#he is one of the most complex characters I've seen and that's why I hesitate in simplifying him to just the villain label tbh

[mostlikelytofangirl]

Was JGY supposed to be a villain, a sympathetic character, or both?

Well anon, this is completely my fully personal opinion on the matter, I'm not the writer and only she can tell what her real intensions behind the characterizations were.

To me, he is definitely a tragic character first and foremost, one who had as miserable a life as it gets, and was rarely given a break from misfortune until his very, very bitter end.

Now, that doesn't mean that he hadn't committed crimes, but you know what? For me, a villain is someone who purposedly sets out to cause harm and evil upon the world. You have WRH, for example. The argument can totally be made that what he did to NMJ was as villainous as it gets, and it would be correct! You see, he is someone's villain; he is the villain in NHS' story.

But from a classical narrative pov, with a hero and a villain that have personal stakes in each other's lives and plans... WWX had nothing against JGY. JGY had nothing against WWX. If the revenge plot had never been set in motion, those two could have gone on their entire lives without giving a casual thought to what the other was doing (kindasorta as WWX would still be dead lol).

Also, a villain is someone who throughout the story is shown to be this evil force that is bringing upon the world desolation and chaos. The cultivation world under JGY's administration was the most peaceful it had been in over a decade, he had social projects going on and all! He was doing absolutely nothing nepharious when the entire plot happened.

JGY is a polarizing character, a morally dubious one with heavy allegations weighing on him (the fact that some of those got never fully proven is vital to the parallel with WWX). But if he had been supposed to be seen as a full blown villain that all heroes despised, he wouldn't have been written to be so sympathetic, wouldn't have his good deeds shown as well, and he would have personal beef with WWX and the other protagonists.

So tldr, I personally think he is a both, but with the BIG caviet that the villain part only applies to a specific set of characters that are not even the "heroes" of the story. Ultimately, he is mostly a narrative foil to highlight the dangers and cyclic nature of mob mentality and cancel culture, and I think that's what's we are supposed to focus on more than whether he truly had it coming or not.

[dunmeshistash]

Why did Milsiril adopt Kabru

Milsiril might be one of the most misunderstood characters in dungeon meshi and I see people making assumptions of why she adopted Kabru based only on their races and not in the characterization, so I wanted to think about some of the "theories" I see the most often about what made her take him in and why I don't agree with them

(read more cause as usual I ranted a lot)

1 - Attention (white elf savior)

This is the one I have the hardest time understanding so I'm starting with it, I've seen people compare Milsiril to irl white wealthy women that adopt "exotic" kids to keep an altruistic appearance. Like a white mother adopting a chinese child because of white savior complex and for everyone to compliment them on how good they are but this idea ignores a core aspect of Milsiril: she doesn't like attention of her peers

Her bio reads: "The people around her teased her, calling her Gloomy Milsiril; partly as a result, she hates elves. (...) She secluded herself deep in the mountains and intentionally lives apart from other elves"

Milsiril is the type of person that has trauma related to her own kin, she was ostracized by everyone including her own family that sent her to the canaries, and as a result she herself refuses to engage with them even when they extend a hand as you can see with past Mithrun. The only other elf she's seen speaking to is Mithrun when he's sick and Helki. Her interest in raising short lived kids isn't seen as altruistic by other elves it's seen as another weird side of her so there's no incentive in elf society for her to do that. So she didn't adopt Kabru because of optics, she clearly doesn't care what other elves think of her and she hid herself from their judging eyes as soon as she was able to.

2 - She wants to feel superior to someone

Another one I find baffling but I can understand a little better since she's constantly seen in the caretaker role. But the evidence I see for this is literally the type of people she surrounds herself with.

The people we know she interacts with willingly are:

Her adopted short lived children

One of her prisoner partners (Helki)

Mithrun when he's in recovery

Based on these I can see how a very uncharitable view can interpret as "she surrounds herself with people that she's superior to" and it is somewhat true. But she's never shown mistreating or actually acting superior to any of them, if anything Helki is constantly hanging out around her (he was pardoned after Utaya and might be her servant now but their interactions seem very casual), Kabru says she teaches her children everything they want to know and she eventually let him go even if before she was hesitant to (as a overprotective parent) and Mithrun was still a noble with several servants when she cared for him so even if he was sick socially he was still the same. (considering both are noble outcasts)

The evidence both for and against the idea that she adopts children to surround herself with people "inferior" to her are all circumstantial so I guess it depends on how you want to see it. I myself think there's no evidence she thinks of them as inferior considering all we see she seems to treat them either as her babies (would you word your feelings for a baby as them being inferior to you?) or as someone she wants to nurture

3 - She wants to be in control of someone (Kabru is her doll)

Related to the above reason but slightly different, in this interpretation I see people assume she doesn't see Kabru as his own person but as one of her dolls to be controlled. As if she raises her children so she can play house and dress up with human dolls.

Honestly that's pretty cool and an amazing visual for an evil mom but there's zero evidence that that's the case. Starting with her actual dolls themselves they aren't dress up dolls or something she puppeteers in an evil way, they're literally her comfort toys she runs to when she's sad

She's making them by hand while crying cause she feels like she doesn't belong, her bio says the dolls are her only friends so it makes me a little sad when people act like her doll hobby is somehow a creepy aspect that makes her seem evil, since that's exactly how the elves think of her (creepy and gloomy)

Milsiril is clearly someone that enjoys taking care of others we see it both with her children and with Mithrun, but how to know if that's actual altruism or some twisted sense of superiority? How to know if she isn't the toxic nurse that just wants to be in power of someone? How to know she is actually helping the people she cares for?

Easy, she helped them until they didn't need her anymore.

She trained Kabru and taught him everything he knows, he's where he is because he had her help even if at first she wanted to prove he wasn't strong enough to go, he was. She sees Kabru as a small child because of their race differences but she still respected him enough to take the training seriously.

Mithrun actually recovered once she could take the time to help him, I keep reminding it but it was years after he was rescued that she went to help with his recovery (his bio says Utaya was what motivated him to finally come back and she was the one that went to tell him about Utaya and help out) right now Mithrun is able to follow a routine and live by himself, Milsiril isn't even someone he talks about as he is now.

Both people we know she cared for are completely independent of her now and neither of them even thinks about her much. A controlling person that wants to keep you within their grasp and keep you needing them would never actually help you be independent of them.

4 - Then why did she adopt Kabru?

I think it's an easy answer the way I see it: shared trauma.

What Kabru went thru is 100 times worse than what Milsiril went thru during Utaya, especially since he was just a small child back then and he lost everything, But Milsiril is still a war veteran, the things Kabru describes, people turning into monsters eating the others, all the death and destruction, Milsiril was there to witness it all and she failed to save them. her bio reads "After the incident in Utaya, she left the Canaries in disgust. She secluded herself deep in the mountains and intentionally lives apart from other elves" she was so traumatized by the events she both left "in disgust" and became a hikikomori. Earlier in her bio it also says "(...) The people around her teased her (...) partly as a result, she hates elves" I sure wonder what's the other part that makes her hate elves. (Probably is the way they dealt with Utaya)

I think she adopted Kabru because she wanted to give a good life to the only survival of the war she fought, the other destiny Kabru could have has would be the same Rin had, a traumatizing stay with the elves, Milsiril saved him from that fate when she adopted him. He wasn't a random brown kid she picked up, they share a traumatizing experience (once again: even if it was 100 times worse for Kabru).

The reason she adopted the other kids is also pretty obvious to me: she likes caring for people and she wants to feel loved. That's her ulterior motive to raise short lived children, she has elf trauma and she wants a family.

That doesn't make her a perfect mom or a perfect person tho*, she's just as flawed as anyone, I feel like people sometimes forget mothers are also human beings with flaws. Being flawed doesn't make her a monster, being loving doesn't make her an angel, she's just a person doing her best.

*She still has the ingrained elf socialization and clearly thinks of her children as babies, she treats teen Kabru almost like a toddler in some interactions. There's also the thing about her not fully understanding the importance of his cultural background. Struggles that I assume are common in interracial adoptions

Disclaimer cause this is the reading comprehension website: This is my interpretation of the character, some of it is very charitable towards Milsiril and I'm not talking about how Kabru might feel about her. I'm trying to think of their relationship thru her perspective and how she treated him because some interpretations seem to come out of nowhere to me. Kabru has complex feelings about elves and about his elf mom but overall I still think "overprotective foster mom" really summarizes his feelings. I don't think he resents her even with her flaws.

[raven-at-the-writing-desk]

OMG RAVEN YOU’RE INTO EVER AFTER HIGH? I love it but can’t talk about it bc none of my friends have seen it 😭 I wish it was talked about more, especially with how deep their lore runs. I love EAH’s dynamics with the complexities of destiny. If twst followed the same logic as eah’s world it would be so interesting. How would you feel if the worlds were to mesh together and how it would work? You can interpret that in any way you want; the characters meeting or twst being bound to the same rules and societal expectations of eah, or whatnot.

