#he could be stage director
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honeyplus · 1 month ago
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I think Batman and Robin (2024) missed out on making Damian a theater kid. Him playing soccer was fine, but I think theater could’ve been a fun storyline and have Damian’s personality shine though with the entire “outcast” thing they were trying to pull with him getting bullied
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spiceupyourfcknife · 4 months ago
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So assuming that the only true thing in Armands story was the fact that mutiny was building among the coven, did he just release Louis bc it was convenient?
Like if Armand directed the play, made Lestat come and act in it, and wasn’t the one who save Louis, - did he actually save Louis bc he could hear him screaming from starvation… despite Louis saying he did not have the energy to scream…. Or did he just want to kill the coven who after centuries of being led by him turned on him after he’d burnt his own escape route.
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skania · 2 years ago
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#TBH would love to see your opinion on akane getting the star eyes#other than just ‘she’s copying ai’ bc I think that’s a bit of a cop out#sure i think she highly empathizes with ai#but I think there’s more too it but idk how to put it in words
Thank you so much for bringing this up @verimin because this is another thing I see a lot and I just. don't. get it!
We see Akane acting as Ai twice in the manga. The first time she does it because she needs to put on a role, and the girls suggest she act as Aqua's ideal woman.
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That's it, that's all there is to it. Akane was just playing a role.
The second time is, again, all about playing a role. She is auditioning to play Ai, so she obviously acts as Ai.
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These are by no means the only instances where we have seen Akane with the star eyes though.
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(Spoilers for the entire manga below the cut!)
Whenever she becomes one with the character she is playing, she gets the starry eyes.
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This is also the case for these two instances:
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In both cases here, Akane is channeling the emotions of a character that she has made her own. She is empathizing with Ai to the point that she feels her emotions, but it's only because she constructed Ai's profile and character so thoroughly in her mind.
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So basically, it's once again about acting.
This one instance could be the only outlier, but it actually fits the same pattern.
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Her experience during Love Now taught her that she needs to play a role in front of the camera to protect herself.
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Before Love Now, Akane was always just herself in front of the camera and that almost killed her. Now, she knows better than to show her vulnerability.
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So instead of showing how nervous she is, she acts collected.
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And so, since she is still acting, she gets the star eyes.
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It's not that Akane is imitating Ai, it's that what she went through during Love Now changed her. She didn't only learn to lie in front of the camera, she also gained the confidence to do the kind of acting that commands all the attention to herself.
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So you could say that doing a psychological analysis of Ai made some of Ai's confidence and her ability to tell convincing lies rub-off on her, but that's about it.
Besides, while it may have contributed to bringing her out of her shell, the fact that Akane is able to pull it off so effortlessly shows she was born with it.
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All in all, saying that Akane is copying Ai makes no sense because we can clearly see Akane do a 180° whenever she plays her lol
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jonsnowunemploymentera · 2 years ago
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I’m sorry but the best Jon Snow AUs are those where he is some sort of civil servant. I always see people headcannon him as ROTC/soldier or cop but I think they kind of miss the mark. GRRM has steadily been moving away from the traditional warrior archetype with Jon and more into the counts-pebbles ruler type. So the cannon compliant AUs are the ones where he ends up as some sort of government official. Maybe he could be a city hall manager or an ombudsman. He could be a state representative or maybe even a senator. Let me remind people that he’s the only elected leader in the series. AU!Jon Snow would totally be the extremely competent but also extremely depressed congressional representative from like, idk, Alaska.
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hostradio · 6 months ago
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if YOU have a PROBLEM with him, that is clearly a YOU PROBLEM — because he is never wrong actually.
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masterskywalkers · 10 months ago
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I understand where OP is coming from but the movies named are not the appropriate examples to use for this argument.
Dune parts one and two look incredible mainly because of two things: practical effects and shooting on location. Add these two golden gems of any filmmaking along with Villeneuve's own unique style and the care and respect he has for the medium, you're more or less guaranteed gold. Dune has the potential right now to stand alongside other movie standouts like the original Star Wars trilogy and Lord of the Rings for being timeless works of art and instant classics (which is long deserved for Dune because my god, it has deserved an onscreen adaption like this for decades). There are aspects of Dune that remind me of shots in Lawrence of Arabia in that of their grandeur and I am so thankful and glad we're seeing examples of passionate cinema again (Dune and Godzilla Minus One: I love you both dearly).
While Disney has fallen off track (especially with some of their live-action adaptions - like I do not want to even think about the up-and-coming Snow White adaption and neither does Bob Iger, apparently. Pushed back for 2025 and apparently it might not even make cinemas now - what even is the point?) - it is unfair to talk about the effects used in films like Marvel when it has already been made painfully clear that the visual effects team are pressured and forced to crunch their work. The way these movies work is not down to these effects artists but to the management demands. Plus using special effects for a whole movie like Antman: Quantamania is expensive. I want to say 80% of them are effects and eh, you can tell the focus was more on that than the story. The real debate here - and what movies like Dune prove - is how much of a balance should there be in a movie of practical vs. special effects (personally, I've always thought practical looks better and has more longevity).
