#skam brighton spoilers

[yououghtaknow]

hey! are you able to answer this ask with a short summary of chapter 6? i'm really thankful for your author's note with the warnings; the topics covered are heavy and i want to avoid them, but i still want to know what happens/happened and not fall behind on this season (which i'm loving btw, the musical concept is genius)

hi!!!! thank you so much for the ask, and of course i can provide a summary for you. i’ll try to keep it short but i do tend to ramble, and this clip had a Lot of information :)

so the clip begins in the western ballroom (the bar from e3 c6) at ellie’s birthday party. al, the theatre squad and various other teens are there having fun. al sits down with destiny and they have a chat about how she was treated in clip 2 of episode 6. destiny says she just wants to perofrm and doesn’t really care about how she gets treated, which al doesn’t think is fair. around this time, the girl disappears. 

they discuss working with spotlight, and how they had planned to create some pieces of writing to make spotlight a better place, but didn’t go through with it. destiny reveals that the reason al got the job at spotlight was because ellie had been secretly planning for months to get him to come back because she’s in love with him.

this triggers something in al, but he pretends everything’s okay as destiny walks away and ellie comes up to him - which is where we get the musical number “one kiss” from bare. a guy named guy flirts with ellie, but she rejects him, leaving al and ellie alone together - al is clearly panicked but ellie doesn’t notice. she reveals that she has feelings for him and kisses him - which also triggers something for al. he quickly excuses himself and hides in the bathroom.

the girl reappears in the bathroom as we see al begin to have a panic attack, but he’s confused as to why. the girl cryptically says that they need to remember something, and al then has a ptsd flashback, where everything goes black and white.

we flash back to around the time season 1 was airing and see a past version of al and ellie walking home together. ellie asks al to stay over for dinner at her house, and al says that he’s been at her house for dinner almost every day for months, and he wants to spend time with his family. she begs him to stay with her because she’s scared of her mother, so he does. she suggests they have a sleepover, and then they walk away. current al and the girl watch them, and current al is confused. the girl says they need to remember more.

we then get “nobody needs to know” from the last five years as we see the next morning in ellie’s bedroom. a past ellie and al wake up in ellie’s bed, and we see the extent of their toxic relationship, with ellie yelling at al a lot and manipulating him into sexual things with her. it’s a very cyclical relationship, with ellie using anger and sadness to manipulate al, and we see a calendar on the wall showing multiple years, implying that their dynamic had been like this for many years.

current timeline al then realises his sexual trauma and is very overwhelmed, as is the girl. they take a moment of silence together, before we flash forward to around season 2 time with a very rewritten version of “nonstop” from hamilton.

we see past al very enthusiastically directing the spotlight production of be more chill and then giving a presentation on how to improve spotlight’s working conditions at a spotlight brand meeting, which gets shot down. he then goes to ellie’s house in the middle of the night and asks her to help him get his point across better, but she refuses to help, causing them to have a huge fight.

we then get a flashback to season 3, with the scene of al and jake after jake’s mother injured him (and when jake talked about his mother’s “craziness”). and then we flash to the summer between seasons 2 and 3 and we see al, destiny and someone called irene sanchez write a series of essays explaining why and how spotlight should treat their minority students better - and we learn that al around 21/27 essays.

we then get a flashback to esther asking al to help with rent, and we see him accept as we get the big climax of “nonstop”, because all of this took place during that song. it was a Lot. it ends with the girl reminding current al that he “threw away his shot” with both theatre clubs.

and we begin a new scene with a flashback to november of 2019 as al goes into louise’s office and tells her that he’s quitting spotlight. she’s very upset with him as he logically explains his reasons, using a binder he’s filled with information as a source. al talks about the transphobia he’s faced and how he’s very unhappy at spotlight, and louise gaslights and manipulates him to try and get him to stay, but he doesn’t.

al tells louise about ellie’s self harming and eating disorder, and louise doesn’t believe him, which finally triggers al to have a meltdown, repeating that he’s not crazy and that he’s not lying. al also mentions a time when louise came into ellie’s room and night and saw ellie assaulting al but didn’t do anything and left. 

ellie then walks in, having heard the yelling and is very confused as al goes nonverbal, having a very emotional meltdown. louise threatens to “send al away”, and al forces himself to calm down. we then get “mama who bore me (reprise)” from spring awakening as al goes back into the office, and louise has hidden his binder from him. and we see current al, watching this, is getting very upset and overwhelmed, and we come out of the flashback and return to the present.

back in the bathroom, we get the end of “mama who bore me (reprise)”, and al and the girl talk about why he went back to spotlight - because they “wanted” him, but he realises that they don’t actually want him as a person, louise and ellie just want the things he can give them. the girl then says that they need to do “defense”, and we get the song “defense” from we are the tigers.

the girl and al begin to make a defense plan, to take away “the one thing ellie and louise have over them” - their reputations. al realises that the people of spotlight need a hero, and we see him and the girl leave the party. outside, al meets kayla and lies to her about having food poisoning, and tells her to tell everyone he’s too sick to stay at the party - and as he and the girl walk off, he says “let’s get to work”, and the clip ends.

i know you said you wanted a “short summary”, but truly so much happened in this clip that’s important for people to know that i just had to include it everything that you need to know going forward. if you ever need a summary like this again, feel free to ask!!!!! hope you’re having a good day <3

[yououghtaknow]

skam brighton season 5 music analysis

hello :) i’ve gone through all the songs on previous seasons of skam brighton and explained why i used them and i thought i would do it for season 5 now that it’s over.

tw for disucssion of addiction, racism, pedophilia, transphobia and homophobia

trailer

we begin with a bang with “don’t blame me” by taylor swift. now it has been said about me that i am a swiftie and it is true. and nick braxton is a reputation era bitch. this song has quite literally it all for nick’s character - we got christian themes, reference to drug addiction and an unhealthy devotion to someone. this trailer has gone through many songs to find the perfect one, but i decided on this one because of the themes, and also because of the line “they say she’s gone too far this time” - which, in regards to nick, can be read in many ways. we got the nick going “too far” with his love for james in subtly trying to break liz and james up, nick and their drug addiction, and nick and their relationship with their gender identity - going too far in both the masculine and feminine directions. also it bangs your honour.

episode one

we!! begin!! with!! saturday night’s alright for fighting by sir elton john!!! because it is saturday night and, as we’vee seen, nick isn’t afraid to get into a fight or two. this song specifically was chosen because of the movie rocketman, which i drew a lot of inspiration from, with the themes of drug addiction and sexuality. also, once again, it simply slaps.

we then get “ymca” by the village people playing in the background over the rest of the party scene. i chose this song because it is a very stereotypically gay song, and a lot of what i wanted nick to deal with was self-perception in regards to stereotypes. he is very stereotypically flamboyant because it’s both the way he is and a defensive mechanism - leading to his bisexuality being erased and being seen as gay a lot of the time. he ‘s pretty much the opposite in regards to his asian identity, with him not being academically intelligent and outspoken and being very british in their speaking patterns. it’s about the balance and duality and all that stuff. 

then, as we are formally introduced to nick’s devotion to james, we get “where dreams go to die” by john grant. thank you to my friend katya for recommeding this song as a nick song because it is just. crazy. every line makes me want to scream. especially “this is like a well-oiled machine / could i please see that smile again? / it's all that makes me feel like i am living in this world”. like that just shows the extent of nick’s love - because sometimes you’re just in love with the idea of being saved rather than seeking help. is that poetic or am i just pretentiously talking about my trauma? who knows.

we then get “overprotected” by britney spears - because britney has been a nick staple the whole series. i first heard the song in the musical & juliet and i was immediately like “oh nick core”. the song opens with: “ i need time (time) / love (love), joy (joy) / i need space (love) / i need me (action!) / say hello to the girl that i am / you're gonna have to see through my perspective”. because we are literally seeing from nick’s perspective. i also wanted to introduce the gender dynamics early - including in the trailer, where nick refers to themself with she/her pronouns - and her nick is referred to in the text of the song as a girl. it’s also a very sad song about not having any control over your life with a fun pop backing track, which is very nick braxton.

we then get another party scene, that opens with “break up with your girlfriend, i’m bored” (by ariana grande) covered by sam fender. i chose this song because 1) i love the cover and 2) god is it a nick song. literally nick has so many wants (to be loved by their family, to get sober, to succeed in school, to explore their gender freely) but he focuses on wanting james and wanting james to leave liz because there are less achievable and thus safer. also the song fucking slaps.

we close with “happy little pill” by troye sivan, a mlm classic. a staple of 2014. i chose this song because 1) drug in title, easy get, and 2) it’s actually a really good song???? it’s about the dissociation. it’s very similar to the scene with bree in season 4 episode 1 where “chandelier” plays as she’s clearly not doing well but she’s pretending for the sake of her friends. nick and bree are narrative foils and i love them.

episode two

the first song of episode 2 is “be great” by lolandre and jeremy pope after we see nick and his dad’s dynamic for the first time. and it’s really something huh. it’s about how christian does want nick to be great, but christian has a very narrow idea of what success and happiness looks like.

the next bit of media we get in this episode is nick watching the first episode of euphoria. when preparing to write various seasons of skam brighton, i watched a lot of teen dramas to get a good feel for the vibe i was going for. euphoria was one of them and it’s a show i have a lot of mixed feelings for - i think it’s very well crafted and extremely interesting but i also do have issues with the sexualisation of teenagers on screen, even if it is mostly realistic. i chose this scene specifically because nick and rue are very similar characters, in regards to their relationships with their parents (i believe nick is more of a jules kinnie but more on that later). they both just want to be a good kid and make them happy, but they can never seem to do it. gia, rue’s younger sister, is also a parallel to nick’s brothers.

we then get “old eden” by honeywater which is just simply a song i like very much that had the vibes of the scene. also the lines “i want love / but i don't just want love, i want you / i see the beach house, your sweet mouth / but the terrible news / is that love is not how it seems on the screen / yeah, real love has problems / but it's what's in-between that's the best” is simply just nick braxton huh. ambiguous disorder.

we then get “generation why” by conan gray as nick storms out of their house after a fight with their parents. i chose it very simply for the vibes because i only listened to this song once and thought “i do not wish to listen to this in my free time but it is a nick braxton time”. it’s just the angsty indie pop main character walking down the street vibes.

we!!! end!!! with!!! a song i love very much - “sex drive” by austin mckenzie of dwsa fame. this song plays over nick getting “rejected” by james and resorting to grindr to feed their want for human affection - which is where the parallels to ms jules euphoria come from. i chose this song specifically because it begins with the lines “who’s driving?” on repeat, which calls into question who is in control in the scenario. as seen on screen, nick is the one who initiates the “date” but, at the end of the day, nick is an underage teenager and the person he’s on a date with is an adult man. also the song is simply a fun bisexual time.

episode three

we open with “hurricane drunk” by florence and the machine, a song that has been decidedly nick core since 2018. like “i’m in the grip of a hurricane / i’m going to blow myself away”...... nick braxton you crazy little person

“yours” by greyson chance plays over nick and james driving out to the woods to skip school together….. it is quite insane. “no matter who i'm with, it's you that i adore / if you're not sure / baby, i'm yours” like i scream and shout nick braxton has always been in love with the concept of james cohen

“myrtle ave.” by mxmtoon plays as nick is feeling isolated from his friends…. like they just vibe with the song and the lyrics so hard. nick is just. i have no words other than i love them.

we close with “st jimmy” by green day because. goddammit isn’t he. like james just comes out as bisexual (just like st jimmy in american idiot the broadway musical) and nick is like “you are like a saint to me, i worship you, i will do anything for you”. like it’s a song about drug addiction but it’s also about being bisexual but it’s also about the performance of masculinity and the performance of being a “rebel” that james and nick both do i love them so much.

episode four

we begin with “lucy in the sky with diamonds” by the beatles. i do not listen to the beatles but i think the song is about drugs and the beatles is a james cohen band in canon so it has the connotations babey.

we then get “seventeen” by troye sivan as nick goes on grindr to seek out adult men. it’s genuinely such a nick song - once again, the fun poppy music in the background and the deeply upsetting lyrics. also, as in season 4, i chose this song to emphasise the fact that nick is seventeen and a minor and should not be doing these activities.

we then get “dancing on my own” by robyn as we’re at the vaguely halloween-esque party. it’s once again about the boppy music and sad lyrics and like. nick voice i’m in the corner watching you kiss her ohhhhhh i’m right over here why can’t you see me ohhhhhhh i’m giving it my all but i’m not the guy you’re taking home ooooh i keep dancing on my own. like he’s fucking insane (he is both me and nick)

and then!!!! we get a scene very personal to me. nick watching rocky horror for the first time at a shadowcast showing and watching “the time warp”. i first saw rocky horror when i was about 10/11 because i saw it on glee and wanted to watch the real movie and it made me so so transgender and homosexual. it is such a non-binary little movie and the time warp is just an absolute bop. 

it’s followed by a brief showing of “sweet transvestite” because tim curry in that movie is such an experience for anyone involved. like oh to be gender questioning nick braxton and to see that. what a fucking experience. and also to be gender questioning 11 year old me and to see that and then find out my school is doing a kidz bop version of rocky horror. fucking insane transgender times.

we close with “cecily smith” by will connolly as milo and nick walk home together because. it is just such a sweet song. like life is not the things that we do it’s who we’re doing them with. and it is a very nickmilo song and i am the president of nickmilo nation. i love a non-binary romance i do i do i do.

episode five

we open with “halloween” by phoebe bridgers because it is literally halloween. insane. but it is also such a nick braxton song like come on man we can be anything…… nick braxton voice i’ll be whatever you want…… it’s about the people pleasing and the desire to be wanted and needed loved and goodness gracious. also nick braxton fig faeth kinnie for this song specifically.

and then!!!!! we get nick dramatically singing “girl crush” by the harry styles version in his bathroom mirror. because goddammit they do have a girl crush. it’s about the gender and the desire to both be with james and to be liz becausenick is non-binary babey……..

and then!!!!! in such a parallel!!!!! we get milo singing “inner white girl” from a strange loop on their instagram live. “a strange loop” was a big inspiration for this season, with very similar themes fo it (you should listen to it right now) and this song….. quite genuinely we have nick singing a song about wanting to be a white girl and then they hear this song….. like nick does cling to his inner white girl as a way of staying safe - they cling to the safe idea of mlm flamboyancy and humour to hide from their genuine emotions and gender……. like it is insane to me. also white girls can do anything can’t they!!!!!!!

