#he may be my favorite secondary at the moment but he's not written very well compared to the others lmao

[khytal]

my two favorite blue guys who are bland sndjfhgjdf

[lupinedreaming]

The Hidden Plot: A Tale of the Phantom of the Opera Fandom

It’s here!! My write up on the infamous Hidden Plot about the 2004 Phantom of the Opera movie! I know I said I wanted to put this on the r/hobbydrama subreddit, but I’m not sure it meets their guidelines, so I’m posting it here on Tumblr.  

Disclaimer: If you come across any of the people mentioned in this write up, do NOT bother them. This is silly and strange, yes, but is ancient fandom history and is also relatively harmless. Be nice and don’t hassle online strangers. Now, on to the story.

——

The Beginning of the Journey: 

Allow me to set the scene: It is the late 2000s. It is after school, and you are a young teen with too much internet access and no social life. What do you do? You go visit one of your favorite forums to lurk on — phantomoftheopera.com.

You browse around for a bit, trying to decide what thread you’d like to read. You settle on one that’s something about a hidden plot and symbolism in the 2004 adaptation of the Phantom of the Opera musical. 

As you begin to read, you are very confused. The author of this thread is talking about lens flares, lighting, and camera angles all pointing to a secret, secondary plot hidden within the movie. All of this, the OP says, was completely intentional on the director’s part. Even though you are at an age where you’ll believe some pretty far fetched stuff, this still sounds TOO out there for you. 

Unknowingly, you have stumbled across what has infamously become known in the POTO fandom as the Hidden Plot. 

Explaining the Hidden Plot (Kind of):

You may be asking, “What exactly IS the Hidden Plot?”

Good question, and one that is a little complicated to answer due in part to the fact that many sites that hosted threads about the Hidden Plot are now lost to the internet sands of time. It seems they can’t  even be accessed via the Wayback Machine. (Trust me, I tried.) 

So, I’ve done my best to cobble together an overview based on the recollections of POTO fans who were there when this theory was being actively posted, as well as info provided in this Google doc, which has direct quotes from the author of the Hidden Plot. The doc was helpfully provided by @glassprism (thank you!).

I have made sense of the Hidden Plot based on the above linked doc, this post from rjdaae, and a summary of the Hidden Plot on the FFnet bio seemingly written by the main author of the theory. I’m not going to link her bio so no one leaves her mean comments.

A Summary of the Hidden Plot:

The basic idea of this fan theory is that there is a second, deeper story embedded into the 2004 POTO movie. This story is conveyed through cinematography, lighting, clothing, sets, the placement of props, and more. The Hidden Plot is as follows:

Erik is literally the King of Music. What does that mean? Well, I’m not sure what it means beyond the fact that he feels he is in charge of the opera house, but I think there’s some supernatural element. Christine is his Queen of Music, naturally. 

Speaking of a supernatural element, in the Hidden Plot, the “Phantom” is not a persona that Erik uses. Oh, no, the Phantom is a literal evil spirit that possesses Erik sometimes. 

Raoul factors into this by being a Priest of Light (I’m also not sure what that means) and is … ERIK’S BROTHER!! Yep. 

Somehow, Christine and Raoul save Erik from the clutches of the evil spirit, and Christine and Erik become King and Queen of Music and go off into the light. (Or something like that.)

Wait … What? Where Did the Theory Author Get This Stuff From?

Like I mentioned earlier, apparently this Hidden Plot is revealed through EXTREMELY subtle “clues.” 

I’ll give a couple examples of the theory author’s own words, which were compiled in the Google doc:

Evidence for Erik being King of Music:

“** ERIK: “Since the moment I first heard you sing, I have needed you with me to serve me to sing, for my music, my music”

“** These also seem like key words that Erik is king of music. This is his kingdom. He wants her to serve him as his queen, to sing for him, and he uses "me"--first person, showing Phantom is gone. (Kings send a servant {or more} to do their bidding and bring s person to them for an audience, just as what happened when the Phantom went to collect Christine and bring her to the king. The Don Juan song shows that is what happened.)”

Example of using the movie’s lighting to hint at the Hidden Plot:

“** When he helps her out of the boat, a long ray of blue light goes across her head, followed by another blue ray of light going through his middle--his heart (spirit). (This isn't just about being a reflection from the light—because if it were it should logically have happened many more times all the times they showed white light, and didn’t. It happens other times in story, and always in the same places on their bodies, sometimes without any white light showing.) Also, as he sings to her "Turn your face away from the garish light of day"--another blue line of light goes across his back (his middle, where his heart would be).”

Evidence that Raoul is Erik’s brother: 

“** Because the white horse is symbolic of Raoul and they made a point of putting it next to the family crests in Erik’s lair, I believe this is a clue showing Raoul is a relation (Erik’s brother), and that Erik is actually a de Chagny. Count de Chagny to be exact.”

And now, for a few visual pieces of evidence that would make any YouTube conspiracy theorist proud: 

(Screenshots taken from this post.)

What Are the Origins of the Hidden Plot? Who Came Up With It?

I thought that the Hidden Plot originated circa 2007-2009, which is when I was actively lurking on POTO.com and saw it pop up there. 

However, it appears to date back further than this. 

According to rjdaae and this forum thread, the Hidden Plot first popped up shortly after the 2004 film. Its first home was on the WB message boards, and then moved to different forums across the internet. As I mentioned earlier, it appears that all of these forums are now gone, and all that remains of the Hidden Plot are pieces saved in the aforementioned Google doc and people’s recollections of threads discussing the Hidden Plot. But I digress. 

As for who came up with the Hidden Plot, according to ya-chai 2 in this forum thread, two unnamed people first came up with the Hidden Plot, but its most fervent advocate and writer was someone who used to go by the username Honeyphan. 

However, the idea that it was created by two other people shpuld be taken with a grain of salt, as that’s the only source I’ve found saying the theory was made by someone other than Honeyphan. 

At any rate, who IS Honeyphan? Based on old profiles of hers I found, she is/was a huge fan of the 2004 POTO film and created lots of fanfic and photomanips for it. She appears to be a pleasant enough person and a very dedicated fan with some unusual inclinations toward the conspiratorial, if the Hidden Plot is anything to go by. 

What was the Fan Reaction to This? 

Largely the fan reaction seemed to be, and still is, skeptical amusement. POTO fans generally do not seem to hate the Hidden Plot but find it very silly and entertaining. 

However, based on fans’ recollections, there was a group of very dedicated people who discussed and espoused this theory. 

Quoting again from ya-chai 2 again, it sounds like proponents of the Hidden Plot might have brought their passion into the real world: 

“At one point there were supposedly sessions where forum members met at each other's houses to discuss it. That's all I know about that.

“I do know that both Gerard Butler and Patrick Wilson were asked by members of the WB forum if they were aware of any hidden story. Both actors denied knowing anything about a so called hidden story.”

If you’re a very charitable and understanding person, you might be wondering why the Hidden Plot had any attention at all. After all, there are lots of POTO AUs out there, and this could pass as one. 

The reason why it has gotten so much attention over the years is very well explained in this post by ancientphantom: “What differentiated it from regular shipping and fanfic-writing was A) the extreme insistence that it was actually part of the movie and not invented by fans, and B) the willingness to create “evidence” out of the most ridiculous details, including the timing of random lens flares, what shoes everyone is wearing, how we should interpret hairstyles, and of course the memorable Stockinggate.”

What Can We Conclude from All of This?

My general takeaway is that the Hidden Plot is an early example of something we’ve seen in other fandoms in more recent years — intense fans insisting that a conspiracy theory surrounding their favorite piece of media IS real. I think the best example of this phenomenon is the Johnlock Conspiracy. 

The Johnlock Conspiracy actually has a lot in common with the Hidden Plot, imo, in that proponents of both pointed to subtle clues planted in cinematography, decor, etc., which revealed the “true” story. 

But yeah, that’s about it! That’s what I could dig up about the Hidden Plot. If any POTO fans have other memories of the Hidden Plot or interacting with its proponents, feel free to share in the comments or reblogs of this post!

[fazedlight]

20 Questions More

A deeper and more detailed version of the 20 questions for AO3 fanfic writers. Thanks @eqt-95 and @inkedroplets for the tag!!

1) How do you keep getting ideas for your ship/fandom?

Daydreaming. Writing fanfic is secondary to that. It was only in the past couple of years that it occurred to me that I could write some of it down and see what happens.

2) Which authors inspire you in your fandom, and why are they so freakishly good?

@searidings is my absolute favorite, the way she unravels the characters' emotions and angst is absolutely superb.

3) Aside from the characters of your main ship, who are the characters you love to write?

Ohhh I really love this question:

Cat in Inauthentic, as well as this ficlet and this one. I love her sense of humor.

Lillian in Darkness in All Things. For the same reason as Cat, I just love her snark.

Zor-El in Even Though You're Kryptonian. He kind of surprised me when I started writing him, and to this day I don't know if some of his lines are driven by genuine confusion or if he's just trolling.

4) Are there pairings or tropes you know for sure you'd never write about? Which ones?

I'm a never-say-never kind of person. There's a lot that I don't think I would ever write, but I've been surprised on where stories have taken me before, and may be surprised again.

5) What is your writing process and why is it cursed?

"Process" might be an overstatement...

I have a "scribbles" doc where I keep my ideas. I cull ideas often (though ideas often make their way back anyway). As I write more into the doc, a certain idea may get too big for it, so I spin it out into its own doc.

From there, I kind of go back and forward between outlining and writing. I write completely out of order. Which is why, so often, my multichaps are almost fully drafted by the time I publish chapter 1. I've usually already made it to the resolution point of the plot (meaning, no one's in danger anymore, the bad guy is gone, etc), though the final chapter often doesn't get written until later.

6) What is your favorite part of your writing process?

I love when I've finished the first pass of a chapter/one-shot, and I'm in the editing stage. The story really feels like it's coming together at that point, and it's before all the self-doubt starts bubbling up (that hits hard just before posting).

7) What’s the weirdest thing you’ve had to research for a fic?

A friend of mine is a professor in astroparticle physics, so I spent a couple of hours asking him about quantum mechanics stuff. But only a small portion of that ended up being relevant to the fic and the rest was just for fun.

8) Is there a particular writing rule you struggle with (grammar, spelling, tense, reality in general)?

When I'm first sketching out a scene, about half the time I write in present tense (it feels more like I'm writing a play at that point sometimes), but I publish in past tense. So I end up needing to do a bunch of revisions 😭

Also TYPOS.

9) What was your hardest scene to write so far and why?

Fight scenes are ROUGH, man.

This is probably one of those answers I'll change every time depending what's at the top of my mind. But writing out a fight scene - like in Even Though You're Kryptonian, Darkness in All Things, or It's a Metallo Life - gets surprisingly difficult if there are more than 2 people.

I know exactly how I'd shoot those scenes if I had a camera crew, special effects, etc. But it's hard making sure the audience is aware of where everyone is positioned, why they can/can't act in the moment, etc.

10) Have your characters ever done something you didn’t expect, changing your plot completely?

All the fucking time, man. From the very beginning, even. I was trying to have Lena still be angry by the DEO scene in So I Kept Pretending, but that didn't make sense anymore.

I actually recently had a fic idea dissolve because it wasn't vibing with the characters. Which is fine, it became a ficlet instead!

11) If you could converse with any of the characters, who would it be and why?

Absolutely Kara. I have so many questions about kryptonian culture and how it drives her character.

12) What are some of the tropes or themes that you find yourself returning to in your writing?

Trope-wise, I definitely return to the Rift again and again. I find themes around forgiveness and understanding to be really interesting. Can two good-hearted people with conflicting needs hurt each other while still loving each other? How? What does that mean for the aftermath?

I think that's part of what draws me to supercorp - the complexity of their relationship. How they can both be right, and both be wrong, and love each other enough to rebuild from the ashes.

13) What's your most important resource as a writer?

Coffeeshops and libraries. Getting into slightly busy, cozy environments, out of the house, really helps shake loose the stuff in my head.

14) Can you share some of your strategies for editing and revising your work?

Especially for longer works, I tend to put the work down (and circle to other works, or go outside, or whatever) before coming back to it. It helps to step away for a bit - it's easier to pick up on repetitiveness or unclear passages when coming back.

Though I always find mistakes in my stories much later, so I'm not sure I'm one to give advice on this anyway 🤣

15) Which is worse: making the summary, picking the tags, or the anxiety when you post your fic?

Posting anxiety is the absolute worst. If I leave myself in front of my computer I'll end up refreshing constantly waiting for the first kudos (if it's a one-shot or first chapter) or the first comment (if it's a later chapter) to figure out if I've accidentally pissed off everyone in the fandom somehow.

Luckily, my partner will usually pull me away to go on a walk or grab lunch or do something else to take my mind off it 💗

16) How do you define success for your fanfic - hits? Kudos? Comments? Bookmarks? Or just if you like it?

I only publish what I like. Sometimes I'm nervous that other people won't like it, but I will always like it. Stories that aren't going a way I like - even if I think the idea is cool! - will dissolve. Just recently I dissolved one that felt like it was a cool idea, but it didn't make enough sense for the characters.

Kudos and comments always make me feel appreciated as an author!! Sometimes I'll get a user subscriber out of it, too, and it feels like an honor that someone would want to hear from me more than once.

The thing that feels most precious, though, is when someone comments on how something made them feel (I love making people laugh at my dumb jokes, or cry when a story is supposed to hit emotionally), or when they pick up on something that I wasn't sure would get picked up on.

I tend to lean towards understatement in my stories. For me, the biggest success is knowing that someone recognized what I was going for, without me being overt.

17) Do you have a playlist for your favorite character/ship?

Alas, I don't. But given that Kara is canonically a Britney Spears fan and musicals nerd, I feel like my default playlist works 🤣

18) If fan art was going to be made from your work, which fic would you pick and which fan artist would you like to create it?

Oh gosh, I don't want to pick someone and create pressure, or not pick someone and make them feel bad. This fandom has so many great artists!

That said, some of my favorites do commissions, you can see everything I've commission here.

19) How many WIPs do you currently have?

1 supercorp & 1 rojarias (for @supergirlmayhem)

For me, 2-3 is my happy number, so I'm relieved to be down to this after being so high (I think up to 11?) for so long.

20) What's your advice to new fanfic writers?

If you're wondering why you can't find that story you want, it might mean that you're the one to write it 💗

- - - - -

Tagging (respectfully and without pressure) @rustingcat @luthordamnvers @sssammich @tinyvariations @thatonebirdwrites @theredcapeofk @sideguitars @luthordamnvers @mycatismyeditor @inkedroplets @nottawriter @snowydragonscave @jetgirl1832 if you want some rapid-fire q's thrown your way. But also anyone who'd like to do this!

[prospectivehero]

VICTOR AND NORA, A GOTHAM LOVE STORY- Written by Lauren Myracle, Illustrated by Isaac Goodhart

Confession time: I'm terrible with names (real life and fictional). Even with my associate's degree in Batmanology, my poor name recognition missed the significance of Victor Fries, a resident of the city of Gotham. When the part of my brain that doesn't require caffeine to function decided to look up some familiar names when I was halfway through the novel, I was heartbroken. Would it have been better for me to be surprised by the ending, I wasn't sure, but I didn't think I could expect a happy ending from "a gotham love story."

