#he just has Problems

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[dudedidujust]

The daily planet runs a front page article calling superman the light of mankind

Cue the batfam launching a counter campaign in support of Signal,  the real Light of Mankind.

It starts as a joke but quickly derails into an all out war.

[morganbritton132]

I want a fic where Tim unwittingly becomes the rebellious kid after his dad dies because he has a hard time adjusting from his latchkey kid with absentee parents life to the almost constant adult supervision at Wayne Manor.

Like, Tim spent years sneaking around to do Batman shit and even when he got in trouble, if he waited long enough his parents would either leave town or forget about it.

Now he’s getting the ‘I’m not mad, I’m disappointed’ talk from Bruce for skipping school and supplementing half his meals with energy drinks and is just like: ???? Nothing has changed??

Tim gets hurt on patrol and Bruce tells him that Robin will not be out in Gotham the next night, and then gets mad when he finds Tim on a rooftop in his civies taking pictures. Tim is just like: Robin’s not out. I followed your order. What’s the problem?

Tim disappears for a few days following a lead and gets grounded for not telling anybody where he went (even though he did. It’s in the Batcomputer) and for missing school which he interprets as meaning that Robin is grounded (can’t patrol). So it’s confusing when he gets in trouble again for inviting Kon over to hang out because he’s ‘grounded’ which doesn’t even make sense because Bruce isn’t even home??

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[chloesimaginationthings]

NEVER ask FNAF Vanny about her past…

[honeypleasejustkillme]

“what’s wrong, talk to me”

“let’s fix this, i can’t lose you”

“we’ll work it out together”

[valictini]

I’ve already said it, I’ll say it again, Mal du Pays is such a visceral and clever word to describe Siffrin’s Sadness. When I first saw it in game it genuinely made me pause like. Yes, it translates to homesickness. But it has the literal word for country in it. “Country sickness”. For a guy whose core problem is that his childhood, his culture, his country is missing. One could argue it’s a twisted pun. I’m obsessed with it.

[sakuravalelp]

Phantom letters - DPXDC PROMPT

The bats wake up one day to the internet going crazy; people around the world were getting letters from they're diseased loved ones. The reactions are mixed, from people being outraged for the "prank" to people crying in melancholy at getting closure.

All the letters have something in common: They're closed with a green sealing wax that had an stylize DP and the name Phantom beneath it. Posts about the cards were using the # Phantom Letters.

The bats are discussing the viral posts in the cave when Alfred comes holding a basket filled with letters, announcing they were left at the doors. The letters had the sealing wax that they recognize from the posts. Checking the cameras they can see how they glitch before the basket appears.

Alfred starts to distribute the letters that had only one destinatary. Letters from each Thomas and Martha to both Bruce and Alfred. Letters from each John and Mary to Dick. A letter from Catherine to Jason. A letter from the Drake's to Tim, and another one to Bruce.

Once they had calmed down enough from the shock, Alfred proceeded to read the shared recipients. From Thomas and Martha to "The grandchildren we never got to meet." From John and Mary to "the family that took our little Robin in." Letters from Catherine to "My little boys family." The letters were directed to people the deceased didn't get to meet.

As much as the mere existence of the letters tugged at their hearts, they decided to not read them until they verified that the handwriting actually belong to the ones it claimed. They checked each letter, and in the end confirmed the letters were in fact from they're lost love ones.

After much discussion, each person makes the decision to read they're own letters later in private, and they proceed to read the ones that shared recipients out loud. The letter mentioned specifics like names and events that the deceased shouldn't have been able to know, including they're vigilante abilities, which had them pause each time to panic a bit. But what was more interested were certain pieces of the letters that mentioned a Prince Phantom.

"Prince Phantom said to don't mention things past our death, but it wasn't a command, so we're hoping this won't be much of a problem." - John and Mary

"I still can't believe Prince Phantom is letting us do this, but I'm so glad." - Catherine

It finally paints the mystery in a more concerning light when at the end of Thomas and Martha's letter there is a call for help.

"We're sorry for ending the letter on a serious tone, but seeing the kind of job you all get involved in, we wanted to ask: Could you please help Prince Phantom? Phantom had asked us to not give information about this, but he's so young, and has already been hurt so much. Please, check on Amity Park, Illinois."

-_-_-_-_-_-_-_-

Meanwhile, team Phantom has decided that they needed to get the news about the GIW out of Amity and ask for help. Two problems:

the GIW blocks any technological attempt made.

People might be afraid to learn that ghosts exist and side with the GIW.

