#he gaslights himself into believing he loves his job so he doesn’t go crazy

[microwavepopcorn]

[amor-immortalem]

Can I Stay Up Here With You Forever? Ch.7

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Warning(s): nothing really, this chapter is pretty tame really.

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taglist: @mediocredetective @it-hurts-when-i-blink @ima-simp-uwu

The click-clacking of heeled shoes reverberates through the halls as the Avatar of Lust nears Diavolo’s office. With rapid frantic knocks on the door. It swings open to reveal the Demon’s butler, Barbatos.

“Asmodeus, what can I do for you?” The green-haired demon asks as he studies the other.

“I came to request an emergency audience with Lord Diavolo. Please, it's really important. He’s the only one who can help.” Asmo is out of breath from the speed at which they ran to get here, shaken in the way they talk.

“First, why don’t you come in and we’ll talk.” Barbatos offers. “I’ve prepared some tea and backed good. The young lord is in a very important meeting with a group of witches but once he’s done, you can speak with him at length about whatever this emergency is.”

Asmo nods as they do their best to compose themselves just a little bit.

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“So what is all this about?” The future demon king asks as he sits across from the Avatar of Lust, “It must be incredibly important considering you’re currently skipping class.”

“It’s Lucifer. He’s gone mad- off the deep end with his latest punishment.” The fifth-born says, “Ever since he brought Mammon back from the human world, things have rough at home. It’s like Lucifer is holding him hostage, controlling who Mammon does and doesn’t interact with. He’s been trying to convince our brother of things that aren’t true and its working. It’s like we’ve lost the person our oldest brother used to be and I’m scared he may never go back to the Lucifer we all love and respect.”

“What do you mean?”

“Well, we all knew Mammon wasn’t happy with us and that’s why he wasn’t ever going to come back from the human world- understandable since you know how we all treat him like a scapegoat for our stress and frustrations. And when he came home, we all tried to show him we were really going to change our ways this time- that we were honestly sorry for the things we’ve done. He’s said multiple times that he no longer considered the House of Lamentation his home and that he wants to go back to the place where he feels loved- to the place he thinks he belongs. Every time... Every time he’s said that, Lucifer has been there to tell him that he’s only imagining that he’s not loved here, that the Devildom is the only place he belongs. But I know that’s not true. You can belong in multiple places at once. And then things started slowly getting worse. Mammon is never out of Lucifer’s sight for long and when Lucifer can be there to loom over him, he has his peacocks follow Mammon around everywhere so he can’t find some way to get back to the human world and Arella.

Whenever Mammon tries to get Lucifer to get off his back for even just a few minutes, he tells Mammon that he’s crazy and Lucifer or his familiars were never in the area to begin with. He’s convincing our brother that he’s unwell in the head and delusional. Do you know Lucifer had Arella’s D.D.D. disconnected so she can’t even get in contact with any of us let alone Mammon. What’s worse, Arella has been writing letters to Mammon to check up on him. She sends them back with Solomon every time he comes back from the mortal realm, but Lucifer takes those letters and burns them before Mammon can even get a look at them. And just today, right before class, Lucifer was gaslighting Mammon into believing that Arella was only trying to isolate him from us, that she was putting ideas in his head, that she was just using him for her own benefit- that she never loved him to begin with and the only people he needed in his life was us. I... I think it worked.”

Diavolo’s honey-colored eyes widened at the words tumbling out of Asmo’s mouth. “Where are they now?”

“Lucifer took Mammon home to rest. He looked so upset by what Lucifer said that he looked like he was five seconds away from a breakdown. Please, I’m begging you to step in and help us get our oldest brother back to the way he was before. And Mammon... he needs to get back to Arella... she’s... expecting.”

“Really now?” The prince is genuinely shocked at this turn of events. “How far along?”

“She’s five- nearly six- months now. I saw her a few weeks ago and she seems to be healthy but half-demons are so rare who knows what’ll happen if he doesn’t get back to her soon.”

Diavolo nods at this. Things were indeed dire at this point. “Here’s what we’ll do. You and Solomon are going to take Mammon on a trip- let's say to a spa and resort. If you don’t feel safe going just the three of you, take another one or two of your brothers along with you. It’ll all be a ruse, however. You’ll all head to the human world to visit Arella and then you’ll bring her back with you after the baby is born.” He looks toward his trusty butler and longtime companion. “Barbatos, I would like you to look for suitable housing for the two of them. Don’t worry about the cost.”

“As you wish, my Lord.”

“I myself will have a talk with Lucifer and see why he changed so suddenly and what we can do to reach a compromise of sorts. There must be a reason behind all of this.

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He just wants to be left alone tonight- to have some time for himself to grieve the loss of what he thought was true love. He nuzzled into his pillow; lapis-like eyes squeezed tight as he held a sheep plushie close to his chest. He didn’t want to believe what Lucifer had said earlier at school but what was he supposed to think? The Avatar of Pride was truthful in his statement that he had never lied to him unless it was to protect him and their brothers. And Arella hadn’t even tried to call him or summon him back so it felt like Lucifer’s words must’ve been the truth.

He could just faintly hear the door open and close softly before there was a weight on his bed right behind him. Mammon knew the smell of that perfume anywhere. It was Asmo.

“Hey, Mams,” the Avatar of Lust rubs their brother’s shoulder soothingly only pulling away when he cried, the touch reminding him of the human he missed so much. “What’s wrong?”

“I miss ‘er... I miss ‘er so much but... she was just usin’ me all this time... she... never loved me like I thought she did.”

“Mammon, no. No, that’s not true at all. Arella misses you just as much as you miss her. You know those letters that Solomon tries to give you- the ones Lucifer burns on sight?”

The Avatar of Greed nods in response.

“They’re filled with questions about your well-being. How you’re doing, if you’ve gotten to do anything new or fun, if you’re safe or hurt, how much she loves and cares for you, and how she hopes she can see you again someday once all this blows over. There was something she wanted to tell you the day you were brought back here.”

“What was it?” The white-haired demon asks as he turned his head to his little brother.

“She’s having a baby. You’re going to be a father.”

“What?! Yer not pulling my leg, are ya?”

“No, no I’m not. Congratulations.” The strawberry-blonde-haired demon smiles brightly. “Also, I talked to Lord Diavolo earlier and he came up with a plan to help you sneak up to the human world so you can be with her until the baby is born.”

“Wha- why?”

“Because aside from Lucifer, the rest of us agree that you deserve to be happy- even if you can’t find that happiness with us anymore. We all know you’re miserable down here and I know we’ve all done things to you in the past that were undeserved and we just want to make up for that because we love you.”

“What happens after that? Asmo, I’m not leaving Arella or our baby. I can’t.”

“I know. We’re going to bring them back with us and the you guys will live somewhere else besides the House of Lamentation- you're going to need the space after all.”

“But what about Arella’s job in the human world- she loves it an’ I can’t force ‘er ta leave it behind. It’s not fair.”

“She loves you more though. Just trust me, ‘kay? Everything will work out in the end.”

Mammon only nods as Asmo leans in to whisper in his ear and fill him in on their plan.

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[uh-velkommen]

The White Lotus, HBOMax

Alright four episodes in and things are finally starting to ramp up. My face throughout the whole episode was stuck on discomfort. This show packs so much tension in every 45 minutes that I'm constantly waiting for somebody to pop off or something crazy to happen but instead we get teased with the smallest little plot pusher. Which is working. I'm officially intrigued. I do wish I knew the overall point of the show because that's what would've helped me decide if I wanted to keep up with but now my determination to find out how this all ends is doing just that...

Character breakdown + Spoilers/Predictions

Armond: The manager of the White Lotus resort. I love him in all his poor choices. He's just constant chaos simply because he has the power to create it. He's also the biggest driver of drama. He lies a lot, almost pathologically, and he will carry those lies to the grave for no real reason.

Nicole Mossbacher: Resort guest, Mark's wife, and Olivia and Quinn's mom. She's a pretty basic character who is teased about possibly having OCD and working during vacation. She was pretty chill in the first 2 episodes but every once in a while she says things that gives off I'm a centrist but my views lean a little more conservative.

Mark Mossbacher: In the beginning he's stressing about possibly having testicular cancer because his father died of cancer... Turns out his father had AIDs. He has a depressive episode over his dad being gay and then, while drunk, he inadvertently comes onto the Armond. The next day Armond tests the waters with Sober Mark and we get uncomfortably funny scenes of Armond coming onto Mark in front of the whole family. Mark's a very passive dude who doesn't do anything exciting in the show but we just find out that he has, in the past, repeatedly cheated on his wife and didn't tell her (he told his son that he did tell Nicole but I don't believe it) I think his theme is just being genuinely unhappy with his life at the moment.

Olivia Mossbacher: She's a college sophmore and has many moments where she calls out her parents questionable statements. She carries herself with a weird nonchalance where you'd think she's a mean girl but she's only ever expectedly mean to her brother. However, she brought along her friend Paula and we start to see that their friendship is built on some unspoken competition. The girls do tons of drugs on vacay until Armond gets his hands on them and breaks his 5 year sobriety. This is when and why shit starts to hit the fan. They know he stole the drugs but because everyone avoids admitting to having illegal drugs, no one is ever outright accused.

Paula: Olivia's poc friend, possible hypochondriac, and supplier of drugs, has secret rendezvous with one of the Hawaiian native resort workers. She refuses to say anything when asked about her nightly disappearances but Olivia knows why or for whom Paula keeps sneaking off. We learn that Paula doesn't want Olivia to know about her and her beau because Olivia always wants what she has. My theory is that this wouldn't be the first time Olivia has stolen a partner of hers and I think now because Paula isn't admitting to hooking up with this guy, Olivia is gonna steal him and use Paula's secrecy as a way of blame.

Quinn Mossbacher: Involuntary loner in my opinion. He comes off as a classic video game nerd, obsessed with the internet, cant live without his Switch and Fortnite. He doesn't have any friends and he takes all the teasing from Olivia and Paula without a fuss. But he starts sleeping on the beach alone and keeps running into these amazing sights to see. This is where we start to see him blossom and speak up. Its ever so slow but in episode 4 he actually walks up to a group of guys and introduces himself, interested in their boat related sport[?] (Or maybe even the guys themselves🤞) He's also the only one who knows about the Dad's affair and stupidly hints at it at the family dinner (he's just genuinely stupid).

Shane Patton: Also a resort guest and the funniest character to me. He's your run of the mill self-centered male Karen (Kevin if you will) and he arrives at the resort with his wife Rachel. They're on their honeymoon but so many moments make you question why in the hell did these two get married? He is in an unnecessarily one sided battle with Armond. First the resort accidentally downgrades his room. Armond gaslights Shane into thinking that he never purchased the bigger room. Shane gets a receipt. Armond tells him there's a German couple staying in the receipted room longer than Shane and his wife are there so the room will not be ready for them in time. Shane finds out the Germans are actually leaving wayy earlier. Armond apologizes and books them a romantic sunset dinner on a boat. The boat is actually a funeral where a strange grieving woman, named Tanya, fails to spread her mothers ashes in the sea. Shane confronts Armond and asks for Corperate's number. Armond creates a fake business card and when Shane realizes the number is fake, he bursts into Armond's office to find him rimming a coworker while high on Ketamine. Prediction: Armond's gonna get blackmailed for abuse of power in a classic Monicagate manner.

Rachel: Shane's wife. Rachel's a journalist who actually looked up to Nicole (her job as CEO of god knows what puts her in the public eye) but when she finally got to sit with Nicole over lunch, Nicole calls her out for writing an incredibly slut shamey article, claiming that Nicole used her femininity to get her where she is now. This is the first smack in the face that maybe journalism isn't for Rachel. Well that on top of the constant teasing from Shane about her career choices. Shane's family is much more wealthy than Rachel's and he always finds subtle ways to make it known. Shane also pays her no mind, flirting with Olivia and Paula and battling Armond. Even during their arguments (which happens too many times for newlyweds) Shane doesn't look at Rachel and just gives periodic "mhmm"s and "okay"s. Also Rachel hates the Mossbacher family simply because they all seem to be doing better than her.

Now for the boring ones

Tanya McQuoid: An eccentric resort guest (which is a polite way of saying, a weird ass person who is over polite and basically pushes herself into every other character's drama in the most unintentional way, she's also bad at reading the room) She comes off as calm and quiet but we find out that her mother recently passed and she's in Hawaii to spread her mothers ashes. She becomes creepily obsessed with the resort's massage parlor manager, Belinda, after a complimentary massage and suggests becoming a beneficiary so Belinda can open up her own massage parlor. Her "obsession" could possibly just stem from Belinda showing her an act of kindness during a hard time but I know I questioned Tanya's intentions for at least the first two episodes... In episode 4, some random dude, Greg, shows up and invites Tanya to dinner after "accidentally" mistaking her room door for his own. Tanya postpones a business meeting with Belinda so she and Greg can hook up that night. The presence of these characters feel a little out of place. Unlike the Newly Weds and the Mossbacher family, there is not a lot of plot overlap. Tanya will often pop up to converse with the others and brag about Balinda's skills but she doesn't cause any trouble. Tanya's also very wealthy so I definitely thing this "Greg" has some secret plot to take down Tanya or plant something or steal her cash and unfortunately I do not think Belinda will see anything bright in her future. Her plans will be left on the backburner which I say is unfortunate because she's a kind woc who is just trying to do her job and is clearly very skeptical about going into business with this strange, rich white, resort guest.

Honorable Mention

Lani: A Hawaiian native, trainee at the White Lotus. She shows up in episode one as her first day on the job. Later we find out she's also pregnant and goes into a premature labor on the job. She has her baby and disappears for the next three episode. Come back Lani, Armond has just started getting your name right!

Show Themes

The show does touch on conversations of race and class but I would not consider this a political show or one with an agenda (it's satire). I point out the characters of color here because their race becomes a device used to create tension but not in a Token POC kind of way. All the characters are rich and they are shamed for it by the show writers. By this I mean nobody is spitting in their faces and calling them Climate Killers but the choices the characters make, the things they say, and the way they act gives the viewer something to laugh at. Their ignorant entitlement juxtaposing with the beautiful Hawaiian beaches and tragic Hawaiian history creates an underlying experience of, look at these rich people not having a good time and they can't even realize why! As for the characters, there is plenty of time to sit back and question, is this character a good person, who's the real antagonist, how do these stories intertwine, who do we root for What story is attempting to be told here? What is the message!?

[froggycreekfarm]

Important lessons to learn from Gabby’s tragic life and death.

1. Based on the body camera video posted by the officers who pulled Gabby and her fiancé over for suspicious driving, some viewers assumed Gabby was suffering from mental illness and Brian was the stable one.

2. Some people may have assumed both partners were equally abusive and equally at fault. The old “it takes two” myth that doesn’t really apply to most abusive situations.

3. Some people may have even assumed Gabby was the abuser and Brian was the victim.

4. These assumptions are classic. Why? Because, in many cases, the target manages to keep things together until her breaking point, at which time others may see her crying or hear her yelling or see her breaking, and then they assume she’s “crazy.”

5. Meanwhile, the abuser plays the part of the poor, patient partner who has to deal with this crazy person. But all the while, he’s been acting very differently behind closed doors, pushing her to this point intentionally and feeding on her emotional break. He LOVES to see evidence that he has hurt her. He LOVES to see her pain.

6. For this reason, “breaking her” has been his goal from the start. It may take him hours or weeks or months or even years to break her, but he won’t stop until he gets that reaction, and then he’ll point the finger and say, “See? She’s crazy. I’m just trying to keep her calm.” And then he’ll do it again. And again. And again.

7. As a result, some people will buy into that false narrative. Even the target. Which brings me to my next point.

8. In the video, we see Gabby making many excuses for Brian’s behavior, and she takes all the blame for everything he does.

9. We also see Brian blaming Gabby and saying he was just trying to keep her calm.

10. This is also the norm for victims of long-standing abuse. A target becomes conditioned to believe everything the abuser does is her fault.

11. Also, she clearly doesn’t want Brian to be in trouble. She’d rather pay the price and protect the man she loves. Also, remember she truly believes he only acted this way because of her, so she doesn’t want him to be blamed. This is also the norm.

12. Smart officers see right through this. Others buy the cover-up story. (And because some officers are also abusers, they all too frequently side with the abuser even when they know exactly what’s going on.)

13. I actually credit the police in Gabby’s situation. They were calm, they separated the couple, they interviewed them individually, they split them up for the night, they did everything right. I’m sure the officer has tremendous guilt about the end result and wonders if he could have prevented it, but I don’t blame the officers in this case. I was actually pretty surprised and impressed with how well they treated both Brian and Gabby (and, sadly, I was thinking how rare it is to see that.)

14. Many people have been shocked by Brian’s family’s refusal to cooperate with police. I’m not shocked at all. Let’s look at that a little more closely.

15. I’m also not surprised to learn that Gabby lived with the Laundrie family for a year. We all see this family will do anything to protect their son, even at the cost of an innocent young woman who was a real part of their family and soon to be their daughter in law. While most of us can certainly understand them wanting to protect their child, they crossed a moral line when Gabby went missing.

16. But I think it goes deeper than that. I think it shows them as a system of enablers who not only allowed Brian to abuse Gabby over a long term (which probably led to her intense anxiety) but also a system of gaslighters who were probably always shifting the truth to keep Gabby confused and make her believe she’s the problem. She was caught in an entire system of abuse. And once you’re in that web, it’s very very very difficult to see a way out.