Also who’s your favorite eah character compared to your favorite twst character (Leona)?Jade, right?

And have you read the eah books? I haven’t, but I’m going to try to sometime!

Eah alt account when?

I'm still salty that the Monster High x Ever After High crossover movie never saw the light of day-- Part of the reason why I don't like Disney (I mean the faceless corpo, not all Disney products) is because they have such a strong association with fairy tales that it pushes other interpretations out of the market or it leads to people assuming Disney "owns" those fairy tales. Ever After High's lore and themes run so much deeper than most other fairy tale reimaginings I've seen (and I've seen a lot). It's such a shame it doesn't get the respect and recognition it deserves even though EAH is the one out here challenging the status quo whereas modern Disney is content with mediocrity that appeals to the masses.

I think EAH and TWST, at their cores, share similar ideas so combining them would work well. Friendship, self-identity, defining your own future, questioning what "good" and "evil" truly are... It's all there. I'd imagine that if Twisted Wonderland (or at least NRC) followed the same rules as EAH, then everyone would be descendants of their Disney counterparts. (This is actually a common misperception of what TWST was to new fans; people mistakenly believe the TWST characters are children of the classic Disney villains. This has never been canon.) Unfortunately, I'd have to take away the Disney villains being twisted to be "good" guys in Twisted Wonderland's world in order for this to work by EAH rules, so... There's that to consider. This, in turn, can result in the student body splitting into Royals (pro-following one's destiny) and Rebels (anti-following one's destiny). Perhaps RSA and NRC could be one school in this AU...? Just so we have a mix of "good" and "evil" descended children in the same vicinity as one another. A must-have are the constantly bickering Narrators!! It's only really when Yuu shows up that the majority opinion starts to shift. Maybe then Crowley becomes concerned with students rising up and fighting back against the system that relies on them being complacent to keep the cycle of stories going. I've seen some readings of EAH which theorize that Royals guaranteed a happy ending is a stand-in for privilege, and that interpretation leads into very interesting conflicts when we also consider that magic in Twisted Wonderland is a privilege afforded to few.

To cover just the dorm leaders (because covering all the TWST characters would make this post way longer), I definitely see Riddle, Kalim, Idia, and Malleus as Royals and Leona, Azul, and Vil as Rebels. Here's my thought process:

Riddle is pretty self-explanatory. He comes from a background where he's used to being told what to do by his mother and so he also heavily relies on her strict, unyielding teachings to play by the book when he goes out there in the real world. Riddle is inflexible and hesitant to go against the grain--and, more importantly, he fully believes that following the rules will lead to his happiness... that doing as his fairy tale ordains will lead to a happy ending. What happens to the Queen of Hearts is dubious in the end since it's framed as Alice's dream, so I think that vagueness gives Riddle hope that by behaving himself, he'll earn the happiness he desires.

Leona is a Rebel, and not just because that's the aesthetic of his dorm. Being that he is highly intelligent and demonstrates a lot of foresight, he'd be aware of what future is in store for him and aggressively fighting against that. It would make him more desperate than ever to prove his worth, because not only does everyone see his powers as terrifying, but they also see him as a future brother murderer and dictator that will bleed the land dry of resources. It'd make the situation with his family even more strained than it already is, not to mention the extra jealousy he must feel toward Cheka, who is still too young to understand what's going to happen later.

Azul is someone who acts like a Royal but is actually a Rebel. He acts polite and like he plays by the rules, but clearly he doesn't behind the scenes. I see Azul as the kind of Rebel akin to Duchess Swan... as in, he believes he can steal away someone else's destiny for himself. Azul would constantly be looking for loopholes to save himself. He's put way too much stock into becoming a better, stronger person and he'd want to defend this new life he has made for himself. His obsession with protecting his contracts could translate well here.

Kalim is a Royal because he's mega rich and has been sheltered from the concept of bad things that happen to normal people; he has nothing to worry about. It also helps that Kalim is twisted from a character that doesn't meet a bad ending. I think he'd be aware of Jami's doomed destiny, but Kalim is so ignorant that he thinks it'll just be fine and it'll work itself out. Part of his growth could be being forced to reckon with the reality that Jamil is suffering under the legacy assigned to him and accepting the role that he plays in that by not acting.

Idia is a Royal--or at least pre-book 6 Idia is. He's a very pessimistic guy and repeatedly expresses hopelessness about the future, bemoaning the curse he and his family have to bear. Idia doesn't want to try to fight his fate, he's already accepted that it will happen and so closes himself off from others to save himself that heartbreak. Post-book 6 Idia will have swapped over to the Rebel side thanks to Ortho reviving the hope in him.

Vil is a Rebel simply for the fact that he fights social conventions. He's already out here shattering gender roles, but finds it much harder to breach that expectation that villains are just villains and nothing more. Vil keeps getting rejected at every turn, told that it's impossible to rewrite his story, that his frustrations are the natural result of jealousy and an ugly heart that festers in side of him. He steels himself to prove that notion wrong, working himself to the bone to get up on that stage and stay on it, waiting to be lavished with praise that he truly is the fairest one of all. I feel this would be so fascinating for Vil's own arc about self acceptance; maybe he wears himself down emotionally because he HAS to basically be perfect due to his job but also denies himself normal feelings like anger and jealousy because confessing that you have such "ugly" feelings only validates that you're shallow just like the stories say you will be.

Malleus is a tough one, but I settled for Royal in the end. Maleficent is doomed to be slain by a sword, right? So am I saying that THE Malleus Draconia, who is infamously arrogant about his magical abilities, would lie down and take a stab like that? Of course not! However, I do think that Malleus is initially someone who values tradition and living up to noblesse oblige. As the future ruler of a nation, people's stories are relying on him to play his expected role out, which he'd be fully cognizant of. I also think Malleus would be afforded the luxury of not having to face his destiny as soon as his peers are due to his long life span. This is in part because the person destined to slay him doesn't come into his life for literally hundreds of years. Then when book 7 arrives, Malleus has to deal with his loved ones leaving and/or betraying him as well as the realization that this is his destiny: dying alone and unloved. That'd just break him.

ahdbiqwdbqwli I COULD TALK ABOUT THIS AU FOR FOREVER BUT I'LL CUT IT SHORT OR ELSE I'LL NEVER SHUT UP 😭

EAH has so many good characters and interesting storylines, it's hard for me to pick a favorite! I of course love Apple and Raven's dilemmas, but I feel like it's cheating to pick one of them as my favorite. The whole Wonderland gang is also fantastic... I'm a sucker for their aesthetic, but they're so fun and silly in general. Kitty, Lizzie, and especially Madeline are 👌

Mmm, when I think long and hard about it, I think my favorite EAH character has to be Briar Beauty, daughter of Sleeping Beauty. Firstly, I love all the pink, roses, and bramble in her design. Secondly, I love the layers to why she is the way she is. Briar's a party girl not because "lmao, wouldn't that be a funny haha subversion of Sleeping Beauty" but because she wants to live life up before she falls asleep for 100 years and literally loses all her friends and family to the natural passage of time. That's seriously so smart and such an inventive way to think about the trauma a descendant of Sleeping Beauty might have. Seeing Briar transition from one of Apple's besties and biggest supporters to an outright rebel is satisfying as heck. (Gotta take a moment to shout out this classic moment :3)

I don't know if I would compare Briar to Jade since they're entirely different characters. However, looking at the source material, I'm actually surprised I like Briar as much as I do since I have never cared for the story of Sleeping Beauty. A part of me finds this ironic since Malleus harbors a similar fear as Briar (losing loved ones) yet I see Malleus's desire as way more selfish and self-serving than Briar's. I believe that's because Briar doesn't have the same arrogance as Malleus, so I'm more forgiving with her. EAH's actual equivalent to Malleus is Faybelle, daughter of the Dark Fairy, but I don't like her as much as I do Briar (hence why I'm comparing Malleus and Briar, not Malleus and Faybelle).

I haven't read the EAH books but I want to one day! I'd prefer to borrow them since I don't have enough space in my room for more physical books, so as soon as I find copies at a library or something...

This blog has kind of become a place where I occasionally talk about my other interests, generally as it relates to TWST, my main interest. I'd like to keep it like this since managing multiple blogs can be so draining. It already takes quite a bit of time to regularly write responses to asks just on one blog!

[fangxin-guoshi]

Banana fish re-review ~

I did a rewatch of banana fish and oh my God I forgot how good this series was. Considering the original manga came out in the 80's in JAPAN, it was SO ahead of its time. One of the best depictions of gay characters I've ever seen in Japanese media, even by today's standards.

