#he’s like lindsay: he can pull almost anyone

[misiahasahardname]

family comes in all shapes and sizes…

ignore how i drew brody here. i’m not proud of how he turned out.

original

[meangirls-imagines]

My Girl

Description: Regina is possessive over what's hers.

WARNINGS: fluffy, dom/sub vibes, possessive Regina, she's soft for reader, reader is obsessed with Regina

Sorry it's so short :(

Y/N walked into school, headphones in and hood up. It was a rainy day at North Shore High School so almost everyone spent lunch and off periods in the cafeteria.

Y/N was one of the lucky ones to have an off period to start their day. She went to sit at a table and wait for the bell to ring. As she sat and waited, a girl, who looked to be a sophomore, walked up to the table, looking shy.

Confused, Y/N looked up at her. "Can I help you with something?" The girl stuttered and blushed. "Oh! My friends sent me over here because I have a little crush on you.." Y/N smiled awkwardly at the girl.

However, before she could respond, a flash of blonde and pink engulfed her vision as soft lips landed on hers. She was caught off guard at first but relaxed into the kiss as she realized who it was.

The kiss broke after a minute and Regina George gave the girl her best ice queen glare. "Do you mind? She's my girlfriend, she's not interested in a child like you." The girl ran off embarrassed as Regina turned toward Y/N, smiling.

"Good morning to you too baby." Y/N smiled and wrapped her arm around Regina's waist. The blonde smiled and pecked Y/N's lips. "HI baby. I missed you." She trails a hand down Y/N's arm. Y/N smiled and kissed her neck softly. "You saw me last night...we had some...fun, remember?"

Regina blushed hard as memories of last night flooded her mind. She kissed Y/N to keep her quiet as Gretchen and Karen began to tease her. They pulled away and began to talk about their day, killing time for the bell to ring.

The bell eventually rang, signaling the beginning of their day, with one more kiss, Y/N and Regina parted ways and went to their respective classes.

A few hours later, Regina sat with Karen and Gretchen, waiting for her girlfriend to walk into the cafeteria for lunch. She finally made her appearance and started walking over to Regina when the same sophomore from earlier stopped her in her tracks.

Y/N rolled her eyes. "Can I help you with something?" The girl smiled. "I know you and Regina aren't really dating, my friend told me that her and Shane Oman are...so.." She trailed off, looking Y/N expectantly.

Y/N cringed and walked past. "In your dreams." She headed to the table where her girlfriend and her friends were sitting before a tug on Y/N's arm stopped her again. "Just give me a chance!"

You could hear a pin drop in the cafeteria. Everyone stared at he younger girl with wide eyes. Regina was on her feet and to Y/N in an instant, prying the younger girl's hand off of Y/N's arm and pushing her back slightly.

"What the hell do you think you're doing putting your hands on my girlfriend like that? Did you not hear me this morning? Back. Off." The sophomore girl stood her ground. "You're not dating! Stop lying!" Regina got in the girl's face and got angry.

"I suggest you turn and walk away because the end result is not going to be pretty for you." The girl scoffed. "And what are you going to do about it, bitch?"

Y/N sensed it before it happened, so when Regina reached up and went to swing at the girl, Y/N picked Regina up by the waist and pulled her back to their table. "Nope. You aren't getting suspended today."

Regina was fuming. "How dare she? How FUCKNG dare she?! She's lucky you pulled me away because I was about to claw her fucking eyes out." Y/N laughed. "Yes, that's why I pulled you away. I just paid for you to get your nails done and they aren't getting blood on them yet."

Regina smiled and scooted closer to Y/N. "You're my girl. Not hers." Y/N smiled and pecked Regina's lips. "Never in a million years would I want to be anyone else's girl but yours baby." Regina smirked and kissed Y/N. "Good."

Later in the day, Y/N was sitting outside on a bench, waiting for Regina and the girls to walk out of the school when Y/N's ex, Lindsay walked up.

Y/N looked up at the sky. "God, what is it with you and sending people to ruin my day?" Lindsay smirked. "Don't act like you don't miss me, Y/N." Y/N looked at her in disgust. "Yeah, no. I don't miss cheaters."

Lindsay scooted closer but Y/N spotted Regina walking out and shot up to go meet her. The blonde smiled at her girlfriend coming at her and allowed herself to get pulled in her arms. Y/N kissed Regina's head. "There's my girl. I had an unwanted guest while I was waiting for you."

Regina looked behind Y/N to see a fuming Lindsay sitting on the bench Y/N had just vacated. "I can see that." Y/N kissed her deeply, many people stopping and looking at the couple. Lindsay yelled in frustration and stormed off.

Regina pulled away and smiled at Y/N, who had a dopey grin on her face. Regina wiped her lip gloss off Y/N's lips. "You're my girl. Don't forget that." Y/N smirked.

"I could never."

[callyourose]

match point, chapter four.

↳ masterlist

— In which Art and Patrick find themselves intertwined with the relationship of tennis superstar Tashi Duncan and her best friend, Lennon Caddel.

TASHI DUNCAN WASN'T CONTROLLING LENNON CADDEL.  She knew that Lennon was an adult, she was fully capable of making her own decisions. It wasn't like she was holding her at gunpoint. She could do what she wanted. Tashi truly did just want what was best for her. Lennon was incredible at tennis. Like, really, really fucking good. Tashi would never admit it, but she knew Lennon was better than her. She knew that she had never lost to her because Lennon had let her win. And she knew, deep, deep down, that Lennon didn't want to go pro. She was fucking miserable. She hated playing tennis. Sometimes, in the dark of her bedroom late at night or early in the morning, Lennon would contemplate declining her scholarship off and dropping out of school completely. She would stare at the screen of her computer, Stanford's student portal staring back at her. But tennis was the only thing that Tashi and Lennon knew. It was the basis of which their friendship was built on. If they were hanging out and didn't know what to do? They'd go out to Lennon's backyard and play a match. They wanted to watch a movie but couldn't decide on which one? They'd turn on Serena Williams or Lindsay Davenport's most recent match. Lennon hated playing tennis, but she knew that they needed it. Who would she be if she wasn't playing? What would her and Tashi even talk about? Would Tashi even like her if she wasn't winning? She didn't know. But she didn't want to find out. 

Art and Patrick were fighting for their lives on the tennis court. With Lennon and Tashi in the stands, it made the stakes that much higher. As the girls were leaving last night, the duo once again begging for their numbers, Tashi told them that whoever won their match could have Lennon's. Whoever lost could have hers. Both boys were ok with winning or losing. It was a win either way. Regardless, neither of them wanted to lose in front of the two greatest women in junior tennis.  

When Tashi had said that whoever lost the match could have her number, Lennon looked at her wide-eyed. She almost thought she was punishing her. In some weird, twisted way. Because why would Tashi Duncan want to be pursued by a loser? It was something that haunted Lennon all night long, the leftover fear of being a disappointment and the confusion of Tashi's promise to the boys making it impossible for her to sleep peacefully. 

The sun was beating down on all of them. Lennon's hair was pulled into a ponytail and tucked into a Stanford baseball cap, at the recommendation of Tashi. "I don't want you to get a sunburn," she had said, "Plus, hats are super cute on you."

The stakes were high and the match was almost over. And Art was losing. Lennon didn't know if she was rooting for anyone specifically, she was really just enjoying the game. If there's anything Tashi and Lennon can agree on, it's good tennis.

As soon as it had started, their final match was over. Patrick had won. Lennon and Tashi were on their feet, cheering, and he was bowing in their direction. Across the net, Art's hands were on his hips, feigning disappointment. But that didn't stop him from flashing an award winning smile when he caught Tashi's eye. She rolled her eyes, unable to stop the small grin that was blossoming on her face. 

Later that night, there was a knock at Lennon and Tashi's hotel room door. The girls were busy packing, their move-in date at Stanford was two days from then. They were going home for the next full day before packing up again and heading off to school. Their parents had been packing their bedrooms at home for them during their time at the US Open, so all that was left to do was to get home and then immediately leave. 

Tashi told Lennon to get the door and so she did. Patrick Zweig was standing in the hallway. He was fiddling with a pack of cigarettes, with a singular flower in his back pocket. 

"Hi, Patrick," she smiled, leaning against the door frame. She was in her pajamas, clad in a pair of black shorts (Tashi's) and her own oversized hoodie. She was toeing at the ground, her sock covered feet doing the work of distracting her. Tashi, although out of view, was peaking around the wall. She would tell you she wasn't trying to eavesdrop, but she was. 

"Hey," he replied as he eyed her up and down. As if just remembering it was there, he tucked the cigarette package into his front shirt pocket before reaching around and grabbing the flower out of his back one. "This is for you."

It was a rose. It looked like it had just been ripped off the bush. He had definitely stolen it from someone's garden. Still, the gesture was enough to have Lennon blushing and stumbling over her words. 

"Oh! Uh.. thank you, that's so sweet," She was trying so hard to suppress the blush and smile that were trying to take over her face. 

"Do you want to come somewhere with me?" He was grinning. He had reached into his front pocket and brought a cigarette to his lips. 

"You can't smoke in here," She raised her eyebrow and 'tsked', feigning mock disapproval. She was trying so hard to fight the urge to turn around to make sure Tashi wasn't watching. Not that she would've been mad at her for talking to Patrick, Lennon just wanted this all to herself for a minute.

Patrick smiled, his lips curling around the unlit cigarette. "I wasn't gonna light it, silly," He rolls his eyes, mocking. "Do you wanna come with me or not?"

Finally, Lennon looked back. Tashi was nowhere in sight. She looked down at her outfit and then back at Patrick and then back into her room. "Sure. But let me change."

"Where the hell are you taking me?!" Lennon giggled and she watched Patrick hop a wooden fence. After re-entering the room and convincing Tashi that she would be perfectly safe, she had left with the brunette boy and was letting him guide her. She was wearing the same shorts as before, but her previously socked feet were now covered by her beat up converse and she had forgone her hoodie in favor of a cropped t-shirt.

Patrick was stood on the other side of the fence and was smiling wide as he offered her his hands, helping her vault over it. "Just come on."

They walked side by side a little further, Patrick occasionally bumping his hip with Lennon's, causing her to giggle. She knew deep down that he was taking her somewhere that she wasn't supposed to be. After they had hopped the fence, the grass beneath them almost instantly became softer and well taken care off, almost as if they had stepped onto turf. The trees that had surrounded them for the first 5 minutes of their walk were nonexistent. By the time Patrick had lead them to where he wanted to be, plopping down on the grass and patting the space beside him, she had figured out where they were.

"Patrick..." She began, hands on her hips as she stood above him, "Is this a golf course?"

He leaned his head back, flashing her the same award winning smile that Art had used earlier. "There's no trees over here, okay? And you seem like the type of girl who likes to stargaze." 

He was right. She did like to stargaze.

Hesitantly, she sat down on the grass beside him and brought her knees up to her chest. She was resting her head on her knee as she turned to look at him. He was already looking at her.

"Do you like it?"

Lennon turned to look up at the sky, eyeing the stars Patrick was so desperate she see, and then back at him. "I do. As long as we don't get arrested for trespassing."

He chuckled at her, looking away. She rested her head on knee before turning to look at him again. "I wouldn't let that happen. I don't think Stanford accepts fugitives." 

At the mention of Stanford, and by association her tennis scholarship, she stiffens and her smile falters. She was tired of talking about it. For an hour, or however long her and Patrick would be out here, she didn't want to think about tennis. But she had met him at a tennis tournament. Obviously they were going to talk about tennis.

Just as she was about to fake a smile and reply to his joke, he knocks her leg with his. She lifts her head and turns to look at him fully, and he's looking at her with his eyebrows furrowed.

"Why don't you want to go pro?"

She was taken aback. She thought that the answer she had given last night was enough. Lennon was tired of discussing the thought of her playing professionally and why she wanted, or didn't want, to. So she said, "I do."

Patrick smiles softly and shakes his head. "No you don't."

"Yes I do. I told you last night that I did."

Patrick, who was leaning on his hands, sits up fully to turn his whole body to face her. "No, you didn't," He cocks his head at her, gauging her reaction before continuing. "You said that you didn't think that you were good enough to go pro and that you wouldn't be happy. And then Tashi got mad at you and you backtracked. Why?"

Lennon just stared at him. This was the first time in so long that anyone had asked her what she wanted. What she was thinking and what she wanted to do with her life without Tashi nearby to sway her answer. She honestly didn't know what to say. Part of her wanted to get angry with him. Why would he bring her here, alone, under the impression that he was here to get to know her, and then try to turn her against her best, and only friend? The other part of her, the part she didn't listen to very often, was almost relieved. Finally, for the first time in so long, she could just be Lennon. She didn't have to be Tashi Duncan's best friend or Steven Caddel's daughter or a Stanford scholarship recipient. She could just be her. Without the threat of Tashi's wrath or disappointed face. But still she looked over her shoulder, making sure they were alone. 

"I don't..." Lennon sighed, turning away from him. "I don't know." She was suddenly teary, as if the weight of the life she's built for herself has finally settled. She's set up to have the perfect career. She was born into the perfect family, she's going to the perfect school, her game is perfect. She could be known as one of the greats. Serena Williams, Novak Djokovic, Roger Federer. And Lennon. 

She sniffles, which Patrick hears, and he's immediately apologetic. 

"I'm so sorry, Lennon," He's trying not to stumble over his words. He's got one of the most perfect people in the world next to him, and he made her cry. "Genuinely, I didn't mean to upset you."

She shakes her head and blinks away her tears before turning back to him and smiling warmly. "It's fine, Patrick. Really."

He doesn't believe her. But he moves on anyway. 

[m1ssunderstanding]

Get Back Rewatch 55 Years On: Day Four

"Lennon's late again" says Paul, as he walks in late. And sweet Ringo just gently, "between ten and eleven is the time" Which means: "Chill babe. He'll be here."

One thing that always gob smacks me is how bored George and Ringo are watching Paul pull Get Back out of the ether. They literally see him do this shit all the time which is insane to me.

His voice is so so so pretty!!! And he's just so completely in his own world. The hunched shoulders. The twitching. The gibberish. The tapping. The twisting.

Obviously this is a song with the original central feeling being let's go back to before everything went wrong but he wants to make it into a meaningless song with both story bits and almost walrus-esque bits. But why is the first lyric he comes up with about gender? Thinking of @scurators posts on Paul and gender.

Ringo's customary quiet really does add significance to his voice, so him singing along with this so quickly says something I think about his support for the song and for Paul in general.

When John walks in he's greeted with a little cocky nod and smile like "look what I've just done while you were late." And then Paul sings "get back to where you once belonged" directly at him before breaking the eye contact. It's one of those heartbreaking Lennon/McCartney miscommunications because Paul is doing this to get John back, but actually it's scaring him away, you know? Paul thinks he has to prove to John how good he is, but John's exhausted with how good Paul is.

STFU Michael Lindsay Hogg

Paul really does love the idea of being forced out of parliament by cops and honestly so do I. Would've been iconic and might've kept them together.

John's so quiet today and also Yoko is not here. Correlation or causation I wonder.

"They say don't they say charity begins at home?" I love you forever, George. His humor is always so well-placed and so dry (even though he's clearly cracking himself up here). And it steers the conversation away from a direction he was not happy with without poking any bears. In fact, everyone's laughing. Clever boy.

"I've decided that the whole point of it is communication. And to be on TV is communication and we've got a chance to smile at people like all you need is love or something so that's me incentive for doing it." Wise, egalitarian John making a lovely appearance.

And then there's Paul. "I'm here cause I wanna do a show." Lol I love them.

Why do they say "Mr Epstein?" Is it because they're on camera and they want people to know who they're talking about? Does it have something to do with the maharishi telling them certain ways to talk about Brian? Does anyone have any thoughts about that?

Okay so you know how I just said last time how emotionally mature George was? I still think it's generally more true of him than the others, but this right here? This is not it. "I don't want to do any of my songs in the show because they'll all just turn out shitty." Man has issues.

I think it's important to recognize that George and Paul have both said the literal word "divorce" and it's NBD. But when John does it, Paul takes it as "the groups really over and I have to go into hiding and not get out of bed and maybe od who knows." Why? There's another puzzle piece here that we're missing.

"Should we leave you for a while?" "YES!"

On the one hand I'm like "working on Maxwell is the last thing you guys should be doing with this time alone." But on the other thing maybe it's the only thing they can do at this point.

"Mal? You should get a hammer. And an anvil." As he's walking away. Main character in a contrived mad genius biopic. Except it's real.

"Joan" sounding suspiciously like "John" ... And then he goes "fool, Maxwell fool." Aka one of their ~special words~ New theory. John hates Maxwell because he dies in it. And Paul's the killer.

"Take it away Johnny." Even though it was George and John whistling before wasn't it? Did George get cut from the whistle chorus? Another straw on the camel's back.

I LOVE that John just does not know any of his own songs. Across the Universe my beloved!

On the glyn/Paul moment featured below, I have three thoughts. 1. Whore. 2. John Lennon villain origin story. 3. The fact that glyn didn't just tell John is striking.

"I wish it fucking would". "Cause I'm down." This lyric going from a self-soothing reassurance that his people aren't going to leave him that he'll always have this beautiful dream he's created with them. To this? I hate it here.

So there is a big emotional and energy difference between their Beatlemania selves singing "Rock and Roll Music" and their current selves. And part of it is due to the fact that they're just not as happy as they were then. But I think most of it is really just that they thrive when they're performing for an audience.

[clarae-guns]

the td gen 1 cast have an all out duel for the bill whenever they eat out with eachother.

Courtney: Fights for the bill ALL the time. You eat out with her? Be prepared to battle for the check because she's coming in and she's coming in swinging. She will fight tooth and nail to out-polite everyone else. She will wrestle. Choke. Tug. Anything. She uses intimidation on the cast to try to ward them away. Probably wins the bill most of the time. I headcannon her as south asian so her pride is what mainly fuels her.

Harold and Leshawna: They don't mind getting paid for, however, they also can be stubborn, so when they want to pay, they put up a good fight. Harold and Leshawna often team up, and Harold uses his martial arts to his advantage. Expect to see both of them jumping off the table together to subdue their fellow cast member.

Alejandro: Aside from Courtney, he is the second contender to victory over the bill. Also like Coutney, he is too prideful to let anyone else pay for him, so when Courtney's tugging one side of the bill, he's tugging the other. Every reunion dinner most likely ends us with them trying to out polite eachother. They try to outsmart eachother by juking, steal cards, and faking using the bathroom.

Geoff and Bridgette: Like Leshawna and Harold, they also don't mind getting paid for or paying for the group. However, unlike the other two, they are too nice/aren't stubborn enough to put up a fight with the others and often give in.

Gwen: Can also put up a decent fight, but is no match for other members like Courtney. She'll probably try to argue, but when the fight for the bill gets physical, she's tapping out. Often says "they're doing too much and that they should just split it" but it falls to dead ears.

Trent: Similar to Gwen, he would give in when the others start swinging. I also think he kinda gets used to it, so he doesn't really expect to win. He's probably recording that absolute chaos that is the fight for the check. It's become routine, almost reflex to pull out the phone when someone asks for the bill.

Duncan: Does not care to fight. Free food? Go right ahead. He also knows what Courtney is capable of, so to hell with that. He can be convinced (bribed) to help others with fighting for the bill, but other than that, he's not doing shit. Finds the fighting very amusing.

Lindsay: She does not engage in battle, however, while everyone is busy fighting, she slips the waiter a card. Too bad it's a 25$ gift card to Claire's that expired 6 years ago.

Tyler: He's athletic, so he probably joins in on the physical fight, but is quickly taken out by Courtney or Alejandro. Holds the most casualties injury wise. Will always pay for Lindsay when they eat together. He also tries to protect Lindsay from any thrown fork, plate, or shoe. Probably why he walks away from reunion dinners beaten up.

DJ: He is NEVER getting the bill. Not because he doesn't attempt to get it, because he tries everytime, but because NOBODY let's him pay. It's basically and unspoken rule amongst the cast. Even Duncan will pay the bill before DJ even attempts to. Everyone likes him too much to let him pay.

Justin: Never pays the bill and never tries. Actively avoids doing so by using his attractiveness. Uses his face to get the others to pay for him. Everyone knows this, so they try to make him pay sometimes. If the others make him pay/he's alone, he uses his hotness powers on the waiter/waitress to get a free meal.

Heather: Does not fight for the bill because free meal. However, she uses the "got to go to the bathroom" trick to pay for specifically her own meal out of pettiness. She mostly stays out of the fighting unless someone accidentally hits her. then she's coming in hot.

Sadie and Katie: They tag team others and steal people's cards in place of their own. One holds them while the other steals. Surprisingly tough opponents. However, their downfall is when they end up fighting eachother to pay instead of the other.

Beth: Like gidgette, she is much too nice to fight the others physically, even with her objections. I like to think that she while she's politely offering to pay, shes secretly hoping they'll insist so she doesn't.

Ezekiel: While he's not feral in this scenario, he still acts like it as he jumps on other people's backs and bites their wrists. Don't know why he's putting all this effort as he doesn't have a card to pay with (all he has in his pocket are 2 buttons and some lint).

Owen: Like heather, he uses the bathroom trick as a way to pay for his own meals not out of pettiness, but out of guilt. Since he often eats a lot more that the others, he feels guilty when others pay for him, so he tries to pay for his own food when he can.

Izzy: Likes the free meal, but she joins in the fight anyway for fun. She swings on the overhead lights and jumps of people's backs. She crawls underneath the table and pulls chairs from people's feet. Whenever she gets the bill out of someone else's hands, she gives it to someone like Cody or Tyler to see the get pummeled by everyone else.

Cody: offers to pay the bill to impress them/out of pride but easily gets shut down by Courtney's intimidation or Sierra.

Sierra: Doesn't care to pay for the groups bill but wi fight tooth and nail to pay for Cody's bill. She will bite, she will claw, anything. Besides a few others, she's is likely the only other person to get the bill from Courtney. One time when team amazon was doing a get together, she tackled Courtney for the bill and rammer her into the booth.

Eva: Also likes being paid for most times, but will help/join Izzy for fun. its good fighting fractice and a nice adrenaline rush. she obviously puts up a good fight but whenever she does snatch away bill, she gives it away.

Noah: Doesn't put an effort in fighting over the bill that much. However, there was one time the entire cast ate together and when someone like Courtney or Alejandro asks the waiter for the bill, they are to be met with "oh someone already payed for your group". Out of pure spite, he put his card in advance before they even started ordering. While he was "getting something from his car" he slipped the waiter his card. Perhaps he even called ahead. Was the bill huge? Yes, but the look on Alejandro and Courtney's faces were priceless.

that was a lot of words okay bye.

[chippdhearts]

Catfia date night AU (aka on date night we wear red)

see under the cut for a mini fic/companion piece to this set

Sofia looks up from the microscope and catches a glimpse of the clock on the wall. Shit. She's late. She runs to the locker room almost knocking Greg, and the boxes of evidence he is carrying, over on the way. She strips her lab coat and her clothes off as quickly as she can, not caring who can see her. She grabs the freshly dry cleaned dress out of her locker and slips it over her head. She gently tugs on her hair to ensure that none of it is caught up in the straps. She almost falls over in the process of trying to put her shoes and earrings on at the same time. She thinks for a moment that if she ends up in the ER then Catherine surely won't be that mad at her. But she thinks she really better not actually test the theory.

