#he did nothing wrong it’s just people are insane

[gullemec]

Cross the Line

Golden Cage - Chapter Five

Pairing: Billy Butcher x f!reader

Summary: Truth or Dare, Murder, and Sex. Or, you and Butcher go on a road trip.

Warnings: SMUT (18+ mdni), oral (f receiving), unprotected piv sex, nipple play, dirty talk, creampie, discussions of previous murders, language, unsafe driving, attempted flashing, One Bed Trope™️, reader has poor self esteem and is Going Through It, straight up vehicular manslaughter, brief description of dead bodies

Please let me know if I missed any TWs <3

WC: 7.7k

A/N: Here she is!! My first ever f/m smut scene! Please be kind. Also a very action-packed chapter. Please read the tags before diving in because there's a LOT happening here.

Monday morning rolls around with an alarming speed, the pace of your days having taken a decided turn toward the speed of light. 

It had nothing to do with your apprehension around being with Butcher again, you were sure. 

Certain. 

The plan, not unlike the last plan, is supposedly simple. As the CytoGenix van carrying the vials of V2 makes its way upstate, you and Butcher will tail it at a distance, waiting until the time is right to strike and run the van offroad using a spike strip.

You've thought up about two thousand ways this could go wrong. You could probably think of a thousand more, but your brain started to hurt when you tried.

You pull your bag over your shoulder, every step to Butcher’s van downstairs weighed down by a strange mix of adrenaline and dread. He’s waiting for you, leaned against the driver’s side door with his usual cocky smirk, dark aviators shielding his expression.

“Look alive, sunshine,” he says as you climb in. “Big day ahead.”

You settle into the passenger seat, forcing yourself to play it cool. The hum of the engine fills the silence as you pull away, but within moments, the tension in the van feels as suffocating as the thick summer air.

The first two hours crawl by. Small talk feels like dragging a boulder uphill, each attempt to bridge the gap between you met with curt, monosyllabic responses. Weather. Traffic. A half-hearted quip about a roadside diner that doesn’t even earn a smirk from Butcher.

It’s maddening. Days ago, this man had kissed you like the world was ending. Now, he's talking about the possibility of impending rain. You feel insane.

Eventually, you can’t take it anymore.

“Truth or dare,” you say, throwing it out like a grenade

Butcher glances at you, his brow furrowing beneath his sunglasses. “The fuck did you just say?”

He scoffs, muttering something under his breath about it being a child's game. “And how exactly do you suppose we play truth or dare in a moving vehicle, hm?” He asks. 

“I don't know, but what I do know is that we have a four and a half hour drive ahead of us and if this awkward silence is going to continue, I'm going to jump out of the window right now.”

He snorts, shaking his head. “What are you, twelve? What’s next, a round of bloody ‘I Spy’?” He shoots you a look of bemusement before returning to the road, ignoring your request. 

He's not getting away that easy. 

“Look, it's either truth or dare, or we talk about the k—”

“Jesus Christ, alright I'll play your fucking game,” he relents. 

Success. 

You nod toward him expectedly. 

“What?” He asks 

“Truth or dare? You have to pick, it's kind of how the game is played.”

“Christ,” he mutters under his breath. “Fine. Truth.”

You pause to think for a second, racking your brain for a good question. You could, of course, go straight for the jugular, asking him why he pulled away from the kiss, why he didn't push you down on the couch and take everything you were willing to give him right then and there. But you think that might be a little intense for a first question, so you settle on something easier. 

“How many people have you killed?”

His reaction is instant, an incredulous laugh that’s more bark than humor. “Straight for the jugular, eh? You don’t muck about.”

“I’m curious,” you say, holding his gaze. “Isn’t that the whole point of the game?

“Sweetheart, if knowing how many people I've kidnapped is a second date question, this has gotta be a fifth date question.”

“Okay,” you say thoughtfully. “Well, if you count all the late night stake outs, and if you count our first date, the one where you kidnapped, me as three dates, which I do, I think we're well past the fifth date by now.” You raise your eyebrows at him, laughing.  

“Alright, alright,” he huffs. The smirk on his face betrays the fact that he kind of wants to play, but his tough facade necessitates that he put up a valiant fight about it first. 

But once your laughing subsides, his grin falls, and you realize that this was perhaps not the best question to ask. His eyes are fixed on the road when he answers you. 

He exhales sharply, adjusting his grip on the steering wheel. “I lost count. Got to twenty-five, maybe thirty, last time I bothered to keep track.” His voice is calm, almost too calm, but there’s no pride in it. “You happy now?”

His admission is like a shock to your system. You knew that he'd killed before, having tossed the idea around in your mind, considering the things you knew about the man you were unquestionably attracted to. He has killed, yes, but he has also lost. He has lost everything, and he has helped, and he has been kind, too. And yet, hearing the words from his mouth, putting a number, if only estimated, on the amount of times a life has been lost at the same hands that were wrapped tenderly around your body only days ago, sends a painful jolt to your heart. 

“I know what you might think,” he starts, his voice faltering. “You think I'm cold and evil, or whatever.” His fingers readjust around the steering wheel, an anxious tic you're picking up on. “But I had to do it. I believed it was for some… greater purpose, I guess. I believe that, but maybe because I have to.”

You're speechless. You weren't expecting this sudden moment of vulnerability in Butcher, this emotional nakedness. If you're honest, it scares you, because it causes the sand beneath the already unsteady foundation of your relationship with him to shake. You have to say something, anything. 

“How do you feel about potentially killing two more people today? Does it make you nervous?” You ask. You're vaguely aware of the van driving ahead of you, a pinprick dot of white on the endlessly winding highway. 

He sighs, then smirks, looking entirely too pleased in comparison to his somber expression only moments ago. “Uh–uh, your turn now.”

He's got you there. 

“Truth,” you say, and it's only fair that he throws you a hardball too. But he doesn't. 

“What’s your favorite memory with your mum?”

The question throws you for a moment, its tenderness blindsiding you. You have so many, you could almost argue that this isn't an easy question at all. All the same, your mind wanders to the same memory that always pops up when you ask yourself this question. 

“My seventh birthday,” you begin, your voice tinged with nostalgia. “Dad was off in the Bahamas for some meeting, and I didn’t have any friends because we’d just moved. So it was just me and her. She took me to Coney Island, and we spent the whole day there. Rides, games, cotton candy. It was the best.” A tear twinkles in your eye, but you wipe it away before it comes to fruition. 

He looks like he's about to say something, maybe offer some comfort or ask a follow up, but you're too quick for him. 

“Now you, truth or dare?”

He picks dare, following your lead and ignoring what you shared about your mom. You appreciate his ability to pick up on your nonverbal cues. 