17. I imagine they probably contributed to her abuse from the start and encouraged their son’s abusive behaviors by rewarding him, making excuses for him, blaming Gabby, flipping the script, and keeping her in the fog that breaks down a person’s psyche and spirit over time.

18. Gabby and Brian had been together since their teens. This is also common. These immature relationships work beautifully when both partners grow together and mature emotionally. But when one wants to keep the other down, naive, and under his control…and the other is growing, learning, and maturing, it doesn’t work.

19. We hear Gabby tell the officer that Brain didn’t think she could do her travel blog. It seems clear that he didn’t believe in her and was trying to make her not believe in herself.

20. She also says he didn’t like her working and that he locked her out of the van because she wouldn’t calm down. But when you listen to the full video, it sounds like he was upset because they’d spent too much time at the coffee shop with her working on her website when he wanted to go hiking. She wasn’t in her seat when he was ready to leave. Control issues?! He squeezed her face with his hand in anger. He cut her down and criticized her, verbally abusing her until she was a wreck of tears. He was breaking her spirit, intentionally.

21. Why? Because her focus wasn’t 100% on him. And because she had found a job she enjoyed and was good at and that allowed her to connect with other people, when he wanted her all to himself.

22. She now had this one little piece of her life that he couldn’t completely control, so he wanted fo get rid of that. It angered him. He punished her for it. See the pattern?

23. The overall takeaway? When you see someone crying like this, don’t assume she’s crazy. Don’t buy into the false narrative given by the abuser. Don’t believe the cover-up story by the target who has been conditioned to carry all the blame and shame. And don’t assume she’s going to be okay. She just may end up your next recovered body.

24. If you or someone you love are in an unhealthy relationship, please don’t assume it will get better in time. I haven’t heard one single story where it got better. Not one. Not with therapy. Not with church. Not with prayer or forgiveness or complete surrender. Nothing works when the abuser is determined to destroy that target. He will not stop until she is erased from this world or from her life. And in many cases, he’ll walk away without any consequences.

Please don’t let the next Gabby be you or someone you love.

Domestic violence hotline: 1-800-799-7233

credit: Julie P Cantrell

[cadomoisspokenfor]

Legion Rewatch Notes,

Chapter 8:

The Revolution

Aw man, how unfortunate what’s happened to Clark. I feel soooooooo bad. I mean he was just humble div 3 agent, doing his job, gaslighting marginalized individuals, participating in a genocide. How cruel of those bad bad mutants to injure him so badly. He was only actively about to kill David. What could he possibly have done to deserve any of this?

In other words, the Clark propaganda is not working on me this time. At all.

Maybe don’t participate in a genocide? Idk :/

I normally hate when people type in the passive aggressive way I have been for the past few paragraphs, but goddamn, Clark deserves it.

He’s not quite as damaged... but he’s kind’ve like old David here, from the over-medicated living with Amy timeline. Again, not quite as damaged as that though.

Clark considers mutants a “threat to democracy.” 🙄 “Moral panic” I guess?

“The second I walk outta this room, i’m going to war.” There’s that word again. Clark could just... not, and they’d probably have more time to figure out how to safely eradicate Farouk. But because he doesn’t and David busies himself with peace treaties, Farouk escapes and continues to be a problem for the next year. Clark has a family. A husband and child who love him to death. And he chooses war over them. This pattern will repeat in other character. Technically this isn’t even the start of it.

Suit change, new cane, same Clark. This really doesn’t change anything, does it? He could go through the rest of the series in the suit he wore before and it wouldn’t make difference. The valiant hero dressing for an expected victory over their long time (relatively) rival, only to be stopped immediately by an unforeseen development. This pattern will repeat... tragically.

Considering Farouk!David woulda just dusted them, it’s probably nice for his friends to see the real him is much less violent. He just stacks em like a Jenga Tower, no need for anything more.

Also, Wilhelm scream from one of the soldiers.

He’s also talking strangely. In an almost too calm voice. Measured. He talks like this a few other times, but I think those times have sadder context. Maybe they reflect on this moment. He talks like how he talked when Farouk was mind-melded with him, but his intentions aren’t evil this time around. I guess this is just his “fully in control” voice.

Clark’s literally shaking where he stands.

The zoom in to Clark’s blind eye is reminiscent to previous zoom in’s to Walter’s foggy eye. I guess Clark has taken on the role of Walter, artificially. Makes sense since he’s now the main D3 representative/antagonist like Walter was before.

“I don’t care if you save me, or the world, if you don’t save yourself.” David will eventually choose himself over the world, and Syd. And Syd will hunt him for it. Goes to show how much things change in s2.

“You know the most dangerous thing about schizophrenia?”

“You’re not-“

“The most dangerous thing is believing... you don’t have it! That’s the trick, the mind killer, your disease convinces you you don’t have it. So, for example, one day in the hospital you meet a girl and she has some friends, and they tell you you’re not sick. You have superpowers. And more than anything you wanna believe it because that means you’re not crazy! That means you can fall in love and live happily ever after. But you know if you believe it, if you surrender to the hope and you’re wrong, then... you’re never coming back.”

“I’m here. I’m real. The power is real. You gotta accept it, otherwise we can’t move on.”

“I was in Clockworks for six years. Drugged, doing nothing. Contributing nothing. And now, finally I can be useful! I can help! Don’t you get it? I am so sick of myself. This only works if it’s not about me.”

“David...”

So... that’s a lot. David believes being crazy means he’s not allowed to fall in love, or be happy. He said the same sentiment to Amy before Clockworks. This whole season and this episode especially push David into his full “I’m not insane, I won’t believe you if you tell me otherwise” mindset. At the very least that’s the stakes we’re playing with. If David fully gives into the hope, even for a moment, he believes there’s no possibility for recovery. No possibility for love or happiness. Why even try after that? It’s life or death for him. “If the choice is between life and death, I choose life.”

I know this is all already known and talked about and circulated 100’s of times over in various fan circles, but it’s probably the most important line for David’s character (the speech, not the Farouk quote). It’s very ableist, yes, but at least in the moment it’s coming from someone who’s just being too hard on themselves, and not ya know, being actively validated by the show.

2 episodes ago David talked about being worried about an “invincible” feeling. The dangers of mania.

We also know from that episode that David is more at peace in a calm, responsibilityless setting (with Syd) than he is out in the real world. David’s gonna take on a ton of responsibility, some of it’s gonna draw him away from Syd. At multiple moments throughout the show David has known his own mental health better than any of the others, and even warned them about potentially dangerous slopes he could fall down without their help. Despite this, David is pushed further down a path he tells them is dangerous and is still blamed for what happens in the end. I feel like Oliver’s line from ep4 is relevant here again, “We are the root of all our problems. Our anger, our confusion, our fear of things we don’t understand.” Everyone wants David to be something other than... David. A hero, a god, there projected image of a perfect partner. Not just... David.

Man, the more I realize about David’s self-awareness in s1 the madder I am at Syd for saying all that ableist stuff to him in s2 as if he wasn’t already down on himself 24/7. “It never occurred to you that you’re the problem not the solution?” It’s occurred to him like 5 times by now and has been shut down by you at least 3 of those times. I don’t understand.

What’s strange is... to my recollection David doesn’t believe he’s invincible at the end of s2. Or that he’s not sick.

“Saint David.”

“I’m not saying that. I make mistakes.”

“Say you’re gonna let them kill me if I don’t let them turn me into something different. Something easy. Something clean.” He sounds sinister here, but it is an indication that he knows he’s not perfect. In fact it sounds like he’s trying to appeal to Chap 1 Syd’s mentality. Your disorder is what “makes you you.”

So what’s the message here?

“We can’t just kill people. Or is that who we are now?”

“That’s who they are.”

The justification for killing here is that they’ll kill them if they don’t. Div 3 will kill Summerland if Summerland doesn’t kill Div 3, is what I meant. David has a similar justification for killing Shadow King in s2. Well, he has a LOT of justifications for it, but that’s one of them. Syd doesn’t hear it then either. She does attempt to kill David herself though. I don’t quite understand where the line is.

“He was gonna kill you, twice.”

“With that kind of thinking wars would never end.”

So... he shoulda just talked to The Shadow King when they were both powerless? Talking is what ultimately ends their fight in s3... hmm...

Cary is more humane to their POW than Melanie and Ptonomy are.

The show doesn’t necessarily say it was Cary’s fault for leaving Kerry. Either way though, Kerry needs some space.

Melanie calls David a “world breaker” and outright says now that he knows that’s what he is, div 3 doesn’t stand a chance. I suppose... knowing that... is why they so readily team with Farouk. They stood no chance otherwise. Even then, at least hide him away till after the intervention.

David’s floating meditation pose is seen more in s2 and A LOT more in s3.

He puts the onus of ending the war on Div 3. As if to say, “If things get violent again, it’ll be on you, not us.”

People keep talking about “gods” “waking up” and “realizing they don’t have to listen to us/them anymore.”

When Clark says it David’s first response is, “Isn’t that the history of the world?” But it’s a red herring (or something else) cause he follows it up with, “People of different nations, different languages, learning to live together?”

Clark is afraid if mutants gain power they won’t show humans mercy or equality. This is a common belief among fascist. The “they’ll treat us like we treat them” argument. Only it’s rarely self-aware, and it isn’t here either. Clark genuinely believes he’s not doing anything wrong. It’s all somehow in “self defense.”

Ah, so Farouk and Syd are connected psychically. He entered her mind whenever she entered David’s. He psychically affects her at multiple points throughout the series.

Syd here is convinced to help The Shadow King by The Shadow King. And while he’s wearing a mask at that. Yeah yeah, this pattern will repeat. But still, Syd gives in relatively quickly here. Perhaps she just... doesn’t fully trust Summerlands capabilities? They are legitimately trying to get rid of Farouk, but Farouk has proven time and time again how dangerous he is. Or maybe the “unmake soup” thing is just that convincing to Syd.

Clark’s still standoffish, but he’s slowly becoming more cooperative.

Syd rolled a 4 on that hero speech. She needed at least a 7.

I legitimately NEVER noticed before that Syd secretly turns on the lab camera feed for Clark to watch. They weren’t trying to show him that.

David gets a chance to look back at his whole life and recontextualize everything.

David straight up halts Farouk’s theme. If Clockworks Podcast is right and he can hear that whenever Farouk shows up, this would be evidence of it. Alternatively, he was halting Farouk, and the music halting was for the audience. A fun subversion of expectations.

David describes him and Farouk as, “The Sun and Moon.”

Division 3 sees it. The monster they saw on infrared. Clearly a separate entity from David Haller. Clearly of a different disposition than David Haller as David Haller has acted very differently and non-hostile compared to when they saw him roaming those HQ halls. The monster and David are not the same. They see who their real enemy is now.

It seems evident there was no chance of David beating Farouk on his own here. I wonder why? Was it true? Is Farouk just too ingrained in his mind? Cary said he was like a, “Computer virus. Learning his systems, bypassing his defenses.” Maybe Syd remembered that, and that’s why she believed Farouk. Cause Cary had already said something similar before.

Clark could've escaped, but he stayed, then tried to help fight Farouk.

I feel really sad Oliver got possessed. It never occurred to me before he could even tell Melanie he remembered her. Melanie’ll just go on thinking he never remembered her for a year.

And thus it’s established. There are “good mutants” and there are “bad mutants.”

No one checks on Ptonomy :(

The Lenny that’s talking to Oliver here is still just Farouk.

Did the orb go back as far as it could? Or was this time specifically chosen? If it was chosen, it was probably because it’s very soon after Farouk had been expelled from David’s head, and before the big race for his body starts.

[silentfcknhill]

AtLA + LoK Villains Evilness Rating

(If you wanna dispute my ratings I’ll be happy to tell you why.)

ATLA:

Ty Lee - 0.5 /10

Cinnamon roll. Too pure for this world. Naïve and will put her faith in you 100%. Kind of ditzy but can take you down with no hard feelings. Needs to be liked by everyone. Is very flexible. Can strangle you with her legs and giggle while doing it. Chooses bad friends. Has frustratingly good luck. 

Uncle Iroh- 1/10

Actual angel but could still open up a can of whoop-ass if necessary. Too supportive and forgiving. Loves tea, sitting around, speaking in proverbs and leading by example. Probably considers you a friend. Surprisingly powerful but mostly peaceful. Hard to provoke but if you do, just run. Fear the nice ones. 

Jet- 3/10

Misguided and extreme but also traumatized. Don't get in his way. Kind of twisted and obsessive af. Ends justify the means, until they don't. Needs a proper role model and has potential. Can be unreasonable and is still kind of a jerk. Will gaslight you. 

Prince Zuko- 3.5/10

Conflicted, violent and angsty but mostly needs a lot of reassurance. Has a major boner for his honor. Will freak out over nothing. Has been through a lot and will not be underestimated. Grumpy and willful af and won't listen to you until it's too late, then will blame you for misleading him. 

June- 4/10 

Might beat you up or kidnap you for money but it's nothing personal. Might insult you as a way of flirting. Looks pretty and delicate but don't be fooled. Can beat you up in a split second and not break a sweat. Will probably take all your stuff and never give it back. Lives for the tough girl aesthetic. 

Mai- 5/10

Is just bored and over it all. Throwing knives is something to do. Apathetic and will probably just follow along with whatever including murder but will complain the entire time. Emo af. Would risk it all for a quick nap. Prone to bite your head off. Too smart for you and will let you know. 

Wan Shi Tong- 6.5/10

A total dick. Tired of your shit and is judging you. Thinks humans are garbage and won't get involved with them until it suits him. Don't touch his books or he will literally eat you. Nerdiest bastard. Doesn't trust you so don't try any shit with him. Sees through your pathetic lies. Kind of an elitist.

Combustion Man- 7/10 

Thinks blowing shit up is a form of art. Doesn't believe in communication. Very serious and focused. Do not fight him. Probably gets crapped on more than he deserves. A mystery wrapped in a bald head. Probably has a tattoo of the names of all the people he's killed and he's ready to add yours. 

Hama- 7.5/10

Traumatized old hag. Created bloodbending but too crazy to do much with it now. May kidnap you and keep you in a dank hole forever. Seems sweet at first but is hiding a lot of secrets. Don't eat her cooking. Thinks sitting at home scheming is a job. Hates you for whatever small thing you did to her 57 years ago. Forgets nothing. 

Long Feng- 8/10

Conniving af. Will brainwash you, lie to your face and maybe make you disappear. Wants everything and will plot to take it all. Perfectionist and control freak, will stab you in the back and you won't see it coming. Is tired of taking everyone's shit. Thinks he deserves better but he doesn't. Kills children. 

Admiral Zhao- 8/10 

Explosive temper. Huge egomaniac and narcissist. Hates the moon. Has probably killed a lot of people and fish and you're next. Will do whatever it takes. Won't listen to anything you say. Punch first, ask questions never. Jumps to a lot of conclusions, is usually wrong. Frequently embarrasses self. 

Koh the Face-Stealer- 8.5/10 

Terrifying and will probably steal your face. Do not approach. Too indifferent to chase you but can be sneaky af so watch your back. Doesn't handle emotions well. A total loner. The guy who knows everything but nobody wants to talk to. Fear him. To know him is to hate him. Makes you question everything. 

Firelord Azulon- 9/10 

Will order your execution on a whim and maybe a relative or two first for the appetizer. Do not question him. Will play favorites and call you out on things that are his fault. Overreacts and you should probably not be around when it happens. Disapproves of all your choices and is very vocal about this fact. Forces parents to kill their children. 

Firelord Sozin- 9/10

Will commit genocide and take over the world while yelling at you for minor shit. Kind of a petty and jealous asshole. Even if you think he is your friend he isn't and is going to attack you. A big old bully with bad breath and a wonky beard. The original starter of all drama and certified instigator shitlord. 

Princess Azula- 9/10 

Unstable and manipulative. Sadist who thrives off of your fear and suffering. Will hurt you badly in all the ways. Avoid at all costs. Acts cold and calculating but really has no chill. Demands your respect but won't earn it. Trolling you gives her pleasure. The spawn of satan and loving it. Mommy issues to infinity. 

Firelord Ozai- 9.5/10

Second worst dad ever. No soul. Will burn every tree and face to a crisp. Child abuse for breakfast, lunch and dinner. Actual sociopath. Will kill someone and banish you for it. Goatee comes first. Will project all his insecurities on you. Will tell everyone your secrets. World's biggest megalomaniac. 

LOK: 

Varrick- 3/10

Will probably lie, try to con you out of money, order you to do things for him and tell bad jokes but that's as far as it's gonna go. Eccentric and annoying af. Doesn't know when to shut up. Needs to learn some lessons in life. Attracts more trouble than he's worth. Has all the good gossip somehow. 

Bataar Jr.- 3/10

The guy that nobody likes because he tries too hard and ends up ruining everything. Enjoys being a bitch. Wants to rebel but is bad at it. Do you love me now father? Tries to act like he doesn't care what you think but cares way too much. Will not kill you but might get engaged to your ex to spite you. 

Police Chief Saikhan- 3.5/10 

Will do anything you say for a price, except give a fuck. Doesn't really care about anything. Might arrest you just because he doesn't like you. The type to pretend he didn't hear you just to avoid responsibility. Likes to yell into things. Hates helping people. Is actually a giant rock in disguise. 

Tahno- 3.5/10 

A total prick. Has nicer hair than you and won't let you forget it. Very flamboyant and arrogant. Will gloat over being better than you at everything even though he cheated every time. Talks mad shit but can't walk the walk. Ultimately a big baby. Lowkey protect him. Wants to be the cool kid but isn't cool. 

