#he’s been making bangers for 20 years
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sophies-junkyard · 12 hours ago
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While he’s still trending, this is your sign to explore Kendrick’s discography. He’s so much bigger than this beef with Drake (and the “beef” is so much bigger than “he hates Drake!” but I’m hoping we all know that by now). Here’s some ideas on where to start:
The GNX album has incredible range . From hype tracks like “Tv off” to the introspection of “reincarnated”. It’s a 10/10 (literally). If you only have the energy for one album, this is a solid pick. It’s a good way to sample what he’s about and see where he’s heading.
After that… I mean for me it’s gotta be Mr. Morale and the Big Steppers. How do I even explain this? People who were surprised by “Meet The Grahams” had CLEARLY never heard “Mother I Sober”. This album will leave you staring at the void in stunned silence. It’ll make you feel empty inside but like… in an addicting way. It’s a masterpiece. If you’re intimidated by the number of songs, I would AT LEAST hear “United in Grief” and “mother I sober”. (Drake directly referenced “mother I sober” in his track “family matters”. He aimed low while ALSO misinterpreting the story like a fucking clown. Embarrassing af lol.)
2015-To Pimp a Butterfly. Depending on who you ask, this is Kendrick’s best work, and uh… yeah it’s hard to disagree. This is Kendrick in his element. A brutally honest examination of racism and violence wrapped in some of his most aggressive vocals to date (and I mean he LITERALLY uses so much growl on these tracks). But the MUSIC is…. chill? It’s also varied as hell. It’s an evening of slam poetry backed by smooth jazz. Then he’ll hit you with a slick guitar riff and some panicked breathing into the mic. The album is crucial to understanding Kendrick as an artist. Picking standouts on this one feels stupid (and everybody has a different opinion) but “Alright” and “King Kunta” are classics. “I”, “How much a dollar cost”, “you ain’t gotta lie”, “the blacker the berry”…. I’m just gonna end up listing every song. I’m also a fan of the“for free-interlude” lol. Oh and “Mortal Man”. I honestly don’t think there are any skippable tracks on this one. Just let it flow.
His 2017 album DAMN was a major success, and was how I got into Kendrick. If high school parking lots came with an OST, “HUMBLE” would’ve been our Green Hill Zone. Idk if that made any sense. Point is, it was popular as fuck. “DNA” was another huge hit. The album sounds edgy and hyped, but the lyrics are an invitation for the audience to like… choose his fate. It’s all about judgement day. Growth, reconciliation, criticism of fame. It’s a shame that it got reduced to “omg humble is a banger!!”. The fact that Uncle Sam shouted at Kendrick to “TIGHTEN UP!” And he performed HUMBLE in response... Damn.
2011- good kid, m.A.A.d city. “Money trees” is a classic with a super chill beat. And the metaphor of “planting money trees” has become a huge part of his identity. Representing his literal desire to share the wealth with his community, and his desire to stay true to his roots. It was ALSO something Drake dissed him for “failing” to do (though his record of philanthropy says otherwise). The titular songs “good kid” and “m.A.A.d city” are iconic. “Swimming Pools” is often cited as his first big hit. Side note: The album cover featured a van (I think it was a Chrysler?) that became a symbol of Kendrick’s career. and Drake fucking destroyed it in one of his music videos. Bitch.
There’s so much. He also has a series of 6 songs called “the heart” that usually drop before a new album. He has a ton of other albums that I didn’t even mention because this post is way too long. I know I skipped a lot of bangers so please let me know about them. Also this post 100% assumes everyone has heard “6:16 in LA”, “Euphoria”, “meet the grahams” and “not like us” because… I mean come on. Ok that’s all. happy listening!
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mostlysignssomeportents · 1 year ago
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It all started with a mouse
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For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:
https://web.law.duke.edu/cspd/publicdomainday/2019/
No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:
https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada
But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.
The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.
But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.
Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:
https://web.law.duke.edu/cspd/mickey/
Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.
Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.
Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.
As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.
Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.
Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.
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Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.
Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":
https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf
This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.
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So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.
Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.
But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.
But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.
Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?
Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:
[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.
This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:
[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.
Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.
But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.
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Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:
This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.
https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom
Here's the Ninth Circuit again:
When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.
Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:
https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf
And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:
https://en.wikipedia.org/wiki/Rogers_v._Grimaldi
What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.
Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.
As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.
Public domain day is 17 days away. Creators of all kinds: start your engines!
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey
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Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg
CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en
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oldmanfuckerbrigade · 15 days ago
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please tell me you're going to expand on why the newsies movie is perfection and the musical is ass, I'd love to see it
(because you are right)
yknow, i was gonna save my rant for my imaginary video essay but it’s too in my head now so i might as well do the deep dive here. you asked so i shall deliver! (Be forewarned this is long as fuck i didnt know how much i needed to say until i started writing this)
Newsies is a (Gay) Love Story and That’s Why The Musical Fails™️
Ok. So. First and foremost, let’s talk about Newsies 1992. To be fair to my own biases, I have a very strong personal connection to 92sies, it was the first musical I ever saw on screen - one of the first movies I ever watched PERIOD - and some of my first memories are of listening to the soundtrack. So you could, on a certain level, chalk up my vehemence about its quality to my fondness for it, and I will gladly admit to that.
BUT. I have now been on this earth for 20 years, and in those 20 years I’ve watched a lot of movies, and a LOT of musicals (and am now studying film full time yippee for me). So I think I can say confidently, with my broadened tastes, that Newsies (1992) is a goddamn masterpiece of a movie musical.
It succeeds spectacularly in both regards, as a film and a musical. It had a stacked deck going in honestly, with directing and choreo both done by Kenny Ortega of High School Musical fame, as well as music by the inimitable Alan Menken. You know this shit was boutta pop off. From a filmmaking standpoint, it’s beautiful. Gorgeous matte paintings in the wide shots, fantastic set work and costume design, as well as the lighting and cinematography being on. fucking. point. every damn time it’s so good it makes me sick. You don’t even need me to say anything about the acting, cause we already know it’s phenomenal.
As a musical, it’s also right on the money. Every tenet of musical theater is respected, we have our intro ensemble number, introducing us to the world, the people within it, and the stakes of the story that we’ll follow. We have our absolute fucking BANGER of an “i want” song which Christian Bale puts his whole Baleussy into. And ofc we have some fantastic call-to-action, come-together, and uplifting songs and dance numbers.
But most importantly, every song does the one of two things any musical theater number should do: advance the story or give us insight into a characters thoughts and feelings. Let’s talk about them all in order (i promise this is gonna tie in to the stage show in a second just bare with me):
The Music
Carrying the Banner is ofc our opening theme, introducing us to the world and characters. Where and when are we, who are the heroes of our story? This is the “known” part of our hero’s journey, the home base and the place to which we will return. This is our Normal Time.
Santa Fe is, as we all know, Jack’s “I want” song, the song that tells the audience the hopes and dreams of our main character, so we can understand, well, what he wants. We can discover through this song what Jack’s character is all about. Through both what he has, what he lacks (or perceives he does) and what he hopes to gain. Jack has no family, he’s alone, but he has seemingly given up on ever being NOT alone, so he pins all his hopes for a better life on the mirage of Santa Fe. If he can pave his own way in the world, leave the city which has done nothing but take from him, maybe he can feel whole again. He’s a dreamer, despite his rough exterior, and he dreams of a life of freedom, beyond what he can find in New York. So there we get, all wrapped in a tidy bow, the essence of Jack Kelly’s character. a deeper look beyond what we have seen up until this point. Ok moving on.
In between Santa Fe and The World Will Know we have a small song which Medda sings. While that song in and of itself isn’t terribly important (it’s just part of her show), the scene that it’s in is VERY important. This is where we have an introduction to one of the few people we could consider part of Jack’s family, as a sort of mother/aunt figure. Overall it serves to give Jack more humanity, therefore giving our audience surrogate David (and hey i’m gonna go off about Davey just gimme a minute) more reason to trust Jack, and thereby the audience can trust him as well. We also get a little interaction between Jack and Davey that was pretty much ripped wholecloth from the movie and supplanted on Jack and Katherine in the show. It’s literally the same shit, Dave and Katherine are mistrustful of Jack and his intentions, they argue, it’s homoerotic as fuck, and it all takes place at the theater. (And also we get the one scene in the movie that does a weak ass attempt to un-gay David by having him drool over a pretty lady. It does not work lmfao).
The World Will Know is a standard call-to-action, but it by no means is mid-tier in any way. This shit slaps. HARD. We have Jack as the voice of the people convincing the gang of erstwhile children to band together with him on this, and stand up for their rights. This is also the first real time we get Jack and David teaming up to achieve a goal. Jack may be the voice of the people, but it’s David who’s the brains behind the operation, knowing what to say and do, while Jack has the respect and tenacity to put it forward. THIS IS VERY IMPORTANT. BECAUSE THE STAGE SHOW ALL BUT BRUSHES OFF DAVID’S INVOLVEMENT IN THIS SCENE, SO IT NO LONGER SERVES IT ENTIRE PURPOSE. A big secondary point of this scene is to illustrate that while Jack and David are strong boys independently, they work so much better together, and are able to achieve what they wouldn’t normally, alone. And the musical does not understand this. But i’ll get to that later.
Seize the Day is David’s first step towards standing in his own power. The newsies are losing steam on the strike train after Brooklyn refuses to join so David is the one to raise everyone’s morale and bring back their fighting spirit, getting all the other boys to take up the call, preaching brotherhood and community, the strength of standing together. Here is your come-together song. But this is the important thing: It’s David who does it. The song becomes an ensemble number as it goes on but HE is the one who STARTS it. David was hesitant to really rally behind the strike at first, but now he’s all in, he’s connected with the boys and he believes in the cause (thanks to the spirit that Jack brought to it, and how much Jack believe in it cough cough). He does start it in the musical as well, but the tone is very different, it’s only after Jack’s urging that he says anything. Bro didn’t even have to say shit in the movie. But whatever moving on.
King of New York is a hard song to mess up. It’s just good. and fun. and I like it. It probably has the least to do with moving the plot forward or giving us an internal look on any specific characters. It’s an ensemble and dance number. I do like it better in the movie rather than onstage, though that’s mostly personal preference. The stage show kind of beats it to death, like why is it 10 minutes long I swear to god. They know it’s a good song and they wanna capitalize on it, which makes it all seem kind of transparently cynical to me. it’s still like, good and the dancers are on top of it but….its too much y'know. The movie just has a good time with it. Because it’s a good time. Also Jack is there in the movie and he’s not in the stage show for some reason, I forget why. Probably because of some plot contrivance they got from trying to shove new elements into an already lock tight story. sorry ok back to actual critique.
Once and For All is like maybe my favorite song of the whole soundtrack. It just eats. Every time. This is the song we should play while smashing in the heads of the capitalist pigs that run our stupid fucking country. It’s a banger. AND it moves the plot forward, which is always a slay. Let’s make that underground pape and radicalize all the child workers being abused across the city!! yeah!!!
And then we got our TWWK and CtB reprises to tie up the ending in a neat little bow, bringing us back around the our beginning, a la the hero’s journey. We’ve completed our circle and are back to the beginning, changed but better for it, with our characters at transformed equilibrium, the evil vanquished, and bright days ahead. Jack realizes that he doesn’t need to chase the illusion of Santa Fe when what he really wants and needs is to be with the people who love him, the family that was right under his nose the whole time. David is a full fledged newsie, has come out of his shell, become more confident in himself, and his relationship with Jack is assured. So. Let’s talk about Jack and David.
Jack and David
Historians would call them “good friends”. This whole section is gonna be me preaching to the choir, so to speak, so I’ll try and keep this concise. We all know they’re gay, everyone and their mother knows they’re gay, so why is it important? It’s not like that shit is actually baked into the story right? WRONG. Jack and David are at the heart of the story of Newsies. Jack may be the “““main character”””, but David is the impetus for the events of the story, the driving force behind the plot. He is, in essence, the call to adventure that our hero Jack receives at the start of his arc.
He is also the audience surrogate. It’s through him that we learn the ways of the newsies, the ins and outs of the newsboy life, the trials and tribulations. It’s through him that we come to know Jack’s character on a deeper level. We only get Santa Fe after Jack has met Dave’s family (talk about U-Haul lesbians like my god he knew the guy for a DAY and he was already meeting the parents), and we get to see how seeing David’s loving family is painful for Jack, how he grieves that lack of connection but copes by pinning his hopes on Santa Fe. Most everywhere we see Jack go, we see it because David goes too. (MOST. There are exceptions, like his talk with Pulitzer. But of course, David is still RELEVANT in that scene). We see the story through David’s eyes.
Which is why the musical fails.
Because in the musical, David is so far removed from the narrative you could replace him with any guy and it would still work. He is an after thought, all but scrubbed from the script, and for why???
This I don’t have an answer for, which is really frustrating. My best guess is that it was a well-intentioned but misguided attempt to tighten up the script by placing Jack as the main character. And to make room for Katherine.
Oh Katherine��.I used to really vehemently hate Katherine, and her addition to the story. I’ve obviously grown since then, I can recognize her importance as a woman within the story, and how that is important for young people to see in media. But also. She is unnecessary. TO THE PLOT. I won’t speak to her necessity from a larger, misogyny-on-the-world-stage level, but to the actual plot itself she is completely unnecessary. And you know how I know? Because they took movie David’s whole personality and just copy and pasted it onto her.
Ok now hear me out, I KNOW that it is not 1:1, but it really doesn’t have to be. If you step back and look at the bare essentials, it is the same shit. Jack and Katherine have the same enemies to lovers type dynamic that was Davey and Jack’s in the movie. There’s the initial mistrust, the dislike, she’s very professional, and kind of a know-it-all. Jack is the charming street rat, all dry wit and golden retriever energy. They tease and bicker and snap at each other. Exactly like Dave and Jack did in 92. Watching both versions back to back made this almost glaringly obvious to me. Like it was actually kind of shocking how obvious it was.
And the thing is, I understand why they did it! Sarah was such a nothingburger character in the movie (sorry Sarah, love you in fics, hate your actress with a burning passion) that they knew they had to add SOMETHING more to any potential romance subplot, and if they were conveniently sidelining David’s character anyway, why not take some cues from the most powerful relationship in the film? I understand the logic behind it, I really do.
But. That still leaves David, flopping around the script like a severed limb, with nowhere to go and nothing to do to help the plot. Cause here’s the thing, his and Jack's relationship is what makes the movie. I don’t care if I'm fandom-goggling this my tin hat is ON I have a MASTERS in FUJOSHI STUDIES. The movie is at its core, about brotherhood and community. It’s about boyhood and friendship and banding together with your peers to achieve great things. They give us this theme through Jack and Dave.
Dave is an outsider, unfamiliar to the ways of the street kids and working within a community like that. Jack is old hat to it, born and bred in it, it’s his home and his family. They come together through a twist of fate, Jack initially thinking only about what’ll earn him the most money at the end of the day, and Davey rightfully mistrustful of him. But they end up forming an organic bond through the strike, finding common ground with one another, and realizing if they team up they can accomplish great things. We see them struggle together, and break apart for a bit. We see Jack realize he’s gotten too close to this boy, brought him into something dangerous and now he genuinely cares for him which is even worse. David goes so far as to break Jack out of jail, but not before Pulitzer can get to him and threaten him with the one thing Jack will take seriously: David. Jack is forced to destroy David's and the rest of the newsies' trust just to keep them safe.
But through all this, facing incredible adversity, dangerous circumstances, gaining and losing a close friend, David is forced to come into his own, take on a role of leadership and stand up for what he believes in. In this way, his own character arc is fulfilled, by the end of the movie. And the one thing that gets Jack back to the newsies? Why David being in trouble, of course. The one thing he hoped to avoid by agreeing to Pulitzers terms. That’s all it takes for him to take it all back, the prospect of David being in danger.
BRO. WHEN I SAY. THAT THEIR RELATIONSHIP IS WHAT DRIVES THE PLOT. I FUCKING MEAN IT.
And y'know they make their own paper and radicalize all the kids in the city, they go to Pulitzer TOGETHER. BY THE WAY. TOGETHER. Which the musical cannot seem to understand. It’s only as a united front that they are able to beat Pulitzer and win fair terms for the newsies. And then jacks like ahhh yeah im goin to santa fe so long fuckers and then is like never mind actually i wanna come back and kiss Dav- I mean Sarah.
Which is also a hilarious fucking scene to me like that whole last interaction between Dave and Jack is so damn romantic in tone that the only way for the tension to break was with a kiss, so they had to have Sarah come in out of nowhere to kiss Jack 💀 like they knew that shit was leading to something but they couldn’t have the boys kiss obviously so they had to throw a woman in there real quick.
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So. tldr. I meant this to be a lot more organized and make a lot more sense than it did but oh well. The reason the musical fails is because it fails to recognize that Dave and Jack are EQUALLY both the main characters, you can’t have one without the other, their partnership is the core force of the plot and story, without both of them you are left with something resembling the story you once knew, but with none of the heart and spirit of the original.
Other Technical Things That Are Bad
i wanted to take a second and just touch on some smaller details that also stood out to me, but are less connected to my central thesis.
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Costumes. Oh boy did they fuck that one up on stage. Now to be fair, I’ve only seen the 2017 pro shot and one (1) local children’s production. Not any of the other runs or anything. So I'm only talking about what I’ve seen here. But what I’ve seen is Not Good. There’s already a lot of names and faces flying around in the movie which are hard to keep track of as it is, but everyone looks different enough from the person next to them that you know who your main players are. Each kid has his own way of dressing, unique color palette, accessories, and other styling choices that make them stand out. If you know who you're looking for, you can pick out any named newsie from any of the major ensemble scenes. You can't do that with the show. Everyone is wearing a variation of the same bland shirts and pants, and the color palette is dull gray-brown across the board. I'm not saying you have to go crazy with colors and shit, the costumes in the movie are believably period accurate, but I can still tell Racetrack from Mush without having to squint. (Also hey shout out to whoever decided to do that little red/blue color palette motif on movie Jack and Dave. I see you, and I appreciate you.)
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The new songs suck but what can you do :/. Sorry to Alan Menken you ate with the movie my guy but you were just not on your A-game with this one. I didn’t even know it was still Menken doing the music in the stage show honestly, with how different and sucky the new songs were. Personal taste on this one I guess. But I don’t like them. Why does Pulitzer need a song. Literally why. If they had to give any pre-existing character their own song it should've been David! Like literally no question about it, it should have been David. Also why are we doing Santa Fe at the opening?? Did we forget how musicals work?? We never open with the "I want" song! ESPECIALLY if it's a ballad!!
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The set. Yeah I’m really here to tear everything down ig, I didn’t know I had this many gripes until I started writing this sorry guys 😭 But yeah it’s not as gooood. And I'm like. ok. I know they were never gonna be able to do anything close to the movie. It’s onstage. They had to make sacrifices. But tell me why it all had to be cool toned?? The movie's color palette is so nice and warm, it feels antiquated but also real, it’s homey and nice. But also unforgiving and rough when it needs to be. They could’ve done that with lighting and shit onstage, changing the tone when it needs to, but instead they opted to throw out the warm tones for mostly cool gray steel backdrops. Whatever. I’m not a set tech. They know better than me.
