#he was doing so bad omg.

[1punch]

unhinged saitama you'll always be famous

[saragrosie]

Sketching while streaming s5...

Jonathan Sims I will learn to draw you (this is my doing. I could draw him however I want and I choose to stick with an image of him in my brain that is difficult for me to draw. Masochism.)

Not s5 Mahtins below I enjoyed drawing cuz hes neat:

(Edit: I yassified Martin in the do not separate cuz I wanted his hair fluffier)

[forged-in-kaoss]

Episode 110 vs episode 1100

[petitesmafia]

running on the assumption that everything was truly an act purely bc of the humour of it rn and having a blast thinking about Dazai and Chuuya planning their Meursault mission like:

Dazai: and then you bite me in the neck just to make it seem real Chuuya: what Dazai: what Chuuya: ??? Dazai: Dazai, dejected: okay we’ll leave that part out

or imagine Dazai just casually slipping it into the conversation and moving on thinking Chuuya was just gonna let it slide like:

Dazai: you're gonna shoot me in the head Chuuya: ok Dazai: then you'll bite me in the neck and i'll pretend to twitch and Chuuya: PAUSE. run that back Dazai: i'll pretend to twitch? Chuuya: before that Dazai: you'll bite me Chuuya: ew Dazai: wdym EW Chuuya: why would i do that Dazai: FINE

[charcoaldustonmyfingers]

My cursed attempts to draw sonic at the kitchen table as I got ruthlessly critiqued by my two sonic nerd friends while crying laughing over my inability to get his proportions right lol

[puppetmaster13u]

Prompt 84

Amity Park absolutely adores her little ghostling, her little Gatekeeper who was of her own ectoplasm, reborn from her own blood in the center of her new heart. She absolutely adores her baby, practically a newborn, being only a year dead! 

So of course she had to gush and boast about her little phantom to the other city spirits! They all got together to gossip sometimes after all. And both Smallville and Fawcett started to gush about their own little ones back! 

Gosh they should set up a playdate at some point, her little phantom could use some friends in the mortal realm. Well some more friends, three is obviously not enough. Oh, Gotham and Bludhaven have come over as well! It’s a playdate then! 

Now if only each of their world’s timelines were synced up, but at least everyone is around the same age! 

[shotmrmiller]

gaz x disinterested reader is probably him ingratiating himself with everyone in your inner circle until you bow to social pressure (you don’t)

but your friends/parents/teachers do. now your professor is grabbing you by the arm like by the way your boyfriend is here and he's brought a gift!

he's having dinner with your parents cuz he helped them out at lowe's. (if you talk to em. gaz will 100% woo grammy into feeding him just so he can be as close to you as possible)

and your friends? one pretty ㅤsmile their way and now you're being harassed with questions like why aren't you talking to him? i'd kill to have someone look at me like he does you!

(are they seeing the same guy you are? his gaze lingers as his eyes widen, pupils dilating like to pissholes in the snow. are his fingers twitching?) <- he's just a very hungry man standing in front of a sumptuous feast ok he doesn't mean to look so intense

and at the end if you really don't give, then the door that keeps you from him will. nothing one solid kick or two won't fix. you don't have to like him but you will get used to him because he's going nowhere.

he'll fix your door in the morning but for now it's best he stays to keep you safe 😌

[prettyboykatsuki]

OLIVER WITH #91 PLEASEEE

✮ 91 + oliver aiku | “Don’t go on that date.” “Why?” “You know why.” “Say it.”

✮ tags ; fem!reader (reader is wearing makeup, is referred to as princess. no other gendered language), arguing, kiss n makeup.

Your relationship with Oliver is not the kind you get over as much as you just move on from.

Getting over it implies that a time will come where you can think on your time spent together and not feel bitter. Where Oliver is concerned, you're certain you'll never feel completely at ease about whatever the two of you had, if there was anything to be had there in the first place.

There's nothing tangible to your relationship. No anniversaries or Instagram posts that require archiving. A situationship is a kind way to phrase what was mostly just a secret. In the confines of cheap shady motels, unsaved numbers, and empty parking lot.

Getting over it implies that someday you'll be able to sit in a cramped bath tub with someone else without thinking of his scruff on your shoulder and his face in your neck. Or that you can have car sex with another person and think of something other than the way you felt being held afterwards.

You're not going to get over Oliver, but you want to move on from it eventually. It's a path leading to nowhere, and there's nothing for you following it faithfully to it in the end. There's no point trying to chase after Oliver and being kept in the dark about what's so obvious to you both.

You're going on a date as request from your close friends. He's a nice guy. Average height with a good career from your told, though you don't know what he looks like.

You're waiting for your Uber when Oliver shows up at your door step, the same as always. Bright-eyed, non-chalant as he saunters towards you and leans on the railing for the steps in front of your apartment.

"You look nice," He says, voice familiarly unaffected. You don't ask him any questions, refusing to let him hold your curiosity against you.

"I have a date. The Uber will be here in ten."

You're expecting the usual. You've played this card before, much earlier - trying to push Oliver into jealousy and force his hands. It didn't work then, smug bastard he is rolled with the punches and let you go with the assurance you'd be crawling back to him.

It's hard not to be surprised when he doesn't look unbothered. His jaw clenches and it's slight but it's there. "A date? With who?"

You tear your eyes away from his face, trying not to get swayed any further. "Dunno. Someone my friends set me up. Works in tech or something."

"That all you know about him?"

You furrow your brows. "It's a blind date."

"If you're looking for a guy with good money, I'm already around you know."

"Fuck off, Aiku." You say the words through a sigh. "I already told you we're not doing this. Quit wasting my time and go home."

