#he is not a Villain. he is a traumatized man who was never offered compassion/understanding/support or a chance to become better.

[labyrynth]

if you’re willing to label any of them as evil/irredeemable you missed the point of the entire book

what does this have to do with the tea

“shen jiu flung BOILING WATER over the FACE of a CHILD—“

so…luo binghe tried to serve him boiling hot tea, or…?

[gch1995]

I want to watch new Drama/Fantasy TV series on Netflix and Hulu to get the bad taste that OUAT and TWD left in my mouth.

Here is what I want:

• A show that is more strongly driven by the characters consistently and believably, rather than half-cocked convoluted plots, and/or the creators/writers abrupt, blatantly biased, hypocritical, petty, and unfair preferential treatment of their favorite characters/ships, who they destroy other great characters/ships that they don’t care about as much to prop up their pet characters/ships up onto pedestals that they don’t deserve-

I dealt with six seasons of the continuity and logic of every rule of magic, relationships, storylines, and most of the timeline from S1 getting deliberately retconned left and right more and more inexplicably at the drop of a hat every season afterwards for (oftentimes disappointing) random plot twist convenience, and the writers completely stopped trying in 3B when they broke the rule of magic not being able to bring back the dead and decided “Fuck all the rules of continuity and realism in characterization and organic development in any of our remaining main characters, and fuck any and all sort of sort of storytelling integrity in writing a canon that consistently sticks to its timeline and rules of magic! We’re just going to reframe the entire narrative around Hook’s “redemption” arc and CS by ruining/retconning everyone else’s original characterization and development from S1-3A, and do whatever the hell we want with magic and the timeline on this show now because LOL, BOLD STORYTELLING! We’re really just too afraid to admit that we’re a team of horrible creative writers and show-runners, who didn’t know how to write more than two-and-a-half seasons of satisfying and original character development, who, thus, ran out of good new ideas for what else to do after 3x11, and who, thus,, would have done a lot better just ending the show with that episode because that’s clearly all we could handle before ruining everything that made this show genuinely entertaining to fans in the first place with our plot fuckery and character/ship favoritism!”

I quit watching OUAT after S5, but I still dealt with watching roughly four seasons of Rumple, Belle, Rumbelle, and Emma getting made OOC, and later on, outright destroyed in favor of cheaply emotionally manipulative “Gotcha” plot twists, and A&E and their team of hacks petty and hypocritical favoritism that led them to prop up Zelena, Regina, and especially Hook/CS onto pedestals that they didn’t deserve in their favor by ruining them to make them look better by comparison without really doing much to change them, or making them sympathetic characters in their own right, especially post 3A. I still kept up with the spoilers post S5, so I know about what they did to ruin all my faves to prop up Hook/CS, Zelena, and even the dark half of the EQ some more in 6A, past the point of no return this time around, basically.

It would be one thing if Hook/CS had always been a main character/ship on the show, and Rumple, Belle, Rumbelle, and Emma had always been framed/written as unsympathetic characters and a ship that the GA was supposed to consistently root against from day one. But that’s not how it was set up, no matter what A&E and these writers try to insist otherwise.

Hook was meant to be a guest villain, but A&E and these writers got distracted by him so much so that they decided to make him a regular by setting him up with Emma out of nowhere, having him take Neal’s place in the series, retconned the beauty of everyone else’s original characterizations, developments, and storylines on the show to make him look more “sympathetic” without actually doing anything to build him up that way organically post 3A, and made him the entire lead of the show.

Emma started out as a badass, compassionate, selfless, and sympathetic underdog for the little guy and the main protagonist on the show from day one until they forced her together with Hook, and ruined her to set them up post S3.

As for Rumple, he had always been written as a problematic fave from day one. I acknowledge that he had done horrible things that I could never realistically excuse, but from 1x08-3A there was a deeper sympathetic motive for why that was always explained on screen. He quickly became a fan favorite who the GA quickly sympathized with and rooted for as a sort of anti-heroic underdog, who with had a genuinely beautiful, believable, and consistent characterization and struggle for redemption that we saw, and expected to continue to see regularly once we saw his tragic and unfair backstory, and we learned about his love for Belle and particularly Bae and saw how everything he did he did out of love for them. We saw that he had a bizzarely adorable friendship with David, and we saw that he, Belle, and Neal were always willing to offer advice, compassion, emotional support, and understanding when he brokenly and honestly opened up to them for it by offering it in without enabling his bad choices, mercilessly judging him with negative assumptions without asking questions first, or giving him a chance to open up to them honestly, acting hypocritical, acting like they were so above him and incapable of having their own flaws and making mistakes, or making him feel guilty for not giving up magic for them. Belle had always had the short end of the stick on the show when they made her a regular because she often got fridged for Rumple’s man pain from S2-S3, but they outright destroyed everything that made her a great character to begin with from S4-S6 to prop up Hook/CS, Zelena, and Regina by turning her against Rumple, even when it didn’t make any sense for her to do so. When Hook/CS became the lead of the show, Neal was killed off. Rumple and Belle’s consistently sympathetic and complex original characterizations and development/redemption arcs in the narrative got so horrible butchered, and the two most important relationships in his storyline all got abruptly thrown under the bus and trashed on this show by A&E and these writers for roughly five seasons with bad writing, even in the final season when they decided not to fuck up Rumple’s redemption arc halfway through, just so they could prop up Hook/CS, Zelena, and Regina by shitting on him.

