#he keeps having to clean his messes

[babyblankyerror]

Stanley Pines finds a stable job...as a crime scene cleaner

[ratwithhands]

This is just a doodle page, but I had a comic + sketches planned for this concept. It's mostly just for shits and giggles, but the idea of Kokushibo having more demonic feature besides his many eyes was fun to mess with, so I roughed out something akin to futakuchi-onna (or ig in this case futakuchi-otoko). It's something subtle enough to get covered by his regular hair style but still be functional whenever he needs to work through a lot of food quickly.

I'm not sure quite how other Kizuki would feel about it since it's an ability only used in private, but since Douma's in the draft comic I made for this, I think he'd be cool with it. That or just bring him an obscene amount of parts just to see how he deals with eating it. It's a private mukbang stream to him 💀

[doodledrawsthings]

Mad At Yi Why Anon - Thanks for explaining! It makes more sense now lol. I never expected them to be grateful for being "saved," I'd just think it's certainly a choice for them to Most Mad at the only guy who wasn't going to let them rot. But if it's a "we need someone to blame" then that makes sense.

Even if he wasn’t gonna let them rot, he WAS gonna take them out with him had his True Ending Sacrifice gone as it had in the game. They don’t know this, this is just extra DoobYi characterization. But he wasn’t expecting to be alive, either tbh.

That said, he takes the public opinion of him and the Sols very seriously and doesn’t blame them even if sometimes the grievances are heavy-handed. This is a Yi who will apologize many times over for the actions of the council, for the failure of the project, for the lies and the lives ruined, both apemen and solarian, and for the individual hurts he’s caused to Kuafu, Goumang, Shaunshuan and Heng. If Eigong and many of the other Sols are not here to share the responsibility, then he will shoulder the blame, as he believes he should. Even if, y’know, everyone who IS glad he didn’t die is telling him to knock it off.

[soo-won]

Nobody is asking Yona to sacrifice herself or stay with the dragons forever. That's not why ppl are upset with her imo. What's disappointing was that when the gods say Kouka would turn into hell, we didn't saw any hesitation in her. She could've argued w them or showed some determination like: "hey, I won't let you play with me or my country no matter how hard you try" something she did while zeno was trying to kill himself. But no she's like oh hell sounds fun as long as I'm with my family. She even hesitated when Hak's life seems at stake. So what does it mean? And there's is a difference between her running away from the gods vs Suwon not depending on the gods. She's ok to enjoy the blessings but when it comes to pay back, she's running away. Yona acted like a selfish brat like she used to be in the castle, which is disappointing if we consider her development in the past

I'm not gonna lie in this case I feel like people are just looking for something to be mad at her. Like, in chapter 257, I was more bothered by Yona not hesitating because the consequences of that decision were 100% assured and known : all the dragons of the past waiting and suffering in vain until the current generation. And the whole time paradox twist was a lot to process and swallow in a few pages, that Yona's reaction felt sudden too. I wanted to see her hesitate then because I was affected as a reader by the twist that it was technically Yona that made the cycle happen? Even if from her POV it was about not erasing the past like damn that's a lot.

But the circumstances are not the same at all here imo. Yona has been in this chalice for like an entire volume. She tried already to negociate with the gods. It didn't work. They went against their words. They hurt the dragons. She tried everything she could here. They're basically bullying her, they keep tormenting her, she's not getting through them at all. Yona is affected and upset when they tell her about the dragons' limbs. She came here to begin with to save them, she made a deal with the gods that made her stuck inside the chalice against her will but supposedly in exchange of the dragons being freed, and now she realizes that even that failed and that they lost body parts. It's devastating. And Yona looks sick of it. From this point, it's clear to me she realized it's useless trying to get anything from them, because she won't. They're only toying with her and her feelings. All she can do is leave with them and defuse. There's NOTHING she can do more from the heavens, she can't ask the gods to save the dragons and even less protect Kouka.