This is a rough read. Much like Constantine and Miracle Man, it's not something to read when you're in a bad headspace. I'll talk more about it in the trigger warnings, but this story focuses on death and dying. Victor is burdened by a loved one's death in his past, which he feels at fault for. He has become cold to the people around him and feels safe studying cryogenics in solitude. Nora only sees death in her future due to an incurable progressive disease that will slowly deteriorate her functionality, personality, and treasured memories before it kills her. But she refuses to let this illness take anything valuable from her, so she has decided to plan her suicide and leave this world as herself. But she's given herself time to make more memories with a boy she met in a cemetery.

I was not in a good headspace reading this comic. I won't go into full detail, just know that I was having several identity crises overlapping one another. I'm in a better headspace now that I've figured some stuff out, but during that experience, these very well-developed characters hit especially hard. Nora's relationship to her illness and battle with its ever-increasing presence felt relatable since I battle a progressive disability. The two are not the same, but I understood her desire not to tell any of her friends so they wouldn't have to watch her suffer and degrade. When she tells Victor, I relate to his desperation to keep her with him since she makes him feel alive and loved.

If you recognized the names you probably could figure out where the story is going but it's worth the read. The story feels very personal. The illustrations, by Jason Goodhart, consistently match the feeling of Lauren Myracle's story and none of the beautiful character designs distract from the weight of everything that happens. There were breaks in the story that reference other artists or stories like Tim Burton or Titanic (1997) to serve the story. I think these breaks flowed well, but I could understand if it's not everyone's cup of Mountain Dew. This is my new second favorite graphic novel, despite how I reacted to it while reading it. I highly recommend picking it up.

TRIGGER WARNINGS (with potential spoilers) -

1) Death - Victor frequently remembers the fire that he accidentally started as a child that destroyed the family house and took the life of his older brother, Otto Freeze.

2) Planned and Attempted Suicide - Nora reasons that this is the only way she can die as herself, so she sets a date and a means and writes a letter to her father. She is stopped before she can complete her plan. Her note is read at the end of the novel.

3) Secondary Mourning - This comic gives time and space to mourn with the characters as they mourn their past and future. We see how Nora views her illness and how Victor views himself. It was a unique experience, being given an opening to grieve in moments that may feel very familiar to many of us, but it can be painful if you're not ready to feel those feelings.

4) Sex (Consentual) - It is as PG-13 and fade-to-black as a sex scene could possibly get, but it doesn't hide the fact that it happened.

5) Language - Much like Constantine, I tuned it out, which means I had to skim through the novel. I saw rare uses of language to the tune of "s***".

[albertonykus]

Doraemon Movie Review: Nobita's Great Adventure into the Underworld (1984) and Nobita's New Great Adventure into the Underworld (2007)

What is Doraemon? The title character of the Doraemon manga and anime is a blue robotic cat from the 22nd Century who keeps an array of high-tech gadgets in a portable pocket dimension on his belly, and has traveled from the future to improve the fortunes of a hapless schoolboy named Nobita. Although relatively obscure in the English-speaking world, Doraemon is a Mickey-Mouse-level cultural icon in East Asia (and some other regions, too). The Doraemon franchise was a big part of my childhood, and there are still elements of it that I enjoy now.

Doraemon has released theatrical films almost annually since 1980, most of which involve Nobita and his friends (kind Shizuka, brash Gian, and crafty Suneo) getting swept into adventures thanks to Doraemon's gadgets. Despite being of potentially broad appeal to fans of science fiction and animated films, there are very few English reviews of the Doraemon movies, so I'm embarking on a project to write about all the films that have come out so far. Good luck to me…

Movie premise: Nobita creates a world where magic exists. He and his friends then have to fight literal demons.

My spoiler-free take: The original is an exciting adventure story that takes a few unexpected turns along the way. One of my favorite Doraemon movies.

The 2007 remake presents a mixed bag of story edits. Some of these changes are satisfying, but others raise questions of their own or remove enjoyable elements of the original. Also, the way it treats Shizuka is really gross.

POTENTIAL SPOILERS AFTER THIS POINT

Review: Out of the Doraemon films I saw when I was little, this one may well have been my favorite, and I think it still holds up very well on a rewatch. It’s certainly one of the most thrilling adventures in the series, with an eerie mystery set up at the beginning of the story, a couple of potentially surprising twists and turns in the plot, and even a fake-out ending.

(Also, this moment of Doraemon asking Nobita if he wants to play is cute.)

Doraemon’s sister, Dorami, is the indisuptable MVP here. (Fun fact: though Dorami makes frequent appearances in recent Doraemon films, this is the only movie written by the original manga author, Fujiko F. Fujio, in which she appears.) However, an honorable mention goes to Gian, who has two very memorable scenes: one in which he scares off a sea monster with his “infamously horrible�� singing, and another in which he lands the attack that finishes off the main villain.

There are still quibbles one can raise with the story (as we’ll see shortly), but I don’t think they severely detract from the enjoyment of watching this movie. If anything does bother me about this film though, it’s the tasteless recurring “gag” that Nobita’s magic only works when it’s to sneak a peek under Shizuka’s skirt...

Star rating: ★★★★☆

Not to worry though, this movie has a remake! Panty shot “jokes” in a piece of children’s media are exactly the type of thing a modern remake would downplay or remove, right? Right...?

Review: Although the remake keeps many of the same story beats as the original, there are also numerous major changes. Some of these I liked. For example, the fate of a prominent secondary antagonist, Medusa, was a notable loose end in the original film. Here, she gets much more screentime and actual closure to her role in the story.

In addition, this movie alters the scene where the heroes first confront the main villain. In the original version of the story, they uncloak themselves in front of the villain for no explained reason, whereas here, he sees through their disguise first, which seems like a much more logical sequence of events.

However, there are other changes that I felt less positive about. In the original, the main characters had to travel by flying carpet for a week to reach the demons’ planet. The remake, on the other hand, adds an earlier scene in which they are able to access the planet instantaneously using Doraemon’s Anywhere Door, and yet when the protagonists need to take another trip there, they instead use the flying carpet!

(Previous Doraemon stories have established that the Anywhere Door does not work when it lacks a pre-programmed map to the destination, as would likely be the case for interstellar travel in a parallel magical universe. It’s thus understandable that it was not used to reach the demon planet in the original film.)

The remake removes most of the “adventurous” part of the heroes’ journey on the demon planet in the original, during which they faced a series of hostile environments and dangerous creatures with the help of Doraemon’s gadgets. Sequences like that are often some of the most fun parts of Doraemon movies, so I think it’s a shame that this one was cut. (This also makes it ironic that the remake is still titled the “Great Adventure into the Underworld”.)

Partly as a result of that, Gian’s time in the spotlight is lost in this version, given that him driving off the sea monster was part of the adventure sequence in the original. Not only that, but his role in finishing off the main villain is instead given to Nobita here.

Although the remake still contains plenty of action, the overall tone feels more comedic. In a way, this is reflected by the movie poster: just look at how much brighter it looks than the original! (Note as well how Dorami is prominently featured here, whereas her involvement with the original plot came as more of a surprise.) So... what did it do with those “jokes” about Nobita exposing Shizuka’s underwear?

Curiously, it made them worse, even showing the other boys (including Doraemon) eagerly watching when they happen! Out of all the questionable things that Shizuka is subjected to in the franchise, having Doraemon express any kind of perverted interest in her might be the most horrid. (Keep in mind, Doraemon is programmed to be a child-caring robot...) It’s not even a consistent part of his character—other times, he has no issue stopping Nobita from or telling him off for practicing such behavior, as he should—and besides, it was not in the original version of this story. There was absolutely no reason for it to be here.

Star rating: ★★☆☆☆

Original or remake? The star ratings probably speak for themselves here. The original is one of my favorite Doraemon movies. The remake... is not.

[the-insomniac-emporium]

RE8 Ladies + Love Languages

While this isn't terribly long per character, I am putting it under a read-more for the combined length. Some characters have more details than others, partially due to how much I've written for them (and therefore had time to think about how they show their affections). For once the contents are not in alphabetical order. Crazy, right? PS there's a very, very brief implication of NSFW in Daniela's section.

Features the entire Dimitrescu family, Mother Miranda, Donna Beneviento, and as a lil bonus Ava.

Cassandra Dimitrescu:

Primary Love Language: Physical touch

Secondary Love Language: Acts of Service

Examples: Constantly wants to be touching some part of her lover, even if she sometimes pretends otherwise, from hand holding to making them sit in her lap. So goddamn touch starved. Preferably sleeps with her lover sprawled out on top of her, weighing her down, soothed by the constant pressure. Seriously, this woman needs someone to hold her as close as possible, running their fingers through her hair, pressing soft little kisses along her neck + shoulder. And then repeat. Every single day. For life.

Treating her lover’s wounds, or bringing them tea to soothe their nightmares, or monitoring their health when they're sick (see: Bound Blood + We Don’t Talk About That). Cassandra hates feeling like she owes someone, and isn’t fond of others owing her (because when they pay her back, she might end up owing them “the difference”). When it comes to love, however, all debts feel paid as soon as they are incurred. She does things for her beloved because she cares for them, expecting nothing in return. Sure, she’ll complain about the effort, but it doesn’t really bother her, and she truly hopes her lover knows that.

Mother Miranda:

Primary Love Language: Acts of Service

Secondary Love Language: Gift Giving

Examples: Despite the decades she has spent as a Goddess, commanding the willing masses, Miranda doesn’t put much emphasis on words. Instead, she values actions above all else. She doesn't care if someone says that they are devoted to her, she wants to see the effects of that devotion. In turn, she much prefers to show her affection rather than voice it, even if it leaves her lover less sure of her feelings. One must keep in mind that she is the leader of an entire region, and the fact that she chooses to personally take care of something for you means a hell of a lot. Even if it’s just making you a cup of tea whenever she brews some for herself, or something as big as setting up a studio for you and your personal projects, or simply ensuring that your favorite meals are added to the rotation.

Similar, in some aspects, to her preference to showcase her love rather than announce it, Miranda takes pride in her ability to select gifts. She remembers just about everything you ever tell her, easily memorizing things you express interest in. Though she won’t make a big deal out of it, you’ll often find little gifts from her lying around, casual reminders of how much of her attention is devoted to you.

Daniela Dimitrescu:

Primary Love Language: Words of Affirmation

Secondary Love Language: Physical Touch

Examples: What can she say, she loves to be worshipped. Having someone look at her with eyes full of adoration, one hand cupping her cheek, as they list a thousand reasons why they love her? That’s all she wants. Or sitting with her lover’s head in her lap, listening to them recite poetry that reminds them of her, while she runs her fingers through their hair. Ooh, or hearing them cry out her name like something holy as she all but buries her head between their legs. But don’t worry, she’s just as eager to return the favor, singing soft praises dedicated to her beloved. Admittedly, her compliments are sometimes a tad roundabout (so to speak).

“Mmm,” she’ll hum, “I’m the luckiest woman in the world. Living in a castle, my every need catered to, endless life, and, of course, the most darling little pet I could ever ask for. What more could I want?” Then she’ll pull her lover close, a kiss against their pulse point to claim them as her own. It’s impossible for her to determine her favorite place to touch her lover. There are little spots that elicit sweet sounds from them, then there are places where their warmth is a tad fiercer than normal, pure bliss against her own freezing skin. Wherever she touches them, it’s a silent declaration of her love.

Bela Dimitrescu:

Primary Love Language: Quality Time

Secondary Love Language: Words of Affirmation

Examples: It doesn’t matter what she does with her lover, as long as they are together, in the same room if not actively pressed against each other. Any hobby of theirs is one that she’ll instantly take interest in. An academic at heart, she loves to learn, regardless of the subject, and takes endless delight in learning from those close to her. There’s something incredible about the feeling she gets when she gets a chance to show her lover how much she remembers, and she sees that spark of joy in their eyes.

Considering her fondness for classical literature, it’s no surprise that she adores using language to convey the depths of her affection. Whether she’s quoting Sappho or Shakespeare, she often relies on dead poets to express herself. In turn, she cannot even begin to describe the feeling she gets when her lover returns the gesture, especially if they go so far as to write something original for her. More than once she’s tried to craft her own poetry, but has found herself lacking (at least to her own standards). One thing she enjoys is memorizing poetry written by someone from her lover’s home country, assuming that they’re not from Romania.

Alcina Dimitrescu:

Primary Love Language: Gift Giving/Physical Touch

Secondary Love Language: Quality Time

Examples: Considering the era in which she was born, it’s not terribly surprising that Alcina’s affection often manifests in less obvious ways. A hand on her lover’s back, guiding them along, or letting her knee touch theirs when they sit next to each other, or gently reaching out to give one of their hands a soft pat during quiet conversations. On top of that, she gives out gifts almost constantly. Oh, her lover very briefly mentioned enjoying a local artist? Well, Alcina will be certain to purchase several (or most) of their recent work. Did her beloved muse out loud about not having much jewelry? That won’t do! She’ll get them a large assortment, including plenty that bear the crest of House Dimitrescu. Everyone will know who her lover is, if only for the way that they are adorned with her loveliest finery.

Much like her eldest daughter (who likely takes after her mother), Alcina also enjoys the barest of interactions with her darling. With the endless stretch that is her potential lifespan, she knows that she has all the time in the world to learn new skills, or experience all that the village has to offer. Nothing warms her heart quite like the idea of getting to enjoy those things with the people that matter most to her- namely her partner and her children.

Donna Beneviento:

Primary Love Language: Quality Time

Secondary Love Language: Gift Giving

Examples: An odd mix of shy and calculating, Donna Beneviento is not one to rely on words, nor does she often take grand actions where others may observe. Instead, she works (and weaves) within the shadows. When it comes to love, she prefers to let her priorities reveal her feelings. Day after day, she chooses to spend time with her partner, regardless of the activity. If they ask for her company, she gives it without hesitation. She invites them to join her in the garden, or give input on her latest creations, and ensures that they are readily involved in just about every aspect of her life.

Being as talented as she is with crafting (both the overall art of doll-making and the somewhat related ability to sew all sorts of clothing), ‘tis not surprising that she also turns to gifts to express herself. From knitting hats in winter to soft blankets when her partner is sick, she provides for them in the easiest way she knows how.

Avaskian Caldwell:

Primary Love Language: Physical Touch/Words of Affirmation

Secondary Love Language: Quality Time

Examples: Arguably the most touch-starved person ever to exist, xer only possible rival being Cassandra. Struggles to strike a balance between hating being touched unexpectedly and wanting constant physical attention. Will give affectionate shoulder/back pats, loves forehead kisses/bumps, literally cannot sleep without cuddling someone/something (such as a stuffed animal). At the same time, a lifetime of severe anxiety has made it so that xe often relies on verbal encouragement from others to feel good/motivate xerself. Xe craves compliments, and defaults to poetry as a way of expressing love for others. One might think that being selectively mute might put a damper on this. However, if anything, it just furthers the value of xer speech. You know that xe cares about you if xe not only writes you poetry, but reads it aloud for you.

In true introvert/anxiety-riddled-bean fashion, Ava is also more than content to just chill with loved ones. Xe grew up in an admittedly fucked up family, but some of xer happiest childhood memories are of xerself sitting with xer brother, watching while he played through videogame after videogame, or sitting together on the big couch and reading. Years later, xe has a strong instinct to want to recreate those moments with xer new (slightly less fucked up) family.

