Why? It’s because he genuinely LOVES the art form, it’s been his obsession all his life, and he’s spent every day of it becoming the best possible filmmaker he can be. Who better to tell the story of the creation of one of the ULTIMATE cinematic masterpieces, then? Benjamin Ross’ acclaimed biopic RKO 281 covered similar ground, presenting a compelling look into the making Citizen Kane, the timeless masterpiece of Hollywood’s ULTIMATE auteur, Orson Welles, but Fincher’s film is more interested in the original inspiration for the story, how it was written and, most importantly, the man who wrote it – Herman J. Mankiewicz, known to his friends as Mank. One of my favourite actors of all time, Gary Oldman, delivers yet another of his career best performances in the lead role, once a man of vision and incredible storytelling skill whose talents have largely been squandered through professional difficulties and personal vices, a burned out one-time great fallen on hard times whom Welles picks up out of the trash, dusts off and offers a chance to create something truly great again. The only catch? The subject of their film (albeit dressed up in the guise of fictional newspaper magnate Charles Foster Kane) is to be real-life publisher, politico and tycoon William Randolph Hurst (Charles Dance), once Mank’s friend and patron before they had a very public and messy falling out which partly led to his current circumstances. As he toils away in seclusion on what is destined to become his true masterwork, flashbacks reveal to us the fascinating, moving and ultimately tragic tale of his rise and fall from grace in the movie business, set against the backdrop of one of the most tumultuous periods in American history. Shooting a script that his own journalist and screenwriter father, Jack, crafted and then failed to bring to the screen himself before his death in 2003, Fincher has been working for almost a quarter century to make this film, and all that passion and drive is writ large on the screen – this is a glorious film ABOUT film, the art of it, the creation of it, and all the dirty little secrets of what the industry itself has always really been like, especially in that most glamorous and illusory of times. The fact that Fincher shot in black and white and intentionally made it look like it was made in the early 1940s (the “golden age of the Silver Screen”, if you will) may seem like a gimmick, but instead it’s a very shrewd choice that expertly captures the gloss and moodiness of the age, almost looking like a contemporary companion piece to Kane itself, and it’s the perfect way to frame all the sharp-witted observation, subtly subversive character development and murky behind-the-scenes machinations that tell the story. Oldman is in every way the star here, holding the screen with all the consummate skill and flair we’ve come to expect from him, but there’s no denying the uniformly excellent supporting cast are equal to the task here – Dance is at his regal, charismatic best as Hearst, while Amanda Seyfried is icily classy on the surface but mischievous and lovably grounded underneath as Hearst’s mistress, Marion Davies, who formed the basis for Kane’s most controversial character, Arliss Howard (Full Metal Jacket, The Lost World: Jurassic Park, Moneyball) brings nuance and complexity to the role of MGM founder Louis B. Mayer, Tom Pelphrey (Banshee, Ozark) is understated but compelling as Mank’s younger screenwriter brother Joseph, and Lily Collins and Tuppence Middleton exude class and long-suffering stubbornness as the two main women in Mank’s life (his secretary and platonic muse, Rita Alexander, and his wife, Sara), while The Musketeers’ Tom Burke’s periodic but potent appearances as Orson Welles help to drive the story in the “present”. Another Netflix release which I was (thankfully) able to catch on the big screen during one of the brief lulls between British lockdowns, this was a decidedly meta cinematic experience that perfectly encapsulated not only what is truly required for the creation of a screen epic, but also the latest pinnacle in the career of one of the greatest filmmakers working in the business today, powerful, stirring, intriguing and surprising in equal measure. Certainly it’s one of the most important films ABOUT so far film this century, but is it as good as Citizen Kane? Boy, that’s a tough one …