Now Mission Impossible is another bad example because a) Dead Reckoning was a good movie that was released at a bad time (literally right before Barbenheimer - Tom Cruise literally argued about this with cinemas as so many IMAX ones were showing Barbie or Oppenheimer on multiple screens but MI could barely get one screen in some cinemas) and b) Mission Impossible had to jump through so many hurdles as it began filming pre-pandemic, halted filming for lockdown, then continued filming as soon as they received the green light to do so under covid regulations (we all remember the Tom Cruise clip that went viral of him arguing with some of his team about them not taking the covid precautions seriously and how it would negatively affect all of them when they should be taking care whilst working hard to finish their product so it can go into cinemas once they were open and profitable again).
I actually weirdly know someone who worked on Mission Impossible - there is a period where I remember seeing the work that had been done on the train crash scene while they were working on it and damn, was it impressive the work the team put into it! - so yeah, I can understand where the budget went for them considering their filming went on for so much longer than they intended or expected.
A lot of the time a film looks fantastic not because of the budget but because of the artistic style of the director. There are so many movies that are released on a low budget that are visually stunning - money isn't everything in this industry - as much as these studios would have you believe - and you can create beautiful works of art with minimal cost. But cinema isn't cheap: practical effects aren't cheap, and special effects aren't cheap. Shooting on location isn't cheap (and can cost more depending on the location, which is why now they've developed screen technology to mimic some locations for cheaper and easier use). Paying your workforce and actors isn't cheap - especially not when they're then told not to work due to a global pandemic, but you're still paying them. Yeah, some films are ridiculously expensive for, seemingly, no good reason. But I would say there are more examples in Hollywood of questionable spending than these two movie examples OP has presented.
But yeah, everyone go watch Dune because those movies are made for the cinema experience and look incredible. There is no doubt that these movies will likely be a blueprint in design for other future movies inspired by these works, and I damn hope it inspires more people to go into the movie industry and make art they're passionate about. Dune is made with a real love for the story by all of the crew - especially Villeneuve and Zimmer - and it shows.
Its wild that Dune part 2 was like $190 million or something and looks phenomenal, and while thats still a lot of money, these marvel/sony/ Disney flops cost $350+millions?!??! It has to be money laundering like it HAS to be. Where is that money going?? Mission impossible cost $567million. Antman cost $450 and looks as drab and washed out and forgettable as every other marvel movie. Like?!??
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webism · 3 months ago
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pornstar!choso has a curated look that throws off a lot of his costars. strong build, straight-set face, hands made to choke and tear… most of those he film with don’t expect to be doted on the entire time.
people joke that pornstar!choso falls a little bit in love with every costar he fucks or gets fucked by. that glossy look that always pulls at his face by the time a scene ends, how his lip trembles with a need to be kissed raw when he cums. he says it's just the bliss of his orgasm—that he gets emotional in the moment, but it doesn't mean anything. well, until he meets you.
pornstar!choso who looks you up before his shoot because your name sounded vaguely familiar when it left his agents lips. he could have sworn you'd fucked before, because when he rolls the syllables of your name on his tongue they're nostalgic and taste like the sweat and laboured breaths of a long night between satin sheets. had you shot a scene together before? or had it been a one night stand?
pornstar!choso who realises that no, he hadn't slept with you before. but the familiarity of your name isn't a coincidence—he's fucked his fist to your videos more times than he can count. your name hits him like lightning, he had typed it into his search bar late in the night, cock hard and in need of instant relief. it's almost scary how well he knows you, what sounds you make when you get close to cumming, how you often arch your back and try to run from the overwhelming pleasure, how your eyebrows knit together when you're feeling so good it almost hurts.
pornstar!choso who realises with a now-red face that you probably don't have a clue who he is, and yet he's cum in time with you for months now. he's pretty sure he's drained his wallet at least twice on your cam shows... what if you recognise his name and piece it together with his username that he donates under? he debates cancelling the shoot, faking covid to get some time at home to hate himself endlessly.
but pornstar!choso realises that this is his chance to get to know how you really feel. he's imagined it so many times, as he fucked fake pussies or his closed fist using spit or his own cum as lube. you'd be warmer, undoubtedly tighter... so much prettier. and he wants to know more: would you prefer to take control and turn him into the toys he so often pretends are you? would you lay back all pretty and let him ruin you on his cock? how deep could you take him he knows he's big but you seem so eager, would you take him to the base with ease or would he have to force it in? bully your pretty pussy until it stretches to his shape?
pornstar!choso who hates the fact that your first, and possibly only, time together would be in front of a production crew and under the unsympathetic lights of a porn set. but he'd fuck on a stage in front of thousands if it means a taste of you.
pornstar!choso who makes it to the shoot before you do, comes ten minutes early to settle his anxieties and get a feel for the scene ahead. the director tells him its a simple shoot, that choso is meant to let you ride him for a while until you pull off and suck his cock for a nice close-up facial shot. the way the director speaks so clinically about sex with you makes choso grimace, he feels pathetic for feeling like this. like he'll be a changed man after feeling you around his cock, which is already painfully hard.
pornstar!choso who hates himself for stumbling over his words when he meets you. he wishes he had never looked you up, though he doesn't doubt seeing your pretty face like this would have wrecked his confidence regardless. you're kind, greet him with a shy smile as if he isn't about to slip balls deep inside of you.
pornstar!choso who, once he has you sitting on top of him on that bed—cameras pointed dutifully as you start to play your role and hike your skirt up so you can sink down on his cock—he can't handle the thought of fucking you like it's nothing, like it's not been the crux of his fantasies in the dark hours at night.
