#he does not have real wings here
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I fucking love magical tattoos you have no IDEA
#four swords#vio link#FAM AU#legend of zelda#my art#fanart#clothing reveal now y’all know how Vio’s jumpsuit works (bc he usually has actual wings)#he does not have real wings here#Bc of magic#Fully Hylian form lol
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Do you remember that Aussie sword guy who used to talk about medieval weapons?
And, like, he seemed pretty good at talking about swords and shit. He seemed to have a good grasp of the history and tactics. He'd analyze movie weapons for their realism and that was fun. He did demonstrations with real weapons. For a time I really looked forward to his videos popping up in my feed.
He seemed like a harmless sword-fighting aficionado.
But then I guess he wanted to spread his wings. So he started down an anti-woke path. Giving questionable critiques about media and feminism. He started defending boob armor by showing historical examples even though most of those were decorative and not battle ready like in the games.
Then he admitted he was a fan of The Daily Wire.
And that was disappointing.
I missed him nerding out about swords, ya know?
Well, Shad decided to spread his wings again.
He has become...
*bad French accent* An artiste.
You see, he types words into a little box. Then a little robot does a google image search and steals a bunch of art. Then that robot reconfigures that art to be nearly indistinguishable from the source material. Well... aside from the occasional artist watermark.
Whoops!
A.I. art is very difficult. Sometimes when you type words into the box you get a woman with 5 lopsided anime tiddies. Or 20 fingers on one hand. It takes time and effort and experience to type in the perfect magic words so that you get something close to your imagination that doesn't belong in some sort of Lovecraftian horror ripoff.
For example, check out this cool "pirate hat" I asked A.I. to place on my head.
Clearly, I am not skilled enough at typing words into a box to get a proper pirate hat.
It. Is. Not. Easy.
I heard someone say you have to type things in a box for 10,000 hours before you start getting truly masterful generations.
I mean, you can't type "marathon runners" and expect that to actually work.
THIS REQUIRES SKILL, PEOPLE.
And I am a lowly amateur. I can only dream of becoming the box-typist Shad has honed himself into.
The thing is... Shad is very upset.
He is upset that you don't like his "art" and he is ready to die on this hill.
So... before he croaks on a mound of bullshit, he has something to show you. He has created something truly brilliant and when you see it, he is convinced you will validate his considerable efforts.
Before I show you his "Not. Easy." artistic masterpiece I'd like you to sit with what he has said for a second.
Ruminate in the verbiage.
Process the ideas and points of view presented.
Digest his plea for you to accept and love his hard won battle after typing words into a box to manifest his imaginings.
.
.
.
.
.
.
.
.
Have you sat?
Ruminated?
Processed?
Digested?
Okay, here it is...
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₊⊹ … ALMIGHTY DRAGONLORD K'UHUL AJAW AND TWO CLUELESS MORONS | kinich x gn!reader
— in which ajaw tends to interrupt kisses. and ruin moments.
— this took way too long to get out, winner of this poll w 458 votes .. includes pre + post getting together, kinich does bite , i love ajaw
recently, the little pixelated... thing that called itself "almighty dragonlord k'uhul ajaw" had proved to be quite troublesome.
and it wasn't just in your love affairs with malipo kinich; ajaw took it upon himself to make not a single second of your day silent.
"i'm nOT forigiving you for this you... you... you- aGH, NEVERMIND! you're literally HOGGING kinich's attention so like.. screw off already!!"
needless to say, it seemed that ajaw was a jealous individual. you'd heard a thing or two about him from kinich, though rather.. unsavory things: irrelevant tidbits, a nonchalant little comment of "i forgot to mention, he'll take over my body when i die, so he constantly wishes for my misfortune."
oh yeah, like that was totally normal.
then, perhaps ajaw's jealousy wasn't unfounded — you "owned" kinich more than he ever would, lol. funnily enough, the way the two of you had met was purely due to ajaw, so if anything, he didn't have the right to complain.
from what kinich told you later on, he had been on some bounty mission for a troupe of ragtag saurian poachers, and had swung by to check grappling indents on the cliffside when ajaw spotted an adventurer scaling the rock. doing what he does best — causing a celestial fuck of a racket — he hovered over, preaching about how "real adventurers don't use equipment" and to "drop everything to show your bravery" ... after a proper talking to, kinich met with you to convey a formal apology.
at the time, you didn't know such a professional relationship would develop into something more.
"he's bothering you again? i'll scold him..."
kinich's voice was quiet, his head settled in your lap, one hand gently circling your wrist. you slowly ran a hand through his hair, released from its typical headband-style. soft, it was fluffy to the touch, and you heard kinich hum in content, bringing his hands up to caress your face — a silent request for a kiss.
and how could you resist? there was something in that gaze that seemed so pleading, so intimate-
"you ICKY ICKY LovEBIRDS !! FOR THE LOVE OF- GET A ROOM!!"
kinich withdrew his hands with a scowl, lips pressing into a thin line. "... read the room, ajaw."
"this almighty dragonlord is not going to witness a k-kis- grOSS, i can't even SAY it...!!"
"..."
kinich seemed to consider something, very briefly.
then, he grabbed the sputtering pixel-dragon forcefully, smothering ajaw's face with a gloved hand. watching in awe and feeling thoroughly entertained, you heard indignant shouts grow muffled.. and just like that, ajaw shut up for the first time in over a decade. historical.
your lover leaned forward, angling his head to the side to press a chaste little kiss into your neck. like he had flipped a switch, he grazed his teeth lightly against your skin, nipping at it first, though not hard enough to draw blood, then biting at it.
"ouch, are you trying to leave a mark? what's with you?"
"shush." he spoke with his face flush to your neck, kissing a small trail up your neck and onto your jaw as if in apology. "i'm merely claiming what's mine."
and there ajaw floated, suffocated and forgotten. "..hell, are those two SERIOUSLY making out ?? when im literally rIGHT HERE!?"
(a/n) ajaw is so detestable i love him if possible i think id want to pinch his pixel cheeks. anyway "so call me maybe" is up next w "so cradle these wings" after, they were supposed to be sorta related but i don't the release order matters so :p
[ tags: ] @manager-of-the-pudding-bank, @iamdedinside, @ilyuu-archive, @falors, @swivy123, @scara-is-my-wife, @lupicalbestwolf, @justyoureader,@fiannee, @aether-darling, @aioniela, @avensuersa, @dainsleif-when-playable, @intpessimistic
( dm or comment to be added ! i might miss ur comment so just to be sure, leave a comment on the actual masterlists page on my pinned ^ ^ )
#★ ˎˊ˗ mondaymelon#astronetwrk#kinich#kinich x reader#kinich x you#kinich x y/n#x reader#genshin impact#genshin impact x reader#genshin fanfic#genshin imagines#genshin x you#genshin x reader#genshin impact fluff#x gn reader#genshin oneshots#genshin impact x you#genshin fanfiction#genshin impact imagines#genshin headcanons#fanfiction#fanfic#reader insert#genshin kinich#genshin natlan#natlan#kinich genshin#genshin impact kinich#mualani#ajaw
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Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.
The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.
Paolo Uccello, 1456
This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10
Horse thoughts: Maybe if I look at the ground it will be gone when I look up
Unknown artist, c. 1505
This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10
Horse thoughts: I am so glad I wore my mightiest feather helmet for this
Raphael, 1505
We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael
Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ
The Beauchamp Hours, c. 1401
We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10
Horse thoughts: Dehhhh
Book of Hours, c. 1480
Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10
Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening
Final dragons put behind this Read More for your safety:
Rogier van der Weyden, c. 1432
I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10
Horse thoughts: i got my hed stuk in a jar and now it is this way forever
Unknown artist, c. 15th century
I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die
Horse thoughts: I Have Smoked So Much Crack
Book of Hours, c. 1450
Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away
Horse thoughts: I Have Smoked So Much Weed
Book of Hours, c. 1415
This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10
Horse thoughts: ....yikes
And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road
Horse thoughts: Perhaps it is we who are the buttholes.
#art history#nonsense#hot takes#I am doing a St. George painting and have been wading through reference material#manuscript#fuck me I didn't notice van der Weyden managed to sneak a butthole in his too#the definitive list#when knighthood was in flower#dragons georg
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in the morning light
[part 2 here]
synopsis - what it's like sharing a bed with them
includes - aventurine, gallagher, sunday, robin, boothill
warnings - gn!reader, fluff, slight angst, i have no clue what im doing, might be ooc, wc - 1.2k
a/n: i have absolutely no clue what this is... im trying to write requests but i feel weirdly rusty and so i needed to do something random and well... this is it i guess?
aventurine ★↷
↪he has settled for a very long time to have bare minimum as his bed, practically nothing in some cases, and so now he over indulges himself. we've all seen the official art and the animation, he has one of the comfiest beds known.
↪anything you need, he's got it for you no questions asked or thought about. he does care quite abit about how he presents himself so he has quite the nightly routine but it's not that extensive, so if you wish to do yours alongside he wouldn't mind one bit.
↪naturally a light sleeper - the slightest sound or movement can wake him. aventurine is also quite prone to frequent nightmares which cause him to wake up in a cold sweat everytime. he doesn't wish to burden you however and so he tries to keep his movements to a minimum when your beside him.
↪he doesn't say anything but he always loves it when you wrap your arms around him and let him rest his head on your chest. it's very comforting to him. he feels safe in your arms and listening to your heartbeat brings him that reassurance that you are real and there for him.
↪unfortunately due to his work he can get very early morning calls which cause him to wake up early and begrudgingly leave you behind - he'd never wake you but places a kiss on your forehead before leaving. however if he has the day off, he becomes extremely clingly and refuses to move and further intertwines his body with yours.
gallagher ★↷
↪as a bloodhound, he doesn't normally stay the whole night as he might be called out to deal with whatever problem penacony has then. this can feed into a reluctance to join you in bed as he knows he wouldn't be able to leave if he did so.
↪he isn't one that cared about comfort or a good night sleep, so his bed was always bare minimum with one or two pillows and a blanket. although if you're one for more than he wouldn't mind buying anything you wanted to add.
↪doesn't really have a bedtime routine. most of the time he gets straight home from work and is very content to just collapse onto the bed beside you without even changing. most of his routine is spent in the morning trying to make himself look a bit more presentable for the day - he is very prone to drastic bed hair.
↪if he knows he wont be called out or has the next day off, he will happily join you in bed and becomes dead to the world. can be a very heavy sleeper if he knows he can allow himself to be.
↪gallagher can also be extremely clingy - on purpose. he enjoys holding you in his arms knowing that he can protect you and keep you close. so good luck if you have places to be because gallagher will have you in a tight bear hug which he won't let up any time soon.
sunday ★↷
↪he is normally very busy as the head of the oak family but he knows how important it is to keep up with things like sleeping to be able to actually function, so he tries his hardest but does has a tendency to put work first.
↪that being said, he does have a very high standard when it comes to his actual bed - he's sort of a mix because he likes having the comfiest things but he wouldn't complain otherwise. therefore he can be very accommodating to your needs.
↪he cares about his public appearance very much and so he has a very quick but efficient nightime and morning routine, he doesn't like spending time on such trivial matters but he needs to look pristine. sometimes if you're lucky enough you can see his wings looking very disheveled in the morning.
↪he probably didn't like the idea of sharing a bed to start with but he'd warm up to the idea much further into the relationship. although he isn't exactly one for cuddles, he much prefers that you have your own seperate sides of the bed - he'd be rather insistent on having his space.
↪sometimes you'd forget he's sleeping beside you. he barely moves at all and stays way too still to the point that you get a little weirded out, the only sign that he's still loving is the occasional flutter of his wings.
↪gets up super early. like way too early but he doesn't press you to get up at the same time unless you have somewhere to be. even if he doesn't have anywhere to be he gets up early because it's a habit for him.
robin ★↷
↪she can be equally as busy as her brother but most of the time she'd love nothing more than to end her day cuddled up beside you - her daily schedule can be much more accommodating to having a healthy sleep schedule.
↪as a very popular singer, she does need to keep up her appearance and so she has a very extensive and detailed nightime routine that she doesn't mind you joing her for if you wished. same goes for her morning routine.
↪robin is quite used to having many things and that translates into her bed as it has very fluffy blankets and lots of pillows. although she doesn't mind changing a few things if that isn't exactly your style.
↪a surprisingly light sleeper but she can move around quite a bit in her sleep. not exactly drastic movements but more small scale actions to readjust herself very often. she can be a massive cuddle bug so sometimes she does accidentally move you around with her.
boothill ★↷
↪chasing one bounty after another doesn't leave much room for somebody to lay low and have a proper rest. being a cyborg doesn't really help that case either as he doesn't exactly need to sleep to function - does he even need to recharge?