[pale-silver-comb]

So I know absolutely nothing about Leverage except what I've been seeing you post lately and I have to admit you're making it look tempting to watch! Can I ask what are some of your favorite things about the show/reasons you would suggest people watch it? And is there really a poly relationship that is canon?

Okay. Okay, okay, okay, okay, okay. I am going to do my best not to just “asdfghkjl” at you and answer coherently.

In a nutshell, Leverage is about 5 people. 4 are criminals (Parker, Hardison, Eliot and Sophie) with different and unique skill-sets and 1 is an ex-insurance investigator (Nate) who, at one point or another in his career, has tracked down (or at least attempted to) the other 4. The whole show is essentially: man reluctantly reforms 4 criminals to use their criminal powers for good and 4 criminals move into man’s life and stubbornly refuse to leave because, goddammit, now they have morals. 

I’ve got a lot of favourite things about the show but the main ones are as follows:

1. Found family. And I’m not talking about loners who come together to fight crime and happen to co-exist to the point where they realise they happen to have found themselves a family. I mean, Nate and Sophie are the Drunk Uncle and Wine Aunt who somehow become Mom and Dad to 3 beautiful criminal children. Mom and Dad love their criminal babies and the kids love them (as well as each other, but we’ll come to that in a moment). You get amazing family moments such as: Mom and Dad packing the kids lunch before sending them out to kick corporate greed’s ass; Mom and Dad giving the kids ridiculously expensive and personal Christmas presents causing their most Grumpy Kid to go very very quiet and soft as he runs off to gleefully play with his new murder toy; the kids interrupting Mom and Dad’s big Movie Style Kiss to ask if they can please keep their new underground layer and huffing and puffing when Dad tells them no.

2. Found family: the OT3 edition. To answer your question, the OT3 is indeed canon, confirmed by the creator. Now, usually, “confirmed by the creator” infuriates me because most of the time it’s a way for a creator to be seen as “progressive” without doing anything to actually be progressive. That isn’t the case here. The OT3 are built up carefully and while it is obvious the creators didn’t originally intend for all 3 of them to become a relationship in the romantic sense, by mid-season 5 we are given a very clear picture of where Parker, Hardison and Eliot are heading in their relationship. There aren’t any kisses at the end to signal this but there are solid marriage vows in not only one but two episodes. (And by marriage vows I mean literal equivalents of marriage vows: “for better or worse” and “’til death do us part”. I’m not even exaggerating). The OT3 also doesn’t need explicit romantic narratives to convey how much they love each other. Their love is laced through the whole show, from the way they teach each other things to the way they respond to each other and work as a unit. The way they fiercely protect and admire each other. Like someone once said, if you need characters to kiss or say I love you to let the audience know they love each other, you are writing them wrong. 

Aside from that, each of the parings in the OT3 are just. Gah. They are so well done, with friendship being the solid basis for them all. The creators never expect the audience to assume anything about them or fill in the gaps. They give us their relationships on screen and reference many things off-screen to show us how these relationships continue to build in between episodes.

Hardison and Parker are a canon couple and date in the show: it’s approached slowly and they are so goddamned sweet. They are basically every fluffy slow-burn trope with a healthy dash of mutual pining in the mix. They are basically that quote “love is patient, love is kind”. (I would like to add their romance never becomes the focus of the show or overrides the importance of any other relationship they have with the other characters, especially Eliot.)

Hardison and Eliot are the Old Married Couple and from day one are already bickering and looking at each other/making comments that are found in every UST fic ever (not to mention Hardison has a very good knack for making Eliot grin like a little kid, when usually he’s basically an Angry Little Chef Man). They argue, they play, and love each other plain as day. 

Parker and Eliot are more subtle but every bit as wonderful. They have an unspoken connection and understand each other on a level no-one else can. Parker and Eliot are not good with giving themselves over to affection for different reasons (and Hardison plays a central role in helping them realise it’s okay to want it and have it- that boy has endless patience) but there is something so beautiful in the way the two of them come together on their own and develop their own special bond that works for them. Parker and Eliot are that trope where the characters don’t need to speak to understand each other perfectly. They just do. Their love language is a lot of the time non-verbal but speaks volumes. (Parker also likes to annoy the hell out of Eliot and Eliot....just.....lets...her. Because he’s soft. The softest, grumpiest boy.) 

I could go into so much depth for each pairing and their dynamics as a 3 but that's for another post.

3. Subverting stereotypes. There is the occasional hiccup in the show regarding stereotypes but ultimately, Leverage gets an A+ when it comes to writing characters and making them 3 dimensional people who are not defined by certain characteristics or events. Nate could so easily fall into the White Man Pain trope where he uses the trauma of losing his kid as a reason as to why he is entitled to act like a dick. Nate is a dick but he doesn’t use his pain to excuse it and I appreciate that. Hardison is a black man who is soft and nurturing. Easily the most empathetic and patient of the group. He’s nerdy, an actual genius, and has the biggest heart of all the characters. Nate is maybe the glue but Hardison is definitely the heart. Media’s usual aggressive, amongst other, racist stereotypes can fuck right off. Parker is canonically autistic (I am sure this was confirmed by one of the creators) and she is not defined by it. It’s not written as some kind of singular personality trait. It’s part of what makes up Parker but it’s only one facet of who she is and not once is her actions, thoughts or feelings treated like a joke. Sometimes people don’t understand why she does and says the things she does but it’s met with patience and fondness over the course of the show. Equally, it’s not met with over-caution. Parker is just Parker. No-one tries to change her. The other nice thing is Hardison, who always makes sure Parker knows she’s amazing because of who she is and not in spite of it. Finally, Sophie is in her 40s. She’s not treated like she’s past her prime. Ever. She’s sexy, smart and never is she pitted against or compared to Parker (who is younger) for anything. Sophie is amazing and there’s never even a conversation of “I may be older but I am still *insert adjective typically associated with younger women here*”. Sophie is possibly the first female character I’ve ever seen who isn’t just unapologetic about her age but has never had to apologise for her age. It’s a non-issue and that’s that. The women on the show are written so well, right down to secondary characters and it’s beyond refreshing.  

4.) It’s just fun. The show has a “monster of the week” type format. Except instead of a ghoul or a ghost, the monster is some corrupt wealthy and powerful individual or organisation. The show draws on real-life individuals to do this and therefore closely parallels real-life people and events. It addresses important political, economical, social and environmental issues while at the same time remaining fun and light-hearted. The characters constantly get the chance to play dress up and by GOD do they have fun with it. You get to watch Eliot beat up bad guys in the most delightful of ways, usually after a witty non-sequitur and with a weapon you’d never think could be a weapon. The dialogue and back and forth between the characters is everything. And finally - my favourite thing- the team can never resist striking a dramatic pose after they’ve taken down the bad guy, making sure the bad guy sees them. I mean, they COULD just walk away, satisfied they’ve taken the person down, but nope. They gotta be dramatic bitches 24/7 and pose like they are models for every single month of this year’s Criminal Calendar.  

5.) Competence Porn. So. Much. Competence Porn.  

Honestly, I could list a thousand reasons for why Leverage is amazing but to list them would to be spoiling so many amazing moments you’d get to discover for the first time on your own if you do choose to watch it. It’s the kind of show you can watch with an eagle-eye and sink your teeth into. But it’s also the kind of show if, you would prefer, put on in the background for something entertaining while you do something else. Each episode is about the job at hand but it’s made up of so many moments between the characters that show how much the creators and writers care about them. You’ll laugh, you’ll cry, you’ll do whatever it is you do when something Soft and Wonderful happens that makes your heart melt. I am so beyond grateful for Leverage. It’s everything I always wanted in a show. Nearly every show I’ve watched in the past 10 years has disappointed me in some way, usually either because the writers run out of steam or characters who I love are treated poorly or given some kind of unnecessary “shock value” arc. Leverage doesn’t do that. Leverage is what it says on the bottle. Fandom isn’t something I joined because I needed canon fix-its. Fandom only enhances and celebrates an already excellent canon. 

[megaboy335]

Mega’s Top 2021 Anime

Another year is coming to a close and once again its time to recap my favorite anime of the year. Rather than a long piece about my thoughts on my top 5, I'll keep it brief this year. As a whole the high end shows were few and far between, but a few definitely stood out from the crowd. (light spoilers ahead)

1) Tropical-Rouge! Precure

I was skeptical going into this year’s Precure series due to Healin’ Good falling to pieces under the pandemic, and knowing the next series would be a comedy. But within the first few episodes, I found myself getting more and more invested into the series. Manatsu and the mermaid Laura’s friendship is the backbone of the series. Its also genuinely funny a lot of the time. A big surprise has been the well developed side cast. Each one is given a character arc with episodes on a regular basis (Asuka’s story being given the most attention). In a bad year, it was refreshing to have a consistently well animated and well written show to watch each week.

2) Yuru Camp Season 2

The year begin with a new season of everyone’s favorite cute girls go camping series. The relationships from season 1 continued to develop, and by the end of the season Nadeshiko’s love of camping becomes increasingly unique compared to Rin. An interest that started with a chance encounter is taking a life of its own. The secondary cast had great antics from start to finish as well. Definitely a highlight of the year due to being pure comfort food. I’m looking forward to the movie in 2022.

3) Mushoku Tensei

I never expected to get invested into Mushoku Tensei. The first cour was great, but not overly amazing. That changed during the second cour. Rudeus’s journey with Eris and Ruijerd took them into an array of unique locations one after the other. Rather than have an opening theme, the series opted to use that time for montaging the adventures and show off highlights of the current location that episode. It made the world of Mushoku Tensei feel very alive. However, the moment that solidified its place at the top of year for me was the last 2 episodes. As the journey concluded, Rudeus was left in a major crossroads in his life. The journey could hardly be called inconsequential, but nothing had fundamentally changed for him. For the first time he had to step up for his own sake to progress forward. Mushoku Tensei is the rare isekai series that is actually a very good show.

4) Jujutsu Kaisen

Jujutsu Kaisen is an interesting shonen series. I wouldn’t say it reinvents anything, nor is it appealing to the eyes (especially the manga). However, it combines some of the best defining elements of previous gen shonen to provide a fresh experience you won’t find in another series right now. Season 1 covered the introduction arcs with jaw dropping animation at every turn. This is one of my favorites of the year due to its sheer level of flashiness. We are in for a treat if they maintain this quality during the Shibuya arc. As a manga reader I can only say its the moment that changes everything.

5) SSSS.Dynazenon

Dynazenon is a lot less straightforward than its previous entry, but it’s perhaps stronger in the delivery of its themes. There is a strong emphasis on the relationships people have with each other whether they are lovers, long lost friends, unexpected encounters, or even if the relationship spans across time itself. The interwoven subplots through the kaijuu battles may not be for everyone, but I found it to be approached in a nuanced manner. The subtlety of its character writing and meticulous presentation made it just as memorable as the first series for me.

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Disappointments of the year:

The Promised Neverland season 2 - cut content and an extremely shorted story makes this very incoherent Muv-Luv Alternative - not enough episodes to have a sufficient adaptation + lack of anything for Extra/Unlimited

Best OP/EDs for the Year:

1) Tropical-Rouge Precure opening - The catchy song and fun dancing visuals provide a quick overview of everyone’s personalities.

2) Komi Can’t Commutate opening - A surprisingly artistic opening which never fails to leave me impressed.

3)  Miss Kobayashi's Dragon Maid S opening - This is a 90 second showcase of everything that makes Dragon Maid fun. It was great seeing KyoAni back on the TV anime scene in 2021.

4) Pretty Boy Detective Club opening - A good opening can capture and display the positive qualities of a show. This achieves both while getting the viewer in the mindset for the episode ahead.

5) Attack on Titan Final Season (Part 1) opening - The military imagery with distorted visual and lyrics truly set the tone for the setting change in this final stretch of the story. It’s a good metaphor for how muddled the situation has become for all parties in the series.

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The current trends in the anime world are concerning. Everyone has split off into their respective corners of the market, often backed by a major company willing to buy out as many shows as possible. This has lead to an unsustainable number of anime getting made today, and a complete oversaturation of the market. I think this is only going to get worse in the years ahead. They have learned that mass produced anime is more than enough to fill the content demand consumers crave. At least there’s a few high quality adaptations mixed in there to look forward to.

Hopefully 2022 will be a better year!

[fuckyeahisawthat]

Have you been asked yet to rank Trust eps? Cos I'm asking! But your the criteria for ranking I leave to you to decide.

Ahahahaha I’ll have you know I put way too much thought into this. :-D

Ok so first of all, there is no such thing as a bad episode of Trust. The whole thing is really tightly written, every character and plot thread has a purpose, and even the episodes that I haven’t watched over and over again are important to the overall story. And a lot of the impact of the show comes from things that are cumulative over multiple episodes.

That being said, I do have favorites. Since the definitive ranking of Primo’s outfits has already been taken care of, here is my ranking from least to most favorite based on some nebulous criteria of artistic/narrative effectiveness and emotional impact, my judgement of which is obviously highly subjective and also correct.

Under the cut because this got ummm unbelievably, ridiculously long.

10. The House of Getty (episode 1)

Sorry Danny Boyle and Simon Beaufoy, the pilot is my least favorite episode. Still think it was the wrong choice to open with a flashy (and, I can tell, expensive) sequence showcasing the death of a character we literally never see again. And, look, I’m an impatient viewer. If I don’t get someone to root for/emotionally identify with/otherwise catch my interest early on in a narrative, I’ll tune out. And Old Paul is not only unlikeable--far from a mortal sin in dramatic storytelling--he’s boring. I don’t care about any of his rich people problems, and I’m not the kind of viewer who can be kept engaged just by hating someone and watching them be terrible.

Some of the secondary characters in the Getty household do have interesting plotlines, but we don’t get to learn very much about them in the first episode. And I do think things get interesting once Little Paul shows up (although I maintain that the whole episode is more interesting if we understand what the stakes are for Paul getting the money), but if I had started watching this show with no context I wouldn’t have made it past Old Paul’s pre-coital erotica listening routine.

If this had been anything other than the first episode I might not have ranked it last, but extra penalty points for leading with your least interesting characters.

9. Lone Star (episode 2)

This episode is, I think, saddled by the fact that it has to do a lot of heavy lifting in terms of exposition and setup. It mostly works because Chace is an entertaining narrator, and once we get to Italy with Gail I think things zip along at a pretty good pace. Opens with an attempted rape to show how Bad the Bad Guys are, which is...not my favorite trope.

Once again, I think a lot of the information in this episode would have worked better if episode 3 had been episode 1. (We’d already know who Berto was when Chace meets him; we’d already know about the box of guns in the apartment; we’d know when certain characters are lying.) This whole show runs on the suspense of the audience being the only party who knows what’s going on with all the characters at once; I think trading mystery for suspense here was the wrong move. I also can’t help thinking there was pressure to front-load the well-known American actors in the beginning of the show at the expense of the strongest narrative choices.

Imo the best thing about this episode is the sort of...multiple competing images of Paul that emerge. His mom sees him as an innocent victim who couldn’t possibly have planned any of this. Chace sees him as a spoiled rich kid trying to swindle his granddad. Neither one of them has the complete truth.