//
THAT KID. IS SO MOTHERFUCKING ANNOYING. I AM SO SORRY. BUT IT IS HOW I FEEL. No hate at all to the kid playing Les in the 2017 pro shot, he was just a child he was doing his best not his fault at all. I’m choosing to blame the writing. But also goddamn if that kid's choices for delivery did not grate on my ears. His voice. just. did not sit right with me idk. Les in the movie is such a cute and endearing kid, I always adored him as he reminded me a lot of my own younger brothers. But this kidddd. is so unlikeable it’s like, going PAST annoying unfunny comic relief character straight into “how the fuck did anyone think this was a good idea”.
//
The ending suuuuuucks boooooo it’s bad I don’t like it I'm kinda running outta steam here but I still got shit to say so fuck it we ball. it’s so over explained that it’s just. just dumb. It just becomes dumb at a certain point. Jack going to do cartoons for Pulitzer??? What??? Don’t get me wrong I actually really love them giving him artistic talent I think that really adds some actually GOOD dimension to his character, but this????? Really????? Everything is just so like *perfectly* wrapped up that it totally destroys my suspension of disbelief. In the movie it’s definitely very wish-fulfilling and unrealistic, but it’s from the perspective of kids. It’s exactly as a kid would perceive it. And we don’t see exactly how the conceding of Pulitzer goes down and we SHOULDN’T!! Because then it gets all bogged down with the logistics of it all which is exactly what happened to the play! We don’t need all the details, we just need to know they won.
//
This one isn’t a gripe actually because I apparently DO have love in my heart: I love musical Crutchie. I love him, I love him so much my sweet boy. I love him being Jack’s little brother I love them having that deeper connection. I love Crutchie in the movie so to see him getting more screen time (so to speak) is just lovely. The one change I agree with. I love you forever Crutchie.
ok i’ve been writing for hours and my hands gonna fall off so im done now. if i think of anything else…well, you’ll just have to wait for my video essay i guess.
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sinner-sunflower · 10 months ago
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P.2 HH Lucifer-centric AU 2/?
STORY 1, PART 1, PART 3, PART 4, PART 5, PART 6, PART 7, PART 8, PART 9, PART 10, PART 11, PART 12, PART 13, PART 14, PART 14.5, PART 15, PART 16, PART 17, PART 18, PART 19, PART 20, PART 21, PART 22, PART 23, PART 24, PART 25, PART 26
Writing this while listening to Christian songs is my process lajsdlkajkld
You guys need to listen to the soundtrack of Journey to Bethlehem. What bangers and amazing pieces!
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Once they got inside, Charlie locks the hotel up using keekee.
Vaggie: You sure that will hold them up?
Charlie: Of course! Besides if any of them try to sneak in then I'm sure Razzle and Keekee will keep them out yes? Yeah? Awww yes you will~
Charlie gushes on her guardians for one more minute before moving close to where her dad was seated on the couch.
Charlie: You okay, dad?
Lucifer: I'm fine, sweetie. Just a little dizzy. I've been using that ability more in thebpast few months than I ever did for 10000 years. It's always draining.
Alastor has disappeared, probably in the kitchen making her dad tea.
Cherri: Not gonna lie. That was kinda hot.
Angel: Yeah. You gotta keep doing whatever that was when you can, short king. Preferably when I'm there to see it. You know, I give full consent for you to do that to me in be-
Charlie: Angel!
Angel: What?
Alastor: Do you never think before you speak, Angel?
Saved by the radio demon. Lucifer smirks as gladly accepts the tea handed to him.
Angel: I'm just here expressing my feelings, Al! And princess, didn't you say that was a redeeming quality.
Vaggie: You are so lucky Lucifer- uh sir- is not killing you on the spot.
Angel: Hehe sorry, handsome. Just a lil fun~
Lucifer chuckles at this. Charlie sure did find some funny individuals.
Lucifer: None taken, Angel. And Vaggie, I told you to stop calling me sir. Lucifer is fine, or if you want.. dad.
Vaggie blushed so so golden that she went to hide in her girlfriend's shoulders in embarrassment.
Vaggie: okay… Lucifer sir.
The King of Hell chuckles in amusement. Well, he'll take what he can get.
Someone clears their throat causing everyone to look at the source.
Lucifer: What is it, Satan?
Satan: As cute as this is, I think we need to discuss what happened earlier.
Lucifer: Can I say anything that will make you guys just drop it?
Various statements from All: Nope. No. Sorry, shorty. Nuh uh. I don't believe so, my dear.
He sighs.
Lucifer: Worth a shot.
When Lucifer doesn't make a move to speak, Charlie kneels before him to hold his hands in hers. There's ringing in his ears.
Charlie: Dad..
Fatherdamnit! Why is he so weak when it comes to his baby girl? He's the Devil for fucks sake and-
And… he's a father first.
Lucifer: It was my brother. Michael.
Everyone's eyes widened in shock except for the Sins. They knew who it was but what they want to know is why.
Angel: Woah woah woah! Like St. Michael the Archangel ?? From the Bible??
Lucifer: Angel, I'm from the Bible.
Angel: Oh yeah.
Charlie: Do you think this is about the last extermination?
Vaggie: But that was already a few months ago. If Heaven had a problem with what happened, I'm pretty sure that we'd hear from them much earlier. Unless..
Husk: It could be cos of the mess in the 7th ring?
Lucifer doesn't answer any of them again. Instead, he looks on to the Heaven shaped planet in the sky.
Asmodeus: Luci… is a war coming?
Lucifer: I can't answer that.
Liar. Why are you lying again? You know why Michael did that. They can help. They will listen!
Alastor: Cannot or won't, my Majesty?
He should've known Alastor will see right through him. Smiling prick.
Lucifer: Does it matter?
The demon's grin doesn't falter.
Alastor: I do not know, my King. Does it?
The faint ringing in his ears is getting louder. He can't ignore it for long.
He stands and dusts himself off.
Lucifer: I don't have time for this. I need to go to Heaven as soon as possible. Preferably right now.
Loud protests echoed in the hotel lobby as soon as he said it.
Alastor: Mon ange, let us not be too hasty.
Satan: Are you fucking kidding me?!
Leviathan: No way.
Mammon: So it is a war???
Ozzie: On your own?!
Bee: What if they kill you?? One of us will go with you.
Belphegor: At least take someone from the Ars Goetia. I'm sure Paimon would gladly give you a strong familiar.
Angel: I make stupid choices so I know this is stupid- ow! The hell, bitch??
Vaggie: Shut up, Angel. But they're right, Lucifer sir. And sorry but what brought this on?
Charlie: Let me come with you atleast.
That's it.
Lucifer: No!
That stopped the talking atleast.
Lucifer: I need to talk to Michael and I'm pretty sure he's not going to come down here. And no, I am not going to take anyone with me. It's too dangerous, Charlie. Don't worry, he's not gonna kill me up there. Just… I promise I'll explain what I can after but right now… I need to go
He can see the Sins about to argue again but he gave them the softest look he can muster and it did the trick because they all clammed up.
Lucifer: Do you trust me?
The look they give him makes him reminiscent the beginning. A time of nothing and all he had was Lilith and the newly born Sins. He sometimes forgets that they were still a lot younger than him and for a long time, he was all they got.
Satan: Of course.
He hopes the smile he gives them is reassuring enough. They melt into his hold as he rans a hand through their faces to cup them.
Lucifer: Good. Take care of my daughter and Hell, okay?
Finally appraoching Charlie and her friends, he draws small pentagrams that embedded themselves unto their skins.
Lucifer: These will act as a ward to anything that poses as a danger to you. Consider it a gift from me.
He locks eyes with Alastor and they form a silent agreement.
His deer takes his hand and bends down to kiss it.
Alastor: With my soul, my love.
Lucifer smiles and suddenly a golden flurry engulfs him, tranforming him back to what he originally looked like before Roo.
When Leviathan gave him a look, he waves in dismissal.
Lucifer: I don't need Michael or Heaven knowing about all this mess. As far as they're concerned, Roo never happened.
He calls upon Keekee, who turned into a key to open a golden portal. Vaggie can see that wherever he opened it, it wasn't the pearly gates of Heaven. It looked like… a room? And since when was Lucifer allowed to open any door in Heaven on his own? This is all suspicious if you ask her. But she bites her tongue.
Before the King could step in, he was grabbed by the arm. He looks back to see his daughter having a tight grip on his wrist.
Lucifer: Char-char?
Charlie: Come back, dad. Okay?
He wishes he just lived a normal life with his beloved little girl.
Lucifer: Promise…. Love you.
-----------------------------
Found the comic with the baby Sins thanks to user @s-arina!
Baby Sins Comic by aogs_47777
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willowmosby · 16 days ago
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Seven Seasons & a Movie
I have now finished all 7 seasons and the Movie of Homicide: Life on the Streets. Well actually I finished it yesterday but I needed to process (ie Read as much fanfic as i could my hands on) but now I am ready to info dump, forcing all of you to hear my thoughts on a show that aired over 20 years ago in a similar way to my CSI Post.
The TLDR is Homicide is a really well built show that more people should watch. There are things that you don't agree with but it mostly feels like those things happen because its grounded in reality. Also i can't think of a procedural that does continuity as well as this one did.
Sorry that this is so goddam long & Spoilers incoming.
Lets talk seasons:
1 &2: they are short enough that they feel like one continuous season. the Adena Watson case starts as something for the show and the characters that, honestly, never goes away (I personally feel like the arabber did do it if your curious). I feel like these seasons are a masterclass in introducing characters and a formula. also name another show where a season one case is refenced every season including the end.
3: the 22 episodes season is were H:lots hits is real stride. Season 3 has some episodes that will live rent free in my head for ever. Crossetti, the last of the watermen, the city that bleeds arc those are the stories that I'm really going to remember.
4: The season of 2 part episodes, I think this is the season we really start to see a shift with the addition of Kellerman and the promotion of Howard and demotion of Russert the characters get to be put in new and unique postions.
5: While I would say season 3 has my individual favorite episodes I think 5 is the shows most compelling. Some people do bad things some people do good things. It was hard to watch some of those things but it never felt like the show was going to hard or jumping any sharks.
6: Don't getting me wrong their were some bangers, looking at you Subway and Finnegan's wake , but i did start feeling the weight of this show a bit more in this season. Some of the new characters don't work for me.
7: Some of the new characters still didn't work for me but some of them were a lot better. I feel like this was Bayliss season to win or lose and in a way that just makes sense for the series. I think that there are very few shows that can say they stuck the landing as well H:lots dose.
The movie: listen "avengers assemble" has nothing on the montage of the detectives getting the call that Gee's been shot. Some of this was probably because i knew this was the end of the line for the story but i genuinely was really moved by a lot of the movie. The Scene between Pembleton and Bayliss deserves every award possible.
The characters (kinda in order of how long they were on the show):
Steve Crosetti: I'm going to be honest besides his obsession with the Lincoln assassination the reason he is memorable is because Lewis remembers him. His death means something for everyone but I can't pretend like I remember a great deal about his life, which i suppose is a morbid point the show likes to make a fair amount
Rene Sheppard: At the other end of the only here for about a season, she is one of the better late season additions. I think they were trying something interesting with her to examine what it means to be a female detective in a male dominated squad. unfortunately i don't think the show had enough time to make a clear arc for her.
Michael Giardello: His relationship with his father was compelling and I never minded seeing him on my screen, but also i don't know he wasn't my favorite no real reason just didn't know him long enough.
J.H. Brodie: Fuck him, honestly. This is the clearest example of how I will forgive a character for anything except being annoying & without purpose.
Staurt Gharty: I really didn't understand the choice for him to come back after that one guest spot. I had moments were his presence meant that other character had some great development but i still don't like the guy.
Paul Falsone: Ehhh he had his moments I actually quite liked him when he was paired with Ballard and Stivers but I also i don't know i think its fair to say I have a bias for characters who are there for the long hall and he unfortunately doesn't benefit. The scene where he and Kellerman pulled their weapons on each other kinda ate though.
Laura Ballard: Kinda in the same boat as Falsone, I appreciated what they were going for and I definitely think there was a lot of good. I didn't like when they had her kinda go out with Bayliss but thats not really her fault you know. It was also interesting to hear an outside perspective of Baltimore.
Beau Felton: I love to hate this guy. I mean what a fucking mess (affectionate). He was never my favorite and he doesn't seem to be that great of a detective but you know I valued what he did on the show.
Stanley Bolander: What a guy, i mean he's just some dude. He and Much are hilarious. I don't know what else cause like he's just a very solid detective who is sometimes a bit annoying but in like a fun way.
Jullianna Cox: At the start there was a bit were i felt like she was only there cause they knew they needed more female characters but i do think they found a way to make her compelling. I mean she can be toxic as fuck, like she and Kellerman needed to attend AA soooooo badly, but i enjoyed having her on my screen.
Terri Stivers: Do I maybe have a weakness for Butch women? Yeah okay but shes just so cool and so good at her job and I love her okay. She's the only one that comes out of the Mahoney chaos with any sense of high ground and I love that for her.
Mike Kellerman: I mean this guy, this guy he feels like every time he tries to do something right he just diggs himself further and further away from what would actually help him. He is the example of how I should hate a character for everything they do but I just can't cause he's just so damm compelling. The scene where he tries to commit suicide, I don't know it really fucking got to me.
Megan Russert: I really love what she was able to do for the show. She was able to play equal to Giardello and she made her own path. She has also actually good a the political game, well mostly good at it. She had her own way of keeping people in line which I appreciated.
Kay Howard: You know this is my girl. You know it. I love her. I know she has her faults and her arrogance but I don't care i can forgive it all. I think she's a great detective and a great leader. I really felt the loss of her in last two seasons of the show. I wish I had something more intelligent to say or something to make it sound less like I am just a simp for her (which to be fair i kinda am but i do think there is more than that). There is a whole essay in my brain as to what Kay Howard means to me as a Queer woman, I mean I don't actually think she's a lesbian, but she's definitely got something LGBTQ+ going on.
Ed Danvers: Okay so technically he might be a reoccurring character but he deserved a mention. As an avid SVU watcher i enjoy a good ADA or in this case ASA. He really dose know when to deliver and he really urns the times when tells the detectives they don't have enough and the times he goes along with their longshots.
Frank Pembleton: There is a reason people think of him as the main character in an ensemble show and its well deserved. Get him in the box and this man shines. He isn't without his arrogance but he gets the job done every single time, even when maybe he should let sleeping dogs lie. He and Bayliss have one of those sexually charged relationships that just make TV work. also got to love a Guilty Catholic tm.
Al Giardello: Name a better leader i dare you. This guy cracks me up like he takes absolutely no shit from his detectives. I feel like there are some really shinning moments that get overshadowed by the flashier Pembleton and Bayliss. His talk with Megan about being a darked skinned black man and the episode where he kills a man are some of my personal favorites in the show. I almost cried when it was reveled he actually died in the movie.
Meldrick Lewis: He has some clear issues with women that I don't love but other than that he's really fun. He just seems like the kind of guy who just keeps going but he gets paired with partners who have some more serious issues. Again the Scene on Kellermans boat is a brilliant piece of acting. I know he was actively involved in some shady/ bad decision but I don't know I just don't blame him for it.
John Much: The reason Homicide was even on my Radar is because of his time on SVU and the man did not disappoint. I mean his conspiracies and crashouts are stuff of legend for good reason. I think the character is also really interesting as a lot of the harsher edges he has on Homicide get buffed out on SVU. I think if i actually met him in real life i would hate the guy but he's great TV. I also just have to take a moment for the scene in the sniper episode where he has an absolute crashout over the possibility of seeing Howard get shot again and Howard is just in the car going "what the fuck john". got to be a top ten moment of the show for me.
Tim Bayliss: I mean just has to be one of TV's greatest characters. He's haunted by a case he didn't solve. He had sex in a coffin. He's Bisexual, He's a Buddhist (?), He's a cop, He's a murderer, He's the new guy, He's the burn out. I could never wright fanfic for this show because there is no way I could do him right. He just so soft and kind but also so angry and harsh. I guess the implication is he commits suicide after the series but I think I want to live in the world where he just goes to jail.
Ships:
Note: I love shipping so I have to talk about it, but as the the low number of fic on Ao3 and lack of ship names implies i'm not sure if its a popular topic for this fandom so..... i guess what i'm saying is that these ships really are base off of my read of the show which i can't pretend is particularly impartial or astute.
Pembleton/ Bayliss: the best iteration of the partners in love bit can't/ won't get together. Like their are so many homoeotic moments but there are also plenty of moments where your just like these two men are so co-dependent and only one of them is aware of that. From blowing smoke in Bayliss's face, to " the sin is not your own", to "yeah i loved him" to " absolve me frank". I mean truly no one is doing it like them. 1000/10
Mary Pembleton/ Frank Pembleton: They are very lovely and I feel like i had to have a chance to mention how much I like Mary. I do feel like they work on their marriage in a way that isn't perfect but is more than most shows do. 10/10.
Russert/ Giardello: What? your saying you don't see it? It just they feel like they are so well matched and have great chemistry. not alot to say just that i think they would be good together. 9/10
Russert/ Felton: Girl you know you can do better. I feel like the sex was probably good though. 4/10.
Ballard/ Bayliss: Bad. I didn't like it for either of them. The writers were trying to work on some stuff and it didn't work. 0/10.
Cox/ Bayliss: Again not good, but at least everyone knew it wasn't good. 1/10.
Cox/ Kellerman: I mean its toxic as fuck, but i also kinda fuck with it. you know. 7/10.
Ballard/ Falsone: Okay they were just so sweet. I really thought they were fun. And i feel a bit bad saying this but i do think them being a couple made me enjoy them both a lot more then before they had a thing. 10/10.
Stivers/ Lewis: I fucked with it at the start, but then the show stopped pushing it for very good reason. Like they both had some bigger issues happening. 5/10.
Howard/ Munch: Okay this one is a little bit cause I read fanfic about them post series,and little bit cause I want my favorite characters to be happy. But Its mostly cause like i actually do see it. I genuinely think that out of all the detectives Howard worked best with Munch, they had a mutual respect and care that should be surprising but really works well and so yeah I ship it. I'm okay if others mark it down as a Brotp but I think it works romantically as well. 10/10.
Howard/ Danvers: Howard says he's great in bed and they stay friends after wards so you know can't be bad. 8/10.
Thanks you so much for reading if you made it this far. I'd love to hear other people's thoughts. I may be moving on to a new show, but I promise you tumblr i have some more H:lots content cooking cause I feel like there need to be more for such a good show!
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funnyscienceman · 5 months ago
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Ok but like WHYY did ubisoft have to insist with the one game a year thing. Why couldnt they let syndicate cook in the oven more. Why do they have THREE queer men in the same game and not do ANYTHING with them!!!