we then get “the people who raised me” by gregory and the hawks after nick has a fight with their parents…. “but i won't mind no time spent to save me / just trying to be good to the people who raised me” literally nick is trying his best to be good but he can’t be and that makes him angry!!!!!! but that anger is born out of a deep, deep sadness that nick has no emotional language to express, but anger is a language he can speak and it is. insane. like it’s about masculinity, it’s about femininity, it’s about everything. fuck. 

we then get "search your heart" by george feeny as nick sadly vibes at school…. also this scene does parallel with the liz/mary scene in season 2 where their parents fight. like liz is shitty to her friends but stays for her sister and nick is great to his friends but leaves his brothers behind….. the range.

and then!!!! we get phoebe bridgers’ cover of “friday i’m in love” because it is friday and nick is in love huh.

and then!!!!!!!!!! a moment i have been building up to!!!!! we get “back to black” by ms amy winehouse after nick finds out james has a crush on alistair thee fletcher. and just like. god. this song has everything for nick. it’s a song about depression, addiction, leaving your lover, anger, bitterness, second choice ness….. and also he is literally going back to black with his hair colour!!!!! because he thinks being more masculine is what will make people love him and he views pink hair as un-masculine!!!!! and he’s also going back to his family, so he’s going back to trying to hide himself to fit into their expectations….. like god it is an insane little time.

episode six 

we open with “idk if i’m a boy” by blue foster - a song i got on my discover weekly and it was a deeply personal attack. like nick voice i don’t know if i’m a reject i don’t know if i’m a loser but i know that i’ve been feeling feminine since i’ve been teething…. and how the song uses humour as a way to cope with gender dysphoria like it’s nick bay bee.

we then get “green light” by lorde because god it is such a james/nick song i feel insane. like “did it frighten you / how we kissed when we danced on the light up floor?” because james and nick have canonically kissed many times before….. also lorde as an artist just has such intense nick vibes it’s so much fun

we then get "fluorescent adolescent" by arctic monkeys over a party scene because i’ve been told on the internet that it is a british teen party classic. unfortunately the rowdiest party i’ve ever been to is my cousin’s christening so i do not know if it is factual, but it does slap. 

we then get vérité’s cover of somebody else by the 1975 because i just simply prefer this version. but like. oh nick braxton. oh it’s about the rori and the james and the nick being afraid of being open and committing to someone but still wanting to feel the sense of being wanted by someone and being the sole person they want….. literally it is very crazy.

and then we end with “sugar we’re going down” by fall out boy!!!!! like it it such a good song nick voice am i more than you bargained for yet!!! i’ve been dying to tell you everything you’ve ever wanted to hear!!!! because that’s just who i am this week!!!!! like it fits so well with his character but also it is so funny that sugar we’re going down plays as they faint at the party……. i am a comedian sometimes.

episode seven

the first song we get in this ep is “demi moore” by phoebe bridgers as nick is detoxing in the hospital. like quite genuinely “i don’t wanna be stoned anymore!!!!!!!!” they don’t want to be alone anymore!!!!!!!!!

then we get “bite the hand” by boygenius. just. like. “i can’t love you the way you want me to” is just. such a statement for nick’s season. like he can’t love james the way james wants to be loved by nick, they can’t love their parents, their parents can’t love them…… it’s all about learning how to love in a way that is felt by all parties involved in the relationship be it romantic, platonic, familial or otherwise. like. it’s so insane it’s all about love

and then we get “relay” by fiona apple - which was a contender for the trailer song at some point. like nick @ alistair is very “i resent you for being raised right etc.” because he knows liz is fucked up and has flaws, he’s seen them, but alistair is easy to project all of his hatred onto. also just like evil is a relay sport thank you ms apple.

we then get “girls just wanna have fun” by cyndi lauper and “dancing queen” and “mamma mia” by abba sung at the lgbt youth club karaoke night because. i mean of course they are. also they are very fun gender songs and i enjoy them :)

and then. my friends. the moment you’ve been waiting for. nick braxton singing alanis morrissette’s “you oughta know”. now this is gonna be a long one.

the you oughta know analysis

first things first, i got the jagged little pill broadway behind the scenes book for christmas and there’s a whole chapter about you oughta know being a song about the queer struggle of being unseen and unheard and i feel so validated like that is exactly what the song is about.

but for nick. oh baby. it is them singing to james, to rori, to al, to liz, to bree, to his parents, to his teachers, to everyone who perceives them wrong. it’s their moment of standing up and saying i am angry and i am serious about this and i deserve to be listened to as a young person. i will now give an in depth analysis of every line i want to.

“the perfect version of me” - bree and nick have had so many parallels throughout the series, which bree can be described as a “better” version of nick. they’re in therapy, she’s taking care of herself, they’re bisexual and it’s accepted by everyone, she’s a good partner to rori, she has parents who love her, and she can be gender non-conforming in a safe way. but this line also applies to al - because nick and al have also been compared this season, with al talking about how he’s comfortable with his femininity and james liking al, who, despite claiming to be more feminine, is still more traditionally masculine than nick. al, bree and liz are all very academically smart. they are all very creatively gifted. liz doesn’t struggle for money. nick, in their mind, compared to all of these people, is a failure.

“so she speaks eloquently / and she could have your baby / i'm sure she'd make a really excellent mother” - this applied to both liz and bree, who both try to be seen as very eloquent speakers, and who are both afab, so therefore can have james’s baby - something nick wouldn’t be able to do. but we have seen in liz and bree’s seasons that they both have sexual trauma, and bree especially is uncomfortable with having children. it’s nick having this idea of womanhood and femininity being something so unattainable and required for james - that it kind of segways into al. because al is also assigned female at birth and could, as he is pre-t, hypothetically have a child, which is playing into some transphobic notions, but nick sees al as both more feminine and more masculine than him - making al just perfect for james.

“and every time you speak his name / does he know why you told me / you'd be there until you died / 'til you died, but you're still alive” - nick changes to he pronouns here, now directly talking about al. we’ve seen james flirting with nick and we know they’ve kissed in the past, and james and nick are incredibly close friends. but james still, in nick’s mind at this point, chose al over him.

“it was a slap in the face / how quickly i was replaced / and are you thinking of me when she fucks you?” - the conversation about how all the skam brighton characters relate to the line between sex and love is so interesting to me. it is also the reason i do not allow my parents to read this show. but anyways - nick does feel so genuinely replaced by everyone in his life, like there’s always a newer, better version waiting just around the corner. what nick doesn’t know is that that is how everyone else around him feels as well. and the line “are you thinking of me when she fucks you” is such a pointed line because it’s not a line of confidence or a joke. nick knows that no one thinks about them like that because they feel repulsive but try to play it off as a joke.

then we get the “i” section, which is, in the script, more “ayes” and “nahs”, but i wanted to change it to be the word “i” specifically because so much of the season is nick existing for other people. for their parents, for their friends, for their clients, for james. in this moment, they are choosing themself. they are standing up and saying “what i feel is important and i fucking matter”

“'cause the joke that you laid in the bed, that was me / and i'm not gonna fade as soon as you close your eyes / and you know it” - because nick’s sexuality and nick as a romantic partner is treated as such a joke throughout the show’s run, and james has been trying to turn every time he kissed nick into a joke that will go away, but it’s not going to go away because nick remembers it. even if james tries to deny his sexuality to nick’s face, nick is always going to remember that james was, at some point, attracted to men enough to kiss him.

“and every time i scratch my nails / down someone else's back, i hope you feel it / well, can you feel it?” - every time nick has sought out sex with strangers it’s because they feel rejected and insecure in themself. they seek out this sexual validation as a way to feed their want to be loved and noticed by people and he wants james and rori to feel hurt by it - he wants to have the power, he wants to have the control.

“and i’m here” - this line is just. so powerful to me. because it’s a line of defeat - after all this time, nick’s ended up at some crappy youth group with his little brother babysitting him, and he’s been dumped and cheated on and overdosed and everything is so awful. but then it becomes a line of celebration. of “yeah, all that shit happened to me, but i’m still here, i’m still standing, and no one can take away the fact that i am here and i am alive and i deserve to be respected” - something milo taught them when they talked about their tattoo 

“to remind you of the mess you left when you went away” - nick himself is the mess they all left - because they feel so abandoned and alone and like they are just a mess to be discarded, but he’s here to remind everyone that he’s here. it’s a call for help.

“it's not fair, to deny me / of the cross i bear that you gave to me” - this line i always saw as directed at his parents - they gave him this cross of being the perfect eldest sibling that ended up crushing him, and they deny that it ever happened. but nick knows it did. the same way he knows james like guys. the same way he knows rori didn’t like only him. the same way he’s been denying himself of the cross he bears of being non-binary, the cross of being an addict, the cross of being a mentally ill neurodivergent person. this song is him finally letting go of that denial.

“you oughta know” - he’s talking to everyone with that line. everyone should know about his pain, about his emotions, about what he’s gone through, because he’s kept it so bottled up for years. it’s not fair for him not to share it because he deserve to.

they don’t call me isaac tumblr user yououghtaknowmp3 for nothing.

episode eight

we open with “seven” by taylor swift as nick reads a letter they wrote to their younger self. like. “i used to scream ferociously any time i wanted” is such a line about being neurodivergent as a child and then being forced to mask as you grow up….. also the bridge is just james and nick core…. you should come live with me and we could be pirates…..

we then get “nonbinary” by arca because i feel like at this point nick would be trying to listen to more nonbinary artists because they want to see themself reflected rather than running from it!!!!

we then get “heather” by conan gray as nick and liz accidentally meet at the local mentally ill teen zone. because i am just fucking crazy like that. and yes, i chose that song before it got big on tiktok. but i think it’s funnier because it is a famous song.

we then get “falling” by harry styles as nick is being emo in their bedroom because nick is just the type of person who will dramatically listen to harry styles in their bedroom whilst being sad. it also completes the full circle of sad taylor swift to sad harry styles, but with no vehicular manslaughter.

we then get “400 lux” by lorde after james and nick have their big conversation because like it is just a them song. like you buy me orange juice. it’s also about the james/nick having a gansey/ronan dynamic in the way that nick is devotedly in love with him and james is just being homoerotic for the jokes. but not most other ways. honestly i haven’t thought about the skam brighton versions of these characters in trc….. many thoughts head full

episode nine

we open with “pink rabbits” by the national as nick redyes their hair back to pink. and i’ll be honest. i only chose this song because it has pink in the title. but it does still vibe with nick though.

we then get “be your own 3am” by adult mom as nick is dealing with some bad cravings. it’s just a very pretty song for listening to alone at night in your bed in that weird space between sleep and awake. i love it.

we then get “i am not a robot” by marina as nick walks down the street because nick is a marina bitch!!!!!!! and “you've been acting awful tough lately / smoking a lot of cigarettes lately / but inside, you're just a little baby / it's okay to say you've got a weak spot” is such a nick @ james line it makes me insane

also rich’s entire character and backstory is directly lifted from skins gen 3 because i am niche and make content just for me

we then end with “rager teenager!” by troye sivan because i have listened to that song exactly once, decided it had nick vibes, and just stuck it in an episode somewhere.

episode ten

we open with “strange torpedo” by lucy dacus because it is just. such a nick song. it is insane. i am insane. like it is about nick wanting someone but not being sure who or what it is because he just wants to be loved and discovers that sometimes being liked is better than being loved…….

we then get “used to you” by mxmtoon and like….. “tell me what i can say / and i can say it / tell me what i can do / and i can do my best / tell me who i should be / and i can change it” is such a nick early s5 lyric…… and how the song is kind of a love song but the line “now i’m just kind of used to you” is very nick about his feelings towards james

we then get “gay street fighter” by keiynan lonsdale as milo gets their sexy slow mo that all of the love interests get at some point. they deserve it.

and then “to be alone with you” by sufjan stevens plays as milo and nick have their first kiss in the pool because i always wanted to include that scene and thought “hey here is good”. and like. they are alone with each other a lot and they like spending time with each other….. they are friends, they are teens, they are falling in love a little <3

we then get “creep” by lena hall as nick has a little gender moment at school. lena hall played yitzhak in the broadway revival of hedwig and the angry inch and she just has so much gender. creep has always been a nick song and this cover just…. it’s them. 

we then get some ambient guitar music during the nick/rori scene and i chose some songs from “your city gave me asthma” by wilbur soot because it is a fucking great album and nick is canonically a mcyt stan so i simply had to. we end with “your new boyfriend”, which is a funnier, happier wilbur soot song and it is simply a fun time.

episode eleven

we open with “gender is boring” by she/her/hers which is just an absolute banger. like “gender never really meant that much to me / til' people started telling me how it was supposed to be” is such a great line and it is very nick braxton because. like. it’s just gender babey everything is about gender except for gender which is about having fun.