Catherine reluctantly places her food order with the waitress. She's an hour and forty five minutes - and four drinks deep - into waiting for Sofia to show. She'd long stopped caring what the other patrons thought of her. She knows exactly how it looks, her sitting alone in a fancy restaurant. But at this point she's a little tipsy and very hungry so she's not about to leave without having something to eat. Perhaps this was a mistake. Dating at work was always a risk, but after months of back and forth Catherine had finally decided this was a risk that was worth taking. Now all she can hope is that she wasn't wrong.

When Sofia finally walks into the room Catherine is certain that everything else stops, including her breathing. The minutes she spent waiting, the glances she'd received are all forgotten. The hunger in her stomach is replaced with a different kind of hunger. She is simply stunning, a vision in red. The effort she's put into her appearance tells Catherine that she wasn't planning to stand her up. Her anger softens.

Sofia, of course, apologises profusely for her lateness. As Sofia stumbles over her, clearly rehearsed, explanation of how she got caught up in the lab and then nearly landed herself in the hospital twice as she rushed to make it here, Catherine finds that she doesn't actually mind so much. She knows exactly what it's like to get so wrapped up in a case that you lose all track of time. She finds it endearing that Sofia cares so much, about her work and about her lack of time management.

They stay at the restaurant for hours, talking, eating and laughing. The staff change shifts, but they don't even notice. It isn't until Catherine's reminder to pick Lindsay up goes off that she even realises the time. They'd spent the better part of six hours together. Catherine can't ever recall having laughed this much on a date, ever.

Sofia is surprised at how quickly the time passed and how at ease she felt. She's always hated dating. When she was starting out as an officer she was so intently focused on her job. The few dates she had been on were either boring or with people who showed a bit too much of an interest in her line of work. When she'd been transferred to CSI she'd pretty much given up dating completely. Catherine asking her out had been a surprise, a pleasant one but a surprise nonetheless. She hadn't known Catherine to have dated anyone in her whole time working at the lab. She'd planned to say no, her mothers voice ringing in the back of her mind about what she needed to do to be successful, but somehow she found herself saying yes. Right now, she's very glad that she did.

They walk out together and Sofia kisses Catherine gently on the cheek before helping her into a cab. As the cab pulls away Catherine turns to glance back. As Sofia fades from her sight the only thoughts running through her mind are of how Sofia really was worth waiting for, and she doesn't just mean tonight.

[total-drama-brainrot]

i actually have no strong feelings on the topic i just thought it'd make more sense if sierra was gone first but also "please vote me off" "if it's sierra we can just–" "paris?!" "fine." this would have almost zero relevance since the fic would probably start at niagara falls anyway but. cody in jamaica, sierra in area 51, noah in sweden?

now that i think about it owen getting eliminated is marginally less likely if heather gets paired with him. so heather/duncan, gwen/owen, and then the votes play out: owen - alejandro, tyler, heather, lindsay (since lindsay refuses to vote off tyler right now and heather wants to keep the love triangle around that's their only real option), heather - owen, not sure who the other three would vote for but it doesnt totally matter.

thinking about keeping duncan around longer for the gag of him mockingly calling lindsay "princess" because she still has the tiara from niagara falls (can you tell i only do things for the bit yet). but now that i write this out i think him doing it in front of courtney is better. so maybe gwen in china, duncan in africa, and courtney on easter island? "fine, you want to leave? leave!" *sticks him in a cage with feral zeke*

that is indeed why i went with tyler eliminated. i think heather and lindsay doing the tiebreaker and after she wins she feels like she has the upper hand for once. it stops when alejandro gets closer to the volcano but she. somehow pulls out the win at the last second.

but if the lyric is tyler who would be the one wedged in the hole? unless it's lindsay and her argument is "if you leave me wedged in a hole tyler is not going to like you anymore"

alejandro's helpers ... i mean if tyler is still knocked out i don't think he has a lot of options at this point but also having katie and sadie is lame. lindsay's helpers? one of them has gotta be beth because i have an entire scene of her thinking about what if beth won the aftermath challenge instead.

unless i make it so that tyler doesn't get knocked out, gets picked as alejandro's helper despite his many, many doubts, and turns against him last-minute? that's. certainly an idea.

Lindsay being in the hole makes the most sense thematically, and Alejandro would eventually concede to letting her out of the whole for a reason similar to why he lets Heather out in canon; it wouldn't be a satisfactory end to their rivalry. Leaving Lindsay in the hole would be synonymous with Alejandro admitting that he sees her as Too Big A Threat to face head-on, and he's far too prideful to turn down a challenge like that. (Lindsay would communicate this in a less Wordy way, of course, but the point still gets across.) The only difference here is that there isn't a romantic undertone to the song, instead Lindsay's hatred only grows.

Having Lindsay beat Heather in the tiebreaker is also pretty symbolic of her cutting ties with Heather entirely; she doesn't need her anymore, and she's not tethered to Heather's influence anymore either- she's free from the shackles of her Island-self. Like beating a Miniboss before the Final Boss.

And of course Beth's one of her helpers, they're best friends. I'd love to go the full mile and say she has a marginally rehabilitated Ezekiel as her second helper (their trio dynamic in TDDDDI lives on in my heart, like most of the dynamics in that special do) but honestly she'd probably end up with Heather, who volunteers NOT to help Lindsay but to have a part in taking Alejandro down.

Alejandro, on the other hand, doesn't really have anyone on his side. Katie and Sadie would be the most realistic option for volunteers, but even they probably aren't as enamoured with Alejandro as canon thanks to his whole 'stealing Lindsay's boyfriend' thing- they've got standards. In the end, I think Chris would incentivise being a helper for Alejandro either by offering the helpers a cut of the million should he win (which Alejandro protests, to deaf ears)or some other means. Justin would volunteer at that point- he respects the hustle of using your looks and charm to dominate the competition, and he loves money. He also hasn't been directly wronged by Alejandro, so that helps. As for the second? I'm leaning either Owen or DJ; Owen because Alejandro never outright wronged him directly, and he still thinks of the two as friends (despite Alejandro hating him), or DJ because Alejandro didn't wrong him either in this AU and he'd feel guilty for leaving Alejandro stranded at the finish line, even if Alejandro would deserve it.

As for Tyler. That's up to you, really. Depending on where his feelings lie at this point in the story, he could volunteer himself for either person regardless of his injuries (and promptly be told to Sit Down because he's supposed to be healing, not participating) or be caught up in his own indecisiveness and neglect to volunteer himself. 🤷‍♀️

[memyselfandi2008-blog]

Just a Coffee

(A/N): First of all, before anyone asks, yes, this is extremely self indulgent. Second off, I mostly wrote this to somewhat explore Lindsay and Chris’ dynamic. Also, I might continue this? Probably not, but we’ll see if I’m motivated at all.

Paring(s): Lindsay & Chris McLean

Word Count: 1,191

Summary: Chris hadn't intended to get his own coffee, but one messed up order and one fired intern later, he found himself standing outside the coffee shop a few blocks away.

"Unbelievable," Chris grumbled under his breath, tossing the still warm latte into the nearest trash can, "How hard could it possibly be to get my order right? I even wrote it down for them!" he ranted to no one in particular. That was the fifth time, within two weeks, that someone had gotten his order wrong. Could you really blame him for getting frustrated?

Chef couldn't help but roll his eyes at the TV host, briefly recalling the memory of Chris barking out his order, while the intern frantically wrote it out on a piece of paper, "If you're really that upset about the whole thing, why don't you just get your own fancy shmancy drink?" he proposed, meeting Chris' bewildered stare.

"Get… my own… latte?"

It was as if the thought hadn't even crossed his mind—which it hadn't. Why would he bother with such a trivial thing when he had better things to do, like literally anything else?

Chef nodded, "There's a coffee place nearby," he gestured towards the exit of the building, "So it's not like you'll be walking far."

Chris hummed, resting his chin in the palm of his hand as he thought over his options. He'd lose the joys of firing any intern who messed up his order, but he'd also finally get his coffee just the way he liked it. Making people suffer, or his own wants and needs…

Wait, why was this even a dilemma?

"You know what? I think I will get my own coffee from now on," he crossed his arms and grinned, a satisfied look on his face, "Man, I can't believe I didn't think of that sooner."

Chef sighed heavily, shaking his head in mild annoyance as he watched Chris head out of the building. It was times like these, some small part of him missed being in the Army.

———

It was a cozy little building with a chalkboard sign sitting just outside the door, listing off the day's specials in different colors. Several plants were intricately placed on the windowsill, causing a sense of unease to settle in Chris' stomach. Anything that looked that cheerful must have something wrong with it, if he was going off of his prime example (himself).

Nevertheless, he still needed his coffee, and the only way he'd get it is through that door. Letting out a long sigh, he entered the building, causing a faint ding to fill the quiet room.

"Hello!" a cheerful blond greeted him from behind the counter, "Welcome to…" she seemed to trail off, gaze shifting down as she tapped her chin in thought, muttering quietly to herself.

Chris raised an eyebrow, the faintest of smirks pulling at his face. Did she... forget the name of the café?

"Um… hm… welcome to…" she squinted at her surroundings, gaze searching for where she might find an answer. After a minute, she smiled, eyes going wide, "Oh! Welcome to Brew-ti-ful Coffee and Bakery!" she grinned, meeting Chris' stare, "What can I get you today?"

His eyes skimmed over the baked goods on display, unable to keep the smirk off his face, "Looks like the pastries aren't the only thing here that's brew-ti-ful," he hummed, giving the barista a quick once over as he leaned against the counter.

"Well, duh," she crossed her arms, still smiling, "The coffee is too! That's why it's part of the name."

A small, almost breathless, laugh escaped Chris before he had the chance to stop it, "Well, nothing gets by you, now does it?" he turned his focus to the menu, absentmindedly drumming his fingers on the counter. There were so many options to choose from, and so little time to pick. He did still have a show to host, after all.

And yet, some part of him felt the need to take his time. The world did revolve around him, all things considered.

"What would you recommend, Lindsay?"

She gasped, "How did you know my name?" she asked, an excited glint in her eyes, "Are you, like, psychic or something? Oh, oh! Can you read minds?" she frantically asked, bouncing up and down at the thought, "What number am I thinking of?"

There was a shift in his stomach and, once again, a laugh broke out of him, "Actually…" he admitted, gesturing to the tag on her apron, "I just read your name tag."

Her face fell into confused disappointment, "So, you're not psychic?"

"I'm not, but I think you might be," Chris was still smiling, still bidding time, still ignoring the feeling that had settled in his chest, "You spend so much time in my mind, I should charge you rent."

Lindsay tilted her head to the side, "Do I? How much do you need?" her voice seemed to grow quiet as she spoke, digging through her wallet, "I mean, I've only got a little money, cause Heather used most of it to buy her lunch, but—"

Without hesitating, Chris quickly interrupted her, listing off his order at record speed, in an attempt to drop the previous remark before it got too out of hand. Lindsay carefully pinned it into the register, nodding her head to show she was listening, her wallet having been placed back in her pocket.

"What's the name?" she asked, sharpie and cup in hand, staring at him expectantly.

Despite himself, Chris let a beat of silence pass between them as he glanced around the very empty building before turning back to Lindsay, "Chris."

She hummed, writing down the name, then turning to work on the order. Chris watched as she briefly struggled with getting the drink put together, knocking over various items in an attempt to get what she needed.

"This your first day?" he couldn't help but ask, trying to bite back the amusement in his voice.

"Nope!" Lindsay replied cheerfully, "I've been working here since summer break started."

"Really?" he blinked in surprise. She had been working here for almost four weeks and she still had trouble remembering the name of the place?

"Yep!" she turned towards him, holding out the paper cup, "Here you go!"

He took the drink carefully, "Right, well, it was nice talking with you."

Chris nearly froze at the statement, but tried not to let his shock show on his face, waving goodbye as he left. He never liked talking to anyone, save for a very select few.

"Bye! Come again, soon!" Lindsay called after him, returning his wave as the door's bell chimed once again to indicate Chris' departure.

It felt funny, the whole thing. He was sure Chef would get a laugh out of it, at the very least. A sigh escaped him as he looked down at the drink, hesitant to even try it, with how much of a mess she made putting it together. Though, all that hesitation seemed to vanish when the name she had written on the cup caught his attention.

Chip.

"Huh…" he smiled gently, taking a drink as he started his walk back to his studio. Almost surprisingly, she actually got his order right. Definitely surprisingly, he silently decided he'd go back there again.

[thecryptidcottage]

that must be it, what's pulled him from his reverie ― suddenly a pair of arms are snaking around his waist, a head resting against his shoulder. lindsay's heartbeat stutters in his chest ; he reminds himself that he is safe here, that he's allowed to relax. he's in jace's arms, after all, and christ almighty, he knows it's corny of him to have even fucking noticed, but they're strong. warm. his embrace is somehow both gentle and secure and for a moment lindsay thinks that he misses being held like this. but that's not true, though, is it ? no, because nobody's ever actually held him like this before ; what he really misses is all of the time he could've spent knowing that this was out there, and that it was okay ― that he was okay, no matter who he was or who he loved. all the time he could've known jace was out there. but it's silly to be melancholy ― not now, not in this moment ― so he tucks any retrospective longing away for the time being. for now, he's learning to find comfort in living in the moment. lindsay leans back into jace, ducking his chin toward his chest to obscure a laugh ; it's sheepish, almost timid, like he's somehow been caught in spite of only just confessing. ❝ was it that obvious ? ❞ he asks, although it's clear they both know the answer. slowly, they begin to sway to the ballad drifting through the speakers ; it's not dancing, no ― his feet are still in place ― but it is the closest the gardener has gotten to it so far. ❝ i am, yeah, ��� lindsay answers, and it's soft, the smile as he murmurs the words almost audible. ❝ it's funny ye should ask that, actually, i'd just gotten to thinking about how i couldn't... i can't imagine anywhere i'd rather be right now. ❞ is that too honest ? too vulnerable ? maybe it's the drinks making him so loose-lipped, but he's grateful for the liquid courage. at least he's telling the truth. he can't recall the last time he's laughed so hard, smiled so much, and he wants jace to know that, wonders if he can see it. warm breath tickles his ear as jace whispers a compliment that's enough to have warmth flooding the highest points of his cheeks once more and no, lindsay thinks, surely that's got to be you. but he doesn't say as much ― actions speak louder than words, right ? ― and he might just be feeling brazen right now, heart pounding wildly in his chest as he move to twist in jace's arms. and suddenly they're inches apart, chest to chest ; jace still holds onto his waist, but his own arms lift to wrap around his shoulders, lean in impossibly further. the kiss is soft, sweet ; subtle and understated, easily missed by anyone not looking, but for lindsay ? the small gesture means the world ― it represents a life, a freedom he hadn't thought possible for himself until he met the young professor. when he pulls away, lindsay's still flushed as eyes finally lock with jace's. ❝ i know it's silly, ❞ he admits, ❝ and i don't even really know how, but... would ye do me the honor of dancing with me ? ❞

𝐄𝐕𝐄𝐑 𝐒𝐈𝐍𝐂𝐄 𝐓𝐇𝐀𝐓 𝐅𝐈𝐑𝐒𝐓 kiss – since that night, jace has thought of very little else. then again, he thought of very little else than the man in front of him the very moment he met him. however, something in the air feels all too different. even if he knows exactly why, he still has yet to shake it. jace had been out as bisexual for a long time, perhaps since the moment he could vocalize what feeling the same affections he did for men as well as women could possibly mean. he had been extremely lucky to grow up in a very accepting household, where his mother would have smacked him upside the head only for not telling her. he was no stranger to being proud, being unafraid to live his life by his own terms. this determination had even led him to notting hill in his darkest hour.. right into the arms of his brightest. he had come from behind at first, arms wrapping around the shorter’s waist as he rested his head on his shoulder. ❝ i could tell. ❞ he teases, settling into the nape of the other’s neck for a moment. the collective of bodies sways rather slowly to the ballad the artist is playing on stage, but jace can’t help but wonder if lindsay can hear the sound of his heartbeat over it all. ❝ i was just asking if you’re enjoying yourself, silly. ❞ the two had spent a grand majority of the day together, taking a couple hours to spend time with friends. even they had noticed that something was different about him. this limbo that the two of them were in, standing directly on the precipice of something more, had been perhaps one of the most carefree periods of jace’s twenty-nine years with thirty coming closer and closer by the day. leaning closer, lips were inches away from lindsay’s ear as his voice fell to a whisper. ❝ i was also going to tell you how handsome you look, space man. ❞ get it ? worlds away ? space ? jace thought he was funny on occasion. drinks often flowed from jace faster when he had a couple to drink, which also happened to be the case. nevertheless, he spoke the gods honest truth.

[midnight-dreamerness]

It’s Always Been You

(This is NOT my gif. Credit to the creator <3)

summary: Jay stopped speaking to you unexpectedly and then you see each other at Molly’s.

pairing: Jay Halstead x Reader

warning: Curse Words??

word count: 2.4k

A/N: theres a slight mention of the reader being plus size…

You never thought you’d be replaced. But in came Erin Lindsay and suddenly she was all he talked about. And eventually he didn’t call anymore. He didn’t pull up in your driveway with pizza and a pack of beer out of the blue anymore. There were no Saturday movie nights or Monday monopoly despite you both knowing he always won.

You were lonely. After meeting Jay in high school, it was the two of you against the world. And when he left for the rangers, you were lost. But he came back to you. And you were the happiest you’ve ever been. But this time was different. You were losing him, falling right between your fingers right In front of your eyes and there was nothing you could do was watch from afar as he loved someone else and ached to be that someone.

Erin was a good person with a good heart. She was good for him. But you couldn’t help but hate that you couldn’t give him everything she could. Whatever that was you didn’t know. Maybe it was because you were bigger. Maybe it was because you were different. Whatever it was, you didn’t want to know. It would only break you in the end.

You tried to go out but it seemed the ghost of him followed you wherever you went.

You glanced at him for a moment, noting the stubble covering his jaw and remember how much you ran your hands over it giggling when he spun you around in the middle of his apartment.

You both were closer than normal best friends. You slept in the same bed and cuddled countless times. But every time you woke you he was gone.

Your friend snapped her fingers in front of your face with a laugh.

“You’re staring,” she commented, sniggering. You grimaced, biting at your lip and removing your intense gaze from the man across the room.

He was with a group of people but his arms were laying across the chair of the girl you wanted to hate but couldn’t.

“I hate nice people,” you grumbled, only making your friend laugh more. You ended up grinning, her laugh being contagious.

“Hello, ladies.” You now noticed the blonde who had walked up to your table, recognizing him from Jay's group from across the room.

“Hello, handsome,” you flirted, resting your chin on the palm of your hand, fluttering your eyes at him. He chuckled and ran a hand through his hair.

“I’m Adam. I couldn’t help but notice you from across the room. Can I buy you a drink, both of you?”

“You can buy her a drink. I’m going to talk to the guy who's been eyeing me since I walked in. Good luck!” Your friend exclaimed and started to walk away but turned around and added, “Oh! She likes the fruity stuff. Berry Lemonade Margarita is her favorite. Thank me later.” She gave the blonde, Adam, a wink before finally walking away. You place your hands in your hands, a blush settling over you cheeks.

“Berry Lemonade Margarita it is.” Adam said walking to the bar. You sat there and chuckled, shaking your head. You could feel eyes on you, so you looked up and met his eyes. His hand had fallen from behind Erins chair, a sad smile on his face. You looked away letting out a sigh. Adam was back in a matter of minutes, sliding your drink in front of you and settling in the seat in front of you, a glass of what looks like Whiskey in his hands.

“Thank you,” you muttered, giving him a small shy smile.

“You don’t talk much do you?”

“When I open my mouth I usually embarrass myself.” He only laughs, shaking his head.

You ended up talking for a good twenty minutes about anything and everything. He was easy to talk to but you couldn’t help but ache for another man who would glance at the two of you from across the room ever so often. He hated it. He hated watching Adam making you laugh. It was really his own fault. He has no right to be angry or jealous. But he was. All he wanted to do was march right over there and rip him from that seat. Instead, though, he watched from afar, detaching himself from the conversation his friends were having. You brightened up the room as soon as you entered, his eyes on you as soon as you stepped foot into Molly’s.

“You know Jay?” Adam asked, leaning back against the booth. You nodded, swirling the straw in your half empty drink.

“We were best friends. Things happen, though. People change.”

“Well you're glancing at him every couple of minutes so apparently something happened there.”

“Oh fuck, Adam. I’m sorry,” your shoulder slump as you feel the guilt build inside you. He simply laughs and shakes his head.

“No need to apologize. Does he know?”

You wanted to ask him what he meant but you knew. So you shook your head, “No.”

He purses his lip. “Have you thought about telling him?”

“Only a thousand times. Erin is good for him, though.”

“If Jay wanted to be with Erin he would’ve made it official. So clearly something is holding him back.”

You hated how your chest filled with hope that maybe he held back because of you. But he left you. Stopped calling. Stopped texting. Stopped everything.

“C’mon,” Adam said standing up, glass in one hand and the other held out for you to take. You gave him a curious look but took his hand anyway and grabbed your drink before he could pull you away. When you noticed the direction you both we’re headed you tried to stop but it was no use. The two of you had gained the attention of the entire group.

“Hey, this is my girl, (Y/N). This is Kevin, Kim, Erin, and Jay.” Adam said, pointing them all out with their name. You gave them all a shy smile and a wave. Anxiety filled you and you suddenly felt sick to your stomach.

“Oh no, has he talked your ear off yet?” Asked Kevin who only made the rest of them laugh, aside from Jay, who only glaring at him. He hated the way the words “his girl” fell from Adam's lips.

Your shoulders dropped as the anxiety left and you let out a small laugh.

“He’s getting there.”

You didn’t even have it in you to look into his eyes. You tightened your grip on Adam's hand, who simply nudged you towards the empty spot next to an African American man, who you now know as Kevin. Adam sat next to you, sending you a wink before throwing his arm over your chair.

“Truthfully. She loves me,” Adam says shrugging. You take a sip of your drink, eyes widen, a laugh nearly falling from your lips.

“I’m just waiting on my chance to run,” you suddenly spoke. There was a slight pause before laughs were heard around the table and a whine came from Adam.

“Babe, that is so mean,” Adam moaned, holding his hand over his heart as if you broke it.

You simply giggled and slapped his chest lightly.

A conversation started and you added in a couple of times but mainly you were putting your focus on avoiding his gaze or trying not to cry at the sight of his hand resting on Erins shoulder.

As a certain song came on, you were suddenly pulled into memories of only a couple months ago.

It was the night he made you dance with him. You remember giggling and letting him spin you until you were dizzy and ready to pass out. You remember how his hands fell on your hips to try and steady you before you fell. He was laughing the entire time until his face came close to yours. And he almost kissed you. He was so close and you prayed that he would. But he didn’t.

The memory only causes your heart to ache and knowing that the man you loved was sitting right in front of you with another girl on his arm made it ten times worse.