4. ENOLA HOLMES – ultimately, my top film for the autumn/winter movie season was also the film which finally topped my Netflix Original features list, as well as beating all other streaming offerings for the entire year (which is saying something, as you should know by now). Had things been different, this would have been one of Warner Bros’ BIGGEST releases for the year in the cinema, of that I have no doubt, a surprise sleeper hit which would have taken the world by storm – as it is it’s STILL become a sensation, albeit in a much more mid-pandemic, lockdown home-viewing kind of way. Before you start crying oh God no, not another Sherlock Holmes adaptation, this is a very different beast from either the Guy Ritchie take or the modernized BBC show, instead side-lining the great literary sleuth in favour of a delicious new AU version, based on The Case of the Missing Marquess, the first novel in the Enola Holmes Mysteries literary series from American YA author Nancy Springer. Positing that Sherlock Holmes (Henry Cavill) and his elder brother Mycroft (Sam Claflin) had an equally ingenious and precocious baby sister, the film introduces us to Enola (Stranger Things’ Millie Bobby Brown), who’s been raised at home by their strong-willed mother Eudoria (Helena Bonham Carter) to be just as intelligent, well-read and intellectually skilled as her far more advantageously masculine elder siblings. Then, on the morning of her sixteenth birthday, Enola awakens to find her mother has vanished, putting her in a pretty pickle since this leaves her a ward of Mycroft, a self-absorbed social peacock who finds her to be wilfully free-spirited and completely ill equipped to face the world, concluding that the only solution is sending her to boarding school where she’ll learn to become a proper lady. Needless to say she’s horrified by the prospect, deciding to run away and search for her mother instead … this is about as perfect a family adventure film as you could wish for, following a vital, capable and compelling teen detective-in-the-making as she embarks on her very first investigation, as well as winding up tangled in a second to boot involving a young runaway noble, Viscount Tewkesbury, the Marquess of Basilwether (Medici’s Louis Partridge), and the film is a breezy, swift-paced and rewardingly entertaining romp that feels like a welcome breath of fresh air for a literary property which, beloved as it may be, has been adapted to death over the years. Enola Holmes a brilliant young hero who’s perfectly crafted to carry the franchise forward in fresh new directions, and Brown brings her to life with effervescent charm, boisterous energy and mischievous irreverence that are entirely irresistible; Cavill and Claflin, meanwhile, are perfectly cast as the two very different brothers – this Sherlock is much less louche and world-weary than most previous versions, still razor sharp and intellectually restless but with a comfortable ease and a youthful spring in his step that perfectly suits the actor, while Mycroft is as superior and arrogant as ever, a preening arse we derive huge enjoyment watching Enola consistently get the best of; Bonham Carter doesn’t get a lot of screen-time but as we’d expect she does a lot with what she has to make the practical, eccentric and unapologetically modern Eudoria thoroughly memorable, while Partridge is carefree and likeable as the naïve but irresistible Tewkesbury, and there are strong supporting turns from Frances de la Tour as his stately grandmother, the Dowager, Susie Wokoma (Crazyhead, Truth Seekers) as Emily, a feisty suffragette who runs a jujitsu studio, Burn Gorman as dastardly thug-for-hire Linthorn, and Four Lions’ Adeel Akhtar as a particularly scuzzy Inspector Lestrade. Seasoned TV director Harry Bradbeer (Fleabag, Killing Eve) makes his feature debut with an impressive splash, unfolding the action at a brisk pace while keeping the narrative firmly focused on an intricate mystery plot that throws in plenty of ingenious twists and turns before a suitably atmospheric climax and pleasing denouement which nonetheless artfully sets up more to come in the future, while screenwriter Jack Thorne (His Dark Materials, The Scouting Book for Boys, Wonder) delivers strong character work and liberally peppers the dialogue with a veritable cavalcade of witty zingers. Boisterous, compelling, amusing, affecting and exciting in equal measure, this is a spirited and appealing slice of cinematic escapism that flatters its viewers and never talks down to them, a perfect little period adventure for a cosy Sunday afternoon. Obviously there’s plenty of potential for more, and with further books to adapt there’s more than enough material for a pile of sequels – Neflix would be barmy indeed to turn their nose up at this opportunity …

3. 1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed. Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed. The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of film, a mesmerising journey of emotion and imagination in a shockingly real environment that’s impossible to tear your eyes away from. Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league. It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is True History of the Kelly Gang’s George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack). They’re a likeable pair, very human and relatable throughout, brave and true but never so overtly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos. That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DOP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is utterly immersive and simply STUNNING. I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same. Either way, this was the most incredible, exhausting, truly AWESOME experience I had at the cinema all year – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …

2. BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number two is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen. It was been the biggest pleasure of my cinematic year getting to see my top DC superheroines brought to life on the big screen, and it was done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than the Wonder Woman movies). It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one talented psychiatrist. Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley TRUE justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to. Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the assumed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about. Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what had to be 2020’s most exciting cast – Helena Bertinelli, the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action hero potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain. Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discover her warrior origins when the DCEU finally gets around to introducing her mum, Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy. My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT. Altogether they’re a fantastic bunch of badass ladies, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz. This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster ever made – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms. It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!). It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists. Altogether, then, this is the VERY BEST the DCEU has to offer to date, and VERY NEARLY my absolute FAVOURITE film of 2020. Give it all the love you can, it sure as hell deserves it.

1. TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly saved our cinematic summer, but I’m still IMMEASURABLY glad that my ultimate top-spot winner FOR THE WHOLE YEAR was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August and ultimately taking the bite at the box office because of the still shaky atmosphere), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with. I mean, okay, in the end it WASN’T the FIRST new movie I saw after the first reopening, that honour went to Unhinged, but THIS was my first real Saturday night-out big screen EXPERIENCE since March. Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT. Still with us? Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who was ALMOST the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s Himesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine. The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even if that amazing new teaser trailer wasn’t making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic. As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual triumph and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some absolutely mesmerising visuals. Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he had good reason, since he was working on his dream project at the time, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his collaborations with Ryan Coogler Fruitvale Station, Creed and Black Panther, as well as career-best work on The Mandalorian) is a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence this film is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven. As a work of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that proved truly unbeatable in 2020 …

#wolfwalkers #wonder woman 1984 #ww84 #love and monsters #parasite #parasite movie #the old guard #mank #enola holmes #1917 #1917 movie #Birds of Prey #birds of prey the fantabulous emancipation of one harley quinn #tenet #tenet movie #2020 in movies

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fuzzballsheltiepants · 4 years

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Picture Kevin, three years old, running after his mother on awkward too-short legs in the park across the street from their home. She laughs and grabs his little hands, swooping him off the ground in a great arc and he squeals and kicks his feet and shouts, “Again, mummy, again!” He seems to glow in the sun, and Kayleigh had never thought that love could be like this, something so big and all-encompassing it feels like pain.

Picture Kevin, four years old, already learning to read; at first Kayleigh thought it was memorization of his favorite books, but one day at the library he finds a book with a frog and a toad and he sounds out words on his own. Her heart swells with pride, and she kisses him on the top of his head and brushes back his silky hair and the frog and toad book finds its way home with them.