You resist the urge to reach across the console and brush your fingers through his wild, wind-tousled hair. You let yourself imagine for a moment a scenario in which the two of you are out for a drive on a beautiful day for pleasure rather than business, where you might entwine your fingers with his on the center console. But these thoughts are dangerous, and you need a distraction. 

“Drive in the oncoming lane for ten seconds.”

“Are you bloody mental?” he snaps, glaring at you. “We’re trying to keep a low profile, and you want me to pull a stunt like that?”

You shrug, and you relish in the utter frustration that Butcher exudes, the way his accent comes out in full-force when he's this worked up. 

“You said dare,” you counter, your tone teasing. “A dare’s a dare.”

He groans, muttering a string of expletives as he slows the van. “You’re a bloody pain in my arse, you know that?”

“Slow down a bit, so they won't see us,” you suggest, your voice low to control the giggles that threaten to peek out. “Come on, Butcher.”

He hesitates. It's a sick kind of satisfaction knowing that, if it was anyone but you, Butcher would have probably just let you jump out the window at this point. 

“One, twooo… Threeeee…” You exaggerate your words, giving him every opportunity to acquiesce to your demands. 

Finally, you feel the van slow and dip to the left as Butcher careens into the oncoming lane. 

This is getting too easy. 

You count out the next ten seconds slowly, agonizingly. 

Ten. 

Nine

Eight. He shifts his eyes between you and the road, imploring you to call off the dare. Absolutely not. 

Seven. 

Six. 

Five. A speck materializes on the horizon. An oncoming car. 

Four.  The speck transforms into a white sedan. 

Three. “I'm switching lanes,” he yells. “Three more seconds!” You argue back. 

Two. You can tell now that there are two passengers in the sedan. “Fuck! Fuckfuckfuck!”

One. The driver of the sedan lays on the horn, the loud bleat sending shockwaves through your system. 

Butcher swerves back into the right lane, a chorus of curses spilling out, the sedan’s honking fading out behind you. Your laughter spills out, obnoxious and loud and absolutely drowning out Butcher’s string of profanities. Shortly after he course-corrects, the white van falls back into your line of sight. 

No harm, no foul. 

Butcher’s breathing evens. “You’re a menace, you know that?”

“And yet, here you are,” you retort, still grinning.

“You better pick dare this turn. I didn't realize we weren't playin' fair,” he smirks, and you're knocked back again. It's criminal how this man speaks, so deep and yet so melodic, his accent and charm breaking down whatever defenses you still had standing. 

“Do your worst,” you dare, and he smiles widely. For a moment, you feel a real flare of heat in your chest. You don't want to think about what you'd realistically do for this man right now, but the thought crosses your mind, sending a pang to your core. 

“Flash the next car that drives past us.”

Now it's your turn to blanch at the request, your face scrunching up in response. 

“You can't be serious,” you say. 

He simply nods, keeping his eyes fixed on the road ahead in feigned concentration. 

Well, the best way out is always through. 

You pull your seatbelt off, balancing on your seat and the console as you pull yourself through the van’s open sunroof. You pretend not to notice Butcher's right arm snaking protectively around your left leg. 

You watch as a dark green truck materializes before you, a lone cowboy hat wearing man inside. You pinch your fingers around the edge of your shirt. The truck speeds by as you begin to lift it up. Suddenly, the arm wrapped around your leg pulls down, forcing you back into the van. 

“Hey! What was that for?!” You exclaim, annoyed at the unwelcome intrusion. 

“You weren't seriously going to flash that truck, were you?” He asks. 

You nod. “I mean, yeah? You dared me to do it. A dare’s a dare.”

He huffs and puffs, shaking his head intermittently. He's frustrated with you, and it's pissing you off. 

Time to turn the tables. 

“Okay, well it’s your turn now I guess. Truth or dare.”

“Truth,” he says smugly, and you laugh, because you know what you say next is going to shake him. 

You take a second to stare at him, an unabashed good look at him. The way the breeze tousles his dark hair, the angle of his jaw catching the golden hour light. The warmth in the glow softens him somehow, makes him seem almost human, almost kind. You can't deny that you want him, and you can’t shake the nagging feeling that maybe, just maybe, he wants you too.

"Did you like it?" you ask abruptly, your voice low but clear.

Butcher furrows his brow, clearly puzzled. "Like what?"

"When you kissed me," you clarify, your heart pounding in your chest. "Was it as good for you as it was for me?"

The silence that follows is deafening. You hear him inhale sharply, see the slight hitch in his posture as the words settle between you. His face shifts, something vulnerable flickering in his eyes, but it’s gone almost as quickly as it came. He stares straight ahead, jaw tightening, fingers curling around the steering wheel like it’s the only thing tethering him to reality.

Your pulse quickens. Oh, God. Why did I say that? The weight of your own recklessness presses down on you. Seconds stretch into what feels like an eternity as he struggles with something unspoken, his lips parting as if to say something—

Your heart stops.

—and then, with a sharp gasp, his hand slams the horn and his foot hits the brake.

"Oi! Cunts!" he shouts, jerking the van to a sudden halt. Both of you lurch forward, your seatbelt biting into your shoulder.

Your head snaps toward the road just in time to see the CytoGenix van swerving off into the parking lot of a run-down motel.

The spell is broken. The tension you’d built up between you vanishes, replaced by adrenaline and a sinking sense of inevitability.

At least he'd stopped you before you'd shown your tits to some unsuspecting cowboy. 

Butcher’s face hardens, his attention fully back on the road as he mutters a string of curses under his breath. He keeps driving for another mile, the air in the van heavy and stifling. It’s as though the cracks you’d glimpsed in his armor have sealed up entirely, leaving only the impenetrable man you met at the start.

Finally, he pulls off just past a mile marker, the van grinding to a halt on the side of the road. He throws it in park and turns to you, his expression unreadable.

"Out," he orders, his voice clipped.

You blink at him. "What?"

"Get out of the van," he repeats, this time more firmly.

Despite every instinct screaming at you not to trust him, you obey. He follows you out, slamming the door behind him, and gestures toward the dense line of trees. "Start walking. Don’t stop ‘til you’re deep enough in that you can’t see the road anymore."

“Now wait a goddamn minute,” you fight, “I want to be a part of this. You're not exiling me to the woods while you do the dirty work. I’m coming with you.”

“You’re not,” he snaps, his tone cold and final. “You don’t want this blood on your hands, love. Trust me.”

Your temper flares. "You’re such an asshole, you know that?" you spit, heat rushing to your face.

You're all bite, all fight, until you see the look on his face. The harsh lines of his face are softened, his eyes weighed down with something heavier than anger. Guilt? Regret? He doesn’t want to do this, you realize. He thinks he’s protecting you.

And maybe you just don't have much of a fight left in you anymore.

You swallow hard, clenching your fists. "Fine," you say through gritted teeth. "But don’t think for a second I’m letting this go."