You wanted to scream and to cry but you trapped it inside, bottling it up until you could let it out once you got home.

The sound of your slurping pulled you from your thoughts. You were out of adult juice. With no intention of going home, you were going to need another drink to get you through the night.

“I'm going to get a drink. I’ll be back,” you told Adam before hopping out of your seat. He gave you a nod.

“Yeah, me too. Anyone want anything?”

You pushed through the groups of people trying to get away but there was no use, Jay caught your arm and pulled you away before anyone at the table noticed. You were in a hallway suddenly and before you could say anything Jay was in front of you.

“Adam? Really?”

“What? What’s wrong with Adam? And why do you care?” You are getting upset now. Jay had no right to question you on who you were seeing. Not anymore.

“He’s not really your type.” You snorted at his reply. What were you supposed to say to that? You didn’t understand why he cared when he had left you and all of a sudden he wants to look out for you.

“Jay, you have no idea what my type is anymore. People change. Maybe I like blondes now.”

“Yeah well I remember only a couple months ago you much preferred brown haired, blue eyed men.”

“What are you implying?” You asked, stepping closer to him, your eyes set in a glare. He folded his arms over his chest, his muscles catching your eyes for a split second. Your thighs clenched before you copied his stance, your nails digging into your arms.

“You know exactly what I’m implying, princess.”

The nickname made you weak at the knees and so did that fucking smirk on his face. But you stood your ground, slipping your hair over your shoulder and attempting to walk around him. He caught your wrist, pulling you into his chest. You took in a breath at how close you both were. It had been so long since you touched him and every part of you wanted to melt into his arms.

“You left me, remember. Replaced me. No calls, no text, no goodbye. And no excuse. You have no right to try and tell me who I can or cannot be with.” As you spoke you snatched your wrist from his grip and pulled away, walking right out the side doors. You walked up to Adam, the excuse falling from your lips easily.

“I’m not feeling too well, I’m gonna head home, Call me. It was nice meeting you guys.”

And you were out the door before they could say anything. Your phone was blowing up as soon as you sped off down the road but you didn’t once pick it up knowing who it was.

It was your turn to ignore him now. You blocked his number later that night and cried yourself to sleep, trying your hardest to let go of that stupid schoolgirl crush you had for him and grow the hell up. You only wished it was as easy as saying it. But your mind betrayed you and you thought about him for the next two days. And then he showed up.

When you heard the knock you assumed it was the package you had been waiting on for three days now but when you took a peek through the peephole, you closed your eyes and sat your back against the door.

“Please open the door,” he begged, resting his head against the door. You let out a sigh and pushed yourself from the door, turning and swinging it open. He stood there with a pizza box in his hand and a pack of beer resting on top. You couldn’t help but smile as you noticed the flowers hiding behind his back. He pulled them out, a grin overtaking the sadness on his face. The look of excitement cured the nervousness that had settled in his stomach.

“Can I take the pizza, beer, and flowers and leave you on the doorstep?” You joked about taking a hold of the flowers, bringing them to your nose to smell them. You closed your eyes as your favorite flower's scent invaded your nose.

Jay let out a laugh. “No, princess. It’s a package deal.”

You let out a chuckle and opened the door wider for him. Jay walked inside, instantly making his way to the living room where he sat the pizza and beer on the table. Instead of following him you entered the kitchen and placed the flowers in a vase and filled it halfway with water. You placed them on the counter, cocking your head to the side as you arranged them perfectly in the vase. Jay watched from the entrance, leaning against the frame with a smile on his lips.

“I’m sorry. And I know it isn’t much, but I hope this is a good start to getting you back.”

His voice causes shivers to roll over your spine. You purses your lips, taking in a breath.

“I don’t want to play anymore, Jay. I want a relationship and if you can’t give me that then please just say so.”

He walked forwards, cupping your face in his hands.

“I didn’t know what I wanted back. But I do know now. And it’s you. It's always been you.”

With a sigh of relief you captured his lips, your hand running up his chest before clasping around his waist. You wished you had done it before, that you both hadn’t played around the thought of a relationship and just did it. But you had him now and that’s all that mattered.

His kiss made you fuzzy and you Found yourself leaning against him for support. His tongue swiped across your bottom lip and you parted your lips eagerly. You moaned at the taste of him and moved your hands to then settle on his chest. You have never been kissed like this before. And you loved every part of it.

You pulled back, taking in a much needed breath as he leaned his forehead against yours attempting to catch his own breath.

“So, you want me to beat your ass in monopoly or what?”

[writerofshit]

For almost 3 years the crew doesn't know when Matt's birthday is. This is solely because he never brought it up and sometimes the crew thinks he might have sprouted, fully formed, in front of a computer monitor roughly ten years ago. He didn't. He does in fact have a birthday.

When the crew finally realizes this, Trevor takes one for the team in trying to figure it out. He makes a point to bring it up all nonchalantly, 'yeah, Lindsay says you do that because you're a Virg-....Aquari-... Gemini?' complete with arched eyebrows and wide eyes.

And Matt's an observant guy, yeah, but more so when it comes to patterns in bank transactions or when the local donut shop has his favorite donuts available. People, even friends, are another story entirely. So he just shrugs. 'what does me being a Gemini have to do with liking mustard on a hot dog?'

But Trevor doesn't have an answer for that, of course, because it was bullshit to begin with. Instead he mumbles something about stars and time and relish, scurries off to tell Jeremy what he's learned. Which isn't much, sure, but at least they've got a window now.

The entire crew spends a ridiculous amount of time dropping opinions on May and June dates. 'yeah I'd hate to be born on June 2nd. Wouldn't you, Matt?' and 'May 27th is my favorite date for sure. What's yours, Matt?' and 'i've never met someone with the same birthday as me, May 23rd. Have you, Matt?'

And again, yeah, Matt's an observant guy. Most people, in fact, are probably observant enough to notice when an entire group of criminals act really fucking weird about the calendar. But again, Matt's observant about things like tiny movements on camera feeds or that there's not extra onion on this burger, actually. So he shrugs and says 'yeah I knew someone growing up who was June 6th. We used to argue about who could have a party. I always lost.' like this isn't information the entire crew has been fishing for over the last month. They probably could have asked outright and Matt wouldn't have cared.

It's honestly kind of annoying.

The week his birthday rolls around again, they go all out. Big ass fucking party, invite everyone they can think of. Every old friend not turned enemy, crews they've talked about working with but never got around to, minor celebrities they know Matt will get a kick out of toasting in his honor. It might actually be the biggest party or event or goddamn crowd Los Santos has ever seen. All there for Matt. All celebrating this guy most people have never seen.

It's a kickass time. Matt gets hoisted up and sung to, then Michael, then Fiona, then someone Matt is sure he's never met. 'It's a cover.' Jeremy drunkenly yells in his ear. 'So no one knows who's really you.' It's a sentence that's not quite right, but Matt appreciates the sentiment. It's also probably not even accurate, given that he was the first up and they've made him cut a cake on a stage, for some godforsaken reason. It's the thought that counts, though.

All in all, Matt thinks it might be the most fun he has ever had.

Two days later, on his actual birthday, it's almost the complete opposite. In terms of scale, at least. It's just the crew, up in the old penthouse Geoff swore he'd sold. He hadn't, of course. Never could bring himself to pull the trigger on it.

It's pizza and beer and donuts and cupcakes. It's Mario Kart and Ultimate Chicken Horse and a game of Monopoly that's played in teams, somehow. It's stories that reach all the way back to an alleyway, three idiots pointing guns at each other because they had no idea what they would become, what they'd join into. Jeremy says they were 'pretty sure Matt had never held a fucking gun before that' and Trevor agrees wholeheartedly.

They try to pick their favorite 'Matt's playing music over the loud speakers during a fucking bank robbery' song. It's a tie between Wake Me Up Before You Go-Go ('because i knocked out that fuckin' guard and he thought it was funny!' Michael yells. 'who the fuck thinks of that?' and Call Me Maybe ('because god forbid i take one breath before I answer him. I wasn't even in the bank, i was across the fucking street playing lookout! I only heard it through somebody's earpiece.' Alfredo says, rolling his eyes.)

When the night winds down, and it's no longer Matt's birthday but they're still pretending it is, Jack brings out an apple with a candle stuck in it and Geoff cries with laughter. 'you're getting older, Matt, you gotta eat more fruit.' she says. Matt argues that he does eat fruit, he had a lemon lime flavored cupcake at the party.

There's one whole serious moment during all of it. Things get quiet, Geoff not quite meeting anyone's eyes. 'y'know, Matt, we all make a lot of jokes. We call you an asshole, tell you we hate the plans you make. I don't know how many times I've said I regret hiring you, or any of you, really. And, uh, yeah, sometimes it's true.' It earns him a chuckle from around the room, and he clears his throat. 'but seriously, you're, uh, you're one of the best fuckin people I know. All of you are. And we're lucky to have you. We love you, man.'

Nobody cries, because this is a group of hardened criminals who rob banks and blow up buildings and kill people, sometimes, so of course they don't fucking cry. They do, however, somehow all find themselves with a serious case of the sniffles, all wipe totally non existent tears from their cheeks.

No one says anything, for a long moment, not even Matt. He should be saying thank you, or telling them how much he loves them too, or hell, even cracking a joke. He can't seem to find the words, though.

Jack holds up her beer. 'to Matt.' she says. Around the room, various drinks go up almost immediately, and there's a not even close to in sync chorus of 'to Matt.'

No, tonight is not nearly as grand or extravagant as the party two days ago. There are no expensive cars being raced, no crowds of people shouting 'Axial!', no stages or celebrities or fireworks. This is just his family, together.

It is the best birthday he's ever had.

[duncanxtrent]

If I can ask as a prompt maybe you could do a reunion at geoffs house when they’re like in their 20s and with maybe a little duntrent?

Hmmmmmmmmmmmm

OK

(Also I am not a person that does a “little” Duntrent. If you were looking for a little you came to the wrong place my friendH

A Night To Remember

(Trents POV)

I quietly pull up to Geoffs suprisingly large mansion. My husband fell asleep in the passenger seat, so I quietly shake him. He groans before stretching.

“Eh?” He asks groggily.

“We’re here.” I say pointing to Geoffs mansion.

“Oh…” Duncan suddenly looks down at his feet nervously.

“Whats wrong?” I ask

“Im just… still not prepared for this. Like you coming out as married to a man is easy, everyone loves you. But me… I just don’t know what they’ll think…” He mumbles.

“Hey.” I grab his shoulder “Just listen, if any and I mean ANY of them, lay a finger on you or try and make fun of you, I will promptly kick their teeth in and well head home and cuddle for nine hours.” I offer.

Duncan chuckles. “Really?” He blushes.

“Of course dude!” I plant a kiss on his forehead.

He smiles. “Alright, lets go.”

Duncan and me hop out of the car. I lock the car and make sure Duncans suit is straight before he does the same with mine. Once we are both done, we take our steps into the party.

The party is a lot chiller than I thought it would be. There was of course Music, but it was more refined party music than raving teenage party music. Seems Geoff really grew up. The first people to notice us are Geoff and Bridgette.

“Ey Trent, Duncan! Whats good my dudes!” He pats the two of us on the back.

“Hey…” Duncan nervously waved.

“A little birdy told me Trent liked it and finally put a ring on it! Is it true?” He asks excitedly.

I quietly flash him my wedding ring, grinning. Geoff sees this and laughs heartily.

“I knew it my dudes! Congrats! Sorry I couldn’t be there for your big day!” He laughs nervously.

“Nah its fine. It was more of a family and family friends thing anyways…” Duncan laughs.

“Anyways, glad youre here! Lets head out!”

Geoff takes no time in promptly shoving us towards the bar. Alejandro and DJ were working the bar, serving drinks. Nearby we could see Lindsay and Heather discussing away. They both seemed incredibly well dressed. Lindsay notices us first and waves.

“Oh my god, hi guys! Its been like, so long yeah?” Lindsay says still sounding like shes 15.

“Yeah it has been a while…” Duncan chuckles.

“I assume the wedding went well.” Heather sips her drink.

Duncan spits out his drink and I looked at her shocked. “How did you-?!”

“Im friends with Duncans youngest sister Ella, we both work in the film industry. She told me.” Heather explains.

“A-ah…” Duncan tries and laughs it off nervously.

“You know Im surprised you managed to get him down Trent.” Heather says

“Hmm?” I glance up at her.

“Duncan never settles down with practically anyone, especially not guys. So the fact that you not only managed to be in a good relationship but get this guy to be your husband is quite a feat. Well done.” Heather smiles.

“Well hes a cute guy once you get to know him.” I say wrapping my arm around him. Duncan blushes and leans into me.

“Oh my god you two are so CHEESY! If I didn’t nt love your dynamic I would be barfing right now.” Heather gags.

Me and Duncan laugh. “Well I guess thats a good thing aint it?” I chuckle.

“Yeah I suppose.” Heather sips.

We spent a few more minutes chatting with Heather and Lindsay. Then began hopping from friend to friend, chatting about out lives. Eventually, we reached the end of the night and Duncan seemed a lot more comfortable, likely because he was a little drunk.

However before we could wrap up our party, there were two people we had yet to approach. I almost considered ignoring them the entirety of the party. But I knew that wouldn’t be right. I tapped Duncan on the shoulder, who was chatting away with DJ.

“Oh hey Babe! Sup!” Duncan cheerfully smiles.

“Um Duncan, theres someone I think we should talk to…” I say

“Who else is there to talk to? Weve been through everyone at the party and back again.” He asks confused.

“Not everyone…” I say gesturing to the two in question.

Duncans eyes go wide with shock. Instantly sobering up. I can see his eyes go wide with panic. I quickly squeeze his hand. He looks at me.

“We have to…” I say

Duncan seemed nervous for a moment, but eventually agreed and slowly walked with me towards the two.

Courtney and Gwen had been avoiding us the entire night and we had done the same. But it was about time we talk. Even if things were awkward, we should still try and patch it. I wave to Gwen, she sees us and smiles.

“Hey! I was wondering where you two were! I thought something might have happened.” Gwen chuckles.

“Nah, weve just been talking with everyone else.” I laugh nervously.

Gwen notices Duncans nervousness. “Yo, is Duncan ok?” She asks

“He just… feels bad. Thats the main reason weve been not talking with you. He still feels awkward about how this whole situation turned out.” I say

“Is he embarrassed being seen with you?” Gwen asks nervously.

“Of course not. Hes just embarrassed having to come back and talk with you while being married to me. Especially after all that conflict we had and all the back talk that took place.” I explain.

“Mm… Well then…” Gwen puts a hand on Duncans shoulder. He flinches. “I just want to let you both know, that Im happy for you. I don’t care about those stupid old relationships. We were all kids back then. We’ve grown, matured, made realizations, and moves on with our lives.” Gwen smiles.

Duncan hears this and looks up at her, surprised. Eventually though, he returns the smile. “Thanks Gwen…” He mumbles.

“Anyways… Would you like to talk to Courtney as well?” Gwen asks

“Sure.” I say.

Gwen walks over and taps Courtney on the shoulder. “Hey Babe… We have a couple of people that want to see you.”

“Babe?” I ask surprised.

“Weve been dating for two years now.” Courtney turns around and smiles at me.

“Interesting! Hey Courts!” I smile.

“Hi Trent! Its been so long! I hear you got a husband! Im so glad you finally found your-“ She looks over and sees Duncan standing next to me.

“Hey…” Duncan nervously waves.

“I thought you would bring your husband to this plus one.” Courtney looks at me surprised.

“He is my husband.” I explain, slightly annoyed.

“Oh…” Courtney looks at me disappointedly. She glances Duncan up and down and then just groans in disgust. “You could have done so much better than this walking pile of trash.” She says snarkily.

“Babe!” Gwen says upset.

“No no…” Duncan laughs. “Shes right… Trent could have done much better.”

“Babe! Dont say that.” I say comforting him on the shoulder.

“See? Even the bastard himself agrees you deserve better than his worthless ass.” Courtney laughs.

“Dont you dare call my boyfriend a bastard.” I growl.

“Ok but he is.” Courtney says, not a hint of satire. “In fact I bet hes even cheating on you right now. Probably planning to meet up with some side chick at a 1 star sleezy motel.” Courtney growls.

“No… Im not…” Duncan mumbles.

“Im sorry what was that?” Courtney asks rhetorically.

Duncan stays silent. I notice him starting to break down and try to retreat from the conversation.

“Well Its getting late I think its best we-“

“No. I need to do somethinf before you go.” Courtney stops me mid sentence.

She walks over and grabs a glass of red wine from the nearby tray and walks back over to us.

“Babe… Dont you fucking dare.” Gwen threatens. Courtney ignores her.

“Ive been waiting to do this for a long time.” Courntey chuckles. “People like you don’t deserve lives like this. You shouldnt be able to cheat on every girl you meet, get sent to prison and back, and still managed to live happily.” She growls.

“Courtney wait!” I say in a last ditch attempt.

“THIS IS WHAT YOU DESERVE YOU WHORE!!!”

Duncan doesnt bother to move out of the way as Courtney slams the glass directly against his head. The entire party gasps in shock. Duncan just sits to his knees as blood gapes from his head. Geoff walks angrily over to Courtney.

“Dudette what the hell was that?!” Geoff angrily screams.

Courtney laughs. “Lemme guess, youre gonna kick us out now?” Courtney teases.

“Uh… Yeah! Duh! You just assaulted my bro, unprovoked!” Geoff says angrily.

“Whatever. I did what I needed to do.” Courtney humphs.

She brushes her dress off of glass shards and walks out of the party. Gwen nervously follows behind her.

“I am so sorry, dudes.” Geoff apologizes. “We can atop the party and go to the-“ I cut him off.

“Its fine… I have a first aid kit in my car. I think well be heading home too.” I say solemnly.

“Oh… ok. Bye… dudes…” Geoff says walking off.

I quietly throw Duncans arm over my shoulder hoisting him to his feet. As we walk out we get various apologies and well wishes from everyone, even from people like Harold and Justin. Eventually once we are out in the car, I set Duncan in the back seat and start cleaning his wounds.

“You doing ok dude?” I ask.

“She was right…” He chuckles.

“What?”

“People like me dont deaerve happiness.” Duncan smiles, tears streaming down his face. “Im nothing but a worthless piece of human garbage. Even if Im not cheating on you, You should still get rid of me. It’d be better if I just went off and died alone in some cold dark alley. I don’t deserve to be remembered. Im worthless.” He laughs madly.

“Don’t you say that!” I snap.

“You’re just saying that cause you’re my husband. If you were some friend in this car, you’d agree and leave me here to die peacefully.” Duncan laughs.

“Shut up you idiot!” I cry. I feel my own face start to form tears.

“You’re right. I should just shut up. Everything I say is worthless.” He laughs.

I growl and turn him to face me. “Are you trying to hurt me?!” I scream.

Duncans smile turns into a worried face of shock. “What do you mean?”

“I love you Duncan! I love everything about you and I want to stay with you forever and ever. I want to buy a house with you, have kids with you! You are the only one I could ever love! And yet you say I would be better off without you?! That I would be happier?!” I cry. “Do you… not like me?” I ask seriously.

Duncan immediately goes to panic. “No of course not! I love you, its just-“

“Its just what?” I ask

Duncan thinks for a moment, but then all his will seems to fade away as he puts his hands to his knees.

“Its just what, Duncan?” I ask

“Im sorry…” He mumbles.

“Dont be fucking sorry!” I scream. “Just… Please… I love you.” I embrace him into my arms.

Duncan seems reluctant at first, but eventually cuddles into my shoulder, and not a few seconds later, I hear him quietly crying into my shoulder. I embrace him tighter and he clings to me, sobbing. We sit there for a while, holding eachother as we both cry in our car. Finally after a while, I feel Duncan stop crying a bit after I did. He removes his head from my shoulder and looks up at me.

“Do you really mean that? That you wanna have kids and buy a house together?” He asks

“Of course… I would wish for nothing more.” I laugh, still slightly crying.

Duncan smiles and looks at me tenderly. “Thats what I wish for too.”

I lightly chuckle and give him a quick peck. The two of us sit there cuddling for a few more minutes before I feel Duncan begin dozing off.

“Ready to go home?” I ask

“Yeah…” Duncan mumbles happily.

I smile and set my husband in the osssenegrr seat of the car, his head now bandages up. I climb into the drivers seat and the two of us drive away.

[beautyofthend]

Kate Fleming - A Character Study

There were many things that annoyed me about the series finale of Series 6, I could talk about it for days on end. But the one thing that perhaps annoyed me the most was the way in which Kate went through massive character development throughout Episodes 1-6 and then that got all but dropped by Episode 7. Dropped in the sense that every piece of character development within Kate through those first episodes had been obvious, explicit; we can see very clearly that Kate had changed in the time she had left AC-12 and joined MIT, but as we got to Episode 7 this character development dropped to mere subtext and having to read between the lines just to understand Kate’s motives. 

I’m going to be exploring that and finding the best possible explanation for Kate’s character because I feel as though it would be very easy to misjudge her without explanation. 

To start I just want to say that this is all my opinion, I’ll try to back up my points as best I can but it is just my interpretation of how I’ve seen Kate as a character. Enjoy. 

Character development is crucial in shows that have multiple series, more so when it’s main characters are prevalent throughout. We, as the audience, need to see these characters go through change, they can’t stay as the same person the whole time. They can have certain characteristics and arcs that remain as we watch their journey but when characters go through situations, like real life, they don’t come out the other side as who they were before. We as humans change everyday, I am not the same person I was last week. Of course, not in a drastic way but events change us, we develop. So when we watch programmes we expect to see similar changes in characters. 

And we do. Throughout Line of Duty we see our main characters, Kate, Steve and Ted, put through many events, some major, some not so. They are often put in danger or will be witness to catastrophic moments: Kate and Steve were present when Tony ended his life, Kate was present when Dot got shot, she was also present when Danny got shot. I could go on but you get the point. We’ve seen our characters go through a lot so we should expect to see their development. I shouldn’t expect to see that Kate remains fairly the same between Series 1-5. 

But let’s dig into that more. Kate is a strong, steely, kick-ass character. She doesn’t put up with things and isn’t afraid to tell someone when they’re in the wrong - she has quite happily pulled Ted up on his wrongdoings over the years. We see Kate in numerous undercover operations, we know that she is an expert at hiding her true feelings as a result of that. She can manipulate people into giving her information and she’s very good at playing on their emotions - but this only occurs under the guise of being a UCO. 

Kate follows a set guide when she becomes a UCO and we see this throughout. I find that she is pushy, never letting her questions up when she hasn’t been given the answer she wanted. She earns their trust by offering her support and being emotionally available for them (some more than others). One particular thing that she always does without fail is slate AC-12 as a means of gaining trust. Everyone she goes undercover for are under the watchful eye of AC-12 so she must show that she has nothing to do with them, that her aliases: Flynn, Foster, Francis, do not side/agree with the actions of AC-12 - this is excluding the first series where we see her using her real name Kate Fleming but she still sticks to the idea of bad-mouthing AC-12 to earn trust. Some examples over the show being: 

“AC-12, they’re robots them lot. They don’t get the difference between a corrupt officer and a decent one who made a mistake.” - To Tony Gates in S1E3

“AC-12, they twist everything and make everyone look guilty.” - To Lindsay Denton in S2E2

“You know what they’re (AC-12) like, fishing for inconsistencies. Anything they can pounce on.” - To Jackie Brickford in S3E3

“AC-12 leaving with their tail between their legs.” - To Roz Huntley in S4E2 - this is more telling as this scene actually takes place in front of Steve and in E3 she does it again, going as far to call Steve a “wanker” in front of everyone. 