Yona has been having nightmares about natural disasters and wars breaking out since chapter 257, she's already past hesitating about this too. So I don't mind she doesn't hesitate for it here. Yona in chapter 257 was scared of even falling asleep because she was scared of this future where she's all alone and it's hell everywhere. But she can only stop it by facing it and standing against it. It didn't happen yet, she has to keep her eyes open... She already learned this lesson. As we've seen with Yona protecting Hak from Zeno, her nightmares can be prevented, but this won't be if she stays still in heavens. Staying in a peaceful garden and shivering because intervening outside could cause more problems is much more like Yona of the beginning before her development, than Yona leaving to live in Kouka and fight against problems arising there. Yona was told her existence and actions were a pain that could create more problems at different occasions, and her conviction has always been to make her own place in the world anyways. Before she asks for the gods' divine protection, she should face her own fears and try to do something herself...that's how she always worked. She has always refused to rely on the gods alone.

The motif of living outside and in not the most comfortable place but finding purpose in getting through struggles together has been a thing forever that Yona's reaction about life outside being preferable only seems natural to me. I don't know... Her hesitating here would have felt redundant and would have surprised me. Yona has long ago developed the conviction that she finds more purpose in life in the struggles and difficulties because of all the people reaching out their hand to help, than her peaceful and confined, lonely days in the palace. She always found more purpose in helping people on the ground than to take decisions from above. Even in the castle and south kai arcs it was visible how she wanted to go help prisoners herself, and the way she went to rescue Meinyan shows it well too. I don't want her to hesitate for this. She already said she'd rather live in the mud in chapter 263 too. That's the most Yona thing ever imo, it makes me happy personally. It doesn't need to be said she's concerned for others, and she will keep running to their help to do something with her own hands. I don't need her to hesitate because personally I have no conflicted feeling about the situation and I think Yona is 100% right, here. I have no doubt she is intelligent enough at this point to say this too.

You could argue it would have been better if she had a speech like the one she had in chapter 43, and I can't argue about that (it's true it's very good!). I can understand, I just personally don't need it, because the fact chapter 43 exists is enough in itself to me and the present automatically resonates with it and everything before. I can't be mad at Yona not saying word for word "I'm going to save people struggling outside" because I already know that. I personally don't need that reassurance at this point.

The chapter shows her being concerned for Kouka and everyone on Earth when she flies on Ouryuu's back. Yona always planned to return from the chalice for everyone and everything she left behind on Earth. Of course she's concerned. She wants to bring her friends back from the chalice AND help everyone in Kouka. She promised Yun she would come back with everyone, she planned to return to Suwon too and not abandon her duties as Princess. All these things exist inside of her. Anyways, Yona doesn't need to tell the gods to stop toying with her country like she did with Zeno before too, because the ways things are presented, it seems like it's not like the gods cause this on purpose either? It's a consequence of everything going to shit, and it's also Ouryuu who is on her side talking to her before she says she prefers hell than here. So she doesn't reply angrily, she replies with hope. That's why that page is beautiful too, imo. The gods might not see and understand the value in such a world that Hiryuu and Yona are so fond of. But they can't help but love this messy, "hellish" world. Talking angrily to the gods didn't work in ch263/264 either, so I feel like it was also her trying a different approach when she told them she would live in Kouka maybe? Like she doesn't want to let herself be affected and be upset by them and she simply, intransigently voices her intentions to them?