Desna- 4/10

Couldn't care less. Actual inanimate object. Lurks around for no reason. Hates everything and that includes you. Listens to his elders and would probably leave you for dead. Just wants to sleep. Secretly goth. Might actually be two small robots in a trenchcoat pretending to be human. 

Councilman Tarrlok- 4.5/10

Attention whore with a savior complex. Smol bean who wants approval. Acts arrogant but is secretly depressed and self-loathing af. Stubborn and clingy emotional wreck with impulse control issues. Needs a hug. Will probably manipulate you through guilt or charisma. Wants to be Lucius Malfoy, but cries at night. 

Hiroshi Sato- 5/10

Has lost sight of what's important. Total extremist. Will get revenge on you for something you didn't even do. Well respected and seems innocent but is plotting your downfall. Can build a whole army and take you down. Kind of a traitor. Loyalty is volatile. Thinks he always knows what's best for you but doesn't know shit. 

The Lieutenant- 5/10

In way over his head. Wants to make a difference but has let bitterness take over. Will probably electrocute you. Puts his faith in the wrong people. Kind of snobby and will hold a grudge. 99 problems and benders are about 98 of them. Tired of being pushed around but still lets himself be pushed around. FLOPPY MUSTACHE. 

Aiwei- 5.5/10 

Thinks he's better than you and probably isn't. Wants to be sneaky but really is just too predictable. Boring af and tries to be unique but fails miserably. Lets everyone take advantage of him. Don't lie to him. Will harbor resentment and take it out on you at a random point in time. Discount Long Feng but not as smart or ambitious. 

Eska- 5.5/10

Will stalk you aggressively. Thinks slavery is a relationship. Eyeliner sharp enough to kill. Never betray her or she will destroy you. Might use you as a footstool. Seems emotionally dead inside, but don't test her dormant waters. Uses everyone and feels no guilt. Hipster trash. No concept of boundaries or social interaction. 

Ghazan- 6/10

Sarcasm game strong enough to fatally wound you. Doesn't say much. Has tree trunks for limbs and will probably use them to throw lava and rocks at you. Lowkey protective af. Don't get on his bad side. You can't get on his good side. Would rather kill everyone including himself than let you win an argument. 

Zaheer- 6/10

A wannabe hippie but will still fight the system and you too. Don't try to control him. Gets annoyed when people breathe too loud. Is kind of a contradiction. Will literally blow you away. Anarchy equals freedom. Fuck the police. Can sit in the same spot for a really long time. Probably a flat earther. 

Ming-Hua- 7/10

Has a significant disability but can still easily slaughter you. Innovative and sneaky af. As fast and agile as an actual lemur. A natural disaster wherever she goes. Doesn't listen to your advice. Overcompensates a lot. Probably her own worst enemy. Is quiet and likes to eavesdrop on your business. 

Kuvira- 7.5/10 

Wants to control everything. Who invited her to poop the party? Highkey evil and just plain mean. Will use your corpse as a decoration if you get in her way. Secretly petty and superficial af. Thinks social bonding is trying to seduce you in order to take charge of your life. Individuality punishable by death. Even other villains hate her. 

P'Li- 7.5/10

Can explode you with her mind. Her gaze will pierce you to the core. Strong independent and violent woman who don't need a man but chooses to have one anyway. Will shave you off just like the sides of her hair. Has no problem fucking shit up. Boss bitch. Loyal to only a select few, so too bad for you. 

Amon- 8/10

Charismatic but scary and mysterious af. Huge hypocrite. Will silently judge you. Powerful, selfish and cruel. Manipulative as hell and uses intimidation to get you to comply. Pretends to have empathy but really just wants control. Will cripple you physically and emotionally without warning. Knows all of your weaknesses but none of his own. 

Earth Queen Hou-Ting- 8.5/10 

The actual worst. Eats your pets for supper. Her yelling is the #1 cause of deafness worldwide. Will keep you prisoner and then have you killed for looking at her. The bossiest Drama Queen ever. Will be the cause of all your misery and will be proud of it. Bark is the same as her bite. Lots of daddy issues. 

Chief Unalaq- 9/10 

Religious extremist. Actually batshit insane. Wants to destroy the entire world. Has ascended from this pathetic plane of human existence. Loner whose only friends are invisible. Wants you to think he's just shy and misunderstood but NOPE. Knows what you want to hear and says it. Will sell you to satan for one cornchip. 

Yakone- 9.5/10

Worst dad ever. Will either bloodbend you, try to live vicariously through you or both. Absolutely no redeeming traits except for being physically human. Abuse equals tough love. Might beat your ass for no good reason and expect your gratitude for it. Criminal mastermind with no conscience and all of the entitlement. 

Vaatu- 10/10

Actually the devil. Literal incarnation of darkness and chaos. Ultimate troll and force of disaster in the world. Doesn't know any better, but still an asshole by choice. Will use you until you're no longer of value. Has a hard-on for destruction. Likes to play the victim. Will consume your soul and burp loudly.

[yououghtaknow]

hey! are you able to answer this ask with a short summary of chapter 6? i'm really thankful for your author's note with the warnings; the topics covered are heavy and i want to avoid them, but i still want to know what happens/happened and not fall behind on this season (which i'm loving btw, the musical concept is genius)

hi!!!! thank you so much for the ask, and of course i can provide a summary for you. i’ll try to keep it short but i do tend to ramble, and this clip had a Lot of information :)

so the clip begins in the western ballroom (the bar from e3 c6) at ellie’s birthday party. al, the theatre squad and various other teens are there having fun. al sits down with destiny and they have a chat about how she was treated in clip 2 of episode 6. destiny says she just wants to perofrm and doesn’t really care about how she gets treated, which al doesn’t think is fair. around this time, the girl disappears. 

they discuss working with spotlight, and how they had planned to create some pieces of writing to make spotlight a better place, but didn’t go through with it. destiny reveals that the reason al got the job at spotlight was because ellie had been secretly planning for months to get him to come back because she’s in love with him.

this triggers something in al, but he pretends everything’s okay as destiny walks away and ellie comes up to him - which is where we get the musical number “one kiss” from bare. a guy named guy flirts with ellie, but she rejects him, leaving al and ellie alone together - al is clearly panicked but ellie doesn’t notice. she reveals that she has feelings for him and kisses him - which also triggers something for al. he quickly excuses himself and hides in the bathroom.

the girl reappears in the bathroom as we see al begin to have a panic attack, but he’s confused as to why. the girl cryptically says that they need to remember something, and al then has a ptsd flashback, where everything goes black and white.

we flash back to around the time season 1 was airing and see a past version of al and ellie walking home together. ellie asks al to stay over for dinner at her house, and al says that he’s been at her house for dinner almost every day for months, and he wants to spend time with his family. she begs him to stay with her because she’s scared of her mother, so he does. she suggests they have a sleepover, and then they walk away. current al and the girl watch them, and current al is confused. the girl says they need to remember more.

we then get “nobody needs to know” from the last five years as we see the next morning in ellie’s bedroom. a past ellie and al wake up in ellie’s bed, and we see the extent of their toxic relationship, with ellie yelling at al a lot and manipulating him into sexual things with her. it’s a very cyclical relationship, with ellie using anger and sadness to manipulate al, and we see a calendar on the wall showing multiple years, implying that their dynamic had been like this for many years.

current timeline al then realises his sexual trauma and is very overwhelmed, as is the girl. they take a moment of silence together, before we flash forward to around season 2 time with a very rewritten version of “nonstop” from hamilton.

we see past al very enthusiastically directing the spotlight production of be more chill and then giving a presentation on how to improve spotlight’s working conditions at a spotlight brand meeting, which gets shot down. he then goes to ellie’s house in the middle of the night and asks her to help him get his point across better, but she refuses to help, causing them to have a huge fight.

we then get a flashback to season 3, with the scene of al and jake after jake’s mother injured him (and when jake talked about his mother’s “craziness”). and then we flash to the summer between seasons 2 and 3 and we see al, destiny and someone called irene sanchez write a series of essays explaining why and how spotlight should treat their minority students better - and we learn that al around 21/27 essays.

we then get a flashback to esther asking al to help with rent, and we see him accept as we get the big climax of “nonstop”, because all of this took place during that song. it was a Lot. it ends with the girl reminding current al that he “threw away his shot” with both theatre clubs.

and we begin a new scene with a flashback to november of 2019 as al goes into louise’s office and tells her that he’s quitting spotlight. she’s very upset with him as he logically explains his reasons, using a binder he’s filled with information as a source. al talks about the transphobia he’s faced and how he’s very unhappy at spotlight, and louise gaslights and manipulates him to try and get him to stay, but he doesn’t.

al tells louise about ellie’s self harming and eating disorder, and louise doesn’t believe him, which finally triggers al to have a meltdown, repeating that he’s not crazy and that he’s not lying. al also mentions a time when louise came into ellie’s room and night and saw ellie assaulting al but didn’t do anything and left. 

ellie then walks in, having heard the yelling and is very confused as al goes nonverbal, having a very emotional meltdown. louise threatens to “send al away”, and al forces himself to calm down. we then get “mama who bore me (reprise)” from spring awakening as al goes back into the office, and louise has hidden his binder from him. and we see current al, watching this, is getting very upset and overwhelmed, and we come out of the flashback and return to the present.

back in the bathroom, we get the end of “mama who bore me (reprise)”, and al and the girl talk about why he went back to spotlight - because they “wanted” him, but he realises that they don’t actually want him as a person, louise and ellie just want the things he can give them. the girl then says that they need to do “defense”, and we get the song “defense” from we are the tigers.

the girl and al begin to make a defense plan, to take away “the one thing ellie and louise have over them” - their reputations. al realises that the people of spotlight need a hero, and we see him and the girl leave the party. outside, al meets kayla and lies to her about having food poisoning, and tells her to tell everyone he’s too sick to stay at the party - and as he and the girl walk off, he says “let’s get to work”, and the clip ends.

i know you said you wanted a “short summary”, but truly so much happened in this clip that’s important for people to know that i just had to include it everything that you need to know going forward. if you ever need a summary like this again, feel free to ask!!!!! hope you’re having a good day <3

[be11atrixthestrange]

Wendell Wilkins

Ludo Bagman meets a peculiar man at a bar.

It seemed like a normal bar. A normal muggle bar. And he really needed some normal right now. Ludo figured it unlikely there was anyone from the Ministry waiting to arrest him in an Australian muggle bar, so he took a deep breath, and stepped inside.

He took a seat at one of the barstools and noticed his reflection staring right back at him. He observed his appearance from a few different angles in the mirror on the wall behind the bar. His self-transfiguration was holding up pretty well. The red tint of his hair still looked relatively natural, or at least, like a natural attempt at an amateur hair-dye job, which made him look even more like a muggle. His eyes were unrecognizably brown, and his stature was exactly the same, because he knew that a completely different appearance would look suspicious to a British Auror.

Ludo had gotten himself into quite a bit of trouble back in England. As it turns out, it's hard to hide magic from muggles, especially if you're married to one. Eleanor's gullibility only took her so far, and when she caught Ludo levitating objects around the house, he couldn't explain himself.

He did his best to convince her it was all in her head, but unfortunately, gaslighting her wasn't the savior to his marriage he'd hoped it would be. When he came home to find her standing in their empty home, bags packed, he knew he'd never see her again. So he pulled out his wand, and wiped himself from her memory, even though it broke his heart to do so.

He was almost relieved to receive that letter from the Ministry notifying him of his crime— breaking the statute of secrecy. He laughed when he read it. If that was the only crime they had records of, good on him. He wasn't concerned about getting caught, he was concerned that they finally knew his address after all these years. But he was grateful. It was the perfect excuse to flee the country, and finally leave the memories of his happy marriage behind him. Another fresh start.

"I'll have a Newcastle," said a familiar accent beside him.

Ludo stiffened in his seat. He wasn't expecting to hear another British accent in a Melbourne bar. The likelihood of randomly sitting next to an incognito Auror was so small, he convinced himself not to worry. At least not yet.

The man next to him appeared about ten years older than him. He had dark but greying hair, thick glasses, the appearance of someone who had just gotten off an airplane, and was trying to kill time before checking into a hotel. His clothes looked expensive, but it also looked like he hadn't changed them in days. It was a peculiar appearance.

"What's the name for the tab?" asked the barkeep.

The man next to Ludo paused before he answered. "Wilkins."

Fake name, thought Ludo. He would know, because he frequently had to pause in order to remember his alias of the day.

The man named 'Wilkins' accepted his Newcastle, thanked the barkeeper, and then pulled out a notebook from his bag. Ludo turned to observe the man more closely. The notepad was already covered in neat, tiny writing, and he squinted as he read it again, a thoughtful look on his face. Ludo thought it unlikely that he recognized him, and figured his best approach would be to make conversation with the man. Worst case scenario, he'd know quickly if he had to make a run for it. Best case, he'd find out the man really wasn't a British wizard in disguise.

"Did you just fly in from London?" asked Ludo.

The man turned to look at Ludo, eyeing him up and down before shaking his head. "Been here a few months. You're from England?"

Ludo nodded. "First time in Melbourne." He extended a hand toward the man. "Leo Wilson," he stated, offering a fake name.

The man looked him in the eye before accepting his handshake. "Wendell."

Wendell Wilkins, thought Ludo. It still sounded fake, but then again, so did Leo Wilson. "Nice to meet you, Wendell," he said with a nod. He turned back at the barman. "I'll have a Newcastle too."

When he had his drink in hand, he raised his glass to Wendell. "To England," he said. The two men clinked glasses and took a sip.

"What brings you to Melbourne?" asked Wendell.

Ludo shrugged. "A change of scenery," he said. "What about you?"

Wendell paused and took a long swig of his beer before he answered. "Honestly, I'm not sure. I guess me and my wife just wanted something new." Ludo narrowed his eyes suspiciously at the man. It sounded like he hadn't quite thought through his backstory. Wendell diverted the question expertly. "Do you have a wife?"

"Had."

An empathetic look crossed Wendell's face. "Sorry to hear that."

Ludo shrugged. "It happens. What about you?"

Wendell nodded. "Monica. But if it makes you feel any better, things with her haven't been great since we came to Australia."

This sparked Ludo's curiosity. "That's too bad," he said insincerely. "Problems with the ladies. That calls for another round, I believe." He had an ulterior motive of course. Maybe if Wendell drank just a little bit more, he would reveal whether or not he was a threat. He ordered them each a second beer, and the men toasted to their marital problems, and drank.

He listened intently as Wendell recounted his relationship issues. Evidently, things had just felt off between him and Monica since their arrival in Australia. They couldn't quite remember why they decided to move, and they argued about it constantly.

There were some weird things they couldn't explain, like the general fogginess, the forgetfulness, and the constant deja vu. They couldn't seem to agree about very simple aspects of their former lives, such as what town they used to live in, where they worked, and who their friends were. Something big seemed to be missing, and neither of them could put a finger on what it was.

They blamed it on each other, and assumed what was missing was passion. Love. They decided they had moved to Australia to reignite the missing flame of their marriage, but clearly, it wasn't working.

Wendell had other theories, but they didn't sit well with his wife. His theory was that something was missing from their lives, it had nothing to do with their marriage, and it wasn't an accident. Wendell thought something sinister was going on, but Monica thought he was crazy.

"Be honest," said Wendell after draining his second beer. "Do you think I'm crazy?"

Ludo motioned to the bartender to order a third round. "No, I don't think you're crazy."

It was true. Ludo didn't think Wendell was crazy at all. And unless Wendell was a particularly gifted actor, he definitely wasn't a wizard in disguise.

Wendell was a muggle. An obliviated muggle. Ludo was sure of it.

There was no recognition in Wendell's eyes as he talked about his past life. It was the same empty stare he saw in Eleanor after he wiped himself from her memory, and it broke his heart. Seeing that same fog in Wendell's expression broke his heart all over again.

"What's the notebook for?" asked Ludo, his curiosity getting the better of him.

Wendell looked hesitant at first, before sliding the notebook over toward Ludo. "Sometimes, when I drink, I remember things, and I write them all down. I draw them if there aren't words."

Ludo studied the writing on the page before him. At first, it looked like gibberish, but he started to decipher patterns in the letters. The letters "HJG" appeared over and over.

"What is HJG?" he asked.

Wendell glanced around him as if he was concerned someone would overhear him. He shifted closer to Ludo before he answered. "I think they are initials."

"Your initials?"

Wendell shook his head. "Although Wendell Wilkins doesn't feel like my real name, I've given up trying to remember my own initials. I think those were the initials that I was meant to forget."

Ludo scowled at the paper. He turned to a previous page, where Wendell had drawn a picture of a large orange tabby cat. He turned the page again, this time revealing four words in a slanted scrawl that repeated across the page.

Draco Dormiens Nunquam Titillandus

Ludo felt his breath catch in his throat. "What does this mean?" he asked, although he knew perfectly well what it meant.

Wendell sighed. "It's Latin for 'never tickle a sleeping dragon'. It sounds mental, I know." He took another sip of his beer before shrugging. "It felt important."

It was important. Draco Dormiens Nunquam Titillandus was the Hogwarts school motto. There was no way Wendell had written that down by coincidence. The motto was part of the school emblem, which appeared on the uniforms, the school post, and any memorabilia that a student might take home to their parents. Ludo remained certain that Wendell was a muggle, because even the most skilled obliviater couldn't wipe their own magic from someone's memory. There was only one other way Wendell would know the school motto.

"Wendell, do you have any children?"