He's quiet for a long time and you can't tell what he's thinking. Truthfully seeing him so lost in thought scares you. "I'm not trying to waste time. I'm telling you you don't need to see him."

You scoff reflexively. "The fuck is that supposed to mean? You think you're my boyfriend or some shit? Go home and fuck off. If you want to go get your dick wet call one of the thousand other people you know,"

"You know it's not fair to pretend that's all I was doing,"

You're going to blow a fuse.

"I don't need to pretend. As far as I'm concerned that's all it ever was. We've talked about this already. You don't need to hand hold you through my fucking problems with you. Don't talk to me about what's fair and what's not."

"Don't go on that date." He reiterates. You seethe, stepping close to him until your nose to nose.

"Why, huh? Tell me what the fuck reason I have not to go."

He looks down at you, somber and unreadable and angry in a different way than you. "You know why. You already know, you've always known. So don't go and just stay here already. Shit, you think I come chase down anyone else like this? You think the only reason I'm this desperate is so I can fuck you? Be serious. If that was the only thing I'd go back home. But I'm here. I'm here,"

You think about killing him. You think about kissing him so violently your teeth clash. You take a sobering breath, shaky as you look up at him. You want to cry and you resent yourself for being that vulnerable over him of all people. "Say it. I don't care about you being here. Be honest or go home, Oliver."

He sighs, long and hard. Eyes closed, he looks the way he did when you met him at nineteen. His hand on your face is large, warm and familiar - so much so you flinch away from it.

He forces your face towards him. "Don't run away from me after cornering me, princess. Look at me," He hums soft and your feel your heart pound. You tell yourself not to get swept away. He presses his thumb to your lip, swiping the makeup till it smudges across your mouth. "....I love you, alright? I'm here because I love you and I've only loved you for the last... however many years we been at this. So don't go on the stupid date with whatever loser your friends set you up with and stay."

He presses his forehead to yours and you feel the world collapse. Fuck him. You're going to kill him for doing as he pleases and then maybe yourself for always going along with his stupid whims. "Don't go looking this pretty for other people. Hurts my feelings."

"You're the worst man I've ever met in my entire life," You say.

"I know. And I love you. I wanna keep being good to you," He says. He sounds so mature it irritates you. "I want you to sleep in my place. I like seeing your shampoo in my shower."

"You're such a piece of shit, do you know that? You think you can just waltz into my life and—I'm not gonna forgive you that easily, alright?"

"I'll spend the rest of my life saying sorry," He says, so easily. He looks so sincere it's hard to keep your resolve. "I don't want to make you feel insecure by not putting words to this. And you don't have to forgive me, just don't go. Don't see other guys for shit I can give you."

"You're annoying and you piss me off and your stupid ass commitment issues get in the way of everything so start going to therapy," You let him hold you as you go on and on. Oliver takes it in strides. "And tell people we're together instead of saying you're seeing someone. And let me be there for you instead of putting up a wall whenever you feel too vulnerable. The minute you act like a prick again, I'll leave you forreal."

"Alright. I love you. I'm sorry,"

His expression is so tender. You've seen it before. It's so obvious that he loves you it nauseates you. The reason Oliver is so hard to get over is because he's always good to you. All the intimate ways he stands by you and sticks to you, supports you even when he can barely bring himself to get serious enough. He's so stupid.

"Whatever. I love you too, I guess, but you know that,"

"And you'll stay with me, yeah?"

You frown at him, face to his chest. "Yeah. Comp me for my Uber, you prick."

"Uh-huh," He looks down at you. "Kiss?"

You reach up and press your mouth to his chastely. He returns it kissing you deeper.

"Since you're already dressed so pretty, let's go on our first date."

He holds your hand, smiling as you hold them back. Damn him. You look down with a pout.

"Yeah. I wanna go,"

[wasabi-gumdrop]

dunmeshi modern labru au where Kabru wants to try fromsoft games to understand why they’re so popular.

he gives elden ring a shot and surprise he gets fucking rolled. can’t get past tree sentinel, tries to fight Margit at level 15, put all his stats in intelligence and not enough dex, hasn’t even found a proper staff, picked warrior as his starting class.

he’s ready to uninstall but he paid full price for this game, he’s at least gonna defeat one boss goddammit. so he tries summoning players for aid and just his luck, he summons cooperator WolfChimeraWyvern.

and this cooperator is SO GOOD, he solos Margit without getting hit, and Kabru is just. in awe. so he adds him as a friend.

and that’s how he meets Laios, expert on all things fromsoft (has literally read every item description, knows the most obscure lore by heart, don’t ask him how many hours he’s played, he has all the platinums)

[royaltea000]

The only way I’m allowing this guy to be an alpha is if there’s bitchin involved 😤

[matd0]

CW// blood

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finished an old wip i didn't rlly like but it actually turned out alright !! yippee

idk i kinda want to add more textures to my art lol :3

also idk if anyone cares about my headcanons orwhatever but jsdhjdhejd i think he kindof reminds me of snakes !!! like have you guys ever seen a snake eat??? cool ashell (this post was sponsored by my pet snake dahlia, shes rlly cool) and also. did you know that some snakes have infrared vision??? like that is so fucking cool omg??? so yea i think he can also see stuff based on temperature :3 (but hes otherwise blind) (imo) (you can disagree) (ijust think its cool) (♡)

[kyurochurro]

saw this image on Pinterest and the pose gave me such riker vibes that I just HAD to draw it as him and troi HEHEHE

[francy-sketches]

I can’t take this bit seriously I’m just picturing this guy going 🎺 womp womp womp 🎺 as joffrey’s dying lol

[sailor-tri]

And nothing bad happened ever the end

[djevelbl]

Not me rewatching bits of parkciv season 2 bc i LOVE Parkour Villain's speeches--

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2