Like yes, yes, i get it, i get wanting to for once make a story in a fun setting where you dont have to think about real life prejudice and hardships and bigotry and just have characters be silly, i love that too. I do! And id be all for that if doing it just didnt waste a potentially banger study of the characters and the setting ;-;
Like god i go back and forth on this constantly. I already love syndicate as it is, i think it's fun and neat and the happy gaming vibes about it is core to its identity, it's just that simultaneous to that, three queer men in the same game!!!
like GOD im still miffed that there are only, like, two or three fics about this, and so far i havent found any discussion or anything of it, but oh my god how different all three of them are from each other. You could do so much just with having any of them in the same room — and they are often enough in the same room (jacob and either ned or roth at a time), but nothing's really done there!
we have roth who sees fcking nothing wrong with getting kids hurt, because he doesnt actually care about anyone or anything, he's just some fucking joker wannabe that yeah, sure, probably has some anger and resentment at society because he's a gay man in his 40s or 50s by now, but jesus fucking christ retaliation against homophobia does not equal rampant needless unproductive violence roth!!!
then we have ned, who — i mean he doesnt ever give his opinion on whether kids deserve any respect or anything but considering in every other department he's pretty much just Some Guy, it'd be fair to assume he also has the extremely average stance of 'dont fcking kill kids and dont blow up buildings for no good reason??' in the grand scheme of the templar-assassin stuff he has just about as much relevance as roth: roth was just the boss of the blighters, ned just finances the fryes by virtue of them working for him. He probably doesnt even know about it, and tbh i dont even know if he'd care??? But like i imagine roth doesnt care in the way of 'as long as you dont get in my way, it's all set dressing,' ned i imagine would be smth like 'are yall fckin serious? are you kidding me rn? i have to skirt around transphobes on a daily basis, now youre telling me there's a secret society on top of that with even worse ideas?? What the fuck???'
like uh, not caring about it as in 'I cant deal with this rn i need a nap'
HE'S JUST AN EXTREMELY REGULAR PERSON (besides the crime lord stuff) IS WHAT IM GETTING AT.
then there's jacob, who's the youngest out of these guys btw, fckin 21 good god he should be at the club not trying to disassemble systemic oppression— ANYWAY
(ned is 27-28 over the course of the game, btw; we dont actually have a solid timeline for anything, just the year, so tbh jacob could've also been 20 and not 21 yet during the game. both he and ned have late birthdays, just a month apart)
so, yknow, being extremely early 20-somethings, both frye twins just take a train to london completely on impulse and dive headfirst into undoing the templars that've had an iron grip over the city for basically as long as they've been alive, yknow, as you do; and throughout the game jacob has to deal with goddamn daddy issues and fighting with his sister and insecurity and trying to be an assassin — and that's a lot for a guy to handle!! Especially one who's still just a couple years out of being a teenager! That's a fucking lot and if the devs are right, then he hasnt even realized that he's bi yet! Not until roth fucking kisses him while jacob's got a knife in his throat for the aforementioned indiscriminate, unproductive violence!
i mean, granted, yeah there were gay undertones during sequence 8, but i have to admit my bias here because i honest to god cannot take those missions seriously. Roth fucking preaches this and that about freedom and whatnot and then im plopped into the mission and it's the most rule-heavy shit ive ever seen in my short life as an assassin's creed player. Like what the hell, those missions were atrocious. Apprently i need to detonate the bombs a specific way, i cant just shoot them from a distance, i have to hold a button crouching down right next to the bombs, and then run the hell away! I have to avoid THIS and THAT while kidnapping xyz! Like there's freddy's apprehend missions and then there's THIS.
at least with ned's missions all you have to do is get the shit and go… i'm still salty that ubisoft cut his questline because they fucking insist on releasing a game a year >:((
my battery's dying. All these guys are different flavors of queer on top of just being pretty different and pretty similar in various ways, and there's just… barely anything about it. Ned especially, since he's just a quest giver whose screentime totals to, like, 2-5 minutes. I just wish they really did more with the setting; not just the queerness and these three specifically, but like, evie, henry, the class conflict — like there are shreds of it, seeds, but there's not much before you kill starrick and credits roll :((
idk. im just gonna refresh ao3 again cjemddjekjx
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dollypopup · 11 months ago
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You are obviously THE Stein/Marie person of the Soul Eater fandom. Couple questions if you’d be so kind.
Any fanfics besides your own you’d recommend for Stein/Marie?
Also, would you mind sharing whatever your thoughts are on Stein and Spirit’s relationship?
(I finally finished the manga, so I can dive into your fics at last without fear of spoilers! 😊)
Oh wow! I am? Haha, I just love them so much as a couple! I think they bring out the absolute best in each other, and several years after the fact, I do still get giddy about them as a pair! That warms my heart that so many years later, people think of me when they think of this pairing <3
I have soooo many fanfic recommendations! I made a post ages ago about them, you can find it HERE but since making it there have been several great stories that have come out.
If You Read Anything, Read This
Worthy by @flourchildwrites (the best SteinMarie fic ever written. Period. and I'll say that with my entire chest over and over again. An exploration of them growing up together as Meister-Weapon pair. Poignant, perfectly in character, and so so well written)
Marie's Guide to Dating a Self-Proclaimed Sociopath by @ohmytheon (anything ohmytheon writes that's SteinMarie is a guaranteed BANGER. every single time. other fantastic fics by them include Just Breathe , From Great Heights , Who Did I Think We Were? , and if M and E are more your style, Sexology and there's something at work in my soul (FMA AU!!! brilliantly made)
Some one shots that are fun reads
Fluff
20/20 vision by supine_with_stein (eclaire_and_pocky)
Study Buddy
False Alarm! by benedicteggs
I Simply Must Be Loving You by lukieee
Cold Hands, Warm Heart by thehopelessunromantic (DoctorCannoli)
Kid Fics
Room for Two by MicrosuedeMouse
Paradigm Shift
Father Figure by benjaminfinns
Angst
Not Quite Lichtenberg by Webtrinsic
Becoming Naive by raspberryfanfics
Smut
Stitched by secret_wanderer19
As for Stein and Spirit, I'll put that one under a read more
I have some complicated feelings about Stein and Spirit. I think what Stein did to him is an irreparable harm, honestly, to the point where even at the end of the Manga and Series, Spirit has a lot of complex PTSD to work through regarding him. He's his watchdog, his babysitter, chained to him through circumstance whether he wants it or not. Spirit is a lonely man. I don't know how often that's discussed, but by the end of the series, truly, Spirit has lost everything.
At the start of it, this dynamic is different. Stein is the one who has nothing to his name save his talents when he first comes to and leaves the DWMA, and Spirit is the one who has everything. He has friends, a family. A daughter and a wife and a good job, a good meister. THE best meister, arguably, considering he is Lord Death's weapon. And then he ends it with nothing: a shattered relationship with his daughter he is still in the midst of attempting to fix, an ex-wife who cannot stand to be in the same country as him, friends who roll their eyes at his antics, a dead meister, a dead God.
You contrast this with Stein, who begins with nothing. A belief he cannot love, cannot be close to anyone, who experiments on his partner like a lab rat, distancing himself from the realities of this breach of trust. And then he ends the series with everything Spirit once had, on the up and up. A loving partner, close connections, a position of authority in his workplace, a daughter on the way.
Stein and Spirit are foils, when one is heads up, the other is tails. And I think there's a lot that Spirit wants to say to him that he can't, because he still has fear toward Stein. Very justifiable fear. And in truth, though I think Stein has some form of comradery with Spirit, he doesn't view him as a full person, which leads to a very strained relationship between them, if it can be truly called such. They're drawn together partly against their will, partly through circumstance, partly through the past. They have a lot to work through if they actually want to be friends (something I personally wouldn't consider them), but I think the reality is that Stein wasn't sorry, and that will always be a wall between them that will be insurmountable. He doesn't have remorse for what he did to Spirit, and I think Spirit may always feel some kind of way about 'What was it about me? You could do that to me but not to someone else? To Marie?'
Spirit has a lot to work through, personally, and Stein exacerbates that because he is the wound that Spirit cannot ever fully heal. Stein was, in many ways, Spirit's first heartbreak. Part of why he drinks, part of why he looks for escape in other things, other people. And though time has softened that, though Spirit may show up to a wedding (if there is one) or to visit Baby Shelley (my own HC for the baby girl he and Marie have), there will always have to be some distance there, so Spirit doesn't fully break.
And for Stein? I think Stein considered Spirit his friend at first, and then his warden afterward. Come to check on him to make sure he hasn't found his end at the wrong side of a scalpel. Wandering into his home with deadened eyes and distance on Death's account. At the end, on the Battle of the Moon, when Spirit says he watches out for him more than he does his own daughter, it's not born out of tenderness, but obligation. And with Death dead and the world beginning in new form, I don't think even that will be in place, anymore.
And truthfully? I think that distance is what may truly help him heal.
Thank you so much for your ask! <3 <3
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jq37 · 10 months ago
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The Report Card – Fantasy High Junior Year Ep 12/13 A Moonar Yulenear Miracle
Welcome back to Fantasy High where last week, I was MIA because I was on a girls trip–a reason I think the Bad Kids would very much approve of. 
Luckily, we can easily gloss over what we missed in a quick series of bullet points because, while it was an absolute banger of an episode (eat your dice Brennan!), it was fairly straightforward plotwise:
The Bad Kids were dropped into a creepy, dreamlike version of Mordred Manor which was created by a semi corrupted Cassandra who was trying to create a safe place for the Bad Kids to escape but having her intentions warped.
The Bad Kids did a fetch quest, fighting monsters and dodging Baron while they found the pieces of the pride armor curse. Once they got them together, they had a hefty piece of free infernal magic that Adaine could use as a spell component for a major thing–maybe even freeing Lydia from Bakur.
Cassandra assured Kristen that as long as Kristen is alive and believes in the Cass version of her, she can’t be fully corrupted (which is seemingly what Baron was trying to do–kill Kristen so Cass could comeback as his “stark father” the Nightmare King)
Cass also sent Kristen images of her wedding–where she got Kalina as a kitten as a present. Kalina once again reiterated that Ragh is the only name she can say before breaking her own neck so she wouldn't attack Kristen. 
Got it? Good. We reconvene with the Bad Kids as they’re escaping this briefcase dimension and all of their loved ones are calling out for them, but they all decide to take a brief detour to hell to get some answers about the pride armor first–just what every parent wants for their kids! Adaine stores the infernal energy in the Sword of Sight and Planeshifts everyone to hell.
They pop into Fig’s Hellish Recording Studio and slurp down some boiling hot grapefruit seltzers before recruiting Baby to help them find the research books they need. Baby trashed them all and, unfortunately, it’s trash day so they all have to book it as the dump truck ambles towards the dumpster. It looks like it’s gonna be a close call but then–BLAM! The dump truck is vaporized by a plume of fire from the Goldenhoard! Yup, Bill Seacaster is here and he’s tattooing one of those cheesy bumper stickers onto his ship's ass: My son is a Maximum Legend at the Aguefort Adventuring Academy. He got Fabian’s message after all! 
Father and son are delighted to see one another but there’s still a lot of research to do so Kristen goes dumpster diving for books. She gets a 25 Religion and then a 20 (not nat) History while Adaine gets a 22 History and Riz gets a 27. Here’s what they collectively learn about the armor they came to research:
The sin armors were collected by Gorthalax as trophies for his hall.
Each was created by a different infernal deity to punish a mortal for the associated sin.
The armor of Pride was created to punish an elf named Athrenriel.
The Armor allowed him to win tons of battles but every battle ruined his reputation and the happiness of his family.
Eventually someone gave away the armor (maybe directly to Gorthalax, it’s unclear) but that caused the curse to move to the bloodline of the family itself and it’s been passed down patrilineally since.
The curse is known as the “curse of humiliation” and it usually affects the oldest boy in the family once their dad passes–which is why Gilear was a stud as a younger man and then he morphed into the yogurt man we all know and love. 
The best that they can tell, some combination of Gilear putting the armor back on and Fig calling for the power in the Night Yorb fight/being an archdevil had some weird magical effect that pulled the curse back onto the bloodline and got her involved despite her not being blood related to Gilear. 
This is just my interpretation but what makes the most sense to me is that because the armor was meant to help you win battles at the expense of your family’s rep, once Gilear put on the armor and rebooted the curse to its default state, he got really lucky and Fig, as his family, suffered for it. 
Anyway, the party catches up Bill on the whole Kipperlily situation (he thinks Kristen should just kill her and Kristen isn’t NOT thinking about it), the shrimp jump, and the Cloud Rider (which he doesn’t know much about but he does use it as an opportunity to teach Fabian a fun way to threaten his banker). He also gives them all guns–much to Adaine’s delight.
Fig remembers that she has to figure out her pact and asks Bill, a Warlock patron himself, for help with that. He’s happy to help her cheat at school and for 40 gp (borrowed from Fabian of course) writes her an agreement on the back of one of his crewmembers and flays it off (nobody liked that). Somehow, I don’t think Zara–who wouldn’t even let her be a Warlock of Cassandra because that didn’t feel right–is gonna let this slide but hey, it’s not my grade in jeopardy here. 
On Kristen’s suggestion, Fabian also gets a touchup on his Maximum Legend neck tattoo. He barely manages to stay conscious (truly so barely–Riz is so anxious about Bill using a dragon-sized tattoo gun on him that he gives Fabian disadvantage while trying to be supportive) but with the help of his friends he succeeds and, for his troubles, he now has a gold tattoo that allows him to safely handled cursed gold–no more dragon madness for him!
That super important business out of the way, the group splits up. Fabian and Gorgug stay with Bill so Bill can prove a point about the wisdom of buttering up ramps (just go with it) while everyone else goes further into the Bottomless Pit to continue investigating the armors of sin–this time in person. There are high rolls all around so here are the highlights again:
The Armor of Pride looks elven in design but it also feels fundamentally infernal. Riz wonders if that means it’s something maybe summer Eladrin related and Brennan says that would check out.  
The other armors don’t really feel seasonal in any way (the Lust armor is a full Gimp suit lol).
When Riz turns on Detect Good and Evil, he can see the weird rune from the dead bodies on the Pride Armor which now also pings as the word Anakarna. It’s the arcane mark on the armor which means that Ankarna is the one who made this armor. 
As he does this scan, he gets a call on his Spy Kids watch–it’s his dad! Just like Fabian, he’s super thrilled but he tries to keep it profesh. His dad (Pok Gukgak, secret agent angel) is understandably concerned that his son is randomly in hell as well as the fact that a god whose name hasn’t been said in a thousand years just had their name pinged by angelic spy tech (the necktie Riz used to cast the spell–all info gets routed back to the home office in heaven). Riz explains everything and his dad offers to help if there’s anything they want him to look up. They ask him to look up Athenriel and Ankarana and Pok is able to do that because he’s freed from the bonds of Oblivati Mori since they found the name themselves. So that’s a new fact we just learned: O.M. applies to celestial and infernal agents too, not just gods themselves. With Pok no longer bound by celestial silence, we get a bunch of info about Athenriel:
He wasn’t a follower of Ankarna as far as they know.
He’s older than the Court of Stars (the government of Falinel).
He’s not in any of the heavens they know of.
He was a druid and built many of the standing stones in Falinel (very probably including  the one they triggered two episodes ago. 
Gilear is related to him patrilineally. 
They also tell Pok about Kalina and Spy’s Tongue Curse and Riz asks Ragh if he’s under that with anyone. Ragh says no adamantly but Pok points out that he wouldn’t be able to say yes even if he was. Pok says that in order to get around a Spy’s Tongue Curse situation, the best strat is to find someone just slightly outside of the group of covered people to get you in the right direction and here’s where I want to cut in really quickly to drop the piece of info from Sophomore Year that I said recently was a loose end which was bugging me and might be relevant. This is a screengrab from the recap I did of SY Ep 4:
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So that’s suspicious as hell and also a possible reason that Kalina would want to say Ragh’s name to alert the Bad Kids to someone else. Anyway, back to the story in progress, Riz wonders if Athenriel is Bakur and asks his dad if there's anything connecting the armor being cursed and the Ankarna being corrupted/if Ankarna had a previous form. Pok starts looking it up and is a little confused because Ankarna’s file is a bit weird. It says she (we get the pronoun she in this ep so I’ll be using it now) is associated with the 9 Hells and it says that she doesn’t have any active divine domains (which isn’t weird because she’s dead) but the file is corrupted so he can’t see what the domains are supposed to be (though it seems like there are multiple). 
Riz thinks that maybe Sol could have pulled some shenanigans to snag the sun domain for himself and Pok lays down some facts about gods. Gods–even good ones–are playing a different game from everyone else. They have to when their very existence depends on having worshippers. And gods generally hate collabing with a deity that shares their domain because they were explicitly the competition. 
As they’re having this conversation, they’re exiting the pit and they make it in time to watch Bill hurl Gorgug up a giant ramp in some kind of insane and ultimately inconclusive science experiment. Pok says hi to him via the watch and they make quick plans for Bill to sell criminal secrets to heaven in exchange for gold (what is he even spending it on???? It’s hell!!!). Fig asks one last important question. Is this a Night Yorb situation? Now that the cat’s out of the bag, is it OK to say Ankarna’s name? Pok says it should be fine. The only problem will come if anyone actually starts worshiping her. (Did you hear that Fig?) 
Kristen Planeshifts everyone out of hell before Fabian has a chance to say goodbye to his dad (entirely for the bit) and all of their parents are so relieved that they’re OK. Gilear is even more excited when he learns that his good luck has been nullified and his life can suck again. He feels at peace being back in his comfort zone and firmly believes that he doesn’t deserve good luck AND the best daughter in the world. Fig is worried that Hilariel might leave him now that his luck is bad again but Hilariel was into him BEFORE his glow up so they’re all good. Possibly better than just good if Adaine’s teasing prediction of a baby on the way is more than a bit (Fabian demands she undo it with a div roll and plans to give Gilear a vasectomy with his sword). 
Lydia rolls up and asks what the hell happened because Bakur just tried to jailbreak harder than he has in ages. They start filling her in and offer to try the ritual they talked about in an earlier ep but she says they’ve been through a lot and it’s Fantasy Christmas tomorrow so they should get some rest first. Riz asks if Tracker is OK and they confirm that she and Nara both are when they give her a call. Zayn and Aelwyn are also both fine. Tracker and Nara were, as Fabian suspected, thrown out of the circle as protection by Gal from the pride armor situation. 
Kristen explains to Tracker everything about Ankarna and the corruption and Bakur. Tracker is honestly really sympathetic to Adaine saying the name out loud and triggering everything in a, “Well if you find a dead god’s name you GOTTA say it” kind of way, like it’s as irresistible as popping bubble wrap. 
They talk to Gorthalax who, surprise surprise, ALSO was being tongue tied by Oblivati Mori and can now spill some info. Lotta helpful dads in this episode! Here’s what he’s got:
Ankarna wasn’t a fiendish entity to start with. She fell, just like he did (you’ll recall Gorthalax went from being an angel of temperance to a devil of gluttony). He doesn’t know what her deal was exactly pre-fall though (which seems to be a running theme).
Post fall, she was all about rage and fire and conquering and Bakur was her right hand. Unlike her, Bakur wasn’t Celestial previously.
She had a set of scales that she turned into a warhammer (sounds like justice to war–also, doesn’t Porter have a warhammer? Suspicious).
She took artifacts from other pit fiends about conquest to study them which Gorthalax says is a super weird thing for a god to do. 
Bakur referred to her as a “Mistress to her people” which Gorthalax also finds weird because, generally speaking, gods are more the ones making requests not taking requests as she seemed to be doing (the Bad Kids think this might mean there was an as above, so below situation where her followers morphed her into what she is now).
She was very touchy about her relationship status and once almost merc-ed someone who made a pass at her and had a snide comment about her being married still.