↪boothill really only started caring about sleep or 'recharging' when you came along. that being said, he doesn't exactly have a permanent place to stay so you might have to accommodate a cyborg into your room - but he is very adaptable and respectful of your space.
↪it becomes a moment for you two just to relax and unwind, he no longer has to worry about anything and can spend his time holding you. he probably can 'sleep' as a way to recharge but he becomes like a log and doesn't move at all until he's ready to go.
↪he does have a love hate relationship with having care routines, i do believe that he probably values his hair alot as it's the only remaining part of him from his life as a human but other than that he only looks after the rest of himself to make sure he doesn't malfunction.
↪he doesn't dare wake you unless you've specifically asked him too. so sometimes you may wake up to see him staring at you but you would learn to deal with that...
taglist - @little-miss-chaoss, @teddirika, @frankiesteinn
#—stellaronhvnters.#x reader#x gender neutral reader#hsr x gender neutral reader#hsr x you#hsr x reader#honkai star rail x you#honkai star rail x gender neutral reader#honkai star rail x reader#honkai star rail aventurine#hsr aventurine#aventurine x reader#honkai star rail gallagher#hsr gallagher#gallagher x reader#honkai star rail sunday#hsr sunday#sunday x reader#honkai star rail robin#hsr robin#robin x reader#honkai star rail boothill#hsr boothill#boothill x reader#boothill x you
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Jason Attacking Tim at Titans Tower
Fanon vs Canon
We've all seen the versions in fanfiction but I'm not so sure everyone's seen the original so if you're one of those batfam fans who doesn't want to read the comics (regardless of reasons) but you are curious about how it actually went this is for you.
What I'm addressing:
What does Jason actually say to Tim during the attack?
Did Jason drug all the other Titans?
Did Jason really wear a Robin costume?
Did Jason slit Tim's throat or call him replacement?
Did Jason actually break Tim's bo staff?
Was Tim crying or scared?
Did Jason write a message on the wall in Tim's blood?
Did Jason's eyes glow green?/Did he follow pit rage mechanics?
Panels and details below. This is a LONG one.
What did Jason actually say to Tim during the attack?
Dialogue in fanfiction during the Titans Tower attack varies based on what kind of fic you're reading but usually its either 'time to clip Replacement's wings' if its staying a beatdown whump 'or oh no precious lil bby why is no one watching you' if its an accidental child acquisition. Not judging either option, but this ain't about them its about the real shit.
Look at these opening lines:
Hey, Tim. I was here first.You're the Red Hood. You've been cleaning up Gotham the easy way. Easy? What do you know about easy, Tim? You had a father that looked after you. You went to a private school, right? You slept in a bed. I slept on the streets, I lived in the alleyways in Gotham. Trying to survive. Until Bruce took me in. I trained as hard as I could. I did whatever he asked. . . at least at first. But it didn't matter. They said I wasn't tough enough to be robin. But today, they say you are. Show me, Tim. Show me what you have that I didn't.
Jason really puts himself out there in all of his dialogue in this encounter, the struggle of having to fight for anything and everything he got in life, even the things that came to everyone else for free, and then being told he wasn't even good enough for the things he fought for.
There's a trope in fanfics that if Jason knew Tim stalked Batman and forced his way into being Robin that it would change how Jason felt about the situation but that's even addressed in this comic:
You were a kid, worried about how Batman was spiraling down into darkness. You spent weeks tracking the dark knight. Solving a mystery no one else could. You discovered who he was behind that mask. Millionaire Bruce Wayne. You were so pleased with yourself, I'm sure that you forgot who you were really dealing with. I know Bruce Wayne. And let me tell you, Tim if someone was trying to find out who Batman really was. If someone was stalking him for weeks. He'd know about it. You can't be that good. I am. He let you find him. And I bet he said the same thing to you as he did to me, didn't he? That you had a talent to make a difference in Gotham. That he needed someone he could trust in war on crime. That you were one of a kind. The light to his darkness. Robin, the Boy Wonder.
Tim saying 'I am' is really such a moment that doesn't come through in text because he is right that he really did do that but I also completely understand why Jason wouldn't believe it.
TBH my favorite part is how done Tim honestly sounds with Jason thoughout all his trauma dumping. Like imagine a grown man who used to work the same part time job as you breaking into your house, dressing up in your work uniform, ranting about how much the job ruined his life while he beats your ass??? God, and he probably had to write a fucking report about it after. RIP Timmy.
What do you want? Do you want to be Robin again? Is that it? You... want to take it away from me? Why in the hell would I ever want that? Don't you get it? When I died no one cared! No one remembered me. Are you completely insane? No one could forget you. I've spent my entire career wearing this mask under your shadow. I had to convince Batman to let me try this. All because he'll never stop blaming himself for what happened to you. You ask me, that's the only reason he hasn't taken you down. He's holding back. But me? No freakin' way. That's the Robin I wanted to see. Still. You do realize the whole idea of training a teenager to fight against something he'll never eradicate is a mistake. It didn't even surprise anyone when I died. When I failed. I failed-- but I'm still beating you. Do you think you're that good now?! Do you really, Tim? Yes.
Tim bashing Jason across the face as he says 'no freakin' way'? *chefs kiss*
Jason drugging the other Titans to knock them out?
Little bit true, Kory was actually just already away from the tower and BB and Cyborg were about to bounce because of the drama going on with Donna's return but Jason like super tazes them and then drugs Raven who he thought already went through enough shit without him knocking her out violently.
Note: Jason says in the text here that he never rolled with Cyborg or BB but like he actually did in some comics so?? The continuity is lie I guess idk.
Did he show up in Red Hood gear or a Robin costume?
Both tbh but he spent most of the time in the Robin costume but bro actually made a stripper rip away version of his Red Hood gear so he could dramatically reveal the Robin costume underneath. I can't believe no one ever includes that in their fics its so fucking funny.
Does he call Tim 'replacement' or slit his throat?
No, this came from a Batman comic with Hush not Teen Titans. That incident takes place in a graveyard not Titans Tower and he calls Tim pretender not replacement.
Does Jason break Tim's staff?
Tragically, no. The bo staff snap would have been iconic. Instead he just takes Tim's staff and beats Tim up with it and breaks stuff. BUT!! He uses it to bust a statue in the TITANS MEMORIAL ROOM which is a place in Titans Tower just for having statues of dead previous titans and Jason is rightfully pissed he didn't get one. Like Tim is correct in saying no one forgot him still but like I would be hurt too if all my friends made cool statues of friends that died and then just left my zombie ass out, like wtf.
Note: I am seriously losing my shit that I have never seen someone bring up the memorial room in a fanfic. That is so much angst material. 😭
Tim crying/ being scared?
Hell no. He's a fucking Robin you know he's being a sassy boy the whole time, even towards the end when he's about done he's still saying he's her and I love Tim for that.
Note: There are a few different times where Tim does a flippy Robin move and then Jason just fucking copies it like flexing that he can do it too, and its just so petty and stupid he's trying so hard to be better than an actual child. 💀I get why in the context of the situation but its still so ridiculous.
Message on the wall in Tim's blood?
TBH I really don't know for sure on this one?? Like its implied that he did but Tim isn't bleeding all that much throughout this beatdown and like we don't see Jason do it just the Titans reacting to seeing it after. It could be Tim's blood, it could be red paint, and it could even be that Jason packed an actual bucket of blood to bring with him to write a message with after he finished. TBH the world is your oyster on this one.
Note: If anyone can find another comic where this event was brought up where they actually clarify it was Tim's blood hmu and I'll update this but I couldn't find any.
Pit rage/ glowing green eyes?
Fanon only at this point in the comics. Jason is seems to be himself and even thinks Tim and his friends are pretty cool at the end, and he's just like reflecting on if he had good friends if he would have turned out better as he leaves.
#tim drake#jason todd#red hood#robin dc#teen titans#comic panels#jason and tim#teen titans 2003#dc comics#panels are from teen titans (2003) issue 29#i would never tell anyone they have to read comics but i do think seeing the original scene of fanon favs is good#not because you need to follow them but because its good to know what you're taking inspo from#jason attacking tim at titans tower#LONG POST
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Not me absolutely frothing at the mouth about this AU. Can we get an info dump on the Lore? It's making me want to abandon my current Spideypool WIP for this. Absolutely terminal brainrot for this boy
BEHOLD: MASSIVE LORE DUMP!
Peter B. Parker is a young troublemaker who has a problem with authority. He also has a knack for picking tech apart and putting it back together, which puts him on the radar for a small-time gang that needs someone to act as their alarm system breaker for a big score.
Unfortunately, said score had bad intel and what was supposed to be a simple robbery turns out to be manslaughter when the resulting fire that was supposed to cover up their tracks ends up killing two guards.
Peter is tried as an adult with the rest of the gang and sentenced to Rykers for 5 years.
Check out the full page HERE.
At Rykers, Peter meets Marko Flint, who takes Peter under his wing. and teaches him how to survive and thrive when wearing the orange.
Life goes on for 5 years. He learns the trade, gets some tats, learns how to make some great shivs, and becomes a better criminal all around. Yay prison!
Peter gets out at 21, and reunites with Uncle Ben and Aunt May. He does his best to clean up his act, but normal life is hard for someone who spent their formative years in prison.
(He also makes questionable hair and fashion choices. What can I say, he's catching up!)
He goes from job to job, trying to pay back his aunt and uncle for all their support but is completely unequipped for the 'real world.' After a few months working/getting fired from soul-crushing menial jobs (HS dropout!), he agrees to take 'one last job' with Marko that is 'guaranteed to set them up for life'.
*cough*
This robbery goes off without a hitch! No one is hurt and they make off after hitting a heavily armored Oscorp Transport with a ton of documents/tech that they aim to sell to the highest bidder.
The biggest mystery is that one glowing vial of untested, experimental serum they found...
Unfortunately, Oscorp doesn't take robbery lightly. Marko finds out through contacts that the serum (whatever it is) is too hot to sell on the market, so he instructs Peter to get rid of it so it can't be traced back to them.
Peter, a rational 22-year-old ex-con, 'gets rid of it' by mixing the serum into ink and tattooing it onto his wrist, triggering the start of his mutations.
It takes a bit, but Peter get's all the regular spiderman benefits (webs are organic), plus one more. The serum was created from the venom of the Portia Spider, a hunting/jumping spider known to be uniquely intelligent among arachnids.
Alongside the speed/strength/spideysense, Peter also grows some fangs that secrete a powerful venom.
The venom speeds up the body's processes, working almost like an insane performance booster and enhancing an injected person's strength, speed, and senses for a few hours.
Unfortunately, repeated doses also eventually induce shock, paralysis, and, later, death.
He gives a few samples of it to Marko as an exit fee.
Uncle Ben was suspicious of how Peter suddenly got so much money, but took him on good faith. But, while he was watching the news that covered the Oscorp robbery, connected the dots and had a blowout fight with Peter that ended with him having a cardiac event.
Unfortunately, he did not survive.
Aunt May and Peter were estranged over this for several years.
This event crushes Peter, sobering him up immediately. He goes back and gets his HS diploma, and works on night courses in college.
However, he spends much of his days wandering, angry at himself and what he did. He beats up a mugger one day and realizes that he could be using his powers to back up the faith Ben had in him.
Spiderman is born!
Eventually, he and Aunt May reunite, and their relationship is slowly healing.
A few years later, Peter is on the up. He and Aunt May are close again! He's got a bachelor's in computer science, has a (semi) steady job, and is well-liked as Spiderman by the populace at large. His rogue's gallery is roguing- etc.
Unfortunately, a variant of his venom (developed by Kingpin) hits the streets as a drug. It's favored by both criminals for its performance-enhancing strength, as well as civilians, for the time-slowing sensation/high it gives them.
His girlfriend, Mary Jane, who has been sober for a few years, relapses. Peter, knowing that he can't stop her from getting it on her own, reveals his identity and becomes her main source.
At least, this way, he can control the dosage.
Marko (who sold Peter's venom to Kingpin) manages to fire off his only two brain cells and realizes that Spiderman IS Peter Parker.
Then he outs him to the world because Spiderman made it personal.
Peter's life catches on fire. The entire world is after him. His loved ones have to go into hiding because there's no shortage of criminals and psychopaths who want to get their hands on MJ and Aunt May to get to Spiderman.