pornstar!choso who, probably to the detriment of his career, pushes you backwards onto the bed and connects his lips to yours in a kiss that surpasses every single fantasy he's had in his mind. you taste good, and he wants more. he speaks against your lips, asks whines a question that makes your stomach coil. 'can i eat you out first? please?'
pornstar!choso who is chided by the production team as he gets his head under your skirt and laps at your pussy in the most desperate act of need he thinks he's ever displayed. those that claim he falls in love with each shoot would be wholly correct in this case: he is in love with the taste of you, with the way your legs trap him in and ask for more. he could eat you for hours, run his tongue from your clit to dip it inside of you in reverence of the goddess he believes you to be. and you laugh at the absurdity of his hunger, at the courage it takes to run off script, and the pure need in which he eats you out.
pornstar!choso who only stops once the director threatens to cut the scene entirely. his cock hurts with how hard it is though, and he thinks the redirection of blood has made him lightheaded, because when he's made to sit back and let you sink down onto his length he swears he meets god.
pornstar!choso who can't help his whines as you ride him, an addiction already laying down roots in his brain. he has to try and think of anything less godly than you to hold on to his orgasm though, because the combination of your body and having subconsciously trained himself to associate you with climaxing is all too strong, and he's a hairs breadth away from cumming prematurely and ruining the scene.
pornstar!choso who realises as you continue, however, that your moans arent the same as he's heard them before, though the speakers of his phone. you're more breathy with him, your moans are less honeyed, more raw—as if coming from your chest rather than your throat. he wonders for a moment if he's not good enough, if you're having to fake your pleasure to save face for the cameras. but you're soaked, and even above the sounds of your shared pleasure he can still hear the squelch of his cock rutting in and out of you.
but before pornstar!choso can question himself further, your eyes are widening and you're latching a hand onto his throat as your pace increases. he can feel the way you tighten impossibly around him, the way your hips stutter and your pupils blow out with lust—you're cumming. and of course he remembers his instructions, to let you climb off of him and take his load over your face... but you're not climbing off of him.
pornstar!choso who understands the pointed look you manage to give him, that it's your turn to bypass the scene direction. you want to be greedy, to feel him finish inside of you, even through the confines of a condom. your moans arent fake, they're the first real ones you've let sound on a porn set—and choso is pulling them from your lungs like a choir's conductor.
pornstar!choso who can't last a minute longer, now with the way you lean in and coax him to climax with your voice, the soft praise that leaves your lips is an aphrodisiac and all too powerful. he sees stars when he cums, full blown galaxies too complex to imagine. call it an out-of-body experience or not, but choso is lost in his orgasm for long enough to warrant you bringing him back down with a soft kiss to his lips. he looks sinful: his hairs come loose, messy and stuck to his forehead. his eyes, though, are what's going to be the subject of a few screenshots taken by his fans: he looks totally infatuated.
pornstar!choso who, after taking a few minutes to settle himself after the shoot, watches as you walk over to him, a very pretty smile pulling at the corner of your lips before you lean down and peck his lips goodbye. he assumes it's the last he'll see of you, that there's no way he's worthy of every tasting you again. that night, he's scared to brush his teeth, to lose the way you linger on his tongue.
pornstar!choso who debates fucking his fist to the memory of you in bed that night. he thinks you've ruined masturbation for him, or sex in general: nothing could quite be the same. and as if its a sign from god that he's done enough good in his life to deserve some positive karma, his phone dings.
a photo of you, a pretty vibrator laid over your stomach. your laptop open in the background, his porn playing on the screen.
attached, a message that makes the poor boy cum in his pyjama bottoms. 'lets meet up again. i want to tie you up and film how stupid you get with a vibe strapped to your cock—a movie just for us, though. no audience.'
pt 2 in the works :p
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merakidoll · 5 months ago
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“come’on sweetpea, tell daddy all about it.” this was you first time getting to fuck the big dick toji; and unsurprisingly he lived up to the hype. “a-as he fucked hermmm w-walls, h-his fingers rubbeddd her c-cli— tojiiii!!” you were really trying! you really really were, but he was so deep. cock all the way in your tummy. he bounced you on him effortlessly, basking in the stage lights and gazing eyes. toji knew how to please a women. you wanted to throw the book, throw it and let yourself go. enjoy the good dick - but sadly that just wasn’t an option.
“such a cock slut hm?” he whispered your ear- only for you. “like havin another woman husbands fuck.you.” you pumped into you hard as he said fuck you. no words could fall from your lips, your orgasms right there, your hand gripping the book tight as you threw your head back. “t-there! m’thereee” you whined! no faking in sight, you more into it than usual and fuck- you could give a fuck less if they knew you were actually cumming. “like havin my wife watch you get good dick?” your mouth salivated at his dirty talk. your hole clenching against the thick cock, cream dripping onto the condom; then you were stopped. “cut!” you wanted to burst into tears, your vision going blurry as his pumps stopped, toji letting your legs go but not making an effort to move.
you could hear people moving around you, closing your eyes as you continued to clench against him. “you both did good!” the director walked up to you both. “this was great! whenever you’re ready you can get up” she gave you a smile, then leaned down, and kissed her husband then walked away making you shiver. you felt a tingle of guilt. guilt of enjoying it, wanting more, almost cumming for her husband. “good pussy” toji mumbled rubbing his hands against your thighs once he saw she was out of sight. “one day im gonna make you cum pretty” he kissed your cheek raising you off of him, him and all of his glory in the viewing of everyone around.