Before everyone goes to bed, Tracker checks in with Kristen and offers to help in any way she can. Kristen asks her to ask Gal about Ankarna and her OG domain and Tracker promises to follow up–now that Oblivati Mori is out the window, she can bring it up during their weekly Zoom meeting no problem. Tracker, like Pok, warns Kristen to be careful to avoid allowing this goddess followers and belief because now that this name is out there, it’s only a matter of time. (FIG, ARE YOU LISTENING???) Kristen thinks maybe it wouldn’t be that bad if they can revert this goddess back to her original, presumably less destructive domain.
While the above conversation was happening, Nara was around so Adaine steered her away from it from getting her to take her and a disguised Aelwyn (“Roma Childa” which Fig shoots down with bazooka level force) to the Court of Stars where her dad apparently works (Note: Her parents are supposed to be clerics, right? I guess they just have no separation of church and state in Falinel, lol). Adaine tells these immortal elves with no concept of finances that she can’t afford to be the Elven Oracle and she’s tapping out because she’s working as an ice cream waitress to scrape together enough money for her basic needs. Nara both vouches for her skills as an adventurer and asks her dad to let her have the 10 barrels of diamonds that are just lying around their house that they don’t have any use for. After briefly clarifying that she (Adaine) was *not* in fact declaring war on Falinel (exhausting, high elves are exhausting), the Council says they’ll convene in a month to discuss whether Oracle should be made a paid position. Their first thought is lawyers but Adaine gets it changed to a dance battle and she gets Fabian assigned as her champion. Fabian agrees, though the text asking him if he’s down stops him from completing his sword vasectomy on Gilear. Better luck next time buddy. 
The next day, it’s the Moonar Yulenear and game time re: the gem in Lydia’s chest. Adaine is going to use the energy in her sword plus Contact Other Plane to make a viewing screen to talk to Bakur. With the spell, they get 5 questions and, of course, being the Bad Kids, they immediately waste two just asking “Sup?”. Riz yells at everyone except for Adaine (and maybe him) to shut up and the real questioning begins.
With their first proper question, they ask Bakur if he was Athenriel. He says yes. They guessed it in one. Second question: What was Ankarna’s previous domain before she was all about conquest? He starts crying scalding tears at hearing her name–the kind of crying that you do when you haven’t heard a loved one’s name in a really long time. He says she was the goddess of giants, long days of plenty, clarity, discernment, judgment, justice, righteousness, clarity, and the conviction to act with the force of the sun. So a serious slide from pretty chill to pretty intense. He also says that her sister was the light of her life and that she was fiercely protective of her. Final question: Was Sol involved in Ankarna’s corruption? Bakur, instead of answering, asks a clarifying question: Do they mean Sol himself or his followers?
At that, Adaine has to make a Charisma save. With help from her friends (including Gorgug’s new Flash of Genius Artificer ability) she just barely makes it. Bakur is going off about gods and followers and weapons and who wields who and Lydia is starting to not feel good so Adaine shuts down the connection right away. Lydia has to make a save and also just hangs on so it’s time for that gem to come out of her chest. 
When they reveal that they have the power to get the gem out properly, Lydia is taken aback and Ragh is in tears, soulfully pleading that they do anything they can to help, and of course they do. Adaine uses the energy stored in her sword from Fig’s curse to gold-seal the gem so it’s no longer in contact with Lydia’s skin. Inside the gem, Bakur reverts back from devil form to being a high elf that looks a lot like Gilear and is terrified of yogurt. 
Fabian volunteers to do impromptu surgery because he has the new anti-cursed gold tattoo and clearly the dice know he’s not anything close to a trained medical professional because he rolls TWO NAT ONES and KILLS LYDIA. But luckily, there’s no I in Team and the other Bad Kids are there to bail him (and, more importantly, Lydia) out. Adaine swoops in with a 13 Portent roll so she doesn’t just pass away on the spot and then Kristen, surprise surprise, casually pops out a Nat 20 to remove this enormous, chronic, burden from Lydia. Saint Kristen does it again. 
Lydia, free from the need for her constant rage for the first time in years, instantly falls asleep. Fabian keeps the gem because of his cursed gold immunity and Adaine uses Nystul’s Magic Aura to make it magically ping as an empty palimpsest to anyone who’s being nosy. 
And with that Fantasy Christmas Miracle, vacation is over and we move into downtime.
Fabian first!
First Track Popularity: 18. Wild success.
Second Track Bard: 23: A+ AND Brennan lets the Dance Battle for Adaine be a school project so he crushes his competition and gets her salaried! Even though he’s wildly wealthy and doesn’t need more money, Adaine declares him her champion for all future dance battles and demands that the position comes with a stipend as well. He’s named the Oracle of Dance and Adaine gets her extra credit from predicting that he becomes the future of dance. Way to pay off a bit.
Third Track Owlbears: 27. Big success!
Fourth Track Fighter: 32. Another A+!
Fifth Track Job: You might be wondering what a job roll is for Fabian since he’s, as I said before, fabulously wealthy. Well, he’s keen to threaten his banker life his dad showed him and with help from Fig as backup (and Adaine telling him where the banker is hiding) shakes him down. Brennan, who I assume is making this up on the spot, says that it’s written in Fabian’s trust contract that he gets a 200 gp advance every time he finds and threatens his banker. Adaine offers to locate him every day if Fabian will split the gold with her. Fig is down to tag along for free.
Adaine’s next–though we’re not going to resolve all of her rolls this episode. 
Now that she’s getting paid, she gives Basrar her two week’s notice and he’s sad to see her go but happy that she’s doing well. Adaine says that she’ll maybe come back to get a summer job for fun and he gives her a Fudgie the Whale cake to celebrate. Aelwyn’s sister senses go off and she can instantly sense that Adaine is having a nice thing without her. Adaine, who wanted to stuff her face with ice cream cake in private, is baffled at her non-divination specialist sister’s sudden supernatural intuition, but invites Aelwyn over to have cake with her. 
Also, with the Oracle job being paid now, Adaine gets to roll 2d10 GP and even if she fails her Oracle track, as long as she rolls for it, and her financial situation will count as Well Off which is great because it was really screwing with her school rolls to not have her finances in check.
First Track Wizard: Dirty 20. A+! And without having to worry about her supplies, she now has time for research and projects and stuff. 
Second Track Spells: This is a wizard mechanic that allows her to get new spells from her spellbook. With Help from Boggy, she rolls high enough to get a new 7th, 6th, 5th, and 4th level spell!
Third Track Mystery: She wants to Investigate Kipperlilly and on an 18, Brennan says that they’ll resolve this at the end of downtime, but she’s starting to put together where their hideouts and meetup stops are. Let’s put a pin in that until next episode. 
Fourth Track: Relaxation Fabian is surprised and honestly adorably thrilled when Adaine shows up at his little relaxation nurse spa day thing. And, this time, it actually takes! Adaine is able to relax so well that she removes 2 stress tokens (which allows her to get rid of two negative stat effects–she’s now down to only 1 stress). I guess money solves all your problems after all. 
[NOTE: Relaxation is supposed to be your last track but, in the AP, Brennan lets Shiv roll Oracle track and she gets a NAT TWENTY. Brennan flavors this as her issuing a ton of new prophecies while she’s at her spa day, haha.]
She closes off her downtime rolls with a sweet scene with Jawbone where she’s finally able to open up to him about the trouble she’s been having because she’s fixed it herself. Jawbone really wants her to know that she can come to him with problems and that she doesn’t have to fix things herself and when she says she likes solving her own problems and that she can still get discounted ice cream for everyone since Basrar let her keep the discount, Jawbone gently rebuffs her. He’s the adult, he buys the ice cream. (And Aelwyn steals the ice cream. Adaine catches her creating a portal to steal more whale cake from the mini fridge because she’s a menace even when she’s not actually there).
Finally for the episode, we move on to Kristen who is back in cleric class after a harrowing break and, as she steps into the classroom she sees an even more harrowing sight: In an all white suit with a Kentucky-fried silver tongue is the new Cleric teacher. None other than Buddy’s grandfather–Bobby Dawn. 
Detention*
Fabian for Killing Lydia
I mean, come on? Double Nat ones? My guy. 
Honor Roll
Kristen for Saving Lydia
The reason Kristen can be such a chaos generator is because and everyone just deals with it is because, at the end of the day, she’s also the best cleric ever hands down. Honorable mention to Adaine for her arcane assistance. 
*I want to give Bobby Detention just for existing but I’m gonna wait for him to do actually do something out of pocket. Somehow, I don’t think I’ll have to wait very long. 
Random Thoughts
Just a few quick notes this week! I haven’t been including this section consistently because I tend to get a lot of my random thoughts out in answering asks that people send me and also I’ve been so busy that by the time I get to the end of the actual recap I’m often like, OK I’m done, lol. But I wanted to take a few minutes this week to include a few thoughts.
Love Pok being just not happy that Adaine has a gun but not being able to say anything because his son is literally wielding his gun. Also lol at Murph saying, “It feels less weird when you call it an arquebus.” That’s why I love referring to it as a glock whenever I can.
I didn’t mention it in the recap proper but, in case it matters, Fig uses her blood to create a…Copy? Clone? Child? Romance Partner?...for Baby named Baby Baby. Truly not sure what their deal is. 
Riz has a thought about whether they can use the power of music to uncorrupt Ankarna and, honestly, not even remotely the craziest possible idea. They have a rockstar on the team and last season a viral shrimp party was an important strategy.  
As much as Fabian is protesting, I think he’d make a great big brother. Also, he’d have a full house again! I think he knows deep down he’d be the most ride or die big bro ever. Did you see how outraged he was last ep upon hearing her hurt Adaine?
I wonder if Gal throwing her clerics out of the circle had more to do with the general badness of the pride armor or her recognizing Ankarna’s mark specifically. Glad Tracker is going to question her. I think they should be exploring all their godly options at this point now that OM is gone. Hell, Kristen should try and ask Helio if he’s still taking her calls. 
We need eyes back on the Rat Grinders ASAP. I’m glad Adaine took initiative there because we still have so many loose ends with them. We did a lot of macro investigating this ep but I’m itching to find out about the BS happening closer to home. What is Kipperlilly up to? Why did Ivy react the way she did to seeing “Lucy”? Is Oisin evil or not and can Adaine date him? All equally important questions. 
If Brennan bided his time and let Emily rage about Porter for two seasons only to lull her into a false sense of security and reveal that he was involved in secret machinations this whole time I’m gonna laugh so hard. 
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tlbodine · 4 months ago
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Overthinking Goosebumps
It's been a long, ugly year for me. So I suppose it shouldn't be a surprise that I've be craving some intense comfort and nostalgia this fall. Which is, I think, why I found myself gripped by a sudden and intense desire to re-read the the Goosebumps books.
Like every horror-loving Millennial, I cut my teeth on R.L. Stine books. The Haunted Mask was the first chapter book I remember reading, checking it out from the library on a whim. I was 7 years old and completely enthralled.
I spent my weekly $5 allowance on Goosebumps as often as I could and read them from libraries all over the country as we traveled. I didn't have a complete set -- my interest waned by the end of the run, as I'd shifted over to Animorphs -- but I did have a couple dozen of them that I foolishly donated. I haven't touched one of these books in 20 years.
So when the craving hit, replacing my copies felt expensive and daunting. They're collector's items that are worth more than the $3.99 I paid for them in the first place. So I tried to quell my craving by watching videos of people who had done a "read every Goosebumps book challenge," except that just made me want to read them more.
Then I found a bunch of them in audio. They just so happen to be the perfect length to knock out in a day or two of commuting - 2-3 hours per book. A perfect indulgence. I started listening and discovered that not only was I enjoying myself, but that I even had some big thoughts! So, hell, why not blog it?
No promises that I'll blog about every one that I read, and no telling how far I'll make it into the series before my enthusiasm wears off, but for now...I'm overthinking Goosebumps.
So follow along at the "#overthinking goosebumps" tag and come tell me about YOUR experience with these books!
Some General Notes
There are a few things that are kind of a given for every Goosebumps book, which I'll acknowledge here so I don't have to re-tread the same ground over and over in future reviews:
Every chapter ends on a cliffhanger. A lot of those cliffhangers are fake "gotchas" and a lot of the stories rely heavily on practical joker characters in order to add some conflict. Sometimes this is more annoying than others, but I can't really fault Stine for doing it. These were pulpy books for young reluctant readers. When you're 7 years old, this kind of stuff keeps you engaged.
Every book has a twist. At least, most of them do. Some of these twists are better than others. I'll probably talk about a lot of them, but just...you have to go into this anticipating that a lot of these books are shaggy dog stories.
Adults are useless. That's just middle-grade fiction for you. Kids don't want to read about parents solving problems. They want to read about kids having cool adventures.
Oh yeah - I also may mention the TV show from time to time, but I was not much of a fan of the show. I know a lot of other people are nostalgic about it, but I didn't like it as a kid and it certainly hasn't aged well. The effects look cheap, the acting is uniformly terrible, and the episodes generally aren't well-adapted from the books. So sorry if I piss on your parade when I bring up episodes in relation to the books. The theme song is a banger though.
The average Goosebumps book is around 20-25k in length. Stine released a new one every month for the entirety of its 62-book run. He was writing these in a couple weeks. EDIT: Apparently he did employ some ghostwriters, which is news to me and makes me sad, but I still respect him anyway. His background in magazine and TV writing really shows through with these, both in terms of speed, process, and humor.
(I admire the hell out of R.L. Stine. I got to very briefly meet him at NYCC and thank him for his influence. It was great.)
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Ok. Fangirl flexing over.
Looking forward to re-visiting these books and giving some of the ol' classic T.L. Bodine deep-dive treatment to them ;)
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penroseparticle · 9 months ago
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irreplaceable rant? to the left to the left
My irreplaceable rant is essentially:
When Beyonce wrote Irreplaceable it was like a giant stepping on an ant. Even in 06 she was shaping up to be a Juggernaut. B'Day launched at number 1 I believe? She was blowing up. Well established, producing bop after bop after banger after banger. And We bought Irreplaceable because we, fully, were on board. Beyonce COULD have another you in a minute. The mythos of Beyonce was taking shape. She was Beyonce, you were some guy. To the left.
When she wrote Lemonade it was like. Oh there are stakes now because whether you think Jay Z is great or not or a garbage dude or whatever, he's at least closer to her level than just "some guy".
Like. Of course she could have another you in a minute if you were some dude. But could she have another Jay Z in a minute? No, categorically she could not, and to say otherwise is to tell yourself fun lies because you hate cheaters or men or whatever. I am a firm believer that Beyonce is one of a kind and cannot be replicated in our lifetime as a cultural phenomenon, artist, creator, singer, you name it she is. incredible. But I'm also not going to pretend Jay Z wasn't in some ways just as singularly, powerfully monolithic with popculture just because most of this website understands rap less.
She writes the Sistine Chapel about him because like it or not, she wants to. She looks at him and sees things you could only dream of creating and I for one am just happy to be here, and could care less what you think about Beyonce's specialist boy who is the catalyst of some of the best music I've heard in the past decade, and also someone who MADE some of the best music I've heard in the past 20 years as well.
Beyonce's first solo recording was 03 Bonnie and Clyde, btw. As in, she was a feature on a Jay Z song before even releasing Dangerously in Love. Which. Also prominently has a Jay Z feature. In the lead single. That arguably launched Beyonce's career. Why would she ever write songs about the man who helped her launch her career that she has been married to for 16 years. A damn mystery.
And for the record, if she wanted to make the most beautiful art in the world about literal garbage, so the fuck what. We hate Duchamps The Fountain on this website now? Irving Penn spent years taking extremely detailed, well composed photos... of actual trash. Like Mud Glove. His photos were hanging in the Smithsonian a few years ago. Turns out beautiful art that says something, even something about trash? Still beautiful.
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thekingwhereitallends · 1 year ago
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MitsuSara One Shot: Tsukuyomi x Amaterasu
Summary:Sarada crosses Mitsuki's path and aims to stop him from embracing darkness.
Main Pairing:Mitsuki x Sarada Uchiha
Genre:Fantasy,Sci-fi,Angst
*This is a fanfiction i finished and published on ao3 for valentine's day but since i doubt you clicked on the link to read the first chapter back then two months ago in christmas, i thought of uploading this banger here.
Don't be afraid of commenting. Likes and reblogs are appreciated.*
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"The artwork is a christmas gift for me drawn by @scarletofspring . Do not steal/repost/use it without permission!*
Date:Nov.27th 2042
Primordial World
On the endless planet that exists in centre of the boundless creation, There is a boy praying for gods to lend him a power surpassed by no mortal, but those who know this boy are not certain if he is planning to be a savior or bringer of apocalypse. Mitsuki often wonders if he could really fight off the forces of darkness or not.
"Right on time." Mitsuki says an instant after finishing his prayer. Mitsuki looks back over his shouder to meet a person he cherishes more than any other. "I hoped it's Sumire who follows the traces and reaches me. But of course you will be the one who seeks me out."
"Mitsuki..." Sarada stands around 20 meters away from her friend, staring at her friend with crimson eyes that aim to penetrate the heart of the person in front of them in search of answers but fail miserably as the bearer of those eyes is hesitant.
"Been a while,Sarada." Mitsuki turns back. "I missed you dearly." Mitsuki wears a smile but Sarada can clearly feel the sadness that has shook her soulmate to the core.
Sarada wishes to pull Mitsuki in for a warm hug above all else, to weep bloody tears together with him and finally find solace in each other's arms. However, between Mitsuki and her there is an imperceptible barrier that prevents Sarada from reaching for Mitsuki.
Sarada can sense Mitsuki's dangerous thoughts but she knows Mitsuki will never lie to her.
"I felt a void with your absence for so long as well." Sarada looks away,but why?
"Once a person achives great chakra control, they are able to perform astonishing feats. For instance children will surpass adults, the shinobis will become highly resistant to genjutsu and the ninjas would last much longer than their peers with average chakra control. They can also do this..." Mitsuki snaps his fingers, Sarada finsa herself in a peaceful environment with Mitsuki. The seemingly endless dimension that constantly changes colors.
"The ability to enter Astral Plane. Over two thousand years ago, Hagoromo and Hamura Otsutsuki were became the very first individuals to learn perfect understanding on mechanism of chakra which allowed them to evolve in extremely short amounts of time. By the age of 18, they were already 7th dimensional entities with limitless potential who kept ascending until they transcended the boundless creation. They left immeasurable avatars of themselves in each universe, to teach ninshu to all societies. The people learnt to enter this plane and by spending time together, came to settle all the matters and that resulted in global peace in so many worlds. Many of those worlds are free from evil and corrupted, and many other abandoned their beliefs." Mitsuki continues.
Mitsuki approaches Sarada, touching her chest where the heart is located with his index finger. "I don't even need to touch you here if my wish is to reach your heart. I can read all your emotions like an open book if i will it. But let me ask you one thing..." Mitsuki takes Sarada's hand in her's and places it on his chest. "Are you brave enough to put aside all those fears and do what you must do?"
Sarada closes her eyes to concentrate. Mitsuki realizes Sarada is ready to embrace her true feeling therefore he makes it easier for Sarada to read his emotions.
'Sorrow,Grief,Regret,Despair,Relief...and Jealousy...' Sarada thinks, resting her forehead on Mitsuki's chest, shivering as she can feel Mitsuki's feelings to a great degree. "Why?"
"I'm not the only person whose memories had been lost." Mitsuki speaks,which takea Sarada by surprise. "Let me show you what you have forgotten." Mitsuki's right hand finds it's way up to Sarada's left arm, lifting Sarada's chin up with his left hand's forefinger. "There..." Mitsuki points at his right side.