Peter ceases to exist. It's not safe anymore. He spends days (weeks? months?) in the suit. Eventually, on the run and burnt out, he pleads his case to Dr. Strange in desperation. (Ala No Way Home)
"Everyone deserves a clean start."
Dr. Strange agrees, but the spell can't work with Peter still existing as part of the equation. So it fires him off into a reality where Peter B. Parker, and by extension Spiderman, never existed.
So how's an ex-con/ex-superhero (for now) supposed to carve a space in a world that never knew him? By finding somewhere that doesn't ask any questions.
And it just so happens, that St. Margaret's School for Wayward Children has a reputation for both being a bar of questionable repute and looking the other way.
Might as well start there.
~~~~~~~~~
Thank you so much for this lovely, lovely ask! I hope this massive lore dump wasn't overkill, but I'm having a lot of fun with this world and wanted to share.
And I offer this lore dump ONLY on the condition that you do not drop whatever you're working on. There is always space for more spideypool in the world, don't deprive us!!!
#spiderman#peter parker#hunting!spider#spiderman au#super duper messy lore but whose gonna stop me? the lore police?!#new reality is like...right before the superhero boom#so there's no 'heroes' because I wanted a totally clean slate#also i headcanon that deadpool didn't exist in this peter's OG universe either#asks#thank you so much anon#Be feral with me
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wheover that anon was that spoke up about mr reca I LOVE U WE SHOULD KISS
ALSO YESSS IRIS FAM MEMBER! READER WHOS AN ACTRESS/ACTOR!!! just imagine being THE mr. reca’s favorite thespian he’s ever worked with oh my gosh im drooling rn 😍🥰😋🔥😜
Yes anon!! Very real of the other anon. And of you.
This is yandere, so tw
Iris!Reader who's an actress/actor would smash. Imagine despite your humble beginnings and barely being able to keep your family afloat you make it. Although perhaps our beloved actor/actress doesn't quite fit the beauty standard, or they haven't made their debut in a popular film, or maybe they just aren't what most movies are focused on right now, considering the disparity between an actor's range and the genres they might partake in.
Here comes Mr. Reca, swooping you from who knows where, plopping you down into a makeup chair and reading the script to you at 50 words/sec speed. You have no idea where you are or what's going on before you're pushed onto the movie set, completely winded before Mr. Reca throws his hands up all "oh alright! Since you can't get the hang of this yet, I'll lend you a hand" or whatever excuse he loves to pull out of his ass. He personally guides you with the movie scripts, drags you along to any parties he may have to attend, forces you "into the filming sphere" or whatever by "exposure". You could be sleeping and he'd blast into your personal residence at 4 in the morning, and drag you along. He probably even forces you to sit down and listen to all his ideas and brainstorming sessions.
The more time you spend with him, the more sense he eventually makes. It's strange, and you almost end up questioning if you might be going insane. But you brush it off, because you realise he's been caring to you. Unlike most directors, he does care for his cast. He does provide a hospitable atmosphere to work with, which makes you realise just why your co-stars are so eager to please him. Mr. Reca, although insane and hard to decipher, makes you almost gravitate towards him when his eccentricities are laid bare before you.
Every time your short contract ends, he's already got the next one printed out and ready for you to sign. You appear so often beside him, it's unusual for you not to. Often, you make headlines with Mr. Reca backing you up. It's all in the palm of his hands when he gets you to stardom.
Oh, but isn't it a bit too much?
Nosy paparazzi that continually stalk and harass you, fans or even those that despise you call you or your family, people surrounding your home just to get a glimpse of your daily life, drivers who follow your car everywhere.. it's a bit too much for your pretty little head to handle. Mr. Reca is all too familiar with these pests. Why don't you stand closer and let him deal with them? Nevermind the fact he paid them, or that he's been rather eager to practice method acting with you.
Speaking of, he's replaced all your co-stars whenever it comes to suggestive or intimate scenes, considering himself as their stand-in since, well.. You're more comfortable with him, aren't you? You've been under his wing for so long, it's easier for you to do these uncomfortable scenes with him, instead of those no good actors.
You're not sure when it happens, but you notice the amount of cast dwindling until it's you and him, all alone. The movies are beautiful, but it's hard to hide the shivering by just pure acting skills when you realise no one has you in their grasp as much as Mr. Reca. His eager, insane eyes watching you like a rabid animal hidden behind a camera when you act all alone on a solitary set. This is the last time he allows the privilege of your visage on the lens, before you mysteriously go missing. You are meant for only the lens of his observant eyes, he states, as though confessing a haunting realisation.
Oh well, you can continue acting. Just remember your audience. It's only him you have to consider pleasing.
#moonink#hsr#honkai star rail#hsr x gender neutral reader#hsr x y/n#hsr x reader#honkai star rail x reader#hsr x you#hsr x male reader#hsr mr reca#yandere hsr x you#yandere hsr x reader#hsr yandere#yandere hsr#yandere honkai star rail x reader#yandere honkai star rail#honkai star rail mr reca#mr reca#mr reca x reader#yandere mr reca#honkai x you#honkai x reader
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could you maybe do like a one shot of Spencer x Supermodel!fem reader? Like she does runways for super popular brands like Versace and Victoria’s Secret?
Radiant. ౨ৎ5
Spencer reid x fem supermodel!reader
content: established relationship, no use of y/n, spencer being down bad tbh, fluff
cw: Victoria's Secret show, so underwear yk (but no sexualising or anything)
wc: 2.3k
an: This is so exciting, hi first anon req!! I love you so much! Anyways this idea is amazing and I hope this is what you envisioned <3 This isn't my best work, but I tried 😭 Also I based the outfit off Karolina Kurkova's in a 2003 show, but its set in early season 7 soo forget that!
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“Is that her?” Penelope whispers for the hundredth time.
“No.” He huffs, tired of answering the same question for the past ten minutes.
“Patience, babygirl.” Derek chuckles from Spencer's other side. “He'll tell us when she's here. Maybe not with his words, but definitely with his eyes.” Derek flutters his lashes in Spencer's direction, clearly making fun of him.
“Both of you leave me alone, please?” He pleads, sick of their antics. They haven't stopped talking, and it's putting him on edge. He wants to appreciate today. Appreciate you.
You had been desperately hoping to get this job with Victoria's Secret for months, and you were ecstatic when news of your hire reached you through your manager. You'd been raving excitedly about it ever since, and had begged him to finally come to a show.
He obliged, of course. Partly, because he can't say no to you, and mostly because he has been eager to see you in your element ever since you two had started dating.
Now, he is buzzing in anticipation, which is definitely not helped by Morgan and Garcia's constant remarks.
It wouldn't have been his personal preference to invite them, but you'd insisted, saying it was about time you met Spencer's friends, anyways.
The show continues, scantily clad girls strutting down the catwalk, angel wings attached to their backs and sequins blinding, but still, you were nowhere to be seen. Spencer fidgets, waiting with baited breath.
A figure emerges from the side of the stage, turning to strut down the walkway. He freezes, shooting up in his chair from where he was previously slumped. It was you. Undeniably. He could pick you in a sea of people from a mile off, if it came to it.
His breath hitches. He takes you in.
There you stand, in all of your glory. He can't quite believe what he’s seeing. Sure, you're self-assured in your everyday life, but this is on a whole new level.
You radiate confidence, striding down the catwalk like you own it. Spencer is utterly captivated by this different side of you that he has never seen in person before.
Sure, he's seen endless pictures—and even some videos—of your modelling, as well as the shows that take place in the comfort of your home; when you put on outfits and strut down the long hallway of your apartment, to loud enthusiasm from Spencer.
These particular one-on-one shows usually end in you dressing in progressively more atrocious outfits, until you’re both prone from uncontrollable laughter.
But this. This was real. It all hits him then—that you are a supermodel, that you do this for a living. That this is your life.
His chest swells with immense pride at all you have accomplished. You've worked so hard, built your career from the ground up, and it has paid off. Your dreams have finally come true, and now, you're modelling in a Victoria's Secret show, which he is told (by you, of course) is world-renowned.
“That's her.” Derek concludes smugly, no uncertainty in his tone. Spencer shushes him loudly, eyes fixed solely on you.
You don't falter for a single step as you glide down the stage. You're clad in a sparkly silver bra that glints off the bright lights, sequined mesh sitting below the bra's edge.
A small pair of matching silver underwear sit below your hips, a glittering garter to match. And, of course, the wings. They protrude from your back, spanning above your head, magnificent and ethereal. Spencer thinks you ought to have a halo to match.
The feathered angel wings trail down your back, sweeping across the floor behind you as you make your way to the end of the catwalk.
Garcia and Morgan are saying something across him—most likely about you—but he pays them no mind, not caring for anything else but you, in front of him.
As you near the end of the perilously long stage, Spencer's smile only grows, until he is beaming uncontrollably when you slow to strike your pose.
Spencer and his company have VIP tickets, courtesy of you, so he has an unobstructed view of you, directly in front of where he is sitting.
Your hands rest on your hips as you lock eyes with the sea of cameras frantically snapping pictures.
You look fierce, fiery, and Spencer somehow grins harder.
As your eyes scan the room, they easily lock on Spencer's, not even ten feet away. His eyes are wide, smile larger than life.
His lips move, mouthing words to you that you instantly understand, and you light up, a warm glow from within.
‘I love you’
The luminous smile remains, even when you remember your surroundings. You pose again, grinning all the while and the crowd claps while shutters click incessantly. You pivot, sashaying off, but not before looking back over your shoulder to blow a cheeky kiss in Spencer's direction, winking.
It might just be Spencer's perception, but you seem to shimmer with incandescent light, like your very soul was set aflame with a soft fire. You are radiantly gorgeous—utterly perfect in the eyes of Spencer Reid.
The wink you sent over your shoulder makes him duck his head, face and ears bright red. He is the luckiest man in the world. To have you, all to himself.
He is still grinning, even as you disappear around the corner. Maybe he is biassed (most certainly), but you were by far the most captivating model up there. Your every move seemed effortless—practised and perfected.
You drew the attention of everyone, and you kept it. It felt as if the whole room had held its breath as you passed, too busy watching to remember how to breathe.
Maybe that was just his singular experience. He wouldn't know, and he doesn't particularly care.
As the show wraps up, Garcia and Morgan are raving—about you.
“Spencer, I can't believe she is your girlfriend! She is absolutely stunning!” Penny gushes.
The first statement hurts him a little, like everyone thinks he can't possibly be dating a pretty model—but it's definitely true. The second statement, however, is the truest thing he's ever heard in his 29 years of life.
Spencer chooses not to respond to Penelope, instead heading for the exit. They follow, and Morgan claps him on the back. “You're one lucky man, pretty boy.” He whistles suggestively, and Spencer brushes off his hand, mumbling something under his breath as he is suddenly interested in the craftsmanship of the venue floor.
He found this hard. Blending his work and home life, introducing you to his family. It's not that he's worried they won't like you—that’s impossible, when it comes to you—it's more that he has trouble combining the two sides of his life in his head, given the fact that he is almost two different people in each.
He doesn't bring his work home, and he doesn't bring his home to work—mostly. He does, sometimes (too often), ramble on about you and how downright amazing you are. He's only human, after all.
Mostly, he's scared that it will be a mistake, that the two sides will end up being better off separate, that mixing the two now will have irreparable consequences.
But, you wanted to, so he’s taking the plunge. For you. Always for you.
~☆~
Spencer feels like he shouldn't be here. They're in the very depths of the building; models, designers and beauticians alike flit past them, paying them no mind as they go about their business.
He glances over his shoulder at the ajar door that leads to the dressing rooms every couple of seconds, in case you come through and save him from this place—which is the polar opposite to everything that makes him comfortable.
He's here for you, though, and he would endure this for you. Only for you.
Morgan and Penelope stand a few feet away, at ease and chatting like this is the most normal situation in the world, like they've been backstage at thousands of Victoria's Secret shows.
Just as he's about to go into a nervous breakdown, he sees a flash of movement appear from behind the door.
“Spence!” A shriek sounds as he turns to see you, bounding towards him. You throw your arms around his neck, nuzzling his cheek.
His hands come up to steady you, curling under the hem of your sweater. He feels instantly less overwhelmed, breathing you in like you're the oxygen he needs to live—like he can’t breathe properly when you’re not near.
You're draped in an oversized knit and comfortable track pants that engulf your frame. The irony wasn't lost on him—you were wearing nothing but showy undergarments not even half an hour ago.
He loves that about you. That you aren't entirely defined by your job, that you have a part of your life and sense of self cordoned off; a part that isn't affected by the insane world of modelling. He loves that you can be yourself in so many different ways, that you have all these different facets. Just like a diamond, whose sides are all different, but every single one shines just as brightly all the same.