You say you don't want her to sacrifice herself and stay with the gods forever, but also accuse her of "running away" from the gods and call her a selfish brat for her reactions in this chapter, so I really don't understand your point here. How on earth is Yona supposed to not depend on the gods in this situation but by not making a deal with them? Staying in Heavens, contract done to protect Kouka from doom and ending it at that (because she would be stuck there) would be truly the coward move imo. Yeah she's turning back and trying to get out of Heavens but... it's...good to stop moving forward and further if doing so brings you to extreme loneliness and/or death I think...? I think that's the point...Getting desperate, leaving everything behind and sacrificing more and more of your true wants and isolating yourself has been a pattern that never brought anything good to the characters that tried before. She struggles and things didn't happen as expected, many things are still unresolved, but she can only do so much in this situation. She tried. She tried discussing with the gods, asking them to free the dragons, to let her out. It didn't work, it was a blow on her when they forced her under a sea of flowers, when they tried torturing Zeno, and when she learned the dragons got injured. From that, she adapted and tried to leave. That's it.

I think Yona wavering when they threaten to kill Hak and what it means is pretty simple and is no secret. Yona loves and cares about Hak. Hak is someone important, personal and intimate to her, so obviously she's not unaffected. Yona from the very beginning has been trying to get stronger and do all she could to protect Hak again and again. Losing people dear to her is what scares her more than anything, it always has been so, even if it coexists with her caring about the world around her too. And you know, even if Hak is special to her, I honestly think that if the gods had threatened the lives of the dragons and not only their limbs, Yona would have been affected too. She would have also faltered had they threatened the life of people she doesn't know in the same terms. It's just extra cruel to use Hak in particular against her. It shows again the gods atp are only interested in destroying everything that might be connecting Yona to Earth. It's the exact same form of abuse that Chagol used against Meinyan. It's about isolating her. It's also not really the same as claiming people will die without the gods' divine protection that is more like a potential consequence than a term of a contract like it is at the end of the chapter. She can stand against conflicts outside and protect people there, but what can she do against Hak just, being killed by divine intervention if she doesn't return to heavens (supposedly)? They fucking coerce her here. Maybe it's just bluff, and she should not give a fuck about Hak and still leave. After all, what is one person against the world and her freedom! But well, she cares. She never discarded her loved ones and never compromised Hak and her friends' life. She never compromised the life of anyone really (which is different from sparing and refusing to kill anyone). That's who Yona is. Yona doesn't sacrifice and compromise people's lives, That's why she wants to save everyone AND wants to go home. And that's why she's stuck now. Yona wants to live. But she can't sacrifice someone innocent either, especially not someone she loves. It's the perfect dilemma for her. And that she's forced into it is what is heartbreaking. She shouldn't have to choose. That's why she needs help now.

Bringing up payback like this rubs me a bit in the wrong way...This damn idea of paying back is what has been haunting the narrative for so many years i can't conceive repeating it for Yona too. To me it comes from the same mindset that asks for retribution, punishment and karma for every character that upset Yona in some way or should be grateful and kneel to her and Hak that has been so sickening for so long. I don't want anyone to be forced to pay anything back ever. Every character should get all the help and support they need for free at all times imo. I don't think Yona nor the dragons should have to pay such a harsh price either. Because that's what a blessing is. That's what love and kindness are. That's what wishes are. If the gods really cared for Hiryuu, they wouldn't ask her anything in return, they wouldn't torment her, they wouldn't punish the dragons either. It can just...stop. (Because yes this favor shouldn't be at all to begin with) Which is what Yona wants.

Aren't we so tired of all this "contracts" and "punishment" and "paying back" bullshit by now? I so am. It's exactly what has been ruining the lives of the characters forever and now (and my mental health as a reader lol). She's paying back right now by being in this situation already. And that's not a good thing at all. It's very good narratively though because yeah, they want her to pay back! They make this about contract when she was asking a favor! She's paying the price for her decision in ch257, for ever using the dragons, for entering the chalice as Hiryuu's reincarnation...But it's nothing but sad. There doesn't need to be this payback. That's what the story is exploring. Looking for the dragons to survive (whom she never forced, even if yes they were bound by their contract thing) and protect Hak is not a crime, not erasing the past to save her friends isn't so evil that she deserves to sacrifice herself. Making it end is enough. It may be selfish that yeah she enjoyed the good parts of it until it bothered her but honestly I think it's okay lol. As long as it ends. As long as no one has to pay back anything for doing their best to survive and struggling to protect something. Like Meinyan doesn't need to apologize or to pay back anyone for all she did and was done for her, just like Suwon doesn't need to be even and be punished, like Shinah doesn't need to executed for attacking Suwon, like Zeno doesn't need to be punished for betraying Yona and the ddhhb, etc... Because it's better to look at the bigger picture and at people's circumstances you know...That's how I interpret this arc, at least.