Without waiting for a response, you storm off into the forest, branches snapping underfoot as you push past ferns and brush.

You find a mossy rock and sink down beside it, hugging your knees to your chest. The familiar ache of being abandoned washes over you, pulling you back into yourself. You wrap your arms tightly around your body, closing your eyes and imagining the comforting embrace of your mother. The memories come easily, like they always do. Her laugh, her warmth, the way her hand always found yours when you were scared.

You lose track of time sitting there, flipping through those memories like pages in a well-worn book. Hours could have passed, or maybe it’s only minutes. You don’t know, and for a while, you don’t care.

It’s the crunch of heavy footfalls that pulls you back to the present. You blink up to see Butcher looming over you, his expression grim and drawn.

"If a van crashes in the forest and no one’s around to hear it, does it even make a noise?" you quip, smirking despite yourself.

He scowls. "What the fuck are you on about now?"

"Either that was the quietest car crash in history, or you lost them," you say, crossing your arms.

He sighs, dragging a hand down his face. "They never came through. They’re holed up at the motel for the night. We’ll head back, stake it out, and wait for them to move on." He jerks his thumb over his shoulder toward the road.

He extends a hand to help you up, but you ignore it, pushing yourself off the ground and brushing dirt from your clothes. Without a word, you start walking ahead of him, back toward the van.

"Bloody hell," he mutters under his breath, falling in step behind you. 

The short drive back to the motel is silent, the energy between the two of you having soured considerably. You stare out the window, arms crossed, seething. You're pissed and you want him to know it, to feel it. The mission feels like a joke, like you’re a joke. No matter what you do, you’ll always be the inept kid getting in the way.

The Piney Point Motel comes into view just as the sun dips behind the pines, the sky streaked in pinks and oranges. You spot the CytoGenix van immediately, parked conspicuously by the entrance of the motel. As far as you can tell, it's empty. 

“Did they really just… leave it there?” You ask, incredulous. 

Butcher chuckles. “Your old man really should stop cuttin’ corners on security.”

A flurry of hope stirs in your chest. “So we could just break into the van and steal the vials, right? And then no one would have to get hurt?”

He gives you a look, one that’s half pity, half impatience, before gesturing to the motel’s facade. Security cameras dot the walls, floodlights primed for motion. “Sorry, sweetheart. Looks like your dad could learn a thing or two from Piney Point.”

And just like that, the spark fizzles. 

Butcher pulls the van into a shadowed corner of the lot and kills the engine. He leans back in his seat, arms crossed.

You stare at him. “Well, are we going in?”

“Nah. You can crawl in the back if you wanna sleep. I'll take first watch.”

He can't be serious. 

“You want me to sleep back there?!”

He shrugs. “Or up here, but I don’t reckon it’s any comfier.”

You shoot him an incredulous look. “Or—and hear me out—we could sleep in the motel right in front of us?”

“And risk losin’ ‘em? Yeah, no thanks.”

You argue back and forth but the man is an infuriating, unflinching wall of stubbornness. Eventually, you give up, arms crossed as you glare at the moonlit motel. You consider going and getting a room just for yourself, but you reason that Butcher won't hesitate when he sees the men leave and you'll be left behind. Sleep tugs at you, but you refuse to crawl into the cramped backseat. Not after this.

The moon begins its arc across the starlit sky. Stars scatter above you, brighter and clearer than anything you’ve seen in years. You step out of the van, stretching stiff legs, the cool night air brushing against your skin. For a moment, you forget your frustration, gazing up at the wide, sparkling sky. It reminds you of Muskoka, your last vacation with both parents—before the office bedroom became your dad’s permanent home.

The ache of the memory lingers as you climb back into the van, only to find Butcher slumped in the driver’s seat, snoring. His chin tucked into his chest, a low rumble filling the space. You burst into laughter before you can stop yourself.

Butcher jerks awake, eyes darting wildly until they land on you. His expression shifts to a mix of annoyance and embarrassment.

“Alright, laugh it up,” he grumbles, voice gravelly from sleep. “Your turn to keep watch. Good luck stayin’ awake.”

You plant your hands on your hips, glaring at him. “I’m dead tired, and so are you. We need actual sleep, Butch. I’ll pay for the rooms. Final offer.”

He pretends to consider your offer like the thought of a bed, even a springy motel bed, doesn't sound downright heavenly right now. After a moment of feigned thoughtfulness, he pulls himself from the driver's seat and stalks toward the motel. 

“Don't look so pleased,” he mutters as he stalks past you. “We’re up at 4:30, no later. Understand?”

You trail behind him, hiding your grin. Right now, you’d agree to anything.

~~~

The reception area of the Piney Point Motel looks like it hasn’t been updated since the 1970s. The wood-paneled walls are warped in places, lined with crooked shelves cluttered with knick-knacks, miniature ceramic animals, a faded “World’s Best Grandma” mug, and a jar of mints that looks more like a trap than an offering.

Behind the counter sits a bespectacled woman in her sixties, a paperback romance novel in one hand and a cigarette smoldering in the ashtray beside her. The air smells like pine-scented cleaner and stale smoke. She looks up as you and Butcher enter, giving you both a thorough once-over.

“Hourly or overnight?” she asks flatly, like she’s heard every excuse in the book.

The question hits you like a slap. Your jaw drops. “Excuse me?”

Butcher doesn’t miss a beat. “We’ll take two rooms for the night,” he says, ignoring your mortification.

The receptionist shakes her head with a lazy shrug. “Only got one room left. One bed. Last two-bed went to a couple of truckers about an hour ago. It’s that time of year.”

You and Butcher exchange a look, sharp and synchronized.

“No,” you and Butcher say in unison, your sharp tone and immediate refusal surprising the older woman. 

But your mind wanders back to the van, it's aging leather upholstery and stiff cushions and lingering coffee smell. The weight of your eyelids expands tenfold at the thought. No way in hell are you going to be prepared for what tomorrow brings if you have to sleep in there. 

“Fine,” you sigh, taking the key from the receptionist’s outstretched hand, replacing it with a stack of bills.

“What d’you mean, fine?” Butcher asks, trailing after you as you head to the room. His boots echo dully on the cracked linoleum floor. “We’re better off in the van. Safer, too.”

You ignore him, jamming the key into the lock and twisting hard. The door creaks open to reveal a shoebox-sized room with peeling wallpaper, a squeaky ceiling fan, and a bed that looks like it’s seen more fights than rest.

Still, it’s a bed.

Without a word, Butcher follows you inside, closing the door behind him. For a man so determined to sleep in the van, he seems strangely reluctant to leave now. You glance at him, confused but unwilling to ask.

“You’re not staying, are you?” you finally say, half-turning to face him.

“’Course I’m stayin’,” he replies, as if it were the most obvious thing in the world. “Not leavin’ you alone in some dodgy motel where the closest weapon’s probably that broken lamp in the corner.”

You blink at him, torn between irritation and a flicker of gratitude. Before you can respond, he smirks and brushes past you toward the bed.

“Dibs,” he declares, flopping onto the mattress with all the grace of a drunk elephant. The springs groan in protest, but he doesn’t care.

“No, no! Absolutely not!” You shout, but he's already stretched his arms behind his head, feet crossed. “You're not taking the bed, you didn't even want this room!”

“And yet, here I am,” he replies, tucking his hands behind his head. The smugness radiating off him is enough to set your teeth on edge.

“You're an asshole, you know that right?”

“Yeah, you keep remindin’ me,” he says with a grin. “Now are you gonna stand there gawkin’ all night, or are you gonna make yourself comfortable?”

You grab the pillow out from behind his head and secure it alongside yours down the middle of the bed, creating a makeshift wall between your bodies. 

“What’s this, then?” he asks, raising an eyebrow.

“The Great Wall of Don’t-Touch-Me,” you deadpan, climbing onto your side of the bed and glaring at him over the makeshift divider.

He chuckles, low and amused. “You think I’m gonna bite?”

“More likely that I’d be the one biting you,” you retort before you can stop yourself.

The second the words leave your mouth, your cheeks flush hot. You busy yourself adjusting your pillow, pretending you don’t see the way his grin widens.

“Noted,” he says, voice dipping just enough to make you shiver.

You roll over, facing the wall. The bed creaks as Butcher shifts, and you’re hyper-aware of his presence. His scent, the warmth radiating off him, the way the air seems heavier when he’s near.

Neither of you bother crawling under the covers, facing away from each other to make it extra-clear that this is a no-nonsense, all-business sleepover. 

“Goodnight, asshole,” you mutter, hoping the bite in your tone masks the thrum of nerves in your chest.

“’Night, sweetheart,” he replies, his voice softer than you expect.

You want to savour this moment, but you're out in seconds. 