The only time we don’t see her using this tactic is in S5, because she has no reason to - she’s not undercover at any point so she doesn’t need to gain anyone’s trust - and in S6 where in which she actually uses her knowledge of AC-12 to reassure Jo. 

“I know the kinds of cases that AC-12 are into, boss.” - In S6E2. She’s not trying to distance herself from AC-12 she’s trying to show Jo that she doesn’t have to worry about anything since “It’s just the way AC-12 operate.” - You could argue that she has no need to bad mouth AC-12 since Jo is fully aware of Kate’s connections to anti-corruption though. (She does also mention that she got “fed up of nicking coppers,” but this is in relation to her own personal feelings rather than AC-12 itself). 

But that doesn’t mean to say she doesn’t slate AC-12 at any point during S6, it’s just that she does this directly to Steve, “You spend too much time on anti-corruption, it starts to change the way you see things.” This shows that despite, in a way, defending AC-12 to Jo she doesn’t particularly side with them and feels very strongly about her reasons for leaving them in the first place.

All this is proof that Kate will go to a number of lengths to keep her cover, appearing to hate AC-12 and people that she trusts just to get close to the people she’s investigating. And she does this fairly successfully, she manages to pull the wool over their eyes - to an extent - and proves that she is a good officer, she is good at cutting off her emotions for the sake of the job. As Dot says to her in S3E2 “You’re a brilliant liar that’s all. Kind of unsettled me,” and Lindsay says something very similar to her in S2.

Kate is a master manipulator when it comes to her undercover operations, okay she isn’t always successful and has had her cover blown a number of times but they’ve always ended up being worthwhile and they manage to bring down the person that they were investigating. It shows that she is very good at her job. And her ability to control her emotions so well, really go against this stereotypical idea that women aren’t in control of their emotions, which isn’t a bad thing. 

We instead see this trope throughout Steve’s character - and Ted to an extent. Where Kate can take control of a situation and push her emotions to the side, Steve isn’t as successful in that department. He is an extremely emotional person and often lets those emotions get in the way of his job. For example, his anger and frustrations towards Tony Gates in Series 1 meant that his vision was clouded and he couldn’t see the wood for the trees, similar to his dealings with Dot -  both occasions needed Kate with her lack of emotions and clear vision to help him. 

Whilst I think it’s good that Jed is challenging these stereotypes and telling us that men can be just as emotional as women, and women can be closed off and cold - even the fact that Kate is a mother and she remains so steely is very telling - I don’t think it always works. I love that Kate is the resident heroine in Line of Duty, she’s always there to save the day and that’s great. But that doesn’t mean she can’t show emotion and that doesn’t mean she has to be so closed off all the time. We see in glimpses that this emotional side to Kate does exist however, after she hears Ted slate Dryden for having an affair with Lindsay (it’s an unknowing attack on her own situation), when she gets locked out of her house and most notably during S6E6 - there is a lot of emotions at play so there is a lot to talk about for that particular episode. 

With that being said, Series 6 does delve into this emotional side to Kate - with Jo being integral in bringing about that development. Unlike the previous series, this one perhaps focuses on Kate the most, showing her in a different setting through MIT and showing her making genuine connections with people outside of AC-12. 

When we have seen Kate outside of the realms of AC-12 it’s only been through her undercover operations, where she is having to pretend to be another person to get information out of others. But finally, in Series 6 we see her perhaps being her most true self. This is shown through the change in her wardrobe, she’s wearing clothes that she hasn’t necessarily worn before. I could go deeper but people have already done that and could explain that much better than I can. But to put it into simple terms, her wardrobe for Series 6 is vastly different from her wardrobe throughout Series 1-5, right down to the shoes. 

(Won’t go off on a tangent too much but one thing I did notice was the fact that throughout Series 1-5 Kate, most of the time, wears heeled boots - on occasion she can be seen sporting trainers or flat pumps but it’s rare - but in Series 6 she starts wearing flat, doc-style boots and can be seen wearing them, along with other flat shoes through the series. Up until that meeting between her and Jo and she’s wearing her heeled boots again - no doubt symbolising how the events of this meeting cause Kate to almost cut ties with Jo as she returns back to AC-12. She continues to wear these heeled boots through the next couple of scenes but returns to the flat ones she’s been wearing this whole time when she goes to save Jo - symbolising that yes she’s letting Jo go but she’s still on her side despite everything.)

Series 6 Kate stands out from what we’ve seen of her from the other series - she seems genuinely happy. She’s able to be herself, not having to pretend. Not having to manipulate others for information or form false friendships. Instead, she forms a close, emotional bond with Jo Davidson and there are many indicators that this is real and genuine and not Kate “pretending” as Jo so aptly put it. 

From the first episode it is very clear that Jo and Kate are close, the first time we see Kate in this episode the two of them are flirting with each other - in front of their team as well. 

“Don’t think I didn’t notice DI Fleming skulking in last minute like the dirty stop-out.” 

“Don’t go there, boss, glass houses.” 

It’s showing that Kate has settled into this new team and new dynamic and is very comfortable. Further pushing this sense of casualness that has been set up between Kate and Jo is in a later scene when Kate comes into Jo’s office and Kate is leaning on the back of the chair next to Jo’s desk.  

When we usually see Kate in a scene with a senior officer she can be seen doing the typical ‘stand to attention’ and the fact that she isn’t here is very telling. She also goes on to say in this scene “I haven’t shared this with anyone else, boss.” Telling us that there is a level of trust that has already been set up between these two - Kate doesn’t need to earn Jo’s trust, she already has it. 

This is very different to how we’ve previously seen Kate, she usually has to earn people’s trust: 

“I just want to help sir,” “Just give me the chance to prove myself to you,” “I’m here if you need to talk,” “If you need my help, just ask,” “I could make it disappear.” - Various phrases she said to Tony Gates throughout S1.

“Anything I can do boss?” Along with telling Lindsay that she’ll say that she was with her the night Lindsay’s neighbour alleged Lindsay attacked her during S2 and turning up to Lindsay’s apartment with a bottle of wine - trying to form a friendship. 

“Thanks for letting me in on this, ma’am. Look, I know we’ve had our differences but, for what it’s worth, I don’t think they’d have replaced you as SIO if you were a bloke,” to Roz Huntley in S4 - she’s also very good at working out how to get to people. She knows that the lack of female diversity and patriarchy is a weakness for Roz so Kate plays up to that (although how much of that is Kate pretending is another story but will get into that later.)

The only time she doesn’t use this ‘buddying up’ tactic is in S3 where she takes on a whole different approach with the ‘MOB.’ Where she had been previously seen, with Tony and Lindsay, to play nice to the people she’s investigating, to earn their trust, in S3 she almost aggravates them. She’s straight in there with questioning them and probing them so that they’ll crack - but I think she also knows that they’re weak, they don’t have that close a bond so if she pokes them enough someone will break away. 

But we don’t see this set up between Kate and Jo, we are thrown into an already established and trusted connection which is done on purpose to show that Kate and Jo have been close for a while prior to the events of S6. Further emphasising this, is Farida’s accusation that Kate and Jo are having an affair - it’s not said without reason. We see repeatedly throughout the time that Farida is in MIT, she is keeping a watchful eye on the interactions between Kate and Jo and it’s enough for her to suspect a relationship/affair. 

What is most interesting however, is the fact that this is the first genuine female connection that Kate has had on-screen. Of course, we became aware of her friendship with Jayne Akers but Kate was also sleeping with Richard, Jayne’s husband, so it couldn’t have been that close of a friendship. We also see a glimpse of a friendship between Maneet and Kate but it’s never delved into enough to make it relevant. 

This is the first time we’ve seen Kate work alongside a fellow female officer and have their connection be something that is real rather than faked - I think this also plays into a lot of Kate’s confusion surrounding her feelings towards Jo. Is her connection with Jo related to the fact that they’re both women who have had to work their socks off to get to the top or is it the fact that there is something deeper bubbling under the surface between them? 

Whatever it may be, there is a strong level of trust between Kate and Jo that sets them apart from all of Kate’s previous UCO interactions. Where she would normally have to dig for information from people, asking leading questions etc, Jo gives Kate information freely (obviously this is done on purpose on Jo’s part since we later find out that Jo wanted Kate on the team to solve the case and henceforth free Jo from the clutches of the OCG). All Kate has to do is ask if Jo is okay and boom, Jo opens up - not totally, but enough to emphasise the trust. 

This is a completely new dynamic for Kate, yes she’s close to Ted and Steve but even then there’s a professional distance set between all three of them. They know hints about each others lives but they don’t know everything; it wasn’t until Mark phoned Steve in S2 did he find out about Kate’s situation. And it isn’t until the last episode of S6 that Kate finally learns about Steve’s painkiller misuse. They are friends and they are close but there’s a small wall between them. But Jo is the one to break that wall and invites herself into Kate’s personal life via the small dates we see them on and Kate wanting to see Jo at the weekend outside of work. 

It’s not just a new dynamic for Kate but also a new dynamic for the audience. The only consistent friend Kate has had across the show is Steve, we see them leaning on each other in a sense and going out to the pub or for takeaways. We see that they’re close (even if they don’t necessarily reveal everything about themselves) and now all of a sudden, we are seeing Kate meeting up with someone else. Talking to someone else, having a friendship with someone else. And it’s nice. Kate deserves to have someone else outside of Steve and outside of AC-12, it hints that she’s able to have a life outside of her work. 

Note: Steve’s “Do you see a life for yourself outside the job?” In S2. Jo is proof to Kate that she can exist outside of her work. 

But now that this trust has been set up between Kate and Jo, we then delve into the moral dilemma that Kate is thrown into once Steve asks her to become a CHIS on behalf of AC-12. 

“Great. So either I’m accused of being a traitor or I become one to avoid being accused?” 

She doesn’t want to be stuck in the middle because she has loyalties to both parties. The trust formed between herself and Jo showing that she wants to stick by her but there’s still trust between her and Steve despite there being distance - this is told through her clothing later on (as pointed out by wecantseeyou here) and also by the fact she doesn’t strictly tell Steve she won’t do it, rather that she will think about it.  

Returning to Kate’s relationship with Jo and what solidifies the bond that has been set up between them is that scene that takes place at the end of the first episode. We see Kate watching as Buckells is laying into Jo about her decision to not charge Terry Boyle. Kate appears to be the only one watching, or at least the only one that cares enough - shown by the fact she follows Jo out when she leaves the room. If this was undercover Kate this would be something we expect to see, she would use this as an opportunity to swoop in and provide emotional support. But Kate isn’t undercover, she’s going after Jo because she genuinely wants to see if Jo is okay. 

She doesn’t ask Jo about what Buckells had been having a go at her about, she only asks “Boss, you okay?” - that’s the first one and Jo delves into the reason she had become so upset/why Buckells was having a go. This wasn’t something Kate asked about but she lets Jo talk and get it off her chest. As Jo goes to leave Kate then asks again, “Boss, is everything okay?” She wants to know how Jo is feeling within herself, why else would she ask twice? Kate is interested in the welfare of Jo, not in finding out the gossip of what was said in that room. 

What happens next is monumental and this is where Kate’s confusion really begins. Everything that happened between Kate and Jo before (dirty stop-out scene, talking at the same time etc) could all be passed off as them having a close friendship, nothing more. But there is a shift in this scene that pushes their relationship in a different direction - the music playing in the background only emphasising this.

Kate’s reaction to this moment is very telling, the way she looks down at their joined hands, she knows how it would look if someone seen them now; it’s not exactly how colleagues act around each other is it? We’ve not seen her form a romantic connection with a colleague (you could maybe argue Dot but it wasn’t set up in the way Kate and Jo have been set up) let alone a woman so this is all new territory for her but it is definitely romantic and this is the shift towards that. Kate’s panicked look towards Jo as Jo is leaving, she knows that something deeper is going on between them from this point on.  

Before I continue with Kate and Jo’s relationship I have to talk about that scene between Jo and Buckells and why it’s so important that Kate is the one watching that interaction and why she is the one to comfort Jo. I have said in a previous post about how there are many parallels/similarities between S4 and S6. I also said that it wasn’t necessarily related to Kate’s character but it absolutely is the more that I think about it. 

Series 4 heavily plays on inequality within the police force, how women are at a disadvantage to men when it comes to getting promotions and what not. This is portrayed through Roz Huntley, her frustrations being that she is now having to work extra hard to prove herself after returning to work from being a mum - this coincides with Hilton blackmailing her and putting the pressure on her to close the case. 

Now although Kate goes undercover to investigate Roz, they do bond over one thing: they are both women who are striving to be the best. Kate throughout S4 is persistently undermined by Ted, yes she gets a promotion to DS - something that Steve gets rather jealous over - but even after passing her inspectors exam and being more than capable of being a DI, Ted still turns her down, telling her that it was more than likely going to go to Steve since he has more experience. 

Kate is visibly hurt by this but does well to hide it. This moment in particular we can see that Kate is feeling isolated, she’s put on her own in the lift, pushed to the back of the frame, she holds herself - a visual representation of how women often feel in a male dominated workplace. This is no dig at Steve (it is, sorry) but Kate is a much more capable detective than Steve. Kate even swiftly points out how Steve’s attempt at an undercover operation had landed them in court. He’s not a bad detective, he is an extremely good one and does the job well but in comparison to Kate, he doesn’t match up. But simply because Steve is a man he gets a better chance of promotion before Kate - or at least that is how it appears. 

This brings me back to my earlier point of when Kate uses something Roz feels strongly towards and sides with her to gain her trust. But I don’t think this is Kate necessarily pretending, it’s convenient to have the topic come up but I do think it’s also something Kate feels strongly about. She’s just experienced first hand what it feels like to be on the receiving end of inequality and in a way, despite being there to investigate Roz, she does share her feelings on this issue. 

There is a defensiveness to Kate’s tone in this scene between her and Steve:

“It’s a crucial item and any irregularity…”

“Is something to throw in Huntley’s face?” 

“This isn’t personal. She’s at the centre of everything, I just want to get the truth.” 

Obviously Kate’s opinion on Roz does turn back to believing/knowing Roz is guilty but for a brief moment it appears she takes the view that AC-12 might just be investigating Roz simply because she is woman who made a couple of mistakes. We also go on to see Roz and Kate having a confrontation and sexism comes into play, with Roz lowkey telling Kate that she is worth more: 

“How old are you Kate?” 

“31.”

“I’ll tell you about my road to 31. I’d been a DI two years already. Then, I made life choices in the best interest of others. Not in my best interests, at all, as it turned out. And from what I know, you won’t make that mistake. You’d give up anything to get to the top. But despite all your ambition, you find yourself on the wrong side of the line.”

“What do you know?” 

“That you’ve got a son you barely see. Hardly holier than thou.” 

(Remember Roz’s “You’d give up anything to get to the top,” it’ll be important later).  

These words get to Kate because she knows they’re true. She is an ambitious woman who keeps getting knocked down simply because she is a woman. And the fact that she has given up her life with her son in order to pave the way for her career and yet it still hasn’t paid off clearly annoys her. She might not like Roz but they do agree on this. 

Something else that Roz brings up in her series is something that was mentioned briefly by Steve, Kate and is later mentioned by Jo - bringing in the link there. The something being The Masons. We first hear it in S3 in reference to Ted Hastings and Patrick Fairbank. And since Fairbank ends up being corrupt I think it’s fair to say that The Masons now = a form of corruption. In the same series Kate goes to meet a female AC-3 officer in order to request permission for an undercover operation, said officer goes on to say “Because I’m a woman, I can’t be a Mason,” this further solidifies that The Masons are synonymous with corruption. I mean, they are an organisation that exclude women from high ranking positions and get away with it. The fact that Kate seeks authority from a different, female officer because she knows that The Masons are technically a corrupt organisation is very telling of how she feels towards them. 

Roz accuses Ted of being a Mason and henceforth explaining that that is why he is always more interested in investigating female officers and why there is a lack of diversity within AC-12. This is a play on Kate since she had just been turned down the DI role in favour of Steve - and I think it’s fair to assume that Ted then only gave that position to Kate later because of what Roz revealed in that interview, and if he didn’t put a female officer in a high ranking role after what he had just been accused of, it would’ve looked bad on him. Which is really rather annoying to be honest, Kate should’ve got that role because she makes a good DI not because Ted got called out on his bullshit, but we move. 

In S6E3 Jo says to Kate about Buckells employing Ryan: 

“Family friend or something, probably got a nudge down at the Masonic Lodge.”

Now that one line was enough for Kate to know, at the time, that Jo wasn’t ‘bent,’ since she had just spoken out against a form of corruption. Jo had shown a dislike towards the idea that Ryan got a job on merit for simply being a man and that gives Kate ammunition to go after Buckells and find the evidence that would prove Buckells is corrupt. The fact he does end up being ‘The Fourth Man’ further pushes the idea that The Masons = Corruption. 

So Kate witnessing Buckells laying into Jo is another reason for Kate and Jo to share a bond; they’re both women in a very male dominated workplace who are more likely to be subjected to bullying by fellow male colleagues. If we do get another series I wouldn’t be surprised if it digs into The Masons and that form of corruption. 

In summary, Kate feels very strongly about inequality within the workplace since she is always undermined by her male colleagues and it wouldn’t surprise me that if half the reason why Kate feels so comfortable within MIT is because she’s working alongside a woman and she isn’t undermined nearly half as much. 

See: Jo’s constant, “That’s a good point, Kate,” “You’re right, Kate,” as opposed to Ted’s constant, “Steve’s right, Kate.” 

Back to Kate and Jo’s relationship. The shift in their relationship post that corridor scene becomes more obvious as it is from that point on where Kate starts to defend Jo to Steve:

“For Christ’s sake Steve, she’s my gaffer, you want me to rat on her?” 

And that moral dilemma comes into play again as Kate warns Jo that AC-12 are going to storm MIT and seize files. Kate isn't happy with what she’s done, you can see that from a mile off but she knows that she needed to do it since her loyalty now lies with MIT and she needs to protect the case she and her team are working on.  

I also think it has something to do with what she previously says to Steve:

“You know what it’s like being ex-anticorruption. I’ve had to work my bollocks off with them lot.” 

She knew that if she didn’t warn Jo about AC-12 then her whole team would turn on her and accuse her of being undercover/colluding with AC-12 when she isn’t (necessarily). And we’re back to the point she raises to Steve about her being seen as a possible traitor. 

We later see the first ‘date’ scene between Kate and Jo and much like how we were thrown into Kate and Jo’s relationship/closeness, we are thrown into this scene. We assume they’ve been there for a while and they’re in the middle of a conversation when we join them. And Jo is leading the conversation, she is talking freely whilst Kate is listening - once again, there’s a lot of trust between them. 

What is striking in this scene however is the parallels to a similar scenario between Kate and Tony in the first series. Context is different since that meeting is arranged as a means for Kate to dig for information from Tony whereas with Jo, it’s a chance for Kate to be a ‘sounding board’ as she puts it, she’s being emotionally available for Jo. But there is something that really stood out:  

Kate’s reaction to both being very different. With Tony she makes light of the situation whilst with Jo she doesn’t say anything, just simply nods her head. It’s all explained when given the context, she’s undercover with Tony and rule number one is to not form too close a relationship with the person you’re investigating as it could jeopardise the case she’s working on, so she has to keep it impersonal. But she puts it in a way that shuts down the allusion but doesn’t give anything away. 

Her reaction to Jo, on the other hand, is striking. She nods, not saying a word. She wants to call her Jo, she wants to cross that boundary and there is nothing stopping her from doing that so she can agree to it.

But whilst we’ve brought up this parallel we might as well look into other parallels concerning Kate’s relationship with both Tony and Jo. Tartan grey suits aside, Tony and Jo are quite similar, they were both groomed by Tommy Hunter - Jo in a much deeper and longer way but the point still stands. Tony was the one to introduce Tommy into the show and Jo was the one to take him out - not in a literal sense but she revealed the most information that would shut down the era that could be deemed as Tommy Hunter’s era. Both Tony and Jo form a close relationship with Kate, Jo’s being more genuine whereas Tony’s is faked and all smoke and mirrors. 

The proof is in the pudding here:

It’s awkward and unwelcome. Vastly different to this scene: 

Jo and Tony are perhaps the only two of the ‘bent coppers’ we see that don’t really do anything - at least nothing drastic like murder anyway. Out of all the ‘bent coppers’ they’re the most innocent. The fact that they both have connections to Ryan Pilkington as well is very telling. But I won’t go into it too much since this is about Kate. 

The difference between Kate’s relationship with Tony and her relationship with Jo is that it is made very obvious that she doesn’t like Tony. She shows no sympathy towards him at all when talking to Steve in private - once again proving how good of a liar she is since that isn’t given away in the slightest during her scenes with Tony. Jo, on the other hand, she is very fond of, even after Jo lures her to the lorry park to be murdered Kate is still defensive of the woman and still, in a small way, takes her side. 

That being said, of both relationships there are assumptions made. Nigel makes the dig “Her cover wasn’t the only thing she blew, ask Tony,” and Farida’s “Smart money’s on Kate Fleming,” to which Jo replies, “Kate and I have been shagging on the sly for months.” 

Now what would’ve made a REALLY good parallel between S1 and S6 would’ve been this conversation between Steve and Kate:

“He saved my life.”

“He put you in danger in the first place.”

A wasted opportunity there considering how many parallels there have been between these two series with all the callbacks to old characters and little references that have been made. It would’ve made the parallels between Tony and Jo even greater; Tony lured Steve to be murdered (note how Ryan is present there also) but ended up saving him and Jo lured Kate to be murdered but ended up saving her by taking the blame for Ryan’s death. It would’ve made for a very good reference. 

Moving back to the ‘date’ scene between Kate and Jo, I think I’m pointing out the obvious when I say that it has clear romantic undertones, from the lighting to the music that plays underneath - notably increasing as Kate says “Nah, not really my type.” The close up shot of this moment making it even more intimate. 

Then we move onto Kate being the one to ask Jo around for the weekend, which Jo initially turns down and Kate adds, “Yeah, no pressure,” before initiating the hug that then changes Jo’s mind. We have not seen Kate in this situation before at all. Not in a heavily loaded romantic scene anyway, not even with Richard Akers. There was a sense of a deeper connection with Richard, they were sleeping with each other after all, but it also felt impersonal. Kate would turn up to his house, they’d sleep together, they might have a small scene together afterwards and then Kate would leave. We didn’t even see them kiss. They were just two lonely people, stuck in a loveless marriage wanting to feel something that they were both missing in their relationships.  

But there’s an intimacy that’s been set up between Kate and Jo, this is more than just a friendship and it’s coming from both parties, with Kate being much more explicit about it than Jo; offering drinks, seeming happy that Jo turned the two men down and then asking to see Jo more - this is all Kate. But it’s not in the pushy way we have seen with her when it comes to her UCO’s. She’s not digging for information from Jo she just wants to love her. 