Yona doesn't pay back by sacrificing things, she "pays back" by giving back out of gratitude. That's precisely what she does by doing all she can to save the dragons right now. The dragon warriors gave her so much without ever asking anything back, they saved her from danger and they saved her from despair, she's so grateful and loves them so deeply she wants to bring them happiness too. But Yona can't give the Gods what they want without sacrificing important things to her, and not when they're the way they are now. So she can only leave.

Of course Yona/Hiryuu alone getting this treatment from the gods was always unfair and it shouldn't be at all, especially not at the cost of so many dragons suffering for so long. But well, she did. And when learning how this "favor" was hurting the people around her, she was affected, grieved it in ch253/254, and then she opposed it and tried to stop it in the present. (Also she's been concerned by the dragons' use of their powers for a very long time even if she doesn't go deeper) But the gods don't care. You can blame her for not questioning things more before, I'm critical of this too, I still conflicted about chapter 257 as well, plus everything irt the crimson illness etc but like, she says it, she doesn't want their powers if that's the price. She only wants the human them. She doesn't need the dragons' powers and she doesn't need the gods' protection. When she throws away Hiryuu's sword they give her, it's her rejecting that again. She doesn't want that special power and favor, that's not what she's asking. She wants agency and power, but not at the price of the agency and free will of others. She wants everyone to have normal lives where they can decide things for themselves, to live with their whole free will. That's her development in this arc. I like that she finally faces these things.

Maybe it's just a question of preference, and you might be affected by Yona's reactions in a way I can't relate. But personally I like the chapter this way and I like Yona in it. I don't think she's a selfish brat (god. it's...such a thing to call her honestly it irks me sorry, despite all criticisms I have of her character.) I don't think she doesn't care about Kouka and its people at all. Ive seen people say that too but...Even if yes Yona is still a 16 years old girl with struggles and feelings and still some immaturity which is important to take into account, I don't think she's as childish and inconsiderate as people make her either. People often seem to say her reactions and decisions are emotional and with no reason but I think they're emotional AND with reason, at least here. Yona doesn't say this about Kouka struck by disasters being preferable than Heavens from emotions alone (because yes, she just wants to go home and she genuinely loves the people in Kouka), but also from experience and conviction. They don't cancel each other out. It doesn't make her a hypocrite to have personal interests in it too.

[disastrousduckss]

Something for the small Mockingbird AU is that when Branch was smaller, like 3-5, and when he tracks in mud, Ablaze has to quickly get him into a bath before he makes a mess throughout the bunker

But when Branch is old enough and still tracks in mud, Ablaze just hoses him down snsnajajaj He cleaned the bunker and pod, he's not gonna clean it all over again just because Branch thought it would be cute to participate in a mud slide snsnsn

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[dreamieparadise]

Momina's hair gets easily messy, and it's why she has a tendency to run her hands through her hair a lot. She will pull and stroke her bangs without thinking.

In fact, Momina is someone who can appear rather sloppy despite her fashion sense. She can't seem to get her bows or ribbons straight. She pulls on her sleeves, and her shoelaces tend to get untied. She is also a messy eater despite also being very motherly/nurturing. It can paint a conflicting image.

Kyoko is someone who takes it upon herself to adjust Momina's appearance. She sees her brother in Momina, and it initially leads to her to Momina. Although her eventually adoring Momina is also because of who she actually is.