~~~

Suspended in a haze of warm sunlight, the cool edge of unreality covers you like a blanket of fresh snow. Strong arms wrap securely around your waist, across your chest, their weight pressing into you like a protective cocoon. The scratch of a beard grazes your neck, and the faint warmth of breath tickles your skin. Gentle snores vibrate against your back, a low, steady rhythm that lulls you further into the dreamlike state. You fight to stay there, curling deeper into the embrace, savoring the rare, fleeting serenity.

But serenity never lasts. A creeping discomfort nags at the edges of your mind, like an itch you can’t quite reach. The illusion splinters. The sunlight grows sharper, the weight around you heavier, the awkward press of something hard on your ass undeniable.

Your eyes snap open, reality crashing in. It’s blindingly bright, far too bright for what should be the early, predawn hours. Panic spikes through your system as you take in the scene, your body reacting before your brain catches up. You thrash instinctively, and Butcher’s grip loosens just in time for him to tumble unceremoniously off the bed.

“Bloody hell!” Butcher groans from the floor, rubbing the back of his head.

Your voice comes out in a frantic rasp. “Butcher, wake up! We slept in!”

The words are like a starter pistol. He’s up and moving in an instant, yanking on his boots while simultaneously reaching for the door.

“Shit! Goddamn it, move! Move!” he barks, his voice sharp and commanding.

The two of you are a blur of motion, grabbing, stumbling, swearing. Your bodies move on autopilot, faster than your sleep-addled minds can process. In seconds, you’re in the van, Butcher slamming the door shut and peeling out of the motel parking lot with reckless urgency.

Anxiety builds in your chest, each erratic swerve of the van feeding the dread coiling tighter inside you. As you glance back at the motel, the sight of an empty parking spot—a lone Mustang where the CytoGenix van had been—confirms your worst fears. They’re gone.

Butcher’s jaw tightens as he accelerates onto the highway, weaving through lanes with a focus that’s almost terrifying. The towering pines blur into streaks of green on either side of you as the van hurtles forward. You scan the horizon frantically, desperate for a glimpse of white metal that refuses to appear.

Minutes stretch into what feels like hours before Butcher finally slows the van, pulling into a deserted roadside gas station. It’s eerily quiet, the pumps sitting idle, the building dark and lifeless.

“This is the last stop for miles,” Butcher says, his voice low and grim. “That's the last stop they would've made before going to the lab.”

The weight of his words slams into you, stealing the breath from your lungs. Your heart races, panic tightening its grip. This was it, the window of opportunity to intercept them had closed. It was all your fault. You’d fought tooth and nail for the motel room last night, insisting you both needed the rest, convincing yourself it was a small indulgence that wouldn’t jeopardize the mission.

You were wrong.

Maybe he was right, maybe your father was right, maybe they're all right, everyone who's ever doubted you. It's cruel, the way that the frayed threads of meaning in your life seem to continually fall from your grasp. 

Shame and guilt crash over you in waves, heat rising in your face as your chest constricts painfully. You blink back tears, but they gather stubbornly at the corners of your eyes, threatening to spill over.

“Butcher, I’m so sorry,” you stammer, your voice trembling. “I—I screwed up. This is all my fault.”

He doesn’t respond immediately, his expression unreadable as he stares out the windshield. The silence stretches, unbearable. Fear claws at you, the thought of him cutting you loose from the Boys—or worse, giving up on the mission entirely—hitting like a punch to the gut.

“Please,” you continue, desperation creeping into your tone. “I know I fucked up, but don’t… don’t give up on this. Don’t give up on me.”

Butcher’s head swivels toward you, his eyes softer than you expect. His voice, when he speaks, is gentle, almost unrecognizably so.

“Hey,” he says, holding up a hand. “Breathe. It’s okay. Hold your apologies, yeah? We’re not done yet. I’ve got one more trick up my sleeve.”

You blink at him, stunned into silence. This wasn’t the reaction you were expecting, not the anger, the harsh words, the fury you thought you deserved. Instead, his calm confidence throws you off balance, grounding you in a way you hadn’t realized you needed.

“Butcher…” you whisper, your voice catching in your throat.

“Just wait,” he says, lips quirking into a faint, reassuring smirk. “Keep it together. We’ve still got work to do.”

With that, his foot presses down on the gas pedal, the van lurching forward and pinning you back against the seat.

You're certain you've never driven this fast before, not even during those rare joyrides with your father in his Bugatti. The van rockets forward, moving like a bullet out of a gun, the world outside warping into a blur of trees and sky as the tires scream against the asphalt. Your grip on the door handle tightens with every jolt, the tension in the cabin as visceral as the adrenaline coursing through your veins.