They also reveal their relationship status to each other in this moment, “It’s Mark’s turn to have Josh this weekend,” “I’ve just come out of a long term relationship.” If that isn’t screaming that what is happening between Kate and Jo isn’t just friendship then I don’t know what is. 

We then have Kate watching Jo as she leaves, there’s a pensive look on her face. She’s just crossed that boundary, she’s all but asked to spend the weekend with Jo and then followed it up with a hug. She’s made the first move and is clearly nervous about it. The romantic music continues under this and it sounds hopeful/happy. A stark contrast to how the show usually feels so the fact it’s playing up to this and taking the time to set Kate and Jo up shows that it’s important - the show doesn’t focus too much on personal lives. And because of that, it only signifies more, how annoying it is that these two got dropped to subtext after having it be so obvious. 

And with such focus on Kate in this moment it show it’s integral. Kate is finding herself in a position that she has never been in before and because she knows that AC-12 are now investigating Jo, it only worries her more. She might think that AC-12 are wrongly investigating Jo but there’s always that chance they could be right and if they are, then her professional integrity is going to be questioned for the first time. She’s finding herself in a position that is usually filled by Steve. And Kate is highly judgemental of Steve in that department. 

Then we have this scene in the third episode: 

This is their first sort of argument and Jo has pulled Kate up on her interviewing techniques, telling her that she was too harsh and that she’s “gotten used to nicking coppers.” It bothers Kate, she taps her foot, ponders for a moment and then follows behind Jo. She knows Jo’s right and we know this because she says to Steve in the next episode “You spend too much time on anti-corruption, it starts to change the way you see things.” 

She’s actually taken something that someone has said to her on board. This is rather unusual for Kate, who is extremely stubborn and isn’t a fan of people criticising her (but will happily criticise others - Kate really is the epitome of AC-12 isn’t she?) But the fact she listens to what Jo has to say and it changes her in a sense just goes to show how much she really likes Jo and she wants Jo to like her and also shows how much change Kate has gone through in just the first three episodes of S6. 

I am still trying to figure out why Kate made the decision to follow the patrol car but then I suppose it can be easily explained if you think of the fact that Kate will never be free of AC-12, no matter how hard she tries. Kate is AC-12 through and through, she is so deeply embedded in it she will never get out - it’s a stark parallel to how Jo is in a similar position in regards to the OCG. Going to be ~controversial~ here and say that I don’t think AC-12 makes Kate happy. It’s her home, it’s where she feels safe but it isn’t what makes her happy. S6 is, perhaps, the happiest that we have seen Kate. There were small hints throughout S5 that Kate no longer enjoyed working as a UCO/for AC-12, a number of quotes alluding to that, S5E1: 

“She couldn’t stop the hijack but the best she could do was limit the loss of life.” 

“Oh Christ I’ve been there. The lies, the fear. Got only knows what she’s going through.”

S5E2:

“Look Kate…Corbett’s embedded in a group of hardened criminals who’d execute him if they discover his true identity.” 

“I’ve been there, it’s not nice.”

S5E2 again:

“(About UCO’s) Ask her. She was undercover. Perfect job for a selfish arsehole that don’t give a toss about his own family.”  

“Look what Corbett’s missus said about undercover work, that was never you.”

“Thanks Steve, but she was right.” 

All that does is hint that it wasn’t just Ted’s betrayal that pushed Kate to leave AC-12, rather it being the last straw and it giving her an actual reason to want out. 

She does, however, go back to AC-12 in the end because she has nowhere else to go and her job is her life. She’d rather sacrifice her happiness to keep her job and to keep doing what she’s doing.

When she returns to AC-12, for the first time this series, she hits us with the “My first duty as a police officer is preservation of life, sir. That’s why I’m here.” Her job always comes first, above everything else (it’s half the reason why her marriage broke down). Other examples of this include this moment from S2E6:

“I was undercover with Denton, and I blew it. And now we’re blowing the whole case. I need to close this, Steve, or I’ve got nothing.” 

And in S5E6:

“I’m just calling it as I see it, Steve. The truth comes first…I’m not going to sit around and wait for a kicking off the gaffer or Carmichael when there���s police work to be done.”

Kate is highly committed to her work and will stop at nothing so she can complete it; no matter who she might be investigating/building a case upon. This causes her to come across as callous and cold but this is Kate. Her job is her life. And honestly, out of all three of the main characters, Kate is probably the straightest. The only thing coming to mind about this not being the case would be the concealment of her relationship with Richard Akers but even then, it wouldn’t have effected the case too much since Jayne and Kate never had that phone call. This idea that Kate is the straightest out of all three of them does change in S6 however, since she is the one to shoot Ryan and she lets Jo take the blame for it. But despite that, Kate still continues with her holier than thou attitude which we’ll delve into more later. 

I know I keep switching back and forth between Kate and Jo’s relationship but Jo really is integral to this development in Kate that I can’t not talk about it. There’s further proof that Kate is more interested in the welfare of Jo rather than wanting information out of her shown via this scene:  

Kate can be seen listening to the conversation between Jo and Steve but it isn’t until she hears Jo’s voice falter after hearing about Farida in prison does she then turn to look over at Jo. It peaks her interest and it explains why she brings up the topic of Farida at their next ‘date.’ 

“Look boss, I, uh, don’t want to speak out of term but…well, (Farida) claims that you two were close.” 

She’s not asking Jo a question here which is interesting. UCO!Kate would ask the question, she knows how to work people to get information out of them if she needed to. But she leaves this opened ended sentence that gives Jo the option to answer if she wants to (you could argue that since she knows how to work people then this is her way of working Jo but it doesn’t ever come across that way in my opinion). And she doesn’t, but this doesn’t necessarily bother Kate, at least not enough for her to push another question on Jo. 

“I imagine everyone’s got off on that little scenario. No life of their own so they pick holes in someone else’s. Especially if you’re a single woman.” 

“Yeah tell me about it, all it takes is a short haircut.”

Typical Kate to make a joke in this situation, it’s very much in character (made me think of her making a joke about putting Lindsay’s cat Bella into an evidence bag). The light joke doesn’t go down well with Jo and it causes her to back off. But we must remember that this is Kate’s first proper female friendship, we’ve only seen her in male dominated groups and she’s used to their way of making jokes. Prime example of that being half the jokes made by Dot and Nige during the first series, hardly stuff you want to hear but unfortunately it’s true to life. Being used to that sense of humour meant that Kate didn’t see much wrong with what she said until after she notices that Jo closes herself off: 

“Whatever you’ve heard Kate, it’s wrong. Farida’s a liar. That’s not me.”

“Okay.” 

Kate knows it’s a lie but doesn’t push it. Her obvious confusion is pointed out when Jo leaves the room: 

I can’t tell you what’s going on in Kate’s head but it’s probably a mixture of wondering why Jo had gone so cold on her suddenly, if she had said anything wrong and if everything that has happened between them in the past three episodes has been all in her head? 

But what happens in this scene and what is spoken about isn’t necessarily subtext. Okay they don’t actually say the word ‘lesbian’ or ‘bisexual’ it’s more alluded to. But this is a very obvious and deliberate conversation about Jo’s sexuality/Kate trying to figure out her own and wanting confirmation from Jo that she hasn’t just been imagining it. It’s done on purpose because they’re setting Kate and Jo up to go on that route - and once again, this is what makes it so annoying that they did get dropped to subtext by E7. They had painted a very clear picture in the first couple of episodes - Kate and Jo are falling in love with each other, it’s a doomed love story but it’s still a love story. 

Despite Jo being hurt by Kate’s not very well thought-out joke, she still carries a lot of trust in Kate by the fact she leaves her belongings on her seat. This seems minimal and unimportant but it rules out the idea that Kate was asking about Jo’s relationship with Farida for more information, from a case POV. If she had been and if she was interested in finding out if Jo really was as bent as AC-12 are making out then she would’ve seized that opportunity to take a look through Jo’s bag (we see her debate that opportunity when Tony leaves his phone behind after their drink at the pub in S1, but before she has chance to he’s already noticed he’s forgotten it and takes it back). But Kate is too busy wondering why Jo had lied to her, once again showing that she’s interested in Jo from a relationship standpoint. 

One thing I do love though and just from this alone we know that Kate and Jo are genuine is the fact that they bond over their hatred for Ian ‘what a twat’ Buckells: 

“I hope he’s going to give credit where it’s due.” 

“How do you mean?” 

“You brought Ryan onto the team, boss.”

“Not me. That was Buckells’ idea.”

I’m not going to underestimate Kate in this moment however because she does pull a very clever move. She doesn’t ask outright but she is able to get an answer to a question she might have been asking. Steve made a dig earlier on in the episode about how Jo may have employed Ryan onto MIT herself, allowing Ryan to interfere with the Gail Vella files. Kate doesn’t play up to that accusation but you can see that she keeps in mind, she doesn’t want to believe that Jo picked Ryan on purpose but there is always the chance that she has. So, she uses this opportunity to find out if that was the case. Knowing now that it wasn’t, she’s reassured and she feels more confident in defending Jo as we see in later episodes. 

And as previously discussed, Kate starts looking into Buckells after Jo’s quip about the Masonic Lodge. And once she gets all the information she needed she then takes it to Jo and we get this line: 

“I knew you’d come through for me.” 

There’s a perspective change, we’ve seen before how Kate actively pushes how she will be able to do something for someone in order to gain their trust, “I’ll make it disappear,” in S1 and once again, telling Lindsay that she’ll say she was there that night of the ‘alleged’ attack on Lindsay’s neighbour. But she doesn’t investigate Buckells on Jo’s behalf, or because she wants to gain Jo’s trust. It’s quite ironic really isn’t it? She’s always tried to gain trust from these ‘bent coppers’ by offering to cover their crimes - which they never take her up on to be honest - and then the one time she does something off her own back and without any of those intentions, she does - sort of - cover for a ‘bent copper.’ But as we know, Buckells does end up being bent so Kate wasn’t in the wrong to look into him, just a shame they never clicked on to his deeper corruption sooner. 

And then Jo follows up with the line: 

“I needed someone on my team I could trust completely. Someone with no chance of being bent. Who better than an ex-anticorruption officer?” 

Oh if Kate only knew the deeper meaning of that line at the time. But in the same way as The Mason dig Jo makes, this is confirmation to Kate that Jo isn’t bent and AC-12 have got it wrong. If Jo was bent, why would she encourage Kate to flush out the corruption? 

It isn’t until Episode 4 where we actually learn more about Kate’s reasonings for leaving AC-12 and it comes at no surprise that it is due to Ted’s indiscretions during S5. But what is surprising about Ted and Kate’s conversation is that Kate doesn’t hide her true feelings and tells Ted the truth: 

“You made your choice to move on, and I know that the disciplinary action against me was definitely a factor. It put you and Steve in a really difficult position.” 

“Yeah, I’m not going to lie.”  

But considering that Kate isn’t all that shy being honest in front of Ted it’s not that surprising. But given it is a tender, emotional topic for Kate I suppose you’d normally expect her to hide away her feelings but it’s quite nice that she doesn’t. She wants Ted to know that she hasn’t totally forgiven him for what he’s ‘alleged’ (at the time) to have done. 

And then we get the conversation between Kate and Steve and we get Kate’s second defence of Jo. And this time it is said with more confidence because she’s witnessed key moments first hand that have confirmed to her that Jo couldn’t be bent: 

“Without Jo we wouldn’t have got Buckells. Look, you haven’t seen the change in her I have. Now that Buckells is off her back, she’s on the Vella case 100 percent.” 

Typical love is blind moment there, ‘you don’t know them like I do.’ And the fact that she mentions that Buckells has been on Jo’s back for most of the case, is pulling it back to my previous mention of how Kate witnessing the argument between Buckells and Jo is so important - she’s now using it as an excuse to Steve about why Jo may have been lacking in her investigation into Gail Vella’s murder. 

(Just want to drop in and check that you’ve had drink or something, this is about halfway through I think so...continue).

Later on in the episode she’s seen defending Jo again: 

“He’s watching her.”

“Or meeting with her.”

“You got evidence of that?” 

We know why Kate is so defensive, she’s falling in love with Jo and she trusts her completely. But even still, it’s very interesting since she has never defended anyone quite so fiercely - at least not in private to Ted and Steve. 

In S1E5 Steve and Kate have this conversation about Tony Gates: 

“He didn’t kill her.”

“No?” 

It’s short and simple but enough to prove that no matter how much it appeared on the surface that Kate liked Tony it was all faked and she didn’t trust him in the slightest, going as far to say that he was capable of murder. 

We also see in this scene that Steve grows suspicious of Kate’s closeness to Jo (or at least that’s what it appeared to look like at the time and maybe if Kate and Jo’s relationship was acknowledged by Steve then this moment would’ve made more sense): 

There is also another paralleling conversation that Kate and Steve could’ve had in S6 from S1. And once again, this is in reference to Kate’s relationship with Tony: 

“Something happened between you two.” 

“Like what?” 

“Nothing, forget it.”

“What do you want to know?”

“I shouldn’t have asked, it’s private.”

“Yeah, it is.” 

It’s very interesting that all the ‘moments’ between Kate and Tony were all faked on the basis of Kate wanting information between him but because of one comment from Nigel, Steve decided to pull Kate up on that accusation. Yet in S6, despite appearing suspicious of Kate and Jo’s relationship he never once brought it up? You could argue that Steve knows Kate better than anyone and he has learnt not to push her on those topics because she will just tell him to piss off, but, how many times has Kate slated Steve for getting involved with witnesses/suspects? That would’ve been Steve’s perfect opportunity to tear a strip off Kate and say that she is no angel and she’s not protected from falling in love with the wrong people. But alas Jed Mercurio would rather have focused on a straight relationship where one half only appeared in a handful of scenes <3

But back to the ‘You got evidence of that?’ Moment before I get too annoyed, the fact that Kate wants to reveal to Jo about Ryan’s movements is very telling. She wants to protect Jo and she genuinely believes that Jo is a good person/isn’t bent. We see that this trust runs even deeper when she goes ahead and tells Jo anyway despite Ted telling her not to - but she’s clever enough to not mention any collusion she has with AC-12.

“I need to talk to you in private.”

“Something wrong?”

“It’s not personal. It’s work.”

This is the first use of the word ‘personal’ from Kate and the fact she feels the need to state that what she wants to talk to Jo about isn’t to do with them and their relationship is…interesting. A few people have pointed about how the use of personal within Line of Duty could be argued to allude to relationships/love interests - Farida left for ‘personal reasons’ after all - for Kate to use it here and to make that separation between personal and professional shows that Kate and Jo’s relationship runs deeper than being just colleagues. We know that already from how they’ve acted around each other but now we’ve had it explicitly confirmed. 

Ironically though, this is the moment Jo starts taking a step back from Kate in order to protect her. She now knows that Ryan is watching her and if Ryan is watching her then he will be able to see what’s forming between herself and Kate and that puts Kate at the centre of danger. Look what happened to Farida, she was in a relationship with Jo and then she ended up in prison. Worse could’ve happened but Jo did what she could to protect Farida - she used harsh words to hurt Farida and push her away (a similar tactic used by Tony Gates to his wife), but because Farida kept pushing and ended up ratting on Jo, Jo had to take drastic action by planting those burner phones. 

And now it’s happening to Kate but she knows that Kate isn’t Farida and she won’t cave as easily - as we go on to see later on. 

That being said, Kate does give Jo a confidence boost. She tries to get rid of Ryan. But Kate’s support isn’t enough, it’s too late for Jo. But just the fact that one word from Kate gives her enough to stand up goes to show how much Jo has come to rely on Kate and how much she trusts her. 

But as we know, Jo gets threatened by Ryan so Jo does the only thing she knows how to do and that’s to push Kate away. 

She tells Kate to drop her issues with Ryan otherwise she’ll request a transfer for Kate. Kate mouths the word ‘ma’am’ completely unable to use her voice. She’s annoyed and evidently so. But she isn’t just annoyed at the fact Jo has told her that she would get rid of her if it came down to it. She’s annoyed because, in her eyes, Jo doesn’t know the danger she’s putting herself in by keeping Ryan on the team. (Of course we know that Jo knows Ryan and his connections but Kate doesn’t, she’s been defending Jo to high heaven and truly believes that Jo is innocent). Kate has seen firsthand the sorts of things Ryan has been involved in - she doesn’t learn just how much he’s involved until later on but she did see some of things he got up to as a kid and knows that he could be just as dangerous now as he was then. 

You could argue that she’s also annoyed at the fact that she went against AC-12 and people she inherently trusts in order to protect Jo and now she’s just got that thrown back in her face.

And then we move on to the big episodes. What happened at the end of E4 clearly created a rift between Kate and Jo, we see Kate trying to pull Jo to one side but gets rejected, and she’s hurt by that.  

Kate expresses her hurt to AC-12 in the following scene: 

“Jo’s become cold and distant towards me, I don’t know what’s going on in the background.” 

Shows that there’s a distance between them now but Kate is still sympathetic towards her. She doesn’t like that Jo is pushing her out and I think this is when it really starts to click for Kate that something isn’t right. She gets those suspicions evidently confirmed when Steve reveals that Jo’s DNA was found at Farida’s house and henceforth that she’s related to Tommy Hunter. (Also the fact that Kate is using ‘Jo’ here and not ‘Davidson’ as you would expect her to reveals her personal relationship with Jo).

Despite that distance, Kate is still defensive of Jo and still trusts her: 

“You’ve put Jo under surveillance, why?” 

“Our in-depth forensic examination of Farida Jatri’s home detected Davidson’s DNA.”   

Her face the moment she finds out that Jo lied to her about her relationship with Farida is heartbreaking but I think the fact that we see Chloe and Ted’s reaction to this also, is so important. They’re very clearly aware of the feelings between Kate and Jo even if it is never said, and we’re back to being annoyed that Kate and Jo’s relationship wasn’t acknowledged in E7. Everyone was aware of it so why wasn’t it mentioned?!

“Davidson’s DNA is a partial match for Tommy Hunter.” 

…

“I know, from Steve, that you’ve formed the view that Davidson isn’t bent, Kate. But I’m sorry, it appears that she’s pulled the wool over your eyes.” 

And then there’s the explicit confirmation that Steve is aware of Kate’s feelings towards Jo.  

She’s just been bombarded with a lot of information, information that goes against everything that she has believed in/defended for the past couple of episodes. She’s conflicted and doesn’t know what to think. Kate Fleming, who is usually calm and collected and in control of her emotions is now finding herself caught in a moment that she usually isn’t in. And now she’s wondering why she couldn’t see it, why she couldn’t see that something wasn’t right. She’s usually so sharp, quick to pick up on corruption - she spotted Dots pretty early on. But she knows, deep down, she knows and I think that scares her more. 

Kate has always pulled Steve up on his lack of integrity, for getting himself stuck in situations that would cloud his vision and now suddenly the tables have turned. It’s her getting in that situation. It’s her having her vision blurred because of her relationship with someone and she doesn’t know what to do. 

That being said, her trust in Jo is still very much there. It’s why she formulates the plan. She wants to prove that Steve and AC-12 are wrong about Jo, that just because she’s related to the OCG overlord doesn’t mean that she herself is corrupt. But she also needs to prove it to herself, she needs to know that she didn’t get it wrong. That she didn’t let a corrupt officer slip through her fingers because she fell in love. She’s an ex-anticorruption officer, she should be able to spot when a police officer is bent, more so than anyone else. 

She later reveals what her plan had been to prove Jo’s innocence to Ted and Steve, she wants to shout it from the rooftops that she was right about Jo and they were wrong: 

“Only one site was disclosed to MIT officers. However, I took the decision to inform DSU Davidson of all three possible sites.” 

“It’s a big call, Kate.” 

“Well, I believed it paid off, sir. You said yourself the information on Jo’s family history strongly suggests she’s colluding with organised crime, but that doesn’t fit with what I’ve seen first hand. We needed to know one way or another. She had plenty of time to tip off the OCG and she didn’t. As far as I’m concerned that’s proof she isn’t bent.” 

It’s the fourth defence of Jo and is said with even more confidence because now she has evidence to back it up. She knows for definite that Jo isn’t bent and her conscience had been appeased; she didn’t get it wrong.  

And even after all that, after everything Kate does, Ted still hits her with the “Steve’s right, Kate.” She’s undermined yet again. She wants Ted and Steve to trust and like Jo as much as she does because she loves Jo. 

And then we get another hostile scene between Kate and Jo but Kate is still trying to let Jo know that she is on her side, that she has her back, that she has spent months defending Jo’s arse to AC-12 and Steve: 

“I’m telling you the truth, Jo, because I trust you with it.” 

Jo fires back by telling Kate to request a transfer but this has come after a warning look from Ryan. Jo knows what’s going to happen next and she wants to get Kate out of the way before she’s asked the unforgivable, she evens mentions that AC-12 would take her back in the hopes that that would be enough to turn Kate. 

“You’ve been distant with me for days, is this personal?” 

“I’m your senior officer, I should be distant.” 

“I thought we were friends, what’s happening here?”

“So you can tell AC-12?”

“No, I wouldn’t tell them personal stuff.”

And there’s the ‘personal’ again, twice. They’re talking about their relationship, Kate is making it about their relationship. She’s trying to tell Jo that the reason she trusts her so much is because she loves her and that’s something she wouldn’t tell AC-12 because it doesn’t concern them. 

“And as for requesting a transfer, I respectfully decline. I’m not leaving.”  

That is very much in character for Kate, sticking to her true stubborn self there. But she’s angry at Jo because she won’t let Kate help her. Jo is angry because Kate doesn’t realise the danger she’s putting herself in - a nice parallel to the other conversation they shared where the roles are reversed and Jo was trying to help Kate by getting her to drop the subject of Ryan and Kate was annoyed because Jo was blind to the danger she was in. 

Kate’s ‘I’m not leaving,’ does have much more meaning to it than we first realise however. After shooting Ryan, she runs off with Jo - she has no reason to, she was lawfully carrying a firearm and serving her duty as an officer. But she gives Jo the chance to tell her everything, she doesn’t leave her side and does everything she can to protect Jo i.e the car chase scene. She takes Jo’s side despite everything and sticks to her words of ‘I’m not leaving.’

Later on, Jo manipulates Kate, playing on the one thing Kate wants to address, “The personal issues we discussed,” she knows that’s the only way Kate will come out with her (at least, that’s what she thinks). Kate is desperate to explore whatever is going on between them and Jo plays on that.  

And judging by Kate’s hopeful face, it seems to do the trick. Kate’s hopeful face being that she thinks Jo might actually open up to her and tell her the truth, and invite Kate into whatever is going on in her life/head. Poor Kate.  

She knows deep down that something isn’t right but she goes along with it because she trusts Jo so much and I think she truly believes that she’s gotten through to her. 

There is a dilemma going on within Kate here, she wants to trust Jo but knows deep down she can’t because of the AC-12 officer that is embedded in her (Ted’s ‘That’s my officer out there,’ coming into play here). She keeps the gun on her person which shows despite her constant defence, she’s still suspicious. However, she doesn’t phone Steve until after she’s arrived at the address showing that the trust for Jo is still there. Obviously that changes when she realises that the location is dodgier than she probably first thought. 