Wendell sat up straight and looked Ludo in the eye. He appeared to study him, as if determining what answer he should give. He must have seen an earnest expression in Ludo because he eventually nodded. "A daughter. At least I think I do. I just can't quite remember."

They sat there in silence for a while. Ludo couldn't help but think about his wife— ex-wife, and wonder. Where did she go when she walked away from him with that blank stare in her eye? Did she have a notebook full of scribbles that hardly made sense to her? Was she currently sitting at a bar trying to remember her marriage? Was she also living in a constant fog, questioning her own sanity?

He had never once stopped to think about the lasting effects before he wiped her memory. Instead, he naively assumed it simply erased his problems, and moved on. But now, watching 'Wendell', sipping away at his third Newcastle, he was faced with a harsh reality. This man clearly hadn't been home in days. He looked like he hadn't slept in longer. He was three drinks deep on a weekday morning, scribbling nonsense into a notebook, and telling a complete stranger about his forgotten daughter. He clearly wasn't doing well.

Ludo was positive he'd never see Eleanor again. He'd never be able to help her. But maybe he could make up for that, by helping Wendell right now. He'd already broken the statute of secrecy once, what would be the harm in doing it again?

"Wendell, do you want to find her?"

He squinted at Ludo, assessing his seriousness. "That's what I've been trying to do."

Ludo nodded and looked straight at Wendell's somber, yet hopeful eyes. He took a deep breath. "I can help you."

Wendell narrowed his eyes skeptically. "How could you possibly help me?"

Ludo took another sip, as if to fill him with more courage. He was good at lying to muggles, but not telling the truth. He tried to ignore the feeling of foreboding that came over him, telling him that this was a bad idea. If he couldn't give the truth to Eleanor, he owed it to Wendell.

Wendell needed a friend, and so did he. This would be good.

"I can help you, because I'm a wizard. And I know what happened to you."

There was a prolonged silence. Ludo stared directly at his Newcastle, but he felt Wendell's eyes on him, burning a hole through him. He reluctantly turned to face him.

Wendell's expression was unreadable, but the blankness that characterized his eyes before had all but disappeared. His face was filled with recognition.

Was it hopefulness? Sadness? Shock? Ludo couldn't tell. After all, he didn't really know Wendell. He was a complete stranger. Maybe he shouldn't have said anything at all.

Then Wendell spoke softly and stiffly, as if it required a great effort to steady his voice. "You're capable of making people forget?"

Ludo sighed. Then nodded. "I'm also capable of helping them remember."

"Are you the one who did this to me?" he nearly whispered.

Ludo shook his head firmly. "No."

"Did you do this to your wife?"

Ludo froze, regretting sharing any information about Eleanor. Although he never answered affirmatively, his hesitation confirmed Wendell's suspicions.

"Shame on you."

"Wendell, just trust me—,"

"No!" Wendell shouted, loudly enough that a few people looked up. He looked around self-consciously and whispered, "I could never trust you."

Ludo studied him. Anger, and fear. That's the expression he read. He saw the same emotions on Eleanor's face right before he obliviated her.

"Everything ok here?" asked the barman, clearing both Ludo and Wendell's empty bottles.

"Yes," said Wendell, still glaring at Ludo.

"Ok then," said the man, before disappearing behind the bar.

"Don't talk to me anymore," said Wendell, who swiped his notebook back, and turned to face the bar.

Ludo could have left it at that. He should have left it at that. But his moral compass had never pointed due north, and he couldn't stand the thought of someone else knowing he was a criminal. Especially someone who didn't trust him. He was supposed to be in hiding.

Maybe he could fix it. He fished for his wand in his pocket, making sure to slip it almost entirely up his sleeve before pulling it out. He pointed his forearm toward Wendell, who must have felt Ludo's gaze on him, because he turned toward him.

Wendell's gaze drifted down to Ludo's sleeve, and his eyebrows shot up. "What the hell are you—"

"Obliviate," muttered Ludo, and he watched the anger and recognition fade from Wendell's eyes, and they were suddenly strangers again. Wendell turned back to the pages of his notebook, and ran his fingers over the words Draco Dormiens Nunquam Tittilandus. Ludo felt his stomach sink as he mourned the loss of a potential friendship. Part of him wanted to try again, because he really could help Wendell, and Wendell seemed just as lonely as Ludo. He opened his mouth to speak, and almost introduced himself for the second time.

But he didn't. Even though his moral compass wasn't always correct, it sometimes got close, and at this moment, it seemed like the right thing to do was to let Wendell be. So he held his tongue, and hoped he would find his daughter someday. Ludo fished his wallet out of his pocket, and left enough muggle money on the bar to cover Wendell's last three drinks.

"I'll have a Newcastle."

It was the last thing Ludo heard Wendell say, before he stood up, and left the bar.

[mankai-onlyfans]

Mankai Method Acting 6/2

Character Profiles

Spring Troupe: 🙇‍♂️ Host Club

Itaru Chigasaki --- Ruby

• Welcome to the Shining Jewel Host Club, where all our guests are treated like royalty, the shining jewels in our crown. Ruby is the ringleader of the host club, and the most requested member of the club. He began the Shining Jewel as a fun side business with his friends. Charming, suave, and considerate, he's the picturesque boyfriend.

Sakuya Sakuma --- Emerald

• Emerald has been friends with Ruby since high school, and they've always talked about going into business together. While Ruby is the dreamer and visionary, Emerald serves as the critic, considering each plan and picking out the flaws to be solved. He's as sharp as his name, quick to call out those around him, and is perfect for guests who prefer a tsundere type.

Citron --- Jasper

• Jasper has the most gap between his real personality and his host persona. In real life, he's cunning and sly, always arranging the chess board in his favor. But if you showed any of his guests this side of him, they wouldn't recognize him. As a host, Jasper is the epitome of the boy next door, and he charms guests of all types with his innocent and sweet charm.

Masumi Usui --- Sapphire

• Sapphire takes care of most of the runnings of the Host Club, from budgeting to catering. If Ruby is the director, then Sapphire is the stage manager. Sapphire aims to be the caretaker boyfriend, anticipating his guests needs and pampering them beyond their wildest dreams.

Tsuzuru Minagi --- Onyx

• Onyx plays the part of the sleepy boyfriend. Cuddling, dozing, and sharing snacks is the way he shows affection to his guests. He loves any form of skinship, and will get pouty if his guests play coy about it. Onyx is fully content with this arrangement, and most of the time doesn't even consider being a host as work.

Summer Troupe: ⚽️ Sports Stars

Misumi Ikaruga --- Kenta

• Kenta loves soccer. It's his biggest passion in life, and all he wants is to be able to play with his friends and have fun. But once he enters high school, team tryouts start to get more cutthroat. He's the only one of his friends who makes it onto the new team. Faced between a chance of popularity and his closest friends, Kenta decides to rewrite the rules, and forms his own soccer team with himself and his friends, determined that they can be successful if they all stick together.

Tenma Sumeragi --- Hiroshi

A ball of energy, Hiroshi is team's loveable goofball. He's always cracking jokes and keeping his friends' spirits up. He was the first to join Kenta's new team - the Uncooked Noodles - and is the most determined, behind Kenta himself, to see them succeed.

Muku Sakisaka --- Aito

Aito is a jack of all trades, but he struggles with focus. He's in almost every extracurricular at school, and his friends don't know how he keeps track of everything. The answer is his digital planner, which is more valuable to him than gold. Aito is under a lot of pressure from his parents to get excellent grades, and upkeep all of his extracurriculars, even though soccer is the only one he really enjoys.

Yuki Rurikawa --- Yosuke

Yosuke was always a lone wolf. He hasn't been playing for as long as the others, and his biggest fear is being deadweight to the team. That's why he trains twice as hard, oftentimes collapsing by the end of practice. But seeing his friends' smiling faces as they help him to his feet makes him feel like he's finally a part of something.

Kazunari Miyoshi --- Koji

• Koji is the goalie for the team, and the biggest skeptic of Kenta's plan. He was the last one to officially join the new team, but after seeing how passionate Kenta was, it made him start to believe that this crazy idea could really work.

Autumn Troupe: 🎤 Rock Band

Taichi Nanao --- James

• The battle of the bands is coming up soon, and James is ecstatic. It's always been his dream to take his garage band Static Shock to new heights. As the leader and drummer, he doesn't get as much spotlight, but that's alright with him. All he wants is to have fun making music with his best friends. But trouble starts brewing when the rival band in town scouts his lead singer, Tony. Will he and the rest of his crew be able to pull together and win the competition?

Banri Settsu --- Lenny

• Lenny steps in as lead singer after Tony leaves, but they are some big shoes to fill. He'd only done backup vocals until now, and he's struggling to balance playing guitar and delivering consistent vocals. He's worried he may have to give up guitar for the good of the team, but he's not giving up yet. Determined and fierce, Lenny is eager to make the most of the limelight now that it's on him.

Sakyo Furuichi --- Griffin

• Bassist of Static Shock. Griffin is laid back and positive. He's always offering food and drinks to the others, and breaking the tension with a joke or two. He was best friends with Tony before he left, and without Tony's serious attitude to balance him out, Griffin hasn't been taking this competition seriously enough. Now James is worried that Griffin may jump ship too, to stick with Tony...

Omi Fushimi --- Squash

• Squash is a man of few words. He plays the keyboard exceptionally well, because he's actually a classically trained pianist. But ever since his friends started Static Shock, he's had more fun playing simple chords for them than the accomplishment he feels from playing even the most intricate pieces of music. Though he doesn't say much, he's always there for his friends, offering a shoulder to cry or lean on. And when he does choose to speak, it's often to give incredibly good advice.

Juza Hyodo --- Tony

• Tony didn't want to turn on his friends, but the Zippers made him an offer he couldn't refuse. Actually getting paid to sing. Having a paid gig to put on his resume will put him one step closer to going pro. He tried to tell the others it was nothing personal, but he still feels bad about abandoning them.

Winter Troupe: 💥 Yandere

Tasuku Takato --- Daniel

• Daniel is a businessman, unassuming, and utterly alone. He's stressed and unsatisfied with his job, and is looking for a change. That's when he stumbles across a business card for "Silken Thread", a night club. Figuring he has nothing to lose, he visits the club that weekend, is able to relieve a little stress and get in a few drinks. Little does he know that his movements were being closely monitored by the club owners, who have found a new muse in Daniel. After he heads home, he expects his life to go back to normal... expect now it seems that he has four new secret stalkers- er, admirers.

Tsumugi Tsukioka --- William

William invades Daniel's workplace under the guise of a new intern. He's clumsy, but a hardworker, and very friendly. He wants to get closer to Daniel, and loves everything about him, his face, his body, his voice, his cute expression when he's confused or scared... but William would never hurt Daniel, and in fact protects him from others most of the time. Yandere level : 3/10.

Hisoka Mikage --- Timothy

• Timothy isn't as subtle as some of the others, and instead begins following Daniel. Daniel grows paranoid and eventually confronts him, but Timothy insists that he and Daniel are old friends, that they went to the same college campus, doesn't Daniel remember? Timothy seems harmless and friendly, but he slowly begins gaslighting and charming the people in Daniel's life, including his family, in the hopes of seamlessly becoming an important person to Daniel. Pretty soon, it'll be like he had been there from the start, just like it should be... Yandere level : 5/10

Homare Arisugawa --- Jeffrey

• Jefferey is a romantic. He starts sending Daniel love letters, handwritten. In his own blood. Isn't that the ultimate show of devotion? After Daniel changes addresses, he starts calling him on the phone, leaving cryptic voicemails and promises that soon they'll be together and nothing can tear them apart. Daniel tries to contact the police about it, but he's unaware that the voice he spoke to was actually Jeffrey once again. Daniel's so cute, thinking he can call anyone he wants to... Yandere level : 8/10

Azuma Yukishiro --- Charles

• Charles becomes Daniel's new therapist. Even tempered and soothing, he fits the roll so perfectly that no one would suspect the madness lingering just below the surface. Charles is singleminded with his infatuation of Daniel, and in his role of a therapist, he's able to learn all the details of Daniel's life, slowly twisting Daniel's memories and mindset to love Charles himself, and him alone. He may play nice on the outside with his fellow club owners, but Charles is not above killing to keep Daniel all to himself... Yandere level : 10/10.

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Please send in any questions you have for these characters today (6/2) and our actors will respond in character, as part of our 100 followers celebration! 🎉

[silenthillmutual]

I beg your pardon! It’s me who is going mad.

So, I know I did a Twitter thread about the ways Daniil is manipulated in Classic, and I thought I’d put it on here too.

I’m going to stop short of calling it gaslighting here though, because too many people are using that term who don’t really understand what it means. Gaslighting is specifically a form of abuse where the intention is to make the victim feel they are going insane. Not all manipulation or abuse is gaslighting - which doesn’t make it less bad, just...not gaslighting.

That being said: in Classic, there are quite a few times where Daniil can say that he thinks he’s losing his mind, and there are times when the game seems constructed to make you feel this way. Particularly I had in mind the ending of the game, and not just the part where you find out you’re a toy and always have been (that falls more under cosmic horror). What bugs me about the end and how that fits into things, is the fact that the Sand Pest and its outcomes have been chasing you - the clouds, the angels, the muggers, the firestarters, the rats, literally chasing you through houses and through town, only for all of it to completely vanish without a trace on the exact day you’re meant to give a solution to it all. I made a point on Twitter about how people attempting to gaslight you will submit you to a large amount of damage - physical, verbal, emotional, take your pick - and then remove the abuse and any signs of it just before they’re caught. it’s how they show to others that it’s you who’s the problem, not them. 

Regardless of whether you think the intention is to make Daniil feel he’s losing is sanity or not, the question would be who is manipulating Daniil, and why? There are a couple answers.

The first answer is the Town. The first playthrough as the Bachelor of the game is probably the closest fitting to psychological horror as the game gets. Like Silent Hill, the Town is full of horrors that seem tailor-made to torture Daniil specifically: most of these people are uneducated (the Town doesn’t even have a school), their cultural beliefs (mostly appropriated from the steppe culture) actively prevent him from doing his job as a doctor, his word and name are constantly weaponized by people with ulterior motives, and men run around on the first two days beating women to death or burning them alive and intervening actively costs you reputation - which you need to do anything. He arrives with the hope of finding evidence to keep his lab opening and, as we later learn, keep himself from execution, only to find that both the man who would serve as this evidence and the colleague who informed you of his existence have been murdered just before your arrival. You have a lot of things riding on your success, and everything about where you are is actively working against you. The government wants you to find a cure single-handedly, but the Town has other plans for you. 

And those plans are: errand boy, and scapegoat. People throughout the Town will inform you that they are scared of you when you’ve barely interacted with them, let alone in ways that should inspire fear. It doesn’t matter how good your reputation as Daniil is (and through the course of the game, there’s very little you’re made to do that lowers your reputation, and it never gets bad enough for you to be attacked on the street or refused sale from shops), what matters is the fact that everyone in Town, from the nameless NPCs to the rulers, are putting every bad thing they’ve done down as being your fault. 

But the Town has another way it’s manipulating Daniil, by almost making him a member of it. I don’t think I got a screenshot, but I’m sure that somewhere along the line Daniil comments that he’s starting to talk like one of the townsfolk. You can see this happens to Andrey, too, later in the game; he talks in what Daniil calls “Griefisms”. 

You have been sent here to fight an adversary that inherently cannot be beaten - in foolish hopes that a miracle would happen and your outstanding mind would stumble upon a once-in-a-million chance. And just so that you wouldn’t give up, they kept insisting that the adversary must be destroyed. Do you see how insidious the Powers That Be are?     > But why? Their motives are becoming less and less comprehensible to me by the day.

The second answer is the Powers That Be.

Three people enter the Town that the Powers That Be want to get rid of: the Bachelor, the Inquisitor, and the Commander. It wants them all to fix or solve or demolish something in the town, and doesn’t really care what happens to any of them. Pathologic 2 spells it out clearer for you that Aglaya, Block, and Daniil will all be executed upon return to the Capital if their answers are not what the Powers That Be want to hear. And for the time that you are in the Town as Daniil Dankovsky, the Powers That Be - like the town itself - actively work against you. The trains that are meant to bring food and medication never, to my knowledge, arrive, and most days bring about a new letter from the Powers spelling out for you how disappointed in you and your progress they are. Some of the ways they attempt to manipulate Daniil through these letters are subtle, but most of them are unsubtle suggestions that what he’s been able to accomplish is not good enough, that he was meant to work alone.

Even one of your first letters from them is suspicious; early on in the game, they write to let you know that they are in no way responsible for the outbreak, which is an incredibly suspicious thing to say. What is the point of sending such a letter? Would the player have really thought that they were if they hadn’t suggested as much through denial? After all, what called you to Town was a letter from Isidor Burakh. But yet, the Powers That Be are the ones who leave you stranded in the Town with limited resources, no help, and constantly shifting goalposts. Aglaya makes this clear to you when she arrives: you were never supposed to be successful. 

The letters from the Powers That Be do not serve any purpose other than to upset Daniil, and most if not all of them contain lies: that a train will be arriving, that they don’t mind if you have help in carrying out your plans, that Thanatica still exists, referencing conversations you’ve never had, signing drafts of letters you didn’t consult on with your name. One of the reasons i had put this down as gaslighting is because people who gaslight like to keep you off balance and emotionally fragile so that you’re easier to manipulate. You’ll do whatever they want to make the feeling stop, because you just can’t handle the stress anymore, and in the process you come across to others as unreasonable, unhinged, crazy, dangerous, so that no one will trust you. And that’s exactly how Daniil starts to come across to the townspeople: deranged, strung out, dangerous, untrustworthy.