Despite the chaos of the day, the abrupt wake-up, the panic, and Butcher’s uncharacteristic gentleness, the unbridled anxiety screaming inside you speaks only of the lives of the two men in the CytoGenix van, unknowingly hurtling toward their end. Anxiety claws at your chest, raw and unrelenting. You shut your eyes and try to focus on breathing, but it’s no use.

“Oi, cunts!” Butcher’s voice explodes, and your eyes snap open.

Thirty feet ahead, the CytoGenix van comes into view, its white exterior glaring against the green blur of forest on either side. To your right, the trees abruptly fall away, leaving nothing but a battered guardrail and a steep ravine beyond.

“Hold on tight,” Butcher orders, his tone calm but edged with a manic sort of energy.

Before you can question him, he floors the gas pedal. The van lurches forward, barreling into the oncoming lane to overtake the other vehicle. Butcher twists the wheel expertly, positioning your van just ahead of the CytoGenix one. Then, in one brutal motion, he jerks back and rams into the side of it.

The impact is bone-rattling. Your body slams against the seatbelt, the van shuddering violently as both vehicles swerve erratically. For a moment, you lock eyes with the other driver, his face contorted in a mix of rage and confusion. But Butcher’s already at it again, pulling back just enough to ram the CytoGenix van a second time.

This hit sends the other van wobbling wildly, the driver fighting to regain control. Your ears ring, blood rushing so loudly that you’re not sure if the scream you hear is yours or simply imagined. And then, with a final, sickening crunch, the CytoGenix van plows through the guardrail and plunges down the ravine.

Butcher swerves hard, narrowly avoiding the gaping hole in the guardrail. The side of your van scrapes against what remains, metal shrieking as sparks fly. He brings the van to an abrupt stop on the shoulder a hundred yards ahead, slamming the gearshift into park. The engine dies, leaving only the sound of your ragged breathing in the cabin.

“Holy shit,” you whisper, your voice trembling.

“Holy shit,” Butcher echoes, his grin wide and reckless.

You both sit there for a moment, staring straight ahead, before the tension breaks. Anxious laughter bubbles out of you, and to your surprise, Butcher joins in. The two of you volley expletives back and forth between bursts of laughter, the absurdity of the situation sinking in.

When the laughter subsides, Butcher reaches for the door handle. “Stay put,” he says firmly. “You’re not gonna want to see this.”

That sends your adrenaline spiking all over again. You throw your door open and stomp after him, slamming it behind you. “No. You’re not doing this. Not again.”

He turns to face you, brows furrowed. You jab a finger into his chest. “I’m capable of this, Butcher. And if I’m going to be part of the Boys, I need to prove it. No more babying me.”

For a long moment, he just stares at you, his hazel eyes searching yours. The tension between you is almost unbearable as you silently plead with him to understand. To let you have this. To understand just how important this is, how this transcends the circumstances you currently find yourselves in. Finally, his shoulders sag slightly, and he gives a curt nod. “Fine. But don’t make me regret it.”

Together, you make your way down the ravine, the incline steep and unforgiving. Butcher offers his arm to steady you when you stumble, and you grudgingly accept. At the bottom, the wreckage comes into view. The CytoGenix van lies on its side in a shallow creek bed, its back doors hanging open.

You rush to the driver’s side, heart hammering in your chest as you peer inside. For the past week, nightmares have plagued you—visions of Adam and Emily lying lifeless in the wreckage. But when you see the two men slumped in their seats, necks twisted at unnatural angles, neither is familiar. Relief washes over you, mingling uneasily with guilt.

“They’re nobodies,” you murmur, more to yourself than to Butcher. “Collateral damage.”

His hand falls heavy on your shoulder. “The hard part’s over,” he says, his voice uncharacteristically gentle. “It gets easier from here.”

You desperately want to believe him. 

You both turn your attention to the back of the van. Butcher grips one of the broken doors and yanks it free with a grunt. Inside, a sleek black lockbox gleams ominously. Without hesitation, Butcher brings his boot down on it, cracking it open.

Inside are rows upon rows of vials, their green liquid glowing faintly in the fading light. You pick one up, holding it between your fingers and marveling at its beauty. The liquid seems alive, swirling and shimmering with an otherworldly energy.

And then, without thinking, you hurl the vial at a nearby tree. You watch in awe as the glass shatters, the glowing substance splattering across the bark and dripping onto the forest floor.

“Shit—I don’t know what came over me—” you start, but Butcher is already laughing, a devilish grin spreading across his face.

“Fuckin’ diabolical,” he says, grabbing a vial and smashing it under his boot. You both gape at the way it explodes under his foot, staining his boot like a glow stick, before you burst into shared laughter. 

You both fall into a wild, unhinged rhythm, smashing vial after vial. The forest around you glows eerily, the remnants of V2 painting the trees and ground in streaks of neon green. Laughter bubbles out of you, uncontrollable and cathartic, as the absurdity of your destruction takes hold.

When only one vial remains, Butcher reaches for it, but you stop him with a hand on his arm. “Wait. We should keep one. For testing. Just in case.”

He looks at you, then smirks. “Knew I kept you around for a reason.”

“Oh, come on,” you tease. “You keep me around for more than that.”

His smirk fades, replaced by something darker, more intense.  The air shifts between you, the laughter forgotten as your proximity feels suddenly charged. Whatever force is behind the constant push and pull of your attraction to Butcher is now pushing in full force, the glowing green crime scene around you fading into nothing. It's just you and him and the screaming urge inside of you to untether. 

Butcher advances toward you, pulling your face into his hands, crashing his mouth into yours. This time you get the chance to react, the opportunity to reciprocate. And you do, wholeheartedly. You pull at the lapels of his jacket, fingers fumbling for purchase in his wild hair. His hands move over your body, down your back and across your ass, squeezing you closer to him.

When he finally pulls away, his eyes are wild. “Someone’s gonna notice the skid marks and the guardrail. We’re gonna have company soon if we don’t move.”

“Back to the motel?” you ask, bold and breathless.

His answer is immediate. “Yeah.”

Without another word, he grabs your hand, practically pulling you back up the ravine toward the van.

You had a taste of Butcher's penchant for speeding earlier, but something about the way he races down the road back to the motel now has butterflies erupting in your stomach. His right hand is placed firmly on your left thigh, your own hand keeping his there. You're ashamed to admit that his touch alone is driving you crazy. 

Thank god you never had time to return the key this morning, because you both race back to the room, his mouth in your ear, arms encircling your waist as you fumble to unlock the door. The second the door closes behind you, he has you pushed up against the door, his tongue parting your lips and hands digging into your waist. You wrap your arms around his neck as he lets a hand fall to your ass, squeezing tightly. He lifts you up, wrapping both of your legs around his middle. You moan at the way his hands explore you, the closeness of your bodies. 

“Do that again,” he instructs. 

“Make me,” you dare. 