It inspires him to do the same for himself, to have a true self outside of his chaotic job that takes over most of his life. You’ve helped him see that life can be varied, diverse; that there are so many different things—other than one's job—that can make you feel fulfilled. Content. Happy.
He's happy; truely and vibrantly happy with you. And that is the way he wishes it to stay.
He chuckles amusedly at your strong display of affection. “Hello to you too, lovely.”
You pull back to grin at him, albeit a little sheepishly. “Sorry. I'm just so happy you're actually here.”
His gaze softens impossibly more. “It was long overdue.” He cups your cheeks and leans down to press a lingering kiss to the top of your head. “You were phenomenal.”
You beam, and draw him closer.
The clearing of a throat brings you out of your reverie, out of the world where there is only the two of you.
You pull away, detaching yourself from Spencer, eyes flashing with delight. “Hi!” You wave at a shocked-yet-amused Derek Morgan, and an exuberant Penelope Garcia.
Derek raises his eyebrow at Spencer, probably surprised by how little he cared about your public display of affection. He usually doesn’t even let Garcia hug him unless it’s important. But, like with everything else, you’re different—special. He simply shrugs back.
“You must be the friends Spence has told me so much about.” She reaches out a hand to shake Morgan's hand. “Derek, right?”
Derek smirks, “In the flesh.” He grasps your hand, grip firm. “The show was amazing, by the way.”
“Thank you!” You chirp, brightening further, and Morgan huffs out a laugh.
You pull away, turning to the eclectic women next to him. “And you, must be the famous Penelope.”
You reach out your hand once more, but Garcia has other ideas. She dives in for a hug, bypassing the formalities immediately.
She pulls away abruptly as you squeak in surprise. “Oh- sorry! I'm sorry.” She blurts out. “I'm just so happy to meet you, finally! Reid has told us so much about you, I just couldn't wait any longer!” She grins broadly. “And you're even prettier than he described, which I don't understand how that's humanly possible, because boy genius over there won't stop talking about how gorgeous you-”
“Woah there, baby girl, slow your roll.” Derek interrupts, patting Garcia gently on the shoulder. You stifle a laugh, glancing at Spencer. He ducks his head, avoiding your eye and shuffling from one foot to another as his face turns pink.
“Sorry!” Penelope flushes scarlet red. “Uhm… what I meant was ‘nice to meet you’.” She cringes at her outburst.
“No need to say sorry. It's an absolute pleasure to meet the both of you, Spence speaks so highly of you two.” You beam, and Garcia deflates in relief. Spencer’s arm snakes around your waist and under the hem of your sweater once again, smoothing patterns on your bare skin. You lean into his side, a contented sigh escaping your lips.
“You know, when boy genius here told me he was dating a supermodel, I didn't believe him.” He raises eyebrows, smirking. “But, here you are.”
“In the flesh.” You flash him a grin, parroting back his own words. He lets out a chuckle.
“Why is it so unbelievable?” Spencer complains incredulously.
They all laugh at his words, and he hangs his head, sighing dejectedly. You pat him on the chest in consolation.
All of Spencer’s fears are quickly doused as a lively conversation starts up between you and his friends. He doesn’t know why he worried, like if they met everyone would self-combust. No, this was going fine. More than fine, even.
His breathing slows, sure and steady, and he just watches. Watches you speak animatedly, with a delighted glint in your eye, clearly enjoying Penelope and Derek’s presence. And his friends, his family, seemed to be enjoying her just as much, which he obviously isn’t surprised about, but still fills him with relief. It was okay. It was all going to be perfectly okay.
“How does some dinner sound?” You ask the group, just as Spencer tunes back in.
Penelope claps her hands together, “Yes! I have the perfect place.”
“Sounds good to me.” Derek replies. “If lover boy is coming, of course. I can't wait to tell lover girl, here, all the embarrassing stories at his expense.”
Spencer groans, but follows Garcia as she heads towards the door. You just laugh.
Spencer pinches your side from where you're still tucked under his arm and you yelp. This time, he's the one letting out a quiet chuckle, and you roll your eyes.
“Come on genius, lead the way.” You look up expectedly from under his arm.
“Anything for you.” He simply replies, wrapping himself around you tighter, before guiding the both of you towards the door.
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Thank you for reading, feedback is appriciated x
Tags: @reidology13 @reidmania <3 - Comment to be added!
Masterlist ౨ৎ
#criminal minds#spencer reid#spencer reid fanfiction#dr spencer reid#spencer reid criminal minds#spencer reid fanfic#spencer reid x reader#spencer reid fluff#criminal minds fanfiction#criminal minds x reader#spencer reid drabble#spencer reid fic#spencer reid imagine#spencer reid one shot#spencer reid oneshot#spencer reid x fem!reader#spencer reid x self insert#spencer reid x y/n#doctor spencer reid#criminal minds fandom#bau team#spencer reid fandom#criminal minds fanfic#matthew gray gubler#mgg#dr reid#asks ౨ৎ#spencer reid x you
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So with everything we learned and saw in Episode 4 from Angel, Valentino, Charlie and Husk, here’s a little theory on how the Hotel crew saving Angel from Valentino might play out. Particularly in how Husk’s status as a former Overlord may factor into things.
Because I have a hunch it’s actually going to be Husk, rather than Charlie who gets fed up first and goes out to make a real attempt at getting Angel away from Valentino, given everything we saw between Husk and Angel in this episode. Specifically, Husk aims to lure Valentino into gambling for Angel’s contract.
Now that raises the question of what exactly Husk could gamble with. I see two possibilities:
Option One, Husk full on bluffs Valentino that he still has substantial power as an Overlord and has been hiding it all this time, tempting him with more souls and power. And as we’ve seen most notably in Episode 2, Val in kind of a massive fucking idiot, so I could see him actually falling for this. Essentially, Husk gambles with nothing, save his own soul, for a chance to save Angel.
Option Two, Husk actually gets his power BACK from Alastor. Specifically through fulfilling some mysterious, nebulous condition Alastor set up for him. It could even be that this is what sets up Husk to gamble Val for Angel’s freedom. Alastor returns Husk’s power as an Overlord because he’s curious as to what Husk will do with it now. Which we see, is putting it all on the line again for a chance to save Angel.
Whichever way we get to it, we find Husk in a high-stakes card game with Valentino. And of course, Husk does the classic trope of NOT telling his friends or even the guy he’s doing this for what he’s doing to ‘keep them safe’ and all that. Of course, they do find out. Which will come into play later…
As for the all-important gamble; Husk actually does WIN legitimately against Valentino. However, because Valentino is… well, Valentino he welches on the deal and attacks Husk, and perhaps a recently arrived Angel as well.
Now in the event that Husk was bluffing Valentino the whole time and is actually helpless against a fully-powered Overlord, this would be when Alastor, from afar, actually returns Husk’s own power as an Overlord as some offhand, magnanimous whim. Which of course now allows Husk to actually fight back against Valentino.
What ensues is a full and proper fight between Husk/Angel and Valentino, with all the requisite emotional drama of Angel and Husk admitting their feelings for each other and all of Valentino’s shittiness as a person coming out in force. Maybe like an mlm version of the Bees vs. Adam fight.
However, despite getting his power as an Overlord back, Husk ultimately turns out to not be as powerful as Valentino. Alternatively, perhaps he never gets his power back at all and we just skip to here from Husk winning the bet. Whichever way we get here, Husk and Angel are now at the non-existent mercy of Valentino.
Which is precisely when CHARLIE shows up.
And I imagine what ensues plays out in a flash. Like everyone is only just registering that Charlie has appeared when suddenly everything is on fire. We get only the briefest glimpses, perhaps only in silhouette, of the full-sized horns on Charlie’s head, the great leathery wings coming out of her back and the pitchfork in her hand before she has Valentino by the throat and the mothman starts BURNING, screaming in pain as he is consumed in hellfire.
Basically, I feel that after this episode we are going to see Husk be the one to step up first to try and save Angel from Valentino, given everything we saw between the pair this episode. But at the same time, I think the interactions between Charlie and Valentino, particularly Charlie starting to transform in rage, sets her up as the one who’s going to ultimately put Val down. Specifically via giving us a glimpse at Charlie’s true power.
And I do say glimpse because I imagine the full and proper reveal of Charlie’s ‘Devil Form’ is almost certainly going to be saved for when she’s forced to take on the likes of Adam and the Exorcists, the ones who have been set-up as proper antagonists to Charlie herself.
#hazbin hotel#hazbin theory#hazbin rambling#angel dust#hazbin husk#huskerdust#husk#hazbin valentino#charlie morningstar#devil!charlie#how valentino dies a horrible painful death theory
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Guardian Angel
Part 1/3 Part 2
A/N: Starting a series where f!reader is the child of a demon and a human and Adam’s been tasked with keeping an eye on her. Please leave requests!
“It has recently come to my attention that a demon and a human have reproduced,” Sera announced. 
Adam cocked an eyebrow. “No shit. For real?”
“The spawn is already grown. So far she hasn’t caused any trouble so I do not see the need for actions further than simply keeping an eye on her.”
“Okay and what does that have to do with me?” Adam asked, taking a long sip from his drink.
“You’re going to watch her.”
Adam spit out his drink. “Sorry, what?”
“You’re going to be her guardian angel,” Sera smirked. Adam’s jaw dropped idignantly. “Do I have to?” He whined.
“Yes.”
That’s how Adam found himself on Earth, stalking some random demon/human hybrid.
Although despite his apathy, she wasn’t just some random, a demon/human hybrid was almost unheard of. She was the third documented instance of that happening.
But as far as he could tell, she led a boring, painfully bleak life. Adam almost felt bad for her. She seemed really depressed. But his job was getting boring. Her routine was always the same. Work, sleep, eat, shower. It seemed that the hybrid was completely unaware of her origin and the powers she possessed. It made Adam’s job easy. Easy and boring.
He started fucking with her, using his ability to be invisible to the human eye in order to fuck with things in her apartment to mess with her head.
One day, while her roommate was out, she stood in the middle of her room, staring at nothing. “Come out you annoying fuck!” She called out. It took Adam by surprise. “I know someone is here,” she hissed. “And you’ve been fucking with me, and it’s pissing me off, and I know you’re here right now, so show yourself!”
Adam debated for a moment. Sera had just said to watch over her, she’d never said it had to be no contact. In fact, Adam was pretty sure Sera would prefer he try to bring the hybrid to the light, but she chose the wrong angel for that task.
Tired of watching her while she was unawares, Adam let himself appear to her. He appeared behind her, just to fuck with her one more time. She turned and jumped, and Adam snickered. To his surprise, she recovered rather quickly.
“What the fuck are you?”
Adam was once again taken aback, and then offended. “I’m an angel, babes, could you not tell by the halo and wings?”
“Well you look like a demon," she replied.
Adam scoffed indignantly. “Fuck you.”
“Fuck you! Who are you and why have you been following me?”
“I’m Adam. Like, first man ever, Adam.”
“Wow, I’m so impressed.”
“And who the fuck are you, bitch?”
“Shouldn’t you know that since you’ve been following me?”
Adam was seething. “Yeah well I didn’t give enough of a shit to remember your name when Sera told me.”
The hybrid narrowed her eyes. Adam narrowed his. The attitude on this bitch! He hadn’t seen such life in her in the weeks he’d been watching her. He definitely didn’t enjoy seeing her come to life like this. Totally not (he did).
“Well you might as well tell me cause you’re stuck with me now that you can see me.” Adam smirked.
She huffed. “(Name). I’m (Name). Why am I stuck with you?”
“Because my job is to follow you, babe, orders from the Seraphim herself.”
“But why?”
Adam thought about fucking with her for a moment, before spitting out the truth. “Because you’re a Cambion, and Cambions are dangerous.”
(Name) blinked at him. “The fuck is a Cambion?”
“A demon/human love child.”
“What, so you’re saying one of my parents is a demon and I’m like, half a demon?”
“Basically.”
They stood in silence for a moment while (Name) processed this information.
“So,” Adam broke the silence. “What’s for dinner?”
#hazbin adam#adam x reader#hazbin alastor#hazbin angel dust#hazbin charlie#hazbin husk#hazbin vaggie#hazbin vox#x reader#hazbin lute#hazbin hotel
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peters nerdy side>>>> can we get more hot nerdy peter pretty pleaseeeee
nerdy peter makes me feral.
Peter Parker was finally rewarded for all the shit he deals with.