You can contrast all that to a different letter they send you where they claim to be proud to call you one of your own. Combine the two, and you get honeymooning. They want to remind you of the good (or at least, not-as-bad) times you’ve had with them. This behavior serves two, sometimes three purposes: to keep you off balance from the violent back-and-forth, dizzying nature of what they’re doing to you, and so that you’ll defend them to people who can see what’s going on and want to get you out of it. You’ll even convince yourself that you’re not really being mistreated. If you were being abused, would they be so nice to you? 

You are the last friend our family has. I hope our attachment to you doesn’t look obtrusive.      > It requires too much from me. I’m not comfortable with it.     > No, not at all. 

The third answer is the Kains. Specifically, Georgiy and Maria repeatedly manipulate Daniil, though I’ve no doubt in the text above Victor stating their attachment to Daniil is also a manipulation, and one possibly planned by either or perhaps both of them. The text above probably looks normal, but think about the purpose it serves: to reinforce that Daniil is friendly with the Kains. Your only two options are to say that it doesn’t bother you, or to express that you feel your boundaries are being violated by their attention. But I even thinking about picking that option... Well, it feels mean. 

Throughout the game, people will comment on Maria’s attachment to you and what they feel is your predestination to be romantically paired with her. All this, despite the fact that you don’t really interact with her that much. I’ve seen this be explained as forced heterosexuality, but I think it also is a way of the Kains manipulating Daniil into doing what they want. Daniil gets upset whenever people cry; when children cry, he tries to calm them and fix whatever’s upset them - there’s an entire sidequest after the army arrives in which Daniil kills a group of soldiers, spurred into action by upset children. Whenever he encounters Maria crying, he reacts with discomfort, and she uses these tears and upset to manipulate Daniil into thinking Aglaya has lied to him, effectively distancing him from one of the only people in the game with a rational mind to show him support and tell him the truth. I don’t think the two are in any way unconnected. Something abusers, manipulators, gaslighters love to do is isolate you so that you only have one source of information to go to. If they cut you off from other people, they can continue to feed off of you. You’ll never have a chance to question if what you’re being told about yourself or others is correct, you’ll just be a constant supply of drama for them. 

DANIIL: Was there any particularly notable backstory? I’m deadly tired of all these people. They’re inhuman. They tell the future, believe in walking zombies, and die in all manners of painfully abnormal ways. 

AGLAYA: Your line of thinking is obviously fallacious - and I was implying something rather mundane. I promise you no one can really tell the future around here and neither are deaths inspired by third parties uncommon. Mysterious phenomenons do occur here sometimes... but hardly more often than anywhere else.

You can see, first, the effect all this has had on Daniil, how dispiriting the past several days have been to him. But you can also see here exactly why a family that prides itself on multi-generational reincarnation and manipulation through “fortune-telling” wants to keep its blunt instrument in the dark. 

That is, ultimately, why they are manipulating Daniil. Georgiy knows full well when he tells Daniil at the beginning that everyone, even himself, will lie to Daniil, that being that honest upfront is more likely to lead Daniil to trusting him. They want to sway him to their cause; this is why you are told that your success here depends on the wellbeing of the people Maria considers useful: herself, her father and uncle - who she gets out of the way later on to come into her power, the architects of the Polyhedron - which she will use to ascend to power, and the theatre director who has pledged himself to be her loyal servant. Eva’s on the list, too, but her inclusion was deliberately set up to make you depend on the Kains later in the game, considering that it’s Maria who convinced her to commit suicide:

DANIIL: Why did Eva die then? AGLAYA: I have a distinct suspicion she was made to die. DANIIL: By whom?  AGLAYA: One of the Kains. I’d even go so far as to claim that they may have performed human sacrifice.

It’s a two-for-one deal: try in vain to make a Focus of the Cathedral, and remove from Daniil the last piece of influence who was not totally in love with Maria. Maria “cries” and is “upset” at you for thinking Eva’s death is her fault, but no one directly tells you Maria is responsible - all Aglaya does is tell you the Kains are at fault. The rest is just you remembering how nasty Maria was about Eva at the beginning of the game. I wouldn’t even say that Maria was removing a rival for Daniil’s affection. She really does only view Daniil as an object: if you speak to her on day 12, she assumes that you’re leaving, and doesn’t even ask you to stay (for kicks, contrast this with either ending of Pathologic 2 when you speak to Daniil as Artemy, where he’s supposed to be your rival. what was all that about Maria being in love with you...?); he’s not even present in his own ending cutscene. Even Mark Immortell says you’re leaving -

And actually, that’s a really fascinating conversation you can have with him on day 12. It’s where the game outright admits exactly what Aglaya told you: it’s all fake. Maria cannot really see the future, you’ve just been manipulated the entire game to achieve someone else’s goals, and unless you’ve gone around and saved Artemy’s or Clara’s bound, it’s too late for you to turn back and make a different decision. If you’ve picked Daniil’s ending, you just destroyed an entire town on the basis of outright lies. 

[bloodraven55]

Gaslighting as a Form of Abuse in RWBY

With another comic focussing on an abuse victim having just been released today in the form of Weiss’ issue of the DC comic series, I want to tackle another analysis post in the hopes of bringing some more understanding surrounding emotional abuse to this fandom because in some parts it seems to be sorely needed.

There are a couple of points I’d like to address in this post, the first being the identity of the person speaking to Weiss during the sections set post-V3 in the comic. Most people assume it to be Jacques, but some also think it might be Willow. I can understand both arguments, and I’m not totally decided myself yet on which I think it is.

On the one hand, the type of abuse seems more subtle and manipulative compared to Jacques’ usual direct and aggressive approach, and we’re never actually shown who’s talking, which could suggest Weiss’ mother. But on the other hand the only thing we know about Willow is that she drinks to excess and fights with Jacques a lot so there isn’t really any basis to assume she would be manipulative towards Weiss, and the tone of the dialogue does fit Jacques’ sleazy and condescendingly pleasant demeanour that he assumes when he’s pretending to be nice to Weiss like in V4, so it would also make a lot of sense for it to be him.

For the purposes of this article I’m simply going to refer to them as Weiss’ parent to avoid any confusion and prevent me having to change it later if we get more information or I form a concrete stance on who it is. Their identity doesn’t impact the content of the post at all so it seemed the most logical solution.

With that covered, let’s move on to the main thing I want to talk about, which is the parallels between the way that Weiss’ parent gaslights her in the comic and the way that Adam gaslights Blake multiple times throughout the show but primarily in his Character Short.

“You are not the first Schnee in history to suffer disappointment, and this behaviour is really rather excessive…”

“Blake, I'm sorry. I told you it was an accident.”

This first part is representative of the main principle of gaslighting, which is to undermine the other person’s judgement and make them doubt their own ability to think rationally so that they’ll act the way you want them to.

Weiss’ parent diminishes her suffering by claiming it’s no worse than what other people have been through before—an interesting reference to the quote in the White Trailer which directly contradicts it by stating that “everyone is entitled to their own sorrow, for the heart has no metrics or forms of measure”—to invalidate Weiss’ pain.

Adam downplays the importance of innocents being killed on his missions by framing them as mere “accidents” to make Blake seem paranoid and foolish for being concerned by them and prefaces it with an insincere apology so that she’ll immediately feel bad because she thinks she’s hurt his feelings.

These both show the abuser using the way they talk to make it seem like the victim is totally detached from reality and as though their point of view on the situation must be false, leaving the abuser’s way of seeing things as the only correct option.

“Weiss, I just… don’t understand why you’re behaving this way. You act as though you’ve been kidnapped or imprisoned, and that is simply not what happened.”

“I don't know. I'm out there fighting for us, and when you fight, people get hurt.”

This is a continuation of the first part, further cementing the supposed “irrational” nature of the victim’s behaviour and showcasing the abuser moulding the scenario so that they’re never the one in the wrong.

Weiss’ parent feigns confusion and disbelief at the fact that Weiss is upset at being dragged away from her school and friends against her will, insisting that she isn’t being forced to stay and outright denying the validity of Weiss’ perception of what happened.

Adam dismisses Blake’s concerns at the deaths he’s caused by shifting the blame away from himself, falsely presenting the loss of life as an inevitability of fighting, and placing himself as the victim who’s having his heroism questioned.

In both cases the abuser warps reality to make themself seem as though they’re in the right so that the victim will stop trusting their own perception of events and come to believe that their abuser is right.

“It is natural to be unhappy to leave Beacon Academy, but friends come and go, and go more often as they get older… but family is forever.” / “And if you did have to leave those radicals, those ‘friends’ behind, well… all the better.”

“What, do you want me to just abandon our cause? Like your parents?”

This part ties into another major aspect of emotional abuse which is isolating the victim from their support network of friends and/or family so that they have nowhere else to go and no one else to rely on. However, it is also another example of gaslighting as it involves making those close to the victim appear like the bad guys in order to push the victim away from the people who might try to help them and further into the abuser’s control.

Weiss’ parent describes Weiss’ friends as “radicals” and mocks her bond with them, saying that it was good for Weiss to leave them and reminding her that she’s alone now without them, even spinning it to sound like they never cared about Weiss at all in the first place and as though her family—a.k.a. them—are the only people she can trust.

Adam deliberately brings up Blake’s parents, which he knows is a vulnerable topic for her, to remind her that they’re “traitors” and brand her a traitor too by association, reinforcing the idea that he is the only one she has left.

I suspect that this is the aspect of gaslighting that most people have the least trouble identifying since it basically amounts to guilt-tripping and even the majority of people without much knowledge of emotional abuse are aware of how that works.

“Weiss, sweetheart, please, don’t sulk!” / “Weiss, I love you, but you are really quite overreacting to the whole thing.”

“I'm sorry. I shouldn't have brought them up. I just get scared when it feels like you don't believe in me anymore.”

This part I think is what blinds a lot of people to the fact that emotional abuse and manipulation is happening. And that’s because the abuser offers what might appear to be a sincere expression of affection or a genuine apology, when in reality it’s simply a way of convincing the victim that everything that they’re going through is for their own good and that their abuser has their best interests at heart.

Weiss�� parent calls her “sweetheart” and tells Weiss they love her, while in the same breath solidifying the idea that her behaviour is unwarranted and undermining her grievances.

Adam apologises for mentioning Blake’s parents after the damage is already done, while in the same breath making Blake feel guilty for being worried that he’s killing people and making it her job to reassure him instead of the other way around. He deliberately blows what she says out of proportion so that he can pretend to feel hurt in order to illicit sympathy from her.

The veneer of niceness that the abuser uses to hide the way they double down on their manipulation is what makes this facet of abuse hard to spot and can lead other people as well as the victim into thinking that the abuser is right because they seem to be being honest, when in reality it’s all part of how they manage to deceive their victim as well as sometimes serving the added purpose of further isolating the victim from their support network as the people close to them will often side with the abuser here.

“At a certain point, you have to take responsibility for your role in all of this. If you choose to continue in this way, Weiss, then we will have no choice but to keep you here. And you’ll have only yourself to answer to.”

“Why did you have to come into my life and ruin everything?!” / “… but not before you’ve suffered for your betrayal, my love.” / “I wouldn’t have to be doing this if you’d just behave.”

And this final part is a clear example of the end goal of emotional abuse, which is to make the victim think that everything bad that happens is their fault. This is achieved by distorting their perception of reality via gaslighting, as we’ve already covered, so that they trust their abuser’s judgement before their own and will believe it when they’re told that they’re the one to blame for the harm that the abuser causes.

Weiss’ parent makes it Weiss’ fault that she’s not okay with being confined within her own house in a relentlessly unpleasant environment and puts the blame for it on Weiss while claiming to have “no choice” but to inflict pain on her.

Adam places responsibility for the results of his own actions—a.k.a. Blake leaving him, his losing power in the White Fang, etc.—on Blake instead of himself and insists that if she doesn’t “behave” then he has no option but to punish her.

When people in this fandom blame Weiss and Blake to any extent whatsoever for the actions of their abusers, they’re doing the same thing as Weiss’ parent and Adam do here. It’s victim blaming pure and simple, and y’all who are still saying that Weiss deserved to be “disciplined” by Jacques and denying Adam’s abuse of Blake need to just stop.

If you’re interested in reading some of my sources, then here’s a list:

How to Recognize Gaslighting and Get Help

11 Warning Signs of Gaslighting

What is gaslighting? And how do you know if it's happening to you?

You’re Not Going Crazy: 15 Signs You’re a Victim of Gaslighting

[emeraldbirdcollector]

Why David Tennant and Catherine Tate are the BEST Benedick and Beatrice EVER.

I have just seen this version of Much Ado About Nothing. 

https://www.youtube.com/watch?v=OS1wo_8L3Yc&feature=youtu.be

https://www.youtube.com/watch?v=QBEyNB5pFhI&feature=youtu.be

It is STUNNING. Not just for the physical comedy, though Tennant is an absoilute master of physical comedy, especially that involving hips, and Tate is right up there with him. (Tennant chews the scenery just as much as Branagh did in the same part, but Branagh appears to be doing it to call attention to himself, while Tennant manages to convince you that the scenery is Tasty and he’s enjoying his meal thoroughly.) Not just for the kid who shows up at random bits and gets laughs by Being A Kid. 

But Tennant’s Benedick and Tate’s Beatrice get some things right that I’ve never seen a Benedick and Beatrice get right before. 

(This is going to get long, so I’m going to put the rest of this under a tag. Please excuse me while I geek out in geeky fashion. This is my favorite play and now this one is my favorite version of it.)

They get the seriousness of what Claudio does to Hero. Both of them do. It’s a hard thing to grasp in our modern age, where an accusation like that and a rejection might break a young woman’s heart and leave her the subject of unpleasant gossip for a little while. but no worse. In the context of the play, though, Claudio would have been kinder to run Hero through with his sword. He has effectively and completely ruined her life for good, denied her marriage of any sort, denied her any chance at a healthy adult life and family, left her a lonely pariah outcast and rejected by even her dearest family members (or at least she’s supposed to be, but while Leonato goes along with it, Beatrice, bless her, refuses utterly). Which is why when she is proven innocent, he needs to make a Very Public confession of how wrong he was and how innocent she was, to undo the damage he did to her (and even then, there’s probably some remaining). 

Leonato is bitterly shamed and furious - first at Hero, but then when he’s finally persuaded that she’s innocent, at Claudio and Don Pedro. But his fury is for the shame brought on him and his family name. Hero is a symbol to him, his Sweet Obedient Daughter who has been a Good Girl so far and made him proud, and he is perfectly willing to turn on her the moment she doesn’t fit that image any more. 

Only two people immediately and completely believe Hero innocent and stand by her. The Friar, who as a Man of God is pure of heart enough to see Hero’s purity - and Beatrice, who loves Hero as her sister, who sees her as a human being who has been bitterly betrayed and wronged, who reaches out to embrace and protect her, who is utterly furious on her behalf. Hero is a person to Beatrice as she is to no one else, not just a role being played or a mobile piece of decorative household furniture that has suddenly developed an unexpected and not-previously-visible flaw. And maybe Beatrice also feels a bit of guilt there, because she wasn’t sharing a bed with Hero that night and can’t prove her innocent, likely because she was busy mooning over Benedick. 

Benedick - and Tennant does this masterfully - is stunned and in shock, and has no idea which way to turn. His loyalties are ripped nearly in two by the wedding scene - he trusts and is fond of Claudio and the Prince, but here they’re doing something really shockingly awful to a woman beloved of his own darling Beatrice, and Beatrice is as convinced of her innocence as he is of Claudio and Don Pedro’s honorable natures. He’s sure there’s got to be some misunderstanding. He wants to blame Don John, whom he does not like or trust, instead of his friends. He wants to restore sanity, find the solution, fix things. He’s the one who keeps pulling Leonato away, preventing him from hurting Hero physically, who joins with the Friar in urging everyone to calm down and think rationally, who wants to hear everybody out and find a sensible explanation for all this.

And then he’s alone with Beatrice, and her grief visibly hurts him, to the point where he blurts out his love for her just because he wants to comfort her. And for a while, she does cheer up, and she confesses her feelings too, and for a moment he forgets the situation and rejoices in her love - and then she tells him to “Kill Claudio,” and he’s shocked back into the moment. 

What Catherine Tate gets right here is Beatrice’s RAGE. She is furious at what has been done to her innocent cousin (whom, given the difference in their temperaments, she has probably looked out for and been protective of all their lives). She is absolutely merciless as she outlines, piece by piece, just how badly Hero has been wronged, belied, betrayed - and how brutal Claudio has been, and how vital it is to stand up for Hero now. She is frustrated almost to the point of madness because she can’t do it this time, she can’t fight Claudio, she hasn’t the training or the physical strength, But she will damned well make sure someone does, even if it means sending the man she loves out to either die or kill his best friend. Claudio. Must. Die.

Most Benedicks here retain a sense of torn loyalty, and go off to fight Claudio reluctantly because Beatrice demands it and it is an essential task to win her heart. Tennant’s Benedick listens to Beatrice, hears what she has to say, genuinely respects her judgement - and he is persuaded. His loyalties rip completely, and he willingly chooses his side, not just because Beatrice is on that side, but because Beatrice’s side is the right side. He challenges Claudio because he firmly believes Claudio has behaved badly and should be called out on it, and he resigns from the army because he has been persuaded that Don Pedro is no longer a fit leader to serve.  He loves Beatrice not just enough to fight for her cousin, but enough to listen to her, to trust her, to respect her, to be convinced by her. And that is why he is worthy of her - and why Don John could not get him, ever, the way he got Claudio, because Benedick would have talked to Beatrice, one lover to another, and worked out what was going on, rather than throwing her aside like a piece of artwork he bought that turned out to be a forgery. 