Another who ends up fixing Momina's appearance is Hayato. Unlike Kyoko, he doesn't ask permission and kind of just does it while scolding her. "How'd you even get the bow like that?!" Momina, who can be petty, will sometimes go: "Sorry, dad...!" Which only angers and embarrasses Hayato. It especially annoys him because Momina never reacts like that when Kyoko does this. She simply thanks her and gives her a big hug. [I wonder why the difference in treatment...!? Clearly a mystery...!]

Jojo and I like thinking that Haru ends up in the same high school as everyone else, and so she ends up picking up this habit with Momina as well. Hayato and Haru fuss over her the most, with Haru going as far to wipe and dab at Momina's face for her. It embarrasses Momina but because she knows she means well she doesn't really say anything. [However she does tell Miruku later over the phone. Sobbing, "these two girls at the Cafe snickered at me after Haru did that!!!"]

Parentified and infantilized at the same time... truthfully, this is one of the reasons Momina's favourite person is Miruku. Miruku understands Momina's health issues but doesn't infantilize her. Always listens to her and is understanding of her anxiety and [over]protectiveness as well.

I've gone on tangents but wanted to speak on why Momina's hair tends to have messy strands strewn about or her ribbons are loose and angled funny. If I could draw shoes properly her shoelaces' bow would be verticle!!

[microcosmiclymbic]

🍄 is having a bad night which means he spends hours in the shared bathroom

[spaceratprodigy]

could i bother u for more thoughts on faith and max in a mock apple orchard 🥺👉🏻👈🏻

@gayafsatan — I would absolutely LOVE to brainstorm some fun ideas of them in a mock apple orchard!!

I've been replaying again so they've been rotating around in my mind a lot extra hard and was especially thinking about mock apple picking bc the botanical labs also has a lil orchard where you can pick mock apples up off the ground! But I'm currently in Roseway so oughhh.. ideas....

I want you now I am going to ramble a LOT so please bear with me I swearsies it'll be more fun if we get the full lore dump from my brain 😩💖💕

–

👇 ROSEWAY THOUGHTS 👇

(I AM GOING TO TALK ABT ROSEWAY THOUGHTS AS A WHOLE AND THEN EASE INTO SOME SILLY MOCK APPLE ORCHARD IDEAS AT THE END OKAY. OKAY ILY THANK YOU).

–

My thoughts are very chaotic and rambly so let me try to walk though my ideas lmao

Roseway is typically where I peg Faith's death wish arc happening, and to summarize what all that entails, it's when the mask slips and the weight of everything finally hits her in full force.

I always envision this story happening over a long period of time so a lot of time has passed since first arriving at Edgewater and the Groundbreaker.

Halcyon. Her situation. Her identity. The life Phineas threw her into abruptly and his expectations for her. Making split second moral decisions where no matter what someone is going to get hurt. Being so alien and alone, no one to understand her or believe in her predicament but having to be the mysterious competent captain regardless.

It finally gets to her. Bad. And she makes some self destructive decisions. She gets sloppy, careless, hoping someone else will end this nightmare for her. Until they almost do.

I am swiftly brushing past many details so we don't get too lost in the sauce. But Max went after her, found her collapsed and injured bad, carried her back to the ship for Ellie to do whatever she could, and then stayed by her side for as long as it took for her to wake up.

This is such a key moment for them getting closer. Because there was a lot of frustration and emotion and being forced to confront the possibility of feelings existing, but nothing they fully understand or are ready to acknowledge as such yet.

She tries to brush past the subject of what happened, deflecting everything until he raises his voice in a way he hasn't since she gave him the journal and she threatened he never talk like that to her again. And it was enough to break through her facade, for her to show just how utterly broken and vulnerable she is, and they have a proper fucking conversation about where she's at mentally. He still isn't ready for the truth about her life before. But it's a step forward.

There is a lot of patience and understanding and just. Yeah. A lot happens here. Some walls come down. There grows some room for them to become softer and closer over more time.