A teen, who was a silent walker in school, but a near lethal hero at night, one that has to deal with more stress and traumas than any other kid at seventeen. Night after night, his spirit being broken down a little more each bad guy he’s put away.
Queens see a hero that keeps the streets clean.
Sometimes, all Peter could see was someone’s dad, or husband, or son he was putting away.
All that bullshit he’s been dealt, the bullshit about power and responsibility, was washed away when he finally got something good, something he really thought he deserved.
He got you, and that’s why he’ll stop at nothing to keep you.
“You got yourself a good one, parker. Don’t fuck it all up with your nerdy shit, pretty girls hate that.”
Was it dumb to listen to Flash of all people? Maybe.
Does he know more about girls and has a better track record at keeping them? Yes.
But of course, just like how you were the one to approach him, ask him out, kiss him first and ask for him to be your boyfriend, he should’ve trusted you. Could you really blame him though, not totally trusting he can have a purely good thing with no consequences?
He couldn’t, that’s why it shocked him when you made it clear you only wanted him.
You wanted Peter Parker, however he came. Science facts, nerdy hobbies, tirades and all.
—---------------------
Have you ever built up an idea of who someone was in your head, and when you date the other shoe drops and they’re nothing like you thought?
That was you with Peter Parker.
He was adorably perfect, noticing him when sharing a history class. Peter sat three seats up from you on the left, perfect position for you to watch his habits. The shake in his leg, tapping pencils on his desk, blowing a breath every time someone answered incorrectly, sitting up and leaning over his desk when something catches his attention, chewing his bottom lip while going over notes, poking his tongue out when he takes a test.
Peter Parker was the constant subject on your mind, starting in history and causing you to look for him in other classes, you only shared one more, typing class. He was three rows behind you, there wasn’t a good way to look at him, instead having to rely on his quiet murmurs when the teacher stands behind his computer.
After two weeks of pining you couldn’t stand it, stomping over to his table at lunch you sit down right next to him. His friends paused at your sudden and aggressive entrance.
“Hi. We haven’t really talked but we share typing and history. For two weeks straight I’ve been watching you and I can’t get you out of my head, and I would really, really like to go on a date with you.”
You can see it on his face, how he goes from shock to excitement, then as he looks you over his face falls. He thinks you’re fucking with him, you don’t know how to make him believe it’s real.
“Here,” you pull at your backpack and rip the front pocket open, you pull a sharpie out and with a slight tremble you grab his arm, pushing his sleeve up you uncap the marker with your teeth. Scribbling your number onto his skin, “think about it, let me know.”
Before you lose your steam you scramble to stand and grab your bag, “okay, that’s all. Um,” you nod at his friends, silence deafening as everyone at the table takes in the scenario. “Thank you, and… enjoy lunch?” Cringing, you turn to leave, whispering an ‘oh my god,’ to yourself while pressing a hand to your cheek.
Peter is sure in that moment you were a hundred percent serious and you just mortified yourself, spilling your guts and being met with nothing.
Six steps away he calls out, “yes!”
You pause, then turn, “what?”
“Yes! I’ll go on a date with you.”
Oh, that’s a new feeling. It felt like your heart had wings, your stomach felt like you were on a rollercoaster, flutters everywhere. You couldn’t even try to play it cool, the guy you’ve been crazy about just as interested and curious as you were. A toothy smile overtook your face, eyes lit up.
Taking a few steps closer, you felt giddy.
“Really? You will?”
Peter’s smile matched yours, he laughed through his answer, he can’t believe you actually like him that much. “Yeah.” Biting your bottom lip you pull it together, “cool, text me and we’ll plan something?”
“You got it.”
Nodding you walk off, Peter’s riding on a high like never has. He’s never had such a pretty girl like you like him, want him, notice him. He felt like he’s been rewarded, that he does deserve a good thing.
Flash scoffs when you sit back at your table, immediately talking and watching faces gasp and squeal.
“You got yourself a good one, parker. Don’t fuck it all up with your nerdy shit, pretty girls hate that.”
The last thing he wants to do, before he even gets you, is send you off. So, he listens and promises to be someone that should be with a girl like you, someone that isn’t really him.
—---------------------
You figured it was first date nerves.
That or just the fact you’ve never been alone with each other, especially under the guise of a date. It wasn’t like he was weird, but he was off. The person you watched in class was goofy, using his body to express himself, confident when speaking because he could back every word up.
This Peter was quiet, guarded and almost… boring.
You tried to give him the benefit of the doubt, he just had some jitters. Maybe if you kissed him it would settle him, you could prove that you liked him and he had nothing to be nervous about. Trying to look past his awkwardness you took the night as it was, wishing he was making you laugh like he had in class, or wishing he would ramble on in a story like you’ve watched him do with his friends at lunch or at his locker.
It may have been different than you thought but he’d come around after a date or two surly, you’d kiss him and after another few dates he’ll open up and be his true self. It was hope, but you were riding on it.
Peter ended the night by walking you home, conversation slowly dwindling as you approached closer, falling flat when you were in front of the building. Waiting for a moment you looked at his mouth, he made no reaction, you hadn’t expected him to sweep you off your feet but to not offer anything made you feel unsure.
“Can I kiss you?”
It was obvious from the look on his face that he wasn’t expecting anything in the slightest, but he licked his bottom lip and nodded softly, “yeah,” leaning in you wait for a moment, he makes no move, he has to be extremely nervous, no other option. You kissed him, you pressed into him and grabbed his face, his hands gently hovered and you pulled away.
Maybe he just pitied you, just agreed because you put him on the spot.
“Um, you know if you didn’t want-”
“Can we do this again, please?”
And just because he asked, and because it seemed like he realized he acted off and he wanted another chance, and because you really do believe in first date jitters, you say yes.
—--------------
The first time you went over to his house his room was oddly clean, empty spaces on his bookshelf and shelves, almost like he’d put things away. Eyeing a bin by his closet you walked closer, “you collect comics?” Hoping you wouldn’t find, but still opening the top and starting to look through the ones on top.
Peter took a deep breath, “as a kid, kinda stupid now, don’t you think?”
You furrow your eyebrows and shake your head, looking back down at the comic in your hand. You thought when you started dating he’d open up more, instead he got more closed off.
Clearing your throat you place the comics back in, in the exact same order and putting the lid back on. “No, I don’t think they’re stupid. I was hoping you had some new ones I could catch up on, but if you think they’re stupid now I guess I’ll have to get ‘em myself.”
If he had known you like comics he would’ve never said that. It’s his fault for leaving them out, he should’ve put them away like everything else that screamed ‘nerd alert’.
“I didn’t mean they’re stupid, just you know… collecting them as an adult… is.. weird?”
The lamest excuse you’ve ever heard, but you keep your patience. It hasn't even been two weeks, he’ll come around. You know it.
—------
Surprising Peter with a hug he budged against your weight before supporting you, talking to a friend while he wrapped his arms around your back. Picking up on pieces of the conversation you nudge your head up, interested in his words.
The Peter you like, the one that’s animated and rambling, moving his hands across your back as he talks. You place a kiss at the bottom of his neck, “whatcha talking about?” It sounded like a new program that was going to change the future of computer engineering, when you questioned he blew you off. “Nothing important.”
You had tried, you tried to be kind and patient and understanding but he just wasn’t who you wanted. You wanted that person, the person that’s excited about new technology and collected comic books.
Peter closed off when you asked, guarded back up, you wished it could’ve been different. Maybe one day he’d open up more, you didn’t want anything but his true self.
You gave it a month before you had to accept that Peter Parker wasn’t the person you thought he was, today, you had to accept that you were breaking up with Peter Parker. Pulling away you grab his arm, silently telling him to look at you.
“Can I come over later?”
“Yeah, of course. Wanna come with me after school?”
“Sure,” you wondered if he could see through your smile. It doesn’t seem like it, he leans down and gives you a quick kiss, you pull away and back away through the halls.
He has no idea what’s coming.
—------------
Gently pushing Peter’s shoulders down to coax him into sitting on the edge of his bed, you grin politely when he follows instruction. Dragging his desk chair to sit in front of him you pause to think about what you were going to say, clearing your throat you begin.
“So, I like you a lot, and I’ve enjoyed having you as my boyfriend for the past month-”
Peter’s eyebrows furrow, he holds his hand up, “enjoyed? Are you breaking up with me?”
You bite your lip and nod solemnly, “I’m sorry, Peter.”
The silence is unsettling, you look away from him, his figures deflated and his mind races.
“Why?”
Taking a deep breath and blowing it out you shrug, “I don’t want to hurt your feelings, Peter. But, uh, you’re just… not what I thought you’d be like.”
How could you not like him? He’s done everything right. He was the perfect suitor, he acted like the typical non nerd male. The kind of all american guy every girl wanted.
“I don’t… what does that mean?”
You laugh, “I have a type, and you’re not it. I like nerds, like, straight up goofy, funny guys that know something about everything and collect comic books and get excited at new, humanity altering technology. I thought you were that guy, but I guess not.”
Oh my god.
He’s fucked it all up, he was dumb enough to believe you wanted something else.
He can show you he’s a nerd, he’s been one his entire goddamn life, he’s about to nerd olympics the hell out of you.
Peter jumps from his seat so quickly it startles you, his hands come down on the armrests of your chair, the seat tilting backwards as he pushes his weight towards you.
“I’m the biggest nerd you’ll ever meet.”
Your seat jostles when he lets go and opens his closet, pulling out a box he sets it on his bed.
“This is everything I put away when we started dating,” he turns with three rubik’s cubes, each one in various sizes. “,these are my rubik’s cubes, I can finish the standard in forty three seconds, the six by six took me about thirty minutes and this baby?” he bounced the biggest one in his hold, “, this is a twenty one by twenty one, it took me about three hours.”
Peter dropped them to the bed and continued, “and this is my national championship trophy for chess club,” he shoves it in your face before he keeps digging, a small picture frames come next, “this is when I won the states most innovative science fair project,” frantic digging, “, this is a figurine of my favorite video game,” two large disc sets next, “lord of the rings and star wars,”
He spins around, flying past your body where he picks up his comic book container, “remember when I was late to our date last week? I was getting these,” three new additions of an old comic you had just started to pick up, “, and currently?” Peter moved to his desk, tapping on his keyboard until his screen woke up, code covered the screen, he pointed between the monitor and a notebook, “I’m learning to read binary code.”
You felt like the grinch because your heart grew the times the size, adoration blossomed, you could feel your chest crack and glow. The Peter you wanted, the person you thought he was from the start, was real and in front of you.
This was who he was, so why was he hiding it?
“Why did you hide that from me? Peter, that’s like, the entire reason I wanted to date you. I liked who you were, then you turned into someone else.”
Peter rested against his desk and sighed, crossing his arms over his chest. “I figured a pretty girl like you wouldn’t want some nerdy guy, it might be cute at first but when I’m stoked about something I read on wikipedia and make it my thing for a day and talk your ear off about it, you’re gonna wish you had a boyfriend that just watches sport clips for fun.”
That’s the point you were trying to make, “that’s what I want! I was literally dumping you because you weren’t that.”
“Well, I am that. So there’s no point in breaking up, right?”
You hum and spin in his chair, “I dunno… you dragged me along for a month, hiding yourself from me, making me question everything. I mean, you have a lot to make up for, parker.”
“C’mere,” you’re not given an option, he reaches forward and pulls the chair towards him and pulls you from the seat, flopping himself down and tugging you into his lap. Your stomach clenches, this was the confident Peter you wanted, it was confidence in himself.
His pointer finger taps on the monitor, “you read binary from right to left, and you separate them into groups of eight. Now the key is knowing that each one and zero mean-”
Your mouth on his, cutting his words off with a kiss, you held his face tightly, never wanting him to separate from you. Caught off guard he froze for a moment, then wrapped his hands around your middle. Pressing into him, separating for air but giving small pecks.
“Baby,” kiss, “, I’m sorry,” kiss, “, I shut,” kiss, “, you out,” kiss, “I didn’t,” kiss, “, know it meant,” kiss, “, so much,” kiss, “, to you,” kiss.
“You’re so much smarter than me,” a chaste kiss, “it’s so hot,” you look into his eyes, he’s flushed out and breathing harshly. “You’re so hot,” another kiss, Peter feels like the room is spinning, he’s never felt so wanted, so needed, the way you can’t stop kissing him, how tight you’re holding him to you, how blown your pupils are, the way you’re gulping him like water.
“I mean if you,” he grunts when you kiss down his neck, biting into his collarbone. “, if you want, I could show you how quick I can solve my rubik’s cube.” Your hands drag up his hair, gripping and tilting his head away, better access to nibble and lick the skin. “Or, recite the first seventy nine numbers of pi.”