“Let’s not hang around here Jo, we’d rather be inside with a glass of wine.”

Sticking to her character once again here, trying to be hopeful, trying to be right about Jo’s character. 

“Jo wanted to give you a way out.” 

This line from Ryan is crucial for Kate’s trust in Jo. It may get lost amongst the other, more pressing events, but even just hearing first that Jo tried to save her probably brings her some reassurance in the long run. From this line alone she knows that Jo never intended to kill her and was coerced into setting the scene up. 

“I’ve done my bit. I don’t have to stay here and watch.” 

Jo was only told to ‘get rid’ of Kate. She was never told to kill her. She was the one to entrap Kate but she was never going to be the one to kill her, that was on Ryan. This is another crucial moment adding to the reason why Kate would run away with Jo and give her the chance to talk. 

E6 opens up with Kate being her typical self and taking control of the situation. But even so, she’s struggling. As I’ve mentioned a lot throughout this, Kate is normally calm and collected, she very rarely lets her emotions get in the way of what she wants to do. But there’s no room for her to hide from her emotions here, she hasn’t had the time to compartmentalise them, she hasn’t had the time to process and understand them. And that unsettles her, she wants to take control - and she does as best as she can - but she’s faltering. The person who she loves has just lured her to her death and she doesn’t know what to do with that information.

“You lured me there to be murdered.” 

Confirms that she knows that Jo wasn’t going to be the one that actually murdered her, just that she was the one to lure her. 

“Kate.”

“Didn’t you?”

She cuts Jo off, she’s angry and understandably so. But because she hasn’t had time to process her emotions she isn’t being as cool as she normally would be in a high-stress situation.  

She is really struggling and it’s understandable of course. And then we have that scene:

“I always worried you were pretending.” 

“Pretending?” 

“You know what I mean…to lure me into trusting you.” 

Kate’s ‘pretending?’ Is more offence at the fact Jo felt she had to suggest it - Kate was far from pretending, her behaviour across the series is enough to prove that she is in love with Jo. I also think it’s to do with the fact that Jo had the audacity to ask the question now, of all situations to bring up the topic, Jo could’ve picked a better moment. But Jo doesn’t let up, using Kate’s preferred tactic of getting information out of people:

“You still won’t answer, were you lying to me Kate?”

“This is about you Jo, not me.” 

Deflecting the question that she has every right to deflect, given the circumstances. But she neither confirms nor denies said question - she’s trying to keep control of the situation, she’s trying not to let her emotions get in the way of what she needs to do. She needs to find out the truth, she needs Jo to tell her everything before the law inevitably catches up with them. 

She turns the question back to Jo, asking if she was the one lying, that maybe she didn’t want Kate on the team at all. She then goes on to reveal that she knows Jo lied about her relationship with Farida. It’s coming from a place of anger and frustration and like I said, Kate is well within her rights to feel like that.  

Then we have Kate doing something surprising, she drives away as she hears police sirens. I’ve been trying to place why she was so determined to keep Jo away from the police, to give Jo that chance to explain herself but then all of a sudden, Kate hanging the phone up on Carmichael made it all make sense. 

The moment Steve told Kate that the observations on Jo and Ryan had been pulled as a result of Osbourne and Carmichael, she knew that something bigger was at play here. If Osbourne is the real H/The Fourth Man (extremely bloody likely) and Buckells was just the messenger, then it’s fair to say that it was actually Osbourne who ordered Kate’s death. And if that is the case then it makes sense he would pull the observations off, meaning that there would be no witnesses to the murder. But Kate’s not a stupid woman, she’s worked for AC-12 for God knows how long and she’s been part of the investigation into H/The Fourth man for just as long. She knows it’s someone higher up in the force and that information from Steve told her that something was going to happen at the meeting. 

But upon hearing that Jo tried to give her a way out, she knows that she can trust Jo, that she is just another pawn in this sick game, that she’s vulnerable and in need of protecting/saving. She must guess pretty early on, that it is The Fourth Man that is manipulating Jo and she knows that Jo isn’t going to reveal that in an interview, especially if it is someone high up. So that’s why she takes Jo out of the situation, that’s why she sacrifices her credibility and her integrity, as Ted said Ryan is a ‘sprat’ - he’s not important - she can get more information about the top man from Jo. Kate gives Jo that chance to talk and to prove herself before she is silenced by Osbourne and Carmichael. It helps that Jo trusts Kate and wants to tell Kate the truth. 

And then we have the emotion, oh the emotion:

“Jesus Christ, Steve’s in on it.”

She’s lost control of the situation, she’s lost control of her emotions and everything has just come tumbling down on her. And for a brief moment she feels as though everyone has turned on her: Jo, Steve, Ted, everyone she trusts most in the world and she can’t bear it. I can’t even begin to imagine how utterly alone she must’ve felt in that moment.  

“You bastard, Steve!”

“Stay there, Kate.”

…

“You gave me up! You told them!”

“Kate, I give you my word, I didn’t.”

“That’s bullshit.”  

“I promise you, I’ll get you to safety. Both of you.”

Kate doesn’t comply until after she’s assured that Steve will protect both her and Jo - shows that despite everything she still has a loyalty to Jo and she still wants to protect her. Despite what’s happened she can see that Jo is vulnerable and has been used her entire life, she gets that impression just from the little bit that Jo reveals to her. She feels for Jo, sort of in the same way she felt for Dot but this is on a much deeper level and to be fair, Dot did worse things than Jo. Kate might be an expert at compartmentalising her emotions but she still has a heart - we see it in glimpses across the whole show but it comes in tenfolds where Jo is concerned, as a result of how they’ve been set up. As much as she’s angry and upset and how much she feels betrayed by Jo, Kate still wants her to be safe and protected. Kate knows that Jo has been trying to get out of the clutches of the OCG i.e employing Kate in the first place. Jo holding the gun and taking the blame gives Kate enough assurance that Jo is being true to her word when she says she wanted out/didn’t want to kill Kate. That’s why she wants Jo safe, because she believes in her. 

Being put in that cell on her own now gives Kate the chance to compartmentalise her emotions, she has time to think over the events of the night. She has time to think about her feelings for Jo, the love, the loss, the betrayal. We see that this works, later on when Patricia tells her that Jo had taken the blame for Ryan’s death.   

She’s back to her usual stoic self, emotions cut off. She can’t allow herself to react about what Patricia has told her because it would give too much away, if she reacted then it would make it even more obvious that Jo wasn’t the one who shot Ryan. She can’t even show that she’s relieved or grateful that Jo had taken such sacrifice for her/kept to her word. 

“Are you sure you’re okay? I know nobody’s coming after you over Ryan Pilkington’s shooting, but if you ever need to talk about it.” 

That is not the face of someone who is fine. She’s very clearly trying desperately to push her emotions down, put them to one side because she has a job to do. Jo has given her this chance to solve the case and she sure as hell isn’t going to let her down. 

“Did she say anything about her family history? She told me her dad was a police officer.” 

“No. Never even gave us that much.” 

Proving my earlier point that Jo inherently trusts Kate and was willing to give her more details before they were interrupted. 

“She’s scared, Steve. After what happened to Tommy, Dot, Lakewell, never mind John Corbett.”

“That’s why we’ve got her on the VPU at Brentiss, security cameras monitoring access to her cell.” 

Even now, after everything Jo put her through, Kate is still defending her. She still has Jo’s back and it just makes it even more annoying that Steve doesn’t bring up the Jo conversation to Kate. He has seen Kate defend her this whole series, he knows that Jo lured Kate to her death and now he’s there, listening to Kate defending Jo and worrying over the fact that she’s scared and vulnerable. I know at this point there’s a sense of trust between Jo and Steve (as a result of Kate) and Steve is much more aware of the situation Jo has been in her whole life, he does feel for her and understands Kate’s defence of her. But the fact that he’s not even suspicious of how Kate’s opinion hasn’t changed despite learning of Jo’s collusion with the OCG and almost being killed, just highlights how Jed was so quick to drop Kate’s development, pushing it to the side for the sake of making a political point. 

And here comes the complete reversal of all the development Kate has had across this series, and more to the point, the memory loss she seems to go through. 

“The stuff he’s hiding. I never thought I’d look at the gaffer like this.” 

But she did? In S5 when they were only suspecting that Ted may have ratted John Corbett out to the OCG. She was willing to report it, that was how much she believed it. And now she’s acting as if that never happened? 

“Maybe we should let sleeping dogs lie.” 

“Come off it Steve. How many times have we criticised coppers that’ve took retirement to dodge disciplinary action?”

It’s a valid point and strengthens my previous mention of how she might be the ‘straightest’ out of all three of them. She is the embodiment of AC-12, truth and integrity - or at least she likes to believe that she is. Kate often sits in a place of judgement and thinks of herself as an innocent being that could do no wrong. This is hardly the case, she has made plenty of mistakes and although she hasn’t got herself into the vast number of predicaments that Steve has found himself in, she isn’t exactly free from this sense of ‘corruption.’ It does get pointed out to her on two occasions, the first from Richard Akers, “Holier than thou doesn’t suit you Kate,” and the second from Roz Huntley, “Hardly holier than thou.” 

The fact it’s mentioned twice and is very much the same quote shows that this attitude Kate upholds, is a part of her character. And we see it again with this moment: 

“She’s got a right to know what happened to her husband.” 

“Maybe she already does. She might be blackmailing the gaffer.” 

“Steph? No.” 

“You seem pretty sure…what?” 

“We’ve become…”

“Oh for Christ’s sake, Steve.” 

Before I get into the main issue, I think it’s made pretty obvious in this scene that Jo isn’t the only one Kate is being cold towards, it’s everyone. She’s coming across as very cynical and unsympathetic. But you could argue that this is Kate, she’s almost the stereotypical ice-queen who has no emotions and doesn’t care who she hurts which, if this was pre-S6 Kate I would say is very much in character. 

But this isn’t pre-S6 Kate. S6 has shown the more emotional side to Kate, it’s seen her with her walls broken down, she’s opened up, fallen in love. And I know the events of the previous episode would be enough for her to put those walls up again but surely, if you are going to go to the effort of developing a character you could at least show the change that this development has had on her? 

I would’ve fully expected her to shrink away after what happened, I think that’s a completely normal reaction, even more so where Kate is involved. But given how she has gone through things in this series that she hasn’t gone through before, I would expect a different reaction from her? More emotional or more obvious that she’s trying to hold herself together. But I don’t see that, I just see her back as her S1-5, AC-12 self. 

It’s so hard because it makes total sense for Kate to revert back to her old self, she’s been burned and she’s hurting. But like I said, if she’s gone through this development over the course of S6, it’s set up in a way to make you think that she’s not going to handle this situation as she normally would but she ends up doing exactly that - any development Jed has put her through has now been reversed. 

But my main issue with this scene between Kate and Steve brings me back to my earlier point. Steve is shown to be aware of the possible thing that’s happening between Kate and Jo - little looks when Kate is defending Jo, the fact that Ted mentioned how Steve had been talking to him about Kate’s trust for Jo. 

Now Kate, throughout the entirety of show, has consistently berated Steve on his lack of control when it comes to women. She has torn a strip off him at every opportunity, when the situation with Lindsay occurred, she was so unbelievably angry and annoyed with him, that he had just quite possibly ruined the entire case because “Steve can’t keep it in his pants,” (thank you Lindsay Denton for summarising that up perfectly). 

This would’ve been the PERFECT opportunity for Steve to turn it back around on Kate. He’s aware of the situation and he would finally be able to pull Kate up on something that he is known for doing and something Kate never stops short to criticise him on. He could’ve taken that opportunity to humble Kate and make her aware of the fact that she’s not innocent and she’s certainly not free from falling/being interested/getting involved with the wrong person. A simple “What and Jo’s different?” From Steve would’ve sufficed. We don’t even need a verbal reaction from Kate, just a look that one, would’ve acknowledged Kate and Jo’s relationship and two, would’ve put Kate in her place and make her realise that she should be the last person to pass judgment on Steve since she has now found herself in a very similar position.

What’s more, and I have mentioned this before and it’s what makes E7 so frustrating, Kate and Jo have been constantly paralleled to Steph and Steve throughout the series, all the romantic scenes, alluding to relationships bubbling for our two main characters. So that scene is where I would expect the parallel to occur again but it doesn’t? And I just have to ask, why on earth would you parallel these relationships, show their romantic scenes side by side, have their development evolve in similar ways just to then only focus on one relationship? 

Okay the possibility of a relationship occurring between Kate and Jo went out of the window the moment we knew Jo was colluding with the OCG but Jed still took the time to explore it, to delve into it. So for it to not even be mentioned or acknowledged, I just think, why waste our time if it’s going to end up not being relevant? I mean the fact that a heterosexual relationship where one half got barely any screen time took precedence and verbal acknowledgment (aka not subtext) over a queer relationship occurring between two of the main characters of the series? I don’t even need to say it. 

But if subtext was all we’re going to get for Kate and Jo in E7 then I’ll just get back to analysing and reading between the lines because Jed can’t stick to and acknowledge storylines that he has spent the entire series building up and I need to make sense of it for some peace of mind. 

I’m going to call this outfit the ‘Proving Jo Davidson is innocent’ outfit since Kate wears it when she hatches her plan to prove just that and again, when she’s gathering evidence that would mean Jo would be able to get witness protection.   

I promise you that these are separate scenes but honestly the fact that we have the same shot with Kate sitting in the same place, from the same angle only just emphasises my point even more. This was Kate on her proving Jo is innocent mission that she never let slip. Her goal hasn’t changed since E5, but perhaps now she is even more determined because she now knows that it’s what Jo wants. Jo got Kate on the team for a reason and now that is what Kate is doing. 

And because I’ve *briefly* touched on the fact that Kate/Jo are always paralleled to Steve/Steph I think it’s only right that I point out how in both of the scenes shown above, there is a Steve/Steph scene paralleled to it, either before or after. Both the Steve/Steph scenes taking place in Steve’s car with Steph on the phone/over voicemail with the scenes showing that Steve is unsure about his relationship with Steph - which you could argue is the exact opposite to Kate and Jo. Kate might be unsure of her feelings and how deep they go but she is sure of one thing and that Jo is innocent and will do everything she can to prove it. 

We go on to next to see AC-12 discussing new messages that have come through entailing The Fourth Man’s plans for Jo. Kate refers to her as “Davidson” a stark contrast to how she has previously referred to her in the presence of Steve and Ted but this is most likely to do with the fact that has had to cut her feelings off for the sake of saving Jo so she is trying to make it as impersonal as possible. 

I won’t even talk about how easy it could’ve been to include a scene between Kate and Jo in that ambush scene. Before or even after, if Jed wanted to keep that element of surprise that AC-12 had managed to intercept before the ambush could take place. A simple moment where Kate went into the van and said “You alright?” would’ve sufficed. 

“You’re safe now Jo.”

“Thank you.”

“I mean really safe. To apply for witness protection. All my notes, all my records will show that you acted under the control and coercion of others. You can live the life you should’ve lived. Be free to be the person that you really are.” 

I have spoken about this before but will briefly go into it again. ‘The person’ that Kate is referring to is the person Kate has been defending for this whole series. Kate was the only person to see through Jo’s walls and glimpse the person that existed outside of the clutches of the OCG. Jo could be herself around Kate, probably felt liberated and had moments where she realised that Kate is something she could’ve had if she wasn’t stuck in that life, so it’s only right that Kate was the one to set her free - even if it’s at the expense of her own feelings but we’ll get into that now.

Although Kate is coming across as ‘cold’ during this scene, she isn’t unsympathetic. Everything she is saying to Jo is coming from a compassionate place. It’s vastly different from the previous scenes shared by Kate and Jo so it feels more harsh but Kate is having to cut her feelings off to provide the protection for Jo and to henceforth save her. She still cares deeply for Jo but she’s not allowed to show that, and it’s more for her own sake than anything. 

If Kate allows herself, for even a moment, to let that emotion escape then it’s all going to come out. Everything she has have ever felt for Jo will be free and then she won’t be able to let Jo go because then it will be even harder. She can’t let herself come to terms over what she feels for Jo because she has to set Jo free, she can’t be selfish, it’s either her feelings or it’s Jo’s freedom. And considering she has spent so long defending Jo it’s obvious what option she favours. 

Then she gets straight back to the point, not allowing her facade to drop:

“If you tell us who the top man is.” 

Now remember how I said to remember Roz’s quote because it will be important later? Here’s why it’s important, “You’d give up anything to get to the top.” ‘Top’ in the context of Roz and Kate’s conversation is referring to Kate wanting to better her career but ‘Top’ could also refer to the fact that Kate, along with AC-12, have spent years digging into institutionalised corruption to find out who the orchestrator behind it all is, and now she’s so close to finding out who the ‘top’ man is, because of Jo. 

You could argue that this idea completely reverses the points I’ve just made and offers the alternative that Kate only cut her emotions off in order to get to the top - which is what Roz’s quote alludes to. But I do think that both standpoints can coincide with one another. She cuts her feelings off for Jo so she can save her, but because she has had to do that, that makes her able to dig for information and solve the case and hence find out who the top man is. 

And therein is the last scene that Kate and Jo share and to quote Kate Fleming on this one “Thanks for making me feel like shit.”   

But Kate’s story isn’t over just yet so we will continue. 

“Sir, during an unlawful search an item was found that relates to the sum of £50,000. You’re not under caution so anything you say to us at this time can’t be used in evidence. That’s loyalty right there.”

I know she’s having a dig at Ted’s previous comment about loyalty to Steve whilst he simultaneously reveals Steve’s issues from across the series to Kate, but I also like to think it’s a dig at the fact that despite Ted continuously undermining Kate, she has still stuck by him and still fought his corner - to an extent. But the fact she does stand up to Ted and isn’t afraid to do so is something I have to give her, she is staying very true to her character there. 

I think this has been pointed out before and although it probably is a reach but this is Kate’s reaction after Ted says “…of a woman I cared deeply about…” 

I do think that this is a moment where we’re meant to assume that Kate could be thinking about Jo as a result of Ted’s words. The focus is on Kate’s reactions rather than Steve’s so I think it’s a fair assumption/association to make and it’s not out of the realms of possibilities. 

“If I decide to come back.”

“Will you?”

“Well someone’s got to keep you lot in line.” 

She just can’t stay away from it, no matter how hard she tries. AC-12 will always pull her back. 

“You don’t realise what you’ve got until it’s gone.”

It’s a loaded statement from Kate and comes with many meanings to it, her missing AC-12 ( to an extent) and wanting back in, her missing her friendship with Steve and now losing Jo without having the chance to tell her how she really feels/that she wasn’t pretending. 

“You just going to stick to the one drink?”

“Why do you ask?”

“Still early enough to drive up to Liverpool.” 

“I’m not sure it’s a good idea to keep seeing Steph.”

“But you want to?”

“Yeah. But what chance has it got?”

“You wanna be careful mate, you’re going to end up on your own.”

Having to read between the lines here again but Kate is encouraging Steve to go for Steph because she can’t go for Jo. It makes sense when you consider how much those two relationships have been paralleled against each other, one was doomed from the beginning but at least the other has a chance to *be* something. And this conversation could’ve been spun differently to acknowledge Kate and Jo’s relationship also:

“But what chance has it got?”

“More chance than me and Jo.”

It’s really that simple. I’m fine with subtext, it works sometimes. Not everything has to be said. But across the whole series Kate and Jo have been everything but. Everything that has happened between them has been obvious and deliberate. So the fact it got dropped to subtext in the last episode doesn’t make sense? If their relationship from the beginning had been pure subtext then fine it works, but like I said, it hasn’t. Kate and Jo’s relationship needed to be addressed and acknowledged, otherwise why the set up if you’re never going to bring it up properly? 

Okay, you can argue that it dropping to subtext and having to read between the lines is a representation for how Kate is having to suppress her feelings for Jo but your audience deserve better than that Jed. And not to sound like a stuck record but you don’t have your character go through massive development for her just to end up as the exact same person she was before she went through said development. She has to change, even if it’s just a little bit. No one stays the same after what Kate has been through. 

 Which brings us to the therapy scene. 

“Me and my partner are separated.” 

I have also already spoken about the vagueness of this line so won’t go into it too much but, subtext again, she could also be referring to Jo. I would just like to point out as well that music that underplays the moment in which she talks about Steve is very different to the music that underplays the date scenes between Kate and Jo and the scenes between Steph and Steve so you could say that that rules out any allusion to a possible romance between Kate and Steve (and honestly thank God because there’s more sexual tension between two planks of wood than there are between Kate and Steve and if they EVER went down that route, another type of anger would escape my body because, just let women and men be friends without it being a *thing* please).

She looks so washed out and unhappy in this scene - a striking comparison to how she looked during E2. 

She looks drained but it’s understandable considering that this is the first time that’s properly opened up and given way to accepting her emotions and feelings - even if she isn’t addressing the elephant in the room. So, you could argue that this scene is that small change we have from Kate as a result of her development from across the series. But given that this scene, at a push, lasts 30 seconds, it’s not enough. I’m not expecting a half an hour scene of Kate opening up about everything but something a bit more than a nod to her kid and husband that she has only mentioned once throughout the entire series - along with a couple of text messages in the first episode. It just felt as though this scene was chucked in because they couldn’t show Steve going to therapy without showing Kate going as well, considering that they’ve both been through similar ordeals. 

But I’ll take it because it’s still part of Kate’s development, in a sense.

Digging into it more, it’s very obvious that Kate has lost the happiness we seen her with at the beginning of the series, she’s lost her warmth - a warmth that was depicted via Jo through clothing and scenes they shared together. There is a warm light in that scene but it’s situated behind Kate, a visual representation of how Jo is in her past now and how the loss of warmth in her life has left her cold and miserable - which further explains how she comes across in this episode. 

I’m going to return my earlier point of Kate not necessarily being happy at AC-12 here. I’ve mentioned throughout how Kate is AC-12 through and through and she will never truly escape it. She goes back to AC-12 in the end because it’s her home, it’s where she feels safe and comfortable but that doesn’t mean to say it makes her happy. And I think the fact that when we see her at the end of this episode and we see that she is the most unhappy she has been this entire series, it’s meant to signify that (and like I mentioned before, there were a few moments throughout S5 & S6 that emphasise how she might feel that undercover work/being in anti-corruption might just not be for her anymore). 

Kate set Jo free from the OCG but who’s going to set Kate free from AC-12? Jo did for some time, made Kate realise the life she could have outside of anti-corruption but that got ripped away from her and now she’s gone back to them, tail between her legs and probably feeling even worse than she had when she left in the first place.

Questions I wanted to address throughout this piece, is Kate Fleming a master manipulator?