Picture Kevin, five years old, coming home from school bubbling with excitement day after day. “I made a new friend, mummy.” “Did you know that a long time ago Ireland was covered with ice, mummy? And there were furry el-fants and huge deers and all kinda stuff that’s gone stinked now.” “We drew today and I drew you and me and we were playing exy and the teacher said it was really really good.” “I know maths now, mummy. So much maths.” After school he pulls out his legos and starts adding to the giant structure that has taken over one corner of their living room. “It’s a castle, mummy. It’s s’posed to be big.”

Picture Kevin, six years old, leading Kayleigh through the streets from shop to shop. Gravely saying hello to the shop owners, who smothered their smiles and exchanged looks with Kayleigh over Kevin’s head. He talked about fish to the grocer and dinosaurs to the bookstore cashier and space to the pharmacist and then ran into the green to kick a ball around with some kids from school. “I like football okay, mum, but it’s not as much fun as exy.” They put on music in the car and he sings along, not caring if he’s in tune, just singing for the pure joy of it. Kayleigh wonders when she started becoming afraid of people who couldn’t even hear her; how many years had it been since she hadn’t cared what anybody thought? She turns up the music and sings along too.

Picture Kevin, seven years old, in tiny exy gear, playing in little league. He throws himself into it with abandon; sometimes the ball ends up in the little stands set up around the pint-sized court; sometimes he releases too late and it just bounces sadly off the ground; once it ricocheted off the low wall and whacked him in the shoulder. He rubbed at it, glaring at the offending ball, but two seconds later he was laughing and leaping back into the fray. He knocked a defender over, then stopped to extend a hand to help him up, and they hugged it out while someone else scored. Afterwards the defender went out with them for pizza and they talked about space robots for a solid hour until Kayleigh was ready to scream.

Picture Kevin, eight years old. Somber. Lost. Riko, promising to be his friend, and Kevin swallowing against the lump in his throat and nodding. Riko, a dark-eyed island in the sea of grief.

Picture Kevin, nine years old. Riko made good on his promise; he’s Kevin’s friend, his only friend; his brother, in all but genetics. Kevin trains, and he doesn’t make mistaken throws anymore. His footwork is sure. Tetsuji praises him, and he basks in the words, and vows to train harder.

Picture Kevin, ten years old. Riko drawing a 2 on his cheek; Kevin returning the favor, the 1 he draws precise, painstaking. “We are the best,” Riko murmurs, “you and me,” and Kevin smiles. One of the college students plays some music in the locker room, and Kevin remembers this song—the melody, the words. The song plays through his head, and he longs to sing along, but Riko ignores it and Kevin closes his mouth on the lyrics. He can hear something, in the Master’s locked office behind him; a muffled thud, and a groan, and somehow it’s louder than the music.

Picture Kevin, eleven years old. They go on a trip to a natural history museum, something their tutor recommended. Riko wanders around, haughty and bored; Kevin trails after. The placards at the exhibits call to him; so many facts, laid out before him; a real mammoth skeleton towers above, and Kevin wants nothing more than to gape at the enormous curving tusks, but Riko tugs him away. “This stuff doesn’t matter,” Riko says. “We’re going to make Court. We’re going to build Court our way, and it will be perfect.” Kevin wonders if perfect is worth it, but then swallows down the traitorous thought.

Picture Kevin, twelve years old. Already there are murmurs. Of his greatness, of Riko’s. Together, they are unstoppable. The Master tells them they would be the best, and they do not wish to prove him wrong. Always, Riko is with him; except once in a rare while when the Master takes him away. At first, he would come back pale and shaken, and Kevin would hear him sniffling in his bed; but that stopped a long time ago. Riko never talks about what they do. “Moriyama stuff,” he said, stiff and proud. They meet a new player; a possible recruit, for Riko’s Perfect Court. Nathaniel’s tiny and fast and he laughs as he intercepts a ball from Kevin that he never should’ve even had a chance at, and for a few moments Kevin thinks he can remember what it was like when his mother would cheer him on. Then the three of them are brought up, up to the tower where they meet Nathaniel’s father who looks just like him, and Kevin learns what “Moriyama stuff” really is.

Picture Kevin, thirteen years old. Someone asks him in an interview, after his team wins the Little League championships again, about how it feels to follow in his mother’s footsteps. He doesn’t even really know what he says; he’d been coached on this so many times it was all automatic. But that night all he can think about is that he doesn’t remember his mother’s voice anymore. He doesn’t cry; he can’t cry, there’s nowhere that he’s safe. For he’s not really a Day anymore, except in name, and he knows too well what it means to be a Moriyama.

Picture Kevin, fourteen years old. A new recruit arrives, and this one won’t run in the night like Nathaniel did. He doesn’t speak a lot of English, and he’s taller than Kevin, and he doesn’t know why he’s there. One day he checks Riko into the boards, and that’s when Jean first starts to learn his place. Riko and Kevin—they had already learned. That night Kevin holds Jean in his arms as tears leak from his eyes unbidden, and they don’t talk, lest they be found.

Picture Kevin, fifteen years old. They play against the college students now. Faster. Harder. More. At night, he soothes his aching muscles by delving over his books. He was smart, the tutor told him; he could study anything he wanted. But it was history that drew him, history that was endlessly fascinating. Who knew that facts were such subjective things? So many layers to unpeel, to distract.