Next we get into some episodes that are certainly not bad, but their greatness is more on the level of some bangin’ individual scenes than a whole package.

8. John, Chapter 11 (episode 6)

Again, this isn’t a bad episode. The main reason I put it near the end of the list is that the first time through I got sort of impatient during the first half. We, the audience, by virtue of our extra-textual knowledge, know that Paul can’t be dead, and we spend about half the episode before we know what really happened to him, which felt a bit too long to me.

This episode does have some fantastic individual scenes including: Leo talking Primo down in the farmhouse, Leo and Paul’s conversation about Angelo’s death, Gail being an absolute badass, and the meeting between Salvatore and Old Paul. A lot of these scenes are essential on a thematic level, but I don’t think the episode as a whole is the most streamlined.

7. Consequences (episode 10)

I debated for a while where to put this episode because the overall feeling of 57 Chekov’s guns going off in the space of one episode is SO satisfying, and the resolutions of some of the individual plotlines are delicious. Ultimately I would have liked more space for Paul and Gail and less Old Paul being grumpy about his substitute child museum’s mediocrity (although the scene with the bad reviews is hilarious). Once again I feel like the show creators felt they had to pull the focus back to Old Paul to wrap things up and I just. don’t care.

That being said. The resolution of Primo’s storyline? SO SATISFYING. And tbh I don’t dislike the scenes that exist with Paul and Gail; even the happy scenes have this poignant tone to them. I think they were trying to deal with the fact that his irl story is just...incredibly fucking tragic, and you can see a bit of the strain showing.

6. Kodachrome (episode 7)

I know episode 7 is not one of your personal favorites, but it’s the one where I think jumping between multiple plotlines/sets of characters is used to the most satisfying dramatic effect. It has this sense of dramatic irony that feels like some Shakespearean family tragedy. The whole episode, we are hoping that Paul Jr. will finally do the thing we want him to do, which is stand up to his father. And he does it--but at the absolute worst, most selfish and destructive moment possible.

Paul Jr. may be the literal worst, but I do have compassion for him in the flashbacks, mostly because it seems painfully apparent that no matter what he does, he will never be able to please his father. But he doesn’t seem to realize this, and he keeps trying, even as it’s destroying him and his relationship with his family. Credit to Michael Esper for his performance for making me feel a smidgen of compassion for this bastard.

I think the other thing this episode shows is how both of Paul’s parents keep putting him, a child, into roles and circumstances that he shouldn’t really be in. He’s wandering around through what seem like very much adult environments with his dad and Talitha in Morocco. In the Trust version of events he’s there when Talitha ODs and is the one trying to revive her while his dad is having a breakdown in the corner. Gail seems like the more responsible parent but there’s something about her bringing Paul as her “date” on a night out, and the understanding that this is a thing that happens regularly...to me the disturbing part is not so much bringing a young kid to a party with adults but the unspoken expectation that Little Paul will fill the void of companionship that his father has left empty. (Gettys expecting Little Paul to step in to cover for the failings of his father is a repeated theme, and it even plays into the ear thing. His family has failed to pay the ransom, so this is now a problem he has to solve himself.) Combine this all with Leonardo going, um, excuse me but what the actual fuck is wrong with your family? and I think it makes a very effective episode. And the last couple minutes had me yelling NOOOOOOOO GODDAMMIT because you can see what’s going to happen and you’re just watching it unfolding like a car wreck. Also has one of my hands-down favorite scenes, of Paul and Primo in the car waiting for the ransom.

5. White Car in a Snowstorm (episode 9)

The ~ D R A M A !!! ~ This episode is an opera. I mean this whole show is dramatique but episode 9 really leans into the vivid imagery--that snowy highway in the mountains above the sea, the all-white ransom exchange, Paul clinging to the pole at the shuttered Getty gas station, some Very Serious Mobsters throwing the ransom money around like idiots in a moment where you’re encouraged to be happy along with them.

This is also one of my favorite episodes for Primo and for Primo and Paul’s weird sometimes-alliance. Primo walking away from Salvatore to go tell Paul “they always pay in the end”? Primo and Paul teaming up to argue with Salvatore about why Paul shouldn’t die? Primo being all threateny to the doctor treating Paul because somewhere deep down he is worried (that’s my take and you’ll never convince me otherwise)? Primo dressing up to fake-scab on a postal strike in order to find a misplaced severed ear? All gold.

Fun fact: the letter Gail writes to President Nixon did happen in real life, but as far as I can tell the phone call did not. The real details of who convinced Old Paul to finally pay (some) of the ransom are considerably less cinematic. They’re the same amount of sexist though!

Ok now we are getting to the top tier...

4. That’s All Folks! (episode 4)

This is definitely the episode that took me from “ok this is fun” to “oh holy shit I’m invested now.” It’s the episode where we get introduced to most of the Calabrian characters and their world. It’s also the episode where we start to realize that Primo is not just a fun antagonist but is really a parallel protagonist to Little Paul, with his own set of relationships and motivations that we start to see from his POV. (I’d argue that, with the exception of his very first scene, we’ve mostly seen Primo through other characters’ gaze up until episode 4, and this is the point where we start watching him as like, the character whose pursuit of a goal we’re following over the course of the scene.)

This episode ranks high for capturing so much of the weird mix of tones that makes Trust work. It can be very funny. (I never fail to fuckin lose it when Fifty is on the phone with Gail the first time and when he’s talking to the thoroughly unimpressed newspaper switchboard operator.) It has this weird unexpected intimacy between characters you wouldn’t think would connect with each other. (Primo and Paul, Paul and Angelo; in retrospect the arc of the relationship between Primo and Leo gets started in that scene in Salvatore’s kitchen.) And it has one of the show’s absolute best record-scratch tone shifts when Primo gets the ransom offer. I remember saying “oh FUCK” out loud the first time I watched the end of that episode, when Primo comes back to the house, visibly drunk and clearly furious. We’ve seen him be violent plenty before now in the show, but always in a controlled, calculated way. This is the first time we see his potential for out-of-control rage-fueled violence and he’s terrifying!

3. La Dolce Vita (episode 3)

I stand by my claim that this episode (with a few minor continuity adjustments) should have been the pilot. Can you imagine a title card that’s like “Rome 1973” and then away we go with Paul snorting coke and taking racy photos and jumping on cops and fucking his girlfriend in what is definitely not proper museum etiquette, and then the smash cut to Primo intimidating and robbing and murdering people? And that’s the opening of the whole show? And you’re like how are these characters connected and then they meet each other and it’s the fucking sunflower field scene??

Anyway aside from the fact that I think knowing the information in this episode would have made episodes 1 and 2 more interesting...it’s just a great fucking episode. It’s kinetic and propulsive and funny and tense and violent and features Primo’s sniper skills and his ass in those cornflower blue trousers. I rest my case.

2. Silenzio (episode 5)

I’ll be honest, I went back and forth on the top two a bunch. Silenzio is definitely my personal favorite episode, and I’d argue that it’s the best written, in terms of what it accomplishes narratively, which is to keep you emotionally invested in both Paul and Angelo trying to escape with their lives, and Primo and Leonardo hunting them down. That’s so fucking hard!! And yes some of it is great acting but it starts from the foundation of the writing. It’s just such a perfect little self-contained horror movie, and it has this profound sense of fatalism to it, because you know from the beginning (if only by virtue of only being halfway through the series) that Paul is not going to escape, and you sort of know that there is only one way this will end for Angelo. And yet they escape by the skin of their teeth so! many! times!

It’s also the episode where you see how much power the ‘Ndrangheta has over people’s lives in this community: Salvatore is like God, calling his servants to him with the church bells. Combine that with the visuals of two characters running for their lives mostly on foot through this unforgiving landscape, and you really get the sense of this environment as a harsh place where most people have a very constrained set of choices, and the claustrophobia of that. You get the sense in this episode that everyone is trapped in these expectations of violence and duty and honor. Angelo did what anyone with compassion would do, and saved Paul from what seemed like certain death, and he’s doomed for it. At the same time Primo is doing exactly what anyone would expect him to do in response to a subordinate who disobeyed him. In some ways the end of the episode feels inevitable, unsurprising, and yet they do SUCH a good job of winding up the tension until the literal last seconds of the episode, and then releasing it with a big dramatic bang. It’s so good!!

1. In the Name of the Father (episode 8)

Ok I’ll be honest the ONLY reason In the Name of the Father edged out Silenzio for the top spot is that it is really clear they pulled out all the stops in terms of making this episode feel extra heightened in a show where everything is already heightened. Like, the cinematography is different? They still use handheld a lot but I swear there are more still shots and more extreme, editorial camera angles like that shot of Francesco looking upward in church where the camera is looking down from above him. I can’t tell if they actually tweaked the color grading or if the bright white and blood red just stand out against the Calabrian color palette which is mostly earth tones, browns and greens and blues.

There are just. So many layers to this episode. The imagery! The literal sacrificial lamb at the beginning, Francesco being guided by Leonardo through an act of violence against an animal, something that I’m sure they don’t even see as violence but just part of farm life, part of survival and in this case part of a celebration, but something that fathers teach their sons how to do as part of becoming a man in this world. Paul as the metaphorical sacrificial lamb later, drawing parallels to Jesus (the lamb of God), Isaac (a father sacrificing his son), any number of martyred saints, pick your Catholic imagery. The blood of the lamb on the tree stump and Paul’s blood on the stone. The communion wafer (the body and blood of Christ) and Francesco at the end with Paul’s blood and a literal piece of his body held in his hands the same way.

And then there is like, the suspense of watching everyone marking time through the steps of this community ritual that’s supposed to be a joyful, communal celebration, while we know that there is a secret ticking away under the surface. The slow unfolding of the lie told to one person spreading to everyone in the village, and then the knowledge that Salvatore knows spreading to all the people who’ll be in trouble for that. The relationship arcs between the main Calabrian characters...not resolving, but sliding into place for the final act. Primo finally being done with Salvatore. Primo and Leo’s alliance being cemented and Leo physically stepping between Primo and Salvatore, to protect Primo. (No one ever protects Primo!! Still not over it!!!!) The confirmation celebration as a mirror of the Getty party in episode 1, the parallels drawn between the 3 Pauls and Salvatore-Primo-Francesco and how Primo reacts to being passed over as heir vs. how Paul Jr. reacts. Little Paul having two whole minutes of screen time and managing to break your heart with them. Regina! Just...Regina’s whole everything. The music going all-instrumental for an episode and having this haunting, dreamlike but still tense quality to it. And the fact that we never cut away from Calabria to another plotline gives the whole episode this hypnotic, all-encompassing quality. It’s just. SO GOOD!!!!

[emptysatellite]

breaking and entering according to hy + gar-bear

Ao3

one.

“This is a horrible idea.”

“No, it’s genius.”

Hyacinth was skipping ahead in the moonlit field while Gareth just mopped in amazement. It was midnight and they were at the one place they shouldn’t be; Clair House.

They were only there because of that stupid journal Hyacinth was translating. Gareth’s grandmother, Isabella, had written it throughout her entire marriage, when she moved to England with her new husband. The journal was written in Italian, a language Gareth couldn’t understand in the slightest, leaving Hyacinth to translate for him (although, as she made clear, she was not fluent). Most of the entries centered around Isabella’s daily life, but Hyacinth discovered a secret; a little while before her death, Isabella hid diamond jewelry in the house so her money hungry and gambling-obsessed son couldn’t sell them.

Once Hyacinth found this out, she rushed to Gareth’s, demanding they go to his father’s property at once. Lucky for them, Mr. St. Clair was out of town on a hunting trip, leaving the house completely empty.

“Hyacinth,” he attempted to reason with her, “we could get in trouble for this. Like real, legal trouble. Trespassing and breaking and entering are crimes.”

“Good thing my brother’s a lawyer. Anthony would defend us, no questions asked,” she retorted, hiding behind a tree to get a good look at the dark house.

“I think there would be lots of questions asked, Hyacinth. Lots of questions asked,” he leaned against a nearby tree, although completely in sight of any passerbys.

“I don’t think so. I’m Anthony’s favorite sister.”

“I don’t think that matters in the court of law… Aren’t you studying law? Shouldn’t you know this?”

“I’m studying politics and international relations, actually,” she tore herself away from the tree, strolling closer to the house. “Do you have a key to this place?”

“No.”

“What? Why not?” she froze in place.

“I don’t live here, why would I have a key?”

“I don’t know, you used to live here so I just assumed,” Hyacinth whisper-yelled, turning back to him. She gave Gareth a pointed look, “how are we supposed to break in if we don’t have a key?”

“We could break a window like they do in all those karate movies.”

“This isn’t a karate movie, Gareth! Besides, we can’t break a window; the neighbors might hear something and call the cops!”

“Like the neighbors wouldn’t call the police if they saw two suspicious individuals go through the front door when they know my dad lives alone and is out of town.”

Groaning, she said, “well, do you know anyone we could get a key from?”

“My grandmother, maybe?” he suggested, his calm exterior crumbling upon meeting her angry gaze.

“Professor D?” she demanded.

“I’m sure. She has a collection of keys from homes and apartments she doesn’t live in.”

“Perfect,” Hyacinth gave him a wide smile of pearly white teeth. “I’ll call her tomorrow morning and get the keys by lunch so that we can both come back at nightfall.”

“Aren’t we going on a date tomorrow night?” asked Gareth.

“Oh right! Well, we’ll come here after our date, then.”

There was no point arguing; when Hyacinth’s mind was made up there was no use debating it. They’d be back tomorrow, no doubt in Gareth’s mind.

two.

“God, I love your grandmother.”

“More than me, apparently.”

“Oh, knock it off,” Hyacinth gave Gareth a light shove, playing with Professor Danbury’s key to Clair House in her free hand.

“I wore the cologne you like to dinner and you still wanted to come here to find some stupid diamonds instead of back to my apartment,” he replied.

“Okay, well, three things. First, diamonds are not stupid, they’re my best friends. Second, I love the cologne you wore to dinner, it smells so Gar-bear St. Clair. And third, I still want to go back to your apartment, but when we get the diamonds,” she explained, taking a tangle of manila rope out of her bookbag, with a (seemingly) heavy rock tied to an end.

Her whole statement was questionable. Gareth barely knew how to respond. “Gar-bear?” is what he finally managed. “What is that ?”

Hyacinth laughed, covering her mouth with her hand in order not to wake the neighbors. “It’s your nickname,” she said at last. “Isn’t it cute? I think so. I came up with it last night, when I was making this!”

She pulled a crumpled piece of paper out of the pocket of her leather jacket. “Read it and weep,” she thrust it into his hands.

“ Breaking and entering according to Hy and Gar-bear? ” he demanded. “What the fuck , Hyacinth?”

“I’ve done loads of research on breaking into houses. I’m practically an expert,” Hyacinth replied, throwing the rope up onto the balcony with a huff. “I just thought I should add your name too, even though you didn’t contribute because we’re partners. Get it? We’re partners in crime .”

“Har-har,” his response was much more sarcastic than intended, “disrupting the peace is so funny.”

“We’re not disrupting the peace,” Hyacinth rolled her eyes. She added, “I can’t believe I’m stuck with you.”

“For better or worse.”

“Little early to be saying that, don’t you think, Bud?”

“Nope, your face is adorable.”

“Damn, you know flattery gets you everywhere with me.”

“I know.”

“Climb up the rope.”