He throws you down on the bed, both of you using the opportunity to work your shirts off. He spends an unabashed moment staring directly at your tits, chest heaving. Like you're a work of art he can't wait to defile. You unbutton your pants before Butcher pulls them off of you, leaving you bare before him, save for your underwear. He crawls up onto the bed, knees nudging your legs open, his imposing frame towering over you. 

“You have no idea how goddamn much I've thought about this,” he admits. Your eyes search his face, hands combing through his hair. He kisses you deeply, tongue exploring your mouth, before moving down to place licks along your collarbone. He moves down to your nipples, your stomach, stopping at the waistband of your underwear. He looks up in silent request. 

“Please,” you beg. “Don't stop.”

And, with your permission, he practically rips the soft cotton as he pulls them down, throwing your legs over his broad shoulders. You share a glance, both with bated breath, before he finally puts his mouth on you, eating you like a man starved. 

Your head tilts back involuntarily as he licks at you, alternating between languid, savoring strokes, his wide tongue exploring deep inside of you, and quick, tight little circles over your clit. You've never been the kind of woman to be particularly loud or vocal in bed, a complaint you'd heard from lovers in the past. But now the moans fall freely as you fall apart on Butcher's tongue. Your sounds only serve to egg him on, his fingers digging deeply into your plush inner thighs, his growls reverberating through your pussy, matching your low moans. You barrel embarrassingly quickly toward the edge. 

“‘m so close,” you whimper. 

He doesn't stop, every determined movement a silent encouragement for you to chase your high. 

Your hands reach down, tangling in his messy hair. He responds, deepening the push of his mouth against your core, rhythmically drawing his fingers back and forth against your inner thighs. Your fingers clench around the tendrils of his hair, pulling so hard you know it must hurt him. He doesn't seem to notice, his rhythm never stalling. Then, starbursts exploding behind your eyelids as you fall over the edge, legs clamping involuntarily around his head. 

Dizzying, pure, unadulterated bliss.

Head falling back against the pillow, you're sure you've never come this hard before. Your limbs are absolutely weightless, cheeks flushed. A euphoric smile on your lips stretches so wide you're certain you look deranged. 

But not to Butcher. 

“You're so bloody beautiful,” he says from between your legs, and you can do nothing but laugh deliriously in response. 

He gazes up at you, working his way back up between kisses to your stomach and swirling his tongue over your pert nipples. You grasp a hand around the back of his neck, pulling him up to kiss him on the mouth, your other hand reaching down to encircle his hard length. 

You're pleasantly surprised at how much of him there is, pumping his thick length several times before you position him at your entrance. 

You feel his body jolt involuntarily as his cock makes contact with the wetness he just created.

“You sure?” he asks, and you nod, words refusing to form on your lips. 

He shifts his hips forward and you gasp sharply as he breaches you. You reach your other hand down to caress his ass cheek, pulling him in deeper, desperate for more.

“Fuck yes,” you moan. “Yes, Billy, just like that.”

That's all he needs before he's driving himself deep, stopping only when he's fully seated inside of you. You gasp as he stretches you out, like he's splitting you right down the middle. He pulls your knee up, hooking it over his shoulder, allowing him to go deeper. You whine at the fullness, earning a growl from him. 

“You like this, baby?” he asks as he pulls back, looking down to where your bodies connect before plunging himself back into you. “Fuck, because I really like this.”

“R‒really like this,” you manage to sputter out. “P‒please, please, fuck me Billy.”

“I got you, love,” his voice is raw. He sets a punishing pace, his cock filling you over and over and over again, pushing you toward the brink of something you've never experienced before. 

Your hands wander over him, tracing every scar, fumbling through his hair, squeezing his ass as you pull him in even deeper. You want to memorize everything about this, the sweet aroma of his sweat, the weight of him atop you, the stream of consciousness filth that flows from his lips as he falls more and more pussy drunk. 

He reaches down, thumb on your clit, rubbing in time with his thrusts. His mouth explores your chest, dividing his attention between your nipples and sensitive, open neck. You bound toward your release, fingers scraping down his broad back. 

“Fuck, fuck, Billy, I'm gonna come,” you moan between huffs. He continues, pace unrelenting. 

Then, stars. 

Expanding blooms of light, full-body eruption. Sweet release, a dynamite stick in your core, exploding out your mouth in a silent scream. You heave around him, bucking your hips, impaling yourself deeper on his cock. He fucks you through it, half words falling from his lips into your mouth. 

Tha's right. 

Mm, baby. 

You go’ it. 

It's all too much, the soft moans escaping your mouth, the image of you in ecstasy before him, falling apart on his cock. He's too close behind you to stop now. 

“Fuck, you're gonna make me come. Where d’you want it?” he asks frantically. 

You can't help yourself. “Inside,” you beg. 

He really doesn't try to make it a habit of denying you, and he certainly won't start now. He groans, spilling himself inside of you. You moan at the heat that grows between your legs. 

He collapses atop you, the weight of him pushing you I to the cheap, springy mattress. You feel the wetness spill out onto the bed beneath you. 

“Holy shit,” you manage to get out between gasps for air. 

“Holy fuckin’ shit is right,” he agrees. 

Over the next eight or so hours, you and Butcher acquaint yourselves with each other, very, very, closely. On the bed, on the floor, against the dresser, in the shower, on the bed, again. You speak only a few times in rushed half sentences, too preoccupied with finding out just how many orgasms you can achieve in one go to think about much else. All of the tension that has stewed since the day Butcher first laid eyes on your dazed face has been unleashed in Room 206 at the Piney Point Motel. You stop only long enough for Butcher to drive twenty minutes down the highway to retrieve a bag of greasy fast food, hastily devoured fuel to allow you both to continue at least a few more times. 

By the time you both succumb to your utter exhaustion, you're sweat-sticky and bone-tired, with a soreness between your legs you know is going to have you walking funny tomorrow. You don't notice it though, because Butcher has you pulled in his arms, lips on your ear, your heart firmly in the palm of his hand. 

@bluemerakis @mystic-writings @imherefordeanandbones

[halitis]

Teen Roy Harper and Oliver Queen shenanigans? I usually just see grown up Roy with Ollie but I crave more of a father - son bond.

ty for sending through the ask! they send me fucking INSANE!!! i love complex parent-child relationships and i think a lot of people see roy’s speedy era with ollie as just. all bad. but it isn’t! ollie is a good dad overall, yes he has had horrible moments and made lots of mistakes but he did work hard to fix his wrongs (n-52 ollie and roy's first re-meeting can go suck my left tit).