And in the end, most Benedicks are relieved to be able to pin everything on Don John and cheerfully, completely reconcile with Claudio. Tennant’s Benedick doesn’t, quite. He gets, as other Benedicks have not, the significance of the line being “An you are like to be my kinsman, live unbruised,” instead of “an you are innocent, let us be friends again.” There’s a bit of menace in his delivery of that line, even a warning slap in the face on the “live unbruised” - what he’s really saying is not the usual, relieved, “Oh, good, you’re innocent and it’s all that bastard John’s fault, so we’re friends again,” but “I saw what you were willing to do to my kinswoman, my wife’s best friend and sister. She’s forgiven you, and she’s in your power now, so I’ll make peace with you for the family’s sake. But try that again, and I will END you.” (To his credit, Claudio accepts that as deserved, which it is.)

Tennant and Tate also do an absolutely brilliant job of convincing the audience from the beginning that they’re really crazy in love with each other, letting their love for each other show through their sparring, making it clear that the sparring is just a protective shield to keep the other from breaking their heart again (and it’s quite clear that they’ve had some sort of relationship, and it broke - probably because Benedick was afraid of commitment - and now they’re each convinced the other hates them, but they’re still unable to stop thinking about each other, so they cover it up by constant bickering and insults). Beatrice can’t help asking the messenger if Benedick is back safely from the wars - she frames it as insults, but she’s clearly been worried. Benedick is genuinely hurt by Beatrice insulting him to his disguised face at the ball (and oh, that disguise, and the way Tennant wears it, it’s gorgeous- those HIPS omg) - unlike Branagh’s Benedick, who seems more resentful of the blow to his ego and the insult to the wit of which he is so proud, Tennant’s Benedick is brokenhearted because he’s just heard the woman he really loves dismiss him with apparent contempt and dislike. Beatrice, when questioned by Don Pedro, makes it quite clear that she’s lonely, but that she’s not prepared to marry for anything but real love - and pretty much confesses outright, in that quiet and vulnerable moment with someone who cares and won’t mock her, that her heart is still Benedick’s. And just before the eavesdropping scene, in Benedick’s monologue, he adds just a little tweak to the description of the Ideal Woman Who Could Convince Him To Marry that makes it quite clear he’s thinking of Beatrice and her alone. The palpable relief they show when they can finally admit their feelings, and when they realize the other still loves them, is glorious. They can’t keep themselves from bursting into laughter at inappropriate moments, not just because the situation is funny, but because they’ve just got so many FEELINGS and they’re finally able to be let out and it’s such a relief that they’re both downright giddy. It’s adorable. 

I would also comment here that it’s not just Tennant and Tate, though they steal the show - the other actors in this are brilliant, too.  Elliott Levey as Don John is masterfully insinuating and sneaky, a talented gaslighter, while Tom Bateman’s Claudio is just innocent and gullible enough to be readily deceived, and manages to show a level of remorse and repentance once Hero’s innocence is revealed  that make me feel less sorry for Hero having to marry him in the end than I usually am. You get the feeling he might genuinely have learned from his mistake and might be a better person in future. Jonathan Coy, as Leonato, plays him as a comfortable, genial sort of squire whose world has been turned upside down, and who is furious and out of his depth and passionately determined to get his honor back, whether that means throwing away his cherished daughter or killing his former potential son-in-law. Someone is going to pay for publicly humiliating him (not Hero, him). 

 Adam James’s Don Pedro has an easy air of authority - until Don John’s treachery is revealed, at which point he seems genuinely shaken. And he makes his proposal to Beatrice seem genuine - he’s charmed by her and attracted to her, and while he’s not yet as much in love with her as Benedick is, you get the feeling he might be, had he been given time and encouragement. I didn’t believe that either Denzel Washington’s Don Pedro - though I loved him - or Reed Diamond’s had a thing for Beatrice, but I get that loud and clear from this one. Her rejection hurts him - but he’s an honorable enough man that his next move is to get her fixed up with the man she is obviously pining for, a man she considers worth rejecting a wealthy prince for. (And rejecting him is a big deal. When Leonato thinks Don Pedro is wooing Hero as himself for himself, he gives her quite clear orders that she WILL be wooed, because after all, he’s the PRINCE. Beatrice literally turns down Prince Charming for a man of far less wealth and status, and he realizes why, given that she’s practically confessed to him a few minutes before that she’s still got feelings for Benedick - “I gave him use for it, a double heart for his single one...”) During the eavesdropping scene, he quite clearly says, “Would she had bestowed this dotage on me - I’d have doffed all other concerns and made her half myself,” and he’s only partly mugging for Benedick’s benefit, part of that is genuine, I think. And at the end, when he sees her happy with Benedick, he’s happy for her - but there’s some pining on his own behalf, too. Which makes Benedick’s “Get thee a wife!” a bit of a barbed phrase, and you can see the barb go home.  

I can’t find the name of the woman who played Margaret, but she was a delight, too, as playful and witty as Beatrice and clearly an old and cherished friend of both hers and Hero’s, as well as a servant. Certainly not afraid of talking back to her employers, well aware that Beatrice and Benedick have it bad for each other and quite willing to tease both of them mercilessly about it, but genuinely fond of both of her ladies and wishing both of them well (Borachio makes it quite clear that her seeming betrayal of Hero was innocent and unknowing, and that he was the schemer, not her). When Benedick tells the Friar and Leonato that he wants to marry Beatrice, she gives the most adorable happy squeal. I hope she continues as Hero’s lady’s maid - Hero needs someone tough and witty in her corner, though of course she’ll always have Beatrice (and now Benedick, in a brotherly sort of way) on her side as well.

John Ramm’s Dogberry and Mike Grady’s Verges get their parts thoroughly right, too - they are delightfully dim, but full of self-importance, trying SO HARD to be witty like the aristocratic characters, and they have NO IDEA what they are getting wrong. They overact like crazy, but they’re supposed to.

 Alex Beckett’s Borachio is first casually flip about his villainy and proud of his cleverness in getting so much money out of Don John and fooling the noble Don Pedro and Claudio - but then he hears that Hero died of it, and you can see the seriousness of that hitting home. He’s not as much a villain as Don John. It shakes him, that he killed an innocent woman, and you get the feeling that his confession to Leonato was not drawn from him by the constables, incompetent as they are, but came straight from him. And he takes all the blame himself and makes sure to exonerate Margaret. There’s some honor left in him.

All in all, this is the best version of my favorite Shakespeare play that I have ever seen. You should see it too.  

[yutaya]

Iron Fist Rewatch: 1x01: Snow Gives Way

-Someone barging into Ward's office acting like they own the place and also know Harold is alive must have sent such a jolt of fear through Ward for a second

-Ward puts himself between Danny and Joy when it seems like Danny might get physical

-Ward tells Joy not to have Danny arrested - Harold concerns?

-Danny PTSD set off by the elevator turbulence?? But he was fine going up. Just stress induced? He's shaking.

-FOR THE LOVE OF GOD DO NOT BREAK INTO THAT HOUSE

-Joy's dog just disappears after this episode?

-Danny just meditates or something to get that dog to calm down. Calms his mind so as to seem not a threat / not present? Is Danny some sort of animal whisperer? I'm now positive that at some point during Danny and Ward's Adventures Across Asia, they were stranded somewhere for some reason, Ward is complaining about being stuck in some muddy backwater hick town or whatever, Danny just sort of strolls up to some large animals (attached to a cart? Wait, that would be stealing. Hm...) goes all zen state, then says to Ward "they'll take us to the next town" like that's a normal series of events and not COMPLETELY INSANE, DANNY, WHAT THE F---.

-Pictures on Joy's shelf: Harold with his arm around young Joy, all six of them on some vacation. Rands + Meachums kind of separated in this photo, though. Don't people normally stand closer together in group photos? Also, young Joy much shorter than young Danny. Note: Wendall's hands on both Heather and Danny's shoulders. Harold's hand on Joy's shoulder. Ward and Danny both have hands in pockets.

-"Dad says rules are for pussies" ;___; (Young Ward refusing to pay monopoly rent because he just doesn't want to. Starting the corrupt financial elite training off early, huh?)

-"Oh, here comes Mommy and Daddy to protect you and give you lots of hugs and kisses and tell you what a sweet little boy you are. It's disgusting. *sweeps all the game pieces off the table even though they've clearly been playing for awhile and it's not like Danny just won he was only asking for like $200*" Ward, you dramatic bitch. Also, they were literally only saying they were home, not necessarily rushing in to protect Danny from the Big Bad Ward refusing to pay $200 monopoly money. Metaphorically, I suppose this is still Ward being a sore loser, though. It's not monopoly Danny beat him at, it's having parents who love him. T_T AND THEN HE LIES ABOUT IT, PLAYING THE BELEAGUERED BABYSITTER, ASDFGHJKL - WARD. (Note: neither Danny nor Joy speak up against this blatant unfairness. Previous failure? YOU'RE SUCH A BULLY, WARD.)

-Big Al is first person to be friendly to Danny and I'm sure Danny doesn't forget it. Headcanon Danny is def actively caring towards 'lower class', including homeless and drug addicts, and actually sees + treats them as equals. Classism definitely a theme in these shows with the people who struggle financially like Colleen being the kindest and most charitable and the rich being assholes.

-But also why is he informing Danny that the internet can be used as a search engine with no prior indication in their conversation that Danny doesn't know this? I mean, Danny does not, in fact, know this, but.

-In the news article, the photo of the Rands is the same one in Joy's apartment, but the Meachums are not there. However, they are not merely cropped out: the background extends into the spot they should occupy. Did some poor news article graphic designer have to go find a photo of that tourist spot background at the exact right angle and photoshop them together to get rid of the Meachums, or was Joy's photo a photoshopped family vacation image, which could have explained the awkward distance between the two families, even though it wouldn't have been that hard in editing to set them all closer together? Maybe they all still went on the same vacation together, but instead of asking a passerby to take a photo for them, both families took photos of each other and then someone combined them at a later date? Practically speaking, that still means the angle would be likely to be off for the background, and it's also suspicious that there are zero other tourists around. These rich families rented out the entire space?? Would lend to lack of external parties to take a group pic for them. Obviously, IRL explanation is they're all photoshopped onto a static background, but fun to think of the in-universe reasons. ...Actually, most likely explanation is that they took multiple photos - Rand only, Meachum only, maybe also kids only, Wendall+Harold only, etc, as well as group. So this entire train of thought is inconsequential. Oops.

-Harold had a big event funeral, "mayor and everything"? That must have been fun for both Harold and Ward, with significantly different usages of the word 'fun'.

-Hello Joy, not only did I follow you home to accost you at your front door the morning after I attacked the security at your workplace to enter your probably restricted top floor executives offices, I also did extensive research into your childhood history down to the position you and your friend played on your childhood soccer team, oh and also I broke into your house yesterday where I interacted with your dog. Now watch while I prove my physical prowess by flipping over a taxi.

-Bird flying into city while Danny meditates?? Symbolically, follows the idea of the bird flying through the pass that was Danny's sign to leave K'un Lun and return to NYC. Spiritually - what? AU where the bird is Danny's spirit animal and he's connected to it / seeing through its eyes right now. For the HDM AU fans: bird could be Danny's separated dæmon? (Would a HDM AU Danny's dæmon be a dragon? Honestly, idk how much dragon stereotypes match Danny's personality. Would have to think about that. Would be funny if someone else had the dragon dæmon, not any of the Fist holders.)

-Danny. Danny. Colleen JUST HUNG THAT FLYER UP. Take one of the little tabbies, if you must, that's what they're for, but don't take the entire flyer down! Those cost money, you know. And it takes time to cut all those little tabbies out and then go around hanging the flyers up.

-Colleen be like "dear god, this is why you shouldn't be nice to people, they start trying to hit on you, @ random park dude, please stop talking at me and following me while I continually shift out of your line of vision"

-Danny: "Hey you speak Chinese? I speak Chinese." Colleen: "I'm Japanese you dick. :)"

-Ward: I'm gonna make sure our personal security team is guarding you against this clear and present threat, but also we're still not calling the police??

-Ward turns this from either a crazy homeless guy or a scam artist into a potential organized corporate sabotage - the kind of threat that Joy is more easily able to compartmentalize her emotions on and crush under her heel?

-Ward just gets into a moving vehicle with someone he has verbally acknowledged as an active threat to his family. Did you have ANY stranger danger safety lessons growing up, Ward?

-Danny now appears to be actively threatening Ward, while using the reasoning that Ward and everyone else have been seriously trying his patience and he's in danger of losing his temper, but he's still giving Ward one last chance to back down. Note: this is a technique commonly employed by abusers, and probably more triggering to Ward than Danny knows, even though Danny probably actually does think he's being sincere as opposed to manipulative.

-->Aaaand Ward responds by ratcheting up instead, because of course he does, IMMEDIATELY leading to the gun to head scene. oh, geez.

-Danny provides personal details - probably this is the moment Ward starts to believe it might actually be Danny somehow, against all logic and reason. He looks shaken, then immediately starts trying to gaslight Danny. asdfghjkl WARD.

-->Ward lying to Danny's face and putting himself in the position of the righteous with Danny as the person in the wrong when they both know it's a lie is very reminiscent of the monopoly scene from when they were kids and the implied constant behavior from when they were kids. But this time, Danny doesn't accept it the way he did as a kid. He stares at Ward, remembering this pattern, actively teetering on PTSD flashback mode, and fights back. Makes Ward think he might be about to kill them both - while having flashbacks that hinder his ability to stop so Danny in hindsight gets freaked out about what he almost did too. (Note: looking freaked out and claiming he didn't mean to almost kill them both just now was probably more concerning to Ward rather than less.) And then he promises he'll be back because this isn't over. gdi, Danny, no wonder Ward wants you gone asap.

-Colleen, trying to tell Danny to go away because he's being a creeper: TAKE A HINT TAKE A HINT

-Danny, casually: Oh yeah Master Lei Gun "The Thunderer" used to smack me hard in the face with the practice swords

-Colleen bringing a sword to a gun fight

-Danny grabs enemy's gun, but not to use as weapon/defense - only to disarm it and run off - which Colleen sees.

-What festival is this that's happening in Chinatown? Has anyone figured out an IF timeline? Could compare dates to real world events, see if there's any potential cross over.

-None of these bystanders so much as bother to look at the fistfights happening 2 feet away from them

-Ward sitting in his office eating his food (it has decorative greens so you know it's ~fancy~) and answers his phone smiling because he's expecting the good news that Danny-probably-an-impersonator-but-also-potentially-maybe-not-but-we're-not-thinking-about-that-Ward-get-a-hold-of-yourself is dead. Way to be a villain stereotype, Ward. I know you try real hard at it so good job uwu

-Harold intro. Ward clearly at his beck and call and just as clearly resentful of it. "I think...” *resigned* “-of course, right away." is such immediate shorthand for someone abusing the power imbalance. (Note: Ward puts off approaching Harold with the "Danny problem" until night 2, tries to handle it quietly until he has implicated himself (Danny now knows Ward tried to have him killed) and Danny is still present and now an even bigger threat)

-So many elevators. All express to specific floors/areas? This lobby is so unsettling. Elevator leads to another hall full of elevators, then stairs, then handprint access to hall with second elevator into penthouse. (Note: Ward is one of those people who press the close door button multiple times with a frustrated facial expression)

-Ward to Harold: "How do you even know about that? ...Shit. Are you behind this? Is this another one of your stupid tests?"

-Harold to Ward: "I wish you would take things like this more seriously, so I don't see my company destroyed."

-Photos on Harold's shelf: young Joy, posed photo of Meachums in formal-ish clothing, Harold's hands on both kids shoulders, indistinguishable group of people on a bridge(?) somewhere. Group photo atop a fancy box, Joy photo in front of the Meachum family photo. On Harold's desk: another photo of young Joy, this one looks like one of those posed school photos where they have the kid stand against a "tree" backdrop.

-Ward says out loud that he could ignore Harold and Harold wouldn't be able to do anything about it. Harold casually observes that Ward is now and has always been childish. Ward remarks that Harold has been telling Ward he's disappointed in him his whole life. Harold is still disappointed in Ward right now.

-Harold: this is how you make your employees loyal to you. *proceeds to display his complete dominance over Kyle, who looks nervous and threatened by the direct attention* Ward: "Jesus, Dad, what the hell is wrong with you?" (Still doesn't do anything to remove Kyle from this situation though)

-Harold lectures at Ward as if everything Ward has ever done is wrong, always, including snapping his fingers at him when he starts to speak himself, like a bad dog, and listing off things that Ward has already brought up to Joy as if Ward is an incompetent who would never consider those angles himself

-Ward makes a snide comment, Harold snaps at him, Ward smiles a little bit because he has succeeded in getting under Harold's skin for a moment

-Harold: Leave this to me. I'll tell you exactly what to do. Ward: Like always. Harold: Like always.

-Awww, Danny was rushing back to tell his new friend Al all about Ward sending people to kill him, possibly looking for advice? ;_; (Also, why is there a foreboding music significance to Al having a bird tattoo? Does this ever come back??? I don't remember this mystery going anywhere.)