“Wait, what?” he was shaken out of the blind flirtation. “You want me to climb that?”

“Of course,” said Hyacinth. “That’s why I brought it. I thought you’d be too wuss to scale the building, so I thought the rope might help.”

“Is it even secure?” Gareth asked, glancing upwards, for any sign (or omen) he should not pull himself up the rope because it was a risk to his health. “Like, will that rock support our weight?”

“Yes; I wouldn’t tell you to do something if I didn’t think it was safe. And the rock should support us… I tried like five other rocks before picking this one.”

“You’ve… already tried this?”

“Obviously.”

“How heavy is the rock?”

“Not sure.”

“Why are we climbing up to the balcony, anyway?”

“To go through the balcony door. Duh.”

“Why can’t we just go through the side door. No one would see us.”

“No one would see us go through the balcony door, either.”

“But going through the balcony door seems more complicated.”

“You know, we’re spending all this time arguing when you could just climb the damn rope and we could find the damn diamonds.”

“No.”

“Do you want me to go first?”

“Yes, that would make me feel better.”

Without another word, Hyacinth caught the rope, pulling herself up in a way that vividly reminded Gareth of secondary school physical education class. Still, she made it to the balcony.

“See, it’s totally safe!” she called down. “Now, come on.”

“I don’t know, I’m still nervous, Hy!” he replied.

“I’m holding the rope tight,” promised Hyacinth, “I won’t drop it!”

“If you drop it, we’re breaking up and I’m suing you.”

“Noted. I won’t drop you.”

And she didn’t. Gareth was able to scamper up the rope safely to see Hyacinth’s wide grin at the top.

“I told you that’d you’d be fine,” she said.

“Yeah, yeah,” he waved a hand dismissively. “You wanna do the honors?”

Hyacinth nodded, taking the key out of her pocket. Carefully, she put it in the deadbolt, twisting it unlocked, then doing the same with the door lever. “Aha!” she exclaimed, opening the windowed door. “It worked!”

three.

“Old Dicky may be an arsehole, but he has good taste in books.”

“Never once in my whole childhood did I ever see Richard in the library.”

“Well, then Grandpa St. Clair had good taste in books.”

“Right-o.”

“Hm,” Hyacinth ran her fingers along the book spines. “So much Shakespeare.”

“God, I hate Shakespeare,” said Gareth, fumbling with his flashlight.

“Literally stop. We’re breaking up. Right now,” she replied, turning her nose up. She sneezed.

“Bless you.”

“Thanks.”

“No problem.”

“I have dust allergies, just so you know.”

“Good to know.”

“Now, Isabella wrote that the diamonds ―or another set of clues that will lead us to the diamonds―should be in the place where the imagination can run wild,” Hyacinth said, “so I assumed it was the library. What do you think?”

“It could also be the nursery,” suggested Gareth, “because my brother and I would play there all the time; I assume Dick and Uncle Ed would have done the same.”

“That’s true,” she scribbled a note on her arm. “We’ll check the nursery after we finish here.”

“Hyacinth?”

“Yes?”

“It’s going to take us forever to go through here,” Gareth said, spreading his arms for dramatic effect.

Hyacinth seemed to think on this for a brief moment, tapping her marker against her chin. “Hm,” she finally replied, “it won’t take forever if we get started now.”

“Capital plan,” he commented, rolling his eyes.

“I know right,” she retorted. “Besides, even if we tear this room up, we can just leave it; we’ll be back tomorrow.”

“Tomorrow, too?”

“Of course. We’re not resting until we find these damn diamonds.”

“Dick is coming home in less than a week.”

“We’ll just have to be very thorough and efficient then,” she replied. “Now, do we want to start by ripping the books off of their shelves? Or go through all the drawers and cabinets by the desk?”

“I’ll do the desk and you do the shelves.”

“Works with me.”

They went to work, flashlights glowing in the dark library. They didn’t talk, concentration ruling their motions.

“I think I found something!” Hyacinth called, after less than an hour of searching.

“What?” Gareth replied, looking up from the stack of dust-covered papers he was flipping through.

“Hold on, I’m translating,” she paused. She looked up at him, saying, “basically, the hint is that the diamonds are in a washroom.”

“There are five washrooms in this house!” he groaned, collapsing onto the nearest chair.

and four.

“We’re literally going to jail. We’re going to spend the night ―and probably quite a few nights―in jail! ”

“It’s okay, Anthony will defend us in court. Simon will too, I’m sure; I’m his favorite sister-in-law. He got me a miniature pony for my sixteenth birthday, you know.”

“Hyacinth, I’m glad you and Simon and Anthony have good relationships, but we’re still going to jail! ”

“Lower your voice, you’ll upset the cop,” Hyacinth shushed Gareth, placing a finger on his lips.

“I think the cop is already upset,” he replied, grumpily, “because he just arrested us for breaking into my father’s mansion and we didn’t even find the diamonds.”

“Okay, to start, Richard is not your father ―” she started, waving her hand dismissively.

“Believe me, he’s made that clear―” Gareth interrupted.

“But Edward is.”

He blinked. “What?”

“Edward is your dad.”

“Edward? As in my uncle Edward ?” demanded Gareth.

“No, as in your dad Edward,” Hyacinth replied.

“Are you serious?”

“Of course I am.”

“Uncle Ed was my dad?”

“Yes, didn’t you hear what I said?”

“I did,” he breathed in amazement, “I just―it’s hard to believe.”

“You can come to therapy with me, if you want,” Hyacinth suggested. “I have my weekly sessions on Wednesdays.”

“Honestly, I might have to take you up on that offer…”

“There’s no shame in it. My therapist is the best, I’ve been working with her for years.”

“Nice, nice.”

“Oh! I forgot to add,” she reached into her jacket, pulling a trinket ―no not a trinket, a necklace, bracelet, and set of earrings―out of her pocket, “we did find the diamonds.”

“Holy shit!” exclaimed Gareth.

“Shh, the cop will hear,” she mumbled, untangling the jewelry from one another.

“I just… Hy, you’re amazing!”

“I know,” she flipped her hair with her free hand, “I’m told all the time.”

“Where did you find it?”

“In Clair House. Duh.”

“No, I meant , where in Clair House?”

“Under a floorboard in the nursery washroom. When we split up and you were in the master washroom.”

“We’re here, hooligans,” the policeman peered at the couple through the rearview mirror.

Hyacinth locked eyes with Gareth, slowly putting the diamond jewelry back into her jacket. She smiled at him and he returned a favor.

Still, they spent the night in jail.

[citiesalight-writes]

Fandom: Danny Phantom

Characters: Observants, Clockwork

Rating: T

Relationships: Dark Ages (Clockwork x Pariah Dark)  

Tags & Warnings: Manipulation, Implied Mind Control

Summary: Human courtship was such an odd thing, the gifting of a metal band signifying devotion, commitment, and love. How the ritual came to be, the Observants did not care. There was, however, a ghost that showed interest in the custom, infantile though it was. Clockwork, Master of Time and eternal pain in the Observants' side. Why the King showed interest him, the Order couldn't fathom. It did, however, present an opportunity. 

Or

In which the Observants scheme, and a ring is gifted.

Written for Going Angst Week 2021 

Day 4: Corruption

Big thanks to the Dark Ages Discord Server for coming up with the idea behind this fic

---

“Lord Clockwork, if I may have a moment of your time.” The wretched creature turned to look at them, confusion and apprehension clear on their face. His hair was in a simple plait, no doubt the work of their great King. How his Majesty could stand the presence of such an insufferable, conniving ghost, the Order would never understand.

They watched as the time ghost schooled his expression into one of indifference, an eyebrow quirked upwards. “I didn’t realize those in the Order were capable of traveling alone. To what do I owe the pleasure, oh single Observant?”

Internally, they were seething. How dare this vile thing speak to them in such a way. If they had not seduced their King, he would be bowing to them, begging for forgiveness for their miserable existence. But they did not let their irritation show. It was a well known fact the miscreant was wary of the Observants, in part due to them not having expressions he could easily read, so they had removed their cape and loosened their robe beforehand, doing their best to exaggerate their body language: ghostly tail flowing rhythmically, shoulders relaxed, arms swaying at their side. All in an effort to lull the temperamental ghost before them into a false sense of security. Even if it does violate dozens of rules within the Order and makes their skin crawl to do so; they had been given permission so as to complete their great task.

“Lord Clockwork, I heard that you were looking for a gift for our great King— ” they watched as a fond smile wormed its way onto Clockwork’s face at the mention of King Pariah, shoulders relaxing as he brought a hand up to stroke their braid, “and I believe I may have found a suitable present.” They bobbed their head in false excitement, hushed voice growing louder as they spoke.

Suspicion still clear on his face, Clockwork nodded their head and watched as they rummaged in their sleeve a bit before pulling out a small box, already talking as they presented it to them. “I’ve heard word of the stories you tell of the humans, Lord Clockwork. Many of us have, although the others would not admit to being curious about the tales you hold. But one of them stuck with me.” They opened the lid, watching as Clockwork moved to get a closer look, wonder in his eyes. They were too easy to read. “The way humans show affection for another by gifting a ring.”

They watched as he carefully lifted the box from their hand as if afraid it might bite them. When it did not, they pulled the ring from its slot and inspected it in the light, rotating it around to admire the craftsmanship. The words Yours for Eternity were engraved around the band, and they watched as a serene smile pulled at his lips.

By the Order, it took every ounce of control not to narrow their eye in glee, watching as the magic from the ring drained them of their suspicion, as was its design. No wearer of the ring would question the Observants, allowing them to do as they pleased, loyalty growing the longer it was worn and harder to break if removed. The magic being infused with the metal prevented its detection, so all Clockwork saw was a ring of pure silver.

They kept talking, trying to expel the excess energy they received as the weight of their duty lifted from their shoulders, watching the plan become one step closer to completion. “I found the concept to be alien yet intriguing—truly it is my favorite story I’ve heard told—and when I came across this, I thought it must be fate. And, well, I didn’t want to be presumptuous, my Lord, but I thought you might appreciate my findings. I came across a talented metalworker in my travels across the zone; their specialty was infusing a calming aura into their works.”

Clockwork sent them a look, suspicion growing once again. How stupid could they be to let that slip? The menace cared for the King in their own twisted way, their protectiveness of him nearly enough to warrant calling it a secondary Obsession. Of course he would become unsettled knowing the ring was magic.

“Does it now? And for what reason did you decide to choose this ring?” Pull it back a bit, they could do this. They were chosen for their cunning and conniving nature after all, almost on par with Clockwork themself.

Fiddling with their hands, they looked down to avoid eye contact, voice hushed once more. “Word has it the King has been stressed, my Lord. I wanted to help him, our Great Uniter, in any way I could. Even if it involved a bit of magic, although I had no intention of deceiving you or our King.” They peaked up at him, watching his reaction. They seemed to debate the lie, placing the ring back into the box and clicking the lid shut.

“Thank you for your honesty; such a rare trait in Observants these days. I take it knowledge of the spell diminishes its effects?”

“Yes, my Lord, but not by much.” The stupid thing would be worthless if that were the case. What was the point of controlling someone if the spell could be so easily broken?

“Very well. Now, I must take my leave before King Pariah comes searching for me. Wouldn’t want you to be caught breaking the rules of the Order, now would we?” Clockwork winked at them, and they forced a giggle as Clockwork continued on their way, the box held firmly in their grasp.

“Thank you, my Lord,” they called out after them, this time no lie to be found in their statement. With a final wave, they turned around and dashed back to their superiors, intent on telling them of their success. And if they moved faster than the rules allowed, well, what was one more broken rule?

The next time they saw their great King, in all his regal glory, the snake was at his side and a silver ring around his finger.

In the light it shone black

[fellhellion]

can you make a rec list of your favorite fe3h fics? if that's alright?

OF COURSE I WOULD LOVE TO <3 always happy to give my fave works a shoutout <33333

Though mind u this is going to be a LOT so ill pop them under a cut

from the heart in exile

TLDR: platonic hubert edelgard fic that haunts me. It’s extremely good with really well written character voices and focuses on these two characters trying to find out who they are beyond the war with their friends refusing to leave them behind

Summary: 

You can’t speak just yet to whether time—and age? experience? not that war or rulership have given you much of the latter, at least in the area of gardening—has made your thumbs any less brown, but the house in the Oghma Mountains is surrounded by so many growing things it hardly seems to matter. It sits at the edge of a forest, on the gentle lower slopes, and the people in the nearest town had all smiled to speak of it when they pointed the way for Hubert, the day you arrived. A number of them were old enough to remember what it had been like, years ago, in the warm and golden before, and to insist that it had not changed in the ways that mattered. It was still full of light. The air still smelled green.

In which Edelgard keeps a garden, Hubert learns to fly, and those they leave behind refuse to be left behind.

----------------------------------------------

Watchtower

TLDR: platonic fic and amazing sylvain character study. Like genuinely one of the best i’ve ever read. If you’re someone who really wanted a deeper exploration of Sylvain’s feelings about Dimitri this fic is for u. 

Summary: 

When Sylvain is six and a half and climbs to the top of a tower with no one’s hand in his, he realizes that each and every one of the people he loves has been born as a gift to something else. Dimitri was born for Faerghus, and Felix was born for Dimitri. Glenn was born for the royal family, and Ingrid was born for Galatea and for Glenn. He realizes, too, that what they’re for decides their future. Dimitri will lead them into a better world. Felix will guide his path, and Glenn will protect his life, and Ingrid will bind her future to theirs.

And Sylvain, who was born for the border, will stand in a watchtower. He will see the enemy before it comes, and he will keep Dimitri and Felix and Ingrid and Glenn safe.

Dimitri reappears after five years. Sylvain knows it's his role to fix the mess they're in, but he doesn't know how.

-------------------------------------------

little light

TLDR: really good exploration of flayn and seteth’s relationship (+ with his wife and flayn’s mother) pre canon (also post canon if i remember right) just a really good if heartbreaking family fic 

Summary: 

"She is beautiful, and she is perfect. It is foolish to say so, because the goddess herself says perfect beings cannot exist - but Cichol knows now she must have been wrong, because his daughter is perfect. They name her Cethleann. In the old tongue, it means 'light.'"

Cichol, Cethleann, what they lost, and who they became.

------------------------------------------

conjure the wind, ease my mind

TLDR: this author in general writes FANTASTIC work so pls check out their whole repertoire. a platonic fic between holst and claude w an exploration of claude’s past that’s just so good....found brotherhood i am WEEPING 

Summary: 

“I’d like to know what’s wrong. I’d like to help if I can.”

Calculating green eyes lock onto Holst’s own, but this time they’re laced with something a little bit like resignation

Many people call Duke Riegan a liar, but Holst feels like he knows the young man a bit better than that. To call him a liar is wrong, you see, because all Claude has ever really done is master the art of giving up as little of the truth as possible. He keeps truth close, treats it like a valuable commodity.

“I have three brothers,” he says. “Half-brothers.”

***

Claude won’t spar with Holst and Holst wants to know why.

----------------------------------------------

my fellow passerine

TLDR: same author as before and just...god this fic is so good. a platonic exploration of the relationship between Claude and Cyril. This fic has it all: found brotherhood, worldbuilding about Almyra, Claude character study, CYRIL character study. it’s just fantastic 

Summary:

Then the Alliance delegation shows up, and their offering strolls through the gates of the monastery like he already owns the place.