All of this is important because a short piece I had written a long time ago took place in this area roughly after this incident.

It was a personal outlet vent piece, I will be honest. When I wrote it it was after I had a very bad panic attack after an awful scare. And I wrote it into Faith because I just wanted to get some feelings from that experience out of my system.

The shortened version of that one is Faith recovering from a bad episode, trying to calm her breathing, waiting for her ears to stop ringing and for her vision to come back. Her legs gave out on her and she was sitting under the mock apple trees. Her voice locks up on her when she's seriously distressed. Yadda yadda yadda, Max had brought along his datapad so she could communicate anything important and she was incredibly confused because she knows he doesn't like using his datapad ever and then rendered even more speechless to know he brought it specifically for her in case something like this were to happen again. It ends with her just asking if he would keep talking to her, and they sit there under the mock apple trees for a while, in no particular rush to get anywhere.

And after this point, I think the mock apple orchards become a really peaceful, therapeutic spot for her when she just wants a moment to herself. Sits there, breathes, takes in the Roseway scenery and collects herself before jumping back into the horrors of Halcyon. Spends some time picking mock apples to take back to the ship.

I've been having a lot of ideas of her asking Max to go with her. I'm of the mind if she'd ask directly that he'd either decline, or at least pretend to be uninterested but she's the one who asked so he accepts the offer.

But I can see her being vague and just saying that she's heading out if he'd join her and she leads him to the orchards. By this point they're already often in each other's company, she indulges his interests often, letting him be the one who is finally listened to. But in general, they get along very well in conversation when it comes to a handful of similar interests and their personalities and attitudes bounce off of each other well.

(In my story anyway, since she spends an extended amount of time in Edgewater and the Vale, there was also a lot of time spent doing some early bonding with Max. So do with that info what you will. They're not likeee besties yet but they're much more than strangers by this point, ya'know? Just to get an idea of where their familiarity with each other is at and why there's enough respect and trust to some extent already existing. Not to mention how much time they had spent on the Groundbreaker).

They'd be having such a peaceful time away from the rest of the crew.

Oughhh hear me out, okay, Faith loves to bake. She doesn't even ask, she just makes Max hold her bag open while she starts collecting mock apples and after they finally head back to the ship she figures out how to make mock apple pie for the crew 😭 we already know Max doesn't care much for sweets (I wonder how sweet or tart a mock apple pie would be.. Faith girl what all Halcyon ingredients are you adding to that bad boy) but.. what if.... After everyone goes to bed...... He tries some anyway........ Because she made it..........

Most of what's bouncing around in my brain is them early on having wholesome bonding time in a spot just for the two of them. Just enjoying each other's company. Realizing they have genuine respect for each other, Faith feeling like she found a genuine friend who went to lengths further than anyone had in her entire life to make sure she survived. I am specifying Faith's feelings here intentionally. I write Max in a more complicated spot very blinded by his revenge scheme more or less unaware for a long while just how much the lines start blurring between his faith and his Faith. To put it succinctly. (Look I know I'm always drawing The Good Stuff™️ but in actuality their relationship is suchhhh a slow burn. They are not the most romantically inclined people lmao).

But also.. once she realizes she can talk to him when she needs to. I think coming back to this spot, off the ship, away from the crew, she just likes it there. She likes being there with him. She finds comfort in that spot.

OKAY BUT DO YOU KNOW WHAT ELSE WOULD BE CUTE.... they should come back here.. post-scylla and post-gorgon...... Ya'know......... The first being when they establish not wanting to be apart and the second being when they want to make that partnership a permanent one......... ASKING HER IN THE MOCK APPLE ORCHARDS WOULDN'T THAT BE DARLING ough okay I need a minute my brain is going too fast to comprehend

My Roseway ideas aren't the most cleaned up I know BUT so many important bonding moments exist and oughhhh LOOSE IDEAS ARE STILL WORTH TALKING ABOUT OKAYYYYY

I just want them to go mock apple picking together and learn how to get smiles out of each other and not understand why it makes their chests hurt but they know they need to do it again

ACTUALLYYYYY post-scylla when he's much more mellowed out and they're the closest they've been I think would be so so nice. they'd be so much softer and he'd probably be so much more involved in wanting to enjoy silly lil activities with her.....