Picture Kevin, sixteen years old. Pro teams already are banging down the doors for contracts for the pair of them, but they will have to wait. The professional leagues have less status than the NCAAs; the Master had already decided that they would use the pros as summer training, nothing more. He pored over college tape instead of worrying about it. He knew all the coaches in NCAA exy, all their styles. Except Coach Wymack, who was new. Coach Wymack, a bleeding heart with a hopeless future at a mid-sized university. Oh, the university would humor him, for hadn’t Kevin’s mother taught him? But they would lose patience, once they realized he could not win. Kevin would pity him, but pity was for the weak. He thought he remembered reaching a hand out to a fallen player, but he must have made that up. He would never be afforded the luxury of kindness.

Picture Kevin, seventeen years old. A letter, creased and yellowed in his hand. Jean, wide-eyed beside him as he studied the writing in a strong and graceful hand. “Will you tell him?” Jean asks, little more than a whisper lest the Master come in and see what Kevin found, hidden in a history book that had no doubt remained unopened for a decade. Kevin refolded it, slowly, carefully. “There’s nothing to tell.” And if Jean noticed him tucking the letter into his jacket pocket, he didn’t say a thing. That night, he charmed one of the college students to pass over a bottle of vodka, and he relished the burn down his throat, the way it made him forget.

Picture Kevin, eighteen years old. Newly annointed to Court, Riko by his side. He raises his chin as the cameras click all around him, the smile on his lips foreign and familiar. He knows his press smile, his press laugh, his press voice. He doesn’t remember what his real one is anymore. He looks at Riko, laughing easily next to him, and he thinks there was a time without that glint in his brother’s eyes, without that cruel note to his voice, but then he thinks maybe he was fooling himself all along.

Picture Kevin, nineteen years old. Watching Riko, sprinting up the court, waiting for the pass. Kevin has a clear shot; a guaranteed goal; but he pivots and throws to Riko instead. Two seconds later the goal lights up red, and Riko is celebrating. Kevin swallows down the bile in his throat and joins in the cheer. Thea looks at him from across the court and shakes her head, but she never says a thing. She’s never felt the sharp edge of Riko’s cruelty, but rumors travel fast underground. She may not know, but she has held onto Kevin in the dark and helped him find relief from the pain.

Picture Kevin, twenty years old. His legs are bruised in stripes from the Master’s cane, from Riko’s racquet; he’s slumped on the hotel room floor. Nothing feels real, anymore; it hasn’t for a long time. He cradles his hand against his chest, but he doesn’t see the red; just the green green fields and cobbled streets. He doesn’t hear his own shallow breaths, whistling through his teeth; just his mother’s voice, that he thought he had forgotten, singing off key. Softly at first, then louder. Jean pulls him to feet he can barely feel, and he presses his forehead to Kevin’s, and he whispers in the accent he never surrendered, “Go, and be safe.” And Kevin goes, but he knows not what safety is.

Picture Kevin, twenty one years old. He feels scraped raw; has, since the day Jean whispered in his ear; like his hand has healed, but he was dragged across cement every day without end. Only Andrew keeps him here, keeps him from bleeding out upon the ground. He’s not certain if his facade is intact, but he reaches deep inside himself and finds it. Neil’s fighting him, and somehow that helps; if he focuses on Neil’s idiotic stubborn streak he can forget that the last time he was here he had Riko by his side. He walks out onto the stage to a round of applause, and Andrew is staring up at him with those eyes and he can breathe a little easier. But then—he’s there. Riko is there, and his cruelty has been whetted like a blade. Kevin has not forgotten its sharpness. But Neil parries every blow of Riko’s, and he’s stupid and he’s brave and Kevin wonders how on earth he got this way and he wonders if—if maybe he should try to learn.

Picture Kevin, twenty two years old. The crowd is screaming; the stands are rumbling with the thunder of thousands of feet. Neil is to one side of him; Andrew to the other. They are becoming what he had once seen; the sculpture inside the marble, slowly being chiseled out. The rest of the Foxes range behind him, and his father stands tall at the back. Kevin takes a deep breath, drops the butt of his racquet to the ground, shifting it to his left hand. The stadium quakes, and it should. He takes a step onto the polished wood floor of the court he knew better than any in the world, and nothing will ever be the same.

#kevin day #aftg #all for the game #tfc #the foxhole court #meta #angst #my writing

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virgil-writes · 3 years

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ash & soot

Long before the Winters come into play, a monster stalks the Forbidden Forest that surrounds the Village. Karl Heisenberg is sent to investigate, and heads deeper into darkness to find his prey, a thorn on his side and someone just like him. (Heisenberg x OC)

chapter 12 - cabin fever

SFW, around 5K words.

chapter 13 - liebchen (ao3 only, smut)

The sheets underneath him were worn but comfortable, ancient-looking in design but well taken care of. The bed frame is barely there, mattress a well-placed lattice away from being on the floor. He can’t remember the last time he’s been on a bed, the last time he’d laid his body down at all, for any reason. His back complains every other second, not because of the comfort of the bedding, but because it had gone without for so long. A wonderfully comfortable blanket covers him up to the hips, the soft mattress almost makes him feel like he is floating. Fuck, he really missed having a proper bed now.