A reminder, for those who need it: Cyril is not an idiot. He has good eyes and he uses them.

An observation, for those who want it: The Golden Deer house leader is Almyran.

~

Cyril knows a lot more than he lets on, Claude is far less covert than he thinks he is, and messing with the guy your parents told you was a possibly-unkillable demon-prince isn’t usually supposed to earn you a lasting friendship but hey… life is already pretty damn weird.

-----------------------------------------

Autotomy

TLDR: god this ferdibert fic just fucking...destroys me. i cannot get through it without crying at least twice and usually more. it’s basically a CF canon divergence with a heavy HEAVY exploration of ferdinand and hubert’s perspectives towards usefulness and how abelist thinking affects that in their efforts to find Shambala after Ferdinand loses his sight from one of Hubert’s experimental spells. All while falling in love. this fic is VERY fucking heavy, please mind the tags, it’s amazing but it’s subject matter is something you need to be very aware of. Also i would highly reccomend reading the prequel to this fic as it provides some critical context to Hubert’s actions that you don’t get through Ferdinand’s flawed pov. Basically this author is a master of character perspective.

Summary: 

Ferdinand von Aegir's war record ends in 1182. The war does not.

Or, blind man's bluff.

---------------------------------------------

Coming of Age

TLDR: same author as before and god...just my FAVOURITE ferdinand character study. Takes place within the period Byleth is away. I don’t want to spoil anything but it’s incredible. Mines the fantastic character drama hook between Edelgard and Ferdinand that canon DIDNT rip

Summary: 

Ferdinand was a general. In theory. Edelgard had promised him continued command of his battalion, and a general needed a certain measure of wealth to supply his horses, his servants, his armor and rations and lodgings and, she’d promised.

But his father sat rotting in a cell, or worse, and it could be nothing more than a fable they thought him simple enough to believe. What did promises matter?

When the house of Aegir collapses around him, Ferdinand struggles to forge a path forward. He quickly discovers he can't manage it alone -- and neither, perhaps, can Edelgard.

------------------------------------------

Another Life

TLDR: same author AGAIN (can u tell theyre my favourite fjsdhfk). Ferdibert fic, a man loving his partner and trying to figure out the best way to support them as they silently wrestle with questions about their gender identity is something that can be so PERSONAL and make u CRY god. also dark flier hubert my beloved. 

Summary: 

Ferdinand notices things. He cannot say what he notices, precisely, because he has no one to ask, and if he were to ask Hubert it would damn well result in every questioned moment up and vanishing forever behind a new wall of prickly austerity. Ferdinand cannot risk that. The things that he notices stick in his chest, and he thinks only, but.

Hubert wrestles with unasked questions; Ferdinand wrestles with a pegasus.

---------------------------------------------

Beneath the Sheets of Paper Lies My Truth

TLDR: Dimilix fic in my FAVOURITE fucking format of secondary in game historical sources exploring their relationship in retrospective.

Summary:

It was said that Duke Fraldarius’s grief at King Dimitri’s death was more potent than even the queen’s—but said by whom, and how, and why?

-----------------------------------------

A Fair Day’s Work

TLDR: Post CF Canon ferdibert where Hubert and Ferdinand’s overworked aides desperately try to get them together so they’ll be too busy being uhhhh AMOUROUS to give them so much work. Very much a romantic comedy with very fun OCs as our protags. 

Summary:

“I may have some coffee in the place for you,” said Prime Minister Aegir. “Let me show you how much better I have become at brewing it to your taste.”

“If you insist,” said Minister Vestra but he sounded pleased. To Delarivier, who had literally made it her profession to attune herself to his tone (usually ranging from sort-of-murder-y to extremely-murder-y), Minister Vestra sounded very pleased indeed.

--

Ferdinand and Hubert's long-suffering aides figure out a way to work fewer hours.

----------------------------------------

Roost

TLDR: Dimilix post AM Canon with some pre canon moments. Basically an exploration of the complexity of their relationship with bird symbolism and extra Holy Kingdom lore. Gifting ur lover a vulture is something that can be so personal fksdhfsjkd

Summary:

Dimitri makes an affirmative noise. Then he takes a breath, voice leveling out into what Felix had long ago dubbed his 'future king voice', all steady explanation: “Long ago, the saying fledged right along with the nobles' and royal family's love of hawking, and it has remained a common phrase from one generation to the next. As adviser to the king, the duke is meant to be regal and strong, even deadly when required, from his place at the king's side. To always act as the most piercing, watchful eyes over the Holy Kingdom of Faerghus and her sovereign."

He looks over to Felix as soon as his mouth snaps shut on the final word, as always seeking approval on his recitations.

Felix tilts his head, trying to look unimpressed. “I like eagles.”

A hand automatically comes up to cover the lower half of Dimitri's face, muffling the inarticulate sound of a snort of amusement. “That is good, since you are to be mine.”

***

They say an eagle watches over Fhirdiad.

------------------------------------------------------------

A faint and faraway sound

TLDR: Ferdibert with an excellent Hubert centric character study....just so good...makes me warm and fuzzy...the mutual pining and ROMANCE of it all

Summary: 

Hubert learns to be a person, with a lot of help and complication along the way.

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In golden light

TLDR: A really REALLY good ferdibert fic with ferdinand centric pov that focuses on him reflecting on his life as he prepares the Aegir house to become a boarding school. Ferdinand sibling exploration is ABOUND here and it’s great

Summary: 

When his family's summer home at Lake Aegir is set to be converted to a boarding academy, Ferdinand pays it one last visit and contemplates his complicated relationship with family, love, and legacy.

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one three four three four zero

TLDR: the fic that actually got me into dimilix. VERY heavy character study and you NEED to mind both the general fic tags and the content warnings the author lists for each chapter but it’s incredible. Takes a very familiar trope and just. slams you in the face with over 60k words of amazing character study. 

Summary: 

“How are you going to get the One-Eyed Demon of Garreg Mach, the Boar Prince of Faerghus, smuggled past Dukedom soldiers? What plan could you possibly have to get a creature that incapable of even pretending it isn’t a bloodthirsty beast into Dominic without getting caught?”

The Professor gives him one of their steady, unreadable stares. They definitely do not and could not possibly have answered him, “You’re going to pretend to be married to him.”

or, How to Pretend to be Married When One of You Can't Stop Hallucinating and the Other One Uses Hostility to Cope

[crazy-loca-blog]

Personal thoughts on Open Heart Second Year, Chapter 20

Note: As the title says, these are just personal opinions on Choices books and chapters. Of course, you may agree or disagree with them, I only use this platform to express my thoughts on what I read every week and what I’d like to see in the next chapters, because none of my friends play Choices so I have no one to comment the books with.

That’s a wrap! I can’t believe Book 2 is over. And just like everyone, I didn’t know how I felt about the final chapter of the book… until I started writing this… and I had a realization just as our MC did (of course, this led me to write this post from scratch like three times!). You know… it wasn’t brilliant, but it wasn’t a bad ending… I’d say it was pretty correct… and maybe even better than we think it was. Let me show you why:

At the very beginning, I had this kind of bittersweet feeling, just like everyone else. But then I replayed the chapter a few times to try different options and routes, and I started noticing that the writers made some amazing job paying attention to many of the little details we got to see throughout the book and finding a way to put them all into the final chapter. Everything was a lesson, everything made sense and everything almost everything got a closure… and that’s just some awesome writing, guys. Trust me, I had a long list of complaints, but by now, my only complaint is that the chapter was way too short.

Let’s begin with the main issue of this chapter: Leland Bloom and the check. I had the same question as the MC for a whole week. Why would the man give a billion dollar check to a second year resident? And with the sneak peek it kind of hit me: Leland not only was trying to buy Edenbrook, he was also trying to buy us… because for him, it’s always about money. I could even see our MC going through the same dilemma that Jackie faced with Panacea. And I have this gut feeling that what we decided to do with the check may have an impact in Book 3.

To be honest, at first I didn’t pay much attention to the scenes with Sienna, Aurora and Elijah. Even though I have to admit I missed Kyra on this set of dialogs, I was glad to see that the writers gave us some time alone with them and I loved how different their answers were. However, I saw them as some kind of filler content… like “oh, we need to add an extra conversation with our friends because it’s the final chapter”.

The same applies to our LIs. At first, I didn’t know if asking our LIs for advice was a good idea unless you’re romancing Ethan (based on the fact that he’s also our mentor and the only person who knows Leland Bloom as much as we do). I would have even added Naveen and Harper to this set of dialogs, as this was more a professional thing than a personal issue and they would have surely given our MC a great piece of advice (especially Naveen!).

But then, it hit me. This wasn’t just a set of random conversations. Instead, the writers made an amazing job mixing the storylines of every one of our friends and LIs with the conversation about the check and Leland Bloom, and that led to different realizations based on who you chose to talk to. That was simply brilliant and it reminded me why I love this series so much… nothing on these books is written at random. Everything has a purpose and sooner or later, it always clicks.

Based on the same premise, can we talk about how our story with Esme seemed to be coming full circle? No matter how your relationship with her ended (at least not yet), we finished our story with her right where we started: healing her wounds. However, there is something that is kind of bothering me. During our conversation, Esme told us that Leland had reached an agreement with Levi’s family, so the lawsuit wasn’t a problem anymore. And here we go again. We know that Leland isn’t the type of person who does things just to help people… and now I can’t help wondering if he may have found a new ally in Esme. Will she keep the secondary role she got in Book 2 or will she become a more important character in Book 3?

Another cycle that was closed during this chapter was Kyra’s. I’m so glad that she was finally declared cancer-free (can we just stop for a moment and give Bryce the credit he deserves for this? PB didn’t do it, so we should!), but it kind of shocked me to see her go and realize we won’t be seeing her in Book 3, especially because she is part of our gang now. Her departure really got me wondering if this is PB’s way to prepare us for the final goodbye in Book 3. I’m also wondering what the writers have planned for Rafael. After all he went through, I’d really like to see him back in Edenbrook… but not as a paramedic. I know he said he wouldn’t go back to hospital life, but after all the physical therapy he got, I think this would actually be a great job for him. He loves to help people (and that’s something he won’t get rid of easily because it’s his nature), he loves exercising and, at the same time, he needs to calm down and take life slowly. I don’t know about you guys, but after all the complaints to have him back, and now that he’s finally fine, I need to have him around!

As per the romance with our LIs, please don’t laugh at me, but I think PB decided to ground us all. For a whole book this fandom has been so focused on “fighting” over LIs, that I can imagine the OH writers saying something like “You know what? Enough! Let’s remind them who is in charge of the narrative here!”… and that’s how they fooled us all.

However, if you’re romancing Bryce, Ethan or Rafael (sorry Jackie stans, maybe it’s because of the path I read, but I don’t feel the same about that relationship), they certainly gave us all those “we’re in a real relationship” vibes at the party… and at the private party as well. By now, I think there are some things that go without saying, and even though we’re probably not getting the content we thought we would have, things look very official to me. Sometimes you just don’t need words, you need actions, and those three guys have shown our MC all their love through them. Every piece of advice, every conversation, every small detail, even in the sex scenes you may see there has been an evolution… and I’m not talking about how kinky things became, but about what’s behind it… you can definitely see two people who trust each other, who feel confident about what they have, and who look like people in love. But of course, they won’t say those three words yet. I’ve always felt like PB is very respectful of the timing (not only in OH, but in their books in general), so I wouldn’t imagine them saying “ILY” right now, especially because after all the ups and downs of the plot, things are just starting to take their final shape for Book 3. But if I go back to the final 30 diamond scenes in Book 1 and compare them to the ones we got in Book 2, Chapter 20, you can safely say the relationships with all three male LIs are at a whole new level now.

Finally, one of the things that worried us the most was the insane amount of subplots this book had. Did they manage to give closure to all of them? Let’s see:

Aurora Emery: For a whole book, Aurora felt like she was “the lesser Emery”. We went back to college with her and we got to know about her struggles to make friends. Finally, she found her own closure in Chapter 17, after having an amazing heart to heart conversation with her aunt. So yes, her subplot did have a closure.

Sienna Trinh: Our sweetheart spent two whole books involved in toxic relationships: first, with her boyfriend, and then, with Mitch, her intern. Even though she only recognized the toxicity of her second relationship, I’m glad that she’s finding peace after losing Danny and I’m hoping for her to have an awesome Book 3 just because she deserves it. But yes, her subplot did have a closure.

Elijah Greene: Our boy was the first character who made it safe to Book 3. He had some issues when trying to keep boundaries with Sothy, his intern, and it seems our choice to help him or not, actually had an impact on the relationship between them both and in Sothy’s performance as an intern. So yes, his subplot definitely did have a closure.

Jackie Varma: Her conflict with Panacea was fully addressed in the Vegas chapter. However, we still don’t know if having her name in the list of doctors who received money will have some long-term effect. Will this be a topic they’ll rekindle in Book 3? I have a gut feeling that this might be one of the subplots that was carried to Book 3. So no, I’d say her subplot didn’t have a closure.

Bryce Lahela: The Lahela siblings subplot was one of my favorites of Book 2. Keiki is an awesome teenager, and seeing Bryce growing so much as a character was a delight and it made me really proud. He sacrificed everything for his sister, to the point he even swallowed his pride and talked to his parents to ask for help. So I’m glad to say that yes, this subplot had its happy ending and found its proper closure.

Rafael Aveiro: Book 2 was a such a self-discovery journey for Rafael. As I said last week, I think he was a mess the whole book, and I don’t think this had to do with the writing, but actually with the fact that, before the incident, he was questioning his life and everything he loved (even his feelings for our MC). The incident not only was a “rebirth” for him, it gave him a whole new perspective on life and it challenged him through his recovery process. Did he find closure? I don’t think so. Only the incident had a closure, his existential problems still have a long way to go.

Ethan Ramsey: Ethan had two face not only one, but two conflicts. The first one was personal: not only his mom returned after abandoning him 25 years ago… he had to deal with the fact that she was an addict. So even though it seems like everything was solved after he left her at the rehab center, I don’t think this is the last time we’ll see Louise, as there are some things that were left like hanging (for example, who was she talking on the phone when we first met her?). So… did this subplot have a closure? Probably yes, but I’m not a 100% sure. Then we had his professional conflict: the money problems were never about the money, but about being loyal to Naveen’s mission. Was this solved? Absolutely yes! It only took him a conversation with Naveen to realize that he could carry his mission wherever he goes.

Esme Ortega: Esme probably got the worst part when it comes to subplots. She actually had two of them and I don’t think any of them was properly solved. The first one was the harassment she suffered when we first met her. The “closure” was treating the guy for a serious illness, talking to him and then leaving the incident behind… or diagnosing him with dementia so he had to quit his job? I mean… really? And then we have Levi’s case. Sure, everything was properly solved after Leland Bloom and Levi’s family reached an understanding and avoided the lawsuit… but we’ll never know if she actually did it, won’t we? Where is the “resident-intern” confidentiality we talked about in Chapter 7? Sorry, but this is a HUGE NO for me.