“w-what about your wife?” you said stunned, pussy sore and throbbing. “what about her?” he chuckled. “she knew what came with having a husband who’s a pornstar doll,” and with that he walked away, making you crave more.
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starkwlkr · 5 months ago
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happy life, happy wife | hugh jackman
an: “you attract what you fear” GUYS IM SO SCARED OF A 55 YEAR OLD AUSTRALIAN 😭 definitely thinking about making marvel actress!reader x hugh an actual series… i have ideas
marvel actress!reader
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Deadpool & Wolverine Press tour - Hot Ones
Hugh felt like he was going to die. Each wing was getting hotter and hotter, but immediately when he heard his wife’s name he forgot all about the spice.
“Hugh, your wife is part of the Avengers, how does it feel having your wife be part of such a huge franchise? Have you two talked about a potential team up with the X-men and the Avengers?” Sean asked.
“My wife . . . Oh god, I think I’m crying-”
“I can’t tell if you’re legitimately dying or completely in love with your wife.” Ryan told Hugh.
“Wait . . I am completely in love with my wife and I would legitimately die for her.” Hugh gasped as he rearranged Ryan’s words.
“Is that in the contract she made you sign when you married her? ‘I vow to die for you’. My contract said I had to give all my money to my kids and wife.” Ryan said.
“No, she’s amazing, um, if I start talking about her I think I might go on for hours,” he laughed. “Our kids do want to see their parents fighting the bad guys together. We would love to team up, maybe it could happen.” Hugh smiled.
“The entire movie would be them making out and her beating the shit out of you. I’d pay to see that.” Ryan added.
•••
Comic Con 2024
Like RDJ, your last Marvel movie had been Avengers: Endgame. After being in ten mcu films, it was time to say goodbye to your character.
But that was in 2019.
At this years comic con, you were back. The cast of Deadpool & Wolverine had taken the stage and showed their appreciation for the fans. After their panel, it was time to announce Marvel’s upcoming projects. Kevin Feige announced the Fantastic Four, Thunderbolts, Captain America 4, and finally the new Avengers movies, which everyone was extremely excited about.
After showing the title card for the upcoming Avengers film, Kevin turned to the audience.
“Something people have been asking, as of late, is who the heck is going to direct these two movies?” The audience clapped.
From the side of the stage, you were nervous. What if the fans didn’t like the idea of you directing the next two Avengers films? Your worrying caused Hugh to come to your rescue.
“Hey, they loved you as an Avenger, they will love you even more.” Hugh kissed your forehead. “If anyone says anything about this decision, they have me to deal with.”
You laughed at his words. “I really love you so much.”
“Love you too, bub.” Hugh was about to kiss you when Ryan cut in.
“I really love us too. I convinced half of the people here that we’re a throuple.” He said in the most serious tone ever.
Kevin announced you as the director. Your doubt of the fans not liking the announcement was proven wrong when you walked the stairs to the stage and stood next to Kevin. They cheered when they saw you were back.
As you said a few words, thanking Marvel, Kevin and the fans, you were being recorded by Hugh, who was being recorded by Ryan.
“That’s my wife!” Hugh cheered from backstage, holding his phone in his hand.
“She’s Marvel Jesus now, holy shit!”
•••
WIRED autocomplete interview
“Is Hugh Jackman married?”
“Yes, to me, Y/n, probably to half the population,” Ryan answered. “He’s Australia’s biggest slut.”
“All the times, I proposed.” Hugh laughed. “But yes, I am married and I love my wife very much. She’s stuck with me forever.” He lifted his hand to show off the wedding band.
“Funny, because she texted me right now. Her and Blake are in the courthouse getting married. So Deadpool three was actually made so our wives could divorce us and marry each other.”
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rosenclaws · 2 months ago
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XXX.Com || Pornstar Worst!Logan Howlett smut
summary: Logan needs money and work is hard to find when you're from another universe, luckily he lands himself a job as an adult film actor. Lets just say, he's a natural.
warnings: SMUT, MINORS DNI!!, 18+ ONLY, fem!reader, porn (obvi lol), jerking off, dirty talk, unprotected sex, cream pie, scratching, oral f!receiving, rough sex, fake professor x college student (its the porno they're filming), he calls you teach in the porno, reader has a stage name (sunshine), flirting.
a/n: This was inspired by the delicious pornstar logan fics by @bpmiranda I wanted to try my own twist on the trope but plz go check out their fics they are amazing!!
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Coming from another universe had its fair share of problems. For one his other self was a very well known hero so people were constantly staring. The other issue was working. He needed money if he ever wanted to move out of this god forsaken place. He’s sick of seeing wade walk around naked at 8 in the morning.
He needs his space and to get that he needs money but getting a job with none of the required paperwork was hard. He had to settle for doing odd jobs that paid cash under the table. Those were fine but he needed something more stable.
When Wade suggested he turn to adult films he rolled his eyes at another attempt at shitty humor from his roommate but the more he thought about it the less it seemed like a joke. The money was good and hopefully they didn't ask too many questions. So fuck it. How he found the right place was a long story but he ended up getting hired pretty quickly.