"That's..." Sarada watches a little girl wearing white buttoned shirt, red tie, red skirt and black sandals approaching a healing chamber filled with water, in a room drowned in dim dark blue light. Inside the chamber, there is a naked boy. The girl covers her eyes.
"Why don't you have anything on?" The little girl with red glasses cries as she covers the slight blush on her face.
Sarada's expression turns into an annoyed one as he witnesses that particular scene, dropping her shoulder. "Did you bring me here to piss me off?" Sarada gives Mitsuki a side-eye, which is funny to Mitsuki who chuckles seeing Sarada like this. "Yeah,that was intentional. Showing me my embarassing younger self."
"Just keep watching." Mitsuki utters, patting Sarada on top of her head. Sarada turns her attention to the tiny version of herself.
The little Sarada lowers her hands to see the boy out of sheer curiosity. "Woah..." Little Sarada murmurs, mesmerized by the sight of Little Mitsuki inside the water tank. His pale skin shining, captivating Sarada. 'He reminds me of Sai-san with this snow white look of his. But that white hair...gosh, i wanna fondle with his silky white hair so bad.'
Sarada and Mitsuki each raise an eyebrow when looking at each other. Sarada frowns, Mitsuki smirks.
"Please don't tell me i wasn't the only one who heard those words?" Sarada frets, which has Mitsuki roll in the aisles. Sarada too cracks up the instant she sees Mitsuki being greatly amused
"I always wondered if someone ever liked to play with my hair. That's one of reasons why i let it grow this long because i surmised you would be attracted to me. It seems the old you would've loved to bury her face in my hair." Mitsuki bubbles as he gently punches Sarada on the arm.
"Come on,you look fine as heck!" Sarada insists. "Honestly, i was searching to find the shampoo you use but i could never find it. I bet it is especially made for you, right?" Sarada continues, pinching Mitsuki on arm as she is laughing.
"I asked my parent to make me a super nutrient shampoo with the sweetest scent and after a few days, they came up with the proper formula. That's the whole story." Mitsuki responds. "Now now, don't let all distract you."
"Right." Sarada said.
"What are you looking for,Sarada?" Sasuke says, jumpscaring his little daughter.
"Gah...you know i am unable to sense your presence and keep doing this over and over again." Little Sarada yells, pouting as she folds her arms.
Little Mitsuki opens his eyes, gaining Little Sarada's attention as a result. Staring at Sasuke with his amber eyes, Mitsuki's gaze is devoid of any positive emotion but also not showing any sign of negative thoughts. 'Sasuke...san...'
"It seems this kid could do what you fail to do." Sasuke teases his daughter.
"You mean he woke up because he could sense your aura?" Little Sarada asks her father.
"Yes." Sasuke responds.
"Is he Orochimaru-san's son?" Little Sarada asks her father as he lifts her from the ground to hold her in his arm.
"That's right." Sasuke answered.
"Why is he inside this water tank?"
"Isn't that obvious?"
"How long has he been inside there?"
"Ever since he was born. He can only stay outside of the healing chamber for less than a day and then spends the next couple of days inside it."
"That is awful."
"But it's good for his own sake."
"..."
Sasuke watches her daughter as she reaches for the glass to touch it. Little Mitsuki does the same, pressing his hand against the part of glass where Sarada's hand is touching it.
'What is your name?' Little Mitsuki thinks? interested in the girl who apparently does feel for him.
"When you were born,you too became sick. Your body couldn't handle the powerful chakra you inherited from me. Sakura and I decided to bring you to Orochimaru, who saved your life. You were here, inside the healing chamber. After four months, this boy was born therefore you had a company on your right." Sasuke tells her daughter what he remembers about Mitsuki's birth.
"And?" Sarada turns to Sasuke, with eager eyes waiting for Sasuke to finish his story.
"The kid carries a power matched by none of those in his generation...in your generation. It doesn't mean that you don't have the potential to reach his level, just that he's now a few steps ahead of you and your friends."
"But why has he inherited such absurd level of power?"
"Well,i'm not sure if i can answer this question. It's up to him to decide what to do with this unfathomable might of his. It could be a blessing for the people he comes to love and himself, or a curse that will only bring pain and suffering for everyone he knows. If you are lucky enough, he may end up befriending you."
"Hm..." Little Sarada starts to ponder.
"What do you think,Sarada?" Sasuke asks his daughter in a gentle tune.
'Sarada,huh?' Mitsuki thinks, grateful that he doesn't have to wait for a long time to find the girl's name and that he had learnt some speechreading in the past. 'Why do i care?' He was surprised at himself for being intrigurd after seeing the girl infront of him.
"I think i'd like to spend some time with him. He gives me the vibes of a cool boy. That's my first impression of him, mind you that no other boy seems like him to me."
'She thinks i am cool.' Mitsuki thinks, the words that just came out of Sarada's mouth relieves him.
"Don't you want to know his name?" Sasuke asks his daughter.
"You refused to reveal his indentity, how bold of you to ask me this question." Little Sarada replies, poking on Sasuke's forehead repeatedly which makes Sasuke chuckle. "No,thanks. I will ask the boy the next time i see him outside of the healing chamber. You keep in touch with Orochimaru-san, and then bring me here to see if the boy is as good as he seems or not."
"Fair enough." Sasuke responds. "Shall we leave?"
"Yeah." Little Sarada said as she wrapped her arms around her father's arms who started to walk away from Little Mitsuki's healing chamber. She waves hand at Mitsuki as she begins to carve the lonely boy's image into her mind. 'We will meet again,i promise.' Sarada thinks and the closes her eyes with a sad expression on her face.
"December 29th 2031. A couple of days later..." Mitsuki swings his sword and the thought vanishes to be replaced with another one.
"Ready?Fight!" Karin shouts, declaring the start of Mitsuki's and Sarada's sparing match against each other. The kids charg at each other, five hundred of times faster than speed of light.
Suigetsu is sitting in a corner chewing his fingernails, terrified of of what might happen to Sarada. 'If Mitsuki accidentally messes Sarada up, Sasuke will surely fuck Orochimaru up and we all may be fucked amidst that scary battle which looks more like a massacre to me now that i think of it...'
"Tsk tsk tsk tsk tsk tsk..." Karin is utterly disappointed to see Suigetsu in that condition until she figures what her husband may be thinking at that moment. 'Oh shit!' Karin freaks out.
Yoruza, Suigetsu's and Karin's red haired, pale skinned daughter with violet eyes is sitting close to her father, resting her chind on the palm of her hand. "Dad,get out of this drama king mood of your's and be the badass man you usually are."
Seina Shakudo; Orochimaru's red-haired of fair complexion with beautiful aquamarine eyes companion is standing on The Lord of Darkness' rightt side, drinking her her cup of tea. Not really amused by the sight of children fighting each other.
And then there is Jugo who finds all that is happening to be peak of entertainment. Birds taking seats on his shoulders, chilling with the peace-loving and kind-hearted beast. "You all better stop being so dense and enjoy these moments."
"I admire your spirit,Jugo. But as a mother who has not clue how this boy has been trained to fight, it's only natural for me to be perturbed." Sakura says.
"After the conversations i've had with my dear child, i deduced that someone has had an impact on his mindset. I'm afraid it will cost my son the inevitable victory. And i have no one to blame..." Orochimaru stops talking as they sees Little Sarada on top of Little Mitsuki "But Sasuke-kun." Sasuke's daughter punches Orochimaru's son in the face.
"OUCH!" Little Sarada lets out a groan. "What are you made of?!?"
"I...uh..." Little Mitsuki panicks as he sees his rival broke her hand and wrist because of him. "Sorry..."
"I told you that you all have a screw loose." Log yells at everyone else.
Sarada is left jawdropped agyrt seeing how her younger self was humiliated. "That was embarassing."
"Fastforward to the important part." Mitsuki says.
"It's okay. It was expected, you know. My mother healed my hand. Everything is fine now." Little Sarada telss Little Mitsuki as she putsbher hand on his shoulder.
"I promised your father i will never hurt you. That i will always protect you from anything that threatens your safety." Little Mitsuki says, his head buried between legs.
"Look,i don't plan on becoming a damsel in distress. I appreciate your concern but you don't have to feel guilty for what happened to me. I should've trained much harder and become stronger than everyone else, including you." Sarada asserts.
"Why?" Little Mitsuki asks
"Because my dream is to become the greatest hokage of all time, silly." Little Sarada said and booped Little Mitsuki's nose, the latter blinks after she did that to him.
"You sound incredibly passionate..." Little Mitsuki sighed.
"What's your dream?"
"Me?"
"Yes. You. Who else do you think is supposed to answer this question?"
"I don't have any dreams."
"Come on, don't be ridiculous. That life you're living is so boring if you have no purpose."
"I have been told that my birth was the will of gods. I guess you will have to be waiting till i find the answer you're eager to hear now."
"That's not what i wished for but i suppose it's still cool to know you too are going to have your own adventures. Why aren't you excited?"
"Perhaps the reason for that is i have yet to have a dream of my own.
"Oh...that...actually makes sense."
"Yeah..."
Little Sarada wrapped her arms around Little Mitsuki's arms and leaned onto his shoulder.
"I almost forgot... What is your name?"
"Mitsuki."
"I am Sarada."
"I know."
"I thought you were a cool guy."
"Did i disappoint you?
"Yes."
"Sorry."
"You may be even cooler than my papa."
"What?"
"I should be hating on you but i can't. I am angry at myself for that."
"Hmph..."
And then Mitsuki and Sarada come back to primordial world.
"Ada rewrote the history to alter my memories. Because of Kawaki, i was rubbed of so many precious memories but there was one constant in my life that didn't fade away:You." Mitsuki utters as he is unbuttoning his black and dark blue trenchcoat. "My brother made me think that Boruto is my sun. Boruto,son of Naruto Uzumaki who saved the shinobi world. Beacon of hope, child of prophecy, he has been given multiple aliases. Log thought that Boruto was the right person to guide me for he would never fall to darkness. Ada altered almost everyone's memories and in my mind, Kawaki was the person Boruto was supposed to be. Kawaki messed up, which made me question the nature of reality and i came to realize a subtle truth."
Mitsuki transports his trenchcoat into a dimension in which Mitsuki stored his weapons and tools using the summoning tag wrapped around his left wrist under the separate arm sleeves.
Showing off his shredded upper half, It's the first time to see Mitsuki with six tomoe marks on his chest. Mitsuki also wears a crescent moon necklace made of moonstone and silver that Sarada gifted him on his 13th birthday.
"The bond Boruto and I formed was never as strong as i believed it was. He was indeed a bright child who encouraged me at times and i considered him a dear friend of mine's, but he was living in his own world. He often didn't exist in my life. Boruto was never the sun to my moon because i never really idolized him, always made sure he learnt from his mistakes." Mitsuki asserts.
"But there you were. Perhaps i was drawn to you because of the genes i inherited from my parent Orochimaru who was always obsessed with Uchiha. But ever since we met and were put in the same team, i looked up to you and unconsciously followed your footsteps. You were the one who was guiding me all along. You were there for me when nobody else was. You loved to hang out with me not just to know me better but also to help me become independent. You wanted to be by my side because you found peace when we were together. Think about it..." Mitsuki continues.
Sarada shut her eyes, trying to make a sense out of all that came out of Mitsuki's words. Sarada never hated symbolism and metaphors,but rather that she believed Mitsuki was obsessed with them to no end. She hypothetized that the reason for that could be the loose sense of identity or lack of a defined purpose in life. However, after what she heard a few moments earlier,it seemed to her that Mitsuki had finally realized what his goal is.
"It doesn't matter if i truly am your sun or not. I'll make sure to become one to save you from the limitless void you are trapped in. That's my promise,Mikki." Sarada asserts,with a bright smile on her face.
"That's what i was talking about." Mitsuki shuts his eyes,wearing a half-smile.
"One thing that bothered me in this last four years was that everything was about Boruto and Kawaki. You distanced yourself from me and no matter how much i tried,i could not really figure out if you chose one of those idiots over me. Not that it makes much of a difference now. Had you not chosen separation,you wouldn't be here prepared to beat me into a pulp if that's what it takes to bring me back to the village." Mitsuki glowers.
"You know that's not true! Boruto is there fighting for his life and doesn't really have anyone out there to back him up if bunch of bastards decide to hunt him down!" Sarada insists.
"Boruto was far more powerful than you when he left and he had Sasuke-san on his side! You were only risking your life and almost got yourself killed because of Kawaki! There was no sane for you to do what you did in all those years! You should've had faith in Boruto and valued your life because without you,all hope will he lost!" Mitsuki yells at Sarada.
"What are saying..?"
"The cloud of optimism has blinded your judgement. You may be able to reason with so many people,but there will come a day you will not be capable of empathizing with someone. Either because they are irredeemable or that they don't wish to be saved...You can't save everyone,Sarada. It doesn't worth to risk your life in doing so,because it's upon Boruto as the man who is slowly beginning to truly understand Kawaki's pain."
"I highly doubt that you plan to spare Kawaki."
"Kawaki is much too dangerous to be left alive. I have to get rid of him before he manages to fully masters his powers. He is unhinged and unpredictable,i won't allow him to take the lives of my loved ones or any other living being."
"Mitsuki..."
"What did Ada do to deserve such a horrific death?"
Tears falling from his cheeks,Mitsuki covers his eyes. "Neither Code nor I could save her. I could only just to see how she lost the single ray of hope she had kept in her heart for all her life."
"It's never too late. We may be able to fix it all."
"Only if you follow my lead this time around."
"What is your goal?"
"My goal...is to achive true peace. Not just for humans but all living beings. That includes Otsutsukis as well. This is an ambitious goal. A revolution on multiversal scale."
"Are you out of your right mind? Humans, Otsutsukis and Tenkajoyos have antagonized each other for billions of years! There is no way you can put an end to this conflict so easily! There will be an interdimensional war like no other and countless lives will be lost!"
"What if the one who wishes to settle all the matters shares the same blood with the three species?"
"No way..."
"A hybrid with royal blood of three supreme species flowing in his veins shall be given the authority to rule over the creation itself. But before that,a sacrifice must be made."
"That's why you came here,huh?"
"You always wished to know about my heritage. You asked me if i had a mother or if it was my parent Orochimaru themself who gave birth to me and that i am not really a clone? You came up with so many theories and to be honest,they were weird but interesting nontheless."
Mitsuki summons his 2 meters long sword. Muramasa sword which is in it's sheath that is decorated with jewels and a kanji sentence "Seikyo no Kishin" written on it which translates to "Demon Death God".
"Everything you know about the nature of my birth is true, although it's half of all you should be aware of. I am a synthetic human whose genetics were modified to be perfect in order to carry the power of gods. I am a partial of clone of Toneri Otsutsuki,therefore i descend from Hamura and Mirina Otsutsuki. For your information,Mirina Otsutsuki was a princess but considered to be an abomination for mere fact that she was daughter of Otsutsuki King and Dragon Queen. Two thousand years ago she came to our universe in order to reclaim Kaguya's chakra but fell in love with Hamura who guided her to the path of righteousness and became one with her. The source of Mirina's power is from an ancient god that Tenkajoyo clan worshipped. He is called Ryujin,and in the last two eons ever since Hamura and Mirina,no one was ever able to draw power from that god. I am the first person since my paternal ancestors to muster the true might of both Otsutsuki and Tenkajoyo clans as a human being."
"You said paternal? Does that mean you have a biological mother?"
"Yes. Sometime before the birth of Boruto, my father Toneri became ill for a short period of time. Hinata-hime learnt about it and rushed to his side,and healed his wounds. My Father kept Hinata-hime's chakra inside himself for it was his share of the woman he unconditionaly loved, which partially transforming his genes just like your father whose life was saved by Karin-san and that became one of main two reasons you are wearing glasees."
"..."
"Listen to me, back then i always told you that i will always support your dream to become hokage but i learnt to see the whole picture. You should never be a hokage."
"Mitsuki,i know where you are coming from but i genuinely believe i can change the shinobi system!"
"Just like Naruto-san did,right?" Mitsuki mocks Sarada.
"What?" Sarada is caught off guard.
"This shinobi system is founded by a man driven by fears and ready to terminate whole bloodlines if that's all it takes to protect his nation. Let me tell you the story of a boy whose dream was to become the most powerful ninja of all time,to be a hokage who puts an end to all the war and conflict. Do you know what led to Uchiha Downfall?"
"My uncle Itachi slaughtered his clan because he was tired of shedding blood and sweat for them. He left the village and turned into a rogue ninja who shortly afterwards joined Akatsuki."
"It seems your father didn't tell you the truth. It was the government who ordered Itachi to eradicate Uchiha off the face of earth. Fourty years ago, it was masked man who summoned kyuubi and because of that person, thousands of civillians and shinobis were killed. Danzo speculated Uchiha clan were responsible for the tragedy,but he didn't know it was an outsider who did that. Obito was a chunin of the village,who was said to have given his life to save his friend Kakashi. He was saved by a mysterious man and became his shadow. Obito was Madara's puppet who aimed to destroy the village. The Uchiha inside were deemed guilty and were oppressed and ostracized,while Obito manipulated your grandfather's subordinates for his own benefit. Uchiha plotted a coup d'etat to overthrow Konoha government for treating them fairly,and there was Itachi who was a conflicted double spy forced to make the toughest decision one could possible make. Itachi did what he did to prevent a world war and deaths of millions of innocent children."
Sarada freezes.
Mitsuki has been staring at the ground and now turns his gaze to Sarada.
She is on the verge of crying.
"There is no need for me to tell you what our Tsubasa-sensei and Boruto went through. As long as this shinobi system exists, there will be child soldiers who have to make sacrifices. Races to be eradicated. Nations start wars because of difference in religious views, pillaging other territories for money, invading other regions to gain more influence, killing people out hatred or for revenge. Many do it just to enjoy seeing their victims perish. This cycle of suffering shall not end until someone stands up in the face of injustice and cruelty to fight back. I shall be the one who crushes the corrupted systems of all worlds. You have no place in such world. I won't allow you to serve a system founded on blood of countless innocent lives."
"What is the difference between you and Kawaki?
"I will not commit genocide. Kawaki's mindset is hypocritical in essence as he is ready to kill whoever stands in his way while be pretends he is only trying to save the village."
"But what if you die fighting for your ideals?"
"You and I are the same regarding that matter. I am not a suicidal maniac,but if my sacrifice is all it takes to turn my ideals into a reality then i will gladly give my life knowing everyone will be happy and safe."
"You know that i am not gonna let you do that,right?"
"Then join me,Sarada. Together,we can do anything. There is no need for you to oppose me."
"I can't do that unless i betray my ideals."
"I see..."
Mitsuki draws out Muramasa out from it's sheath. The scarlet-colored sword starts to shine,thirsting for blood. "It's said that Muramasa is a cursed sword that corrupts the wielder as the time passes,slowly turning them into ruthless murderers. But if the one is mentally strong enough,they are able to resist the temptations and use this weapon for justice. This is a weapon that bypasses indestructible defenses and targets the soul to erase the impurities. Before ascension, i have to get rid of the unnecessary thoughts and emotions to become a perfect vessel to host the powers of gods."
"Are you sure that's what truly wish for?" Sarada says as she activates her mangekyou sharingan.