As a way to deal with the public image, Phantom opens a possibility that the death have never had:

"All afterlives are open to write letters to their love ones that are still alive today. Nothing that includes threats, and don't go talking about the anti-ecto acts or Amity Park yet, we're trying to ease people into our existence first. Also, I know you all check on your love ones when the veil is thin, but please keep the things you shouldn't know out of the letters if possible. If you want your letter to be sent in the first batch, make sure to deliver your letter before the week ends."

Letters are a good way to reconnect people with the death, they aren't digital, and the GIW won't be able to intercept letters if they're send through inter-dimensional portals. Two birds in one shot.

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[regonold]

Danny has recently joined the young justice team after they discovered amity and how they were under media black out and a group of people were pretending to be government agents were attacking using a law that was never actually passed as an excuse for it

Anyway whilst meeting the justice league he notices how one of the members has a ring on and trying to make small talk starts talk about it and how he has his own ring trinkets just like it

He doesn't get why everyone got so silent after he mentioned how he collects the different colours as a hobby they're practically a dime a donzen in the realms

Not to mention all rhe times clockwork has sent him to some different planet in the past and rings have quite literally floated to him before dropping after getting too close

Or

Sometimes when rings are off looking for someone to weild them they will sense a great emotion and accidentally fly through a natural portal and then being suddenly just absolutely covered in emotions they end up shorting out and just floating through the realms

And danny has found so many of they he just considers them trinkets or clockwork has sent danny to a different time period on difficult planets and a ring has sensed the great emotion and tried to choose him but then it's covered in emotions and blacks out and Danny's just swiped it not think much

-------------

Ama be honest i just love the idea of dannys core going it smells of space and i want it

To be clear due to the fact of the infinite realms being infinite sometimes a portal will open near enough to a lantern ring for it to head to wards it thinking it's just someone with great levels of insert required emotion

Like if a portal opened near fright knight and a yellow lantern ring happened to he close by it would go on that guy just radiates fear i want him

But after entering the portal it's no longer in any dimension and it's swamped in emotions of all kinds simply due to the nature of the realms

[potatobugz]

objects loving objects baby!!!!

[morganbritton132]

Eddie goes up to Hopper like the world isn’t about to end and is like, “How’d you bag a babe like Joyce Byers? She’s so out of your league. How’d you do it?”

Hopper just sputters because rude and he knows. Before he can even answer, Murray’s annoying ass cuts in, “They argued all the time until the sexual tension got too high.”

“Arguing,” Eddie nods, taking that in. “Got it, I’m on the right track.”

Then he turns around and yells on the top of his lungs, “Harrington! I think Abba sucks!!”

“Are you kidding me right now, Munson?!”

[on-the-clear-blue]

Dead Man's Diner pt 2

Danny had to admit, Lunch Lady was an excellent teacher.

Sure they were blitzing though a cook book thst was more tape and hope the paper, but Danny was for once actually understanding and enjoying being taught.

Cracking an egg into a bowl, Danny held it close while whisking quickly, not fully incorporating the flour in his pancake batter before dumping a good sized dollop on the flat top, smiling from the brief sizzle that he heard.

There was a sudden cacophony sounds from the front of house (which was the dining area? He never knew that before) putting the flat top on low, Danny looked over to where Lunch Lady was floating only to find nothing.

Blinking a bit, Danny wiped his hands off OK his apron as he poked his head out, frowning at the diner car, "What was that..." his words were cut off by one of the blinds slats bending as if pried open, and as he squinted, Danny saw two figures watching from a distance ontop another rail car.

Vigilantes

Danny felt his heart flutter with excitement, while not as cool as maybe Martian Manhunter or StarFire (since y'know...fucking aliens, Space) the Gotham caped community were interesting, if only since Batman and his Flock were Sam's low key obsession, she had even gone out as Robin for multiple Halloweens, and don't even get him started on the fan theories about them all.

Smirking he tapped the bar, allowing thr blinds to snap closed, "Sam is so going to flip that I saw the Birds before her." Letting out a little giggled, Danny quickly swore as he smelt a bit of burning and rushed to flip his pancakes.

---

Tim was, in Dicks opinion, the most concerning member of the family, sure most days he gives of "miserable wet cat" energy but even then Dick had seen his little brother easily take down guys that even Bruce had trouble with.

That wasnt even touching on his um...mental quirks

The less he speaks of the time period between Bruce's and Kons deaths till their eventual return, the better.

Putting down the binoculars, Dick stole a glance over at Red Robin, who was frowning deeply at his wrist computer, scooting a little closer Dick leaned over to see what was happening, "Whatcha do~oing?"