“dorothea” by taylor swift plays as james and nick have their final big scene together and like. it is such a homoerotic and fun song i love it so much thank you taylor friend of the show swift. “and if you're ever tired of being known / for who you know / you know, you'll always know me” is just……. god.

we then get “i do (end credits)” by kevin abstract as we open on the final scene of the season because a) it has end credits in the title and b) it is just another song i think nick would enjoy listening to.

we then get “they/them/theirs” by worriers as we get another little party montage because it’s a vibe time and like. i do love a they/them pronoun moment. it’s a very good and fun pronoun to use.

and finally we get “prelude” from next to normal as al comes in late to the party and awkwardly stands at the back. i chose this song because. well. you’ll see :)

thank you for reading my analysis that no one asked for, i just love having fun and talking about my silly little show :)

[yououghtaknow]

18 and 20 for the meta asks? also I already commented on clip 3 but fr this clip was so good that was such a good execution of that scene and s5 has been so good and literally brightens my day thank u 💛 i hope you’re doing well

hi, thank you so much!!!!!!!! i hope you’re doing well too <3 <3

i am putting a read more because i am a rambley person, but underneath you will find talks of unused plot points, the parallels between the girl squad and the lad squad, and what taylor swift album(s) i believe each season has the vibe of.

tw for discussion of abuse, mental health problems, addiction and eating disorders

18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

skam brighton has. so many aus. because it itself is an au of an original work. me and two of my great writing friends have written a great numbers of aus including but not limited to riordian-verse, glee, doctor who, rwrb, trc, a murder mystery au, and many aus based on comfort media of mine that i started on never finished (house of anubis, barbie movies, etc.). and many of them are unironically so good???? @fingersmithbysarahwaters and @nightwing642 are incredibly talented screenwriters. but also i did write a screenplay adaptations of the first two books in the raven cycle series and 2/3s of rwrb for no reason other than fun and autism.

as for skam brighton. oh boy. not many plot points have been changed, but some certain scenes/character moments were changed. for example, the scene in season 2 episode 8 where liz has a meltdown at the shopping centre and she has a heart to heart with mary was originally liz having a meltdown and running into al in the sensory room. but i wanted to hold back on revealing al as a main character until season 3. 

also in the og season 3, jake and al didn’t break up. as i was finishing the season, i was getting ideas for how i wanted the series to develop (james’s crush on al namely) so i thought it would be good for both of their developments for them not to end up together. also in season 3 i hadn’t planned for jake to move house originally, so there was a scene in the finale episode of the lad squad hanging out, but it got cut because it just didn’t make sense. 

in season 4, al and bree were a lot meaner to each other originally, because i love it when it gets busy at the brighton and the gay people get mean, but then i thought about it and decided it was out of character for both of them to be downright cruel. al and bree also had a scene in season 4 that was cut due to just not making sense. 

also, in season 5, the “inner white girl” scene originally wasn’t in the show at all, but one day i was listening to the song, and about a week before the episode came out, i wrote it. also, bree wasn’t written to be a she/they until literally the day of putting the clip out because i thought it would be cool. that’s it :)

also the way i write is that i write the full clip out in a google doc and then edit it in ao3 about an hour before i put it out, so a lot of changes happen there. just small things, like making dialogue flow better, changing certain songs because i just want to, and sometimes adding in new sequences that i just thought of.

20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)

oh!!!! there!!!!! is!!!!! 

personally, my favourite thing to write is little symbolic moments that make me happy because i play 4d chess in my head with myself every time i write.

before i go off, i must say, so many hints and clues have been dropped for season six so far. season six has been my favourite season to write and i’m already planning a spin-off project based on it to write, and it’s gonna be starting sooner than you think.

so a piece of writing i’ve been thinking about lately is the parallels between the girl squad and the lad squad. before i begin to go off, these are the characters i think parallel each other the most.

jake - sandy james - bree nick - rori theo - esther al - liz

jake and sandy is quite an obvious parallel to draw - both are football players, both begin the series closeted and having a close relationship with bryan - but their personalities are quite similar. both of them are closer with their mother than their father, both use their relationships as a method of protection, and both are afraid of of societal rejection at the beginning of the series. they also both discovered their sexualities and mental health issues over the course of their seasons, and both of their love interests are more outgoing theatre kids. jake and sandy’s relationship is also so interesting to me - because they start as very awkward friends, and jake tries to help sandy by making bryan break up with her, but outs her in the process, and sandy doesn’t want to forgive him. she takes her time and comes to terms with it on her own and decides to forgive him because sandy’s just a sweetheart - and this also parallels the way jake takes his time to forgive his mother. also, in their friend groups, they’re both the newcomer to them, and we get the introductions to the group dynamics in their seasons, and in the later seasons, they’re both a lot more relaxed as they’re in recovery <3

james and bree are also very similar characters. both have problems with substance abuse, both have promiscuous reputations, both have both mommy and daddy issues. they are both dean girls, to put it in spn terms. they’re both very funny, and use humour to cover up their struggles. both are dealing with a lot of mental illness and, throughout the series, it becomes more and more clear. they’re also both seen as “the hot ones” of their groups, with a lot of the characters canonically having small crushes on them (liz, rori and nick with james; rori, esther and annabell with bree). they’ve also both canonically hooked up with sophie. which i just think is fun. they also played mimi and roger together, which i think shows their parallels as addicts and people (with roger struggling with recovery and depression until the end, when he begins to get help, and mimi living the high life until it all crumbles down around her). they also share a want for independence and both are very sana-esque characters (james being middle eastern and religious, bree being the cool rebel girl in season 1).

nick and rori are both the “fun friend”. they’re both comedic relief in the early seasons, but we do get in depth with them as the show goes on. in grease, they play james and bree’s love interests (which is ironic, as rori and bree get together and nick is in love with james), and in rent, they play angel and maureen, the two main comedic relief characters. both of them struggle to connect their asian identity with their british identity, and both struggle with how the world perceives them (nick with their gender presentation and rori with her eating disorder). they both struggle with toxic masculinity and toxic femininity and use humour to cover up their struggles.

theo and esther are similar in the fact that they’re the squad members we know the least about. they’re both jewish, they’re both the mum friend of their respective groups, they’re both autistic and they’re both quite nerdy. they’re the most grounded member of their respective groups and tend to take charge and help make decisions. they’re also both quite sarcastic and very firm in their opinions. 

al and liz are parallels simply because they are both nooras and vildes. they’r eboth autistic, they’re both the odd one out in their friend groups - liz being a lot more serious than the girl squad, al being a lot more in his own little world than the lad squad. they’re both very blunt and straight forward and say whatever they’re thinking.

also just some of my favourite bits of foreshadowing: nick being bitchy to liz throughout season 2 because they’re in love with james….. al talking about his sister to jake in season 3 and whenever al talks to the girl squad, bree insults him or walks away…… in season 4 episode 1, audrey mentions bree’s cousin is pregnant and then when bree finds out the results of her pregnancy test, oh no by marina plays (i’m now becoming my own self fulfilling prophecy)....... nick and all of his gender stuff throughout the series……. just all of the character stuff with grease and rent….. also just bree and rori’s whole relationship arc because it has everything. queerbaiting. subverting expectations. musical homoeroticism. a little cheating for fun. and they were best friends. honestly bree and rori season 3 is very august by taylor swift…… you weren’t mine to lose…….. 

speaking of, no one asked by here’s each season of skambr and the taylor swift albums they’re most like.

season 1 - debut/fearless

bro sandy is just such a debut/fearless era person. she’s looking for her place in this world!!!!!! she has the teardrops on my guitar energy (quite literally sandy pre-canon voice i bet he’s beautiful that boy she talks about and he has everything that i have to live without about bryan and sophie)..... the fun giggly crush songs that are deeply homoerotic….. esther season 1 voice the entirety of you belong with me. like esther really made a deeper connection with sandy in one month that bryan did in years of knowing her. sandy also is the type of person to stan love story, she just thinks it’s such a fun song and she does yell the key change every time it comes on. 

season 2 - speak now/lover

elizabeth!!!!! liz is the type of person who only liked old taylor and then got internalised misogyny and then got over it and loves taylor again. the story of us is canonically a liz/rori song…. yes i am still a liz/rori subtext warrior….. liz is very never grow up and dear john is a very her and james song in the fact that they both relate to it……. when they bonded over their trauma “don’t you think i was too young”...... also lover is a liz season 2 album because it’s about liz learning that love is the most important thing in the world….. liz voice i want to be defined by the things that i love. also the archer is just a skam brighton song because it is an isaac song. also i’m just gonna say it. i like me! it’s a good song when brendon urie isn’t in it, you all are just afraid of having fun. also though liz in season 5 is very better than revenge because, while her season is about unlearning your internalised prejudices, i believe she deserves to be misogynistic for 3 minutes 37 seconds.

season 3 - red

now this is controversial. this season is about depression, grief and anger, and these feelings are red. literally jake voice so you were never a saint and i loved in shades of wrong we learn to live with the pain mosaic broken hearts….. like treacherous….. holy ground….. the whole country pop vibe….. the bitchy songs mocking people’s perceptions of the singer…..  22 is a lad squad song…. also jake voice i remember it all too well but it’s about his father’s abuse and his mother’s neglect…… like the whole season is just jake getting to the point where he is at “begin again”. also i feel like jake would like red because he spent a lot of time watching taylor swift music videos as a youth both because he liked the music and had crushes on the guys in them, and he feels red is the perfect middle between the country and the pop and the indie and he just really likes being sad.

season 4 - reputation

bree big reputation holland!!!!!!!!! she has it all - the romantic drama, the hatred of men, the fucking homoeroticism. bree stans the reputation tour and they have made the entire holland-fletcher family watch it on their netflix (al fucking loved it because he’s a canon swiftie, audrey had a fun time, patrick was a little confused, but has the spirit). listen bree “i did something bad”. bree “look what you made me do”. bree and rori “new year’s day”. bree voice i swear i don’t love the drama, it loves me!!!!!!!!! like the reason the season has a lot of reputation songs and ends with daylight from lover is a metaphor for bree leaving their reputation era…. also reputation has she/they vibes

season 5 - 1989

1989 my best friend 1989!!!!!!! i am coming out here as a 1989 (deluxe) stan. it’s just a serotonin album for me and it is just so nick. the mocking songs about their reputation…… the genuinely deeply depressing homoerotic songs that have fun upbeat music…… the cars….. also clean is just such a nick song. he is in recovery, he is just so personal to me. also nick voice one night he wakes strange look on his face pauses then says you’re my best friend and you knew what it was he is in love!!!!!!! nick canonically in love with all of their best friends braxton!!!!! also nick feels like a 1989 stan because they just have those fun energies. nick WILL scream the spoken part of shake it off at the top of his lungs. also new romantic is just a skamverse song in general. also just. out of the woods. no reason for me to say it other than it’s one of my favourite songs of all time.

season 6 - folklore/evermore

no evermore is not out yet. yes i am claiming it for season 6. see taylor has said that these albums are all about telling stories/fairy tales and that’s what season 6 is about. i cannot wait until next friday when the main and my plans for the hiatus are revealed…….. genuinely i do not know how anyone perceives skam brighton so i don’t know who people think the next main is, but…… i can only describe the state of me writing this season as the various ambiguous disorder gifs.

[yououghtaknow]

15 + 24?

hi!! thank you so much <3

15. introduce us to your version of william

oh BABY!!!!

okay. so. the thing about william is i have always hated him. as someone who has been in a manipulative situation similar to noorhelm, just hated the man. so, i decided to create a new man. a good man. complex, but good.

enter JAMES ABRAHAM COHEN!!!!! he’s introduced to the song teenagers by mcr and is wearing a trenchcoat over his school uniform, not only because he’s edgy, but because he’s cold because he immigrated to the uk from the middle east. he is, at the beginning, a manwhore, yes. but he’s a party boy, a guitar boy, who rori sees and thinks Yes. My Future Husband. meanwhile he’s just having a drinking contest with his Boys and then talking about his favourite comic book character. he’s not a bad boy TM. he’s a Dumb Teenage Boy.

he's a genuinely nice guy. he apologises to rori as many times as he can, and only stops because she asks him to, and they become friends. he falls madly in love with liz as soon as she starts roasting him. he’s just an Understanding guy who’s made mistakes and is always trying to get better and be there for his friends. he literally let jake live in his flat for a good while. 

and, my favourite thing about james is that he forced his friends to audition for a production of grease with him to see the girl he Loves So Much and ends up getting the lead role???? TWICE???? this man is danny zuko and roger davis. 

also, in my personal opinion, i think james is kind of a superior arthur skamfrance. both have a disability (arthur is hard of hearing, james has autism/adhd), both have abusive family, both are in a love triangle with two beautiful girls (one of whom is a wlw chris b). and also a surprise member of the boy squad starting in season 3. 

also, in a way, my william is a william/jonas/eskild combination??? which is very fun. i just love taking all these different skam dynamic, cutting them up and throwing them in a pot and seeing what looks nice.

also, ONE LAST THING, i think my william has the most reasonable reason to go to london. as it is an hour away from brighton by train and he can come back before the day’s over. because he’s a teenage boy. and we will be seeing a lot more of james in season 5. get ready for it.

24. tell us about a ship that is endgame.

i’m going to be real with you all on tumblr dot com on this night. i honestly don’t know what romantic ships are going to be endgame, because i plan the seasons i’m writing as i’m writing them, so i only have the vague framework of what i want for the endgame of skambr as a whole. so i’m just going to talk about the 3 main romantic ships that are canon as of the end of season 4. and i’m gonna Go Off.

esther/sandy:

OKAY. taking sandy’s story as a whole. she’s kissed her best girl friend. she started dating a guy she doesn’t like. she’s desperate for something new to come along. and esther has just moved back from germany. she just wants to meet someone to talk to because she’s so lonely. and boom. they run into each other one night by chance and it’s “oh my god she’s so pretty” at first sight. and then they start talking and become friends so quickly (and esther introduces sandy to the keysmash). also, nooreva should’ve been canon. i have rectified that.

but god. the way they have their conversation in s1 e4 and almost kiss but get interrupted by sophie??? god. and when they actually kiss in s1 e6 and suddenly everything’s Good until they get caught. and sandy Runs because what else can she do? she’s terrified. and esther stays. and when they see each other again, esther doesn’t say anything because she knows sandy can’t talk about it. until sandy gets outed and attacked by the football team, and esther instantly goes to protect her and puts her own feelings aside to make sure sandy’s okay. and sandy just Needed a safe place to land like esther for so long. and when they finally kiss at the christmas fair as “girls like girls” plays????? god.

and their relationship in all of the later seasons GOD. i love them. their fight and reconciliation in season 2. them just being together casually, with sandy healing from her past and learning to truly love herself, and esther opening up and having someone there to comfort her when she needs it. and the fact that they’re still friends throughout it all, because it;s not just friends to lovers. it’s friends to friends AND lovers. also when esther sang “boy problems” by crj at sandy..... ICONIC

liz/james:

GOD. okay these two are really one of my favourite dynamics i’ve ever written. because they start as “oh you’re the annoying guy my best friend’s got a crush on”. and go to “oh you’re the ASSHOLE who broke my friend’s heart”. to “oh she may have forgiven you, but i Have Not”. and james is just like “I Am Being So Nice And She Still Hates Me”. but then we see liz seeing james’s art piece at the end of s2 e1. and she connects with it so deeply. and then they have their first real conversation in the next episode and they have a lot in common. they get each other. and he sings “perfect for you” from n2n to her. and she gets so overwhelmed by the fact that her mind might be changing that she just Runs Away.