As the director put it. He's sexy and big in more ways than one. To Logan's surprise they didn't seem to care much that he was from another universe but they did have to make sure he wasn't a total creep which he understood.
The first video he was assigned to was pretty basic. Just fucking a girls brains out or something. Whatever the hell people were in to these days, he didn't really care. As long as he got paid. He had to get used to the prying eyes of the cameras.
Still he said his lines, albeit it took him a couple takes to say them naturally. His gruff voice and rippling muscles skyrocketed him to the top. Despite being a rookie he attracted a lot of attention and even garnered a reputation within the studio. No one could deny the raw animal magnetism this man seemed to have.
"Logan! Good news, your next video is going to be a with one of the most popular stars in our studio." The directors over the top enthusiasm makes Logan's eyes roll but he grunts out a response.
"Her name is Sunshine. Look her up. Anyways be here tomorrow by nine." Sunshine? Logan chuckles to himself as he leaves the studio.
Fake names are not uncommon but he's yet to find one that sounds so...perky. Still his curiosity gets the better of him as he steals Wades laptop in the dead of night. Searching in the name and scanning the results. Logan works with many attractive people in this job but the moment he lays eyes on you something shifts.
You aren't just attractive, you're drop dead gorgeous. He clicks on a video and his cock tightens in his pants. The faces you make don't look over the top or rehearsed. They almost look real. But Logan can tell you're faking it.
Your moans are sweet but he can tell whoever this boy is that's got his cock in you isn't doing his job very well. Still ever the professional you are you make it work. He falls down a rabbit hole of video after video. Shutting the laptop as the clock reads two in the morning. His cock is hard and painful as he puts Wades laptop back on the counter.
Fuck he needs a shower.
The ice cold water hits his back but it's not helping. He wraps his hand around his cock. Keeping his noises to a minimum as he jerks himself off to the thought of you. He bites his lip as he thinks of every way he can make you scream tomorrow. Show you what it's like to be fucked by a real man.
The sinful thoughts that fill his head drive him over the edge. He slams his hand against the shower wall as he comes. The water running down his back as he catches his breath. You've already got him interested, he just hopes he can put on a real show tomorrow.
-
When Logan gets to the studio the director tells him the "plot" of this video. Plot being a very loose term here. He's supposed to be the failing college senior while you play the hot young professor. They hand him a white button up a size too small and some fake glasses. He laughs as they place the glasses onto his face.
"No one's going to fucking buy this." The buttons threaten to bust open as they start to fix his hair.
"I don't know, you look pretty convincing to me." He looks up to see you smiling at him.
Already dressed in your shoot clothes with your makeup and hair all done. He shamelessly looks you up and down, licking his lips as his eyes settle on your cleavage.
"I'm a little old to be playing a college student don't you think?" You shrug and walk closer to him. You take your hands and run them through his hair, trying to flatten the parts that stick up but they don't want to listen.
"Don't think any one is watching these for the realism Logan." You wink as you then move to fix his glasses.
He clenches his jaw as he tries to contain the raging boner. He shouldn't be hard yet but here he is. You're driving him crazy.
"Promise to go easy on you, don't want to scare my new favorite coworker." You tease. Your nails scratch along his jaw, just for a moment but it's enough to drive him wild.
"I'm your favorite already Sunshine?" Logan says with a grin.
"For now, don't prove me wrong when the cameras are on us." You walk away and Logan enjoys every second of it. Oh this is going to be fun.
-
"Come on teach, your class is the only one I'm failing. I need to get a C to graduate." Logan's massive frame towers over your desk. His lines come out much more flirty than its supposed to but you roll with it.
"You need a lot of extra credit to make up the missing assignments Mr. Howlett." You stand up and walk over to where he was standing.
Pushing on his chest to get him to sit. You smirk when you see the buttons on his shirt fighting for their life. You sit on top of the desk and pretend to think.
"I'll do anything you want. Anything" Logan growls, his hand resting on your thigh now. Slowing inching up your leg, stopping right at the hem of your pencil skirt. You place your heel onto his shoulder. Spreading your legs so that Logan and the camera can see your lack of panties.
"Well, lets see how bad you want it." You taunt.
Your voice is smooth as butter and it drives him nuts. Logan gets on his knees. Ripping your skirt apart with ease making you gasp. That wasn't in the script but fuck it made you wet. His muscles are bulging in that damn shirt and you want to see what's underneath in person. Sadly that was going to have to wait as he trails kisses up your legs. Wet and sloppy as his grip on your hips is ironclad.
The camera moves to capture Logan's face. Seeing the primal hunger in his eyes as he grabs the hem of your panties with his teeth, dragging them down. He stands up with them still in his mouth. You grab onto his shirt and rip it open. Raking your nails down his very toned chest. You grab your underwear out of his mouth and toss it to the side.
"Good boy." You purr as you push on his shoulders.
He gets back onto his knees and wastes no time diving into your cunt. You fall back onto the desk as Logan takes you apart with his tongue. Moans and whimpers fall from your lips with ease. There is no need to fake your pleasure with him between your legs.
He's hungry, ravenous. Logan can't get enough. He holds your legs apart, keeping you from closing them as he zeros in on your clit. He's ruthless. Refusing to give you a moment to breathe as he loses himself in your pussy.