Currently imagining him reading out loud to her, all the conversations they'd have, maybe he brings his tossball cards to show her, maybe they bring one of the lil games, have a lil makeshift picnic....

Godddd the transition between just how much enthusiasm he shows spending time with her is enough to make me explode. Can you see my vision. The reluctance, to the hesitancy, to becoming absolutely inseparable.

I HAVE A LOT TO THINK ABOUT BUT I'M GETTING SLEEPY SO SENDING IT!!!!!!

Literally feel free to add on or share your own thoughts I'm begging you lmao I promise there is so much room for ideas to be fleshed out and better put together, I'm mostly just spitballing what all I think would be incredibly fun ideas to work with. Plus I'm kind of thinking across the timeline and how much their relationship would change between each visit. And how over time they would enjoy it more and more and make each visit more special than the last.

WAIT BEFORE I LOSE THE THOUGHT!! They make a stop RIGHT BEFORE HEADING TO SCYLLA TO GO TO THE HERMIT'S LODGE!! Oh that could hurt so good omgggg. Okay okay I need to stop now I NEED TO STOP.

[your-local-narc]

TW: vent, physical neglect, suic*de, self harm

Long story short: I thought my dad was going to make dinner when I went to his house so I didn't eat dinner with my grandparents and then when he came to pick me up he said "I'm disappointed you haven't eaten dinner yet".

Like sorry for trying to do the right thing I guess???

Vent continued in the tags

[bmpmp3]

aiv2 ryuusei 👍

[shesmydoct0r]

people not realizing that the results of a president’s term in office usually are most evident while someone else is in office and continue to have effects after the term is over is honestly i think one of the the reasons people who are ostensibly on the left are so flippant about the specter of another trump term

[designernishiki]

it’s just sorta hitting me that we know like almost nothing about what the fuck majima was doing in 5 when he was supposed to be dead??? like???? he was in on katsuya/mirei’s plan and caught onto what was going on really early and whatnot but. what the hell was he DOING for all that time. he just shows up at kurosawa’s at some point with zero explanation how or under what pretext or anything. how did he fake his death in the first place? how did he get it announced on the radio and put in the news despite there being no body or anything to prove that he died?? I have so many questions about his side of the story it’s insane how much was brushed off bdhffdjdjdjsjdnd

[vampmilf]

barely an hour at work and already on the brink of another breakdown i need to quit this fucking job and/or perhaps kill myself

[batcavescolony]

Supernatural s5 e16

Walt killed Sam in front of Dean... Well he's got that right, you just killed Sam you better kill Dean too or he'll drag your ass to hell personally. "When I come back I'm gonna be pissed" it's not even 'if' it's when cus they can't rest even in death. BABY SAM! AHHH, they're lightning off fireworks. I'm unwell. DEANS IN HEAVEN THIS TIME! Sam getting why Dean is in heaven but not him. Sam's memory being the first picturesque thanksgiving he had (with a gf he had when he was 11), while Dean's was lighting off fireworks with Sam. AND WE SEE MARY AGAIN! Sam's memories being away from his family while Dean's memories are about family, 😭. ASH IS BACK! and his heaven is The Road House 😭. Do we get to see Jo and Ellen too? AND PAMELA! we get to see everyone. Dean doesn't believe heaven is all that good. Oop Mary is back now she is telling Dean she never loved him and describing her death. Zachariah is feeding Dean's abandonment issues. God sent Joshua to talk to Sam and Dean. God says he knows everything that's happening and he wants them to drop it.

[homosociallyyours]

(cw for gun violence & racism mentions in tag post)