and then we get the sleepover scene and GOD. one of my favourite scenes to write. james being a good cook??? james smoking out the window and liz making fun of his guitar. and then liz beginning to play james’s brother’s piano and james making it a duet as they sing “falling slowly” from once together. and then they share a bed and instead of saying something creepy, james just says “i think we might be becoming friends”. and she texts him immediately after the prank on the holiday episode. and their first kiss. GOD. with him always calling her elizabeth and the pride and prejudice parallels and “bad idea” from waitress...... and then them spending the next day together. also, in the first kiss clip liz says that she “hates one direction”, and in the next morning clip, one direction plays as she walks with james. it’s a metaphor baby!!!!!1

and their whole political dynamic GOD. it’s actually based a lot on how my politics have changed from when i was 14, beginning to write the series, and now. with going from the centrist-liberal ideas of “all violence is bad :) racism isn’t that bad guys :)” to liz using her privilege as a rich white girl to fully bail james out of jail for assaulting the man who’s been racially harrassing him for months. and the scene where liz has her meltdown at school and james takes her home, puts her to bed, and sings her to sleep. AND THE SCENE WHERE HE COMES OUT TO HER AS TRANS GOD. also them just being nice in the background of season 3 and 4. delightful.

bree/rori:

THIS RELATIONSHIP IS LITERALLY ONE OF MY FAVOURITES TOO GOD. their DYNAMIC in the scene where bree is introduced and rori is all starry eyed over her and bree will already do Anything for her. it’s about the “i want to be her friend so bad” kind of crushes. and bree and rori getting closer and closer as the season goes on, and they get the “i bet i can make you horny” scene because i just think it’s really fun.

and GOD. the evilde plot in skam og makes me. so Mad. but here...... it’s about the internalised homophobia. it’s about the wanting one good movie kiss. it’s about the them making out to one direction in the middle of a school event. AND THEM DOING THE PRANK TOGETHER ON THE EASTER HOLIDAY EPISODE. QUEEN SHIT! and the scene where bree is drunk and talking to liz about how it feels to be in love...... that was about rori!!!! and when they played sandy and rizzo in grease together. the homoeroticism, the best friendship.

and in season 3 when nick and rori get together and bree is just standing there, jake talking to her and she looks into the camera...... god. and SEASON FOUR RORIANNA. WHICH IS THEIR SHIP NAME IN MY HEAD. GOD. them just being best friends and bree being silently in love with her because she’s happy that rori is happy with nick (who is also her friend). the scene where they “practise kissing” because rori is scared to kiss a girl onstage (we love internalised homophobia), and how bree also ignores it because she’s scared of conflict. and they’re always so there for each other. rori being there to support bree so hard when bree’s at her lowest point. bree being there for rori and ready to fight for her. bree going from waking up next to josh, to waking up alone, to waking up next to rori. them going from slow dancing to daylight by taylor swift to laughing and dancing on a crowded stage in la vie boheme.

quite genuinely? they have it all. evilde. sana/chris b. eva/chris b. noora/chris b. noora/vilde. it’s about girls supporting girls and also them kind of being cut from the same cloth as sandy/esther. one of them having internalised homophobia and running away from the kiss, and the other silently loving them until they get a yes or a no. 

anyways every relationship i write is about having clear consent and respect for your partner at all times. and also about friends to lovers. and also the tenderness of musical theatre couples. oh shit now i want to talk about jake/al. well. this is my tumblr blog and you all have to deal with me.

jake/al: jake and al are currently Not Together as of skam brighton season 4 but god. i love writing their relationship so much. it’s about them meeting when al is in a manic episode and jake is deep in his depression and grief. about the nothing and the everything. it’s about the jason and peter secret gay lovers, the tony and maria falling in love on the balcony and having their first kiss at a pretend wedding, the romeo and juliet whirlwind romance that ends in tragedy. it’s about the bright orpheus al with his music and his bright life and sad, bitter jake, hating everything about himself and holding his own, but then falling in love and finding a way to build himself a new life, while al is falling down into a deep depressive episode. and then jake picks al up and gives him the tools he needs to help him step back from the ledge. and then al, who’s spent the entire season chasing after jake and the joy he gives him, turns around and walks away to better himself. and jake is okay with it, because he also needs time on his own to get better, and they agree to stay close friends, and they do!!! it’s about the gay experience of falling madly in love and then going back to be friends.

[yououghtaknow]

30. oooh i like your new blog theme that's hot af. oh and 25 talk 2 me about bresther

thank you so much <3 your blog, as always, is very hot and sexy too <3

25. tell us about a ship that isn’t endgame

well bree/esther in skam brighton season 1 is really “what’s better than one cool out wlw girl? TWO cool out wlw girls!!!”. and then we learn that they both have a Lot of internal issues but it’s all good <3. it’s about friendship and silently supporting each other at all times. in season 1 they have each other’s backs So Much and esther does canonically lowkey have a crush on her in that “oh i want to be her friend so bad” way, and bree just really genuinely respects esther. it’s about the both of them being noora/sana combinations in a way and they’re vibing together.

honestly every non-romantic dynamic in the girl squad is romantic though??? thinking about the girls all carrying rori home. being the only ones there for sandy when she was outed. calling an ambulance for liz. taking bree to the doctor. helping esther when she has Anxiety about her perfectionism. when liz wanted a friendship club and esther wanted a theatre club and they ended up getting both. when they had a sleepover and talked about their deepest feelings and then danced to cheesy music. when they watched twilight together and ate popcorn and then decided they wanted to get chips as well. the power of intense female friendships. they are all deep in best friend love with each other. and a lot of them are in romantic love with each other. the line between the two is very thin <3.

oh shit i realised this is the “ship that isn’t endgame”. well. the girl squad being all romantically together isn’t endgame. their friendship is. so please still enjoy my infodump about my love for them.

30. free choice! just give us some fun facts about it!

oh baby i love oversharing fun facts about my writing.

okay. my one of my favourite things that i’ve done with this show is the bree and al sibling reveal. i wanted to go full deep cheesy cw show shit with it. i wanted The Drama.

i had it planned from season 1, where it’s casually mentioned in the last clip that jake’s looking sadly at “a group of people and a kid with a video camera”. those people? alistair fletcher and his theatre kid friends baby! i was sowing the seeds early. and in season 2, i wanted to introduce ellie as a Minor Antagonist, with her bullying bree, and al just came along with that (kind of the sara to ellie’s ingrid). then, in season 3, al is Fully Introduced in all of his even glory, and we get to see him and bree interact. in all of the scenes with al and the girl squad, bree is either mean to him or straight up walks away. and their relationship is one that i love writing so much, as they are such mirrors of each other (as so, so many characters are (because i’m projecting all of my being onto them)). but still. it’s about the elias/sana “when you’re sad i’m sad” dynamic and the even/sana secret dynamic and the nick healy/frankie healy and the superboy and the invisible girl of it all.

also, when i was 14, i was in a drama club. we were asked to perform monologues one day, on the spot, and i, being an idiot, decided to go first. i panicked on the spot and pulled up sandy’s monologue to bryan from the last episode of season 1 and performed that to a class of stunned 11-14 year olds and one confused thirty year old teacher. yes this really happened and yes everybody did clap because they had to by the laws of the class. and soon after that i dropped out due to Mental Illness, so they never saw me again. bold and iconic of me to do though.

[yououghtaknow]

5, 29 and 30? Also, I read all four seasons of Skam Brighton over quarantine and it was fantastic! The changed storylines were so refreshing and I’m so excited for season 5 💛

hi!!!!! thank you so much for asking and thank you so much for reading <3.

29. which version (og + adapts) does yours most closely resemble?

hmm. well i would say skam austin, definitely, as a western english speaking remake. also with the dance team/theatre club vibes and the music aspect. also skam españa, definitely, with the centring of the girls' stories and just the beautiful friendship tone of it all, which is what i really wanted to get across. also some druck in there, with the realism and fixing the trans wrongs they did. and alistair fletcher has the drama of skam france, just as a character. what do these remakes all have in common? canon wlw. which was the main thing i wanted to write in this remake. skambr has 11 canon named wlw characters who have all played major-to-minor roles in the plot of each season, with 5 of them being members of the girl squad and three of them being mains and having wildly different experiences with their attraction to women because you can’t sum up the lgbt experience with just one person.

30. free choice! just give us some fun facts about it!

fun fact: i have never physically been in brighton. i would like to be one day, but i will most likely not get there before the series finishes.

second fun fact: i was originally planning to write a skam remake set in derry, northern ireland before i wrote skam brighton. that idea has morphed into something else that i plan to write, but it is a fun fact!!

and now. the big one.

5. what are some iconic soundtrack moments?

here we go lads, seasons 3 and 4, like promised.

season three

tw for discussion of mental illness and suicide, drug abuse and violence throughout.

trailer

WE START OFF!!!! WITH A BANGER!!! "tainted love" by soft cell. it’s an iconic 80s banger that we all know and love, about a toxic relationship, and we see a type of favourite character that is niche to me (the guy with perfectionism/parental issues who did some fucked up stuff in a piece of media who not a lot of people like). it’s jake baby. it’s about him living his life and being like “i feel like i have to run away from all of this” (a sentiment which shall be echoed later on). and jake with all of his different masks…….. i was ahead of my time.

episode one

we open with “say amen (saturday night)” by panic! at the disco which is. kind of yikes now, but the song does have the vibes i desired for the opening scene. a party-esque banger. lyrics like “i pray for the wicked on the weekend / mama, can i get another amen?” for the catholic imagery and mommy issues. also panic! is known throughout history to be an lgbt band. 

then we get “get out of my head” by redlight”, just for the mental illness of it all. also it has been said that i do love a good party song with deeply depressing lyrics about the main playing in the background <3. 

and then we get me ripping off druck with “idontwannabeyouanymore” by the theorist playing because i just wanted to use a piano cover of the song because silence with just instrumental is just very dynamic and mentally ill. 

and then we meet eleanor with “insane” by sonny fodera and biscits, which is basically just the lyrics “girl you make me go insane” because. well. you hate to see it folks, but we gotta foreshadow the internalised ableism and the hating one woman as a treat.

and to close off a very music filled first clip, we got “drive” by halsey, a staple of tumblr culture back in the day because it is just like “all we do is think about the feelings that we hide”. literally when you are gay and alone and are just so desperate for someone to see you but also so deeply afraid of it because that means change coming <3 

AND THEN!!!! we meet the love of my life ms christine love as she hums “express yourself” by madonna as she cleans the house. i wanted to give christine a lot of 80s music in her scenes, to show that she’s living in the past in regards to jake’s dad. also it’s just a good song, “you gotta make him express how he feels” is me writing any of the characters having dialogue.

AND THEN BABY!!!!!!!!!!! we get a moment i love so deeply. “mama who bore me/reprise” by the sweet signatures. an all female acapella cover of the iconic spring awakening song. this song has everything - heavy metaphor about sex, wanting your mum to tell you shit, catholic imagery, teen angst, amazing belting. we get the slow part as jake is alone and just trying to work out how to help his mum, and then get the ANGRY BANGER as jake goes out to play with his dogs to get his frustrations out, because at the end of the say, all of these characters are still kids <3

then we get “young (club mix) by jaded because i just wanted kind of boring straight party music for the bryan and rory scene. 

BECAUSE THEN LGBT COMMUNITY!!!!! we get jake’s dramatic walk down the hallway as “somebody to love” by queen plays. it’s about the catholicism, it’s about the being gay, it’s about the being so fucking lonely and just wanting somebody!!!!! also the parallel between jake’s lonely scene with “somebody” playing and liz’s crowded scene with “nobody” playing…. it’s about mentally ill people being different but also the same <3

AND. NOW. THE MOMENT I’VE BEEN WAITING FOR. we meet Him. the most valid theatre kid rep in the world. mr alistair thomas fletcher, who enters our lives singing “shallow” from a star is born under his breath as he washing his hands. once again, i’m ahead of my time. but also the first lines al sings are, metaphorically, him talking to jake. like “aren’t you tried trying to fill that void / or do you need more”. and then we begin a piece of foreshadowing most pleasing to me. alistair in season 3 and the recurring motif of falling, which will climax at the end of episode 10. also foreshadowing of his experiences with bipolar disorder with “in all the good times i find myself longing for change / and in the bad times i fear myself”. and we also begin the motif of jake interrupting al’s singing. 

(you may be thinking, isaac tumblr user nickhealy, you’re putting a lot of thought into this. that’s because out of all of the characters, al’s the one who never really expresses himself with his words or actions - he usually expresses himself primarily through music, which is a very fun and autistic thing of me to write.)

(also, the og episode 1 bench scene did make me feel very. not good as a gay trans guy, with all the talk of penises and such. it’s just very sexy of me to change it to al talking loudly about ballet and elton john. and then we get jake up on the balcony and al down yelling up at him. because i have literally never referenced anything subtly in my life)

and we end with “how does it feel” by m-22. like: “how does it feel when your walls fall down /  how does it feel when you're lost and found / how does it feel / it's the sweetest sound”. like it’s about jake meeting al, king of not being Good At Social, fletcher, and instantly being like “yes, husband material, thank you”.

episode two

(yes, this episode is titled after the gay hsm song. yes i’m a genius)

we open, as all good things do, with a fun homoerotic punk song with catholic imagery “east jesus nowhere” by green day. it’s just jake being like “i am Trying to find the instagram of a cute guy outside of church, love being a sinner”.

and now we see the beginnings of Sad Boy Jake, with “it’s ok, i wouldn’t remember me either” by crywank. we got “i am looking for an easy place / to mask my thoughts behind my face” and “i can hide from friends but i cannot hide from you” because he’s gay and he has depression. 

AND THEN!!!! we get “i like you” by dandelion hands playing as he comments supportive things on the youtube video of al….. literally jacob love will see a pretty boy one time and be like “last time i had you i should have kissed you”. also his alternate name being jack valentine…. valentine and love ugh my brain is so big

AND THEN!!!!!!! slow mo time, with “bite” by troye sivan…… a gay classic, if i do say so. like it’s about jake seeing al casually walk past, being all prententious and out, and jake’s just like “please set me free and let me walk beside you” because of the gay experience of simutaneously wanting to be a person and kiss them.

and then we get “the daisy chain” by the growlers. “feeling pressure on every side” and “tired of waiting to be explained / weakest link in the daisy chain”. it’s just the vibes babe.