He inspects himself carefully, still not fully convinced this is not a fever-induced hallucination. His hand is where it should be, and so is his leg, and every other part of his body that he recalled having before. There are half a dozen new scars that he can count, all healed over perfectly like they’d opened years ago instead of hours, forming a map of stories he would rather not tell. He is shirtless but is wearing pants now, his trench coat and hat nowhere to be found. He pushes the blanket aside to find the damn woolen slippers waiting for him on a woven rug. It doesn’t take him long to realize where he is, but nothing resembles her, no personal belongings on the nightstand, no desk or mirror or even a dresser. It looked as if the room was rarely visited, kept clean but empty, and he wondered if sleep was a foreign concept to her, too.

Hesitant, tentative movements take him down the ladder and into the living room, and he expects to find her hard at work at something or another, humming a tune while she cooks, petting the goat and telling it asinine, cutesy things in a soft voice. But the house is silent and she is nowhere to be found, the dog sits in front of the closed front door and watches his every move. It is not aggressive but watchful, like it had been given the task of keeping an eye on the ailing man and alerting his owner in case anything was amiss.

“I’m fine, fleabag.” He laughs at the dog and gets a huff in response, an acknowledgment, and the shepherd moves from its post at the door to give him passage if he so desires. Heisenberg gives it a well deserved pat on the head as it passes by, tail wagging hesitantly as it tried to make friends with him. He is glad to be alone - if anyone ever used this against him, he would deny it.

A plate awaits him at the dinner table, and despite his intentions of running out of there before she could see him again, breakfast is an offer he cannot bring himself to refuse. Bread and jam, a robust omelet served with sprinkles of cheese and herbs. He can almost see the aroma the coffee has left behind, and finds the pot on the side of the wood stove, cup and saucer set for him nearby.

He eats slowly and in silence, chews thoroughly before swallowing, as if he fears some abrupt movement would rip reality apart and throw him back into the pit of suffering he found himself in the night before. There is no blood, no pain; no sign of the madness he had come so close to drowning in. He is safe and comfortable, there is good food in his belly and a warm hearth to keep the cold at bay. His problems are far and cannot catch him, and maybe if he keeps stalling to finish breakfast he can stay in this bliss forever. The world is quiet outside, and so are his thoughts, for once in his life.

A shirt and sweater are neatly folded and arranged as to call attention on the couch, no doubt to replace his blood-stained, ragged trench coat. He feels naked without it, he muses as he pulls the moss-colored shirt over his head, and it feels awkward not to wear the hat and the glasses. It would be unpleasant if she were to catch him now, free of his usual regalia; he felt that she would see right through him, stare deep into his eyes and find out all he had worked so hard to hide.

He did not feel like Karl Heisenberg, Lord of the Village, powerful mutant capable of unspeakable acts of violence. He was… Karl, middle-aged immortal man who enjoyed tinkering, was a big fan of meat an potatoes and didn’t know what to do when he had time to waste in his hands. Karl, of German origin but Romanian by birth, come from a long line of miners and steel workers. People of few words and fewer luxuries, hardy of constitution and blunt to a fault. He had been content to be those things and nothing more, to carry on what the Heisenbergs had done for centuries, until life dumped him on his head and led him to where he is today.

But not today, because maybe just today he can forget, and let his gracious host distract him with her mystery and the delicate curves of her buttocks. Perhaps tomorrow he would go back to treating her like a tool he would use and discard, but today she would be none the wiser, and neither would he. The fresh air of the mountain and distance from the cramped confines of the factory would do him good, he decided, help reinvigorate his spirit and refresh his ideas, spark some inspiration. And if not, well, the food was excellent and she was easy on the eyes.

A pair of boots that didn’t belong to him were by the door, just the right size to fit him. He had walked all the way up barefoot, he remembers, but he would very much like to know how she seemed to have everything that he needed readily available. Was she clairvoyant alongside being a healer? Did she bleed money that she could buy information on him from the Duke and the apparel to go with it? He opened the door to find her outside, looking like the cat that ate the canary, a couple meters away from the gate that separated her plot of land from the heart of the forest. She had just emerged from amongst the trees, heavy coat over her shoulders and leather boots to keep the ice off her feet. Her hands were free, no basket for foraging or firewood in her arms. No sign of a knife or any other kind of weapon, but judging by the look on her face, he could swear she had just committed murder. Her eyes told him she would not speak of it.

“Good morning, pumpkin,” he began, leaning against the door frame, arms crossed over his chest, at least trying to fish an explanation out of her. Instead she pretended to forget the suspicious circumstances and focused on him instead, her face lighting up at the sight of him up and about, like she didn’t expect to see him anytime soon. Had it been that bad?

“Good morning, my lord. Are you well?” Shame and madness aside, he thought, things were going swimmingly. “I hope the accommodations were to your liking.” Once again with the pleasantries, with the caring for what he thought of her hospitality. Did she get a kick out of being so kind? That was the most foolish thing he had ever heard. He tried to come up with a witty response that would catch her off guard, but the night had been long and there was too much tiredness swamping his mind, and all he got was honesty:

“Quite. Hadn’t slept in a bed in decades.” As if to validate his words, he stretched and grunted in approval, pains he did not even realize he’d had gone like magic.

“Well, it remains at your disposal,” was her response as she chuckled, wiping her hands on the embroidered apron before gesturing an invitation. There was dirt on her palms. “It may not be much, but it’ll give you a good night’s rest.” She motioned for him to follow, something he would grow accustomed to.