"Those who wish to hurt you...I shall crush their dreams...no one has the right to take you away from me..." Mitsuki says as he stabs himself in the heart In order to break the seal that prevents him from reaching his fullest potential.
"Mitsuki!" Shouts Sarada as she leaps toward Mitsuki.
A torrent of water wraps itself around Mitsuki's body,the drops of water burn through Sarada's flesh,forcing her to jump back as she figures the water is not harming her friend.
"Curse the fate for this unforgivable plot!" Mitsuki utters,and the torrent of water pulls him inside the endless ocean of primordial world.
Sarada summons her Crimson Red Perfect Susanoo and reaches for Mitsuki only to stop in middle of air as she hears a warning in the back of her mind.
"That rivers of abhorrence, concealment, woe, lamentation and fire enter that ocean. If someone like you jumps into that,the best case scenario is they will be erased from the timeline instantly. Direct contact with that ocean in this place will be your doom." Says Katsuyu.
"What is Mitsuki planning to do,Katsuyu-san?" Sarada asks her mentor.
"I remember my grandfather telling me story of a mythological spear that was used to create worlds. Based on what i witnessed here,it seems the tale was a legend based on the weapon Hamura Otsutsuki created eons ego and buried it deep inside the cosmic ocean. It's said that the weapon can turn one into an omnipotent entity. If a person with dangerous ideology finds it,they shall gain the ability to shatter the very fabric of reality itself on a really vast scale. Ameno Sakahoko is the name of that spear."
"Are you implying that Mitsuki is destined to claim ameno sakahoko for himself?"
"Indeed. He is now bonding with the ocean and ameno sakahoko will become part of his identity, thus no one shall be able to steal it from him even if he dies. But even someone as talented as him should train three years to gain full control over such weapon."
Sarada senses a danger coming and flies backward.
An impact from the deepest pits of cosmic sends shockwaves that shake the entire planet, Mitsuki awakens and flies toward the sky, charging toward Sarada, breaks through her susanoo, wraps his arms arounds around Sarada's body.
In less than an attosecond, Mitsuki crosses three hundred sextillion kilometers to protect Sarada from running out of lifespan and falling to madness due to being so close to the ocean.
Mitsuki let's go out of Sarada and as he is falling on his knees, Sarada finds herself in another dimension. Not the universe they belong to. That seems to be a creation of ancient sages to her.
This was the plan to get out of the primordial world because it's environment puts devastating toll on Sarada's body due to unique laws of physics and metaphysics.
"Mitsuki..." Sarada says as he reaches for her friend.
As soon as Mitsuki's hands touch the ground, he enters his dragon sage mode. His new body adapting as he is summoning the strength of mayhem. The aura he releases so intense it could effortlessly shatter the fabric of reality. It only leaves a crater on the ground, rupturing the planet that is thirty times larger than earth.
'Mitsuki's chakra pool is comparable to Prime Juubi level in terms of potency. He is not joking around...' Sarada raises on her feet, levitating in air as the byakugou seal spread over her body and summons a body sized perfect susanoo.
Black clouds forming in the sky, bolts of lightning striking the ground as Mitsuki stands on his feet. Now looking more like a feral beast than a human being. Locking gazes with Sarada with determination.
"Time to settle this..." Says Mitsuki, as the heavenly jeweled spear appears in his left hand. "Sarada."
"If you say so..." Sarada summons Ameno Murakumo as well,prepared to go all out.
"I will never leave you alone. Not again." Sarada asserts.
Sarada leaps toward Mitsuki and targets his left shoulder, Mitsuki stands still,raises his left arm to block Sarada's sword attack and at the mean time waving hand signs. Sarada notices that and right when she thinks of flying away, a hand grabs her collar which shocks her. 'Shadow clone..!' Mitsuki's shadow clone slams her into the ground and drags her for thousands of kilometers till Sarada turns the tides and punches Mitsuki, a brawl starts in midst of air and the fighters exchange blows till Sarada's fist and Mitsuki's leg connect. Sarada uses her feet to slow down and finally stop her from moving any further. Mitsuki's shadow clone uses his claws to achive the same and charges at Sarada similar to a hungry predator.
Sarada weaves seals using her left hand to create four shadow clones of her own. Her clones corner Mitsuki's clone while she turns back to react on time to block a punch from Mitsuki, who flips on Sarada's shoulder and kicks her on the back and jumps up to the sky. Sarada turns around and figures Mitsuki's waving hand signs again. 'Dammit...he is too fast...'
'Water style:great water dragon jutsu!' A sea of water taking form of a dragon and roaring as it attacks Sarada. Sarada leaps backward and waves tiger hand sign. 'Fire style:majestic destroyer flame jutsu!' The two jutsus of opposing elements collide and cause steam to cover a vast area.
'Summoning art:shadow snake assault jutsu!' Serpents start raising from under the ground to grab Sarada by her feet. Sarada flies away and slashes through several hundreds of them. 'Lightning style:Chidori senbon!' Sarada shoots a rain of blades down on the snakes and then targets Mitsuki's using the same jutsu.
'Not bad...' not bothering to dodge, Mitsuki's clone allows chidori senbons to hit him and Sarada witnesses how all of them shatter and turn to dust. Mitsuki's clone smirks and creates a bow made of purple lightning with his left hand and with his right hand creates a purple arrow,aims at Sarada before she gets to chance to charge toward him and prevent him from using this technique. 'Lightning style:rain of death!' The arrow flies at an incredible speed and Sarada is left with no chance but to flee and hide behind the planets nearby. Mitsuki's uses shadow clone jutsu to turn that arrow into twenty thousand unstoppable blades that penetrate stars and planets, causing a series or catasthropic events in the solar system.
Sarada stops moving in midair, shields her body with her susanoo's wings and releases a massive shockwave that obliterates all the incoming purple lightning blades along with the solar system Mitsuki and her were in.
'Yasaka no magatama!' Sarada summons eight extremely dense crimson tomoes, and fires them at Mitsuki's clone.
The dragon sage substitutes himself with his clone after dealing with Sarada's shadow clones, catching the uchiha prodigy by surprise.
Mitsuki swings ameno sakahoko seven times and one by one, the yasaka no magatama disappear and that leaves one. Mitsuki slices through the fabric of space infront of himself, opens a portal infront of himself and bridges it to another spot in space behind Sarada's back, the last tomoe connects with Sarada's body and leaves a massive explosion, sending her toward Mitsuki.
Mitsuki charges at Sarada and delivers a roundhouse on her chest just to see her turn into a large murder of crows. 'Itachi-san must be proud of her.' The crows start engorging then their eyes turn red, and they blow up at the exact same time.
Mitsuki flies toward Sarada at a blinding speed but Sarada is able to react on time and catch his hands before he can land a hit on her. "You can't gain the upper hand on me using distractions,Sarada."
"About that..." Sarada leans back a bit, gathering a chunk of chakra in her head then headbutts Mitsuki on his forehead, cracking his horn as a result and knocks him back, forcing him to retreat and get a few meters away from Sarada.
"Tch." Mitsuki grunts, his horn is healed instantly. "Not bad." Mitsuki admits.
"You used hand signs three times before casting those jutsus. I was paying attention to see if i can find slightest distortion in flow of your chakra. It appears that you no longer need to wave hand signs at all." Sarada deduces based on what she witnessed earlier in the fight.
Mitsuki smirks. "Show me why Sasuke-san is so proud of you."
An explosion.
An instant later, Sarada sees an ocean of water beneath her feet, several hundred kilometers away from Mitsuki and her.
Just as Sarada's intuition warns her to move away, a gigantic serpent made of water grabs her and tries to bite and penetrate her thick susanoo armor just for the watet serpent to break it's fangs. The serpent slams Sarada into the ocean.
Mitsuki raises his right arm and starts spinning ameno sakahoko above his head right as his water serpent catches Sarada. In the empty void, Mitsuki generates an astronomical dragon made of purple lightning that dwarfs the sun in Mitsuki's and Sarada's timeline. "It's gonna sting, Sarada."
Not allowing Sarada the chance to break free from hold of water serpent, Mitsuki's dragon roars and dives into the ocean. The temperature is so high that all the water gets vaporized shortly upon impact. The absurd electric current that reaches twelve orders of magnitudes passes through Sarada's body.
Mitsuki watches as Sarada heals from the mere flesh wounds, showing no sign of fatigue or dizziness. Mitsuki can sense that Sarada is only annoyed, glaring at him with her cursed crimson eyes that are beacon of hope.
The anger fuels Sarada's motivation and makes her chakra more potent than before. Sarada claps her hands and summons an asteriod with density of trillion kilograms per meter and around the same size as the moon. The asteroid hits Mitsuki on the back and Sarada flies upward and charges toward Mitsuki to punch him in the chest so hard that he is sent flying backward and the asteriod gets obliterated.
Mitsuki enters a blue star and starts to manipulate it's core, absorbing all elements except for iron. Boosting the speed of chemical process and breaking the balance between radiation and gravity inside the core of the blue star, Mitsuki forcefully causes a supernova explosion that lays waste to the entire solar system.
A feat impossible for normal shinobis. In fact, one has to possess extraordinary imagination prowess and genius intelligence along with chakra reserves on par with kurama.
Mitsuki then concentrates all the mass in surrounding space into a single spot, creating a singularity with infinite density, giving birth to a black hole using his incredible mental prowess and chakra control. The black hole quickly grows bigger than the planet they landed on after leaving the primordial world. Mitsuki kicks the black hole and shoots it at Sarada.
'Dammit...' Sarada takes a deep breath, draws ameno murakumo from it's sheath and coats it with golden lightning. She swings it and sends a barrage of lightning bolts inside of the black hole.
The particle-antiparticle pairs inside the black are pulled outside of it as Sarada commands it. Sarada prevents the destruction of those pairs, therefore black hole starts to shrink and loses mass rapidly. An event that would usually takes gogols of years to happen, occurs in matter of seconds. The bearers of chakra and those who can mold nature energy in their body are able to bend the laws of physics, and that way a bolt of lightning can be shot faster than light. For instance, Hagoromo was able to travel infinite distance in a mere instant using no space-time jutsu, relying only on sheer speed gained after rigorous training and perfecting his chakra control in his teenage days.
Evaporation of black hole. The tremendous dark sphere dies in a blaze of glory, and it's destruction serves no purpose other than releasing all the energy it absorbed just moments earlier.
It appears that not even the cosmic radiations have any sort of effect on Mitsuki and Sarada. If ordinary ninjas with limited knowledge on the capacity of potential of carrier of chakra were to witness clash of dragon sage and uchiha prodigy, they would think they are looking at two invincible gods who will fight to the end of eternity.
However, Mitsuki and Sarada are fully aware of each other's capacity. The battle's only just getting started.
Mitsuki tilts his head to crack his neck, shrugging his shoulders as ameno sakahoko disappears.
Sarada pulls out her susanoo's twin katana from the sheaths on her back and sets them on fire. Not any ordinary fire but holy fire that is summoned from heaven itself. Sarada is the first uchiha who gained possession of this divine blessing unlike her predecessors who could only wield inferno flames.
"Just as i expected." Mitsuki grins, and makes his own twin katanas with ice style. "You truly are different from the rest of the uchiha."
"Come!" Sarada declares.
Mitsuki and Sarada let out their battle cry that shake the sky, charging toward each other.
The swords connect and release a shockwave that crush the universe to oblivion. They start exchanging strikes as they move and cross different corners of the cosmos.
After three minutes, Mitsuki manages to lock one of Sarada's flame swords with his ice swords. Sarada aims to pierce Mitsuki's abdomen. Mitsuki absorbs the holy fire.
'What?' Sarada is surprised to see that.
'Of course he can do that.' Lady Katsuyu says in spiritual plane shared between her and Sarada.
'What is that supposed to mean?!?'
'You see, the otsutsuki may not be safe from your holy fire, neither are the tanjoyoko. Mitsuki breaks the rule because he not only bathed in ocean of primordial world, but also awakened his divine genes passed down to him by Hamura Otsutsuki who is the supreme ruler of not just primordial world but also heavens too.'
'You mean he's...like what...fireproof now?'
'I guess that'll be a correct way to describe his current state.'
'Amazing..! Do you know anything else about the abilities he may have gained after using cheat code?'
'Luckily for you, he didn't have enough time to obtain invulnerable body. He can't summon water from primordial water nor can he open a portal to that place.'
'That means i have to beat him or i'll look like a total fraud if i lose and...'
'...'
'Forget it.'
"Too dull!" Mitsuki murmurs and then starts kicking Sarada on the chest, first right foot then left foot then right foot again. Mitsuki finishes the combo by doing a side flip kick and moves toward Sarada for another combo.
Mitsuki delivers a raising uppercut on Sarada's jaw with his left fist and hits her with another side flip kick.
Mitsuki turns his katanas into a warhammer and smashes it into Sarada's chest, sends her flying to other side of universe. Sarada crashes into the barrier that separates this universe from the void of multiverse.
The left side of Sarada's jacket is torn apart after the attack, and six of her lower ribs broken. Sarada takes her jacket off and throws it away. Mitsuki flies toward him and the moment he sees Sarada's necklace, he freezes in midair.
"You didn't think that i forgot about this,did you?" Sarada grunts as she heals her broken ribs, with a sad expression on her face.
"I always preferred to believe that it was the most precious gift you have ever received from anyone." Mitsuki responds, a glum smile appears on his face.
"Like the necklace you are wearing,huh?"
"Yeah..."
Date:Mar.28th 2039
Over fourteen months has passed since the day Kawaki sealed Naruto and Hinata inside Isshiki's timeless dimension. So many people are still unable to cope with the fact that their lord seventh and byakugan princess were killed in their own village, at the hands of the boy they adopted and cherished as if he was their flesh and blood. That is what the leaf village believe to be the reality, for majority of them that is the case.
The streets have not been so unwelcoming and gelid for those who mourn the death of their beloved heroes.
And then there are certain individuals whose hearts are filled with sorrow and regret for different reasons. Those who remember what truly happened, those who can see the true enemy.
'For how long am i supposed to pretend that i don't want to knock Kawaki's teeth out? I don't even know if dad is doing well? I hope that idiot Boruto isn't annoying dad with his foolish antics. Gah, i hate worrying about that heedless gremlin of all people while i should be keeping an eye on the sassy emo boy.' Sarada thinks as she walks down her path to home with hands in her jacket's pockets, looking down, not paying attention to her surroundings.
A boy wearing dark out fit approaches Sarada that brings her out of her thoughts with his cold but stable aura. Sarada is not a sensor but there is one presence she's quite familiar with. Each and every single fiber in Sarada's body are sensitive to the chakra that belongs to the person she spends the most of her free time of duty period: Mitsuki.
To Sarada, it seemed like Mitsuki was gonna walk past her but he stands on her right side and stays still, not saying anything nor looking at her at all.
"Your ears." The first words that come out of Mitsuki's mouth.
"Oh, the earring holes... My mother asked me if i wanted to pierce my ears and wear earrings, i thought it wasn't a bad idea." Sarada says. "Sharp eyes."
"I assume Sakura-san's already have something for you as she came up with this idea days before you celebrate your birthday." Mitsuki speculates. 'Sasuke-san is the one who gifts you a pair of earrings, i suppose...' Mitsuki thinks, refuses to say that to Sarada as that will only upset her.
"I guess you are right." Sarada replies. "That dark purple nail polish looks good on your hands."
"You can thank my parent later if you ever met them again."
"Orochimaru-san really is a classy one. You sure have inherited that fashion sense from your mysterious parent."
"I wish that means you are one of few who don't hate my parent."
"There's no reason for me to be scared of the current Orochimaru-san. I'm just wary of them because...well...they seem to be overly secretive and tight-lipped."
"Hmph. Is that so?" Mitsuki asks, then wears a mischevious grin.
"In their defense, they probably act this way to appear charming in people's eyes." Sarada replies, raises her hands in air and shrugs her shoulders.
"Just like me, right?" Mitsuki asks as he puts his left hand on his hip and leaning a bit to the left side
"Yes." Sarada says, smiling.
"Ada is waiting for me. I wished they would give us a break, but crime never sleeps."
"Do you two weirdos get along with each other?"
"If it continues like this, i guarantee you will eventually be jealous of Ada."
"Don't you dare replacing me with that ticklish damsel, Mikki."
"Now that you mention it, i don't see Sumire around. You two are always supposed to be stuck. Strange to see you here walking around all by yourself without your new bestfriend."
"..."
"..."
Sarada scratches back of her head, unable to come up with a cool comeback. Mitsuki pats her on shoulder and starts to walk away.
"See you around." Mitsuki waves hand.
"Take care." Sarada says loudly.
 
Date:Mar.31th 2039
Sarada's birthday party was oddly pleasant for everyone excluding Ada who was uncomfortable in public, and Mitsuki who has began to get annoyed by loud noises.
Sarada picked up and put all the gifts she received in her bedroom with help of Mitsuki decided to be the last person leaving.
Sarada and Mitsuki come out of the room, seeing Sakura who has finished cleaning the house.
Sakura has her back pressed against the wall and staring at the teenagers, arms folded infront of her chest.
"Sakura-san, may i borrow your daughter for a couple of minutes?" Mitsuki asks Sakura who raises an eyebrow.
"Where are your manners, Mitsuki?!" Sarada asks Mitsuki and grabs his wrist, her eyes twitching.
"...Please."
"That feeling of objectification has not faded away, you know."
"That was a figure of speech, Sarada."
"You better watch your tongue the next time."
"I'll try."
"That's not enough."
"Deal with it."
"You-"
"Oi!" Sakura lets her voice be heard.
"Yes, ma'am." Mitsuki and Sarada say that at the same time.
"You better hurry up, or you'll have to feel the wrath of strongest kunoichi in konoha."
"Gotcha!" Mitsuki wraps his arm around Sarada and teleports away.
"Silly kids..." Sakura sighs.
Mitsuki's destination is hokage rock and he lands on top of Minato's head.
"I admit that you are hella fast." Sarada says as she turns to Mitsuki.
"Save that for later. Close your eyes."
"You better not be planning to steal my first kiss, Mikki." Sarada says, pouting.
"Haha, we laughed mad loud for a bit." Mitsuki responds in a mocking tone. "I'm barely thirteen, uchiha-san." Mitsuki pokes Sarada on forehead.
"Ouch." Sarada rubs her forehead. "That was me being sarcastic."
"And that poke was to show you i have class." Mitsuki takes Sarada's hands in his own hands and covers her eyes with the palms of her hands. "No peeking."
"Let's see what you've got for me." Sarada says, a shade of sarcasm apparent in her warm and loud voice.
"You are allowed to open your eyes now."
"Uh-oh..." Sarada slowly lowers her hands and gradually and hesitantly opens her eyes, her heart pounding so hard she feels like it will explode. She is embarassed at herself for being unbelievably excited. 'Future hokage? Puff, jokes on me. I am nothing but a baby.'
"So?" Mitsuki asks, now with a gentle tone.
"Just like what Tsubasa-sensei is used to say: Magnificent!" Sarada responds as she reaches for the marvelous treasure in Mitsuki's hands.
Mitsuki's gift is a necklace. Thin gold chains with a eight-pointed star shaped symbol made of sunstone in red color. It is certainly not the most expensive gift Sarada has received, but probably her favorite after the earrings she is wearing that are created by her father.