AND THEN!!!!!!!!!!!!! a brilliant moment in my bare a pop opera stanning career - we get jake watching a bootleg of bare 2004 as “role of a lifetime” from the show plays. literally one of the most gorgeous songs ever written, sung by matt doyle. like everything is an act when you’re pleasing everyone - which could be the tagline of skam brighton as a whole. also jake watching “see me” and beginning to tear up because he’s afraid to come out to his mother and get the same negative reaction….. and him watching “cross” and sobbing because he relates to jason so much and feels like he would also be better off dead than gay….. 

BUT AFTER THAT!!! we smash cut to al as jeremy in be more chill, singing the beginning of “more than survive”. absolute king shit!!!!! also, i don’t remember if it’s mentioned in canon, but eleanor is the person who plays the squip in this production of bmc, because i am not!! subtle!! with!! my!! metaphors!! 

and we return to sad boy jacob with “swear to god the devil made me do it” by the front bottoms, chosen because references to the devil and mommy issues <3

AND THEN!!!! A MOMENT OF GREAT FORESHADOWING!!! we get mister alistair fletcher practising alone in a theatre because he is dramatic, and jake walking in as he sings “broadway here i come” from smash. we got references to saints, we got hints at al’s anxiety, we got the falling motif coming back in a song explicitly about jumping off of a building, that also doubles as a song about wanting to do theatre….. also, al plays the last note wrong as a metaphor for al’s plan of suicide going well until the very end, where he ends up alive and goes home.

(side note, we also got the football team’s jackets and signature colours being black and white (straight pride flag colours babey) and then we see al in bright yellow. it also represents jake’s depression and al’s mania, the everything and the nothing of it all.)

AND THEN!!!! we get manic (in the most literal sense of the word) pixie dream boy al asking jake to dance with him to “movement” by hozier because. it’s literally just such a beautiful song. and jake is just watching al dance like “hm. no thoughts head empty just pretty boy”. also the scene itself is a reference to wicked, with jake doing an awkward and stilted dance and al taking it and turning it into something graceful (the glinda and elphie scene in dancing through life)

and then we get the return of blue neighbourhood with “youth” by troye sivan playing over a smoking montage with the boys, because they’re young, they’re gay, they’re vibing

AND THEN!!!! we get “talk” by hozier playing as the episode ends - a song that of course references orpheus and eurydice, as al also did in this clip with hadestown. it also plays over ellie talking because jake is just Ignoring her to pay attention to al. also the inherent homoeroticism of making eye contact while hozier plays

episode three

we open with “highway to hell” by ac/dc over a fun football montage of jake both playing the game and getting bored and checking out guys. it’s about the thinking he’s gonna go to hell for doing it but he literally Cannot Stop

AND THEN!!!!!! a moment. we get a performance of some of “all you wanna do” from six by al and ellie and their theatre kid friends as they rehearse for something at lunch and jake, bryan and rory watch them. ellie’s doing the whole flirty k howard thing, and not actually getting into the real feeling of the song, and the guy she’s dancing with it awkward as all fuck because he’s her cousin. so we get al stepping in and fucking going the fuck off. and we see how good of an actor al really is in this scene, as he’s legit scary. we also see ellie clearly having feelings towards al and him just being like “yep good acting! moving on!!!” because no thoughts just dance. also bryan and rory not understanding that the song is about assault and jake being genuinely concerned….. and then al and ellie’s kiss at the end as ellie “dies”..... god the real reason this show isn’t made is because i would be too powerful if i could make everyone see my theatre kid mischief.

AND ANOTHER MOMENT!!!! we get “like a prayer” by madonna playing as jake is living his life and taking some “am i gay” quizzes - the questions of which are comprised of actual am i gay quizzes i took to make the scene as legit as possible, and as a gay trans person. Did Not Like. Would Not Recommend. also jake admitting he’s gay to the quiz because he’s pissed about the concept of misgendering al….. also jake forcing himself to pick the straight options even though it’s emotionally hurting him���. and then we hear christine singing in the hallway “everyone must stand alone” because it’s jake pov at the time…..

AND SMASH CUT TO!!! fall out boy’s cover of “i wanna dance with somebody”, because at the last very gay house party “i wanna dance with somebody” played and i love a good parallel

AND THEN!!!!!! literally the hottest of all hot boy summer things, we get al and esther doing some karaoke at the house party with “don’t you want me” by the human league. (which, yes, is a glee reference.) THE LITERAL COURAGE OF THIS MAN!!!! alistair fletcher looked a closeted guy, who he has had three (3) interactions with in person, dead in the eye and was like “i know you want me”. as opposed to esther “just be her friend first and then see about anything else” montner and james “I Will Never Speak To You Again If You So Wish” cohen.

and then, because of course i did, we get “bad romance” by lady gaga playing over the next scene with the beginnings of the boy squad because it’s a gay house party and it’s a fucking banger for the ages

(also just the shift from al hot boy summer fletcher to al gay disaster fletcher with him running literally out of the house because he kissed a guy.)

“left handed kisses” by andrew bird and fiona apple plays after jake and al’s deep conversation outside. like jake’s really out here like “i don't believe everything happens for a reason” and “i don't go in for your star-crossed lovers / in the heart of a skeptic / there's a question that still hovers near” because al info dumped about his love for adaptation of romeo and juliet…. (side note, al is definitely an & juliet stan, as everyone should be, stream & juliet <3)

episode four

we open with a song i discovered when i was in a community theatre rip off version of cats, “the show” by lenka. it’s about a song about indecision in the middle of a church before confession, because jake can’t actually confess to the sins he believes to be true. it’s about the “'cause it's too much, yeah it's a lot to be something i'm not”.

And then we fade to “pink + white” by frank ocean (because mlm rights), and just like “you showed me love / glory from above / good glory, dear / it's all downhill from here” is a very al/jake line. also it’s a bop for a little football montage.

AND THEN!!!! on halloween, we get a little montage of jake dancing to “paradise by the dashboard light” by meatloaf as he makes himself a sandwich - it’s literally about just being happy and having a nice time. and also jake dancing to more old timey music because he’s going up to his parents’ old room and he’s also living in the past a little, with his childish snack and playful dancing.

(also, the phone call where al just infodumps about bare and jake’s listening and asking questions <3 it’s about the autistic love and friendship yet again)

and then we get “i’m so tired…” by lauv and troye sivan as we arrive at the very awkward ellie/jake/al pre drink, because Is Jake Not So Tired Of This Heterosexual Bullshit He Must Do.

(also, it is my personal headcanon, and therefore canon, that al convinced ellie to go with the angel and devil costumes so that he could pull up in his leo-as-romeo get up and live out his baz luhrmann esque fantasy).

AND THEN LGBT NATION!!!! we get “run away with me” by ms crj as jake and al literally run away from the party after al got misgendered and Pissed. it’s about the using romance and whimsy as an escapism from your shitty life, it’s about the being the in darkness and occasionally getting hit by the street light, it’s about the “i’ll be your sinner in secret”, it’s about the bare connotation with the “run away with me” parallels. it’s also about the song being one of the best songs ever written.

(and then we get the wedding, which, before i get into the song, is a reference to So Many Things. we got west side story with the fake wedding and first kiss, we got hadestown with al making the wedding rings from nature (a la wedding song), we got bare with wedding bells and the dream wedding, and in the scene, we get some vineyard scene from spring awakening vibes, with the discussion of the future and religion and philosophy…… quite literally i love art so much)

and then. ladies. a piece of writing written in Peak tender tumblr. al and jake have the kiss of their wedding to “pink in the night” by mitski. it’s literally about the “i know i kissed you before but / i didn’t do it right / can i try again?” of it all. like jake love voice “i glow pink in the night in my room / i’ve been blossoming alone over you”. the repression, the pining…………. i am such a talented man.

and then we end with a doctor who reference, with al saying “run”, taking jake’s hand and the two of them running out of the church as “run away with me” comes back in. it’s literally about al taking jake out of his dull life and helping him find his own happiness. it’s also about the inherent autistic culture of relating to aliens.

episode five

WE! OPEN! WITH! a song about being gay and falling in love with someone immediately after meeting them - “share your address” by ben platt. a bop for the ages. it makes me so happy, it’s a great “early stages of a relationship honeymoon stage” montage song.

(also, i just really love the detail i put in about al’s binder, because the cuddle scene with david and matteo in druck did make me worried because david was wearing his binder. like i understand why he wore it for the actor’s comfort but just the thought of sleeping in a binder…… terrible. awful. pain beyond my wildest dreams.)

(also also, al saying he couldn’t get on hormones because of “problems with his heart” is a lie, because he means because of his mental health, which is based on personal experience babey)

and then we get an iconic skam song: “talk show host” by radiohead plays as jake sits in the back of a drama club meeting, isolating himself. it’s literally about the “i want to be someone else or i’ll explode” of it all. 

and then we get “rock and roll” by led zeppelin as jake walks his dogs - just because it seems like the kind of song jake would like and it just vibed with the whole scene.

(also, the clip where jake texts al at the beginning of it and then asks bree about her family….. literally i’m so good at foreshadowing)

AND THEN!!!!! WE GET THE ICONIC!!! “involuntary teenage rebel” by clout from grandma’s closet plays as we get a jake solo slow mo. literally they were right when they said “they say i'm a teenage rebel / but i'm really just afraid of how i come across to others / and it bothers me when i look weak”. like that’s just another skam statement line babey. also it’s genuinely such a good song and literally helped inspire me to do more songwriting…. stream it 

and then we get “heaven” by avicii, chosen purely for the title being “heaven” because christianity centric season.

AND THEN!!!!! we get jake asking al to come save him from the shitty party, and al says “wait for me, i’m coming”, an obvious hadestown reference, and when he arrives, he’s singing the “la la la la la la la”s from the show. it’s because the party - where bryan, rory and ellie are - is, in al’s mind, hell, and he’s going to save jake from it. 

and then, because, as mentioned, the way al express his true feelings is through Music, we get al trying to comfort jake by playing him a song - “you matter to me” from waitress (put a pin in waitress, i’ll get back to it later). the inherent homosexuality in “come out of hiding i’m right here beside you / and i’ll stay there as long as you’ll let me”. also it’s just about mattering to someone. like, for the first time in his life, jake has someone who’s saying “i love you, you matter, i will be here for you” and he just needed that So Much. 

episode six

AND WE SMASH CUT IMMEDIATELY TO!!! “london boy” by taylor swift, a campy and beautiful bop!!!! because al Is from london and he Is a boy!!! (also, fun fact, i was going to make al be from ireland originally, but then someone in the skambr discord said this song should be used in a scene, and i was like “okay, fuck it, london time”)

(also, you can subtly see al’s mania in the london boy scene, with him coming up with quick ideas, clearly having very low anxiety through the past few episodes, and just taking off his shoes and going for a walk in a park in november…..)

and then we get “landslide” by fleetwood mac as jake lies in his dead dad’s bed. it’s really about the “can the child within my heart rise above? / can i sail through the changing ocean tides?” and about the grieving as a child and your mental health getting worse while you’re still so young and you feel like the world’s on your shoulders and you’re both an adult and a child at once……

and then……. we get “class of 2013” by mitski after christine has her breakdown and jake packs his things to run away. it’s about both of them dealing with their grief by pretending it never happened and having all of that build up inside of them until they can’t take it anymore. And i see the lyrics of “mom i’m tired / can i sleep in your house tonight?” in this specific situation as jake being tired of his father’s constant presence and he just wants to be in a house with his mother the way he remembered her before his father died. 

(and, sidenote, this is one of the saddest scenes i’ve ever written, in my opinion…...with jake being like “she’s so crazy, but i’m nothing like her” because he’s in denial of his own mental health issues and al seeing him saying that as “oh, he’ll see that i’m crazy too and want to leave”...... and al says his final goodbye to jake, using his full name, because he assumes jake will never want to speak to him again, but jake has no idea……..)

(also, jake parroting bryan’s words of “gay marriage is legal, so everything is fine” in the pride clip……. God. and the way jake’s internalised homophobia and ableism manifests in the same harmful way….)

and then we get “don’t threaten me with a good time” by panic! At the disco as they boy squad rolls up to the party in the park. it’s just a party song. no deeper meaning lads.

and then we get jake in the bathroom having a little breakdown (as a treat) to “Give me novacaine” by green day. it’s just about the using alcohol and drugs to cope with your poor mental health because you have no other quick way to make it all better. It’s about about jake trying both to numb himself and to force himself to feel something, but neither one of those things give him the results he wants.

episode seven

we open with another iconic and beautiful song: “life in italics” by clout from grandma’s closet babey. like jake love voice “all these troubles on my mind i’ve been lonely / building walls running from the old me”. thank you clout for literally writing some of the best lgbt music. 

AND THEN!!!!!!! a scene that brings me much joy. “gotta go my own way” from high school musical 2 plays in the other room as jake has a religious breakdown in a literal (storage) closet. and then al leaves the group chat and blocks jake…. like jake voice “another colour turns to grey / and it's just too hard to watch it all / slowly fade away”

and then we get “hello!” by role model as jake goes for a depressed jog and he sees bree out drinking with some random people. like “i never really talk much, keep it inside / to find someone who cares is getting harder to find / we should be dancing in the sun / it's hard when everything is numb”.