“You know,” he began, following her into the shed, accepting the shallow basket she handed him. “I bet it’d be even better if you were there with me.” She hummed in approval, a smile as devious as his on her face. The damn woman would always catch him off guard; Heisenberg was not used to being flirted with, words thrown about only half-seriously, only to make the villagers blush and Alcina mad. He had never followed up on any of it, because it was always meant to annoy, and the fact that she not only took him seriously but fired back pulled the rug right from under him. And boy did he like it.

They laughed but spoke no more of it, tension like static in the air, both fully aware the joke had more than a few nuggets of truth to it. A dozen different scenarios ran through his mind, on ways he could take her, mark her, ruin her. Inside the shed, behind the stables, propped on the porch railing. Standing, face pressed against the floor, legs tightly wrapped around his waist. She smirked as she passed by him, smirked like she could tell every image that went through his mind. Smirked like she knew he would not do any of it, that his flirting was just a front and he had never found the courage to take the plunge, not even once. Her wink was the cherry on the cake, the challenge that made his cheeks flush at just the right moment so that she wouldn’t see it.

The morning was spent tending to the animals and the garden, and she instructed him on how to feed the chickens and keep the tiny goat happy. Its name was Prince and it demanded to be treated like royalty, lest the puny humans faced his wrath and for now adorable headbutts. The thing followed him around the whole time, demanded his attention when he collected the eggs from the coop, when he let the horse out of the stable to let it stretch its legs. Only when the weather took a turn for the worse did it scurry off to hide in the pens with its mom, settling down on a nice and dry bundle of hay.

He was put in charge of firewood while she tended the garden. The innuendos were kept to a minimum, but the static never left, and he felt her eyes heavy on him as he brought the axe down, muscles flexing and veins showing on his forearms with the effort. Maybe he ought to do more housework around her, and she’d come around and do his bidding without hesitation.

When the wind blew away his hat, Heisenberg realized there would be no going back to the factory unless he hurried. The storm had been mounting for days now, but he had never been one to pay much attention to the tells of weather; he rarely left his hideout, and with the factory being mostly underground, he would be trapped inside for a few days at best. He had perhaps half an hour for a journey that would take him one or two under such bad weather, and he would have to be lucky for the bridge to hold if it got too bad. She wasted little time paying attention to his inner turmoil, and went about securing the animals instead, making sure they had food, water and a warm place to spend the night. Snow was falling fast by the time she was done, and she ushered him in when he’d stood there too long, snow coming up to his shins already. They brushed off as much as they could on the porch before heading inside, water dripping down their shoulders. There was a long pause as they both watched the storm come down through the living room window, a knowing silence that the day would be long, and the night longer, and neither would be leaving that cabin for at least the next day.

“Well, it seems the bed is yours for the night again, my lord,” were her words as she bolted the door, a hint of joy in her voice. He imagined it was a lonely existence, secluded in the mountains and feared by all, not part of any community and especially not theirs. She always seemed so happy to see him, to see another human whose first instinct wasn’t to attack her. He would pity her if he cared, if his existence wasn’t equally as lonesome, if he hadn’t fashioned it to be exactly what he wished. He’d never needed anyone yapping about everything and nothing in his ears, interrupting his work and diverting his attention from what really mattered. Alcina was insane to have taken in the girls, really; children sounded like an exhausting chore that never ended. He never understood why she always looked so content in spite of it all. His mother always told him one day he would understand, he would want to keep someone close, and then he would want someone else just like them to cherish and love, to teach and share the good and bad moments. He would turn a hundred soon and never quite felt like it; maybe in another hundred years?

His only answer was a lopsided smile, tired and sad, and he tried to brace for the barrage of questions and comments that were certain to come. She was trapped inside her living space with the stranger who emerged from the guts of the forest, come from a village rife with death, where he was sovereign save for Mother dearest. He was the favorite son and the most powerful, gifted with strength and wits and influence and power. Those he could not talk down he could easily buy out, and those he could not buy out he could easily destroy. He was a fabled recluse and rumors ran rampant of the work he’d conduct in his factory, of treasures he kept deep underground. It would be a long day, the first in forever that he would spend so close to another breathing, talking human, and he did not know what to expect aside from a lot of chit-chat and a mounting headache. Surely she would like to know all about him, now that he couldn’t run away from her. Surely she would pry into his motives, pepper in questions about his siblings and the village. A thousand smug answers he conjured in his mind, each snappier than the other, every retort a question thrown back at her. It was only fair, of course; she had thrown much at him, bits and pieces of improbabilities that he couldn’t put together, and if she intended on digging deep, he would do the same.

To his surprise, all she did was leave her boots behind next to him and proceed to ignore him, going about her daily life like he was of no consequence. He found himself stunned, rooted in front of the door with a puzzled expression on his face. She looked at him as if to say well, this is it, make yourself at home and enjoy the day, and once again the domesticity of it all broke him more than words could ever have. He felt weird as he reached for the papers he had brought with him the night before, tucked next to the myriad of books on her shelf. They remained silent when he took a seat at the table and pushed open the schematics to get a better look at them, the potted plant centerpiece serving as a paper weight so he could work properly.