Mitsuki goes behind Sarada and clips the necklace around Sarada's bare neck. Sarada shakes uncontrolably at touch of the metal but soon a phenomena catches her onyx eyes.
After Mitsuki finished putting the necklace on Sarada's neck, the star shaped gem starts shining bright. It really does fascinate Sarada.
"Let me guess,you made this cutie yourself." Sarada assumes.
"Yes." Mitsuki says, smiling.
"Did you use yin-yang release method or..."
"I mastered the craft. It took me two days but it seem it did worth it."
"You kidding? I fricking love it so much."
"You're welcome."
"Oh...you used this symbolism again..."
"..."
"Don't get me wrong, i know my mangekyou sharingan has the same shape as this symbol, but still....i...i just...i dunno."
"No,you are right. Your eyes inspired me. Nothing more, nothing less."
There comes a suffocating silence. The wind blows Mitsuki's hair, hiding his golden eyes from Sarada.
Sarada runs her fingers through Mitsuki's hair and slides it to side so she could see his beautiful face. Sarada caresses Mitsuki's cheek, wrapping one arm around his neck and one around his waist, pulls him into a hug, embracing his cold body in her toned arms.
"Thank you...for everything." Sarada says as she holds Mitsuki tighter.
Mitsuki doesn't move, just rests her chin on Sarada's shoulder.
Date:Present Time-Nov.27th 2042
Mitsuki remembers some moments from the past he cherishes, losing focus on the battle, allowing Sarada to gain the opportunity to wave hand signs needed to cast shadow clone jutsu.
Ten shadow clones surround a distracted Mitsuki and jump on him and start beating him up for mere seconds until Mitsuki uses substituition jutsu and gets in iajutsu stance after summoning ameno sakahoko.
"Eliminate all!" Mitsuki disappears from Sarada's sight.
Nearing infinite speed, Mitsuki flies around the universe and slashes through Sarada's shadow clones in a omnidirectional series of attacks, slicing through space itself and disregards their durability, watching Sarada's shadow clones vanish one by one in matter of an instant.
Sarada summons her perfect susanoo again along with gunbai before Mutsuki could cast Wind Style: Great Wind Whirlwind jutsu, expelling the chakra she kneaded in her body into holy fire and uses the chakra of Mitsuki's own attack to cast Fire Style: Great Fire Whirlwind jutsu, creating three enormous whirlwinds that knock Mitsuki back.
Sarada appears behind Mitsuki, strengthening the force of her punches by casting Earth Style: Ultra Added-Weight Rock jutsu and concentrating tremendous amount of chakra that she has been storing in byakugou seal in the last two years, into them and strikes Mitsuki in stomach so hard he crashes through the barrier of universe that shatters.
Mitsuki has no time to recover as his back hits the barrier of another universe.
"Channaro!" Sarada begins to deliver a remorseless and devastating flurry of punches as she shouts angirly at the friend who does not regret leaving her. Sarada screams because she can't forgive herself for hurting Mitsuki, for all there is that she can do is to try beating some sense into her beloved companion. Sarada has to convince Mitsuki what he is doing is wrong, because if she fails to do that, there is a strong chance he will die.
Sarada is afraid of that possiblity and she will do whatever it takes to prevent that from happening.
"GIVE UP!" Sarada yells at Mitsuki, striking him with the palms of her hands, sends him flying until he freezes in midair, gasping for a few moments and starts coughing blood, covering his mouth with his hands as he transforms back to the first stage of dragon king sage mode.
The hanging crescent moon necklace brings back Sarada to three years ago...
 
Date:Jul.25 2039
It's early in the morning, everyone is asleep while the sensory division are watching over the village. Nothing can be heard but the dawn chorus of birds.
'Is there something wrong?' Kohan asks Mitsuki telepathically using mind body transmission technique and chakra transmission communication device that expands the range of yamanaka clan's hiden jutsu and allows the sensory division to make contact with those who are fifteen kilometers away from the leaf village.
'No. Everyone's sleeping.' Mitsuki responds, standing in Ada's bedroom, barely a couple of feets distance between them.
'The night shift is over. You may leave now. I will make contact with Sarada and Sumire.'
'Yes, sir.' Mitsuki approaches Ada who has wrapped arms around a pillow, and puts a blanket over her. Mitsuki caresses Ada's cheek with back of his fingers.
Mitsuki is assigned to this mission not to befriend Ada and Daemon literally but to pretend that he loves to spend time with them and genuinely likes them.
Perhaps Mitsuki isn't of the kind who considers not hurting feelings of the people as he is logic-driven and blunt, that doesn't indicate he lacks empathy for certain individuals who share similar experiences with him.
Ada is a conflicted person and her thirst for love is something Mitsuki relates to. Mitsuki often thinks that he is alone in the world, and he can see that Ada is dealing with the very same irritating sense of melancholy.
Ada is skeptical but also optimistic at the same time. She claims that keeping silence is a wise move but when she is with Mitsuki, she becomes chatty and can go on and on for hours. Ada says she hates fighting but won't bat an eye if someone were to be killed for opposing her.
Mitsuki perceives Ada as a paradoxical existence who reminds him of not just himself but also Tsubasa Emiya, his genius mentor.
Mitsuki was able to bond with Ada because he truly believed that she deserves to be given a chance. He wishes happiness for Ada and considers her to be his companion.
At first, Mitsuki was yet another "cool guy" for Ada but shortly after she started to fraternize with him, Mitsuki grew on Ada. Ada tends to refer to Mitsuki as her Darkest Knight, and prefers keeping company with him than anyone else in konoha as he understands her the best and is always frank without being rude.
Mitsuki walks out of the bedroom, mentally stressed.
Mitsuki comes out of the house and spots Sarada who has her hands behind, Mitsuki knows that she is hiding something from him that will only just confuse him.
"You like to keep me waiting. I don't." Sarada approaches Mitsuki with firm steps and an awkwardly fierce look on her face.
Sarada stands close to Mitsuki, her chest almost touching his, gazing into his eyes.
"Okay..." Mitsuki murmurs.
Sarada is glad that Mitsuki can read her mind and save her the trouble of explaining herself and what she wants to say most of the time. And now Mitsuki shuts his eyes, without even being told to do so.
Sarada gently puts on a necklace on Mitsuki's neck and then pokes on his forehead.
"Here you go." Sarada says with enthusiasm, grinning.
Mitsuki lowers his head to look at the necklace Sarada gifted him.
Thin silver chain and a crescent moon shaped symbol made of moonstone that is glowing.
"I saw it coming and it still baffles me." Mitsuki says, looking at Sarada with a curious expression on his face.
"At first, i was really not interested in that sun and moon symbolism you are so obsessed with. But after my birthday, i don't really mind it." Sarada asserts, Mitsuki raises an eyebrow hearing that. "Because you are the moon. Don't waste your time on Boruto and Kawaki, you are my moon."
Mitsuki is left speechless, drowned in a sea of thoughts and doubts. Mitsuki hates when he can't find a proper answer.
Sarada leans forward and marks Mitsuki's left cheek with a gentle kiss.
Mitsuki presses his forehead against Sarada's with his eyes closed. Sarada interlocks fingers with Mitsuki's to comfort him. From time to time, Mitsuki forgets just how desperate he is for the warmth in Sarada's touch.
"Happy Birthday, Mikki."
"Yeah."
"You love it, right?"
"Absolutely."
 
Present Time
Mitsuki stares at his bloody hand in disbelief.
"You are pound-for-pound the single strongest person i have ever fought." Mitsuki admits and then covers his face with his left hand, his body still trembling because of the damage inflicted onto him.
"Hehehehehe..." Mitsuki starts laughing in a hair-raising manner, shaking Sarada to the core. "HAHAHAHAHAHAH"
Mitsuki's laughter is no longer sweet or genuine. It is sinister, twisted. He has finally snapped.
"THIS ENTIRE TIME YOU COULD'VE MOPPED THE FLOOR WITH SO MANY BASTARDS BUT YOU CHOSE TO WAIT JUST TO GO ALL OUT AGAINST ME?!?" Mitsuki shouts at Sarada, making her break into sweats.
'The ritual is now showing it's side effects.' Katsuyu says in the mental plane.
'Since Mitsuki couldn't fully rewrite his DNA, his mind is unable to withstand the pressure of the incomplete power of primordial ocean bestowed upon him. Is that what you were gonna say, Katsuyu-san?' Sarada says, clenching her fists.
'You have to put an end to this fight. Mitsuki is unhinged, far too dangerous than he has ever been.'
'Are you done?'
'Yes.'
'Good.'
Sarada returns back from mental plane and sets her eyes on Mitsuki.
"I will save you, Mitsuki." Sarada insists.
"I don't want you to save me, Sarada." Mitsuki asserts.
Sarada forms a rasengan in her right hand, and makes it bigger than planet earth itself.
Mitsuki gathers chakra in his left hand and transforms it into stream of black electricity.
Sarada attacks with her ultra big-ball rasengan, Mitsuki quickly flies towards it and tries to deflect the planetary sphere using his dark chidori as he lets out a cry of rage.
Mitsuki releases an electric discharge from his left hand, cancelling Sarada's rasengan as a result.
Mitsuki spots Sarada who shots an arrow after amplifying it's speed with wind style, using a red bow that is her perfect susanoo's special weapon, it travels so fast space around it is distorted. Mitsuki summons muramasa sword and cuts the arrow in half, and the two halves of arrow melt away instantly.
Mitsuki cuts his forearm open with muramasa sword before it starts to thirst for Sarada's blood, boosting his physical prowess and strengthening his chakra by boiling the energy flowing within him, Mitsuki transports back muramasa sword to the spiritual plane and charges at Sarada.
Sarada tries to defend herself from Mitsuki's punch with her bow, but the dragon sage's claw breaks it apart. Mitsuki punches Sarada on abdomen, then on face, then uppercuts her and at last delivers a knee kick.
"What is it that motivates you? Is it the urge to prove that you are not powerless and can save everyone around you? Or the overwhelming guilt you feel because Ada was killed and i went rogue?" Mitsuki yells at Sarada as he is grabbing her arms.
"Cut it out!" Sarada shouts at Mitsuki as she digs her fingernails into his neck and shoulder.
"Why are you so obsessed with Boruto and Kawaki?!"
"WHY ARE YOU SO OBSESSED WITH ME?!?"
Mitsuki grits his teeth upon hearing that question and lets go of Sarada.
"Back then, you were worrying about Boruto the whole time, always told me that Hinata-san asked you to look after her reckless son. Kawaki came, and your desire to mimic seventh hokage became a reason for you to befriend Kawaki. You know that he regrets nothing at all, and you still wish to believe that there is still good in him." Mitsuki says, with a devastated look on his face.
"You said it yourself the best. If i lose my grasp on hope, i'll be nothing but a shell of my true self. Kawaki can pretend that he is all tough and merciless, but deep down he is the same broken child desperate for slightest bit of parental affection. His ideals are twisted but with Boruto's help, he can change for the good." Sarada claims, her lips curle into a smile , wearing a saddened expression.
"Ridiculous."
"You are so difficult."
Mitsuki and Sarada fly away in opposite directions without turning their back on each other.
Mitsuki and Sarada puff steam breaths, the first being of ice and the latter of fire.
"Who would've thought we would use those two techniques on each other?" Mitsuki says, releases tremendous amount of dark energy that takes form of an endless cold steam reaching thermodynamic temperature to absolute zero.
"You did, didn't you?" Sarada asks Mitsuki, as she expells gigantic amount of light energy that spreads around the space behind her, transforms into holy fire reaching the planck temperature.
 
Date:Sep.11th 2040
Ada is in the hall, sitting on the nine seater, drinking apricot banana smoothie through a straw.
"Here, have a sip." Ada offers Mitsuki to take a small mouthful of her drink.
"You don't have OCD?" Mitsuki asks Ada.
"I'll make an exception this time around." Ada says, outstretches her right arm and rests it on top of the sofa's frame.
Mitsuki leans in, tucks his hair behind his ear and puts his lips on the red straw, drinks a sip of the smoothie.
"Very appetizing." Mitsuki confesses, licking his lips.
"I might open my juice bar one day. Who knows maybe you will be there to lend me a hand in work." Ada says, giggling.
"If only thery was no tension in this world..." Mitsuki says, sighing.
Mitsuki outstretches his left arm and rests it on the top of sofa's frame.
Mitsuki and Ada put on one leg over the other at the same time, sitting crosslegged.
"That's what happens when you are together." Daemon says loudly as he jumps on the sofa and sits next to Ada. "You should never be left alone all by yourselves."
Then appears a man infront of the teens, jumpscaring Daemon.
"You-" Daemon is cut off as another one pops up out of nowhere.
"Your progress is awe-inspiring, Houki." Tsubasa says. "Keep it up and you will surpass some of your predecessors."
"That is only possible because of you, Tsubasa-sensei. You have my sincerest gratitude." Houki says.
"Hello everyone." Tsubasa says, patting Houki on his back.
Daemon disappears, sticks to the roof and leaps toward Tsubasa to hit him just to phase through his body.
"Are you a wizard or something?" Daemon asks Mitsuki, frowning.
"I am a sage of six paths." Tsubasa replies to the kneeling boy. "Ada."
"Handsome." Ada responds to Tsubasa.
"Keep this mini goblin away from me." Tsubasa asks Ada.
"Come here, Daemon." Ada tells her little brother who turns to Ada and then looks back at Tsubasa.
"I'll get my hands on you one day, pretty boy." Daemon says.
"You can't even achive that goal in your dreams. There is no shinobi on earth who stands slightest chance of victory against Tsubasa-sensei. Likes of Kakashi-senpai have stated that Tsubasa-sensei might be the single most powerful being in existence. You can consider him our failsafe asset." Houki states as he sits on other edge of the sofa.
"BS! There ain't no way this edgelord can defeat me!" Daemon shouts.
"You can brag about it all you want. I can't care less about spoiled brats with an ego the size of the universe." Tsubasa says.
Someone throws arms around Tsubasa's waist from back and hugs him tightly.
"I missed you dearly, sensei." Sarada says.
"You have grown stronger." Tsubasa says, knowing well that Sarada always hugs him to lighten his mood.
Sarada unwraps her arms around Tsubasa and goes to sit next to Mitsuki.
"You sit here hand in glove with Ada. My god, Mitsuki..." Sarada whispers in Mitsuki's ear, Ada hears her and nods her head.
"I hope all is well, Tsubasa-senpai." Sumire says as she gets past Tsubasa and sits beside Sarada.
Tsubasa spots a frozen Himawari behind him. Himawari's cheeks glistening with blush, gazing at Tsubasa with heart eyes.
Tsubasa approaches Himawari, lifts her up and puts her on sofa next to Houki while everyone are analyzing his each and every single movement.
"Hima." Tsubasa says, snapping fingers infront of Himawari's face.
"Are you an angel? If not then why are you so pretty?" Himawari asks Tsubasa, who turns to Houki and both roll their eyes and facepalm themselves.
"Whatever." Tsubasa says, patting Himawari on top of her head. "Sumire asked me to come here to share a piece of knowledge with you. My gosh i hate being a teacher to death. So boring." Tsubasa continues with his tongue in cheek.
"Then why on earth you waste your time mentoring these goons for two years?" Daemon asks Tsubasa who frowns after hearing her.
"Tragically, i have been cursed with this sense of responsiblity that pushes me to do what annoys me to death." Tsubasa responds. "Not like you would understand what it means. Anyway, it's history class time! Let's talk about ancient times."
"Aw man, you want to babble on and one and give me irks.
"And ancient gods."
"For real?!?"
"No for fake."
"That doesn't sound too bad, you know." Daemon says, his cheeks blooming.
"In the seventh century and after the death of Hagoromo Otsutsuki, the cosmos became battleground of two demi-gods. They were the sage of six paths' sons: Indra and Ashura Otsutsuki. Indra was an outstanding prodigy among his peers, never surpassed by his descendants nor successors. Indra was an individualist who believed he could bring justice and order through force, and never relied on people. Hagoromo saw that and thought that Indra is not worthy to be the next leader of ninshu. Therefore on his deathbed, Hagoromo passed on his powers to Ashura, the younger son who wasn't particulary talented reached enlightenment. Overwhelmed by rage and hatred, Indra rebelled and waged war on followers of Ninshu all by himself."
"Indra was a real one for that. That is peak badassery." Daemon says, everyone turn to him and look at him with mixed feelings of disappointment and shock. "What?" Daemon folds his arms. "You can't change my mind."
"He battled Ashura for years but he failed to taste victory. Indra grew tired and decided to retreat. Indra sought to awaken his father's dojutsu, the rinnegan. But how?" Tsubasa continues, approaching Ada and bending over, waiting for an answer from her.
"He needed to mix both yin and yang chakra inside his body. After an indefinite period of time, knowing that Indra was a bearer of mangekyou sharingan, his eyes would evolve and transform into a single or a pair of rinnegan." Ada states.
"Bravo." Tsubasa pats Ada on shoulder. "You better take your taijutsu training seriously. You have untapped potential."
"If you say so." Ada says.
"Indra had absorbed a small portion of Ashura's chakra, and spent months on deep meditating, multiplying that chakra and then mixed it with his own chakra. After that, he could manifest fantasy and created a perfect avatar of himself, transplanting that avatar's mangekyou sharingan, activating eternal mangekyou sharingan as a result." Tsubasa goes on.
"That is cruel." Himawari says.
"Maybe. Who are we to judge?" Houki says.
"Indra finally attained a pair of nine tomoe rinnegan. Ashura had forseen that, thus he perfected his mastery over six paths sage mode, pushing himself to reach Indra's level." Tsubasa continues.
"We are lucky that things went down they way they did." Sumire says.
"I think not." Mitsuki responds.
"Tsk tsk tsk tsk." Sarada utters.
"Indra is not just ancestor of Uchiha, Emiya and Chinoike but also the creator of all forms of ninjutsu. He was a super genius and casually invented complex techniques and experimented on the environment to gain a proper understanding of reality. That is when he created a pocket dimension. Indra wanted to see what happens if space reaches it's boiling point. Indra released the inferno flames inside the pocket dimension and increased it's thermodynamic temperature until the interesting stuff appeared in a certain point." Tsubasa says.
"Planck temperature." Ada says.
"That's my girl." Tsubasa says, making Ada feel proud of herself and sees her cheeks redden. "Planck sized black holes started to form and flooded the cosmos with radiation and particles, triggered a big bang event."
"He was a nerd." Daemon pouts.
"Is there a problem?" Mitsuki turns to Daemon.
"Eh... in this case, i guess he is just way cool for me to slander him." Daemon says.
"Originally, there were two sages of six paths. Hamura was the co-inventor of six paths sage mode who landed on moon and decided to live there. He married a hybrid otsutsuki named Mirina Otsutsuki who bore him a daughter: Meigetsu Otsutsuki. A demi-goddess whose talents were said to surpass even that of the legendary Indra Otsutsuki, Mirina invented a fearsome technique that inspired Indra centuries later." Tsubasa explains.
"Sensei, you should tell me more about Meigetsu Otsutsuki." Sarada says.
"I will." Tsubasa says. "Mirina aimed to find the lowest possible negative thermodynamic temperature, thus she used her ice release and reached absolute zero temperature. The disorder disappeared at that point, all motion stopped which means time could no longer flow, and matters were obliterated on a subatomic level."