Some more silly thoughts:

Like yoshida just casually dropped a manga with an insanely progressive take on the bl genre by showing a complex queer interracial relationship with incredibly well-written characters. Honestly the fact that ash and eiji's relationship wasn't explicitly defined as romantic is a plus imo. Not being able to rely on obvious romantic gestures like kissing, hand-holding, romantic confessions, etc. actually forces the writer to develop their relationship without that crutch to lean on. That's why ash and eiji's relationship is so good, because it doesn't rely on surface-level romance to get across the fact that they love each other and instead use subtlety and little nuances in their interactions. It's obvious from the subtext and how much they're shown to care for each other.

Not to mention the great depiction of black characters (I know portraying black characters non-offensively is like, the bare minimum, but may I remind you this is the EIGHTIES in JAPAN, and there are so many CURRENT animes that have an issue with it).

I mean yea does it have its flaws? Sure. Ash's admittedly very lame "lynx" title that comes with many wildcat metaphors, eiji being a bit passive in the first half, sort of cringe portrayal of America, etc. but my God the way she handles the trauma and character dynamics is incredible.

Ok so I did have a uh... Not really a criticism but something that I noticed that got me thinking. I feel like some shows use dark subject matter as a bit of an easy way to evoke an emotional reaction from the audience. Sometimes authors give characters horrible backstories as a way to make the audience THINK the character is complex and interesting but in reality it's a bit of a lazy writing tactic. Low effort high reward kind of thing. Banana fish obviously does have brutal subject matter and ash is really put through the ringer, but I love that yoshida doesn't let that become the axis of his character. He has trauma that greatly impacts him, but he's also super developed on his own apart from that. When I think about Ash's character, I don't immediately think about the traumatic backstory parts. The balance between how significantly the trauma affects him vs making sure that's not the ONLY part of his character is extremely well-executed.

Scenes that stuck out to me (not including asheiji ones bc it goes without saying theyre all amazing)

- the interrogator playing Ash's tapes after being arrested ("later, movie star" was the most brutal line ever omg)

- max burning the photos of ash (underrated moment this was SO good),

- any and all interactions between sing and blanca (they're such an unlikely duo peak comedy right there)

- the convo between sing and yut lung in the last episode

- ash stabbing the guy in the dick with a fork

- callback to ^^^, ash stabbing the banana with a fork

- Ash's breakdown in front of dino (ep 19 I believe)

- the entirety of ash escaping from the "mental hospital" and then having to go rescue ibe and max lmaooo

- ash brutally murdering Abraham(?, the redhead guy) by blowing abt a thousand holes in him w a machine gun as payback for shorter

- ash shooting shorter

- running joke of max being Ash's dad

- everyone constantly manhandling yut lung by yanking on his hair (dude get a haircut)

- ash immediately going to shoot himself no hesitation after yut lung told him he wouldn't hurt eiji if he did so (technically asheiji but I'm keeping it since this was a yut lung and ash scene)

- "what does this picture look like?" "Your wife"

- eiji's cute stupid little outfit he wore when he went to go find shorter in Chinatown

I also have a confession:

I LOVE yut lung. Him being paralleled with ash, but instead of finding love he let hate consume him because he had no one unlike ash who had eiji was just devastating but in a good way.

So yea those are my messy thoughts after finishing it. I'd argue that it was probably one of the best pieces of queer media to exist at the time. In the world. And one of my personal favorite pieces of queer media ever.

[poffyfluffnugg3t]

While listening to Revenge party and cautionary tale, I kept imaging

Aoi asahina as Janis and Mondo Owada as Damian.

And since I've already seen the Hamilton And Danganronpa crossover By @stressed-depressed-andobsessed

An the fact I've believed from the beginning that Mondo is a musical fan(who has hyper fixated on The Six and The lightning thief)

I might as well speak my casting thoughts so I can stop imaging danganronpa characters in musicals.

Kaede Akamatsu as Cady Heron:

She originally just wanted to be a part of the instrumental/choir but she decided to just tryout for a role. Now when she got the role of Cady, she just sat there. And by just sat there I mean she just said "Oh...cool!" Then silence followed. But everyone in her class was loud with excitement (And by everyone I mean Kaito and Gonta) But Kaede just stayed quiet for the most part

Junko Enoshima as Regina George:

This bitch automatically auditioned for Regina. Like there was zero hesitation (Then again she usually auditioned for the bad guy cause she's extra). But when she was asked why she wanted this role she straight out said: " oh I auditioned for this role because I like to be in the spotlight and control people!" She also tried to bribe the casters but they didn't accept but gave her the role anyway.

Mondo Owada as Damian Leigh:

Now Mondo didn't want to audition. He is doesn't like the Mean Girls musical or movie because he thinks that 99% of the characters are crazy. But Hina convinced him he should auditioned.

So he did. He was hoping for a background character. he got Damian. He wasn't made that he got a main character he was just angry by the fact he had to be in the spotlight of a musical he doesn't like. He excepted it at the end though.

Aoi Asahina as Janis Ian:

Hina wanted this role. Like from the beginning.and She specifically wanted Mondo to be Damian. No on else. Just Mondo.

Gretchen Wieners: Kiyotaka Ishimaru

He originally auditioned for the role of Aaron Samuels before being cast as Gretchen. At first he was angry with this role then he started relating to Gretchen.

Karen Smith: Ibuki Mioda

Ibuki was just there to have fun she honestly didn't care if she got a role or not. But she did and she loves it. loved the comedic potential of Karen's character and wanted to bring her vibrant energy to the role. Initially auditioned for the role of Janis tho.

Fuyuhiko Kuzuryu as Kevin Gnapoor

Fuyuhiko aimed for Aaron, thinking he would be able to get that part just because. However, his unexpected humor made him a standout for Kevin. His audition was filled with surprising humor and charisma, fitting Kevin’s entire character. He was slightly displeased with this. And unlike everyone else he still is

Byakuya Togami as Mr. Duvall

an obvious choice for Mr. Duvall. He auditioned for the part, and he was the only one who did so he got that role.

Kyoko Kirigiri as Ms. Norbury

Kyoko initially aimed for Regina, intrigued by the character’s complexity.(that was the only reason she auditioned for any role) However, her Personality made her more suitable for Ms. Norbury, a mentor and voice of reason. Her audition highlighted her ability to guide and support others, fitting perfectly with Ms. Norbury's role.

Kaito Momota as Aaron Samuels

Kaito tried to get his whole class to audition but only Kaede was willing to audition. When he got Aaron's he was really excited. And I mean extremely like the same type of excitement you see when a dog has the zoomies. He originally wasn't planning on auditioning for a major role but he just decided meh! Why not.

And that concludes this thing I've had in my head for three days now. And I know it's not leaving.

[marciabrady]

If you don't want to it's perfectly fine, but you also love Aurora and make good gifsets. Would you consider making one of why Aurora IS a good role model? 🌹

Hi there! I don't know if I'll be returning to giffing right, but I can definitely right out some reasons here 💌

Honestly, this might sound too obvious or simplistic or whatever, but Mary Costa is her voice and the way that woman's lived her life and the contents of her character and the example she sets daily is a standard everyone should aspire to.

I think Aurora has an appreciation for the world around her that's not generally noticed by others, but is necessary for anyone who wants to have a fully realized life.

Aurora exhibits such a respect and love and reverence for her elders and, while they have some faults, she doesn't resent them in any way and adores them and values them.

Aurora has a heart of gratitude! Raised as a humble peasant, she couldn't be more enchanted or delighted with the cake and dress her Aunts made her.

Aurora is fascinating in how she listens to the rules that are set, and abides by them, but also knows when it's valuable to break them in order to still live a life as opposed to being a chess piece?

Along with the last bullet, when Aurora does break the rules, she does it safely. She wasn't allowed to speak to strangers, and does so with Phillip- however, she doesn't give him her name and she invites him to her home so that he can meet her guardians formerly which is beyond responsible.

She makes choices and decisions, while taking fully into accountable who will be impacted and how her actions could negatively or positively influence a situation. Once Aurora discovers she's a Princess, she could have pitched a fit or ran away or refused to return to the Kingdom, but she doesn't. She understands the importance of her kingdom and her duty to her parents and as a princess and places this above her personal feelings, even leaving behind her true love in the process. This is perhaps the most noble and unselfish action I've ever seen.

Aurora trusts her feelings and instincts and intuition! When she first meets Phillip, she runs away and is very hesitant to accept his advances- until she sees him for who he truly is and he's more tender.