First, she dusted the shelves, reorganized her herb cabinet and found a place for his hat. The curtains were drawn and she took a peek outside, checking on the pens and the stable to make sure the animals would have a comfortable enough day. Then she bound off to a corner of the living room, producing a basket with threads and fabric, yarn and needles that she brought over to the couch. She sat cross-legged, close to the fire, and only spared him a brief glance before tending to her needlework. He felt weird as he reached for the papers he had brought with him the night before, tucked next to the myriad of books on her shelf. They remained silent when he took a seat at the table and pushed open the schematics to get a better look at them, the potted plant centerpiece serving as a paper weight so he could work properly. The first few minutes were nerve-racking, his paranoia telling him he would look away and find her peering curiously over his shoulder, trying to steal away his secrets to use against him as leverage. He read the same words again and again only to realize he hadn’t understood them, eyes turning to her every minute to make sure she still hadn’t moved. She caught him eventually, eyebrow raised in his direction as she tried to make sense of the situation, mouth turning into an “oh” as she jumped off the couch and stood on the tips of her toes to reach the very top of the bookshelf. A minute later and she had brought him a candle and holder, a half-empty box of matches in her other hand. She stood at the other end of the table and pushed it in his direction, still not curious regarding his work, but figuring that, even in daylight, the cabin was dark and he likely was not used to doing things by candlelight. It took him a moment to process and bring the light closer, shocked as he was to see that she intended to leave him to his own devices but cared about his comfort.

The hours were a blur then, when he convinced himself she would not surprise him, and his suspicions were correct; a change of environment had done wonders for his creativity, solutions jumping at him paper after paper, a multitude of new projects and ideas for him to try once he was back at the factory. He can’t remember the last time he had been so productive, the last time he had folded everything in and told himself he was done for the day, because he had done more than enough. She had brought him tea and bread at some point and he had eaten absentmindedly, crumbs and drops of jam staining the papers, but he could not bring himself to care. After tea she had brought him coffee, and then a jug of water, and while he felt a bit like a caged animal being fed periodically, it did wonders to keep his work flowing.

Night had already fallen when he finally took a break, got up to stretch his legs and look around to see just what she had been doing this whole time. Her crafts basket was back in its place, a sock taking shape on the needles. A book abandoned where she was sitting instead, the little witch nowhere near it. Instead she was busy preparing dinner, swaying her hips to a tune but quiet as a mouse, like she was going out of her way to give him peace and quiet. He appreciated it, try as he might to deny it, how she cared without meddling, made herself present but not intruding.

Maybe he should hire her to be his assistant, help him organize the half-done office he had begun building on the upper floors of the factory. She certainly would be great at helping him keep his affairs in order - and by that he meant she would keep him fed, mostly, the one thing he kept forgetting to do and that always set him back. He could provide her with something better than this, surely, her very own quarters with modern wonders such as electricity and proper plumbing, a bathroom of her own, maybe even a fridge. Had she ever seen a fridge before? He imagined she would decorate the place with all manner of silly things that would only serve to gather dust, knickknacks and wreaths and woven things, and that it would smell of flowers and fresh-baked bread. Her responsibilities would include housekeeping and Heisenkeeping - organizing his papers so he wouldn’t lose them, keeping track of all of the family meetings he had to attend, dealing with the Duke for supplies so he wouldn’t have to. He’d reward her handsomely, give her days off, be a good employer unlike his parents had been. Not a bad plan, if he did say so himself.

He had only forgotten to factor in that she was, still, a powerful, self-described blood witch. He had been entertaining himself with the thoughts of having her around as he watched her prepare dinner; she’d gone hunting in the morning, he realized, two hares hanging upside down from an iron ring. She took one down to place it at the cutting board, its insides clean but pelt still intact. He had no doubt she would be skilled at skinning it; when one lives as long as she has with no contact with the outside world, such skills are necessary for survival. What he did not expect was the way she’d go about it: a firm hand grabbed a handful of fur, gave it a gentle twist and pulled, effortlessly, the entire thing coming off in her hand, no cuts and no tears, neck and head and all. He could see the knife from where he was sitting, placed blade down into the ceramic jug.

Heisenberg bent forward to see better when she did it the second time around, and it was as unexplainable and horrifying as the first. Gross but humane, like she simply coaxed the skin to slide right off the flesh. If the thing had been alive, he imagined it would have been quite painful, a whole human suit in her hand and living flesh left behind. The thought almost makes him gag, a disgusted sound escaping his lips and making her realize she’s not alone. She slowly turns to face him with a sheepish smile, like a child caught red-handed. “Pretend you didn’t see that?” She offers, but he shakes his head no. Not in a million years he would forget the sheer brutality of it. He waits but she doesn’t explain it, goes back to making dinner like nothing had happened.

“Could you do that to something… Bigger, darling?” He approaches her slowly, like a predator carefully stalking its prey, though he feels far from a position of power at the moment. She nods her head yes. “Like, say, a good ole’ human?” He whispers in her ear, a shiver running down her spine at the sudden intrusion and hot breath against her skin, flirting his go-to attempt at getting back the reigns of any situation.

“Want me to test it on you, my lord?” She quips in the same whisper tone, and he is wise enough to back off for now.

“Think I’ll pass.” Before he can run back to his seat, she hands him the smaller, bone-bladed knife and pushes a bowl of potatoes towards him, the sudden motion startling him and eliciting a chuckle out of her. Looks like he’ll have to earn his keep. For a while they work shoulder to shoulder in peaceful silence, save for his grunts of frustration at not being able to peel a potato successfully. It’s been a long time. “You ought to show me what you can do one of these days. I’m awful curious.” She considers it for a second, head moving left and right, knife following the movement.