I don’t want to have to deal with watching another TV series where beautiful, complex, and relatable fictional characters and ships are abruptly made OOC, and/or outright destroyed in favor of stupid plot twists. I don’t want to deal with watching another show in which the creator(s), writers, and/or network have Gary Stu/Mary Sue pet characters/ships, who abruptly get unfair preferential treatment from the creators and writers in the narrative on the show with my personal favorite characters/ships getting abruptly, cruelly, and unfairly thrown under the bus for their benefit.

• A show that is run and written by a team of people, who don’t offensively enable, encourage, or casually dismiss ableism, abuse, rape culture, incest, racism, and sexism in the tropes they use in the writing for their individual characters, the relationships between them, the plot devices they sometimes make them use, especially if they let them get away with using them, and the plots they set them up in-

I had to watch every character and relationship on OUAT get tainted in canon with all of these offensively problematic issues in the the tropes in the writing for them in one way or another more and more from day one of this trash show of wasted potential in ways that disgusted me, including all of my faves, such as Emma, Rumple, Belle, and Rumbelle, just because A&E and their team of writers never learned from their mistakes, and refused to do so.

I don’t want to deal with that shit again on another show, or try to justify it, especially not in characters who often don’t get how problematic what they did or said is because the creators and writers behind them refuse to understand how problematic their writing for some of the things they make them do and say actually is in canon, and refuse to address it, no matter how many times the fans call them out for their shit.

I don’t want to have to deal with watching another TV series where beautiful, complex, and relatable fictional characters and ships are abruptly made OOC, and/or outright destroyed in favor of stupid plot twists. I don’t want to deal with watching another show in which the creator(s), writers, and/or network have Gary Stu/Mary Sue pet characters/ships, who abruptly get unfair preferential treatment from the creators and writers in the narrative on the show with my personal favorite characters/ships getting abruptly, cruelly, and unfairly thrown under the bus for their benefit.

• A show that is run and written by people who understand how to portray realistic reactions and fallouts to trauma and untreated mental illness in their characters by acknowledging that it exists and that it happened in the narrative, and allowing them to get help for it when they reach out for it. Instead of pretending that it never happened to vilify a character by refusing to allow them to get help, or emotional support from loved ones, even when they do try to reach out to them for it honestly, or work on being better to constantly make them feel like they have no choice but to revert back to self-destructive behavior, trying to prop up the character who traumatized them, or simply because the characters, who were traumatized in their narrative are the “good guys,” and the “good guys” aren’t allowed to have realistic reactions to trauma and mental illness because they are “strong” and the “bad guys” are “weak” from the ableist show-runners and writers point of view-

I dealt with watching this shit on OUAT for five seasons from season one, and from the spoilers I read about season six and seven after finally quitting, it didn’t get any better because A&E and these writers are hacks.

• A show run and written by people, who don’t make it so blatantly obvious that they are emotionally manipulating you with false hope by dangling a carrot before your eyes, only to abruptly snatch it away with a cruel “shock” value twist in their storytelling that becomes incredibly and disappointingly predictable when dealing with it as a viewer for five to six seasons-

Look, I get it, bad things happen in life. However, it becomes predictable bad writing and cruel storytelling when it becomes obvious that you are being emotionally manipulated by show-runners and writers with false hope for your faves. It becomes predictable bad writing and cruel storytelling when there is an increasingly obvious pattern in the narrative of the types of characters/ships that these writers abruptly and inorganically screw over out of nowhere after giving their fans false hope for them in the narrative, only to deliberately and cruelly screw them over for cheap “shock value, and/or to prop up their faves by displacing all of their shit onto their default scapegoat character through making him or her look bad without actually doing anything to have their Gary Stu/Mary Sue faves truly do anything to prove that they are reformed.

Were D&D and Scott Gimple too stupid to think to think that fans of their shows would ever realize that they often tended to abruptly kill off the purest living cinnamon rolls cruelly and abruptly in their show’s universe every season for shock value out of nowhere after giving their fans false hope on Game of Thrones and TWD?

Were Adam and Eddy too stupid to realize that Dearies/Rumbellers would ever realize that they abruptly and cruelly mostly turned their narrative against Rumple and his loved ones to prop up all their lame ass faves and CS after they killed off Neal and brought him back from the dead to make him an on-and-off-again trickster, even after spending the first two-and-a-half seasons of OUAT building up Rumple as a consistently sympathetic, emotionally complex, and redeemable character on the show?

• A show that is written and run by people who understand how to give their endgame romantic couples and familial relationships realistic, consistent, complex, healthy, in-character, and well-written conflict and resolution-

A&E and their team hacks often lacked the desire and ability to write realistic, consistent, complex, healthy, in-character, and well-written conflict and resolution between their characters, especially in later seasons. The only main living romantic couple, who remained mostly untainted in canon by their increasingly OOC, gross, unhealthy, and unrealistic character assassinating plot fuckery romantic soap opera angst in canon post 3A by S6, was Snowing, and that’s only because A&E and their team of writers didn’t care enough about them to give them any significany screen time, or any interesting storylines post 3A.