(sorry i took so long to respond! these posts actually take quite a while to type out, and get my thoughts down.)

the first time roy got sick while he was with ollie, ollie was stressing. he’s not ready for this! stitches? easy. girl troubles? no problem. but a fever and runny nose? oh god oh fuck. he’s relying on what he’s seen parents do in movies, so he decides to read roy a story! roy is certainly too old for this and also Doesn’t Love reading, but he bears it because it’s kinda funny for a bit. after like third time ollie tries, roy just goes “pls. you don’t have to do this. lets just watch a movie or something.”. now it becomes a tradition that whenever one of them gets sick, the other will just chill and watch movies with them. they don’t need to talk, the quiet company is much better.

roy genuinely looks up to ollie, so much. he admires the man in everyway, roy grows as a person in ollie's presence. roy developed his sense of justice and ethics from ollie (you can see it through how they both prefer to try and change the system over the individual). i think for the longest time, ollie could do no wrong in roys eyes, which is why their relationship fell apart so harshly because roy had unrealistic expectations of the man and ollie wss just... Not being a good father in this moment. it took a while to adjust his self worth to not be based off his perceived value to others.

[continued under read more]

ollie may be a lot of things, but he is Not dumb enough to not give roy the sex talk. is it the best? probably not. but he was VERY serious about having it when roy moved in, because he remembers himself as a teenager and is just like "oh god. oh GOD..." (he likes to think hes not like regina georges mum, but he deffo is.... ur getting old dude :/ sorry to tell you)

(DONT COMMENT ON THE FACT THAT HES WATCHING PORN. IM AWARE. I DONT QUESTION ANYTHING THIS MAN DOES ANYMORE)

when ollie first starts going out with someone, roy goes and gives ollie the exact same talk. in front of his date. ollie is just like "ahaha.... kids right?" roy has to spend the night at hal's house hiding out from him. (not out of any serious fear of repercussion, more playful).

i know the stereotype is that ollie's always getting into fights over politics, but it is actually so incredibly both of them. these two only increase in energy and passion when with each other. catch ollie going "YEAH THATS MY BOY!" when roy is chewing the fuck out of someone.

to me? they are both so autistic... idc no one can convince me otherwise. ollie doesn't realise till he hits his late teens, and even then hes in denial about it. he comes to terms with it a bit better after the island, so when he starts to recognise the same things in roy? he is quick to give that boy all the support he needs. he refuses to even let anyone talk shit or about it near roy, because he is so petrified of the the same internalised ableism he had manifesting in roy too.

ollie gets a small tattoo for roy, nothing big. probably just a little one on his back or ankle or something. he didn't even really plan to do it? it just happened. he sends roy a pic after its done and roy is just. emotionally wrecked.... he does not know what to say.... how does he even express what this means to him? its a permanent commitment to him. (he ends up just messaging back "looks ugly :/", ollie can read between the lines well enough to know what he means).

the first near death experience roy has with ollie he gets Fucked Up over it... he's already lost 2 other father figures, he can't lose another. he doesn't say anything about it, but hes attatched to the hip for ollie for at least 2 weeks... ollie didnt even realise why till he mentioned it off handedly to diana and shes like.... thats a child. hes scared. Fix It. they still dont talk about it, but ollie stops getting snappy at roy for following him around.

okay i have more to say, but im actively about to get in the car so i gotta go!!! anyone feel free to send another ask if they want me to finish up laterz!

aND FOR U ANON... WHO WAITED 50 YEARS FOR ME TO FINISH THIS.....

I <3 U

[cirusthecitrus]

Question 6 from the entrapdak question game? :))

Thank you for the ask! There are two terrible takes that to this day make me believe that some antis watched spop skipping every scene that had Hordak in it

Well, the first one is more of a crazy conspiracy theory, but I still wanna mention it - "Entrapdak is a pedo ship cause Entrapta was meant to be a teenager" and "her age was actually retconned so the writers could ship Entrapta with Hordak". I do wish that Entrapta's age was confirmed in the show itself, cause this aspect of her character did genuiely confused a lot of fans, but thinking that she was actually written as a minor but then was aged up just cause the writers wanted to make entrapdak less problematic?? Insane

The other take is "entrapdak bad because Hordak was manipulating Entrapta to work for him and was abusive towards her". And it used to be such a prevalent opinion in the main fandom too! I honestly think those people just hated Hordak sooo much (mainly for being a threat to Catra) that they were making shit up to make him even more evil and irredeemable so everyone would stop liking him or wishing him a happy ending. Many also loved Entrapta, but hated Hordak so much that they imagined he'd be a terrible partner to her and were insisting that she "deserved better" and was actually unhappy with him (some fake ass Entrapta fans imo) Like, lets dissect this take again. At first, as fellow Hordak fans always say, Hordak couldn't even manipulate himself out of a plastic bag. Plus there wasnt a single scene where Hordak manipulates Entrapta to do smth for him. It was Catra who made Entrapta side with the Horde and convinced her to work for them. Hordak didnt mind, but he also had no say in this. And when they became lab partners it was Entrapta who forced herself into Hordak's lab and in his life, she was the one always insisting on getting information and knowledge out of him, who insisted on working with him, bro just could not make her leave!

Many used to say Hordak was only using Entrapta for her skills (and also didnt care about her as a person, like hello?? have they seen s4 and 5?) when Hordak never made her do anything she wasnt intersted in - he didnt made Entrapta help him build the portal, she was already curious about portals! he didnt make her take care of him or build him a new set of armor, it was her gift! and he was never forcing Entrapta to stay by his side or be loyal to him or the Horde - she simply enjoyed working on this project and spending time with him. And when Hordak was told that she betrayed him he just... accepted it and never thought about revenge or punishment or anything like that. And he wasnt angry cause he lost a tool that could upgrade his tech or fix his problems, he was devastated because he lost his only friend. But you know who only saw Entrapta as a tool-

Then the abuse part - by that antis usually meant those two moments when he yelled at her/ cut her off while being in pain (and also brushed off Entrapta's hair). Like, yeah, Hordak has anger issues and he does scream a lot, and my boy should work on that, but such behaviour never made Entrapta feel distressed or afraid of him. She was either unbothered by Hordak's attempts at being scary and intimidating, or she was sad FOR him (and slightly dissapointed) - she never took his outbirsts as Hordak being genuinely mad at her, she knew smth was wrong with him, but it had nothing to do with her. He yells when he tries to imitate Prime and make ppl leave him alone, or when he's in so much pain he can't handle it and once again wants to be left alone (all because he himself doesnt feel safe around ppl T-T). Should he still apologize for snapping at Entrapta? Yeah. But is such behaviour abusive? I can be, but in case of Hordak? I dont think so

[xrenjunniesx]

ok so!

SEUNGHAN IS BACK WOOP WOOP EVERYONE CHEERED!!!!

[rexonalapis]

it is very telling that average genshin players cannot comprehend seeing an actual mature, qualified leader that is actually good at taking her job seriously after meeting archons who either is still childish, clowning whimsically, or straight up incompetent.