(also, at the end of that clip, we briefly shift from jake’s pov to al’s, as we see al filming in the park and he films jake running away…… do i know what this means metaphorically? not really. do i vibe hard with it? oh hell yeah)

AND THEN!!!! after jake and sandy have their beautiful conversation, we get “under pressure” by queen and david bowie, another older song, this time expressing jake’s joy as he finds some small solace with his younger self. it’s also just about the inherent homosexuality of the song and of sitting on the beach, eating chips with your best friend.

episode eight

WE BEGIN!!!! with a youtube video of ellie and al singing “wallflower” from we are the tigers. i chose this basically because i wanted to get more of a vibe of what their relationship is/was across, and also because i love the song (stream we are the tigers original off broadway cast recording). it’s also about the dynamic of the song being “shy introvert vs outgoing extrovert being very toxic friends”, and also about the ellie supporting al stuff, because she has canonically been there for him for years, just not in a very good way. also i wanted to write representation for the “had a very intense friendship with a girl pre-transition and then had a dramatic friend break up and now i’m a guy and feel disconnected from the whole thing, although it was quite homoerotic at the time” people. this scene also marked the beginning of my purely self indulgent musical number scenes, and be warned, this may the the first, but it is by no means the last.

and then it’s very music lite for the rest of the episode, until al returns, and jake’s like “hey, maybe you should stop talking to your toxic friend” and al responds by beginning to make out with him as “fuck time” by green day starts to play. the COMEDY of jake being like “seriously, i think--” and then all you hear is “OOH BABY BABY IT’S FUCK TIME”. skam brighton is a comedy show.

and then we get al “communicates through music and theatre references” fletcher beginning to sign the ASL translation of the bridge of “word of your body (reprise)” from spring awakening with jake - which is another Very tragic show - and al also literally says the line “and so you should”. and al responding to jake jokingly calling him insane by shutting him up with another kiss….. oh ladies.

episode nine

WE! OPEN! WITH! “love shack” by the b-52s as jake wakes up and sees james and al just having some Fun making breakfast in the kitchen. it’s just some boys being boys and having bants.

and then we get jake using al’s love language of music and singing “those magic changes” from grease, singing along to the jordan fisher and aaron tveit version because that song did assist in my gay awakening.

(also, al stanning female doctor pomatter in waitress and james stanning waitress as someone from an abusive household….. my mind.)

and now. we begin The Big Bad Clip. “why didn’t you stop me” by mitski plays over the beginning of jake and al’s london adventure. it’s literally about looking back on the scene as it happens in a montage and al being like “why didn’t you stop me from doing that”..... god.

(also, jake and al go to see waitress, which Has been played before, and it’s foreshadowing for how their relationship ends. jenna and jim’s relationship - the main couple of waitress - begins with them cheating on their parents and falling in love quickly in secret, but they know it’s not healthy for them to keep the relationship going, so agree to end things and part ways as friends who wish nothing but the best for each other.)

and then we get “oops! I did it again” by britney spears glee cast version, because it’s just really Sexy and Fun. also just the mentally ill experience of “oops! i did a manic episode again!”.

and then we cut between a piano version of “last night on earth” by green day, as jake sits alone in the hotel room, and “true trans soul rebel” by against me! as al walks down the streets of london, in a split pov, and then we see al having a full meltdown/breakdown in the middle of victoria station. like al voice in this scene “another night you wish you could forge, / making yourself up as you go along / who’s gonna take you home tonight? / does god bless your transsexual heart?”.

and then we get legit “last night on earth” by green day as jake walks away after ellie yells at him. just because it vibes so much.

episode ten

we open with “mystery of love” by sufjan stevens as jake walks down to al’s house, because it’s just a vibey song, and while i hate cmb//yn with the fury of a thousand suns, it Is a song written for mlm.

and then we get “better alone” by lykke li as jake researches al’s various diagnoses. and it’s just like “nobody wants to be the one to walk away / nobody wants to see the truth, then let it in, run away / nobody wants to know the ways they don't love you right” and then “i’m better alone than lonely”..... mr love

and then we get “let it be” by the beatles, a Very nostalgic old fashioned song with catholic themes and just big comforting and recovery vibes…. jake confessing his real feelings to the priest and then reuniting with christine in the church and hugging her tightly and they both agree on working on getting better….. 

and then we get to the talent show, where we see the end of ellie singing “on my own” from les mis - as jake did at the beginning of season one. is this foreshadowing? is it a coincidence? i honestly don’t know. i just chose it because basic theatre girl song.

AND!!!!! THEN!!!!!! we get the song that acts as al’s suicide note: “the goodbye song” by joe iconis (writer of be more chill and “broadway here i come” from smash). we get the return of the falling motif with “i’m flying away” and the lines that really act as what al imagines to be his final goodbye to everyone he knows, as everyone he knows and loves is in that building: “i'd stay if i could / but the universe won't let me / so please be good / and don't you forget me”, and then al turns the “aahs” at the end of the song from a catchy crowd pleaser ending to a long, painful scream as the audience slowly stops clapping, until the room is silent, and then he bows a la the emcee at the end of cabaret (a bow which is often viewed as a metaphor for the character’s death). it’s literally just al having a breakdown on stage, but he rolls a nat 20 on his performance check, and the audience are like “this is very good performance art”

we then get a flashback to “broadway here i come” because. i am a king of foreshadowing.

and then we get “wait for me” from hadestown (obc version) as jake runs to find al, and it’s about the role reversal of jake running to save al from something worse than al saving him for bryan. it’s about the repetition of “wait for me, i’m coming” because of the fear of “what if i get there too late?”

episode eleven

“a better son/daughter” by rilo kiley plays as jake looks through al’s two tumblr blogs - and the song simultaneously a very al and jake song. with the descriptions of depression and dealing with a mother with mental illness at the start, which are very jake, but then the lines “and sometimes when you're on, you're really fucking on / and your friends they sing along and they love you. / but the lows are so extreme that the good seems fucking cheap” are just the base character description for al.

and then we get “the archer” by taylor swift as jake goes into the school again…. like he has been the archer and he has been the prey, in regards to being gay (with him helping in outing sandy and being outed himself).....

(also, fun fact about the episode, it was originally written to be from al’s point of view, but then i decided against it and had to rewrite it, which is why there’s only 4 clips instead of the usual 5 or 6)

and then, lgbts, we get “the predatory wasp of the palisades is out to get us!” by sufjan stevens as jake walks his dogs  out on the beach and al goes to the beach to write his emo poetry…… also, fun fact, al’s poetry is the first time i’ve ever written poetry/lyrics that weren’t about me, which is very fun. 

and then!!!! at the beginning of the final clip, we got “footloose” by kenny loggins, the iconic bop from the film of the same name. just because it slaps and it’s a fun time.

(we also get some Foreshadowing with al referencing rent in this scene)

and then. transgender nation. we get “midnight radio” from hedwig and the angry inch playing over al and jake’s having fun and being dumb kids montage. 

i know riverdale made this song a meme, but it HITS. it’s about the al referencing origin of love in the cuddle clip, al saying “i laugh because i will cry if i don’t”, it’s about the “for the misfits and losers” and the “hold onto each other”. it’s literally about jake finding community and also wholeness and happiness in himself.

(also, jake talking about all the little soulmates and the fact that he believes that the boy and girl squads are all his soulmates in different ways…… and bree actually paying attention and showing some vulnerability at that point because she loves her friends so much!!!!!!!!!!)

season four

tw for discussion of sexual assault/rape, alcohol abuse and abortion throughout

trailer

lgbt community. we begins with the regrettes' cover of "don't stop me now" by queen because a) i think it's fun when women and b) it's about bree's mania that we've already seen throughout the seasons, this time from her perspective, and it's simultaneously a Fun Time and a Foreboding time.

episode one

we open with "hail mary, gentle woman" by the cathedral singers, which is literally just the prayer "hail mary", but a song. i chose this because catholic, women, and church time babey. also because it was always one of my favourite hymns growing up (because, in case you couldn't tell from half of the mains being raised catholic and lowkey fucked up because of it, i was raised catholic)

and then we SMASH CUT to "r u mine?" by arctic monkeys, a sad british teen staple, as we see bree wake up in josh's bed for the first time and take the "walk of shame" to get to church. it's about the "i go crazy 'cause here isn't where i wanna be", introducing the Mental Illness, bree's want to get out of where she's from and go to a good uni, and her literally not wanting to be in some strange guy's bed in one line. am I reading too much into this? hell yeah. but it's my show, so i can read as much as i want!!!! (also "satisfaction feels like a distant memory" is both about her depressive states and josh not being able to make her orgasm <3)

AND THEN!!!!!!!!!! we get "all i really want" by alanis morissette, the beginning of my season 4/jlp parallel hyperfixation. it's about bree kinning frankie healy and "do i stress you out?" being her @ audrey. and just bree voice "it would knock me to the floor if i wasn't there already / if only i could hunt the hunter". it's just a perfect teen angst song and it's perfectly grungy and brianna-y.

AND THEN!!!!! we get "kiwi" by harry styles playing as bree slow mos by herself down the street. it's about the just hot girl energy of the song and also the romanticization of unhealthy behaviour because that's bree, baby!!!! also we get more of the word "crazy" because of bree's internalised ableism, and we also get the chorus of "i'm having your baby, it's none of your business", foreshadowing her unplanned pregnancy done by josh, who we saw in the last scene.

AND THEN!!!!! we get "chandelier" by sia as bree and the girls have a fun party moment, but bree is still Fucked Up mentally by seeing annabell and also men being creepy. it's about the using alcohol and drugs to push away your feelings because you have a lot of trauma and have internalised ableism and have no idea how to get the help you need without being vulnerable, which terrifies you so So much. also we see that bree forgot to take her meds in this scene, which i couldn't explicitly say in the scene because spoilers, but it's a fun thing.

then we get dodie's cover of "when the party's over" by billie eilish because i like the soft piano vibes of it as bree walks home after the party, because we always see bree as "the party girl", but the party's over now and we see her petting her cat, making sure her brother's home safe, taking off all her makeup and pretty clothes, completely non sexualised, and just getting into bed to sleep because she's just So Tired. also it's about bree pretending she's happy on her own, but she's Not, she has a lot of self loathing and deeply loves her friends more than anything. also a bree/rori moment with "call me friend but keep me closer".

episode two

we open with an audition sequence!!!!! because i'm a theatre kid and love a good audition sequence!!!!

we get rori singing "sexy" from mean girls, because it's a very rori show (pink aesthetic, fun female characters, a funny time), and because it's a very maureen from rent song. also rori is just a very funny person and also has a sick high belt in my mind. also it's about her learning to like the way she looks, slowly but surely. it's also a song about changing who you are, which is a very skam brighton theme.

and then we get al singing "vienna" by billy joel, but the shortened version they did in smash, but he also plays the piano like ben platt in the politician because he's a basic white theatre boy. it's also just a beautiful song about growing up and maturing, and also "if you're so smart, then tell me why are you still so afraid?" is a very bree line. 

(also, the part where josh calls milo his "kid cousin" and then bree's like "yeah, milo's the same age as me" but josh ignores it…… creepy!!!!! bad!!!!!! also, side note, milo is canonically genderfluid and uses different pronouns depending on the day, which is why they change throughout the season.)

and then!!!! we get annabell singing "hallelujah" by leonard cohen, which is just a stunning song, we all know this. it's a song about faith and doubt and it's also a parallel to rori's happy go lucky song, which annabell's being slow and sad instead. also they're jewish and gay and lovely. and then the jeff buckley cover plays over the next scene because it's Good.

and then we get "feel it still" by portugal. the man as the girl squad text. it's just a fun song and the line "i'm a rebel just for kicks" is great from brianna "rebel girl by bikini kill" holland.

and then, swiftie nation, we get “new romantics” by taylor swift as bree agrees to go out with josh because she’s being self destructive. like the fact that she says yes to him as the line “we’re all bored / we’re all so tired of everything” plays say it all. and just the whole song is very bree core, as a whole, also it’s a really fucking good song. i am a 1989 (deluxe) stan.

and then we fade away with “vienna” by billy joel because it is such a good song god bless <3

episode three

WE!! OPEN!! WITH!!! “tik tok” by ke$ha because it is genuinely one of the best songs of our generation, and also it’s just a very shopping centre song. i don’t know why but it Is.

AND THEN!!!!!!!!! we get genuinely one of my favourite songs that i’ve been waiting to find the right scene for ever since i first heard it. “dog bite” by stella bridie is just genuinely a stunning song that really Gets bree’s character as a whole, especially the first lines “putting on lipstick in the bathroom at the doctor’s  / i got a party after this blood test”..... the whole Need to be perform feminity whilst doing something as simple as going to the doctor’s as bree draws herself and tries to make herself look perfect because she believes her only self worth comes from her body and just….. the vibes. immaculate.

and then we get “ophelia” by marika hackman, another beautiful song, as we see bree self destructively look through all of the cyber bullying that’s happened to her in the past as a way of emotional self harm. it’s just a genuinely depressing scene with a good song underscoring it.

but then we cut to rori and brianna out for a jog together - because both have issues with their self image, but also because they’re friends and like to do things together - as “it’s nice to have a friend” by taylor swift plays. it is a very homoerotic song, with a lot of childhood friends to lovers vibes, which is kind of what we’re going for here. they are both very deeply sad but also it is nice to have a friend and have someone there for you when you find out the cast list of the musical you auditioned for and you can hug them…….

and then!!!!! we get “...ready for it?” by taylor swift as we get another party sequence because it’s a fucking banger and also brianna is Very reputation as a person, which will be shown with some other taylor songs throughout the season. also it’s kind of a “are you ready for it?” for the Deeply Sad scene that follows the fun party sequence, because this is skam brighton, and i will always write scenes of people being sad outside/after parties.

episode four

we begin with “harlem” by new politics as bree, annabell and dean hang out at the shopping centre and fuck around in clarie’s. it’s about a funky song and about the recurring line of “like you, like me, like everybody else” of the three of them all having their mental illnesses in common and bree simultaneously feeling happy that she can be open about it, and deeply uncomfortable that she has to be open about it.

and then we get “crush on you” by elijah who as bree scrolls through instagram and looks at two pictures - one of annabell and one of rori and nick, and when she likes the picture of rori and nick, she literally taps over nick’s face so that she can just look at rori <3 it’s about the bree being a bicon.

and then we get the theatre club watching rent as a fun time!!!! we get tune up #1 and voicemail #1, just iconic numbers. we get theatre kid supreme al knowing all of the words, cool guy james doing his air guitar, and when the line “let her be a lesbian” is sung, we get annabell cheering and rori awkwardly looking away because she has internalised homophobia.