"What were the names of those jutsus?" Himawari asks Tsubasa.
"The first was called Genesis and the latter... Nemesis." Tsubasa answers Himawari.
 
Present Time
'I need more!' Sarada shouts.
'Roger that!' Katsuyu says.
In mere moments, Katsuyu channels immeasurable amount of nature energy into Sarada's body, enough to match Mitsuki's rather unparalled energy pool.
'I owe you one.' Sarada says.
'Don't mention it.' Katsuyu responds.
Mitsuki's dark energy enters nigh-infinite number of universes, crushing everything to oblivion.
Sarada's light energy also melts everything to other side, giving birth to infinite planck sized black holes.
Mitsuki concentrates all the concentrated energy he absorbed from the destroyed timelines and suppreses it into a form of blue moon.
Sarada does the exact same thing but instead of creating a moon, she manifests a star that is around twenty four times bigger than the lunar sphere Mitsuki made.
"You are the only one who can rival me, Sarada." Mitsuki asserts.
"I didn't want it to be this way." Sarada utters.
"It's over now."
"Forgive me, Mitsuki."
'Demonic Arts:Ice Style:Nemesis!'
'Divine Arts:Fire Style:Genesis!'
The warriors scream as they shoot the astronomical spheres at each other, pushing their bodies to their limits.
Mitsuki figures that Sarada's technique is overpowering his own, and chooses not to evade this attack from point blank range, embracing destruction to repent for the injuries he inflicted on Sarada during this fight.
Boom!
Mitsuki floating in space, knocked out of his sage mode, surrounding by newborn planets.
One instant, Mitsuki's body glows and the other it doesn't. Mitsuki has not accepted defeat, not yet.
Sarada watches as Mitsuki is regaining his consciousness, bloody tears coming out of her right eye after overusing the ameno uzume ability of her mangekyou sharingan which allows her to summon holy fire.
"You just won't stay down." Sarada mutters.
And a bloody tear falls from her left eye.
This is what kept Sarada safe from big bang's harm.
Amano Iwato.
Sarada transported her body to her personal domain before the explosion was triggered.
Sarada replaces the surrounding space with her dimension.
Chains are created from naught and bind Mitsuki to a torri gate.
"Impossible...how could i...lose..." Mitsuki drops his head out of shame.
 
Date:Feb.14th 2042
"He didn't came, right?" Mitsuki asks the girl who is sitting on bed, burying her face in the pillow she is hugging.
"I hate to say it, but it seems like Kawaki's heart is made of stone." Ada , throwing the pillow away and jumps out of the bed.
"How many times did i tell you Kawaki doesn't deserve your love, Ada?" Mitsuki utters, rubbing Ada's arms.
"This damn attraction won't let go of me." Ada murmurs, putting his hand on Mitsuki's chest.
"You cling to this bond because you think Kawaki feels lonely in this world just like you, yes?"
"There's a single dim ray of hope in my life, and it's the slim chance that Kawaki will love me back. I can still wait but i don't know exactly when i'll grow sick of this." Ada wraps her arms around Mitsuki, who runs his fingers through Ada's hair.
"You're risking everything."
"Even if that's true, You'll be there for me, my darkest knight."
Mitsuki says nothing just kisses Ada on top of her head and wraps his arm around her shoulders, hugging her tightly.
"You can count on me."
 
Date:Present Time
"I lied...again...and again...i failed..." Mitsuki mutters as cold tear stream down his face.
Sorrow, regret, humiliation, powerlessness, hate and rage.
Overwhelmed with negative emotions, Mitsuki snaps as he begins to absorb nature energy from Sarada's dimension.
"No..!" Sarada mutters as Mitsuki regains the strength he lost.
Mitsuki lets out a deafening roar that finds way to gates of heaven and hell, showing he is not bound by the laws of Sarada's domain.
Mitsuki generates enormous amount of lightning from himself, flooding Sarada's space-time, shattering the fabric of reality.
Mitsuki escapes Sarada's dimension, spots his opponent hyperventilating and severly fatigued, her body couldn't withstand the absurd level of energy it received, could barely even move or mold chakra.
Mitsuki flies toward Sarada who throws a weak punch, easilly grabs her hand and pokes her on forehead.
"Forgive me." Mitsuki says as Sarada loses her unconsciousness.
Mitsuki casted a special seal on Sarada which traps her conciousness in realm of dragon king for a short period of them.
Mitsuki's plan was to weaken Sarada to such an extent she will be unable to resist or break out of the realm quickly.
Mitsuki spent most of his remaining chakra to perform this technique. He summons ameno sakahoko to open a portal and passes through it just to fall on ground with Sarada's in his arms.
Mitsuki looks at Sarada's necklace that emits a dim light, and holds Sarada tighter.
Mitsuki stands up with Sarada in his arms and lays her next to another dear friend of his...
Code.
"I assure you, the victory will be our's." Mitsuki asserts.
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enbyleighlines · 10 months ago
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Ugh I am so uncomfortable right now
I have a sinus infection and I haven’t been sleeping well the past couple of nights, so I’m tired, but no matter how hard I try, I cannot seem to fall asleep
But I’m also too tired to do anything else, so I’m just stuck in this state of absolute boredom
So I just binged a bunch of anime today
Finished Dungeon Meshi and loved it. Absolute banger of a show. And so many attractive character designs. Laios? Kabru?? Daya??? The other female dwarf???? That evil elf twink????? The female orc??????
All it needs is a super femme, super bitchy queen bee type character, and it will have satisfied ALL of my types
Also Falin and Marcille are so yuri coded, love that friends to lovers schoolgirl energy
I also watched the first episode of that omegaverse anime. It was p good. I was confused why they decided to make alpha/omega relationships the taboo one, since typically that is the most common one. Because they wanted the characters to face adversity without directly including homophobia, I suppose?
Then why not make them an alpha/alpha or omega/omega pair?? That’s something I haven’t seen before, and it would better align with the whole metaphorical homophobia thing!
I mean, I know why they didn’t, but idk. It would have been more interesting in my opinion.
Additionally, I had a hard time focusing on the anime due to the way they portrayed the child, Hikari. They said he was 1 going on 2, so as someone who works with that age group, I couldn’t help but notice every time Hikari wasn’t acting his age.
I won’t bore anyone with details, but basically, his gross motor movement is pretty behind for a boy who is almost 2. Meanwhile, his cognitive and emotional development is quite advanced for that age group. His ability to speak in nearly full sentences is not entirely out of the realm of possibility (I’ve taught 1 year olds with advanced vocabularies before) but his ability to still access his vocabulary during moments of emotional distress is less convincing.
I wish it was that easy to communicate with toddlers in the midst of an emotional meltdown. It would make teaching so much easier.
However, I did think it was a cute touch that after being compared to a star, Hikari spent the rest of the day pointing out every star he saw and calling it his own name. And I appreciate that they didn’t bother showing us the 20 more times he did the same exact thing the following two weeks.
Toddlers will 100% become obsessed with a tiny detail they overhear, and talk about it almost exclusively for weeks afterwards.
So be careful about what you say around toddlers. You never know what they will internalize and repeat like a broken record for the next 14 days straight.
Anyway, that’s basically my day in a nutshell.
I’m tired of watching anime, so if anyone wants to ramble about something to me to keep me entertained while I ride out this sinus infection, please do so.
You could tell me about one of your ocs, or the last anime you watched, or gush to me about your otp, whatever suits your fancy.
Also, please do contact me if you have thoughts on which cuties from Dungeon Meshi should kiss. So far the only ones I’m shipping are Marcille and Falin, so I am open to learning more about the popular ships of the fandom.
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tempestuous-tempest · 2 years ago
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Again! Wrench Headcanons:
Guess this 28/41 year old is my hyperfixation for a while.[Age depends on which game he's in. WD2 has him at canonically 28 while Legion makes him canonically 41 years old.] This is about the length of my Deacon Rambles post...
Was a high school drop out at some point. Always getting in trouble for skipping classes, taking shit apart, having his hood/mask on, fighting because he didnt get along with people, etc etc. He hated school.
I see him as the type to have been a drummer in a band at one point. Eventually the band just fell apart but he has some of their songs on his phone still.
Loved the movie Scott Pilgrim vs. the World. In his mind, it had a badass sound track. 7 Nation Army by The White Stripes and Black Sheep by Metric and Brie Larson were real bangers in his mind.
Reeks of beer and gasoline most of the time. Change my mind.
Deadpool is this man's icon. Some of his jokes are inspired by jokes from the comics or movies. Has posters, funkos, obviously the comics and movies, and even dressed up as his own punk version of deadpool loosely based on the funko mini. His personal favorite mini was the chicken costume.
Has a unicorn stuffed animal himself.
Also likes Spider-Punk.
Likes Motorcycles a little bit more than cars.
Detective films? Yes. Action Movies? Definitely. Sci-Fi? Hell Yeah! Horror? Maybe not so much.
People seem to be unable to decide whether Wrench is Bi or Pan. I personally think he'd be Pansexual.
Doesn't like cleaning as he states ingame. Will clean if the mess starts to bother him. Or if Sitara makes him.
High metabolism which is why he's so thin.
Throwns in tons of movie/game references when speaking expecting people to get them and then has to explain them when they dont. Definitely geeks out when someone does.
You know that one audio trend with the person singing CPR and someone else yelling "Language"? He'd be the singer and Sitara would be the one yelling at him to mind his language.
Sends the most odd videoes at the most random of times.
Also the kind of guy that might not respond until like and hour or 2 later.
Tries to be pretty quiet in the mornings, besides the music blasting in his earbuds/headphones.
The more I think about the more I start to believe that his "bad driving" is just a thing he makes people believe until you see his dumb ass in a race and this fucker blows you away with his skills. Then you start to really understand why he can do perfect drifts getting away from the police or gangs in a chace.
Due to his always racing thoughts, he sometims forgets some things. Like he gets sent out to take out the trash, goes to the kitchen, forgets why he went in there, does a few circles to try and remember, then gives up and goes back to his room or workspace. It'll hit him like 20 minutes later.
Favorite food is probably Tacos. Pizza close in like 2nd or 3rd place, maybe.
Decent at voice impressions, if you couldnt tell.
Oh, and for those who absolutely need them, have some romance headcanons too:
Didn't show his face to his S/O until like 6 months into the relationship at the least. He was so fucking nervous too.
Wouldn't even fully open up about his past until probably a year in at the least.
Prepare for cheesy love songs, matching key chains, corny pick up lines, bits of playful teasing, and a lot of small physical touches. (Mostly hand holding but would wrap his arms around his s/o's waist) His s/o also wrapping their arms around his waist drives him nuts.
Needs a lot of reassurance that his s/o loves him. I wouldnt say constantly but quite a few times in the relationship, especially at the beginning.
He isnt exactly scared of commitment as he had a husband at one point. Key word: "Had". Dont expect him to fully settle down though. He still plans to fight until he is sure this battle is really over.
Two Words: Super. Clingy.
Might forget an anniversary, dont hold it against him. He sometimes forgets what he had for breatfast 15 minutes ago.
As I've mentioned before, he does not like kids. Don't expect a family with him.
No planned dates unless his s/o is the one who plans them. He kinda just does things whenever if both have the free time.
Makes sure to dial down his weirdness just a little so his s/o is comfortable. He takes things slow if they want them to be.
Was definitely taking forever to actually ask his s/o out. Hoped they would do it first but then got impatient after a while and just blurted out everything.
This is getting too long. Im done for now.
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vampuppyy · 3 days ago
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oh! i just listened to miss lady gaga's new song abracadabra and wondered what does alejandro think of the song, since he(?) likes lady gaga from what i recall :3
HIIII YES I DO MY MOTHER . tldr is i cant believe i live in an era where mother goes back to her old testament era in 2025 in what world am i . if we had the financial means to do that right now you just KNOW i'd be forcing chiichii to get his money and pay for a bus to rio de janeiro so we could attend the free gaga show in may now that i know her new era is extremely reminiscent of her darkpop era and sounds a lot like an artpop + the fame fusion because one of my dreams since before i formed or anythin' was to attend a live the fame or born this way era show and this would be my chance but alas (plus i dont wanna risk gettin our shit stolen considering how the free madonna show last year went sooo)
longer version is that its genuinely such a nice recall to her old testament, yeah, while very much incorporating more of the new gaga vibes with making it sound more melodical in a way that almost sounds haunting with the echoed vocals. i aint the fashion freak in this system so i cant say as much about that as the demon freak or chiichii could but i think the fits are goorgeous and, again, something recallin the old era of gaga with the extravagant feeling while bringing a new form of fancy and classiness to it. i personally am obsessed with the big red spiky hat it looks sooo stupid i love it sm. i know the others in the system have been more obsessed with the big feathery tail fit which i get but i just think mother looks so stunning in red and it fits her pale skin so much (probs why i also looove the other red fit where she holds the cane). musically i aint really a prodigy and none of us are really but as i said it sounds like an artpop the fame fusion and its sooo good fuckkkkkk. the choreography for it is so good and i really hope mama will drop a choreo video at some point so i can practice it myself for the full thing, the stomach stabbing move made chii giggle and kick her legs when we first saw it. also i hope ya can imagine the absolute jumpscare it was to be waiting for mother to appear in the grammys an hour before it and suddenly 20 mins before that she just randomly decides to drop a wholeass new BANGER thats inspired by her older stuff. i feel the part in the clip where it cuts to the dancers and collaborators shouting the lyrics around her as she screams before going back to the song was so chilling and im soooooo excited for this new era of her. i love you mama
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afreakingdork · 1 year ago
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I’ve been curious about the paragraph in chapter 47 about Donnie’s past partners and the description of them being transactional. I guess I’m wondering what he meant by that? What were the other parties involved getting from the experience? What kinds of people were they? What was he looking for? And in what period of his life? Sorry to bombard you with questions btw 人(_ _*) I tend to take things very literal when reading, my initial interpretation was that these past partners were sex workers. That doesn’t sound right though..
Happy new year!!!
Not at all; not bombarding at all! Please, always send any and all questions! I can totally see how it's confusing so let me share the ongoing history!
I know Weak Spot Donnie's sexual history has been a sort of ongoing question that I originally dodged like dodgeballs because, in all honesty, it wasn't something I bothered to plan from the beginning like I planned everything else. Since reader's sexual history was going to be ambiguous (so they can be insertable ((lol))), I thought of leaving Donnie's that way too since we aren't defined by what partners we've had.
That being said, I did eventually give in and decide something only because I was given the right idea! Shout out to @purplish-hue for saying he would fuck for gain and @hijinxensues for playing mad ball trying to piece it together while I was frolicking in the flowers. Using the word transactional totally came from @some-guy-named-dominyk who casually said the banger:
picks up WS Donnie wow you are troumatised and see everything and everyone (including yourself) as transactional pieces because you we brought up in a world that was cruel and unforgiving whne you were a child, but now that you are an adult and you are in the presence of relative safety, you are more afraid of the safety rather than the pain
All of this is to say the following below the cut is what I decided!
Also someday I'm going to take all the drabbles and what not that I've canon stamped for Weak Spot and make a proper post for them!
Donnie's first time is related to a change in his line of production. So like I'm imagining old dude runs a mine for mystic crystals and he has a heart attack and the daughter (maybe a mujina?) steps into the role. Donnie has an ongoing deal with the old man, but the daughter is spoiled rotten ruthless and halts the flow. She won't be moved and she's got too much defense to take out, plus Don needs the crystals and doesn't wanna cut ties with the old man's business because it's such a pain and who wants to get into mining ops. Donnie looks into how he can manipulate her because she supposedly doesn't want anything. She obviously wants to put him in his place, but based on his upbringing (and that being out of the question) there is no one in this world that does not want. He finds out she's basically a pillow princess who loves sex. He does he research, the whole nine yards, he practices with the stroker to make sure he can last, he's EXTRA and then he confronts her and fucks the shit out of her. He doesn't let her cum and makes her agree to continue production before he lets her. She tries to get him back after that, but he refuses and now he's the one dangling the carrot. From that point on, he basically only used sex in that way, aka a means to an end. This would have taken place in his 20s when he needed materials but going back to the Hidden City was especially difficult for him.
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randomvarious · 7 months ago
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Next Evidence - “Dune” Stockholm Mix Sessions 2 by Jesper Dahlbäck Song released in 1999. Mix released in 2000. Deep House
It’s kinda strange how you can’t find a proper bio about this French deep house duo anywhere. You’d think that when an enormous major label like Capitol/EMI puts out someone’s album, it’d help to generate some kind of fanfare for the artist, but it doesn’t really appear to have done so in the case of Next Evidence; at least not to the point where some professional music writer publishes a few sentences online about what the duo does and where they’re from. All we really have to go on here is a poorly written, unverified thing from some last.fm user. Crazy.
But allow me to piece together a narrative here that differs slightly from that last.fm entry. Next Evidence was made up of Maxime Cohen and Michael Tordjman. In ‘97, while they were both in their mid-20s, the pair put out their debut record, and in '98, they started their own small record label, Basic Recordings, which ended up releasing material from a handful of house talents, including Julien Jabre and Dennis Ferrer.
The following year, with five releases solidly under their belt as a duo, Next Evidence put out an EP called Sands on the Paris-based Versatile Records. And it’s on that little EP that you’ll find a deep house banger of theirs called “Dune.”
Now, what appears to have sonically set Next Evidence apart from most of their fellow deep house peers is that they had a special affinity for African percussion. While most deep house makers were just using standard drum machines or software to construct their backbeats, these guys were on some different shit, making sure that just the basest parts of their own productions were unique enough to catch and then captivate one’s ear. And that approach, when it comes to just the music itself, will definitely give you a leg up on your competition, because at jump, when all you’ve really introduced is your drums, you’re already putting out something that doesn’t sound like most of what else is out there, and your tune’s barely even gotten started yet! And that’s not to say that others weren’t also using African percussion in their deep house at the time, but it definitely wasn’t nearly as commonplace as other methods of crafting a backbeat.
So, next, you add some space-dubby synth-work to the track, and then by making some slight alterations here and there, you can just coast on that combo for as long as you’d like and you’ll still have a mighty fine track, right? Well, yeah, you could do that, but Next Evidence had other ideas, because just as you really start to sink yourself into this groove for the long haul, they decide to unexpectedly seep in some fantastically sex-wet jazz sax, courtesy of some French dude named Denis Guivarc'h, who’d apparently been lending his talents to records for years before this one and still does to this day. He’s doesn’t appear to have ever released anything on his own, but you can hear his exploits on a sizeable chunk of releases that have been coming out since the early 90s.
And then after Guivarc'h finishes his part, a new top layer of percussion suddenly arrives, courtesy of a guy named Nicolas Krassilchik, who provides an awesome solo on timbales, further enhancing this experience even more. According to Discogs, this was only Krassilchik’s second-ever appearance on wax, but it sure as shit doesn’t sound like it, because his contribution here is simply electric. And Krassilchik is another guy who’s never released anything on his own either, although he was a member of a group called 26 Pinel, who ended up putting out a couple albums in the mid-2000s.
This fully-packed track is amazing. Like, I would’ve totally dug it if it was just only made up of those drums and synths; it was that good already. But then Cohen and Tordjman decide to bring in those back-to-back sax and timbales solos, and the song just ascends to another plane 😌. 
What a superb tune from this duo who you can barely find anything about online, even though they’ve had a major label album release!
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