Attention caught, “you know the first seventy nine numbers of pi?”
“Mm hmm, I could also tell you” a whimper, “, all the elements. Want me to start rattling them off?”
Kissing the middle of his throat you hum, “I’d rather you take your pants off.”
For the first time in Peter Parker’s life, memorizing the periodic table got him laid.
#peter parker blurb#peter parker x reader#tasm!peter x reader#tasm! peter parker x reader#peter parker fluff#tasm peter x reader#peter parker angst#my writing
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Recognizeable
Wednesday Addams x fem!shapeshifter!reader
Summary: based on this ask!
Words: 1.4k
A/n: this kinda doesn’t have a plot 😭 whoopsies
Warnings: blood, wounds, i swear it’s not angsty R just takes a small tumble lol
“Did it hurt?”
“What, when I fell from heaven?” You crack a smile at your very hilarious joke, but Wednesday does her version of a huff and an eye-roll
“Apologies, I should have elaborated better.” You wince a little in pain as Wednesday disinfects the open wound on your knee and the smaller cuts around your body
The Addams girl was taking Thing and her pet bird, aka you, for a walk outside Nevermore in the forest that surrounded the academy as she watched you loop around in circles. She’d assume you were training for some competition if she didn’t know your personality enough, but Wednesday ultimately came to the conclusion you just had the bird equivalent of zoomies
You squawked at other birds as you passed them by in their trees, and Wednesday made a mental note to ask you if you could actually talk and understand them. Her hypothesis was that you couldn’t and you were just making animal noises for your own amusement
Either her hypothesis was true and you had no idea what you said, or you knowingly called a bird a slur. The previous was probably true due to the horrified expression on your face as a murder of crows you were “talking” to started chasing you down. You must’ve squawked something real bad for all of them to come after you.
You miss the smirk Wednesday has on her face.
The crows must’ve overwhelmed you pretty bad, because next thing she knew you were hitting every single branch of a tree in human form. Was that intentional? She’d have to ask you about it later. After she made sure you weren’t dead, of course
Wednesday arrived just in time for you to almost slam straight into her head, but a simple side step caused you to eat shit instead. There was a very noticeable and loud thump when your head hit a tree root. Wednesday would’ve been more concerned if you didn’t immediately curl into the fetal position, mumbling about how you’d take a nap right then and there
Either shapeshifters were gods, or you just had a really fucking thick skull. Wednesday internally smiled at the thought.
The Addams girl was well aware of the smelling salts in her backpack for times like these, but she looked at Thing for what he wanted to do to get you up. You could wait… probably.
After some inspection, Thing decided it was best to call Enid to carry you back to their dorm. The wound on your knee would only make you limp and cause more pain.
Wednesday made sure to keep you alive, though. She poked you with a stick here and there and gave you reassurance, which she saw you smile at.
You were prone to accidents. Both of the Addams knew you were fine. Truly, it was just another Tuesday. Wake up, go to class, take girlfriend and Thing on a walk, you break a bone, it was all a part of the schedule
It wasn’t even a shapeshifter thing either, you just refused to die. Which the Addams was ultimately grateful for, but your ability to visit death like a close friend had Wednesday just a little jealous
A groan of pain from the back of your throat brings the shorter girl back to the present
“Why did you turn human in the middle of the sky?”
“Whenever I shift I have to really concentrate on it the entire time, so I guess those crows just really fucked me up and messed with my focus” You sigh
“Is it hard? To keep concentration, I mean.” Wednesday starts to wrap the bigger wound on your knee with a bandage wrap
“I’ve been doing it forever, so it’s kinda easy. Not when you’re getting jumped by crows, though…”
“Could you not just shift a pair of wings for yourself?”
“I was already focusing on having the thick skull of a ram.” You knock on your head for effect. “How do you think I haven’t died yet?”
Oh so it was a shapeshifter thing. She was right about your thick skull, though
“Perhaps you should tell Enid that,” Wednesday gets up from her kneeling position in front of you. “She almost fainted carrying you on the way here and I have reason to believe it isn’t because you’re heavy.”
“Maybe I should get her something as compensation…” You mumble to yourself as Wednesday helps you out of the bathroom, using her as a crutch so you can flop onto her bed
The Addams girl sits beside you, your face buried in her sheets. Both of you fall into a comfortable silence as Wednesday continues to stare at you, her mind coming up with endless questions about your abilities.
If concentration was a constant concern, was Wednesday not giving you not enough credit? To focus on multiple tasks at once, surely it was hard for someone as air-headed as you. But then again, you have been doing this for your entire life. Did your concentration come as easy as breathing? Was it so natural you barely noticed it?
And surely the process hurt, right? Your molecules were repositioning themselves to fit the look of an entirely different being. What was there a difference between you and Weems?
What were your limitations? Wednesday would like to test them. Maybe if she’d ask kindly enough you’d-
“Ask your questions, Wens” You mumble into her soft bedsheets, your voice snapping Wednesday out of her thoughts
“Pardon?”
“We’re girlfriends. You can read my mind as much as I can read yours”
“And your logical explanation for that, is..?”
“Girlfriend magic.” You hold up your hands while shaking them, and Wednesday immediately recognizes the jazz hands you had quite an addiction to
“Another day, it’s best you rest.”
This makes you turn your head to look at Wednesday, a smile threatening to take over your face
“I don’t understand why people don’t believe me when I say you’re the romantic one” You gush
“Unless you want me to bombard you with questions until morning rises, I’d suggest you stay quiet.”
“Yes ma’am” You pull down Wednesday on her bed, shoving your face into the shorter girls collar.
From that day forward Wednesday asks you one question a day about your abilities, and you make sure to answer them as best as you can. It was something Wednesday appreciated about you.
Answers would span from 15 minutes to almost 2 hours long. There were some days you had to pull out the whiteboard that was collecting dust in the bee shed, writing and drawing out key information
At first it was casual, it really was. But a month later it was almost like class with how the Addams had a book and a half filled with information about you. A class Wednesday could actually get behind.
She’s learned every shapeshifter is different. Some turn into people, some turn into animals, and others can turn into both. So the book and a half was really just information about you, which Wednesday wasn’t exactly opposed to
Meditation seemed to be a pretty big thing to you. Whenever Wednesday was writing, you’d be meditating. At first the Addams questioned if you were compatible being in a room with her loud typewriter, but you insisted the noise was necessary for you to tune out
Another thing Wednesday learned is that you couldn’t exceed four limbs. Which, you made sure to voice your opinion on. The dreams of being a four-legged and two-winged western dragon was impossible, so unfortunately you’d have to make your peace with being a wyvern instead
Small snores came from you curled around Wednesday under a tree as a tiger. She could only focus on how you always somehow resembled your human face
Turning to a new page of her journal, the Addams girl starts to sketch the face of your tiger next to the one of your lion. No matter what form you’d take, Wednesday would be able to recognize it.
#jenna ortega x reader#jenna ortega#wednesday x y/n#wednesday (2022)#wednesday x you#wednesday x reader#wednesday addams x reader#jenna marie ortega
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WHB Series #1 (cont.)
MC: *went to scout a place in Hades alone or so they thought*
Foras: *is following them from behind, but has himself concealed as per Leviathan's instructions*
MC: ...
MC: Well, as long as it's not the others.
Foras: *admirably* They're so focused on the task.
MC: ...
MC: *noticed something from the distance and approached it*
MC: *raised an eyebrow when they see it*
MC: *sits down to examine it more closely*
MC: What the fuc- Hey, Foras! Come here!
Foras: *reveals himself* Yes!
Foras: What have you found?
MC: Do you see this?
Foras: ...
Foras: I don't see anything.
MC: ...You've got to be kidding me. Whatever. Let's go back.
Foras: *nods*
Leviathan: An angel's portal?
MC: Yes. It looks like...
MC: A fancy bathroom tile.
Glasyalabolas: *laughs*
MC: What? That's what it looked like to me.
Leviathan: ...
Leviathan: How did you know it was a portal?
MC: It has THE holy aura or whatever it's called. And it almost has the same feeling when Satan threw me into one.
Leviathan: ...
Leviathan: I'll be dispatching devils to check the area.
MC: How will you do that when devils can't see it?
Leviathan: Are you suggesting I send you again?
MC: Why not? Foras and I can set a trap there.
Leviathan: ...
Leviathan: It's not that easy. You need to think about this carefully.
MC: Yeah, you're right. *yawns* Shit.
Barbatos: Are you feeling sleepy again?
MC: No.
Leviathan: Your eyes are closing.
MC: No. It's too early.
Barbatos: Don't force yourself to stay awake. *covers their eyes*
MC: ...
MC: Your hands stink. What the- *quickly removes his hands away from their face*
Glasyalabolas: Ah, that's because he's just finished rubbing himself.
MC: ...
MC: *wants to puke*
Foras: *worried tone* Descendant of Solomon?
MC: I'm fine.
Leviathan: ...
Solomon: I'm worried you started growing wings.
MC: Shut up.
Solomon: Hmm... It's still better to consume devil's energy.
MC: We have a substitute. I don't need it.
Solomon: You might've created the seeds of the damn and helped the demons in Gehenna.
Solomon: But demons in Hades are different. You need to be stronger.
MC: Okay, genius. What do you want me to do this time?
Solomon: Hm...
Solomon: Ah! Try Leviathan!
MC: Try? Try him with what?
Solomon: You paint nude, correct?
MC: Yeah...?
Solomon: *smiles*
MC: ...
MC: That is plain stupid.
Solomon: He enjoys brushes.
MC: I don't give a fuck if he does.
Solomon: You only need to tickle his senses and you're good.
MC: ...
MC: Can I hug you around the neck real tight?
Foras: Descendant of Solomon, are you alright?
MC: ...
MC: I wish I didn't have morals.
Foras: ...
Foras: Are you considering consuming devil's energy?
MC: Yeah. Solomon said I need it. *sigh*
MC: But can't I have it in a more convenient way?!
Foras: ...
Foras: There's a simple one.
MC: Really? What is it?
Foras: Through kissing.
MC: ...
MC: Yeah, you gotta kill me before I do that.
Foras: *pouts*
#what in hell is bad#whb mc#whb foras#whb leviathan#whb barbatos#whb glasyalabolas#whb solomon#whb series 1
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⭑ for the love that used to be here. tom riddle x reader
summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.
tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people
note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡
word count. 21.8k (i know... i KNOW)
You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.
You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.
He evidently does not.
“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.
You narrow your eyes. “‘Scuse me?”
“I said the powder has to be completely fine.”
“I heard you completely fine. I know how to read.”
He stares blankly at you before returning to his own station, and that’s that.
It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.
There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.
That decides it. Flotsam still floats.
Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.
…It’s just that he’s insufferable.
The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.
Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.
“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.
You blink at the vague shape of him. “What?”
“If you don’t hurt them back, eventually, they’ll just kill you.”
In hindsight, it’s an assumption so hastily bleak only a scared child could make it.
I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.
You roll over and pretend to sleep, and in the morning, you hurt them anyway.
It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.
Tom sits with you in the Great Hall for dinner that night, and he never really stops.
You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.
When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.
You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.
Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.
Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.
You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.
For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.
You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.
It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.
Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.
You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.
Tom is cross-legged and sat straight, his brows furrowed in concentration.
“What’ve you got?” you ask, leaning over to answer your own question.
Tom as good as rolls his eyes, holding up the book to give you an easier look.
“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”
“It’s the stuff they’ll never teach us.”
“I wonder why.”
He steals a glance at your own book and smiles in that smug way that makes you want to slap him.
“What, Tom?”
He shrugs. “You might want to know you’re reading stories about the author.”
You look down. Lore of — Godelot wrote Magick Moste Evile?
It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.
“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”
“Well, they’d be out of his quill.”
“Oh my God, Tom, shut up.”
All good things must come to an end. Term resumes and your hackles are back up.
Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.
Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?
You suppose, for them, it’s a question with few answers.
For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.
He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)
Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.
You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.
They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.
You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.
“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.
He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”
“Don’t get ahead of yourself. I’m only curious.”
“Curiosity—”
“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”
He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.
You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.
But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.
“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.
“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”
“Of course,” he says blankly. “Hence this.”
This — restricted books and furtive duels — should not be necessary.
“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”
He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?
It isn’t enough to be as good as them. You have to best them, and you have to do it forever.
The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.
The worst of the world has impeccable timing.
A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.
So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.
And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.