Yes, to an extent. She knows how to use people and their feelings to her advantage. She knows how to get information out of people, we have seen that time and time again across the show, but it’s only ever under the guise of being a UCO and half the time I don’t think she enjoys it all that much (as we see in S5 with her allusions to that there). Outside of being undercover Kate is a genuine person, we see that via the connection she makes with Jo. She never pushed Jo for information, they built up trust between them and shared a bond. Jo worries that Kate would go running back to AC-12 with all the dirt on Jo but Kate reassures her, “I would never tell them personal stuff.” And she doesn’t. We know that she could, we see her do it with Tony Gates the moment she finds out the extent of his relationship with Jackie Laverty. But the fact she doesn’t, is telling us that outside of being undercover, Kate, despite what people might think, is an authentic person who can form relationships without it being faked for beneficial reasons.

Are her motives clear?

Not always. On the surface she is quite a hard person to read but once you pick her apart and piece everything together, you realise that she is an incredibly smart woman who, despite holding her cards close to her chest, plays them very well. She doesn’t reveal things easily which is testament to her being a good undercover officer but when you dig into it, I think her motives can be clear. She’s very career-driven, often putting that above everything else. She always want to get the job done and to the best of her ability. As I’ve mentioned throughout, she is the embodiment of AC-12, integrity and truth. She very much holds up the law. 

That doesn’t make her innocent and doesn’t mean she doesn’t bend the truth/law to her all the time either. But I do think that’s Jeds way of saying that no matter how hard you try to be good, you’re always going to end up in tricky situations that you have to worm your way out of, as depicted by Steve’s quote in S2 “Maybe there are some people out there who always tell the truth and ones who always lie. The rest of us choose our moments.” 

How has Kate been developed across the show? 

In short, she hasn’t been developed all that much and where she has been developed it’s been reversed by the end of it. From S1-5 she remains pretty much the same person, not much bothers her or effects her. Partly think that’s because of her burying her emotions and her trauma but I don’t want to give Jed too much credit where it isn’t due. 

S6 was where we seen the most development from Kate. We seen a whole new side to her, we seen her experiencing things for the first time, having feelings that have never been delved into where Kate has been concerned. S6 Kate felt miles apart from S1-5 Kate, or at least she did until E7. Kate had the potential to be fleshed out and to be shown that not even Line of Duty’s resident heroine is free from trauma and emotions but that, like I’ve said, got scrapped for the sake of a political point. We needed more than a 30 second therapy scene to address the issues and dilemmas going on in Kate’s head. We needed the relationship that she had been involved in, that had been set up, to be acknowledged and addressed. That relationship with Jo was so integral and important to Kate’s development, it needed to be brought up, even if it was just in relation to Kate’s development and Kate’s character. 

Jo and Kate were never going to end up in a relationship, it was doomed from the beginning but it still brought about a change in Kate and her character deserved to have that tied up and acknowledged to an extent, at the very least. We, as an audience, deserved that also. Kate went through so much in this series and the fact that all we got was a 30 second scene therapy scene to address it is, quite frankly, insulting.

I don’t care that Buckells was H, looking back on it’s obvious. I understood the political point of it and Jed was making a good point, in a sense. But with shows like Line of Duty, where it’s main characters remain constant throughout you have a due diligence to develop them and flesh them out into 3D characters who have good sides and bad sides - and that goes for ALL of them, Kate included. And she is but to an extent because she isn’t explored enough. Jed will start it, pave ways she could go and then forgets about it. As much as we all follow along for the plot and wanting to find out who these corrupt officers are, we also become invested in the characters, we want to know more about them. We want to see them go through things, we want to be able to relate to them and go on journeys with them. 

As much as we watch for the plot, we’re also watching for the characters. Like come on how many of us shouted “Oh God Steve, watch your back!” When the van toppled over and not “Oh shit they’re about to be ambushed!” I could go on but you get my point. The main plot is interesting and well thought out but we’re also watching the characters and we want to see them be developed with justice. 

Kate Fleming is a complex character and she deserved to be fully developed throughout S6 (and the whole show considering, you know, she’s a main character) and didn’t deserve to have that development fizzled out for political point scoring.  

And if you made it this far, well done. Have a drink. 

[kiingocreative]

The Structure of Story is now available! Check it out on Amazon, via the link in our bio, or at https://kiingo.co/book

.

.

.

I often feel that it took me thirty years to write my first book, No Pain, No Game. Not because I was physically writing it for that long, but because finally publishing my first novel felt like the culmination of three decades of bad writing, half-finished novels, random short-stories and a million mundane diary entries. It took that long to experiment with my craft, hone my skills, and master the fear of putting my work out there for all to see.

Exaggerations aside, it actually took me three years to write No Pain, No Game, from typing the first word on an otherwise blank page to having a fully-fledged, ready-to-publish novel. Those three years consisted of mostly undisciplined writing, sitting down to work on the story as and when the urge arose, sometimes not looking at it for weeks on end, and only getting back to it when inspiration hit. Only when I got serious about publishing did I put in the hours consistently, whether or not I was in the mood for it. The whole experience felt like not so much like long distance running, but more like a slow, often sluggish stop-start stroll, with a heart-pumping sprint at the very end.

I came out of having published the book revved up from adrenaline, soaking in the momentum, fretting for more and ready to do it all again. Out came the laptop again, the rush to get the first draft over and done with and the mad rush into editing-land.

It’s a Marathon, Not a Sprint (and not interval running, and not a slow leisurely walk)

The thing with sprinting, however, is that if you do it for too long, you quickly run out of breath and I soon learnt that maintaining that level of effort over time was unsustainable. Somewhere in the middle of editing my first draft, I hit a wall.

A big, fat, hundred feet high brick and mortar monster of a wall. I never saw it coming, and I face-planted right into it. For weeks after that I couldn’t look at my manuscript or social media, and I had to take a proper break from it all to restore.

The break gave me a chance to introspect and take stock of what had happened. It felt to me that, if I wanted to keep on writing more books (which I did) I had to pivot from my disorganised style of writing to a more committed endeavour. There’s nothing wrong with a leisurely walk, or random bouts of interval running, but I realised it wouldn’t give me the kind of results I was truly after. I had to look at writing as a marathon, and build the sort of stamina and endurance I needed to do this many times over without burning out.

From Dilettante to Disciplined Writer

When I think back to writing my first book, I wonder if there’s some truth in the saying that ignorance is bliss. Because I was less focused on the outcome at the time, I was better able to enjoy the ups and downs of the process, especially because I only sat to work at it when I felt like it. I was also mostly unaware of the mountain of logistics that come with writing and publishing a book, so I’d be able to see the distance I’d covered, without worrying about the miles that still stretched ahead of me. Yes, ignorance was, most definitely, a little bit like bliss.

Reminiscing on her own experience, author Shamika Lindsay says that, with her first book, ‘the process felt so different and [she] almost felt the pen gliding across the paper but with [the sequel], it was like pulling teeth’. In fact, she adds, starting to write her second book from scratch felt like ‘such a chore and [she] was just so eager to complete it because [she] felt like it took so much from [her] to write than the first book’.

For R. G. Tully, author of the Ardamin series, who put greater emphasis on the editing stage when working on his second book, the process also took longer and wasn’t always enjoyable. ‘The editing grind was exactly that, a grind’, he confesses.

But you have to do it whether you like it or not, because the only way out is through. There are, fortunately or unfortunately, no shortcuts. Fortunately, because it’s the very act of going through that arduous journey that makes you a better writer in the end. And unfortunately, because there can be times it’s just not all that pleasant.

You’ll be surprised the amount of distractions that manifest themselves when you desperately need a reason not to work on your manuscript — it’s actually quite spooky. Treating writing with discipline, organisation and professionalism is exactly what will prevent you falling off tracks, and what ultimately gets the work done. And that’s the difference between a published book and one that’ll sit indeterminately unfinished somewhere in your archives.

A Tough Act to Follow

Unfortunately, there’s still a little bit more to writing your second book than just great discipline. Even when you’re able to get yourself to follow through and show up for your craft, giving your first book a literary sibling can come with its own challenges, especially because you have something to compare it to.

And it’s not only you, but your readers too, who will be expecting certain standards from your writing, especially if it’s a series. Though it shouldn’t come in the way of writing the book you want to write, the relationship of trust you’ve built with your readership through your first book still needs to be honoured, and this can cause certain amounts of pressure.

‘I felt a little pressure to keep the same feel about the story’, R. G. Tully says, ‘and to include more from my secondary characters, give them a little more depth’.

Stormi Lewis, author of the Sophie Lee trilogy, puts it simply: ‘It was a little hard to decide how to exactly start [with the second book]. At first I was worried and became overwhelmed because so many loved the first one. I didn’t want to let anyone down. I had to step back and come to terms that they loved it for being unique. And the only way I could stay true to the story and give them what they really wanted was to focus on the story and not so much about what I thought they wanted for the second.’

For others, the comparison can be more inward-facing, like author Tara Lake, who admits that writing the second book in her series has been a challenge, because she’s ‘struggled with comparison of the self: past Tara had a lot more time to devote to writing, present Tara has much less time with [her] kids being home full time from school during much of the pandemic’.

For others still, some of that pressure can be self-imposed. When writing her second book, Freya McMillan shares that ‘[she] put a huge amount of pressure on [herself] as [she] wanted it to be meaningful in a particular way to honour [her] dad, who died a few years ago. Once [she] stopped doing that, it was much less challenging to write’.

It Ain’t All Bad.

I do want to pause here and add that not everyone faces such challenges. There are authors out there who launched into writing their second book with more ease than the first.

Sabrina Voerman tells me that ‘[her] second book came a lot easier to [her] than [her] first book. The idea hit [her] so hard and fast that it took [her] aback, and [she] could do nothing but write it’, and the entire novel was written in a matter of weeks, whilst her first book took years to finish.

Same for Trevor Wiltzen, who says that writing the sequel to his first book went smoothly, greatly helped by the fact that ‘[he] wrote the second book immediately after the first, [so he] knew the characters really well’. He admits he ‘found it very freeing and really enjoyed the process’.

Even Stormi Lewis, who struggled at first, adds that ‘once [she] got started, [she] was fine’ and that ‘[she] felt the writing was solid and [her] best book yet, simply because [she] really got to develop more of the characters and the story’.

As with everything, we must then conclude, there will be as many types of experiences as there are writers out there. So how can we best prepare for what’s to come?

A Chance to Grow

Performance coach Tony Robbins says that the quality of our lives is intricately linked to the quality of the questions we ask ourselves on a daily basis. So if we need to face something that’s outside our comfort zone — starting again from scratch on your second book for instance — is it a punishment or is it a gift? Is it a curse or an opportunity?

I’m tempted to think that the level of discomfort that can come with writing your second book is a gift, because it gives us a chance to grow.

It’s a chance to take everything we’ve learnt from doing it the first time around and take our learnings for a spin to see if it makes the process easier. It’s an opportunity to improve, to work at our craft in new and wonderful ways.

It’s both daunting and incredibly exciting to face a brand new story — or a different side to the same story for those writing series — and to dare to plunge into the unknown of where it’s fated to take you. It’ll see you grow and evolve as a writer and, in turn, you’ll get to watch your writing morph into something more mature than it was before.

I say look at your writing like you do the passing of seasons: different times will have different qualities, different characteristics, different feels to them. You live and learn through each of them, and gather a wealth of experiences that eventually inform who you become. Maintaining the discipline to write through every single one of them is what will ultimately give your work all its depth and substance.

All it takes is that first word on the page.

And the second.

And the third.

And all the words beyond that.

[wish-that-i-was-buckys-girl]

Hey! I just discovered your blog and I was wondering if you'd be okay doing a Lance tucker x reader where they get in an argument but it has a fluffy ending where they're closer than they were before? Maybe they confess their feelings to each other? I totally understand if you're not able or comfortable to write this.

Merry Christmas! 🎄🤶🎅🌲🎁

Authors Notes: Hey! I hope this is something similar to what you were looking for. They’re expressing their feelings in some way, just maybe not the way you’d think. I hope you like it!

Lance Tucker x Reader

Warnings: Arguing, swearing, insinuation of possible cheating, and some downright shitty friends.

Word Count: 3K

Trouble in Paradise

(Not my gif)

_______________________________________________

It was New Year’s Eve. The year had been stressful to say the least but even worse, Lance’s buddies were coming over for a party. It’s not that you didn’t like his friends. Well, it was that. You didn’t like them. Ever since you and Lance got together three years ago, they have done nothing but try to convince him to date hotter women. “Date” being a loose term.

Overheard conversations during football games and dart/pool games and the basement went something like this.

“Oh, come on Lance you saw the chicks you used to pull. They were smokin’. Why don’t you just live again? Or better yet, you don’t even have to break up with her! Just, you know, tell her you got competitions and when she doesn’t suspect it, book a couple hotel rooms. What’s the harm?”

“Lance, buddy, I hate to be the bearer of bad news, but you don’t exactly have a trophy wife. Aren’t you the one with the gold medal? Shouldn’t you be looking for a gold medal wife instead of a bronze one?”

“I like her Lance, I really do, but remember that Victoria’s Secret model you hooked up with regularly like 5 years ago? What was her name... uh... Serenity! Yeah, why don’t you give her a call. You guys seemed to really click.”

The worst part of it all was they never really got to know you. They brushed past you while you cooked some food for them in the kitchen. You and Lance took turns cooking but somehow you always found that you were cooking when his friends were coming over. You had never really put much thought into it, until tonight.

“Honey! I’m home from the gym!”

You were making taco dip, guacamole, homemade Mac and cheese, and Buffalo chicken dip for the big party. You ordered pizzas, subs, and other sides to top it off. You never knew how much 8 men could eat, until you started cooking for 8 men.

Lance came up behind you and gave you a sweet kiss on the cheek as he wrapped his arms around your waist. “How’s my pretty girl doing?”

“Fine, I guess.”

You both knew you weren’t fine.

Lance sighs loudly. “Angel, what is wrong? You know I just want to help you.”

“We can talk about it later. Right now, I just want to get in my cooking zone and not think about anything.”

Lance puts his hands on his hips and stares at you authoritatively.

“Well, I’m gonna go quick grab a shower and come back down to help you finish cooking before the boys come.”

“Sounds good” you said with a half-smile. You were dreading tonight.

_______________________________________________

True to his word, Lance came down and helped you finish cooking the rest of the food. It remained quiet for most of the time you spent together. Lance could feel the tension in the air but didn’t want to ask again if anything was wrong before the party. It was New Year’s Eve, he was supposed to be celebrating with his friends, not trying to start a fight with you.

You were infuriated Lance didn’t bother to ask you why you were so upset. You always felt second to his friends, why is that? The first year you were dating it wasn’t like that. You were the center of attention in all regards, you didn’t want to be, but he treated you like the only girl in the world. Now?

“Hey babe I’m going out with the guys I’ll see you tomorrow.” You knew full well he would drunkenly slip under the covers at 3AM. Why was he out so late? What was he doing?

“Sweetheart the guys are coming over to play pool do you mind ordering us some pizzas?” Why couldn’t he do it himself?

You really did not mind that Lance had friends. You encouraged him to hang out with them even though they said horrible things about you, but enough was enough. There’s hanging out with your friends, and there’s being with your friends 24/7, leaving your girlfriend to stay home and watch movies by herself.

After you finished cooking you went upstairs to the bedroom to watch a movie. By yourself.

Surprise, surprise.

You heard the front door open for the first time tonight. You wondered if any of the guys would bring over their girlfriends or “hot dates.” You didn’t know if that would relieve your stress or infuriate you even more. If they did bring someone, they wouldn’t be so focused on it being a “boys’ night.” However, if they did bring someone, why couldn’t you come downstairs to hang out with them?

You heard a slap of hands exchanged and what you assumed to be a half hug after it.

The men continued to pile in around 8PM. Some of them brought a date, but others didn’t. However, you noticed one of the guys brought two girls. Why would he do that?

You decided to put on some nice clothes to go downstairs. Other men were bringing their dates, and this was your house. You deserve to celebrate too.

You worked your way down to the basement, wanting to spend time with your definitely above average looking boyfriend. You were so happy to call him yours, even though he frustrated you to no end sometimes. From what you overhear, he never sticks up for you.

You strutted over him and placed your hand on his back gently. He quickly turns around, angry almost and begins to say something “I told you I don’t want.... oh, hi baby.”

You looked at him confused. What was that about?

“Hi... what’s uh, what’s going on?”

“Oh nothin’. Just Evan and I got into it earlier about something and I thought he was coming to bother me about it again. But then I turn around to see your pretty face and that doesn’t even matter.”

He brings you in for a tight hug and rests his chin on your head. You loved him. You loved him so much.

Out of nowhere Evan comes up behind you, noticeably drunk, the scent of liquor oozing off of him. There’s a girl attached to his right arm. She’s tall, slender, and blonde. You thought she was too attractive for Evan, until he started to speak.

“Lance, meet my girl Lindsay here. She’s really interested in you and wants to talk to you about your gold medal.”

You can’t say this never happened. You were used to women throwing themselves at Lance. You were always so proud to call Lance yours, but other women wanted that opportunity as well. It got so bad to the point where women would send random lewd photos to his work email to gain his attention. It never worked thank god. Every time you saw pictures like that you got suspicious, but every message read “don’t you want to see what you’re missing out on?” or something to that degree. Lance was always patient and kind with you about it, knowing you were easily frustrated and cautious of him because you knew what he was like before. However, you knew he wouldn’t cheat on you, and he always has an explanation if he thought you were ever worried.

“Excuse me?” You said looking at Evan.

“Come on Y/N. Let the man have a little fun.” Evan retorted.

“This isn’t letting him have ‘a little fun.’ Letting him have ‘a little fun’ is hosting this party, not you trying to actively encourage him to cheat on me, right in front of me no less.”

Lindsay sneers at you. “Who are you? Get in line sister. Evan told me I would get to talk to him.”

You raise your eyebrows in disbelief.

“I don’t know if I have to spell it out for you, if you can even spell, but I’m his girlfriend.”

“Y/N come on baby it’s not that big of a deal. She just wants to talk to me about my gold medal that’s all.”

“The gold medal you won in the Olympics or the one tattooed around your dick Lance?”

“I’ll only talk to her about the one I won in the Olympics and you know that.”

You had had it. You were so incredibly tired of Lance never sticking up for you when it came to situations like this. You never threw a fit when his friends would make stupid remarks, but this was the last straw.

“I don’t care anymore Lance! Talk to her about your dick tattoo. Hell, let her even see your dick tattoo close up while she’s sucking you off. I’m done.”

Without giving him a second glance. you turned on your heel and walked upstairs to grab your car keys.

Lance sprinted up the stairs after you, shouting your name. You didn’t care. You ran to the garage and hit the button to open the door. Lance thought you went to your room, so he sprinted to the third floor thinking you were there. He finally realized you were actually leaving when he heard the start of your car. He saw you back out of the driveway like a bat out of hell, and all he could do was watch from the window.

_______________________________________________

You drove to the nearest diner, hoping they would be open even though it was New Year’s Eve. Thankfully, they were. You always comforted yourself with food when shit like this happened. Who doesn’t love food? You can’t say that entirely though. You also tended to starve yourself in situations like this as well. Neither coping mechanism was healthy, but it got you through it.

You ordered a breakfast meal, quickly glancing at your phone to see if anyone had texted you.

24 missed calls from Lance❤️🥇

You knew he was worried about you, but you weren’t ready to call him back yet. You knew he couldn’t come searching for you either, all of his friends still being inside, waiting for the ball to drop. This was going to be the first year you and Lance wouldn’t kiss at midnight, all because of his stupid friends who hate you for no reason.

You ate your meal as you saw Ryan Seacrest introduce one artist after another on the television.

The clock was nearing midnight. You didn’t seem to care. You contemplated going to your friend’s house, knowing they would gladly accept you and support you, especially when they knew how much of an ass Lance’s friends could be. You decided against it, not wanting to bother anyone.

You glanced at your phone again.

28 missed calls from Lance❤️🥇

Not only that, but it had looked like he texted you as well.

“Where are you going???”

“Y/N???”

“Baby come back here please I’m very upset and I want to talk”

“Baby please come back and talk to me.”

And about 15 other messages similar to those.

You were heartbroken. You wanted to go home, but you knew you needed to stand your ground.

As the many thousands of people in NYC count down to the New Year you sat and ate your bacon and pancakes.

Lance saw all of his buddies laughing and having a good time. He couldn’t have a good time until he knew you were safe and that he would have everything fixed. He knew he fucked up big time, but he thought you were overreacting to the extreme. Was it really that bad you needed to leave right away?

His annoyance throughout the night grew as Lindsay began to pester him about his interests.

“Lindsay, I don’t know how to tell you this in a nice way, so I won’t. I have a girlfriend. She’s the sexiest, smartest, and sweetest woman on this planet, and that’s all that matters to me. Now please, go bother Johnny or somethin’.”

Lindsay didn’t like that. So much so, she dumped her whole glass of whiskey on his brand-new Nike shoes. He didn’t care she was upset. All he cared about was you.

Evan came back up to Lance for the last time of the night.

“Heyyuh pal. I didn’t mean to make your lady run out on ya.”

“But you did Evan. You fucking idiot, you stupid fucking fucker. You ruined this night for not only me, but my girl who is probably out sobbing to her friends about how much of a shit boyfriend I am. And you know what? I don’t blame her. I deserve it.”

“C’mon man don’t be so *burp* hard on yourself. Hey, at least you can go have fun with Lindsay eh?” He says while wiggling his eyebrows.

Lance was fuming. “Evan if you don’t get the fuck out of my face, I’m going to floor you in about 6 seconds.”

Evan held up his hands and backed away, finally getting the hint he was becoming a nuisance to not only Lance, but the party itself.

He listened to all of his friends count down to the new year in a drunken haze. He slouched over the home bar, drinking himself into a stupor with his seventh gin and tonic. He didn’t care about any of the calories he was consuming. He didn’t care about anything. He knew he wouldn’t have his Angel to hold and kiss into the new year. He wanted nothing more for this night to just end.

_______________________________________________

You snuck back into the house around 4AM, hoping Lance wasn’t awake. You drove around for hours after the ball dropped, the diner closing at 1AM anyways. You listened to 80’s music, calming yourself down. Music always helped you meditate.

As you slowly closed the door you saw Lance sitting miserably in his recliner. He was no longer drunk. Just incredibly depressed.

He turned to look at the door, hoping that the door opening and closing wasn’t just some sleep induced hallucination. As soon as he realized it was you, he jolted up and ran to give you a hug. You stuck your arm out before he could reach you.

He looked devastated.

“I want to talk Lance. I-”

“No, no I fucked up. Let me do this. I have been shit. I have been absolute and utter fucking garbage to you when it comes to my friends. I let them talk to me like I’m still a bachelor. I know you overhear the things they say, and it hurts you. And I let them do that. I don’t know why. I have no reason. It was so fucking stupid of me. You have to know I don’t want any other woman on this planet. You’re my day and my night. I would be lost in this depressing ass place of a world if it wasn’t for you my sweet Angel. My beacon of light.” He stopped his rant briefly to cup your face and stare into your eyes lovingly.

“It all stops here. No more stupid guy shit. You’re my number one and you deserve to be treated that way. If any of my friends continues to disrespect my baby, they’re out. I don’t care who they are and how long they’ve been around. You’re my baby. You’re the only thing that matters.

It felt like a weight had just been lifted off of your chest. You loved him. You really did.