I know there are some things I might be missing now, but I’m actually saving them for a future post. As per Book 3, my bet is that we’ll be having a new release in February, just to keep in line with the releases of the first two books. Will Book 3 be the last one of the series? Honestly… I don’t know. I know the series is supposed to be about our three-year residency, but now I have some doubts. First of all, medical drama is a topic where you can constantly add new content without necessarily repeating the formula. Also, the fact that was mentioned that Bryce’s residency lasts 4 years instead of three is kind of giving me some hope of a fourth book. Finally, let’s face it: Open Heart and The Royal Romance/The Royal Heir are currently the most successful series for PB. And after seven books, it’s time for the TRR gang to take a break. Maybe it’s time for Open Heart to pick up the slack.

Our MC: Even though I don’t think our MC had a plot that needed to find closure, the book certainly left us some uncertainties about their story. And the most important one is the lack of PTSD after the incident. Well… let me tell you that maybe not everything is lost. I was so curious about it that I actually did some research. And guess what? There is something called “delayed-onset PTSD”. This form of PTSD appears at least six months after a traumatic event, and in some cases, it even takes years to appear. However, this does not mean that an affected person has no PTSD symptoms prior to this six months period. This would match exactly with our MC’s behavior after the incident. So now that our friends issues seem to be mostly solved… maybe it’s time for our MC to face their own problems?

[otheenglishsetters]

WIP (AKA, I never published my work on Tumblr before and I am TERRIFIED)

Hello! I finally gave in and splurged on a Xbox this year, which may have also coincided with my rising anxiety and boredom since I’ve decided to take a year off of college (my senior year to be exact). Luckily, my boyfriend and friends, knowing how I tend to throw myself into fictional worlds when I am stressed had recommended to me this sweet little game series. It was filled with space and wonder and characters so wonderful that they will make your heart hurt.

That, dear readers, was Mass Effect. 

I had already played a little of the first game of the original trilogy at the very beginning of 2020 at my boyfriend’s house, long before all of my post-college plans came crashing down (as did the world too!) 

So I finally invested my time (and money) into Mass Effect Andromeda in November of 2020. Let me tell you, after loosing control over everything else in my life [laying panicked in bed, constantly praying that the pandemic would not claim the life of my middle aged father after already losing my mother to lung cancer just two years prior], it was unbelievably refreshing to be able to have some resemblance of control in this fictional world (And yes, I realize that this is a video game and of course I have control). And the fact that what Bioware was doing was...pretty freaking great.

So, I apologize if this is coming off a pity-party, I promise, it isn’t supposed to be. It’s more like I had just finished my first playthrough of my first videogame ever and I am filled with feelings and emotions. I never post original content on Tumblr, and that’s mostly because I got scared off posting my work after receiving mean-spirited reviews when I posted my fanfiction on Fanfiction.com years and years ago (which is fair, because looking back my work wasn’t that great, but holy crap I was 14 guys!) I have not written creatively since my high school creative writing class in senior year, but this game and this winter, I thought I would try? And hopefully get to connect with other fans? Let me know what you guys think; I’m planning to add more chapters/content soon. Okay, I’ll quit rambling...

He notices that she tends to have a lazy eye. He’s not sure when exactly he notices this, but it’s becoming more and more apparent.

Which is not a problem, absolutely not. In fact, he thinks it’s adorable in a way, especially when she’s tucked into a pillow and loudly craving sushi. 

“I wondered if she was mocking me,” Keema notes one day. Out of all the Angara Reyes has had the pleasure to meet, she still seems one of the few who can truly read humans in a non-lateral sense. Her favorite so far was when she discovered the music genres of both EDM and metal in the same day, “it wasn’t until I was approving shipping orders from the docks the other day I realized why. The Pathfinder needs glasses.”

She also loses control of her lazy eye, it seems, mostly at night, usually by 2300 hours standard time. 

“I’ve been reading studies about team bonding.”

He hums as he rubs her back. Sara, despite commenting on the numerous things she’s done throughout her day, seems wired and intent on rambling. He’s okay with that. More than okay, it’s been years practically since either of them has had a free moment to even been able to just relax in bed and daydream. They probably both haven’t been able to enjoy this luxury since they were…teens? Finishing school and about to launch themselves into the military? For him, he figures it was before that, probably when he decided to work for that florist at 12. Sara gives bits and pieces of her life in the Milky Way but he thinks she was definitely a kid who tried to ‘help’ C-Sec with their cases, constantly looking for ways to help people in any way she can. He smiles. It’s probably a never-ending itch for her. 

And now? He’s just content that he convinced her to come down to Kadara to ‘inspect Ditaeon’, or whatever bullshit she told Tann. Luckily, it seems that life is, slower? No, that’s not it, people are more than excited to create themselves anew here. Stores and trading posts are popping up everywhere and another hospital has just been built in Prodromos. There’s practically a whole shopping district in Kadara now, with outdoor venues and a movie theater that plays cinema classics every night. It’s more like they both are finally properly settled into their positions, like when a CEO is situated in a new company. Sure, the CEO may face numerous problems at first, especially if it’s during a recession or the company is about to go bankrupt. The CEO may even have to intimidate secondary managers and fight to gain respect; however, once the dust settles, whilst there may be everyday problems, it’s nothing compared to what it used to be. Usually, these problems are solved by lunchtime, mid-morning if either of them are lucky.

In the old days, when she appeared to be this amped up, Reyes would subtly (or not so subtle, it depends on how you look at it), swoon her until they had sex. It probably didn’t feel that way at the time, but sometimes Reyes cringes when he thinks of how rushed their attempts at romance used to be. Back then, they didn’t know how long she would be in the area and they would race to make the most of the evening. Now he wonders how much he used to unconsciously push aside the thought that either one of them could be dead the next day. 

Errrr. Negative bedtime thoughts. Not good for sleepytime. 

“Darling?”

“Yes?”

“Are you listening?”

“You were just telling me how you were reading various theses on social exchange theory but then you were already anxious about the thing that you have yet to tell me so you decided to read something familiar like one of the works by Dr. Brené Brown,” he pauses to give a quick glance at the data pad in his right hand. “Mi cielo, I have been informed to tell you that your contacts have been delivered as they were just sent in, along with the rest of the Tempest’s supplies, this morning.” 

He liked to think he was a good boyfriend.

“I hate when you do that.”

“What?” Listen? Dearest, it’s part of the job description as your lover. Speaking of, remind me to pick up toilet paper tomorrow.”

“No, multitask.”

He sighs and reaches up into the upper center of her back. Oof, she really is tense there. “You do it too.”

“Not at nighttime!” She scowls and rubs her eyebrow. “Ew, when did I become an old prune as soon as it gets dark?”

He starts tenderizing the hard muscle. Mentally, he makes a note to remind her later when she’s not grumpy to do her prescribed yoga. “We’re all getting older dear. I’m thirty-one and the other day I heard my knees crack.” 

She was silent. Any other fool would think that she was lost in thought while others would be jealous of the close bond she shares with her AI. Honestly, Reyes is just grateful she spends any of her time with him, let alone his bed. And if she occupies a part of it in a mental showdown with SAM, who is he to complain. 

“SAM thinks you should get an appointment. Even if Dr. Nakamoto is busy, there’s plenty of others who are just as qualified. Also, I think Peebee and Jaal are sleeping with each other.” 

  Both he and Sara know the in(s) and the outs of their jobs so well by now, that he can probably predict easily what his men will ask for even before the message is downloaded on his office’ terminal. However right now, as Reyes stops reading a report on corn being grown on Havarl that he already skimmed over this morning over his huevos rancheros, all he can think about before checking to see if he is correct is how her left non-dominant eye is floating far out to the side. 

Hmmm, who knew fraternization would be cutting into his beauty sleep? 

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If you made it this far, thanks so much for checking this out! I apologize for any grammar mistakes. If you’re confused, this is set to take place three years after the Hyperion first makes contact with the Nexus in the Andromeda Galaxy. I was just so intrigued by the dialogue between Jaal and Peebee. And then, after the initial curiosity, I was about to forget about it when I came across some interesting dialogue while driving the Nomad...

Jaal: Vetra, I catch Peebee looking at me. Frequently.

Vetra: Peebee likes new shiny things. Uhh… and why not? You’re genuinely interesting.

#

Jaal: Vetra, remember when I told you that Peebee was looking at me? Frequently?

Vetra: Yeah? Is it getting annoying? Want me to say something?

Jaal: No, no, no. It’s… just that… lately, I find myself… looking back. 

Vetra: Huh.

**

So of course I had to dig into that! And what better way to do so than by using my new favorite ship: Reyes and Sara? (Domestic times!)

Anyways friends, hopefully my writing isn’t awful and you enjoyed yourselves. I may wake up in the morning and delete this. Who knows. 

Have a great day guys!

[brynnmck]

J/B Exchange Recs Round 1!

I have not been around Tumblr much lately because I was so preoccupied with stuff for @jaime-brienne-fic-exchange, but I am trying to get back into the swing of things, and I figured what better place to start than with some recs?

These are currently skewed a bit toward my amaaaazing gift fic and the amaaaaazing ones I beta-ed, since I am way behind on my reading, but there will be more to come!

Backpfeifengesicht by @samirant - I am so unbelievably grateful that I had both amazing prompts/amazing recipient for the fic I wrote, and such a fabulous gift fic too. I was still working on my own fic and very sleep-deprived and flagging when I read this for the first time and I think I may have actually left my body on a wave of sheer euphoria. IT IS ALL THE GOOD THINGS. So many of my favorite vacation/road trip tropes--drunken shenanigans! Intimate late-night conversations while everyone else is sleeping/elsewhere! Friends being too involved in your relationship! Unexpected forced proximity! And the banter is glorious, and the secondary characters are so well thought out and add such depth and vibrance to the story, and the Sansa/Margaery subplot was DELIGHTFUL, and I love the way this structured Brienne's relationship to Tyrion and then to Jaime as an extension of that, and the resolution was handled with an absolutely perfect balance of hilarity and heat. (There was also the stuff throughout that was very targeted to me specifically WHICH I APPRECIATED, so thanks to both Sami and @forbiddenfantasies1 for that). About 20% of the way into the story, I was deeply convinced it was Sami, and in the best possible way--it had the hallmarks I love about her writing: her sense of humor, her gift for banter, her clear affection for the characters, the richness of all the relationships. It was like showing up to a party and unexpectedly finding a friend there, and it was the loveliest feeling. I am thrilled that so many people have read and loved this story but I want everyone in the world to read and love it, so. Please check it out if you haven't! And also check out Sami's hilarious tale of woe regarding her writing process, which is amazing. THANK YOU AGAIN FOR SUCH A PHENOMENAL GIFT SAMI.  ❤️ ❤️ ❤️ ❤️

A favorite line: On any other day, Brienne would have left him - a relative stranger - to his wallowing, but an untold amount of imbibed Pentoshi Slammers stirred up a noble benevolence within her, a little voice that said they had something in common and what good were her broad shoulders if they weren’t offered as a place to rest a weary, heartbroken brow? SO GOOD.

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Lay Your Heartbreak and the sequel You could make me feel so good by @ajoblotofjunk / sdwolfpup - LISTEN. SDW sent me an early chunk of this and I was immediately OBSESSED and I have not stopped being obsessed since. Obviously worldbuilding is a huge strength of SDW's and her creativity with that is a constant astonishment to me. But pop culture is full of examples of people who can create amazing worlds and then utterly fail to populate them with interesting or dynamic characters, whereas SDW's ability to fill in those wonderfully creative spaces with her love for the characters and their love for each other that is just magic. And these fics are the perfect examples of that. The setup is not only fascinating but makes for such fantastically INTENSE feelings, omg, everything just feels like it's crackling off the page; even before Jaime and Brienne and Addam are admitting anything to each other, it's not so much simmering under the surface as boiling. The balance between the three of them is gorgeous, there are two incredibly hot fencing scenes as well as a very hot swimming scene (in addition to the sequel being just one big tangle of brain-scorching hotness), there's a perfect amount of sweetness and softness to play off all the blazing heat, and overall this is one that's going to stick with me for a long time. I know J/A/B isn't everyone's cup of tea, but if you aren't actively opposed to the idea of them, then I highly highly encourage you to check this out. 

A favorite line: That night she dreams of golden skin, hot and soft against her palm – yes, someone moans, yes – the rough scrape of callouses over the arch of her ribs, the scratch of red stubble between her thighs – like this? Yes, more, please more – legs sliding together and between each other, and two mouths touching her all over. Hnnnnngh.

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The Limit Does Not Exist by @agirlnamedkeith / sameboots - Fics with a power imbalance are something I approach with a lot of caution but I LOVED the way that sameboots handled it here. The fact that this fic includes her signature extremely hot feelings-forward porn as well as a thoughtful exploration of what it can mean to be a woman in STEM is like a beautiful multi-course meal; I cared a LOT about whether they were gonna do it and I was also equally invested in how Brienne’s thesis was going to turn out and where she would go from there. I love Brienne’s stubbornness and determination and even though she’s finding her way here (as you would be, as a grad student), those elements are VERY much on display and they spark fantastically against an initially guarded and caustic but eventually deeply admiring Jaime. And while I don’t want to spoil anything, I will say that I feel like the end is a perfect illustration of one of the major themes of the fic, and I love it so much for that. Watching this one take shape and watching sameboots geek out over her math research was a delight, and the result is excellent (and did I mention, extremely hot). Definitely worth all her work!

A favorite line: “Has anyone ever told you that you’re the worst liar?” (KIDDING HANNAH ILU HERE’S THE REAL ONE:)  The problem with smoothies was that it was hard to make them aggressively., Angrily pushing a button didn’t have the same release as whaling on a punching bag. Brienne didn’t have a punching bag, though, and she desperately needed to do something, and she was hungry. ANGRY SMOOTHING-MAKING. I LOVE IT.

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Right Off the Bat by @hillaryschu - A You’ve Got Mail AU where Jaime and Brienne are rival Little League coaches who unknowingly bond over Twitter is SUCH a great idea, and Hillary committed to it right down to the delightful rom-com-trailer summary. She also put an enormous amount of care into the details of the story--she had references for outfits, buildings, even Jaime’s cologne--and it shows in all the lush descriptions throughout. The banter is sparky, watching their two relationships gradually unfold is a lot of fun, there’s a particular tipsy (on Brienne’s part) Twitter DM exchange that I still get flustered thinking about, and there’s a batting cage scene that will be haunting my brain for a while. Especially given that Hillary had never written a story anywhere near this long before, I’m so impressed that she pulled it off (and fixed some of the most problematic elements of the movie, too). Congratulations to her on rising to the challenge!

A favorite line: But as they part from each other, Brienne lifts the hem of her tee to wipe the dirt and sweat from her face. Her exposed stomach is pale and toned, with softly defined muscles that gleam with perspiration. Jaime trips over home plate. SAME JAIME. SAME.

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X Marks the Spot (where I’ll find you again) by @pretty--thief - PIRATES. I WAS SO EXCITED WHEN I HEARD ABOUT THE PIRATES. And this fic is such a fantastic blend of snappy, exciting swashbuckling (and hilarious use of parrots) and a very poignant backstory that underlays the adventure with all this yeeeeeearning and it’s SO GOOD. The action scenes are thrilling, the descriptions are gorgeous, there is STARGAZING and BATTLE COUPLE, the Jaime snark is chefkiss, Brienne is so brave and committed and quietly full of feelings, there’s a really lovely discussion of the ethics of being in the military, and also Pod and Addam and Arya and PIRATES FOR JUSTICE. SO HERE FOR THAT. And did I mention the yeeeeeearning (which is paid off wonderfully--the penultimate chapter lived rent-free in my mind for about a week after I first read it)? Ugh SO GOOD.