[italiantea]

bit of translation+parsing through the shooting scene

saw someone say they didnt know it was a model gun so yeah. gun's not real guys free my boy he did nothign wrong

so the insomnia mv was edited together in a purposefully ambiguous way, with scenes that are nonchronological or metaphorical, representing fuchi's chaotic mental state.

first there's the shooting

then this shot of a truck driving itself

which then cuts to the seven car pileup

and then transitions to the news story covering it, presumably the next day

translation: indiscriminate shooting with a model gun at shibuya scramble crossing. an indiscriminate crime?

below that: passenger car, truck, minivan etc. involved in seven-car serial collision incident

the date and time is 11pm on the 28th of march, which happens to be 1 hour before what I'm assuming is fuchi's 18th birthday

sidenote: this crossing is literally the busiest pedestrian crossing in the world

anyway the police come for him and he runs for it.

'under arrest: occupation unknown, suspect fuchi sunao (18)'

then there's this sequence of him wrestling for control with his inner child, which is obviously not meant to be taken literally

along with this shot of him tumbling down the stairs into the path of a truck

however, that stairwell is nowhere to be seen in the shot after he's actually been hit by the truck, and if you look closely he still has both shoes on his feet

so we can infer that the whole sequence did not happen in reality

then there's this newspaper from the 30th of march. the headline says 'successive accidents in tokyo'. on the right: 'collision with a driverless* truck' and on the left: 'accident in the same spot as...' (cut off) *literally: in motion with no driver(human), not referring to self-driving technology

the words are blurry but basically the right part describes the seven-car pileup from the 28th again, and the left part describes fuchi's collision with the self-driving truck. the good news is at least the pileup doesn't seem to have killed anyone, with the text describing 10 people with light to severe injuries, and 2 people in a coma.

the caption to the left of the photo says it's the scene of the accident, taken at 11pm on the 29th in shibuya, tokyo

so yeah piecing all that together, fuchi went on a sleepwalking shooting spree with a model gun on the night of the 28th of march, caused a massive traffic accident that injures several people, presumably just??? left?? and went home?? they just let him? i guess all the people ran away or were too busy dealing with the 7 smushed cars. then on the night of the 29th he sees the news on the tv, the police knock on his door and he runs. one mental breakdown and dreamworld sequence later he ends up getting hit by a truck in the same intersection as before.

edit: as some in the notes have pointed out, the truck is reported as 'driverless' because his zingai mr. creepypasta was the one driving it, and it's invisible to most normal people. it's also foreshadowed (represented?) by this shot during the scene where his child self is rampaging.

anyway now he's in jail. rip.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[cherrysnz]

i got 1 question for the people who ignore or work through their colds/allergies

how does it feel to be the hottest people alive

[the-acid-pear]

Dave and Steven's relationship is so fucking mental literally THE toxicest of yaois 💥

[bandzboy]

there needs to be nuance in this situation it’s so obvious that the media is jumping on yoongi because they saw an opportunity to join a smear campaign of a bts member and i wanna preface by saying this nobody is saying what he did wasn’t wrong and i know that’s what is going around a lot. dui is wrong and i think everyone can agree on that. in this situation, he didn’t injure anyone else and fell on his own while being drunk and he did acknowledge this TWO times at this point but obviously using this situation to cover up other news in south korea will come in handy

hybe is nothing doing anything to ease any of the damage and when this came out initially, bang pd was caught in LA with girls half his age who people found out later on were cam girls and so that’s why they used yoongi’s situation to protect him and the company because, if there’s anything this situation showed once again is that companies will do ANYTHING to protect their image and would never do the same for idols in fact, they would throw idols under the bus to do so

this situation is going too far and it’s getting ridiculous to the point he had to apologize twice and honestly what else can he do in this situation? when he probably will face the consequences and know what he did is wrong. people are asking for more when there’s nothing else to explain here when the facts were given and people still wanna make up their narratives because they hate bts. it’s just all seems insane to me atp

[asklesbianonceler]

I have not posted any of my analysis to reddit yet and I think I might just post it and ghost it. I've already spent too much time looking at other people's threads on there to feel any way good about interacting with folks.

I already went in an added the "I know you're going to bring this up let me save you the time" section which is exclusively touching on the frequent topics of:

"well what about the fingerprint nostrum and finger mimics? He is clearly just a crackpot"

And

"it's definitely some weird elaborate sacrifice to Metyr thing"

[jewishbarbies]

I have had so many people of color blocked yesterday and even today all hyperfocusing on Yuval's use of civilized society. This cannot be real life. They are literally ignoring the antisemitism of the person he was responding to and brushing him off as another privileged white man.. I literally saw multiple videos calling him that.

As a non-white Jew I have been here before but never at this scale.. You won't believe how many non Jewish poc has called Jews white people with a victim card TO MY FACE expecting me to agree because I'm brown and that matters more than me being a Jew. It gets worse and more insidious when you realize I'm from a country with a small Jewish population. These are people who have never met a Jew and know nothing about us, obsessing over us at such a level and intensity.

[shrimp-stuff]

ok ok ok something that's been on my mind about Ai Di and Chen Yi & the conflicted feelings everyone (myself included) seems to have around them hooking up

obviously Ai Di taking advantage of drunk Chen Yi is bad. Chen Yi was clearly super out of it, and even if he did eventually recognize that it was Ai Di in front of him, he was still not in the right state of mind to be sleeping with someone

.....but—

it feels weird to even put a 'but' after a statement like that, but honestly, the context is so important. there's a big difference between, say, a sober person irl taking advantage of their drunk heartbroken friend under normal circumstances, and a feral gang member who has literally run people over for the hell of it taking advantage of his crush who is also a gang member and has flung himself at feral gang member (twice now) even though he's supposedly in love with their boss who is also a father figure to both of them.

like... it's almost impossible to view this situation through a "normal" lens lmao. also, most people irl are not in a situation where running away from your guilt entails going to literal prison for four years

so yeah, what Ai Di did was fucked up, real world or fictional, but I think it's okay to not bend over backwards trying to justify his actions when the context is so far beyond what is "normal" circumstances

[stairset]

Love the idea here that the other rebels' problem with Saw is just that he blows shit up and not the whole "torturing prisoners and endangering civilians" thing

[revvnant]

i sit and stew on a post so potent about the victim blaming that goes on in wider fandom headcanons about these characters that goes unnoticed because it's never overt or even intentional and i eat my hands because it's the jumpscare games for kids with their parents' credit cards.

[radioactive-cloud]

those past few days are really testing my patience with some of the takes and opinions i've seen on the internet and i'm so fucking done with all of this i just want to delete all my accounts from everywhere and live somewhere in the woods (as far away from russia as i can) and to never come in contact with another human being again