In the cottage, we see her doing chores, so she's responsible, but she's also autonomous. She grew up with three fairies who don't know much about living as a human, and we see Aurora being particularly keen- she understands they're throwing a surprise for her and she knows they're hiding something, etc, but doesn't say anything. She has a fascinating and complex mixture of being raised by much older people but having to be the parent for them, in a sense. She also contributed to the household- they send her picking berries, so she probably was the gatherer and supplied much of the food. She's also just generally self-sufficient in her walk in the woods.

She's so connected to the life around her, enjoying the performance of nature and being so connected to the animals. Remember, she doesn't know people as Briar Rose, so she responds to them as if they were human.

She's perceptive enough to observe life around her and make connections- like how the birds have all found love, and relating that to what she's observed in nature and the longing she feels in her own heart.

I love how highly imaginative she is! She didn't have technology or even many belongings of her own, and so for her to have such a clear vision of her dream prince and be able to dance and sing with the animals the way that she does is very endearing.

She doesn't begrudge her parents! Some characters might have felt that their parents gave them up or would've been bitter that they hadn't known they had parents, but Aurora is so very loving- once she sees them, she runs straight into their arms, with a hug.

Aurora is so caught up with the emotion of life, which is so valuable. In our increasingly technological and antisocial world, it's so easy to see people as numbers instead of individuals, to grow apathetic. But there's something genuinely so sweet and heartwarming over how upset she was that this boy she liked so much would be coming to the empty cottage that night and felt that she would've abandoned him or played some type of a prank on him to let him down. She doesn't even think about being a Princess. Likewise, for all the things she could've wished for- for material belongings or to advance her position or something selfish or, again, material/tangible, she wishes for love.

I love how, in Sleeping Beauty, the Three Good Fairies bestow Aurora with gifts of song and beauty. I think we all have gifts that are unique and individual to us and a formative part of our development and who we are, at the core, is identifying those gifts and making good use of them! Aurora uses her gift of song to communicate with the world around her and to live out her fantasies and to comfort herself and I love how connected she is to what makes her uniquely her!

[ultimateplaylistmaker]

Speaking of which, how do you characterize the Pregame bois?

I have a document on this

No one is surprised

I have playlists on them

still no one is surprised

They are named Koharu and Shinichi, you may recognize Koharu because thanks to a convoluted series of event he kinda evolved from pregame kokichi to his own original character so I've been kinda tempted to change pregame kokichis name to something else.

I'll put their information under a cut because im too lazy to turn this out of a list into a paragraph form

Kokichi - Koharu

God complex

Believes himself to be the only real person

Wants to be prime minister

Incredibly dangerous manipulator and near perfect liar

Dresses softly and acts weak and shy to make people trust him

Has his entire school under his command with a puppet king in the student council

Knows everything about everyone, no one moves without him knowing about it.

Views the people around him as toys for him to play with or tools to use

No desire for a relationship as he doesnt think anyone could ever even get close to matching him, so any relationship he did take would be uneven and just for appearances.

Parents died at a very young age so he grew up in a rough orphanage where he learned to never trust anyone or anything

Craves challenge and interesting experiences but no one can adequately challenge him so he’s bored

Doesn’t have many social skills outside of manipulation and as such struggles with emotions, whether it be his own or other people’s, even if he hides it pretty well

No hesitation to ruin lives to get what he wants.

Occasionally has secret breakdowns about being alone and stressed but he represses those and pretends it didn’t have them

Loathes people who hurt animals, views them as the lowest scum. Humans are worthless but animals are soft and loyal. Eating meat is one thing, he doesn’t care about that because that’s just life, but if he catches you throwing a rock at a cat or something, your life is over.

Uses bullies to manipulate people by seeming in need of help or pitiable

Feels like he’s never truly seen, he crushes that down as useless observation, he doesn’t want anyone to see the real him, it’d ruin everything.

Monaca is his favorite character and idol, his facade is based on her “pitiable children are the most powerful” philosophy.

Doesn’t make friends as he finds other people to be annoying and unfulfilling, they all seem very shallow and boring for anything beyond use as a toy or tool. No one would like him if it wasn’t for his facade anyways, its all just superficial tolerance. No one actually wants something that actually goes both ways, everyone just wants a shoulder to cry on, no care about the shoulder itself as long as it’s comforting them. So he’ll give them that, it’s easier.

Tries not to doubt himself but does have a rare moment of crippling uncertainty and wondering why he even tries, no one actually appreciates him anyways and he’s so bored and alone, why does he try?

Acts weak and soft and sad and teary and skittish but it's all a lie to both protect himself and gain power

Joined the game to prove his superiority by ending the world’s so beloved game and also become a celebrity. It’s one of many steps in his very long and detailed plan for world domination. Besides the game had long since grown old and stale and predictable

Shuichi - Shinichi

Manic

Self esteem constantly shifting between highs and lows

Yearning for positive contact and romance and also sex

Shockingly self aware of what a mess he is 

Protective of the few people who tolerate him or he likes

Sexual and Violent intrusive thoughts

Resentful but tired

Enjoys really dark subjects

Devoted

Really bad at social cues and knowing whats normal or not

Masochistic and Sadistic

Actually really really good at solving mysteries but easily distracted and easily derailed from his conclusions

Wants to fix himself but a lack of support along with society’s apathy means he’s kinda been left floundering.

Ignores things that make him feel shitty to focus on positives

Parents encourage him to be more assertive and tough, this does NOT help his intrusive thoughts

Honestly just desperate for love and affection, he’d never actually hurt someone for it, but man, sometimes he really wants to.

Smokes to try and keep his chill

Can’t casually get into anything, is either 100% in or 0% in

Reads and writes a lot of fanfiction, actually somewhat a big name for his really well done characterization of more violent or manic characters.

Met Koharu once and saw through him immediately, they never met again after that but he really freaked out Koharu and is honestly lucky he went to a different school.

Danganronpa is his favorite show because it lets him safely indulge in his twisted desires and feels rather cathartic. Plus he loves the mysteries! Joining and finally killing someone for real should be the ultimate catharsis and finally put an end to this sickness in his head....right?

[sketching-shark]

Man, zhu bajie n tang sanzang had to b up there w swk about their mischaracterization n hated in lmk fandom

I have never seen so much mishandling as i seen with those three characters 😭😭(like bro i get that the most noticeable arc that ppl retain is the white bone spirit arc bc of OSP BUT THEY DIDNT STUCK TO THAT CHARACTERISTICS IN THE LATER ARCS LIKE CMON NOW—bajie couldn’t even lie about the dragon piss medicine in a later arc, what makes yall think he’s always a fantastic liar. Theres some benefit to his lying but they also backfire. BAJIE DO END UP LIKING EVERYONE LIKE HE REFER TO SWK AS ELDER BROTHER!<- no man could ever live up to the wonder of zhu wuneng. He just sweet n he does get a fantastic arc in the novel!

Tang sanzang does have some(albeit rare moments where hes nice but his asshoole moments sometimes intertwined) where hes like “yea my disciples r greats but theyre mad ugly.” Or that he gets better at having more trust in his disciples besides zhu wuneng. Even if its followed by hella traumatizing moments that no human person would remain sane like that. <hes just barely holding on by his faith, his mission and his disciples. Not his horse bc he cant hold on to save his life but that character arc where he DIDNT FELL OFF THOO!>

Monkie Kid spoilers below

Hmmm I know about the Sun Wukong & Tang Sanzang dunking but is that happening with Zhu Bajie too? Have to say I find that a little surprising given that (if memory serves correctly) Monkie Kid did say Zhu Bajie's main fault (well besides the whole being a man-eating yaoguai thing) was being stubborn, but then lego Patriarch Subodhi said he became one of the hardest workers of the pilgrimage. I guess I was under the impression that people were more light on their criticisms and thoughts about Zhu Bajie, but maybe that's just because he doesn't seem to be a point of great interest in the lego show fandom lol.

Kind of funny story anon but I've been vicariously growing in awareness on how much Zhu Bajie is loved in China through @antidotefortheawkward's posts about the pigman. And yeah, I can see that being in large part because Xiyouji in its totality does give a very different impression of who these characters are and where they end up than a cartoony summary can provide. As a number of people on this site have noted for example, the White Bone Demon Arc can be understood in a much more complex light than "Tang Sanzang & Zhu Bajie hurt poor monkey for nothing" when placed in the context of it being more near the beginning of the journey when the pilgrims were still grating against each other a lot & it happening very soon after the whole debacle with the Ginseng fruit tree. Here after all you can see how the monk has a recent history of getting into serious trouble from the monkey lying and being quick to destruction, so he would be primed to not believe SWK, not to mention he does hesitate to use the headband against SWK more than many give him credit for here. And YEAH given all the things they go through together I am more willing to accept a Sun Wukong and Zhu Bajie enemies to friends arc than that put on many another character.