A favorite line: When he had exited his quarters, Brienne had looked at him with so much concern in her eyes it threatened to swallow Jaime whole. He’d felt something similar when he was around Cersei, when they were fucking or fighting; a fire he had once thought he could never tire of, would never want to put out. But Brienne had reached out her hand, as if on reflex, and smoothed her thumb across his tired brow. The ship had continued to sway beneath them, and Jaime didn’t feel fire. He didn’t feel like he would be turned to ash at any moment. He felt a breeze, the wind in his hair and salty air in his lungs. as;lfkja;sldjgas;lfjas;lf 

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Federation Fliers by @elizadunc /Ladybugbear2 - A short and very sweet one! I adore the world that Megs created in this and would happily read many many more words in it, but this is a lovely glimpse in and of itself, and made me so happy. Established relationship (which I love), one of my favorite Jaime nicknames for Brienne, a wonderfully badass Brienne and a wonderfully besotted Jaime, all against a fascinating backdrop. So good!

A favorite line: She belonged in the sky. She had a grace to her movements on the ground, but in the sky she was ethereal. HEART-EYES

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And now for a few that I just read after they were posted like a normal person:

Wine Down by @slipsthrufingers - SOME MILD SPOILERS HEREIN FYI. Okay first of all, the summary of this fic is deliciously evil and I think we all need to appreciate that. Also, it starts out with Jaime and Brienne having lunch together and these glorious descriptions of food and he has taken note of the specific food she likes and is making sure it’s provided for her and that is SO VERY MUCH MY LOVE LANGUAGE YOU DON’T EVEN KNOW. I FLAILED. And then things go, shall we say, a bit downhill, but in the most achingly beautiful way--Jaime sacrificing himself for Brienne and Brienne determined to tether him to life through sheer force of will and steadfast devotion. Slips puts us right into Brienne’s headspace/heartspace while she’s worrying for Jaime and trying to negotiate the fucked-up Lannister family dynamics (and the observations on said dynamics are wonderful too), and this hits such an excellent balance of Brienne’s rigidly controlled surface and everything that’s roiling away underneath. I’m always fascinated by the idea of what could have happened during the time that Brienne was in King’s Landing and this is such a brilliant exploration of how things could have gone, and Brienne’s interactions with the rest of the Lannisters (and Sansa) give the world that much more depth as well. The descriptions throughout are beautiful, there are so many lovely turns of phrase, the intimacy between Jaime and Brienne is just devastating, and it all comes back around to an immensely satisfying conclusion. SO GOOD. 

A favorite line: The gods had seen fit to give her an unwomanly body, so she had taken up the sword. They had given her an ugly face, so she had perfected her manners and courtesies so they could never be frowned upon. But they had given her a maiden’s heart, and try as she might she had never found the right weapon to protect it. MY PRECIOUS GIRL.

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A Matter of Honor by @nire-the-mithridatist - I shrieked at nire in DMs basically the whole time I was reading this story, it made me experience like 90% of the range of human emotions in one night and I’m still mad about it. This features a fascinatingly flipped script where Brienne is the wealthy one and Jaime the supplicant, and an arrogant-ass supplicant he is. Brienne is an angy baby nineteen-year-old who is furious at the entire world and I fucking adore her for it, and watching all the events unfold through the lens of her (generally well-founded) suspicions was a delicious sort of torture where I trusted NO ONE and genuinely did not know exactly what was going to happen next. Nire turns a lot of marriage fic tropes on their head in this and it’s all done brilliantly, and there is EXTREMELY SEXY SWORD-FIGHTING (and as a sexy bonus, Brienne’s perspective on it feels so perfect for someone who is truly an accomplished swordswoman), and nire uses some common elements throughout to just pack in these layers and layers of meaning and significance, and there are many turns of phrase so perfect that they hurt, and then she’s like “hey would you like to re-feel all the feelings in this story again in a very concentrated burst” and it’s SO MUCH, and the conclusion pays everything off amazingly. And even though it’s very swoony and romantic (and HOT. I SHOULD MENTION VERY HOT), there’s a hint of melancholy to it too, reckoning with what it means to be a woman--even a wealthy one--in Brienne’s world, and it’s just the perfect crunch of salt on top of all the sweetness. LOVE. 

A favorite line: He brought her knuckles to his lips. As sweet as honeyed nettles, he declared, “Lady Brienne. You have made me the happiest of men.” As the crowd roared in approval, she felt the sting of his kiss. STING OF HIS KISS ARE YOU KIDDING ME. Also I’m including this for purely thirsty reasons but NO SHAME: He stood from the sofa and went to help his wife undress, and if she noticed his averted eyes and his trembling hands—oh gods, the laces went on endlessly down her back, and with each pull, a little more of her figure was revealed, barely veiled by her gauzy shift—she said nothing. I DIED. I ALSO SAID NOTHING BECAUSE I WAS DEAD. Fuck, man.

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The Riverlands Gang Go to the Zoo by @naomignome - Another shorter and very delightful one with Naomi’s typical brand of chaotic humor that I adore. It’s Hyle POV, for one thing, which is good times, and the structure of this is so clever--the way each section of the zoo is used to progress the story is so seamless and happy-making, and there are tons of little jokes and Easter eggs packed in along with a very sweet, snarky emotional storyline wherein Hyle is definitely doomed. Plus another EXCELLENT Brienne nickname in here. LOVELY. 

A favorite line: “Pixel!” he said laughingly, “You know if you fell in the bear pit, I would jump after you without a second thought.” “You need to have a first thought in order to have a second one.” Brienne said dryly. SUCH A GOOD BURN.

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all these people think love’s for show (but i would die for you in secret) by @naomignome - This is SUCH A FLEX because not only did Naomi write TWO fics for her recipient but they are WILDLY DIFFERENT and I’m so impressed with her for doing it! This one is SPIEEEEESSSS and Naomi packs so much tension into 5K, I was on the edge of my seat through the whole thing. Canon events are woven in astonishingly well, and it’s a delicious enemies-to-partners-to-lovers situation that involves some excellent hurt/comfort and excellent use of RAIN to moody/sexy effect and it’s just all very thrilling. YUM.

A favorite line: He lets off a single bullet and it grazes the inside of her thigh, enough to make her wince and draw blood, but not enough to stop her from tackling him to the ground and wrestling him into submission. She’s got both of his wrists pinned above his head and her knee is drawn up and pressed against his torso. Jaime’s chest is heaving under her knee. Her chest is heaving in tandem. From above him, Brienne can see the green of his eyes darken, and even in submission, he’s annoyingly beautiful. Her blood is rushing, and it’s not all adrenaline. WHEW. SAME.

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as stars once a year brush the earth by @ylizam / mazily - Another wonderfully bite-sized one (good job actually taking the minimum word count as a guideline, people who did that, unlike the rest of us dumbasses!) that packs a lot into a small space. A canon-ish soulmates AU that’s so understated and dreamy, but with the echo of all the turmoil they’ve gone through to get to this place that brings everything in sharp relief. It’s also funny and sexy and romantic as fuck, and there are gorgeous poetic descriptions, and they spar by a WATERFALL, and just. So much happens in just over 1600 words! IMPRESSIVE.

A favorite line: Her right hand goes numb, unfeeling; back in their rooms Jaime is waking up, and she knows the phantom ache of his missing hand is bothering him. Jaime is waking, and yawning, the bed linens pooling around his waist and highlighting his summer tanned skin. She misses him, suddenly, as wide as the endless sea in front of her. BEAUTIFUL.

OKAY THIS WAS A LONG POST. That’s all I’ve got for now--more to come as I continue my reading!!

[firstumcschenectady]

“Interconnected” based on James 1:17-27

Welcome to the book of James. It is one of my favorites, despite the fact that it takes away one of my best preaching tools. That is, I usually spend a lot of time explaining context and making sense of a scripture in the time and place it was written. But James is almost a form of wisdom literature. It is universal. So, we're able to spend our time on the ideas in the book directly.

James is written to the followers of Jesus in the diaspora – that is, those who lived outside of the Holy Land. The ones who had been DISPERSED from the land of their ancestors in faith. This feels relevant right now too. I don't know any church members at FUMC Schenectady who would claim modern Palestine or Israel as their native land, but I think that all of us are displaced from the “land” we once knew, and have not yet settled into the “land” we'll live in eventually. The Pandemic has displaced us all (although not all the same amount.)

In this opening chapter of the book of James, we are urged to LIVE our faith. James wants faith in ACTION. He urges people not to just listen to preachers ;) but to LIVE their faith, and he gets rather specific about it. James believes that people who are followers of Jesus should be acting out different values than the world's.

The crux of the advice from today's passage is “let everyone be quick to listen, slow to speak, slow to anger; for your anger does not produce God's righteousness.” For James, this is integral in what it means to be “religious” - right up there with caring about God's beloveds who the world doesn't value (“widows and orphans.”)

As far as I can figure it out, the work of Christians is to build the kindom of God. The kindom, sometimes called the beloved community, is God's vision for the world. We will know it is here when the power of love overcomes the love of power; when the abundant resources of the world are used for the good of all people; when kin-ship connections cross all boundaries; when the poorest and most vulnerable people have enough to survive and thrive; when no one has to teach anyone about God because God is known by all. The kindom is God's long term plan for us, and our work to get there happens in two broad ways: first, by creating Christian communities where we practice kin-dom values and treat each other like we're already there and second by working with God to share love, to seek mercy, and advocate for justice so that the world is healed.

One of the parts of kindom building that can be hard sometimes is that it requires seeing clearly what the world is like now. We have to do this so we can hold it in tension with how God would have the world be in the kindom, but often the aching pain of the world as it is can be hard to let ourselves see clearly. For instance, we can't work towards a world without rape and violence unless we admit that we live in a world with rape and violence, and that there are barriers to changing it. So, we seek to see clearly. We seek to see how things are AND how God wants them to be.

Now, I don't want to shock you or anything, but the United States is a highly individualistic society. (The kindom is not.) We in the US have proven to the world how terribly individualism works – time and time again. Including in our responses to the COVID-19 Pandemic.

You might think that if you were looking at this pandemic with clear eyes that you would see that none of us can be well unless all of us are well- that we are collectively only as healthy as the least healthy among us – that every act of protection and prevention has enormous ripple effects. However, if we had learned this lesson, we'd be spending as much as possible to make it feasible to vaccinate every willing person in the world as soon as possible. We'd even do this before triple vaccinating our own population, because slowing down the spread of the virus is the most important way to keep everyone safe, healthy, and alive. The well being of all and the well being of the USA actually align! Yet, we miss the mark.

The book of James has an interesting perspective on the relationship that Christians have to the world. In the face of the injustices of the Roman Empire, the wealth inequality, the slavery, the power imbalances, the death rates of the poor, James urges the faithful … not to get angry.

I find that my first instinct is to argue with this a little bit. “Are you sure?” “What about when...?” Yet, even as I argue, I am convicted by this passage.

Society is rife with anger. Anger is pulling us apart at the seams. Some of the anger, I'd argue, is “righteous.” It is a response to injustice that needs to be seen, acknowledged, named, and addressed. We'll talk about that in a moment.

Most of the anger is misplaced. The anger is being used to create groups of “us” that stand against “them,” and those distinctions dismiss that everyone in both groups are beloveds of God. The anger is being used to provoke fear, sell products, pass unjust laws, and elect politicians. The anger is being USED.

And James points out directly that the people who want others to get angry are selling them on the idea that if they get angry enough, they will provoke God to action. James says it won't work though. God will act when God will act, and furthermore, prayer is a better way to go about it. Anger serves the people promoting it, not God.

But what about righteous anger? As I've been saying recently, anger is a “secondary” emotion. That is, it exists like a red flag to mark a place where something that is held precious is being violated. It lets us know when our values are attacked, and underneath that is another emotion. Most often anger is there to act as the bodyguard to sadness or the diversion to fear.

Sadness and fear are sufficient. They can guide us to good action, they can show us the ways of compassion, they can help us grow together. They are wise enough, that once we find them, we can let go of the anger that guided us to them.

Which means that the way to be “slow to anger” is often to identify anger, and then sit with it and find out what is underneath it. It means that we sometimes need to listen – to ourselves and our tender emotions. God is there, with us when we listen, with us when we feel, with us when we discover what is under our anger. This is, even, a form of God's healing, God's salve in our lives.

Of course, “be slow to anger” is the third piece of advice we're given in today's passage. The first two are to be quick to listen and slow to speak. It seems clear that James' advice is aimed at faith COMMUNITIES, because his advice is aimed at deepening and maintaining good relationships among the followers of Jesus.

For the past several years, I have participated in “listening circles.” These intentional spaces have careful guidelines that are aimed at making sure there is holy and sacred space for listening – and speaking. At times there have been 20 or 30 people in these circles, and you might think that there would be a lot more speaking than listening. But, there isn't. Often there are prolonged silences between speakers, and they feel like time to absorb the wisdom one beloved of God has offered. When the obligation to have a response is taken away, along with the tendency toward chit-chat, there is spaciousness for silence and listening.

When I hear James say, “be quick to listen, slow to speak” I think of how healing those circles have been in my life. I love being freed from having to have a response to something someone says, and instead just listen to them and receive their wisdom. And, when I do speak into such a space, I am astounded at the power that comes with being heard with love.

As much as I have loved these experiences though, it isn't clear to me how to live “be quick to listen, slow to speak” ALL the time. Really listening to another of God's beloveds takes energy and attention, and … let's be honest dear ones, those are finite resources!!! We will drain ourselves if we try to listen WELL all the time. (I've tried.)

That said, there is a being who is capable of listening with complete attention, and full energy, with love and compassion, with care and support – all day, every day, to all of us. God, the creator, sustainer, redeemer has gifted us with life, and God is with us breathing new life into us day by day, hour by hour, minute by minute, and even second by second. When we seek God in prayer and meditation, we find that God is close at hand, ready and able to offer us healing. When all we have to offer are sighs too deep for words, God knows what we mean. When we are full of words, God listens until we have exhausted them. When we are able to be with the Divine in holy silence, God meets us there. And, of course, when what we offer God is our listening, …

well, that's when things really start to happen ;)

James encourages us to an active faith – not just to worship God once a week, but to live out faith in every day. He reminds us that the very people the world dismisses (the “widows and orphans”) are the ones that followers of Christ take care of. James doesn't hate the world – though he isn't impressed with it either - but he doesn't think being angry with it is going to change it. James encourages the people of faith to act differently. Take care of the struggling and vulnerable, listen deeply, speak with intention, slow down anger and learn its lessons instead of acting it out. Don't replicate the brokenness of the world – change it.

So, dear ones of God, I invite you to God's restoration, God's healing of the world, God's work of the Kindom: be quick to listen; be slow to speak; be slow to anger. With such “simple” acts as these, we can heal the world. May God help us. Amen

Rev. Sara E. Baron 

First United Methodist Church of Schenectady 

603 State St. Schenectady, NY 12305 

Pronouns: she/her/hers 

http://fumcschenectady.org/ 

https://www.facebook.com/FUMCSchenectady

September 5, 2021