-Danny is lurking in Joy's office. He doesn't say anything even slightly reassuring, like that he has an appointment, just heavily implies that he snuck in. sigh.

-"I'm not gonna hurt you," Danny laughs, after displaying a whole lot of extremely threatening behavior. Joy smiles, drugs him, and buys time until it kicks in.

[dakotacrisis]

A Day In The Life Of Gorilla

Gorilla is a silent character but his inner thoughts are anything but. Hereby referred to as Ishmael because I doubt he would refer to himself as Gorilla.

---

The alarm clock went off and Ishmael got up for another day of work as Adrien Agreste’s body guard. Another day of subtly working around his emotionally stunted employer to let the socially inept teenager have a couple hours of normalcy while still retaining his job. It was a fine line but thanks to Gabriel’s frequent absenteeism and Adrien’s innate ability to sneak away it was not hard.

After getting dressed and having a long look in the mirror contemplating if he should shave the muttonchops Ishmael headed to the kitchen for breakfast. Nathalie was already there sipping some coffee and doing the newspaper suduko. She gave him a half-awake greeting and returned to her task.

Ishmael went to the cupboards and sighed. He understood when he moved to France that there would be cultural differences but he really missed big breakfasts. If he could get a weekend off he’d go visit his sister in Kirn. See how his brother-in-law is doing. Play with his nephews. Eat something other than a bowl of oatmeal for breakfast.

Soon it was time for him to drive Adrien to school. The poor boy looked like death as he slid into the backseat of the car. There had been an akuma attack last night that must have woken him up.

Upon getting to the school he waited to make sure Adrien got inside okay. One of Adrien’s friends, Nino, came up to talk to him along with some other classmates. Immediately Adrien perked up. Public school really had been the best thing to happen to that boy.

After running some errands it was time for Adrien to be picked up to go to his photoshoot. Unfortunately when he got to the school the scene playing out at the front entrance was the exact opposite of the happy environment Adrien had been dropped off in. Chloe Bourgeois was planted firmly in front of Adrien and loudly complaining at Adrien’s new co-worker Lila Rossi.

This ought to be good. Ishmael rolled the window down far enough to hear what was going on.

“It is utterly ridiculous! I will not condone this!” Chloe yelled.

Adrien said something but only Chloe’s screams could be heard from the car.

“If your dad wants someone to partner modeling with you then it is going to be me! Not this out of season, romper wearing, disrespectful, philistine.”

Philistine? He wasn’t aware Chloe carried that word in her vocabulary. He was a little impressed.

There was some more talking from Lila and Adrien to an angry Chloe before a third girl entered the fray. Marinette Dupain-Cheng. The little designer that lived in the bakery had all of Ishmael’s respect. Being one of the few girls in Adrien’s circle that had a crush on him but didn’t force herself on the boy.

Case and point, Marinette came up behind Adrien and tapped him on the shoulder before pointing towards the car waiting for him. He looked back at the car with a gesture to Marinette to follow.

Yes. Come on baker girl! Take the invite!

She nodded and the two quickly snuck away from the fighting girls and hopped in the car.

“Phew,” Adrien collapsed in his seat. “Thanks for coming by when you did, Marinette.”

“No problem.” Marinette beamed. “Thanks for letting me tag along to your photo shoot.”

“Well I know how into fashion you are.” Adrien teased sending the girl’s face aflame.

Ah, young love. Even if one of them was too oblivious to see it.

Speaking of photo shoots Ishmael should probably stop eavesdropping on a couple of teenagers and drive to said photo shoot.

“Adrien!” Chloe started stopping after the car with Lila right on her heels. “Wait!”

Nope! Ishmael peeled out leaving the other girls in the dust.

Adrien and Marinette continued talking in the back leaving Ishmael to his thoughts.

Maybe if he could find some really heavy traffic that could give the two kids in his backseat more time to talk. He was not above admitting that he really like the baker girl for Adrien. Now if only the boy would drop his crush on Ladybug to pursue it.

Ishmael understood where the infatuation with the hero was coming from but at a certain point it just wasn’t possible. He had read enough comics to know that heroes dating civilians never ends well! Secret identities, misunderstandings, kidnapping and ransom on the regular. It was enough to give Ishmael anxiety just thinking about it. He was hired to protect Adrien. He would lose his mind if the boy kept getting taken hostage by akumas trying to use him as collateral for Ladybug’s earrings.

This job was stressful enough with Gabriel Agreste constantly breathing down his neck. He didn’t need the rest of his hair to go full grey because Adrien wanted to be the next Mary Jane Watson!

They pulled up to the site of the photo shoot and Ishmael waited in the car.

He liked to use this time to look up everything he could about parenting, abusive relationships, and adoption legalese. Not that he was secretly planning to expose Mr. Agreste’s gaslight parenting and adopt Adrien as his own until his mother can be found. That would be crazy.

The work gave him some reassurance though. He at least had some understanding and preparation if Mr. Agreste did ever go too far and action needed to be taken. He cared about that boy so much. Had been watching over him since he was a little kid. Came to see him as a son even if he couldn’t outwardly show it. He’d be damned if he didn’t get custody in the event that Mr. Agreste had an...accident.

Okay. That got a little dark. Ishmael wasn’t about to go and beat up his employer for not being more involved or directly invested in Adrien’s life. The thought was tempting though. So...so...tempting.

CRASH!

Oh what now? And there was an akuma turning everyone into giant flowers. Great. Does Hawkmoth ever take a day off?

Ishmael jumped out of the car to find Adrien and get him to safety when the akuma spotted him and shot what looked like seeds at him. He shielded himself from the assault only to then wake up some time later sprawled on the ground.

Had he gotten turned into a flower? What kind of nonsense was that? At least if he was back to normal that meant that Ladybug and Chat Noir had restored everything. Past events gave him reason to believe that Adrien was fine but he wouldn’t be able to stop worrying until he saw the boy.

Quickly he rushed onto set and saw Adrien stroll out into the open. Thank goodness he was safe. Ishmael stayed outside on set after that. After they wrapped up he was supposed to take Adrien straight home but when the boy came up to him with that hopeful look in his eye and an innocent plea to stop by the Dupain-Cheng bakery for a couple minutes for treats with Marinette, Ishmael couldn’t say no.

As long as they got home within the hour it shouldn’t be bad. The teenagers walked into the bakery and Ishmael had to resist the urge to go in and pick up some goodies for himself. He was working. If he wanted pastries he should have picked them up while Adrien was in school.

A few minutes went by and Adrien bid Marinette and her parents goodbye before heading back to the car. A little pink box in his hands. Oh great. Now he was gonna be stuck in the car with the smell of fresh baked pastries teasing him.

Adrien got inside and popped open the lid. “Hey Gorilla,” Adrien scooted forward in his seat and held out a macaron for him. “I got you one. It’s green tea and white chocolate flavored.”

Ishmael took the offered macaron with a small smile. Green tea and white chocolate was his favorite flavor.

They drove home and Ishmael tried not to show his annoyance when they entered and Mr. Agreste was waiting at the top of the stairs. What kind of holier than thou intimidation tactic was this?

You are not a king overlooking his subjects! Come down to eye level! Where did this attitude come from? Before this jerk face got big he was living in a rundown studio living off of microwave meals and patching thrift store jeans. You’re not a haughty as you make yourself out to be, Gabe! The fact that Emilie agreed to marry you was nothing short of a miracle considering what a prominent and wealthy family she came from. You were a tortured artist hobo next to a happy-go-lucky princess!

Calm down. Let the overbearing prick in his peppermint ensemble complain about being ten minutes late. It’ll be over soon.

Adrien looked disheartened by his father’s words. He apologized and tried to rationalize that they were only ten minutes late but Mr. Agreste was having none if it. And to top it all off he had Nathalie take the box Adrien had brought home from the bakery.

Berate the boy for being late. Pair him with a co-worker he doesn’t like. Rarely join son for meals. Barely talk to son. All of that was one thing but to take the poor boy’s treats? Was nothing sacred?

Now thoroughly miserable Adrien ascended up to his room. Nathalie handed the box from the bakery to Ishmael. “Dispose of this.” She glanced up at Adrien’s room before following Mr. Agreste into his office.

Ishmael knocked on the door to Adrien’s room but no answer came. Quietly he opened the door but didn’t see anyone. He must be in the bathroom. He deposited the box on Adrien’s desk and left.

He may not be able to protect Adrien from everything but at least he could help him in other ways.

[migleefulmoments]

Debunking The ccResponse to my Proof post

CC Nonsense is so easy to debunk.  

This is their response to me calling them out for using manips as “proof” that cc was and is real.  

A group of grown adult women thought THIS was irrefutable and such good evidence that it was a perfect response to shut me down. In fact, they comment about the fun they are having several times.  I’m dumbfounded honestly by the ridiculous things they hold up as proof.   It’s so stupid.

ajw720

gifs found here (x)

flowersintheattic254

And it’s D who is the one looking blissfully happy. He mirrors C’s movements so much here and his expression is someone who is

BESOTTED

C is the focus of that. This exists and can’t be explained away.

Let’s start with my debunk post from yesterday. If you haven’t read it you can read it (X). Essentially, what we learned is that this photo 

which is one of their most treasured “proof” pics is a manip. 

It is super long so under a cut

I have no idea why Abby came back at me with the specific gif set above and this photo because they still prove nothing. Both men are known for being funny in interviews and that is exactly what is happening here but slow it down, clip out a 1-2 second piece, loop it in a gif and suddenly the moment because so much more than it ever was. Watch the entire video and the moment isn’t special at all. Chris always answers to get a laugh-hence “oh God” and “I was scared shitless”. I don’t know why being scared shitless during his first sex scene is proof of cc. Cory spoke about being terrified as well. Darren’s response is very serious-100% theater major. He gives a long answer, thoughtful answer and then turns on the charm at the end, going for a laugh to break the tension.  He leans forward Chris for less than a second as you can see from my screen grabs all taken at 3:17

and says “what do you think Chris?” The intimacy- and Flower’s “BESOTTED” moment- that the cc fandom has long romanticized in this interview is simply not there when you watch the video played at regular speed and in real time.  

Darren isn’t mirroring Chris’s movements- in fact he is quite serious when answering the question and he doesn’t seem to be all that aware of Chris beside him until he gets to the end of the question. As you can see in my screen grabs above, he doesn’t  look blissfully happy or besotted until the last two screen grab when he purposefully makes a cheesy smile at Chris and says “what you think Chris?”.  That was 1/2 a second in real time. The cc fandom and @flowersintheattic254 have spent 4 years purposefully NOT watching the video, instead realying   entirely on a manip and a handful of gifs along with their fabricated  version of what is going on on stage. They are literally gaslighting themselves.  

leka-1998

Hahahaha

They want to believe this is darren - I can’t help them. But if THIS is your proof, you are in sad shape.  Especially when you are putting that against 

You have a headless photo taken 6 years ago as your only non-Glee proof. That is pretty sad. Can you imagine a prosecutor taking that to court. “Yes, your honor, this photo of a tiny part of a man’s chin, his head cut out of frame and most of his body obscured by a cat is my proof that Chris and Darren are in a relationship”. Abby should know that this is proof of absolutely nothing. In fact, if you would listen to Chris with your ears instead of your eyes- you would know this is Will: Chris has confirmed Will is his boyfriend in several interviews.  Holding this photographed chin portion up to Will’s chin, it is easy to see that it could be him. That along with Chris acknowledging Will is his boyfriend and the many photos we have of them going about their lives as a couple, his outright denial of any romantic relationship with Darren and the fact that Darren identifies as straight, the evidence adds up to it being Will in the photo.  

I know you want it to be Darren, but assessing evidence isn’t about what you want to find, it is about looking objectively at the evidence and putting it all together in context.  You can’t take an isolated moment, slowed down and gif’d to within an inch of it’s life and call that proof.  

Evidence that supports Will as Chris’s boyfriend-  Will attended Hannah’s graduation and was with Chris for his mom’s funeral whereas Darren was seen eating lunch with friends in LA.  

Photos where they do boyfriend things. 

All of the credible evidence leads to the photo is Will. You claiming it is Darren simply because you desperately want it to be isn’t “credible evidence”, it’s simply the foolish, baseless claims of a few strangers who believe their fantasy is more important than the reality of the people involved.  In order to believe it is Darren, you have to dismiss all the overwhelming credible evidence that says it is Will.

Also real 

I have NO idea why these are considered “also real”. They are both gifs cut from videos produced for Glee Promotion. These were filmed as part of Chris and Darren’s job responsibilities. Chris actually refused to do The Wedding interview and had to be forced to do it. 

I have no idea how you can listen to The Wedding interview. and come away feeling like it was cc positive. It is an indication of how deluded you are and how bad you are at HEARING with your ears. In fact, you once again are “listening with your eyes” by screen capping it to turn it into a gif so you can fixate on 1/2 a second of content and pretend it represents the entire interview. When I first saw the interview, I was stunned at how anti-cc the it was. The entire interview is about how bad overzealous Kragen fans are-”the crazies” and how neither man wants to get your attention so they just stay off social media. 

This is a gif of Darren cracking up is when Chris suggests future-Kurt should be played by Marcia Gay Harden. It’s really funny and Darren laughs-so what? The video is supposed to fun- he’s doing his job. 

Here we have Chris’s closed off- his arms wrapped tightly around himself to protect himself. Darren might be boisterly laughing but Chris isn’t.  He’s barely giving anything. But regardless of what is really being shown here- - these videos were filmed 5 or 6 years ago as part of Chris and Darren’s work...what the hell do they prove related to cc? Absolutely nothing. They prove that both men did the job they were paid to do. They also prove you guys insist on using gifs to prove your fantasy because they are the best way to manipulate reality into showing what you want to see.   

Look at Naya cracking up at Darren, does this prove she loves him? NO, of course not- just like Darren laughing in a PR video he was paid to make doesn't’ prove he loves Chris. 

Watch the unaltered video for a real perspective. 

ajw720

@leka-1998 Apparently she is CONVINCED too much love, and all of the other headless images on C’s IG are just the PA.  Apparently C just likes to cut off his head for shits and giggles!!!!!!!!!!!!!!!!

I am having way too much fun with this.(Me too, it’s fun explaining “credible evidence” to a lawyer who doesn’t understand it. When are you going to provide evidence that isn’t simple to discredit? I keep waiting for this to get harder but so far it’s utter nonsense.) 

Umm...”all the other headless images” aren’t there like 2 other headless images? No, I don’t think Chris cuts them off for “shits and giggles”, I think he cuts them off because cc assholes come on his social media and terrorize him when he posts Will’s face- especially back during Glee days- so he tamed it down so you hags would not bother him.  This isn’t rocket science here, it’s pretty simple. If you listen to Chris- of course you don’t-but if you did, you would see that your “proof” doesn’t align with what Chris says. Instead you “listen with your eyes” and disregard his pleas to stop shipping him with Darren. 

All of your evidence is in the form of a screen grab or a gif, have you ever wondered why that is? Has it ever occurred to you that none of your evidence comes from Chris or Darren’s mouth? In fact, you go to great lengths to prove what they say is not what they mean. It’s a sick game you play, but I suppose you know that which is why the “#1 rule of fandom is DO NOT involve the players”   

cc-still-going-strong

I will admit it is all history if they can give me ONE photo he looks at her like

THIS

Again, so weird that you used more Klaine screen caps as your evidence. It’s like you don’t understand that Klaine is different from Chris and Darren. 

I have no clue why you think these are excellent examples of anything but get ready to admit it is all history, my friend. Your photos are literally screen grabs from PR videos, smh.  I posted a bunch of responses to this challenge- you can see them: besotted (X), kisses (X), Wedding (X), Reception (X), Random (X), Video 1 (X), 2 (X), 3 (X) 4(X) Romantic 1 (X), 2

Some of the photos I included: 

THIS is a photo of a BESOTTED Couple!!!!!

This is also a photo of Darren BESOTTED.

flowersintheattic254 I want to play some more!!!!!! (OH Me Too, THIS IS TOO EASY) Can Michy rewrite D adding C to his lines on C’s birthday. Was that dubbed Michy and created by us.

I’ve never understood why you believe this joke is proof of cc? It’s a hilarious joke, but it’s really benign and certainly not indicative that they are lovers. They are former coworkers and this was right after Glee ended, so the joke is funny and timely. Today the joke would probably fall flat except within the fandom. Here you are again LiSTENING WITH YOUR EYES as you refuse to acknowledge both that Chris had named Will as his boyfriend and Darren had named Mia by the time this joke was told.  Now, 4 years later Darren is married to Mia so IDK why this is still so exciting for you guys.  Please explain to me why you believe this joke is proof of riot material...why is it something to get excited about other than it’s clever and funny? Again you have to take it out of context of all other evidence about their personal lives, ignore their outright denials they are couple, ignore Darren’s claims he is straight, believe he is lying every time he speaks about his sexuality, fabricate an entire backstory to the joke and believe it is as wink wink nod nod to fandom that they are a couple. It’s just a joke- the whole show was full of them.   To me, your delight with this has always reeked of desperation...and don’t kid yourself, after Darren told this joke every night, he went home with Mia. 

Or maybe some more glee panel. Look at D here.

Or shock horror, which bastard manipulated their legs to look like they were together?!!😮

I love BTS pics that show how close and relaxed they are with each other Michy.