Also LMAOOOOO Tang Sanzang DOES seem to have quite a few lines where he tries to comfort terrified individuals by telling them that the pilgrims are good people even with their rancid looks (ugly pilgrim rights <3). And oh dang anon you are so right about how even if Tang Sanzang is much more of a static character in comparison to SWK it's kind of a shame more attention isn't given to the series of horrifying events he goes through and what effect that would have on him so that he gets a little more depth than "weepy monk who's mean to the Monkey King & falls off his dragon horse" in the popular western imagination. But then again I can understand why the monk's trauma is largely downplayed in western cartoony retellings, given that said lighthearted cartoony retellings probably wouldn't be the best medium to even touch on stuff like human butchery, death threats, sexual assault, and the consequences thereof.

[sevencolorsatlast]

👑 who is/are your favorite(s) and why?

Oh boy, there's a lot! I'm gonna pick my top five though.

SAGAU Ask Meme

👑 Who are/is your favored vessel(s) (aka main)? Why did you choose them?

Nahida - She's one of the characters I've waited to pull for. She's basically that immortal kid you would protect with all your life despite not getting her sense of humor... though I would have endless discussion about a lot of things with her because we're both curious creatures. I bring her for photo ops and get emotional damage whenever she gets hurt. As an older sibling, ahem, HAVE YOU GUYS SEEN HOW CUTE SHE IS-

Yanfei - She's the first character I've (platonically) fell in love with in terms of personality, the way she thinks and her playstyle. Yanfei's also my first triple-crowned character! I know she's going to talk my ear off when it comes to laws but, hey, it's totally worth it!

Kaeya - This man deserves a better life than whatever he's going through right now. I think he's that person I would not like at first glance but we would get along well when we get to know each other. I know he will troll the shit out of me if we ever get close. Also, of all the starters, I like his playstyle the most so that's why I used him the good chunk of my play time until I got my hands on more characters.

Wanderer - I may have not all the patience for this boyo but he's that one person I would call to stir things up. I know he would hesitate but there's no doubt in my mind that he will teach a lesson or two to the person trying to mess with me. Also, his kit is fun to play especially when I'm pissed lol.

Raiden Shogun / Ei - Ei's that complex character I had trouble with understanding. At first, I didn't like her because of the decisions she's done. When I pulled for her, she just... captured my heart in a way? I found myself reading her lore and listening to her voicelines from time to time and grew to appreciate her. Since then, she's on my team to help my underleveled characters.

[juniperhillpatient]

The Crossroads of Destiny Re-Watch

WHOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Definitely one of my favorite episodes of the entire series OOOH I love Crossroads of Destiny so FUCKING! MUCH! It's such a good episode.

Alright, so, shocking to no one probably, I've discussed this episode before. I'm linking a post I wrote about Azula & Zuko's dynamic in this episode because I think that it explains a lot of where I'm coming from. HERE ya go.

This is mostly a Zuko episode, honestly. So, let's talk about him. Zuko is READY to fight Azula. Like, no hesitation, dramatics & violence at the ready he is prepared to be on sight. Lucky for him, Azula doesn't really want to fight him. Otherwise, he'd probably be dead. Sorry Zuzu but it's the truth. Iroh demonstrating how he got the nickname the Dragon of the West is pretty iconic. +500 iconic behavior points. Also, +100 to Ty Lee & Sokka for their flirty banter-filled fight. I'm not gonna lie, I'm sort of starting to ship them. The mid-fight flirting is just fun, okay? Although yes, I'm aware that it's a tactic on Ty Lee's part. That doesn't mean she doesn't think he's cute also.

It's hilarious how some things never change & some things stay the same (....I sang-read that in my head...I listen to too much Frozen...anyway) from my initial reactions to this show like 2 years ago lol. I didn't get spoilers per se before watching ATLA but it's such a popular show in the public's consciousness that I did kinda know Zuko would be redeemed, & I just assumed I'd ship Zutara so I read the scene romantically & liked it for that reason.

[ID: Katara & Zuko in the crystal catacombs. She is crouching far away from him, looking tearful. end id]

I don't read the tension between Zuko & Katara that way anymore, but I see how someone could. Anyway, I wrote THIS post about Katara & why I think she acts the way she does. That said, I'm still annoyed with her for offering to use the spirit water on Zuko though because GIRL I get you but also it is a WAR lmao you don't think you might need the magic healing water? For something more important? Like, Zuko will live, he's not even in physical pain right now!

Watching Azula's devious & brilliant coup unfold is just...SO FUCKING SATISFYING GOD I LOVE AZULA SO FUCKING MUCH SHE'S SO FUCKING COOL!!! AHHH!!!!!! Okay, I'm calm. ish. I just...I just...LOVE HER SO MUCH.

[ID: Azula saying "Don't flatter yourself. You were never even a player." end id]

SHE'S SO ICONIC!!!!!! AHH!!!! Okay, I'm trying to be reasonable. +3000 iconic behavior points. I had to stop myself from giving her like 20k because like!!!!! HAVE YOU SEEN HER??? I LOVE HER.

Okay. *ahem.* Anyway. Iroh in this episode is super interesting. They lean REAL hard into the "wise old man who says proverbs" thing in this episode. And I think that's sort of the narrative pushing the audience to see Iroh as more of a perfect wise old man than an actual character in his own right, & that kinda gets on my nerves. BUT, looking at Iroh as a complex character, I do think I can get behind the idea that Iroh WAS willing to be complacent in the life he was presented with but NOW....he saw a chance to help the Avatar, & realized he had to take it. He realized that Zuko was going to go back to the home that traumatized him, & he panicked. I've seen a lot of fans criticize Iroh for never telling Zuko, "hey, maybe you should consider that the Fire Nation is evil & the Avatar is good." I think I would rather criticize the writers for not showing us more of Iroh's internal struggles though because the inconsistencies ARE interesting on a character level if you think about Iroh as a person. ✨Nuance ✨The main reason they become annoying is if you take the presentation of an "infinitely wise old man with all the answers" & run with it too hard. Not the most interesting way to look at it. So, in that way, Zuko's betrayal hurts.

But in the way that all I care about in life is the Fire Siblings.....Zuko's betrayal is the most iconic thing he's ever done actually! +2000 iconic behavior points. Obviously, I'm being hyperbolic & you guys (hopefully) know I don't actually root for the Fire Nation but I just love the Fire Siblings.

I will say though - something that hasn't changed about my perception of Zuko's betrayal - I 100% get it & I was never mad at him for it. I'm not saying I'm NEVER mad at Zuko ok, don't group me in with people who wash away all of Zuko's flaws please, I'm saying that I sympathize & get why he did what he did & I felt this way the first time that I watched too because I remember arguing (not like angry arguing, just debating) it with my family. Literally, the Fire Nation is all he knows! His SISTER is telling him to please come home. He misses his father & wants his father's approval. It's like....completely sympathetic & understandable. I'm not saying he's RIGHT I'm saying it's sympathetic. There's a huge difference. ✨Nuance✨

Oh & the fight scenes in this episode!!!!! Shocking to 0 people my favorite is Katara versus Azula. They're both incredible benders & it's a spectacular fight & ALSO NARRATIVE FOILS FIGHTING EACH OTHER!!! TWO PRODIGIOUS YOUNG BENDERS FIGHTING SIDE BY SIDE WITH THEIR BROTHERS FOR WHAT THEY BELIEVE IS RIGHT!!! FIRE VERSUS WATER - & LIKE BLUE FIRE (THE HOTTEST KIND) VERSUS ICE!!! YEAHHH!!!!!

[ID: Azula with her bans swooshing in front of her. end id]

Katara gets +3000 iconic behavior points for CUTTING OFF PART OF AZULA'S BANGS with ice. Oh & I never noticed it until now but it sort of parallels the moment when Zuko cuts off the end of the wheat Jet has in his mind in THEIR homoerotic boss fight. I KNOW these are two of my favorite ships for good reason, if your ships can't have epic death battles nearly killing each other what is even the POINT MAN!!!

Um, anyway. And Aang dies. What is it with the final Chosen One Tm heroes dying? Buffy, Aang, Harry Potter...Sorry for bringing the Terf series into it but like....C'mon, y'all get why I did right this is a pattern in iconic coming-of-age Chosen One stories. I don't know what it means, but it means something, I'm sure of it.