BOMB’S HAVOC IN CROWDED PUBLIC SHELTER
MOTHERS AND CHILDREN AMONG THE CASUALTIES
DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN
All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.
The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.
It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.
In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.
You figure the reason for the extra space is probably not one you want to know.
Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.
But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.
He doesn’t, or at least doesn’t say he minds your relocation.
You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.
You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.
“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.
Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.
He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”
“...Riiiiight, but that isn’t a proper answer.”
You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.
“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”
“An altercation.”
“Very good, that is what I said.”
You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.
“And I suppose you’re above such incidents,” he muses.
You cross your arms and huff. He always wins games like these.
You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.
But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.
She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.
For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.
Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)
Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.
“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.
“Perhaps someone else has,” Tom suggests.
“What? Malfoy?”
You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.
But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”
Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —
“A professor?”
“It may be.” He says it like he’s already decided his suspect.
He is, as always, and ever-infuriatingly, correct.
It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.
He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.
Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.
You consider it a warning.
Tom does not.
“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”
His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.
“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”
“So?”
It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.
“So?” You make an aggressive move with your knight. “So don’t give him one!”
He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.
“Are you stupid, Tom?”
You glance at the board. He’s got Check. A terrible, true answer.
“No,” you finish. “Then don’t act like it.”
Your king glances at you and you nod. He falls. The game is resigned.
Tom acts stupid.
Dumbledore knows.
It all happens very fast.
You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.
You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.
You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.
“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”
Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”
You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.
“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”
“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”
“I —”
“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”
You swear a great deal when you’re cold and mad, apparently.
“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”
“It doesn’t matter! He knows it’s you! He was staring at you all class!”
“So nothing novel then.”
“D’you want me to blast you again?”
His lips form a flat line. No. That’s what you thought.
You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”
That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.
“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.
“Tom.”
“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”
“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”
Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”
“I am half-drowned, dickhead.”
And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.
It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.
The day everything changes starts the same as any.
You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.
Tom has cracked the book.
It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.
“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.
He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.
“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”
“Tom, I have no idea what you’re talking about.”
“It’s an Encyclopaedia on Parseltongue and its known speakers.”
You flip through the pages and none of it means anything. “Parseltongue?”
“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”
“Okay, so, what — you’re trying to learn it anyway?”
“I have no need.”
You frown. “You… you already know it.”
“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —
“You’re not muggle-born.”
“No, I’m not. And Dumbledore knows.”
“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”
“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”
“Why would he lie?”
“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”
You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.
“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”
He sighs, taking your hand and leading you further into the woods.
“Are you trying to murder me?”
“I might.”
“You’d be the first suspect.”
“No, I wouldn’t. You’ve far too many enemies.”
Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.
He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.
It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.
“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.
There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.
“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”
You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.
“Oh my God. Oh my God, Tom.”
The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.
“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.
He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.
“Should I?”
And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”
It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.
Tom’s smile fades. “We’re nothing like them.”
The thing is, neither of you know that’s the day that changes everything.
You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.
Summer blisters when it comes.
Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.
And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.
A stupid remark. You fervently ignore it.
Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.
But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.
It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?
You say the same to Tom and he rolls his eyes, but the amusement is there.
“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.
“If they’re yours, I doubt they have anything worth discussing.”
And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.
He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.
Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.
You always are.
The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.
Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.
He’s had an ego forever. He just has a few too many reasons for it now.
And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.
Everything changes but the observable truth that he is still insufferable.
You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.
You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.
You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.
Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)
You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.
So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.
It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.
It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.
Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.
The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.
You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.
Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.
But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.
“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.
Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.
“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”
He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.
You move to catch his wrist and manage it this time. “Tom.”
“Don’t argue,” he says thinly.
“You’ll get sick.”
His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”
Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.
Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.
When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.
What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.
You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.
Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.
You are regardless.
It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.
A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.
Life is for the magical, you find. The muggles can burn.
It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.
You remember with a small ache that you no longer means you and him.
And then — it makes sense. You feel incredibly stupid.
“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.
He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”
“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”
“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”
“Why did you tell him, Tom?!”
“Why?” he deadpans.
You throw your hands up. “Oh, for fuck’s sake.”
“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”
“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”
Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.
To be short, he’s close, he’s very beautiful, and sometimes you despise him.
“Trust me,” he says again, without the derision of the last time. “This will change things for us.”
You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.
You are not his keeper. You know that.
“Change them for the better, Tom,” you say on a sigh.
He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.
And he does nod, finally, but he does it with his thumb brushing the corner of your lip.
What? Sorry. What’s going on?
He pulls it away like he’s heard you. “You had something.”
You’re almost positive you did not.
Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.
You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.
Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.
Your contentment is remedied quickly.
Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.
You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.
Tom nods at your theory when you manage to escape to the Black Lake together in November.
“That isn’t unreasonable,” he says. High praise.
You sink into the moss, sighing. “Do you think there’ll be more?”
He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.
You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”
“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”
“How’s that?”
“No one would be senseless enough to try.”
And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.
One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.
It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.
You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.
It happens again.
Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.
There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.
You cry that night. You can’t remember the last time you cried.
This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.
You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.
You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)
He’s warm. He’s uncertain. He doesn’t reciprocate immediately.
And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.
Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.
And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.
The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.
The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.
That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.
One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.
The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?
You take to the library.
Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.
The third sign is the end.
You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.
He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.
And he’d killed Myrtle Warren.
So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.
Don’t become like them now that you’re not like me.
He’s something else entirely.
What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.
You stand; and you tell no one. Not even Tom.
His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.
You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.
“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.
You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.
“Mhm,” you hum, transfiguring the daisy stem back to its regular length.
Tom observes it with curious eyes. “You’re getting good at that.”
“I’ve been good at it.”
His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.
His own doing and still you flicker with some relentless hope that he's drowning in regret.
“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.
You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.
You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.
He sees all of you.
Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.
“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.
“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."
He stares at you. There’s nothing there.
“Tell me, Tom.”
Your breath catches on an automatic please but you don’t want to offer him that.
“I cannot.”
Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.
It’s late winter and it’s too cold.
“You killed her,” you say quietly.
“If I told you I did not wish for it, would you even believe me?”
“What are you… so it was an accident?”
“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”
“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.
He’s so composed in the face of it that it only makes you more incensed.
“You told me to change things —”
“You killed someone! Can you understand that?”
“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”
“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”
“Do you want me to lie?”
“What could her death possibly bring me, Tom?”
“Her death is the first step to —”
“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”
“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.
All you can do is nod, arms falling to cross over your chest.
“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."
You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.
“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."
“...What?"
“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”
You blink, feeling dizzy. “Myrtle was the sacrifice.”
“Myrtle was there,” Tom remedies.
“How lucky for you.”
“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”
“For — you’d do it again? Again, Tom?”
His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.
“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."
“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”
And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.
You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.
“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.
Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.
Of course you can't stand or talk or think. You're you, contemplating a life without him.
“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.
He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.
After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"
“I thought I would have time.”
“To come up with a good lie? Something I’d sympathise with?”
He bites his cheek. “Evidently the particulars matter little to you.”
Fuck him. “Fuck you.”
“Very cogent.”
“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."
He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”
You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.
“You have lost me, Tom."
He stills as if suspended. Some maceration must follow but it doesn’t.
You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)
You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.
There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.
You fail your N.E.W.T courses. Quite spectacularly.
Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.
That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.
You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.
And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.
You tear the envelope open and pull the letter out.
It’s from Dumbledore. Some of it melds together, but the key words stand out.
Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.
Be well.
You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —
You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.
Some of your letter melds together but the key words stand out.
Thank you, Sir. Whatever you need.
It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.
You find that to be true.
Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.
Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.
“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.
You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.
Teacup to gerbil — to cat, and inverse.
Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.
Study Antar’s Doctrine. Miss Wright will act as your partner.
Due February.
It’s far too much to be done in that time. “Sir?”
Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”
Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.
You nod. “I hope… Good luck, Sir.”
Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”
And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.
Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.
You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.
You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.
In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.
Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.
You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.
But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.
You drink, and don’t look away.
By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.
There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.
You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.
An animal — like that isn’t the vaguest instruction you’ve ever received.
You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.
You’re better than them. You can do it forever.
The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.
The Ministry worker swallows. Dumbledore smiles.
“And — and back?” the worker says, like that will be the thing that stops you.
You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.
You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.
The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.
He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.
You find out you’ve passed with an Outstanding on your birthday.
Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)
“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.
You sigh into your own, partially giddy and mostly nervous.
Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”
You push her hand away but can’t help a small smile. “Outstanding,” you correct.
“Outstanding!” She bursts out laughing. “Bloody ego on you now…”
“Well, I am the smartest person you know.”
“I take that back.”
She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”
Your hands raise in surrender, and you steal only one when she’s gone.
You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.
It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.
On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.
There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.
Indifferent it is.
“Can I help you?”
“You’re causing quite the stir,” he says, taking one of Mari’s chips.
You’re allowed. It’s infuriating when he does it.
“Am I?”
“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”
“They’re afraid of the wrong mudblood, then, aren’t they?”
Indifference effaced. You’re angry.
He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”
Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.
It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.
“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”
Something in his face shifts at the name. You swell with distorted pride.
He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.
He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”
You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.
“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.
Where is Mari?
“Your friend was at the bar, last I saw her.”
You stare at him with wild eyes. How the hell — ?
“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.
You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.
“Well then —”
Right. Tom hasn’t actually moved away. You turn and his face is just there.
His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.
“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —
“That would be wise.”
He’s still looking at your lips.
No one else is looking at you at all.
It could exist in just this moment, you deliberate; separate from everything else.
Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.
“So I’ll be going now,” you say again.
“I haven’t protested.”
But he’s leaning in, and he has to know that’s impedance enough.
“But you will.”
His lips touch yours. “Yes, I will.”
You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.
The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)
You’re pulling away in intervals. “You don’t have me, you know.”
“I know,” he responds, lips on the corner of yours.
“You still lost me.”
“I know.”
“I hate you.”
He pauses for a moment. “I know.”
You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.
“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”
You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.
He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.
“My door is always open,” he says.
He lets you go.
You graduate with Mari’s hand in yours, and you aren’t afraid.
Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.
If he’s offering you lodgings now, he could have done it all along.
It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?
You think of him often. You think of his offer.
My door is always open.
Plenty of doors are open to you now. Why should you want to go back to his?
Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.
It’s a tempting door.
The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.
You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.
The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.
Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.
The Ministry job is truly, infinitesimally, insignificant.
It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.
But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.
A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.
My door is always open.
Then you’ll slam it bloody closed.
Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.
She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.
When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.
It’s one stupid accident the next fall that changes things.
A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.
“Renauld’s on it, though,” your coworker says when the news finds your department.
“Renauld?”
He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.
“Well, yeah —”
You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”
“But McCormack sent him.”
“Where is it?”
“I… McCormack said that —”
“Where is it, Flack?”
“Um. Um, near King William, I think. Moorgate or, um —”
That’s good enough. You toss the Floo Powder into the fireplace and go.
The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.
But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.
“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”
You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”
“Oh my God! Fix. The muggles.”
You afford nothing else before pushing past them to enter the bank.
It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.
“Heal their wings,” you say without greeting.
Renauld jumps. “What? What are you doing here?”
“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”
“Who authorised you?” he hisses.
“I did.”
In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.
But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.
You were completely out of line and utterly right.
It isn’t something people like you are allotted.
Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.
And… he does.
With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.
It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.
There’s really no choice but to promote you.
Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.
By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.
The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.
Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.
After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.
“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”
“You’d have to be able to keep your mouth shut for that, Alves.”
Emilia punches Renauld in the arm.
“What are the aurors up to?” Flack asks.
“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”
“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”
“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”
“Hillicker’s not a source,” Renauld scoffs.
“Yeah? Why don’t you ask your daddy for something better?”
“Alves, I’ll have you know —”
You lean in over the counter. “What do you mean they’ve never seen anything like it?”
She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”
You roll your eyes, taking a drink.
That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.
But something about it itches.
You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.
You are green, through and through.
Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.
You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.
You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.
And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.
That makes it much worse when you sleep together.
There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.
“Thanks for the — well, you have a nice home — I do think I should —”
“Yes.”
“Right.”
“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”
“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”
“I thought you might like to know. Don’t be daft about it.”
You’re incredibly daft about it.
There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.
The itch exacerbates.
You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.
You wake up and he isn’t there.
It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.
The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.
And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.
You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.
You tear the place apart and Transfigure it back together when you’re done.
All you find, in the end, is a scrap of an old envelope in a suitcase.
R.R
It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.
You return to Hogwarts posthaste.
It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.
The Grey Lady is as beautiful as she’s rumoured to be.
You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.