He’s laughing at a joke here...I don’t get your delight. Again- believing this is special requires you to disregard everything Darren and Chris have said about their lives and to belief this one old gif supercedes the thousands of photos we have seen that disprove cc is viable. But even if you weren’t sure back when this gif was new, now we know that Darren is married to Mia and Chris has published Will’s face on his social media many times. In light of new information, your original theories about what these gifs show have been proven wrong and you need to amend your theories. Or at least that is what a reasonable, intelligent person who cares about the truth would do. History would indicate that you are incapable of amending your theories when new information comes to light and that you only care about your fantasy- the truth is inconsequential to you. History also indicates your “proof” is always taken as an isolated event because each time you are forced to ignore the mountain of evidence that disproves your theory. 

Yes, they are absolutely standing right next to one another but so what? This pic doesn’t prove they are in a relationship. If being next to some proves a relationship then Abby get married every time she rides the subway. They are coworkers on set- getting ready to film a scene together. This is a shot of their legs taken when they were standing around Zac getting directions when they first arrived. Once again, you manipulated a photo to make it look like something it isn’t.  But that is always how you “prove” cc is real- you lie and manipulate.  Darren hasn’t even been in hair and make-up yet, this very early in the day. 

ajw720

@flowersintheattic254 the h/edwig joke has been caught on video, but ofc, obviously we fucked with the audio. 

Nobody thinks you fucked with the audio you twit. Reasonable adults simply don’t think a benign joke told on stage is scandalous or indicates they are lovers. 

Just adding a few more special, genuine moments of D absolutely adoring his man, i mean co-worker he hates  

I have never said they hate each other so you need to get someone else to debunk that. In fact, I don’t think I have ever heard anyone except the cc fandom claim they hate one another.  It’s part of only seeing “always” and “never”. 

According to the cc lexicon- Chris and Darren are married or at least live together and have for several years and Darren is under an onerous contract that forbids him from letting the world know he is gay AND that he is in love with Chris Colfer. In fact they are forbidden from interacting in public and their characters were broken up in season 4 in order to break them up in real life.  So you are suggesting that Darren is sooooooo in love that he just cannot stop staring at the man he lives with for the 4 minutes he is on stage with all eyes on them even though he could lose everything under the contract? Cuz that seems like a shitload of risk for simply looking at Chris in a crowded room. According to your logic, Jenna is staring at Darren. I have no clue what he is looking at. He is certainly looking in Chris’s direction but given all the information we have- Darren was dating Mia-now he is married to her, Chris was living with Will-still is, Chris and Darren haven’t spoken in 4 years at least cubically  and they both denied they were a couple many times, I can say that the evidence does not support your claim that he is looking lovingly at Chris because they are passionate lovers and he just can’t help himself. I just posted a bunch of pics of Darren looking very lovingly at Mia while also holding her close and smiling- your 2-second gif vs all the evidence proving he is in a real relationship- married- with Mia- it doesn’t come close to comparing.  Google “Darren Criss and Mia Swier” and scroll for an hour- you see thousands of photos of them looking very much like a loving couple. Your handful of 4-9 year old gifs are pitiful and don’t prove anything except Chris and Darren were coworkers on a TV show where they played boyfriends.     

I’m not going to waste my time debunking these. They are literally the same as the above gifs- ALL onset Glee-in fact the top two are from more Glee promo videos in the same vein as the ones above. Still -they prove nothing.  

And of course the time C looked at D look he was the entire world

Again a slowed down gif from set. Do you see the patten of manipulation here? I wouldn’t say he looked at him like he was the entire world, It looks ot me like Chris looks up at him as Darren speaks to him and then he looks down. You slowed it down to make it more dramatic. It’s a very effective technique to change the mood- TV shows and movies do it all the time.  

But yep all we have is a few IG likes, that is correct Michy, that is all we got. 

I honestly have NO clue what you are insinuating here.  

Aw remember all those behind the scenes of them having fun together too. Guess these never happened either Michy.

Oh we are back to your favorite Bryant Park. They are coworkers killing time on. set. I don’t know why you believe this is so interesting. Yes, they are really cute but Newsflash: coworkers can have fun and joke around together and not be lovers. They had to kill hours before filming started. In fact they had to kill a lot of hours that day. They were on set for 11 hours and filmed a tiny fraction of that time. Once again, you have to take this out of context of all the other CREDIBLE evidence of Miarren and Chill, as well as both men denying a relationship and Darren is straight in order to believe this is something exciting.  

You showed me 1 pic that wasn’t on set. That should tell you everything. Honestly, I know you fully believe your own nonsense and you can’t understand how everyone else isn’t buying into it. But really, I should just respond to this with LOLOLOLOLOL because your evidence is so pathetic and absurd it is laughable. How a grown women can believe that a handful of 4-9 year old gifs representing 1 or 2 second taken from promo videos made for Glee-all slowed down for dramatic effect- can add up to solid proof of a secret relationship is mind boggling.  But it’s even worse because you are a lawyer -you know that evidence isn’t something taken out of context. You know that evidence is looked in its entirety and that includes what Darren and Chris testify about their own relationships.    

ajw720

remember that time D called C the life of the party on National TV?  

Remember the time Darren was asked “Do you take Mia to be your lawfully wedded wife, to love, honor and cherish til death do you part” and he said “I Do” ? That trumps your “life of the party” comment. Why do you think calling a coworker “the life of the party” is indicates love? He also said “I’m straight” and that he wasn’t in a relationships with Chris- but you discount that because you don’t want to hear it -even though he has repeated those comments many times. Nope this is about you latching on to anything you can. It’s really embarrassing       

Chris may be the life of the party but he said this about Mia on TV- to a much bigger audience :  

I know you do not understand symbolism and you insist on taking this beautiful sentiment literally-and tying it back to Cunanan- so it makes no sense to you, but it is incredibly romantic. It’s a very beautiful, loving  sentiment for one’s life partner.

@ajw720, @flowersintheattic254, @leka-1998

[calliecat93]

One month into V7, and it's already been a crazy ride. IDK if I’d call it crazier than V6’s first few episodes, but it’s certainly close. There’s been so much talk in a short amount of time. Ruby’s lie to Ironwood. Ironwood in general regarding his choices. The villains and their schemes. The state of Mantle and it and Atlas’ potential fates. Pretty much everything has been discussed in depth in one way or another. And I’m sure that this chapter will give us even more things considering what happened. So, I guess we better get to it, huh?

Overview

With the Dust Mines all cleared, the military brings Amity Arena over while our heroes are busy gushing over the badassness of the Ace-Ops. Though Ruby s surprised to learn from Harriet that they aren’t friends, they just work together. It doesn’t help when Ruby tries to convince WBY to go exploring when they get back to Atlas, but none of them are interested due to either being tired or the fact that they did exploring all over Anima. Worse? Ironwood speaks to Ruby, Jaune, and Qrow, telling them about a recent string of murders which includes Forest from last week (RIP #FRWBY). This has only made Ironwood’s image, as well as Atlas’, even worse and Jaune points out how maybe it wouldn’t be as bad if they didn’t put out the Dust Embargo. Ironwood… actually agrees, and he is hoping that RWBYJNR can do some good within Mantle. The talk is cut short, however, when Ironwood is informed of someone landing. Someone that he is not looking forward to talking to.

We cut to the area where the ship landed… and a familiar company logo is on the hangar door. Out comes… ugh, Jaques Schnee. Yep, this asshat is back and he is furious that Ironwood took over the mine site, even after Ironwood tells him that since it’s a military operation there was no council vote required. Jaques starts to go off… until he sees Weiss. He’s furious that she’s been back in Atlas and not told, assuming that Ironwood has something to do with it, but Weiss makes it very clear that she’s there by her own choice as it was when she left. Jaques is pissed… but then calms down, and cue the gaslighting when he comments on how Mama Schnee is doing badly due to Weiss leaving. He turns to then thank Ironwood for screwing himself over as poor Weiss is left utterly derailed. Fortunately, the other three girls stand by her with Blake holding her hand, which encourages Weiss to call them her family when Jaques turns back to her.

Winter arrives just as Jaques leaves… as does Penny, who sends our girls flying. Oops. She’s there to congratulate them. Why? Well, we cut to inside Amity Arena, the location where everything changed for everyone. Why are they there? Well, Ironwood speaks of RWBYJNR’s actions from the Fall of Beacon, to defending Haven, to now and says that they aren’t acting as students. They are acting as Huntsmen and Huntresses. As such, he grants them their Hunting Licenses. That’s right everyone, after seven seasons, our kids are FINALLY official Huntsmen and Huntresses! Yay!!! Ironwood is relieved that he has fighters that he can trust helping him, which haha… that sure isn’t plunging the knife in deeper regarding Ruby’s lie or anything! Ironwood has to return to managing the current operation, leaving the kids to enjoy their cake and celebrate their accomplishments. Despite this, they all feel it’s almost trivial now after all that they’ve been through, but Qrow encourages them to take the time to enjoy themselves for once.

Everyone celebrates… well, almost everyone. Ruby has opted to sit alone in the stands while the others enjoy themselves. Qrow goes to her, clearly proud that his niece has made it to this point, but he can tell that this, the current events, and the lies have gotten Ruby conflicted. Ruby expresses how she’s worried that she’s acting like Ozpin, though Qrow tells her that while Oz only trusted himself with the truth, Ruby does still trust others and is just waiting for others to prove themselves. He says that Summer would be proud of her… which gets Ruby to ask a question that we have wanted to hear for SOOOO long now. Was Summer’s last mission, the one that she never returned form, Oz related? According to Qrow… no, it was not. We confirm that Qrow was NOT with Summer on that mission, and Oz appeared as lost and confused as him and Tai. But of course, now that Qrow knows the extent of Oz’s lies, he can’t be for sure. But he does know that had Summer found out the truth, she’d do as Ruby is now: press on.

So as the kids sign up for Huntsmen missions (with poor Jaune getting saddled with escorting children XD), we cut to the Schnee Manor where Jaques is drinking in his study. He’s interrupted by Whitley informing him of a visitor. One who invited himself in. It is, of all people, Watts. Jaques is stunned by this, sending Whitley away and says that Watts is supposed to be dead. But we don’t get any more details on that as Watts is there for business. Why? Well, you know how Jaques is running for council? Well… let’s just say that Watts knows of a way for Jaques to have his cake, and eat it too. Ho boy, things are about to go insane…

Review

A calmer episode compared to the past few, but still really good! 

So let’s go into Schnee drama first. I hate Jaques. I didn’t think that I could have him more than I already did, but I was proven wrong. That’s not a complaint either. Jaques is very well-written and a perfect embodiment of an abusive asshole. He not only lashes out angrily when things don’t go his way, but he’s even scarier when calm. The way that he tried to gaslight Weiss after her open defiance, bringing up Mama Schnee and ‘how she gets’ when upset. Trying to make Weiss feel guilty, even though it’s HIS fault that his wife is in such a state and he clearly doesn’t care. It’s just cruel and incredibly scummy, but not a surprise coming from him. We also see at the end that even though Whitley is his favorite and has groomed him to the point that even Watts notes the similarities, even he isn’t immune to being talked too harshly and we see that the kid is clearly afraid of him. Is it any wonder why Winter stayed in the army van until Jaques left? I don’t blame you, hon.

I loved seeing Weiss stand up to him though. She spoke up for herself and made it clear that she wasn’t going to let Jaques control her anymore. Yeah, his gaslighting brought her back down, but he didn’t beat her either as she has RBY there beside her. Seeing all three supporting her was so sweet and so perfect and Weiss calling them family? Beautiful. Special mention to Blake though. You can tell that she absolutely knows the game that Jaques is playing since… well, that’s what Adam did to her. Her holding Weiss’ hand was such a sweet gesture and just shows how much these girls love and support each other. It was such a well-done scene, and I loved it!

So… our kids are Licensed now~ This was, honestly, a long time coming. Yes, we can debate on if they’re truly ready for it or not. But at this point, they’ve gone far and beyond what was expected out of them. They fought in the Battle of Beacon. They went to Haven and defended it. They reached Atlas. They’re now fully a part of this larger conflict and, despite any rough patches, are all committed to it and their duties as Huntsmen and Huntresses. It only makes sense that they are granted their licenses at this point. But the question is, is Ironwood giving them the licenses because he believes that? Or is he aware that they’re not telling him something, and trying to do things to get their trust? It could be either one or could even be both. Either way, that’s where we are now.

But the event is treated with little fanfare, tbh. Which again, isn’t a complaint. I honestly quit thinking about them getting their licenses since about V4, since RNJR at leat were pretty much acting as such by then. There have been so many other things that have happened that I gotta agree with Yang, it does feel trivial now. I’m glad that it happened, but it just feels like ‘oh this happened, that’s cool’ over anything grand or triumphant. Still, I’m glad that they are licensed and it was nice that they could take it easy for a moment. That much they’ve absolutely earned. It was cute too, like Nora piling up on cake, Yang playing the removable arm trick on Penny, and Bumblebee selfies. I liked it~!

The highlight though is, of course, Ruby and Qrow’s talk. First, it’s so nice to see Qrow be an encouraging uncle again. I did not like Qrow during V6, even if I get why he was like he was. So seeing him in a much better headspace and being able to support his niece really helped remind me of why I like Qrow as a character so much. Jason Liebrecht has been doing such a great job voicing Qrow as well. He just puts so many little touches in the performance that lets him express so many emotions, and it’s fantastic. It was especially needed since Ruby’s clearly struggling. She tried to get the others to do some fun stuff like they used to, but they aren’t interested. She finally got her license, the thing that she’s wanted since a little girl, but at that point so much has happened that it didn’t really matter anymore. She’s worried and feeling guilty about her recent decisions, and is worried that she might end up like Oz, lying to everyone around her and making decisions that ultimately do nothing and lead others to their deaths.

There’s a lot weighing on Ruby right now, and I’m fairly sure that it’s only going to get tougher for her. But it was so nice to see Qrow comfort her, especially after how much Ruby tried to make him open up and talk to her last volume. Say what you want about her speeches, but they clearly helped Qrow as demonstrated here. But of course, we finally have Ruby ask about Summer. Nothing too major is revealed except that her last mission at least appears to not be Oz-related and Qrow wasn’t with her. Which… leads to something I’ve been wondering about for a while. Is Summer dead? All that we know is that she never came back, so maybe she was just presumed dead. But if she’s alive, where is she? I have some ideas, which I talked about here if you’re interested. But if she is alive… then why did she never go back home? Plenty of questions, but we can only wait for the answers. But hopefully, it won’t be too much longer now.

Then we have the ending. Ho boy… so Watts knows Jaques. And he’s supposed to be dead. Wondering why that was necessary, but it doesn't seem like Jaques is surprised that he’s alive. That he’s in his house? Absolutely. Alive? Mmm… not to me. But then what the heck happened that caused Watts to fake his own death? And what’s Jaques’ involvement with it? It was probably something bad, but still. But yeah, Watts is going to help Jaques out it seems. What for? Well, I've talked about what I think the big plan would be, and if I’m right… ho boy, it's gonna be America during 2016 all over again. It’s gonna be interesting to see how this plays out, especially on the Mantle side of things. Which may be coming soon, going of the thumbnail for next week...

As I said, this was a calmer episode compared to the first three. But that’s not a problem at all. The pacing was good. There were some great character interactions. It helps push along the narrative and allows characters like Ruby, Weiss, and Qrow to show off their character development. The animation was good, especially with the more cartoony moments. Thunder Thighs makes me cackle every time. This was Eddy Rivas first episode as writer, and he did a fantastic job! As did directors Dustin Matthews and Paula Decanini. They did an excellent job here, and I loved it. If V7 keeps up the level of quality, I think that it can rank up there with V3 and V6 as the best~!

Chapter Five Predictions

We saw in this episode that two individuals were spying on the Amity Arena activity, one of them being a Faunus girl who has a certain emblem on her clothing. It appears to be Robyn Hill’s emblem. This, as well as Robyn being on the thumbnail for the episode, confirms her finally making her debut. She’s likely going to be informed of the recent activity, though whether she’s aware of Ironwood’s plan (at least the satellite part) remains to be seen. But if not, she’s likely going to want to know why. Which hopefully means that we get to see how she leads/operates the Happy Huntresses and how she’s running her campaign for council.

Speaking of, we’ll probably get to see the actual election and what the respective candidates are doing. Since Jaques is now with Watts, I expect plenty of smear campaigns and corruption going around to make Ironwood and perhaps Robyn look worst. Like I said, the American 2016 Election all over again. It likely also means seeing more chaos and protest in Mantle, ones that I doubt are going to be peaceful. And then we have Jaune on his first mission, and I thin that Miles’ ‘thirsty moms’ comment is about to come into play, haha. Not sure about the rest of the gang, or even if we’ll see Oscar after he was absent here. Guess we’ll find out soon~!

Episode Stats

Favorite Character: Ruby Rose, Weiss Schnee, and Qrow Branwen Favorite Scene: Weiss facing Jaques/RBY supporting her Least Favorite Scene: The Mission Board since it just kinda dragged. Favorite Voice Actor: Jason Liebrecht (Qrow Branwen) Favorite Animation: Thunder Thighs Rating: 8/10

Final Thoughts

A slower episode, but a great one nonetheless. Great character writing, great accomplishments, and of course more development of the plot. Moments like Weiss against Jaques, Ruby and Qrow’s heart-to-heart, some talk on SUmmer, and our heroes getting their Huntsmen/Huntress Licenes made me smile so much, and all without feeling cramped or forced. I think that we earned a breather, and this one delivered without feeling boring. Eddy did a great job and since he confirmed that he also wrote Chapter 5, which is 20 minutes BTW, I am super excited to see what else he brings us~!