Luckily, Katara still has the spirit water & she saves Aang's life, so he's fine. Yay! That is about all I have for this episode for now. I'll tally the iconic behavior points in a separate post :)

[intertexts-moving]

haven't watched trigun in years, but how's the new one holding up so far?

god. made a like, 6 paragraph post detailing my thoughts on this on my old blog.. i miss her..

i just finished ep 3 out of the 4 that are out so far! i like it. i think it's solidly holding a tone that is, while not identical to the original, at least. resonates with it. the same tone in a different octave, perhaps. disclaimer that i've not watched the 98 anime LMAO. manga only fan i watched the first, like, two eps of the 98 show & went man. i should really read this first. & then never got back to the show </3

studio orange is doing fucking stellar work with the animation!! this is perhaps my favorite thing ab the reboot. i don't get the 2d purism thing. the animation is sparkling and full of motion and extremely expressive in a way that's real similar 2 the original manga. ep3 has some gorgeous shots that i think wouldn't work as well w/ traditional animation, & they're extremely evocative of some of the big atmospheric high emotion spreads in the og. i like em! the vash design is cute, it's growing on me. i've still got a beef w/ the visible prosthetic & the younger design bcos the whole reveal in the original was so emotionally weighted & so important fr like. character & stuff. but. it's cute! same w/ the villain designs we've seen so far. eg mine looks way less goofy, for the like, 15 total minutes he's alive here.

tonally it's also holding up well! i think the whole show suffers a lot from pacing- this is my main beef w/ it lol. i mean, it's an understandable problem fr a show. i understand Why. but i still think it would rlly benefit from a much slower more even pacing. in terms of tone, this means it skips most of the whole like, volume one's worth of worldbuilding and setup & goes straight to This is Vash! he's involved with seeds and he's got an evil brother named knives who he hates for Killing Humans! we're gonna get fucked up about this! which is a pity imo. it would be much better with a little breathing room i think.

that being said, i rlly do think they're doing a great job capturing the.. vibe, i guess. of the original. the whole, this guy will put himself through the shredder for tired desperate people who won't hesitate to shoot him in the head for the money after he saves their lives, eternally the scapegoat for other people's crimes & is fine with it because he's got a guilt complex the size of texas type vibe.

there r admittedly goofy as hell moments. the fuckin.. dad from the nebraska family being like, a loveable kook once we get past the murder. which is.. fun, actually. knives shows up ex machina playing the piano, which is, like. why are u here other than furthering the story??? etc etc. but overall it's solid they're kinda starting frm scratch with the same overall frame & i think its fun seein em weave a new story from my favorite manga :]

[ursaspecter]

Before I get into it I just want to give a disclaimer: this is not a personal attack on anyone or me trying to gatekeep Danny Phantom. I am simply just airing some frustrations. This is all my opinion based on what I've seen from the current state of the fandom.

Also I'm writing this at 1am.

Now that that's out of the way, I'm really frustrated with the way this fandom acts at times. I've been a fan of this show for around 10 years now and only relatively recently came back to the fandom after being away for a while. It's nothing like what it was when I first got into the show, and I think that comes from the fact that a lot of people in the fandom haven't actually seen the show and have only read fanfics. And that is where I think the problems start to come up.

Now, ok, the show isn't for everyone. It's loud, has flashing colors, and certain parts haven't aged particularly well since its run from 2004-2007, and that's perfectly understandable as to why someone wouldn't be able to watch the show. I'm not faulting anyone for that. I only take issue when someone has a popular headcanon and a majority of the fandom acts like everyone agrees that it's canon and then get all up in arms when someone says they don't like that particular piece of fanon. I know in the grand scheme of things it's not that big of a deal, but it really bothers me whenever I see something like "I love how we all agree that [fanon]" or "so we all know how [fanon]"

Little things like ghost cores, haunts, obsessions are whatever I don't care that much, but when it gets into the territory of replacing fundamental aspects of the source material is where I have a big problem. See, I got back into Danny Phantom because I wanted to explore a darker take on the story that's a little more grounded in reality, but when every other thing is angst or torture or just treating Danny like a punching bag (most of the time written out of character), the idea really started to lose its luster ans made me hesitant to share my ideas.

The biggest issue I have though is with Wes Weston. Gonna be honest: I never liked him. I thought he was unnecessary from the moment I saw him. Then someone (I'm so sorry I forgot who it was) pointed out that Valerie was the perfect character to fill the role of the skeptic that tries to expose Danny, but the fact that the fandom wanted to focus more on an unnamed background character who happens to look like Danny was very telling.

Obviously I'm not saying that if you like using Wes that it automatically means you're racist. There's more nuance than that. I think what Wes does reflect though is just how much of the fandom just rejects the show? How so many people probably didn't even know about Valerie because perhaps she just wasn't in the fanfics they've been reading? Hell, I see more focus put on Dash than Valerie sometimes. Another one-dimensional white boy minor antagonist instead of a complex black girl anti-hero who is probably the best antagonist Danny has in the show AND the best love interest.

Also the overabundance of DC crossovers where Danny gets adopted by Batman are really annoying. I blocked every possible tag that could've gone with the crossover, but still somehow whenever I go through the main tag one sneaks through. Seriously between Frostbite, Clockwork, and now Batman why are y'all so obsessed with giving him a new father figure when you can just give Jack a better personality. Oh right because then you won't be able to write him vivisecting his son if he actually cared about him. Silly me I almost forgot!

Anyway thats why I only follow like 5 dp blogs and like 2 of them dont even post about dp most of the time. And schnuffel-danny my partner in chaos and shitposting. Gonna start a petition for a Danny Phantom reboot on the CW and make it the most edgy cringy shit ever and it'll have blackjack and hookers and Wes Weston is not invited.

[rivangel]

Good morning to you🤗 (if that's the time there) I wanted to ask for a favor that I hope won't bother a generous Leo like you.

you literally have the most well organized blog and masterlists that I've ever seen,you have an amazing style, the angst is heart wretching, and the lemons are blush inducing. So I wanted to ask for a link on yt or something that you may suggest in helping me; a relative newbie here on the app to spruce up my blog if it's no bother 😅

Also I stepped on a mine last week and read the last chap of FTA (thinking it's a one shot ❤️‍🩹) and tho it is a small tragedy I want to say the I am most impressed by the aot lore you possess cuz its been almost a year since i read a work that captured Levi's character through and through like that it was soooo spot on 🙌

Also I wanted to ask if you ever implemented elements from your major in some of your works, or if it helps you shape characters and their decisions.

Hope you have a nice day and good luck with school too⚘️⚘️⚘️

YES actually i just woke up when i saw this djfjsjd

i’m so proud of my organization (the leo in me djfnsbdbdb) especially my masterlists. my levi masterlist used to be so cluttered djfjsjd. tbh starting out i kinda?? looked at other writers’ blogs and tried to emulate how they organized everything (without copying of course). i looked at a bunch and basically chose my favorite colors/spacing/aesthetics. it’s a lot of work but kinda therapeutic in a way. i used pinterest a lot too, for the pictures. the downside is, i’ve put tons of hours into organizing my blog and making it look pretty. i’m hesitant to change anything😭 honestly that’s all there was to it for me besides learning as i went along! there’s rly no wrong answer. get creative! (and thank you for reading🙏)

OH HAHA djfjsjd it’s okay, they should be able to be read as standalones anyway. n yeah… my aot lore is on point bc maybe i’ve dedicated too much brainpower to understanding it and learning everything. IDK it’s like my specialist of special special interests.

ooo this is a good question. understanding psychology has definitely helped me as far as why my characters take the actions they take and what they feel in response to other characters / actions. it also helps me write mental illness. and i feel like i def excel at characterization but i’m ppp bad at plot😀i think i have a vested interest in levi’s psychology in general, he’s so complex and highly relatable to me and❤️❤️❤️❤️

[bossferatu]

the characterization in this episode was off the charts.

we saw a lot of how each of the party views violence, what lines they have in regards to that.

to Rey it is a release. His beast is like a visceral itch under his skin, and so far we've only seen it scratched by violence. As much as he doesn't seem the typical Gangrel, his impulsive tendency to violence is about as aligned with his clan as he ever gets.

What's interesting about this is how he CANNOT handle the consequences of his violence. He can't deal with the aftermath of satisfying his basest urges. We saw this with Shaun (Sean?) and how he now mistrusts Fuego, despite how eagerly and without hesitation he satisfied his hunger.

Rey hasn't yet comes to terms with the violence he so craves, and he puts no forethought into what the consequences to his actions might be.

to Fuego it is power over a situation. We've seen before how she envies Rey's physical strength. She sees that as power. As ability to impose her will over others, much like her ability to Mesmerize.

She still sees herself as a superhero, as someone good, someone defending her home. She thinks she is right, that her choices and wants are more noble or better than others. But that's not why she does it, that's just her own excuse to herself. From what I've seen, she uses her 'morality' as an excuse to exert power without feeling bad. She hates being called a 'landlord' but doesn't hesitate to use Lingering Kiss on Shye, essentially getting them addicted to her kiss, just so she can keep feeding.

She doesn't think of consequences, only reacting according to her righteous impulse. She is classic Ventrue, seeking to push her power on others. She, unlike most Ventrue, seeks to protect what's important to her, but that doesn't make what she does good.