"You taste sweeter than I imagined." He growls off script. If he wasn't bringing you to orgasm you'd wonder what he meant by that. You wonder if he watched your videos just like you had.
"Logan!" You moan as your legs start to shake under the intense pleasure.
"That's it teach, let me taste you come on." His dirty mouth makes your head spin.
Your eyes squeezing tight as he pushes you over the edge. You barely even notice the camera as it positions itself over Logan's shoulder. Logan resist the urge to break the damn thing as it gets in his way. He feels a push on his shoulder and he growls. Reluctantly he gets out of the way and uses his thumb to rub your clit.
"I have an idea teach," Logan purrs. He pulls you off the desk. Wrapping an arm around you and grinding his clothed cock against your thigh.
"For every orgasm I can pull out of you, you raise my grade by a letter." He breathes into your neck, inhaling your scent. You sigh as his hands start to grope and squeeze your breasts.
"What do you say?" He grins as he feels you squirm under his touch. He unbuttons your blouse and tosses it to the side. Mouth watering as he buries his face in your breasts.
"You better get to work then Mr. Howlett. You're at a D right now." You turn around and bend over the desk. His hands run along your body before he unbuckles his pants.
"I'll show you a D." He grumbles. You have to stifle a laugh at his words.
The camera moves to show your face as Logan slides his cock inside of you. He throws his head back in pleasure as he gets to feel your tight cunt. Now this is what he was waiting for.
"Come get a shot of this." He whispers to himself.
He drags his cock out slowly. He watches in awe as your cute pussy just sucks him up. Your hands are digging into the desk, clawing at the wood as Logan's massive cock pushes its way in. You knew he was big but to actually feel it in person. Fuck.
"That feel good? You like my big cock hm?" Logan's cocky tone makes you moan as he picks up his pace. He's pummeling your poor pussy with no mercy. Your moans are as real as they can get as you cry and whine with each thrust.
"Logan oh god!" Your eyes cross as his cock hits a sensitive spot.
No one's ever hit that before. You're falling apart. Your chest heaves as you try and catch your breath but your moans quiet down because of it. Logan doesn't like that one bit. You groan as you feel his hand grab your hair. He pulls you up so that your back is arched. His cock somehow pushing its way deeper.
"Come on baby, don't hide from me." He whispers in your ear. He wraps an arm around your chest to hold you up. Your nails dig into his arm to ground yourself.
"Feel so fucking good, jerked myself off last night to your videos." He mumbles so only you can hear. You don't understand how a man can have so much stamina. He doesn't even seem tired.
"So fucking close I can feel it baby. I can feel the way your cunt clenches around my fat cock. I can hear her pulsing for me." His eyes grow dark as he feels you start to lose it.
His rough fingers sliding down to play with your cunt. It's a filthy sight to watch. You've forgotten about the cameras and the crew. The only thing you can feel is Logan. He's taken over your mind, your senses.
"That's it pretty girl." He bites your shoulder and the pain mixes with pleasure.
"Fuck!" You wail as you come hard around his cock. Logan groans in pleasure and comes before he can really stop himself. Filling you up nice and full as you babble incoherently. You can barely get your lines out as you float between the real world and cloud nine.
"You got your C Mr. Howlett." You've never been this wrecked after a scene before but Logan has completely ruined you. You grin at the feeling of his cum seeping out of you.
"You know, I've always wanted an A." He's grinning like the devil as he thrusts his hips once more making you cry out.
He's still fucking hard. He really is every porn studios wet dream. Hot, sexy, can go for round after round. The director calls cut but Logan doesn't let go of you. You've got this dazed look in your eyes and he gently lays you down on the desk.
"You alright?" He grunts as he slips out of you. His cock still standing straight as someone brings him a robe. He grabs a towel from one of the PA's and gently wipes up your legs. You whine as the rough material brushes against your poor pussy.
"Sorry." You just smile in response. You haven't had a fuck this good in a long time. A crew member brings you a robe and you put it on.
"You really know how to use that thing. For a second I thought you were the seasoned professional." You joke as you try and get off the desk. You stumble and Logan is quick to catch you.
"What can I say Sunshine, you made it easy." He flirts. The director calls his name and he rolls his eyes.
"Don't keep him waiting Logan. I'll see you soon." Another crew member comes to help you as Logan lets you go.
Thankfully this was all you had for the week and you could go home and soak in a bath. Your poor legs are going to need it. After signing a few things and getting next weeks shoot list you can finally go home.
"Sunshine, hope I didn't fuck you too good." Logan says with a wink. He's waiting outside of the studio, a cigar in his mouth.
"I regret whatever I said before, your ego is going to get too big." You joke. He shrugs and puts out his cigar on the ground.
"You got any plans?" He asks. Your dressed in normal clothes now, nothing remotely revealing but Logan still thinks you look gorgeous.
"I could take you to lunch, if you're interested." He offers.
You haven't thought about dating since you started working in this industry. You didn't need a partner and it could be hard trying to find one who understood your job. But Logan flashes that handsome smile and for some reason you can't resist.
Maybe your working backwards here. He fucks you and then you go to lunch but hey, nothing about him is conventional anyways.
"Yeah, lunch sounds good."