“I’ll show you mine if you show me yours,” and she doesn’t mean metal bending and knife juggling, he knows. He can’t think of a reason why she would want to see him, truly see him, monstrous appearance and all, but if that’s the price to pay, he’ll gladly do it. It would be good for his ego, too, that priceless look on her face as he shifts into the stuff of nightmares.

There are no more gruesome sneak peeks for the night and soon the stew is ready, he helps set the table and she finds a bottle of wine she’d stashed away for a rainy day. She explains over dinner that he was quite feverish when he arrived, and it’s a wonder he made it through the night. He truly was sturdy, no ifs or buts about it, she said in appreciation. There were cuts and bruises all over him, all shapes and sizes, like he’d fallen through glass. Did he have an accident at the factory? There was genuine concern in her voice, though they both knew that she knew better.

His curiosity gets the better of him and he experiments with a few questions, each answer leaving him further in the dark. How old was she? Somewhere around a hundred and thirty. She remembers being old enough to read around 1902, when she saw the date on a newspaper she fished out of the gutter, but beyond that time was either a blur or she’d been too young to remember. Where did she come from? Not a clue, but she’s been around: she’s seen Italian castles, been to centuries old British pubs. She’s seen the Brandenburg Gate and visited Chateau de Versailles. She’s bathed in the beautiful waters of the Greek coast, made a pilgrimage to the volcanic beaches of Iceland. She’s never made it past the ocean to the Americas or down to the warmer climates of Africa, but time has never been an issue, and she figures she’ll get to it eventually. He asks her why all the wandering, is someone after her? Her breath hitches and her eyes lower, shoulders slump, a deep breath before the replies. Something like that, and he understands maybe it’s best if he doesn’t push.

They returned to the topic of his feverish display once dinner was over, with her cautioning that he had been lucky this time around, lucky that she was home, lucky that he even made it across the bridge and found his way home. Home, her use of the word is deliberate and strokes something warm and fuzzy within him. Disgusting. There was the matter of the shard, he took a sit on the couch as she reached into a drawer to pull out a bundle of clean cloth, and he feigns confusion when she unwraps it to reveal a piece of metal shaped similar to an arrowhead. He recognized it, the shavings of a project he had worked on… Maybe a year ago? It’d been sticking out through his ribs when he arrived, she said, and it looked anything but recent; infection had taken around it, skin red and swollen. She could see that it was agonizingly painful - had he not noticed it at all?

“Ah, so that’s what it was.” He blurted without really meaning to, a humorless chuckle that left her confused. “I’d been feeling this weird poke in my ribs for the longest time - thought I’d broken something.” He shrugs and she nods, clearly aware of their peculiar situations, perhaps now beginning to comprehend just how many layers of fucked up he was made of. “You’re a miracle worker, doll.” His fingers instinctively trace over the spot where the shard had been, nothing there but a scar that had healed remarkably well. “How can I ever repay you?”

Money, gems, jewelry? She didn’t strike him as the materialistic kind. No, she was all about the meaningful gestures, the showing of kindness. There were a few ways he could think of showing his appreciation - slamming her body against the wall to press a hard kiss on her lips, a nice, firm tug on her hair as he nibbled on her neck. Or maybe something softer if she was so inclined, more romantic even, like a well-placed, resounding slap on her ass cheek. “I’ll be sure to think of something, my lord.” Was the answer she gave, though he was sure she meant something else entirely judging by the way she let her coat slide off to reveal her bare shoulders as she set about getting ready for bed. Her hands gathered more and more of her skirt until it’d reached the middle of her thighs, delicate lace adorning the band of her stockings, tiny suspenders disappearing from sight but serving to peak his curiosity. She undid the hooks that kept it in place, fingers threatening to roll the garment down agonizingly slow. Instead she turned to look at her enraptured audience, the pose propping her ass up and so close to his hands. He had thought it had all been an act, carefully orchestrated to put him on edge, but the gasp of surprise she let out told him otherwise. “I am so sorry, my lord.” She quickly let go of it all and stood up straight, a flush running across her face. “I am not used to having visitors.”

“You needn’t stop on account of little ole’ me, darling.” He is quick to say, rich laughter that filled the room with mischief. Heisenberg sprawls further onto the couch, legs parting like an invitation. Best seat in the house, in the whole village even. “I did enjoy it.”

When it was time to say goodnight, he kept his composure and even helped her move one of the pillows and blanket down the ladder. If his mother were alive she would chastise him for not being a gentleman, for not refusing vehemently to let her sleep on an uncomfortable couch instead of her own bed. But the day was over and so were the pleasantries, and he would have to take the time to cleanse her off his mind, ease himself back into his usual mindset. She was impossibly alluring, impossibly annoying, impossibly loving. There was no figuring her out and it seemed there would be no delving deeper in. Playtime was over and it was back to work tomorrow as soon as she storm had passed. He needed to shed away her kindness before it managed to ooze under his skin, but she had no intention of making it any easier on him.

“Here you go,” Heisenberg had no time to stand on ceremony, shoved the pillow in her direction and flashed her a smile to keep up appearances, mind wandering somewhere else, somewhere where he did not care about her. It was better this way. “Good night, sweetheart.”

Even though he tried, he never truly reached that fabled place where she was of no importance. Not that he would ever acknowledge it.

#resident evil village #karl heisenberg #karl heisenberg x oc #karl heisenberg x reader #virgil writes

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