Fuego is one of the most complex vampires I've ever seen, and endlessly compelling, but she isn't a hero. She's ignorant to what danger she's constantly putting herself and all those closest to her in. And that makes her incredibly interesting and possibly my favorite character of this chronicle.

Serif is a little more difficult to gauge, from this episode, but it's clear to see that she has clear boundaries. She hasn't directly engaged in much violence this chronicle, standing by while the others take the more physical approach.

however, what we do get to see from her is her boundaries when it comes to ghouls. We already knew she was sensitive about the admittedly incredibly morally (dark) grey area in which ghouls operate. She doesn't seem to care much whether or not the coterie kills one of the security guards, but the second Rey wants to use his Vitae to save the other, she has a big reaction.

something that this implies, to me, is that she's not particularly concerned with the morality of it, or she wouldn't be, if not for her personal experience with ghouls. When Angela expresses contentment with her life, her choice, and with Isaac as her 'employer', Serif is upset. In fact, she's the same level of upset as she is when Rey gives the security guard NO CHOICE. This, to me shows that it's just the principle, the existence of ghouls which upsets her, not the actual morality of the situation surrounding creating one.

like Fuego, she uses morality to justify her own impulse and reactions, not the other way around. As much as she likes to believe it is a moral code that rules her actions, she is using it as an excuse.

this is not to say that these two are not some of the most (seemingly) moral kindred we will likely see. They both contain great capacity for kindness and humanity, but they are not as morally pure as they'd like to think.

to Isaac, I think it's clear that violence is a means to an end. He's pragmatic to a fault, and wouldn't needlessly endanger him and his in order to enact violence. He's the most reasonable of the group in that aspect thus far, and that's unsurprising, considering the situation he finds himself in.

he knows what dangers lurk for Kindred, and as a Tzimisce in Anarch territory very close to the Camarilla, he's in an even more precarious position than any of the other members of the Coterie. It occurs to me that while he's mentioned Shrecknet and how humans took it down, the others have no idea what danger the Second Inquisition poses. They haven't even really been informed about the Masquerade and WHY it exists.

he is now affiliated with this Coterie, partially in charge of the area they're in, and will be held EXTREMELY responsible for any breaks in the Masquerade. Already distrusted by the Anarchs, Isaac has no room for messy violence, even if it happened to be in his nature.

unlike the others, it doesn't seem like he's ruled by impulse, nor by morality. He is logical and pragmatic, or so he seems so far. It makes perfect sense that he should be furious or annoyed at the rest of the Coterie. He's the only one who understands the gravity of the situation in its fullness (or so it seems). And now, he has to clean up a big mess.

we'll see in future episodes, but here are my two cents about what the violence in this episode tells us about our new lil baby coterie. I for one was surprised that the shoe dropped so early, though I shouldn't have been, the tension has been piling up so quickly.

[anarmorofwords]

Hi! You're probably not going to like this ask, but before getting into it I'd just like to say that this isn't meant as Kamala hate or anything, and I don't really want to offend.

Having said that, wouldn't it make sense that we get to see how Kamala treated Anna after she came out? It's in all likelihood one of the things that's weighing on Anna the most.

Obviously Kamala had her valid reasons: her parents aren't as liberal as the Lightwoods, she believes (knows?) their love is conditional as she's adopted, she's not white and not being heterosexual could further any treatment she's suffered from being different... Her reasons have already been listed multiple times by multiple people. Kamala has the right to stay in the closet and fear coming out. And while that shouldn't be villianised, we can't forget that closeted people can harm those around them.

If Kamala had kept treating Anna like a good friend, rumour would've sparked, and even if it was denied, she'd have been harmed by merely associating with Anna. Especially with the life Anna began leading; she could have been labelled as one of Anna's 'conquests' by the Clave. That, as we've established, is detrimental for her safety.

But at the same time, it would create a breach between Anna and Kamala. And Anna had the right to be hurt by it and weary of it when Kamala said she wanted a relationship.

If we look at it from that perspective, Anna's actions (though inexcusable in how they treated Kamala --who was also at fault for not accepting a negative for four months) make sense. Kamala wasn't only a fling of a week*, but also the girl she lost her virginity with, who asked her to be her secret (until she married Charles, after which Anna's affections would be discarded), who hid her sexuality for two years and sat back while Anna suffered from homophobic commentary, and who now wants a relationship hidden from most of the people that know her.

Kamala shouldn't be forced to come out; but the harm that can do to the women she may engage with is reflective of what happens nowadays. I can mostly think of examples with gay men, so my apologies in advance. But how many women have seen their marriages ruined by their husband having affairs with men?

Creating characters that reflect a toxic part of the 'hidden' LGBT community shouldn't be seen as hating or villinifying. Thomas isn't out and he isn't labelled a villain by the narrative --because his actions don't harm anyone. The hate Alastair gets in-universe is because of his past as a bully, not because he's gay. Matthew's not fully out and he isn't villianised --like Thomas, because the decisions he makes to keep his sexuality hidden don't impact anyone negatively.

I'll even go as far as saying that not even the narrative villianises characters like Kamala and Charles. If it were, they'd be seen more like Grace in Chain of Gold. We'd see how Kamala's actions are affecting Anna's in more ways than anger (that in itself put the fandom against Anna), and the characters would note so. We wouldn't see scenes were Cordelia empathised with Charles, nor Matthew said he loved him.

Be it as it may, Kamala and Charles represent ugly parts of being closeted that can naturally occur when someone is in their position. LGBT people are human. Humans, when put into very difficult situations (and Charles risks his career; Kamala her safety), can make decisions that harm those around them. Consequently, the people they're harming have a right to feel, well, harmed in whatever range of ways --this goes mostly for Alastair, and very partly for Anna, whose treatment of Kamala was horrible.

Readers need to understand what is pushing these 'villianised' characters to harm (again, mostly for Alastair) the more prominent characters and go beyond how they are instantly depicted. Because these are complex characters based on complex real people influenced by very ugly realities we will move on from someday, but sadly not yet.

By the way, Charles and Kamala's situations aren't that similar beyond the closeted thing, but I crammed them together because of a post I saw you reblog.

Please understand I'm not justifying Charles's actions; that I understand the pain he's put Alastair through, and know that he shouldn't ever be near Alastair. Nor am I trying to justify Anna's actions nor hate on Kamala.

I'll just finish my pointless rant by adding that I do think cc has sensitivity readers. I think she asked a gay man to go through tec (I don't know if he still revised her other books, though), and know she asked POC's input when writing someone for their culture. I don't know much beyond that, but I doubt who revises her stuff is up to her. Wouldn't that be something the publisher is responsible for (honest question)?

*I've also noticed people using the argument that they didn't know each other long enough for Anna to harbour such ugly emotions towards Kamala, but Kamala also remembered Anna pretty deeply and is 'in love' with her. I just wanted to say that considering cc writes (fantastical) romance where someone can ask a woman they met two months ago marriage, stressing over time spaces doesn't make much sense. Just my take.

hi!!

alright, where do I start? probably would be best with stating that while I can analyse Kamala's situation with what I know/see/read about racism and discrimination and reasonably apply things I've read/heard from PoC to the discussion, as well as try to be as sensitive about it as possible, I'm still a white woman, so not a person that's best qualified to talk about this.

that being said - if someone wants to add something to this conversation, you're obviously more than welcome to, and if there's something in my answer that you don't agree with or find in some way insensitive or offensive - please don't hesitate to call me out on that.

back to your points though: (this turned into a whole ass essay, so under the cut)

I don't think Anna shouldn't be able to reminiscent on Kamala's behaviour/reaction to her coming out, or be hurt by it. what bothers me is the way CC talks about it - I can't remember the exact phrasing, but the post where she mentioned this suggested something along the lines of "you'll see how Kamala sided with the Clave and didn't defend Anna after her coming out", therefore putting the blame on Kamala and completely disregarding the fact that Kamala wasn't in position to do much at all. It suggest that their situation was "poor Anna being mistreated by Kamala". therefore I'm afraid Kamanna's main problem/conflict will remain to be portrayed as "Anna having to allow themselves to love again and forgive Kamala", while Anna's shortcomings - and Kamala's vulnerable position - are never discussed. I think it would be possible to acknowledge both Kamala's difficult situation and the possible hurt her behaviour caused Anna without being insensitive towards Kamala's character, but it would take a really skilled - and caring - author to do both of the perspectives justice. CC would have to find a balance between being aware of the racism/prejudice Kamala faced/ writing her with lots of awareness and empathy, and still allowing her to make mistakes and acknowledging them. As it is however, I'm under impression that she's just treating it as a plot device, a relationship drama.