“Is it found?” she whispers. The snow floats through her.
Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.
“Yes,” you say. And you dare further with the context you know, “In Albania.”
“Oh,” she hums. “Oh…”
And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.
Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.
There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.
But you do, because he told you.
You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.
It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.
It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.
You wait, legs crossed on an old loveseat, fiddling with your wand.
The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.
It strikes you only when he’s standing before you that it’s his birthday.
You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.
He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.
“I placed wards," he says, hanging his bag on a rack by the wall.
“I thought your door was always open.”
You see his posture change from just his silhouette.
“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."
He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.
“Duly noted. What are you here for?” He tries your surname like a foreign language.
You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.
You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.
“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."
“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”
“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."
His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"
“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.
Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.
“Is this a warning? I assure you, I don’t need the condescension.”
“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."
You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"
“Yes."
You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.
“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”
“I earned this,” you hiss.
“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”
“Fuck you.”
He smiles. “There you are.”
“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”
The humour dissolves from his face and you despise the immense glee it brings you.
“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”
“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.
You hum, meddling with your nails. “So what’s your plan?”
“I’d need a Vow for that.”
You laugh. “I’m not that desperate.”
“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”
“How many do you plan to make? How many people do you plan to kill?”
“A Vow.”
“Absolutely not.”
“Tea, then? Biscuits?”
“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”
“Hm. Terrible shame.”
Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”
He smiles at the barb in your words. “You never were good with subtlety.”
“I wasn’t trying to be subtle. This place is horrific.”
“I was referring to your inability to see more than what’s directly in front of you.”
“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”
Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.
“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.
He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.
“Yes,” you concur, “I suppose you should have.”
You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”
Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.
“You have wandless magic,” he tries. A weak recovery.
“Scout’s honour, Riddle.”
He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.
He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.
“I should have killed you,” he repeats.
It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.
“Yes,” you agree.
It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.
Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.
There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.
He was your first in everything but this.
You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.
You pull him onto the sofa and crawl onto his lap.
“How long?” he asks thickly.
You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.
“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."
You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"
You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"
His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."
You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.
“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"
“N-no.”
He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."
Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.
But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.
You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.
He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.
Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.
His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.
You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.
He dips in and your eyes wrench shut, grasping frantically for his wrist.
“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.
You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.
“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”
And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.
You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.
He’s stroking at you now, pleased by the way you lurch against him with every touch.
You have to recover, you have to make it even, you have to… you…
A finger presses inside and you moan.
“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.
“Doesn’t make me yours,” you breathe.
He shakes his head. “I know. You’ll still take it though, won’t you?”
Oh, fuck.
He makes a sound of approval. “Good.”
Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.
You’ll take it, won’t you? Yes.
Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.
You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.
He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.
But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.
Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.
“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.
“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.
“Will you give me more?”
Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.
He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.
You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.
He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —
“Want you,” you protest shakily, hand on his abdomen.
That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.
You sound frail, but you have to ask. “Is this how you wanted me?”
A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?
And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.
Maybe you already do.
Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —
He slides in. You cry out at the feel of him inside you, the angle of it like this.
“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”
You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.
“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”
You whimper.
“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.
If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.
“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”
Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.
“You can — uh — you can — ”
"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”
And he slams into you again, drawing a mewl from you that slices your unfinished thought.
You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.
“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.
You remember then. What you meant to say. “You can take me too.”
You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.
He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.
He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.
You have to promise yourself he’ll never have it again.
But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.
Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.
“Look at me,” he says, and for the strained need in it you do.
You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.
He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.
You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.
“Goodnight, Tom,” you say, finding home in the warmth of his chest.
You’ll dream of a morning where you wake up beside him, but you won’t be there.
#tom riddle#tom riddle x reader#tom riddle x you#tom riddle x y/n#tom riddle fluff#tom riddle smut#tom riddle angst#(the trifecta)#tom marvolo riddle#voldemort#voldemort x reader#tom riddle imagine#tom riddle oneshot#harry potter fanfiction#wizarding world#ftltutbh
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Unprecedented
Summary:
“If you need to fuck someone, go to a pleasure hall and pay for it, but stay away from her.”
What if… Azriel actually takes Rhys at his word? And does exactly what his High Lord ordered? With unexpected consequences.
This is Azriel finding out about said unexpected consequences.
Warnings:
Mention of Sex Work, Unexpected Pregnancy, Mention of Faerie Genocide, Mention of Faerie Wings being used as leather, Mention of Sex
Note:
This was a thought experiment that kinda started to grow a life on its own.
(super pretty divider by @saradika-graphics)
“I am pregnant.”
These were the last words Azriel expected to leave her mouth.
And Azriel had heard her say a lot of different things over the last few months. A whole lot of different things.
He could just stare at her.
Her being…Blossom. He knew that that wasn’t her real name. But it was the name she went by in Marge’s Pleasure Hall…while at work.
Blossom.
He had never pushed deep enough to figure out the name that she was born with.
There was an enchantment on these pleasure houses in Velaris. Whatever happened inside, stayed inside.
No customer would be able to talk about it outside, would be able to annoy any of the males and females working there outside of their place of employment.
He blinked. Once. Twice.
His mind running.
There was just one reason why she would even tell him. Why she wouldn’t just…have Marge, the proprietress tell him that she wasn’t available for their long-standing appointment.
Ever since Solstice, ever since Rhys had spat these words at him…Azriel had come here. Followed his High Lord's order to the fucking letter.
He had been furious immediately after it had happened but quickly it had melted away. Been replaced with old hurt and open wounds, something that had scabbed over and been reopened again and again.
So then he had come here. His request had been simple. Any female that was not terrified of him.
And Blossom…Blossom had been the one who had taken his hand and pulled him into her room upstairs.
And when she had lifted the glamour that laid over her, that hid away blush hair and shimmering wings he could Just stare at her.
An enchantress had done it for her. Hidden away a glamour in a bracelet she could wear. Making her hair blonde and her eyes blue and hiding the dragonfly wings that sprouted from her back.
A Floresco Fairy from the spring court. So rare that it was pretty much legendary.
They had been hunted to extinction. For their wings.
Which were used as leather to make evening bags and shoes. It had been all the rage in spring court. Alone the thought of it…it turned his stomach. Staring at these wings that she kept glamoured away with the help of a bracelet…and knowing that her family had been slaughtered for the same.
She never talked about it, about how exactly she had come to Velaris, how she came to work at Marge’s…what had resulted in her being a whore and not…something else.
Still, he couldn’t help but stare at these shimmering wings.
Ethereal beauty.
He hadn’t fucked her that first evening. Or the week after or the week after that.
He had let her bathe him because sometimes the only thing he wanted was the touch of another person. Another person that slid in his lap in the bathtub and brushed kissed to his cheek and slid her soft hands over her skin and…
Cauldron.
Every visit to Blossom had been worth every gold coin he spent on her. Every clipped copper.
She became his sanity.
Regardless of what else happened…Thursday evenings were theirs.
Once a week he came. Once a week he visited her.
“Do you know who the father is?” He choked out.
He wasn’t taking a tonic. It had never even crossed his mind.
It should have.
It should have crossed his mind, especially after everything that had happened with Feyre and Nyx. The risk that Blossom was under right at this moment…
But then he stared at the wings that were slumped on the bed and he swallowed.
She wasn’t High Fae. She was a Floresco Fairy. She had wings herself. Maybe that would keep her safe from any kind of complications involving his wings. There was to hope for that.
He took a deep breath, smelling her. Smelling the scent of roses that had always clung to her, now budding with something else.
The baby.
And intermixed in that…cedars. His own scent.
She stared at him, her eyes wide, shining in a spectrum of colours he never quite could get his fingers on.
“Do you want to know?” Blossom asked him, cocking her head to the side. “I’ll let Marge know to give you back the money for today and you can walk out and forget I even existed.”
He didn’t doubt for one moment that she would.
She would do that. And he could keep on living his life and forget that this interlude had ever happened. That he had ever gone to a brothel and bedded this female with her glittering wings for months. That he had used her for his own pleasure for money.
That he…that they had created a child together.
She would let him go and the child, the baby, would grow up a bastard. Just like him. Just like Cassian.
And that…that was fucking unacceptable.
“You really think I would do that?” He asked her, his voice hoarse, still standing in front of the door. She was seated on that bed, wearing a cream-coloured silken dressing gown. Her wings drooping around her.
“I think that neither of us planned on this,” Blossom answered quietly. “And only because I want to keep my baby…” she shrugged. “I made that choice. You didn’t,” she pointed out. Reasonable. Always so reasonable.
He couldn’t help but stare at her, sitting on the bed, the picture of innocence, with her doll-like features. She was tiny and her features were soft and sweet. Always so sweet.
It was the reason why more than one customer had gotten rough with her. Marge was very good at getting them out before it happened but Azriel had still seen more than a few bruises on her over the last year.
“It’s mine,” he said instead and she just nodded, tugging at one ringlet of hair.
“I don’t expect anything from you,” she said once again. “I’ll get a new job…I figure something out.”
He was sure that she would.
She could do it alone.
She didn’t need him.
But…
“And if I…if I want…” he started, the words broken.
What if…What if he could have her? Not just for these few stolen hours every Thursday evening…if he could have her…every day. If she wouldn’t have her walls up as she had in there, wit he could get to knot the female that giggled at his jokes and grinned at him and let him kiss her and always smelled delighted about it…
If he could have her look at him with…
“What do you want?” She asked him softly. Never pushing. Always giving him the opportunity to give as much as he wanted to.
“You,” he blurted out, feeling like a young and untried boy. Her. “You and the baby.”
He wanted that baby. He really wanted that baby.
Children had always been something that he had pushed away into the back of his mind. Something that…
Something that he didn’t think he ever would be able to have to be completely honest.
But now he could. And he was going to do his damnest not to end like his fucking father.
His child was not going to spend a single second in a cell under a keep. Or hurt by his half-siblings.
He was going to take care of his child.
And of the mother of his child.
“As?” Blossom asked, her voice sounding doubtful.
He could understand that. Only because they got along well in this room…where he was the customer and she was in charge of providing him with the “entertainment” he paid for… didn’t mean that they would work outside of it.
But Azriel was going to do his damnest to try.
“My family,” he told her calmly. His family.
She nearly flinched at the word. And then she sighed. “How do you even want this to look like, Azriel? I am a whore,” she pointed out drily. “And that’s all I’ll ever be.”
“You could be something else
You could be my wife. The mother of my child,” he shot back.
She stared at him wide-eyed, but he didn’t care. He would marry her that day if that was what she needed to trust him.
Marry her and give her full access to his accounts so that she and their baby would be taken care of. There was a pretty penny in there after all. It wasn’t like he had ever actually spent much of the money that Rhys gave him for his job. Unless one counted his weekly interlude with her.
She hesitated, and he knew why. Knew that she didn’t want to put herself in a vulnerable position.
“I am not…I don’t want to put you at my mercy,” he struggled to find the right words. “I want to do this together with you. I want to be with you. Without the constraints of this room,” he hurried to explain. “I don’t want to control you. Or to hurt you. Or…do anything to you that you do not want.”
She still mustered him.
“You could do whatever you want, be whatever you want…just not this job. Anything but this,” he tried to explain to her. “I’ll be yours. Just as you’ll be mine.”
He was laying himself bare like that, forcing out these words, but then, slowly a small smile began to brighten her face and she held out a hand for him.
Small, perfect pale skin, manicured fingernails…so pretty and so delicate. All of her was oh so delicate.
But he crossed the room and reached for her hand and kneeled down before her, breathing in the scent of her and their baby as she reached out to gently brush his hair out of his face.
“Are you sure?” She asked then, hesitantly, but he could hear something blubber under the surface.
“I am sure,” he agreed with her. “Though we’ll need to figure out a housing situation. This isn’t really a space for a baby. And neither is my apartment,” he told her.
“I am not picky,” she assured him and he looked at her, and then pointedly around the room that was luxuriously appointed. Blossom just shrugged.
“Tools of the Trade,” she told him drily. “I swear I am not picky. Maybe we could find some small apartment or something…with a garden?”
Floresco Fairie. Of course.
He could work with that.
“What’s your real name?” He asked suddenly, still holding her hand and she grimaced.
“Is Blossom that obviously fake?” She asked him and he just snorted. “It’s Embelia,” she answered him.
Embelia.
“My family used to call me Emmie,” she whispered, and that was all he needed to hear before he kissed her, gently, softly, exploring.
#the unexpected series#acotar fanfiction#azriel x oc#azriel x reader#my writing#azriel fanfic#azriel fanfiction
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