Its just lunch, you tell yourself. It's only a meal with your hot coworker. If things were to go further though you wouldn't complain. Certainly not when he's as handsome as he is. You definitely wouldn't mind taking him back to your place and you're certainly okay when he promises he can go for more rounds away from the prying eyes of the camera. But for now it's just lunch. He pays and you give him your number.
Logan and you part ways and he prays he sees you again. Not just at work but outside of it too. You've got him hooked. The video gets uploaded and explodes in popularity. Praising how realistic it felt and how hot both of you were. He gets a call from the director, expecting another update on his next shoot.
"Great news man! Sunshine wants to do exclusive shoots with you. Oh this is going to make us so much money." He tunes out the rambling as his phone dings. A smirk appearing on his face when he sees a text with your name pop up.
Want to rehearse our next scene? my place 7pm <3
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baeshijima · 2 months ago
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hmmm.... thoughts about composer!reader, whose pieces are always created for and featured in mr reca's films/projects.
people aren't sure when it first started, but in the release of one of his prior films was an ost. of course, it's not unusual to have music in such projects, but that one had felt... different, somehow — in the way its composition struck the chords of many, with billions across the cosmos instantly scouring for who made that piece.
it, of course, didn't take all that long when your name was featured in the credits. however there was barely any information aside from your name and credentials. (seriously, how could there not even be a single photo?!) no one knew what you looked like for quite a long time, only ever recognising your name and your music; even despite the numerous interviews, mr reca had never disclosed anything about you other than your talents. it came to a point where everyone believed they would never see your appearance.
well, until all hell broke loose during the annual intergalactic film awards, that is.
everyone already knew the drill — if mr reca had directed a film that year, it would undoubtedly win the adapted/original screenplay, cinematography, directing, production design, sound, music (original score and song), and film of the year awards, which also led to you winning both the music awards. usually, the composers would be the ones to collect said awards. however, the masses have become used to mr reca being the one to collect them on your behalf with thank you's also on your behalf.
that's how it's been ever since you made your mark in the universe, and so it really is understandable the uproar created by those in and out of attendance when the one who went collect the two awards wasn't the esteemed director, but a completely unfamiliar person; you.
you are definitely younger than they originally thought, having believed it must have been someone of a senior status of sorts to have consistently created such masterpieces. all eyes are trained on you as you step on stage and into the limelight for the first time, the light enhancing your features and formal attire when approaching the mic with a small flashcard in hand. your mouth opens, and the audience leans in with baited breaths as they await your first words.
...only for nothing to come out.
everyone watches a little dumbfounded as you try to talk once more but, aside from gaping like a fish, your efforts remain futile. it doesn't take long for you to clamp your mouth and eyes shut, even raising the awards in front of you in an attempt to shield your face from the crowd.
you... you were just really shy. or maybe a little...socially awkward, perhaps...? if this was the reason you never showed yourself, then they're beginning to understand why...
it passes in a blur — quite literally in that of brown. one moment you are alone on the stage, the next you have the presence of the renown director standing slightly in front of you, as though acting as a shield from the many prying eyes.
"apologies," he begins, his usual smile on display, "but my dearest composer has been suffering with a sore throat these past few days. on their behalf, we thank you all kindly for your support in our work."
and then he swiftly leaves with you tucked under and shielded by his coat, murmuring unreadable words to you as you both disappear backstage and leave everyone in a state of frenzy; to both those inside the ceremonial hall, and to those watching live elsewhere.
(it was only discovered after the awards ceremony concluded what the director had said to you, with the uploader being dubbed as a holy saint for their contributions to society. while the visual aspects of the video itself were not the clearest, barely anyone had it within themselves to complain when the audio was clear as crystal:
"and here i thought you were going to be brave and face your stage fright after all that pep-talk you gave yourself on the way here."
"i'm sorry... i really thought i could do it this time..."
"now, now, i'm merely teasing. you made a big step just making an appearance here today. i know how much courage this took for you, and i'm proud of you for facing it."
"really...?"
"but of course. i'm always proud of you, [name]. there is not a moment where i haven't been.")
(it also was not long until the cosmos was taken by storm when various pictures snapped during the awards ceremony spread. the millions of candids featuring you were one of the most liked and shared, with the top spot joined by the sequence of pictures taken of mr reca's soft expression when watching you onstage, into his realisation of your predicament, into him running onstage and shielding you from the cameras when making your way backstage.)
(...the drastic influx of fan accounts dedicated to both you alone and to you and reca should really be a studied phenomenon.)
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felassan · 7 months ago
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June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript
Under a cut due to length.
Update: This post has now been updated into a word-for-word transcript.
[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]
Update: This post has now been updated into a word-for-word transcript.
If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )
Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.
----
Katey: Hello!
John: Hello.
Katey: Beautiful, your mic sounds beautiful. How's everybody doing?
John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.
Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.
Corinne: Can you hear me okay?
John: Yep.
Katey: Yep, we can hear you beautifully.
Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.
John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.
Corinne: John!
John: Hello.
Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.
Corinne: Our, our resident artist-poet, Matt Rhodes.
Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.
John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.
Corinne: Well there you go, right?
Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?
Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.
John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.
Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.
John: The Fade has taken Matt.
Corinne: That’s right, that’s right.
Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?
Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.
John: Yeah, yeah.
Corinne: I think that’s a, a great question.
John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.
Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.
John: Oh -
Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.
John: Well, I think –
Corinne: Those are some of my favorite parts.
John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.
Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.
John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.
Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.