I'd say no one expects characters of color to be written as flawless or never making mistakes, it's mostly the way these mistakes are written and what things these characters are judged/shamed/

And that's - at least in my understanding and opinion - where the problem is. it's that the narrative never even addresses Anna's faults, and portrays Kamala as the one that caused all - or most of - the pain, without ever even acknowledging her problems and background.

White characters in TLH make mistakes and fuck up - because they're human and they're absolutely allowed to - but the thing is, non-white characters aren't afforded that privilege. Anna's behaviour is never questioned - none of it, shaming Kamala for not being able to come out, dismissing her desire to be a mother, or any of the questionable things she did in ChoI. Same with Matthew, James, Thomas. Alastair and Kamala however? they're constantly viewed through their past mistakes, and forced to apologize for them over and over, forced to almost beg for forgiveness. Moreover, those past mistakes are used as a justification of all and any shitty behaviour the other characters exhibit towards them now, which is simply unfair and cruel. They're held to a much higher standard.

So I'd like to say that yes, Kamala was in the wrong to keep nagging Anna after numerous rejections, and she was in the wrong to not inform Anna about Charles prior to them having sex - but that doesn't give Anna a free pass to constantly mistreat Kamala. And let's be real, Anna isn't stupid - while at 17 she could be naive and uninformed, I can't imagine how after years of hanging out with the Downworlders and numerous affairs and being out and judged by the Clave she's still so ignorant about Kamala's situation. I definitely think she's allowed to be hurt, but to still not understand why Kamala did what she did? Anna isn't blaming her for not telling her about Charles earlier - which would be fair - but instead for refusing to engage in an outright romance with her. She's being ignorant - and consciously so, I think.

Overall, I think you're definitely right about how coming out - or staying closeted - can be messy and hurt people in the process, especially in unaccepting environments/time periods, and I've seen enough discourse online to know there will never be a verdict/stance on this that will satisfy everyone. I, for one, would really like to refrain from putting all the blame on a single person - but, at least the way I see it, CC is pointing fingers. maybe not directly, but she is. Kamala, Alastair and Charles have no friends or support systems, and the only people in the narrative that defend them are themselves (ok, Cordelia does defend Alastair from Charles, but not from shitty takes about him and his "sins"). Also, sorry, but I don't like how you say "hid her sexuality for two years and sat back while Anna experienced homophobic comments" - it sounds very much judgemental. Kamala had every right to do that? The fact that she slept with Anna doesn't means she owed her something, and certainly not coming out and most probably destroying her life, or even defending her at the - again - expense of her own reputation, or more possibly safety.

As for Charles - it's a different issue here, at least imo - I fear that it'll be implied that his refusing to come out will is his main "sin", and therefore not something he can be judged for, which ironically, will be villainizing, but mostly will mean his actual sins are dismissed. This is where the scene with Cordelia feeling a pang of sympathy for him comes into play, and it worries me. I've never hated Charles for not wanting to come out, but rather for, let's see - grooming Alastair, disregarding Alastair's needs and feelings, disrespecting his mother, being a sexist prick, being low-key far-right coded "make Shadowhunters great again" etc.

As for sensitivity readers - I'm no expert, so I don't think my input is worth much. From what I've gathered from multiple threads/discussions on twitter, tho it is probably consulted/approved by the publisher, many authors push for that - and authors less famous and "powerful" than her. I'm not a hater, but seeing fandoms' opinions on much of her rep, I think she could do better. Because if she does have sensitivity readers, then they don't seem to be doing a great job - maybe they're friends who don't wanna hurt her feelings? Or maybe she thinks a gay guy's feedback will be enough for any queer content - which, judging by the opinions I've seen from the fans, doesn't seem to be true.

Again, these are mostly my thoughts and I'm more than open to reading other opinions, because *sigh* I really don't know how to handle this.

Bottom line - I really really don't want to be hating on the characters in general, playing God in regards to judging the struggles of minorities, or even criticising the characters too harshly for being human, flawed etc. What my main issue is is how CC handles those complex and heavy topics.

I hope I make sense and this answer satisfies you somehow - I also hope someone better equipped to answer might wanna join this conversation.

* I desperately need a reread of TLH before I engage in any more conversations like this, but I didn't wanna leave you hanging. So yeah, I might be remembering things wrong. Again, let me know, I'm very much open to being corrected as well as to further discussion.

* I use she/her pronouns for Anna because that's what she uses in canon

[falling-heights]

Even though I've only found your blog today I was surprised to see that your masterlist didn't list any analysis or general headcanons for Frieza. What do you think he'd be like as a Yandere? And do you think he would be one of the more plausible DBZ cast members to become a yandere?

[Hello dearest! I love you forever and always for finally requesting this spicy boy. Tbh I had been surprised as well. As of yet, I haven’t received many requests for DBZ villains in general.]

 Frieza, the Galactic Emperor, is a nightmare of a yandere. In measure of action, he sets new records. He’ll go the farthest for you, and his lack of morals doesn’t help you in the slightest.

He’ll destroy an entire solar system in the blink of an eye, without a moment’s hesitation, all for you. How lucky, right?

Though it’s hard to believe that someone as heartless as Frieza could turn, I agree wholeheartedly he’s among the most likely characters of Dragon Ball to take on those traits.

He’s too prone to letting his emotions guide him, and he’s a very emotional creature. Although, he would only turn if specific conditions were met. You would’ve had to have served under him at some point. Though you may think that being a saiyan might make him less likely to grow interest, it would more than likely escalate the process even more.

The only true way to make him lose himself would be if the day ever arrived that you betrayed him.

Leaving with Vegeta and becoming some some of rebellious figure against his army would be it for him.

How benevolent he is depends entirely on what you can do for him. Even if you are weak or useless, he won’t just kill you, however you’d be far better off if you could give him something in return.

Merely talking about you in his presence is a death sentence. You couldn’t imagine what would happen to the poor soul if he ever found out that you’d been hurt.

He’s driven purely by hatred. The more indignant and confused about his emotions that he is, the quicker he’ll act. His desires are completely irrational, and his compulsions make him unpredictable. Anything can set him off, and there’s no telling how far he’ll take it.  

Now, to say your life with him would be worse than a living hell is underselling what he’s truly offering. He may not be avidly harming you at all hours, and in fact you’ll be quite comfortable with him. But frankly, that would only be possible if you were the perfect little servant, his perfect little servant. And let’s get real, Frieza’s ego is too big to admit that anyone but himself is capable of perfection. So it’ll be a rocky ride no matter what.  All in all, it would be a mixed bag.

Frieza has a nasty power complex. You will never be seen as an equal, as he far too enjoys seeing you as a loyal subordinate. 

Yes, he’d prefer a quiet and devoted partner, however Frieza isn’t one to shy from a challenge. It can become a nuisance to him, however, if you are constantly causing him trouble, so I’d be careful dear. You don’t want to play that game with him. 

“And yet there you stand, unperturbed at the mere sight of me as always. That’s exactly why you belong with me.”

Now, you’ll notice a stark difference between the Frieza who was killed on Namek by Goku’s hand, and the Frieza after his return from hell. All that time that he’d spent in agonizing torment changed him. Perhaps a few cogs fell out of his clock if you catch my meaning. And worse yet, his motivation is fueled by much more than simple anger. 

His never-ending nightmare in hell wasn’t just fairies and stuffed animals. They weren’t even the worst of it. No, what depraved his sanity was the image of you. Always out of reach, always in the corner of his gaze but never in focus. You were right there, and yet he couldn’t have you. It’s enough to make anyone go mad. But upon his return, his number one mission would be finding you again. 

Which, to say his behavior would be different is a tad understated. He’s more reposed in his actions, his words are spoken more gently and with a hint of restraint. He smiles more, though it’s not a kind or happy smile in the slightest. To best describe it would be to call it a promise. A silent oath that he’d win no matter what. To say this newfound nature may have stemmed from unspoken love would be a lie. 

"Your naivety deeply sickens me, my dear, but I suppose I should applaud you for thinking you could elude me forever. 

This isn’t love. It will never be love. Frieza, no matter how suave he may seem at times, is incapable of feeling compassion for anyone. In a sense, his behavior can seem a bit ironic. In no way is he romantic with you, nor will he admit any sort of intimate relationship, but you’re nonetheless viewed as his property. A piece of property that he is violently protective of.

He no longer wants you to simply suffer. You need to understand the hell he was put through. Frieza will kill everyone if you provoke him to such a length. He wouldn’t even bat an eye at it. You need to see suffering before you can even begin to understand him. He wants to see the light fade, the hope rotting under his influence. 

You’re going to be his little muse for a long time. And he won’t be satisfied until you’re just as corrupt as he is. He’s going to twist you into his own little fantasy until your bent to his will. 

I certainly hope your strength holds out. You can only bend and twist something so much before it breaks. 

“Shall we begin this spectacle of horror, my dear?”

check out my other stuff!