(side note, one of my favourite aspects of this season is that it’s a subversion of the past three, where we’ve seen sandy, liz and jake deal with their internalised struggles with their sexualities, but with bree and rori, rori’s the one dealing with her sexuality, while bree is in love with her quietly)

AND THEN!!!!! we open clip 5 with the iconic skam verse song “call your girlfriend” by robyn as the girl squad show up at a house party and bree and rori have a homoerotic moment

and then!!!!!!!!!!!! a moment of skamverse wlw solidarity, “blush” by rhiza plays as rori and bree kiss in the bathroom. a) because it’s a good song and b) because the whole “she's just a friend, you know, but sometimes yeah i wanna kiss her, uhm but that's just 'cause she's cute right? that don't make me gay, it's not like i like other girls like i only like her, i mean no, i'm not gay, right?” part is really summing up what rori’s going through in this scene. also the song is just a bree song. 

episode five

WE OPEN WITH!!!!!! an iconic moment, if i may say so myself. an iconic wlw song, “boyfriend” by marika hackman, plays over bree and nick out partying. like it opens with the lyrics: “i've got your boyfriend on my mind / i think he knows you stayed with me last night” and then we get “it's fine 'cause i am just a girl / ‘it doesn't count’”. i mean. come on.

we then get a snippet of “rent” from rent in a rehearsal, with the lines: “how do you leave the past behind / when it keep finding ways to get to your heart” and “how can you connect in an age / where strangers, landlords, lovers / your own blood cells betray / what binds the fabric together / when the raging, shifting winds of change / keep ripping away”, which all really relate to brianna with her trying to bury her past traumas and and how she struggles to connect and also struggles with change - and the reference to fabric in the line when she’s the person who does the costumes for the show.

and then we get “pynk” by janelle monae as bree and annabell go charity shopping together and have a nice time. It’s just a fun wlw song and i like it. also it’s boppy and happy and kind of dreamy to show how their relationship is very on the surface and not as deep as it once was and they’re not really going to get that back so it’s just really awkward. 

AND THEN!!!! we get bree panicking because she’s getting creepy messages from josh so she runs to hang out with the girl squad and works on her drawing of them, focusing on rori as “head over feet” by alanis morissette plays. this is kind of a contrast to “pynk”, with it being a song that uses real instruments as opposed to the more electro feel of “pynk” to represent the two different relationships. also the lyrics “you treat me like i'm a princess / i'm not used to liking that” and “you've already won me over in spite of me / and don't be alarmed if i fall head over feet / and don't be surprised if i love you for all that you are / i couldn't help it / it's all your fault” are just Incredibly rori/brianna.

and then we get “hand solo (acoustic)” by marika hackman as we get a brief scene of bree masturbating to some not very healthy p*rn. i was hesitant to include this scene, out of fear of over-sexualising bree as a bisexual girl of colour, but then i thought i had to include the scene from a non-sexual stand point - to show how bree uses sex, even in her own mind when she’s alone, as a self destructive thing, and to show that masturbation is a normal thing to do, but also it’s a hint that bree’s state is getting a bit more manic than usual, so she’s getting more hypersexual. also for the catholic guilt of her stopping and looking up to see the cross above her bed.

when then get ortopilot’s cover of “basketcase” by green day, which is more of an acoustic version of the song. the song itself is just a Very mental illness song and just has a lot of vibes of guilt with it, and the beat of the song is very quick and manic in itself.

we then get “every breath you take” by the police playing over bree and josh’s Scary text conversation in the fish n chip shop, because it’s a creepy stalker song with Pleasant Music over it, which is kind of the Vibe i was going for with josh. also, the season came out around the same time as skames season 3, and seeing the parallels between josh and miquel, with josh being very emotionally distant and miquel being very emotionally close, but both of them having the same goal in mind and end result was very interesting to me. also both of them being very creepy old guys who should stay away from teenagers <3

but then. oh but then. we get a moment that is genuinely one of my favourites. we get the broadway cast version of “forgiven” by alanis morissette, another one of my favourite songs. i chose the broadway version because i prefer the quieter orchestration and the build up to the chorus instead of going all in on it so quickly. i chose this song because bree does parallel frankie from jlp, yes, but she also parallels mj in the fact that she’s repressing her trauma from being sexually harassed and assaulted by adult men ever since she was a child. and the song itself is very beautiful and bree core, with lyrics such as “my brothers, they never went blind for what they did / but i may as well have / in the name of the father, the skeptic and the son / i have one more stupid question” and “we all had our reasons to be there / we all had a thing or two to learn / we all needed something to cling to / so we did”. we also see bree seeking refuge in a church after being harassed by josh, because religion is the place where she genuinely feels safest, but she also doesn’t feel safe, as a bisexual woman in the catholic church, but she also knows in her heart that she is loved by god. 

episode six

WE! OPEN! WITH! “motion sickness” by ms phoebe bridgers plays as bree wakes up at liz’s house the next morning - a song literally about a shitty older man - and then bree is literally sick in the bathroom, claiming she has food poisoning from the strange fish they got last night because she couldn’t go to their usual place out of fear. but, in reality, this is morning sickness from her pregnancy, because she had sex with josh for the first time 6 weeks prior.

and then we get a scene of bree in a manic state rapidly working on costumes as “my body’s made of crushed little stars” by mitski plays. this scene is directly inspired by me in what i believe to be a manic episode staying up until 5am writing because i thought that if i stopped i would forget everything that i was thinking and never write anything good again. fun times. but also just the fast pace of the song and the very depressing lyrics and the whole “i’m not doing anything” playing over bree doing So Many Things…..

we then get a lot of silence because it’s Emotion Time, but then!!!! we get a moment very pleasing to be, “unprodigal daughter” by alanis morissette playing as bree goes to buy a pregnancy test. the song itself is just one of my favourites, and it’s also about bree kinning ms frankie healy (having a “perfect” white older brother, having an intense relationship with your mother, being artistic and into english, being bisexual and just really cool), but it’s also a song about choice and the singer choosing herself and who she wants to be and having hope for the future and wanting to run away. also the line “i’d invite you but i’m busy being oppressed” once again being used in regards to a young bisexual girl of colour….. genuinely one of my favourite lines ever written. the power it has.

and then. bree finds out she’s pregnant via the tests. and “oh no!” by marina begins to play, because skam brighton is a comedy show, but also skam brighton is a show for depressed british-ish teenagers. bree copes with this Really Fucked News by deciding to go and get wasted because that’s her favourite method of dissociation. also the song is just very bree as a whole, with the wanting to change and the “i'm now becoming my own self-fulfilled prophecy” after her making fun of her cousin’s pregnancy in the first episode.

and then we get “bubblegum bitch” also by marina as bree goes out to drink. it’s there to represent how bree is trying to force herself to get into her familiar role of the fun bitchy party girl, but it’s not working because she’s just really fucked, but she’s trying her best.

BIG TW FOR SEXUAL ASSAULT

and then “you are going to hate this” by the frights plays as josh and bree dance together, and we see josh giving her more and more drinks, getting her purposefully drunk as she gives into it, wanting the release being drunk gives her, not realising that he could be doing something bad to her because she’s so distracted by a) the alcohol and b) the fact that she’s fucking pregnant and doesn’t know what to do about it.

and then we get “seventeen” by sharon van etten as josh begins to assault brianna. i first heard this song in sex education, where it played as a group of girls supported their best friend after she was sexually harrassed on the bus, and i wanted to use it here as kind of a parallel to that, but also as a reminder than bree is seventeen years old, a child, and josh knows this, purposefully got her drunk and is assaulting her, because he is a disgusting human being.

episode seven

we open with “interlude iii” by tessa violet, as bree wakes up and leaves josh’s bed again, a parallel to the first clip of the season, but this time we saw the before that presumably happened. it’s just a really pretty song that vibes with the lonely emptiness of the scene.

and then we get “the ballad of mona lisa” by panic! at the disco as bree walks into school. it’s just a really vibey bree song, and the whole “i’d pay to see you frown” line is just about the always masking around people and never showing your real emotions. 

we then get “out tonight” from rent, but the movie version, purely because i just prefer the music production on that version. it just slaps. also, i just used this scene to talk about my love for my interpretation of mimi marquez. she’s just a teenager with a lot of problems who needs proper professional medical help, very much like bree. also, i have always seen “out tonight” as mimi having a manic episode and using the number as a distraction from her actual problems (literally what bree is doing) and i love her. (also the scene of bree watching the scene from the movie and having gay panic is just an Iconic moment)

we then get “funeral” by phoebe bridgers as bree lies in bed, deeply depressed and barely able to move. it’s just about a beautiful and deeply sad song. like all of the lines just vibe really hard with bree and the deep loneliness and emptiness of the song, and the underlying panic really outline bree’s actual emotional state.

and we end with the titular song of the episode, “will i?” from rent. i chose this song because, despite it being very repetitive, it’s always been deeply meaningful to me. and the only lines being “will i lose my dignity / will someone care / will i wake tomorrow / from this nightmare?” playing after bree talked about having to deal with her pregnancy, and following the dream imagery used in funeral, because all of the music Is connected…….. quite genuinely one of my favourite moments, because it’s so understated

episode eight

we begin the music of this episode with “everything i own” by the front bottoms - just a really fucking sad song for a really fucking sad time in bree’s life. with like like “just try to appreciate what you got while you got it” and “sometimes i don't feel like singing / i don't really like these songs / sometimes i don't feel like dancing / dj please, don't turn the beat on / let's keep it quiet, keep me honest, keep me true” just really vibing with her.

and then we get “even my dog” by kathryn gallagher, another one of my personal favourite songs, as bree walks through the hospital. first of all, kathryn gallagher’s character in jagged little pill, bella, does parallel bree quite a lot - being from a poor family, being talented at art, being slut-shamed by her school and dealing with the trauma of being sexually assaulted. the song itself has lyrics describing depression, with lines like “i don’t know how i’m gonna get better / i just know that i’m supposed to / i don’t know how i’m gonna get better / but i’ll tell you i’m good ‘til i believe it too” and “everybody wants me to be happy / everybody wants me to be” and “i can feel it / the life i knew before you / it’s beautiful to be so naive” which i feel just Really fit bree and her situation

then we get a little bit of “musetta’s waltz” played by james, because it’s a rent thing, and rori sings a bit of “over the moon” because it’s a maureen song and i just wanted to include it for a little bit of fun in the hell week

and then. oh and then. we get the funeral scene from rent and “i’ll cover you (reprise)” performed by milo and everyone else. the reason i chose this song is because a) it’s one of the most beautiful and heart wrenching songs in musical theatre canon, and b) i wanted to use the imagery of a funeral to show bree quietly making the decision in her head to go through with the abortion, even though she has many doubts. and the line “a new lease you were, my love / on life” is about the baby bree might have had may be being her ticket to a new life, the way she was for her mother, but bree knows that’s not what she wants and not what she can handle right now. and the moment bree finally break is the climax of the song, the moment death is said out in the open “when your heart has expired”. she hears that, is struck by the reality of what she wants to do, and just runs because it’s a lot for any person, let alone a seventeen year old, to handle.

and then we get the girl squad picking bree off the ground, quite literally, and helping her go to the doctor, all of them together, as “sign of the times” by harry styles played. all of the girls are involved, organising rides and where to go and comforting bree, and al’s staying behind, doing ground control at the rehearsal, because al and bree are siblings and they love each other god damn it. ans the song itself is just. simply epic. and the lines “you look pretty good down here / but you ain't really good” really get to where bree is in regards to her self image and it’s about her finally opening up and accepting help and doing what’s right and good for her, not being self destructive or doing things for someone else.

episode nine

we open with a slowed down piano cover of “knee socks” by the arctic monkeys, simply because i liked the sound of it and it’s a quintessential sad british time, but it’s also about girls being pretty.

and then we get one of my favourite songs from rent being sung by bree, “without you”. it’s a genuinely beautiful song about addiction and the struggles that people can go through with it. the song has a double meaning to bree, as she’s been struggling with her alcohol abuse problems recently and going clean, but the song is also about bree imagining life without her hypothetical child. “but i die / without you” is how bree is seeing it, still thinking she’ll be rejected by her mother, and partially by god, if she goes through with it, but the song goes on. she knows the world will go on without her child, but she’s unsure of how she’s going to be after the child is gone. (we also see james come in and sing too, as he plays roger, but him singing is also a reference to him dealing with his own addiction, as mentioned before in this season, to nicotine).

we then get “you gotta be" by des'ree playing as we go from bree getting herself together after josh gets fired to bree and her mother sitting together and watching ladybird. i wanted ladybird to be playing because it’s a very bree movie, in my opinion, and the “give me a number” scene playing is a really good feel, for me, of what it’s like to be a working class child and feeling the need to pay back your parents, which is something bree also feels immensely. and the song has lyrics such as “challenge what the future holds / try and keep your head up to the sky / lovers, they may cause you tears / go ahead release your fears” and “stand up and be counted / don't be ashamed to cry” and “you gotta be tough, you gotta be stronger / you gotta be cool, you gotta be calm / you gotta stay together / all i know, all i know, love will save the day”, which just really vibe with where bree is in this scene, trying to figure out all the things she has to be and can be and the whole thing about standing up is just very bree, because, despite us seeing her insecurities and weaknesses, she’s always been a confident person 

and then we get a scene that i wrote just to make myself cry. bree gets her hair cut by her mother after deeply connecting to her as “slipping through my fingers” by abba plays. it’s a song about a mother watching her daughter grow up and trying to stay close to her despite her always growing and changing, which is how i see audrey. she’s a woman full of love and she will do anything to support her daughter and make her happy, and it took bree until now to see it. and then we see bree’s hair literally slipping through audrey’s fingers, because haircuts are often used as a way to regain control over one’s life, and i’ve used bree’s hair throughout this season as a way to represent her trauma. when she gets morning sickness, she throws up in her hair. josh pulls on her hair when he assaults her. her cutting her hair off is a metaphor for her cutting off her trauma, but then from the hair cutting we transition to:

the abortion clinic, where “soon you’ll get better” by taylor swift and the chicks is playing. a song where a daughter sings to her mother to get better, and we see a mother supporting her daughter as she gets ready to go through surgery. the song itself, though, feels more about bree’s mental health than her physical state. she knows that through this surgery, she will ultimately end up better, but it’s going to take a lot of time.

and then as bree and audrey sit at home, they watch another movie: this time “grease”, representing bree’s desire to get back to her younger, happier self.

and then. we get “wake up” by alanis morrissette as bree gets ready for the rally in support of sexual assault survivors. a song, when used in the jlp musical, is used to talk about how it’s easier to not stand up and speak out against sexual assault. with the line “it’s so much easier not to / and what goes around never comes around to you” being used in regards to the cishet abled white man who will never get back all of the harm he puts out into the world, but we see bree reclaiming the song and her own body, putting on makeup in a way that makes her happy and marching out to the streets as it plays, focusing on her and only her

episode ten

WE OPEN WITH!!!! a moment most pleasing to me - “i did something bad” by taylor swift playing as the girl squad slow mo down the street together, a united front. i chose this song because it’s literally about society saying a woman did something bad, but she doesn’t give a fuck and wishes that she could do it again, which is how bree feels about fucking up a rapist’s life. also, once again, bree rolling a nat 20 on her deception roll as she gets proof of josh having the pictures of her on his phone by pretending to be the manic pixie damsel in distress josh wanted….. and we also get josh using the term “witch hunt”, the same phrase bryan used when he went off on bree, to show that they’re both the same character archetype, but in different flavours (bryan coming in asshole jock and josh coming in adult man incel).