So entranced by what he was reading Tim jumped a little, an elbow flying out to where Dicks face had been a second ago as he turned and glared.

"Don't...! Do that Wing! Ugh..." shaking his head as he let out a huff Tim took his eyes off the small monitor and looked up at the diner car, pointing at it as he spoke scornfuly.

"That place does not exist."

"Like, legally? I am sure Batburger doesn't either-"

"No." Tim said, cutting the older vigilante off, "It doesn't exist physically."

"Timmy..." Dick said as he ran through the protocols for when RedRobin got a little too many insane things in his head.

"Get that look off your face Wing, it really doesn't exist, like..." letting out a sigh, the teen tried to put his words right "Don't look straight at it but a bit to the side so it's to the side of your eye." Pointing to a middle distance a bit away from the diner cart, Dick sent a small frown at his brother but did as he was asked.

"Holy leaping lizards..." Tim, somehow, was right, since when Dick just looked about a few feet away from the diner, it started to waver turning...transparent? And a little blue? But when he looked at it closer it was just a normal, abet run down looking diner.

"Exactly, no need to bench me till Agent A stuffs me full of anti-psychotics!"

"That was one time Tim, and you were having a mental break down."

"I am not lying when I say we killed Santa Claus Dick!"

"Sure Tim...sure"

---

Danny drummed his fingers on the breakfast bar, nursing a cup of coffee as he waited for something to happen.

He knew thst he was being watched, he had a vague idea who was doing the watching, but was starting to get a bit bored waiting for them to get closer.

Pausing mid sip, a grin spread across Danny's lips, "Hey cart? Can you do something that might draw those guys over here? Let's get some customers!"

Some how, Danny's grin only grew at the rumble of the cart, and he xould hav sworn he heard a sound that was a mix between a train horn and a chuckle.

---

Tim shot his brother a stinging glare, swatting at his arm as he blushed, he did every much indeed accidentally killed Santa Claus and took an impromptu trip to Apokolips to give DarkSeid coal.

His next rebuttal to Nightwing was cut off as the diner cart shuddered as if it was in an earthquake before it stilled, and the banner that was across it suddenly gained a new line.

[JUST NOW! VIGILANTES AND HEROS GET ONE FREE SIDE OF FRIES! COME ON IN BEFORE THE OFFER ENDS!]

Tim was silent for a moment, watching the cart to see if there was any more changes before turning to Dick, who had lost the joyful energy that he always seemed to have.

"RR, plans changed, we are going to investigate inside."

Tim gave a sharp nod, his bo staff elongating as he grappled down to the train tracks below, his boots crunching gravel underfoot as he slipped from shadow to shadow, getting closer to Big C's diner.

---

Danny was in the back, flipping through his cook book as he heard a bell ring, jolting up, Danny could see through the service window and see who came in.

He had never met a real hero before, not like the two that had just came in, feeling nervous, Danny fumbled with a small notebook as he came out from the kitchen, grinning at the two Birds.

"Heya! Thanks for coming to Big C's! Names Danny and I am kinda the only one in today, what can I get you both?"

His eyes flickered between the two vigilantes, noticing new things each time he looked at them, like how Red Robin's cape had buttons instead of being sown on, or how Nightwings suit wasn't slick but actually textured.

---

Dick looked at everything he could as he stood in the diners door, it looked like a typical 50s styled mom and pop kinda place, an old radio buzzed with songs of a bygone era while the seats were cracked pink leather vinyl.

He could hear someone moving in the back, resting a hand on his eskrima sticks, Dick stalked further in, it felt real enough...

He could feel Red Robin knock into his back as the person from the back came into view, it was a teen, and holy hell did he look like Bruce Wayne adoption bait, raven hair, blue eyes and a cheesy looking grin.

He couldn't be older than Damian, who had turned 16 a few months ago, the teen was just so...tiny.

Danny, that's the name given to them, and Dick can see it, he looked like a Danny.

Pausing to look to Tim, Dick smiled back at the teen, "Well...can we see a menu?"

[radiance1]

Danny: So whatcha got there?

Fright Knight: Looks down.

Fright Knight: A pile of photos?

Danny: No. The child. THE CHILD!

Tim: He's my new caretaker.

Fright Knight: Nodding

Danny:

Pariah Dark: Calmly walks into house

Danny:

Billy: Waves

Danny: Father what the fuck-

Pariah Dark: He looked hungry, and without a guardian.

Danny: Holy shit they kidnapped two kids.

[speench]

nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all