He pulled you in for the tightest hug that he could have possibly ever given. He kisses the top of your forehead for what seems like a hundred times.

You look up to him while he’s still embracing you.

“I like Johnny. Johnny can stay.” You say with a smile.

“Keeping Storm it is, got it.” He returned with a smile.

A lightbulb goes on in Lance’s head. “Oh! Come here, come here, come here. I saved this for you.”

You follow him into the living room, your hand wrapped in his. He flicks through the TV menu, clicking to find the recording from earlier.

It was the ball drop.

“I recorded this for us. I didn’t want to miss kissing my baby into the new year.” He said with a smile.

“Lance Tucker, you are the sweetest man alive, do you know that?”

“C’mon, you know I’m still an asshole. I just have my moments.” He says with an eyeroll.

You slapped his chest playfully as you both slightly laughed.

As the seconds ticked down to midnight for the second time of the night, Lance stared into your eyes with the most love you have ever felt from a person.

“10!”

“Where did you even go anyways?”

“9!”

“Our spot.”

“8!”

I’m gonna take you on the best date there ever was. Just you wait.”

“7!”

“I’ll be counting on that Tucker. A promise is a promise.”

“6!”

“I’m really good at keeping promises.”

“5!”

“Oh really? Just like that time you promised to give me a castle made out of gold?”

“4!”

“You’re still getting that y’know.”

“3!”

“What other promises have you kept huh?”

“2!”

“I promised to love you forever. And I always will.”

“1!”

“I love you too, Lance.”

“HAPPY NEW YEAR!”

He kissed you with a ferocity you didn’t know existed. He took your bottom lip into his mouth and held it there for what seemed like forever. Forever was okay though, as long as you were with him.

Lance finally broke the kiss, pulling away softly and cupping your face in his left hand. He whispered.

“Check your cardigan pocket.”

You looked confused. He knew you would be. You felt a tiny box in you right hand pocket. It was covered in felt. You slowly pulled it out to see that it was a ring box. You opened it and it had a ring pop inside.

“Ha-ha. Very funny Tuc-”

You looked down to see Lance on one knee. Holding the most beautiful ring you had ever seen in your life.

“I’m going to love you forever, Y/N. Will you marry me?”

You were stunned.

“...Yes.... oh my god, YES!”

He smiled, standing up and wrapping his arms around you as fast as he could.

“I’ll love you forever too, Lance.”

[imjustwritingg]

you can hear it in the silence

This takes place after Jay gets shot and the hospital scene in season 7, loosely based on the song “You Are In Love” by Taylor Swift. I’ve had this stored away half-finished for quite a while and put a crazy spin on it after seeing a prompt on Twitter. It also seems pretty fitting that I finished this specific one on the same day that JLS’s interview came out where he politely disregarded Linstead and said Upstead rights. Enjoy and let me know what you think. 💜

Also here: AO3 & FanFic.Net

cause you can hear in the silence

you can feel it on the way home

you can see it with the lights out

you are in love, true love

you're in love

XXX

“I can’t figure him out. He’s the first one through the door, a war vet, and he’d rather take a bullet than get the flu shot.”

“It’s hard because you love him.”

“When you were in surgery, no one knew what was going to happen and it made me realize I wanted to tell you something.”

“What were you gonna say?”

Hailey has replayed those moments from the hospital every day in her head since they first happened. Vanessa had straight up called the blonde out on her feelings, that it wasn’t just about her partner, Jay Halstead, but everything else he had become over the last few years of he and Hailey working together. A trusted confidant. Her best friend. Someone she could depend on endlessly. The man she had fallen for without even realizing she was falling in the first place.

When Jay had been given the all-clear to go home Hailey had somehow found the courage to finally tell him about her feelings for him. She wouldn’t be able to live with herself if something else were to happen and she never got the chance to tell him the truth about how she really felt towards him. Her heart always seemed to ache in that way where she could barely breathe around him and she wanted nothing more than to admit her feelings and hope for the best.

The words had been there right on the tip of her tongue, but with one ring of his undercover phone she was pulled back to reality. The walls shot up around her heart again, made her second guess everything up to that point, and she retreated back into herself as if it were some twisted sign from the universe screaming at her, “no, don’t do it!”

Could she really tell him the truth? And should she? Or would it ruin their friendship and the partnership they’d nearly perfected over the time spent working together? She just wasn’t sure. All of these questions plagued her mind since that day, but she knew she couldn’t voice them out loud. Not now. Not yet. Maybe not ever.

XXX

Jay had returned to work a week after his release from the hospital, but he remained on strict desk duty. He was itching to get back out into the field, but Voight had made it clear that, that wasn’t happening until the sling was off his shoulder and he got explicit written permission from his doctor. So, he stayed in the bullpen, pushing paperwork and helping to find leads for his team however he could.

When he saw his partner and Burgess at Platt’s desk that night after his first shift back, he couldn’t help the pride he felt inside of him knowing what Hailey had done to capture the perp.

“I heard you made a nice disarm,” he says while looking at Hailey.

Her face immediately breaks out into a shy smile. “Oh man. You want details?”

“Yeah, I’m losing my mind,” he tells her.

“After six days?” Kim teases.

“After six minutes,” Jay emphasizes with a slight shake of his head.

Before the three of them can make a quick escape from the district, Platt calls out to Kim making her hang back. She says a quick goodbye to the duo, leaving Hailey and Jay to themselves. Hailey looks at her partner and nods to the door, and the pair make their way down the stairs towards the exit.

The bitter winds of Chicago’s winter season meet them eagerly as the pair exit the district. Hailey isn’t sure how it happens, but they end up nearly shoulder to shoulder as they walk down the sidewalk towards the parking lot. Each time they almost brush against one another she feels a rush of heat move through her body from the proximity alone. Trying to ignore her feelings was proving to be more and more difficult with each moment that passed between her and the man at her side.

“Beer and story-time at my place?” Jay suggests as they near the lot.

“Give me about an hour?” Hailey counters. She just needs a little bit of time to herself to try and clear her head.

“Sure. I’ll order food from that Greek place you like,” Jay says.

She smiles at him. “Sounds good. I’ll see ya in a bit.”

Jay gives her one of his grins, one that Hailey has come to realize is only ever used with her and one that should be considered illegal, and then the two go their separate ways.

XXX

Hailey’s nothing if not punctual. If she says an hour, she means an hour. So when there’s a light knock on Jay’s door thirty minutes after leaving his partner at the district, he’s a bit perplexed. He’s got a pep in his step though as he walks to the door, a grin plastered on his face, and ready to spend his night with Hailey.

“You said an hour. Food’s not here ye-,” his teasing tone fades out as he pulls open the door and he stands silent as he looks at the woman in front of him who most definitely is not his current partner.

“Hi Jay.”

“Erin.”

Every emotion a person could ever possibly feel is felt by Jay within seconds of each other as he stands in front of Erin Lindsay for the first time in almost four years. Her dark hair falls down past her shoulders in waves and she’s not dressed in some fancy pantsuit, but there’s still something about the way she stands with her hands clasped together in front of her that seems like she’s got things all figured out now.

All he can do is stare at the woman in front of him, as if he’s just seen a ghost. And maybe he has, as memories of their days spent together, both professionally and privately, overload his brain. It causes him to grip the door handle so tight his knuckles turn white.

“What are you doing here?” He finally gets out.

She shrugs her shoulders. “I’m here for work. Heard you went and got yourself shot again.”

Jay rolls his eyes. “Hank tell ya that?”

Erin raises her eyebrows at him then and finds herself smirking at him. “First name basis with him now, eh?”

“You’re a little late. It’s been a few weeks since the shooting,” he says, ignoring her comment. His voice is strong and curt, the complete opposite of what it’d been mere moments before when he thought it was Hailey at his door.

“I was deep in a case. I didn’t know until about an hour ago when I talked to Hank on the phone,” she explains.

He just shakes his head at her. “Doesn’t answer my question. What are you doing here, Erin?”

“He told me how bad it was. I was in town and I wanted to know that you were okay. Can I come in? Please?”

Jay stares at her for a moment, wanting to say no, but something inside of him doesn’t let him get the word out despite the whisper of a voice in the back of his head telling him it was a mistake. He lets out a long sigh and steps aside instead, opens the door fully, and allows her to enter. He closes the door behind her after she steps inside and the two of them stand across from each other in his living room. Jay leans back onto the top of his couch, his arm still in the sling and his other hand shoved into the pocket of his jeans while Erin stands off to the side with her hands in her jacket now.

“What could you possibly have to say to me after all this time that a phone call couldn’t do?”

“I know how I left things Jay. I know I hurt you and I know I’m probably an idiot for showing up like this after everything we’ve been through. I just wanted to see you and make sure you were okay.”

Jay scoffs at her, shaking his head. “After everything that happened? You mean when you left without saying a word to me or to anyone besides Hank? Or do you mean when I texted and called and left a dozen messages, and you didn’t have the decency to respond to a single one to let me know you were at least okay?”

The combination of the last few years of keeping it all locked up inside of him, then unloading it during therapy, and now seeing her in front of him like nothing ever happened pushes him over the edge. She really showed up, expecting years of anger and hurt and pain to be swept under the rug as if her leaving hadn’t destroyed him for a period of time.

Erin just stares back at him and doesn’t speak. Hearing the anger in his voice and seeing the pain of what she’d left behind in his eyes wasn’t something she had prepared herself for on her way over to his apartment. She takes in the lingering stain of almost healed bruises on his skin, the sling in which his arm rests. She’s beginning to think this was nothing, but a mistake. That the look in his eyes now is going to be another memory that haunts her.

Erin pulls her hands out of her pockets and takes a step forward. She doesn’t touch him, she won’t, but she needs to be closer to him, needs him to hear her words and look him directly in the eyes when she says them.  

“I’m sorry, Jay.”

His eyes immediately close as he hears the words come out of her mouth. He hadn’t realized all this time that he was waiting for something from her. An explanation. An apology. Some sort of something that would make him feel some sort of relief or closure. Anything.

He opens his eyes a moment later when there’s another knock at his door and he thanks the heavens or the universe or whatever it is for the interruption.

He lets out a deep sigh as he walks to the door and when he pulls it open, he feels both relieved and panicked when he sees Hailey standing in front of him. It takes all of two seconds for her eyes to meet his and for a grin to appear on her face when she sees him. And then another two seconds later, her eyes find Erin standing behind him and her smile is gone. She glances between them, noticing the obvious tension that hangs in the air around them all now.

“Erin,” Hailey breathes out.

Erin offers a smile and a small wave. “Hey Hailey. Long time no see.”

“Yeah, it‘s been a minute. How ya been?” Hailey asks. It’s a poor attempt to be polite and make small talk, but she’s not dumb. She knows what she’s just walked in on and all she wants to do now is to turn around and leave and return home.

Erin shrugs. “Busy. Work has been crazy.”

Hailey nods then, not saying anything else and not wanting to continue the conversation. She knows exactly who Erin had been to Jay at one point, and seeing the woman who caused him so much pain and heartache causes Hailey to immediately be defensive and cautious.

“So um, rain check then? We’ll catch up another time,” Hailey says a second later, looking at Jay.

That was the last thing Jay wanted, but he nods anyway. He can tell she’s uncomfortable and he can’t exactly blame her. He’s not so comfortable himself.

“Sure. I’ll see you tomorrow,” he tells her.

Erin watches the two, a small knowing smile appearing on her face. She watches Jay as he watches Hailey, his eyes following the blonde as she walks away from him and down the hallway. The look on his face tells Erin everything she needs to know.

Jay only closes his apartment door when he hears the elevator doors chime open and sees Hailey step inside the elevator car. He turns back to Erin, running his free hand over the back of his head, while she leans against the back of his couch now with her arms crossed in front of her.

“How long has that been going on?”

He quirks an eyebrow at her. “How long has what been going on?"

Erin nods to the door, a smirk on her face now. “You and Hailey.”

“There’s nothing going on there. We’re just partners,” Jay tells her.

Erin nods, but the smirk doesn’t leave her face and despite everything, Jay still knows her well enough to know she isn’t gonna let it go. “You and I were just partners at one point too, ya know? We may not be in each other’s lives anymore, but I can still tell when you’re lying.”

“How long you in town for?” He asks her, ignoring her words.

She’s still smirking, but lets him deflect. “I head back to New York tomorrow afternoon.”

“You should go and see Voight before you leave. I’m sure he’d like to see you,” he tells her.

Erin nods, but doesn’t move. “You’re good, right? You’re okay?”

He knows she’s not only asking about the shooting, but everything else. His PTSD, his past, his life.

“I’m good Erin. I’m really good,” he assures her with a smile.

Erin nods again, looking down at the floor. When she raises her eyes back to his again he sees the tears and a look of realization in them.

“We won’t ever be friends again, will we?” Erin asks even though she already knows the answer.

“I don’t think we were ever really friends, Erin. Not really. You never let me in. I mean, really let me in. And I know I didn’t do the same with you either. Especially near the end. We both said and did things back then. We just didn’t work,” he says.

There is a sense of relief that overwhelms his senses as he says the words out loud, like he’s been needing to say them to her. And they sting like a slap to the face, but Erin gets it. She can’t hold any of it against him because he’s right. Things had been messy between them, to put it lightly. They both had their issues, together and apart, and they’d never quite learned how to deal with things. She knows he isn’t being vicious. He’s just being honest. He’s just being Jay.

“I wish things had been different for us. If I could go back and do it again, I would do it right,” Erin tells him, her voice sincere as she stands up straight and takes a step toward him.

“Can I at least hug you goodbye? We didn’t get that the last time I left,” she says quietly.

Jay nods and reaches for her with his good arm, wrapping it around her shoulders while Erin’s snake around his waist, careful of his sling. He gives her a squeeze and she does the same before the two separate, and Erin makes her way to the door. She pulls it open, but then turns around to face him one last time.

“If she doesn’t already know, you should tell Hailey how you feel,” Erin tells him.

He doesn’t try to play it off this time. He knows he’s been found out and he doesn’t have the energy to try and lie about it anymore, so he just shrugs.

“Not sure getting involved with another partner is the smartest idea. Didn’t work out so well last time,” Jay says. He makes a bad joke, a jab at them, and it’s a lame attempt to downplay his feelings and the conversation at hand, and Erin just rolls her eyes at him.

“Look, you can lie to me all you want, but don’t lie to yourself. You should tell her Jay. I can see she feels the same.”

She gives him one last smile and then she’s gone. And he’s left with the closure he never got from her before, but also with more questions than ever plaguing his mind now.

Jay makes his way to his sofa, plops down, and leans his head back against the cushions. There’s another knock on his door and he curses as he stands. It’s the delivery guy with the food he had ordered earlier. He pays the delivery guy and closes his door, looking down at the bag in his hand for barely a moment before a smile appears on his face. He’s exhausted and his shoulder is throbbing in discomfort, but he realizes right then there’s only one place else he’d rather be.

XXX

Hailey’s head is reeling by the time she gets back to her place. She kicks her shoes off as soon as she walks through her front door and then goes straight to the kitchen to grab a bottle of whiskey and a glass. She’s still in disbelief and shock that Erin had shown up out of the blue. A part of her feeling angry, annoyed, but mostly she’s just confused and curious.

Why had she come back? And why now, years later? Did she want Jay back? Did he want her back? Too many questions were clouding her head and she needed them to disappear immediately.

She pours herself a glass of whiskey and knocks it back quickly, enjoying the momentary burn as it slips down her throat.

She’s not sure how much time passes between knocking back her first drink and now sipping on her third, when a loud knock sounds at her door. She groans out, slightly annoyed, thinking it must be Vanessa. Her roommate was quick as a whip and damn good police, but the younger officer had a bad habit of forgetting her keys.

Hailey makes her way to the door, shuffling her socked feet against the hardwood floors and pulls the door open hastily. She doesn’t expect to see her partner standing on the other side and takes a small step back in surprise.

“Hi,” Jay says to her with a shy smile on his face.  

“Hi,” Hailey breathes out.

Jay doesn’t miss the way her voice seems to crack with just one word. Her eyes are glassy, but he can’t tell if she’s been crying or drinking, or both. He nods down to the bag of take out and beer in his good hand.

“Too soon for that rain check?” He asks her with a smirk now.

Hailey offers him a small smile and pulls the door open further, taking another step back so Jay can step inside. She closes the door behind him and leads him through the kitchen. He clocks the bottle of amber liquid on the counter as he follows Hailey to the living room, and then the two sit down on the couch.

“Whiskey huh?” He asks, pointing a thumb over his shoulder towards the kitchen with a slight smirk on his face.

“Yeah, I was thirsty,” Hailey claps back with a smirk of her own.

Jay shakes his head at her before reaching for the bag of food. He pulls out several containers, handing Hailey’s food over to her, and the two dig in.

They eat in silence, stealing glances from the other every so often. Jay can tell something is off with his partner and he’s certain it has to do with the fact that she’d seen Erin in his apartment not even an hour ago. He can also tell she’s keeping her distance from him. Had it been any other time they’d be sat together knee to knee, eating their food, knocking back beers, and griping over some sporting event playing on television. Instead, Hailey sits with her legs crossed like a pretzel, keeping space between them, as she stays as close to the end of her couch as she can.

What he can’t gather is why she’s so distant with him. And then he remembers Erin’s words from earlier.

“I can see she feels the same...”

Did Hailey feel something for him? Something more than normal partners should feel for one another? She couldn’t think anything happened with Erin, did she? Not after all this time. Not after everything the two of them had been through together.

Jay knew this was new territory for them. They’d never crossed this line before. The line of professionalism and friendship. But looking at her now, Jay was sure there was never a time before tonight that he’d felt so awkward around Hailey. That he couldn’t get a solid read on her and it was killing him.  

“You okay?” He finally asks after they finish eating. He turns his head to look at her and leans against her couch with his arms spread out over the back.

“I’m fine. Guess I just didn’t think I’d see you again tonight,” Hailey tells him as she takes a pull from her beer.

“How come?” Jay presses.

Hailey raises an eyebrow at him, silently asking if he was serious, and he just shrugs making her laugh. The sound alone makes him smile. Despite whatever was or wasn’t happening between them, he could at least still make her laugh.

“Yeah, I wasn’t expecting that to happen. I thought it was you knocking on my door,” Jay says, reaching for his own beer.

“What did she want?” Hailey asks, unable to help herself.

“See how I was doing. Apologize. She’s here for work and Voight mentioned the shooting. I don’t know. Guilty conscience, I guess.”

“And how do you feel about that? Her being back, I mean.”

He takes a deep breath, letting out a long sigh.

“She’s not back. She’s leaving tomorrow.”

“And you’re okay with that?” Hailey pushes.

“Why wouldn’t I be?” Jay counters.

Hailey shrugs. “Lot of history there.”

“I feel like there’s too much history, but there’s also nothing left between me and Erin. There are no feelings there whatsoever. I’ve moved on,” Jay tells her.

Hailey nods slowly, taking another sip of her beer and taking in his words as she looks down into her lap. She starts fiddling with the label on her beer bottle, needing to busy herself with anything other than looking in his eyes. A part of her is nervous at what she might find in those green eyes she had come to enjoy looking into so much. Maybe lies, or worse, truth.

“Hailey.”

How was it possible to both love and hate the way his voice sounded saying her name?

She takes a quick breath and looks up, meeting his eyes. Green. Smiling. Honest.

“Yeah,” she breathes out.

“Are you okay?”

“Yeah, just tired,” she says as she runs her free hand through her hair.

Jay shakes his head at her. “Tell me what’s really going on in that head of yours.”

He needs her to tell him. He’s practically begging her with his eyes, but Hailey just shakes her own head at him then and stands from the couch.

“I really am tired. Maybe we should call it a night. It’s been a long day for both of us. Thanks for stopping by and for dinner, but I just wanna go to bed.”

He realizes she isn’t exactly asking for him to leave, but rather telling him as she carries her beer and grabs their empty food containers, and then makes her way to the kitchen. He lets out a deep sigh before he gets up from the couch and follows her. Her back is facing him as she puts her glass from earlier in the sink and stores the whiskey away in a cabinet.

Before he realizes what he’s doing, Jay walks up behind her and reaches a hand towards her. He feels her body go rigid the second his hand lands on her waist, and then he hears the deep breath she takes.

It’s the first time they’ve touched one another in such an intimate way that wasn’t case related or him comforting her or shielding them from flying bullets in a surveillance van. It was just them.

He pulls at her side, forcing her to turn around and his heart aches at the sight of her blue eyes. Erin was right. Hailey does feel something for him. It’s splayed out all over her face and the tears in the corners of her eyes.

“Do you really want me to leave?” He asks. His voice is so quiet he’s not sure she even hears him.

He watches as she sucks in another breath and then shakes her head slowly, almost hesitantly. He feels his fingers twitch at her waist and he takes another small step closer towards her so they’re nearly chest to chest. His arm is around her now, his hand on her lower back.

“Can I stay?”

All she can do is nod her head. And then she reaches around her back for his hand and leads him up the stairs to her bedroom. They don’t say another word to each other. When they reach her room, Hailey releases his hand and grabs a pair of pajama shorts and a t-shirt from her dresser, then disappears into the bathroom. Jay slips the sling from his shoulder to remove his sweatshirt before carefully sliding the contraption back on over his t-shirt. He kicks off his jeans then as Hailey enters the bedroom again.

Her eyes linger on him for a moment as he stands in the middle of her bedroom in just a t-shirt and boxers. She gives him a shy smile and then nods to the bed. She takes the left side; he takes the right. And it feels so natural, like it’s not at all the first time they’re about to share a bed together.

They lay next to one another, ample space between them under the covers because he is still a gentleman and doesn’t want to overstep with her. He hears her blow out a deep breath next to him, and he turns his head slightly to look at her. There’s just enough light steaming in through her bedroom windows from the streetlights outside that he can make out the profile of her face, the angle of her jawline, and how she’s got her bottom lip pulled between her teeth.

The awkward tension from earlier still somewhat lingers, but there’s a strange sense of comfortability around them now too. Because no matter what happens they’re still just Hailey and Jay. They’re still them. And before he can think twice he’s reaching his hand out under the covers to find hers. The sudden contact of his skin and the squeeze of his fingers against hers makes her jump and she turns her head to seek out his eyes in the slight darkness.

There’s a strange look on his face, one that she has seen before, but has tried to ignore. The look that tells her he feels it between them too, even though neither have admitted it or said anything out loud yet.

“You’re my best friend. You know that right?” He asks her then. His voice is deep and quiet, and he squeezes her hand again.

Hailey nods, realizing she’s been staring at him in silence this whole time before she says, “you’re my best friend, too.”

Jay squeezes her fingers once more and it’s quiet again as they lay side by side in her bed. He can feel it in the silence though. He can feel it in the slow brush of her thumb moving back and forth over the top of his hand. He can feel it in the way her eyes stare back at him.

There’s something palpable between them. Undeniable. It’s in everything they do and don’t do, everything they say and don’t say. They both know it, but say nothing else as they drift closer together in Hailey’s bed, not letting go of one another’s hand.

They don’t need to say anything because they know it’s just a matter of time before things change again for them. Until they finally break from their stubbornness and trepidation and insecurities that have stemmed from their broken pasts. They know this thing between them is inevitable.