(note: i also wanted to include the girl squad in this scene, because in the og when noora when to go meet nikolai on her own i was just. So Scared for her because she had No One. also, fun fact, i included the fact that the squad call nick “nickolai” as a nickname in season 2 so maybe there would be a theory that he would be nikolai, but i was just playing 4d chess with myself and he’s just a nice guy)

and then we get “seasons of love” from rent, which is, yes, a basic theatre song, but you can’t deny how good it is. and the whole “minute” thing in it lining up with the “minute by minute” iconic skam speech, and we get annabell on the big soloist lines because they’re the person who also heard the “minute by minute” speech before from the same place as bree, because it was said in their group therapy…. and it also parallels “i’ll cover you (reprise)” with them all standing in a line, but this time bree stays because it’s about love and being supported by your friends and not being sure if you’re okay, but knowing there’s always a safe place for you to go where you’re loved.

(also, we get a throwback joke of sandy, once again, being surprised by how strangely sexual all of these musicals are. i love her so so much)

and then!!!!! we end the episode with rori and bree confessing their feelings for each other and kissing for real for the first time, and it ends with “dress” by taylor swift playing. literally just the most homoerotic song, and the whole “i don’t want you like a best friend” line…… they deserve to be in love with each other and i have been building up to them finally admitting it for four seasons. literally the longest slow burn i’ve ever written. 

episode eleven

WE! OPEN! WITH! “watch you sleep” by girl in red, a song i discovered in 2018 and wanted to save for a good moment, and then the whole “do you listen to girl in red” thing exploded, so. (james from derry girls voice) i support wlw, though i myself am not wlw. also it’s just a really sweet song that i like a lot. and we’ve seen bree wake up a lot at the beginning of episodes, and we see her wake up from a nightmare this time, and she calms down instantly when she realises she’s home and with rori…..

and then we get a moment MOST PLEASING to me!!!! we have canon swiftie alistair fletcher streaming “daylight” by taylor swift in the bathroom as bree and rori wait for him to be done. and then they start to dance together to it, with them referencing rent before they start dancing, and rori begins to sing along because rori, as a character, has such “lover” energy. and we get rori singing “i once believed love would be black and white”, which is a reference to her and james’s relationship, with her thinking it would be simple and easy, and then “i once believed love would be burning red”, with her and nick’s quick, passionate relationship “but it’s golden like daylight” and we see her and bree together, calm, best friends who are now lovers, no big dramatics, no fireworks, just two people who care so deeply about each other, holding each other, having seen each other at their worst and still adoring them with every part of their being. and we get the “you’re so pretty”, “no, you”, “no, us” exchange, which is just saying “stop comparing yourself to other girls, just be in love with them and yourself”

and then we get “number one fan” by muna, which is just a really fun boppy song, and just big bree core. with lines like “so i heard the bad news / nobody likes me and i'm gonna die alone / in my bedroom / looking at strangers on my telephone / well, wouldn't you? / wouldn't you like if i believed those words?” is showing her development, going from believing all of the bad shit people say about her, both online and to her face, and standing up for herself and believing in herself

(fun fact, there was originally a clip in this episode where we see bree going to the police about josh, but as i was getting closer to publishing it, i thought “fuck that, i’m not giving them any screentime”, and just gave bree some fun exposition about reporting josh to his school)

so we get “icu” by phoebe bridgers as bree’s walking down the street, just vibing, very happy because she just got her rapist expelled from his university. we get lines like: “and i get this feeling / whenever i feel good / it'll be the last time” which vibes with my perception and bree and her relationship with her mental health, which is currently, in the episode, in a good place because of goos things happening, but she knows that it’s going to come back down eventually, but she’s prepared for it now, she’s not as scared of herself anymore

then we get al’s film of the rehearsal process - which is, once again, him using art and music as a way of expressing his love - as “heroes” by david bowie plays. this is a direct reference to “the perks of being a wallflower”, a very inspiring piece of media to me, writing wise. the film that al makes is just a love letter to being teenagers and making art and noise in a world where people are constantly telling you to shut up.

and then, following two deeply philosophical speeches i wrote at 3am one night, we get the last 15 minutes of act one of a musical because it’s my show!!!!!! and if i want to have a character yell about love and then sing a song i can!!!!!

we begin with “la vie boheme”, the iconic act one closer of rent. quite genuinely, this song has the same meaning here as it does in rent, only with the added layer of “this is the last clip, so we’re just all having a fun happy ending” on it, so i’m just gonna be talking about my favourite fun parts of it.

we got al and bree sharing a laugh as al sings “not to mention, of course / hating dear old mom and dad”; we got al high-fiving jake as he talks about “fruits”, because they’re both gay; we got one of my favourite lines: “to being an us for once instead of a them”; we got milo and bree messing around because i love their friendship; we got bree and nick singing a verse together; we got al making it canon that mark cohen gets pegged with the “mucho masturbation” line; we get rori making eye contact with bree while she kisses another girl, because we love a call your girlfriend reference and we love her character development; we get james finally perfecting “musetta’s waltz”

and then we get “i should tell you”, a song i hated upon first watch of rent, but now i love it so so much. while james and bree are singing it together as roger and mimi, bree is very much dedicating the song to rori, because it’s a song about being scared of starting a relationship but doing it anyway because you’re learning to trust the other person. we also see audrey and patrick in the audience, both so happy and supportive of their children, because i love them so much. i love all of the parents, but audrey is definitely my personal favourite so fa.

and then!!!! we begin “la vie boheme b”, literally one of the biggest bangers of musical theatre history. 

we get rori singing the first fast verse, literally raising a middle finger to the idea of perfection and eating disorders, because while those ideas may be a part of her life, she’s happy to say “fuck you” to them; we get nick voguing to the camera as he sings his fast verse, goofing around like usual; and then we get milo yelling out their verse to the audience, serious, because they genuinely believe in the words they’re saying

then we get the cast all yelling out their lgbt identity in the form of a reclaimed slur. i also changed this part of the show because there’s two terms referring to lesbians in the song and i wanted to a reference just for bisexual people. 

then we begin to shift all focus away from bree and her story, beginning to move onto nick, as he and james dance together as al yells out the title line of the episode: “the opposite of war isn’t peace, it’s creation”. and i decided to edit the closing monologue because i felt that it placed too much focus on roger and mimi’s romance and wanted to end the season with a focus on revolution and positive social change, ending with the line: “the riot goes on and on and on and on…”

and then we end the season with the line “we will now take a short intermission” as nick looks into the camera, because it’s time for a break between seasons babey!

and that’s another well over 10k essay on my music choices!!!!! also, as of writing this, i have officially finished production on skambr season 5!!!! i’m way ahead of schedule, which is really good for me, and the trailer will be coming out in about a month’s time!!!! until then, thank you for reading my infodump <3

[yououghtaknow]

16 #excusecheatingalways

quite literally stream the origin of love (riverdale cast version) <3 <3

16. Are there any cheating storylines? Are there any love triangles?

why yes <3 yes there are <3

i genuinely unironically enjoy love triangles when they’re written well, which is why i like to include them in pretty much all seasons, because i just love the Concept of many people all being in love in so many ways and trying to work it out in a healthy way......... i just love to have a little fun and play around in my mental doll house. and, as always, i write Too Much, so you can read all about it under the cut.

so in season one there are Quite Many Love Shapes And Cheating. the season, of course, is begun by sandy kissing sophie after sophie’s boyfriend, bryan, breaks up with her. to repress her lesbianism, sandy starts to date bryan. Drama. then esther rolls into town, all out and proud, and sandy begins to have feelings for her, while bryan and sophie both still harbour feelings for her because sandy is amazing and we all should love her. 

and the different ways they all love sandy....... how bryan’s love is toxic and abusive, because he has so much anger towards his mother for leaving him and he has so much anger about the world, so he takes it out on sandy, because she’s there, and also because he’s really racist and misogynistic. we have sophie, who’s angry about how everything has gone down and really just misses her friend, at the end of the day. sophie, who’s also been abused by bryan and is seeing her friend go through the same thing and has no idea how to reach out to her because of her pride and her fear that she could get hurt again, and the fact that she’s just sixteen and doesn’t really know anything....... and then esther, who’s new, who’s full of bright ideas and quips, and meets a pretty girl who makes her feel listened to, and sandy feels heard with her, and they’re both at a turning point in their lives, where it’s the perfect time for the other to come in..... it’s about being comfortable while also excited, because being safe doesn’t mean being boring.... and sandy just has so much love inside her that she doesn’t know how to get out in a way that’s culturally acceptable, so she has to learn to love herself in a way that’s harder, but much more honest.

in season one we also have a sort of Platonic Love Shape, with liz, bree, rori, esther and sandy all trying to sort out their friendship because a Lot of them are fighting in this season as they begin their friendships. we got liz and esther fighting for control of the club, rori and liz dealing with their lifelong friendship being threatened by rori liking james, bree and liz trying to work out their cultural differences, and all of them just trying to learn to be comfortable with people and, as we all know, the girl squad Is every skam’s greatest love story.

in season two we do have some love triangle Drama. we have james, who’s in love with liz, liz, who’s working out some sexuality shit, and rori, who’s also working out some sexuality shit. and now, as we’ve learned in season five, nick, who is very in love with james. that’s been planned from the very beginning, and you can see some of nick’s bitchy comments in season two aimed towards liz come from him being jealous of her. and we do also have nick and rori being lowkey into each other, because you Can be in love with multiple people at once baybee.

see, i see rori’s attraction to james as both a genuine thing she felt and a way for her to over-perform heterosexuality to distract from her love of girls. i also see rori’s jealousy of liz and james’s relationship as her having feelings for both of them, but in that small way where you’re never going to act on it, but it’s still in the back of your mind. 

i also see liz’s relationship to rori and james’s relationship, especially in season one, as her trying to keep control of her life, as she is Quite afraid of change, but i also see it as her having feelings towards rori, not realising it, and feeling threatened by james, but also scared of her own attraction towards him.

in short, season two is about bisexual disasters learning to be less disastrous.

in season three, we Kind Of have a love triangle????? we have jake, who’s gay, al, who’s gay, and ellie, who’s a girl. so it doesn’t fully work. but it also Does. ellie is using jake to make al jealous, jake is using ellie to appear straight, and al is just vibing. jake and ellie both being into al makes the call your girlfriend scene just so powerful..... and the way it represents al being torn between his past life at spotlight performing arts and the freedom of the theatre club.....

we also kind of have a platonic love triangle between jake, bryan and al, with jake being pulled between the safety of his toxically masculine world and the freeness of non-conformity with alistair........ and it comes to a head when jake comes out in a moment of anger (because jake’s season really is about anger, at its core) and bryan’s absolutely taken aback and his worldview is shattered, and in comes alistair, literally singing, to save the day. quite genuinely everything is about love, whether good or bad, but still love.

in season four, OH BABY, do we have some fucking love triangles??????

we have rori and nick, both dating while having feelings for bree and james, respectively. we have bree, who’s pining after rori, had sex with josh (who’s creepily in love with her) and is becoming friends with annabell again (who is also in love with her, but in a not creepy way because annabell is nice and would never).

the thing with bree and the three people she’s involved with, i wanted to show three very different types of relationships with rejection. you have bree and josh, where she clearly rejects him, but he doesn’t take no for an answer. bree and annabell, where she rejects them, and they accept it and try to learn and grow from the experience. and bree and rori, where rori rejects her because of internalised homophobia, and bree tries her best to deal with it, trying to get over her, until rori becomes at peace with herself and they get together.

i also wanted rori and annabell to be foils to each other, with annabell representing bree’s past life of self-destruction, with their constant nihilistic remarks, and rori representing bree’s new life and hope for the future, with her sunshine-y optimism, but still keeping it real. and both of them representing two ends of a spectrum of sexuality, with annabell being fully comfortable and out, and rori being very closeted at the beginning, and even the end, of the season. it’s also about both of these things being okay.

what i wanted to do with season 4 was subvert what i’d been writing before. you want sandy to cheat on bryan because he’s terrible. you want jake to cheat on ellie because she’s terrible. but then the situation comes up where rori is cheating on nick, and you’re happy because bree/rori is happening, but then you genuinely care about nick, and you’re left to wonder “well, is this okay?”

in season five, we’re going to be taking a deep dive into nick’s relationships, not only with other people, but with himself. it’s something i’m very proud of and have poured a lot of my heart into, because i wrote season five in a pretty bad time for me personally, but i Will discuss it more as the season progresses. 

and, as i am currently writing season six, i will let you know that the whole season is about love and the many ways it can tear you apart and make you whole, but then, isn’t that what the whole series is about? isn’t that just what life is about? i sigh dramatically, i love writing, i love writing about love.......

[yououghtaknow]

[CONTENT WARNINGS: This episode contains discussion of sexual content, sexual assault and harrassment, pedophilia, consent, mentions of bombs, suicide, homophobia, suicidal ideation, racism, violence and death]

Join Isaac as he talks about the Skam Brighton season two episode twelve!!!

Topics of discussion include: a way too long review of the UK tour of “Heathers” (that includes spoilers), how often Isaac quotes their own show in real life, catsuit continuity, Dan Howell’s beautiful coming out and the release date of “I Believe In A Thing Called Love”.

Transcripts for all episodes available here: https://docs.google.com/document/d/1BxxpV--RkcwmBPATSn6IvtsmwdC0v-r-sE_APlBvRSk/edit?usp=sharing  

[yououghtaknow]

i'm gonna answer the rest of the skambr asks as soon as i can, but if you haven't read skam brighton and would Like To and you don't want it spoiled you can block the tag "skam brighton spoilers" :)