Matt: Testing.
Katey: Oh hey Matt!
Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.
Katey: Yes.
Corinne: Welcome Matt, the lovely Matt Rhodes.
Matt: Testing, testing.
Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.
Katey: So mysterious.
Corinne: Oooh!
Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.
Matt: Thank you.
Katey: What faction, what faction you would choose if you could choose one for yourself?
Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.
Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?
Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.
Katey: I love that answer.
Corinne: This is my favorite answer so far.
Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?
Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.
Katey: I love that.
Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.
Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?
John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.
Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –
John: Mhm.
Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.
John: Mhm.
Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.
John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.
Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?
Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.
John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.
Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.
Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?
Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.
Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?
Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.
Katey: Will there be a Photo Mode in-game?
Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.
Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.
Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.
Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?
Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.
Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?
Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.
Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?
Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.
Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.
John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.
Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?
Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –
John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.
Katey: He’s just taking care of it elsewhere.
John: He’s just taking care, it’s, it’s his most important possession.
Corinne: The Pride there, huh?
Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?
Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.
Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.
Matt: Yeah, me too. I, I will say, what’s, what’s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.
Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?
John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.
Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?
John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.
Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?
Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?
Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?
Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.
Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?
John: Ooh, that’s a good question.
Corinne: Isn’t it?
John: Corinne, you wanna go first?
Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.
Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.
John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.
Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.
John: Absolutely.
Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.
John: Hear, hear.
Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.
John: Just for [inaudible].
Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.
Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?
Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.
John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.
Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.
Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.
Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?
Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.
Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?
Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –
John: Oh no.
Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.
Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.
John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.
Corinne: All these griffon emojis are, y’all are killing me.
Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?
Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.
Katey: This one is –
Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.
Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.
John: I love this one.
Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.
Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.
Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?
John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.
Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?
Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.
John: There’s lots of opportunities to interact with the griffon.
Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?
Katey: Assan in chat everybody.
Corinne: Assan in chat, alright!
Katey: I love it.
Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.
Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?
Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.
Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?
Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.
John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.
Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?
John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.
Corinne: Getting into the deep-cut questions now.
John: Deep-cut questions, yeah.
Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?
John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.
Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?
John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.
Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?
John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.
Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.
Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.
Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?
John: Much like the other two, we will have more information on required PC specs soon.
Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?
John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.
Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?
John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.
Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.
John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.
Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.
John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.
Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!
Katey: Will our heroes and companions leave us if we go against their wishes?
Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…
John: No spoilers Corinne!
Corinne: Aughhh, I’ll leave it there, I’ll leave it there.
John: No spoilers.
Corinne: Okay, alright, alright. But they want it!
John: Yep.
Matt: Don’t try to stop me, Smee!
Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?
John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.
Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?
John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.
Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.
John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?
Matt: Yeah.
John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.
Matt: And, and when I say was, I just mean, in Inquisition.
John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.
Matt: Yeah.
Katey: And what approach are you taking to quest and world design in The Veilguard?
John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.
Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.
Katey: Are there any locations in the game that can only be accessed by making specific story choices?
John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.
Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?
Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.
Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?
John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.
Katey: Will our decision of who in particular was left behind in the Fade be important?
John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.
Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -
John: That’s a, that’s a deep cut!
Corinne: Very, that’s a deep cut.
John: Holy smokes.
Corinne: My goodness.
John: The sound of my childhood.
Katey: Will we have mounts again? If so, any hints to what types we’ll have?
Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.
Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?
John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.
Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.
John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.
Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?
Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.
Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?
Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.
Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?
John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.
Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.
Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?
Matt: Thanks everyone.
John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.
Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.
Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!
John: Bye y’all!
Matt: Bye.
[source: The dev BioWare Discord Q&A on June 14th]
Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.
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applyjuicee · 2 years ago
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hey Google what does it mean if the person you like barely speaks to you but asked you to be a reference for a job and wears the bracelet you made them? asking for a friend of course
#anyway#fml heres a long detailed explanation in the tags because the notes app is Not Cutting It anymore#basically im a stage manager in college and my school has us work on dept productions and we can work on student projects outside work etc#the guy i like does lighting and sound for the program#so we were working on a show together this semester and i dropped it because the director was being Extremely Unreasonable#and i could not communicate with her At All#but he did not drop the show because he was just doing sound design for a musical#so for the past month or so i have been Actively Avoiding the show he is working on because it was emotionally scarring and i cant be there#but that also means that i have a different perspective about the show than he does#so when we talk about the show theres a little bit of disconnect about How we are talking about it#and thats pretty all consuming in terms of we go to school for theatre and this is The Show that is being put on so everyone talks about it#but its way more upsetting for me than it is for him#in a managable way and i can def handle talking about it in most environments#but that show just closed and now we're in finals and we're taking a generals class together and i asked if he wanted to take#the practice final together and he said yes so we went to go do it and he 1 did not talk and 2 finished way faster than me and left#i know hes busy but hello?????#and now we're working on a student show together as equal members of the design team (me scenic him lighting)#and the job he asked me to be a reference for hired him and he won't even be at the performances of the show#because of that job and he'll be gone most of the summer and wont have much cell service#and neither of us are really texters anyway#and also we're working on another dept production in the fall but im his stage manager which is a little bit of a power dynamic#also im a senior and hes a sophomore so that adds a little to the concept of me having more power in the context of at least our#professional relationship if not our personal relationship#but if we're working on shows together and taking classes together and i have to see him every goddamn day ill lose my mind#but if i say something and he says he feels the same and then he fucks off for the summer i will also lose my mind#so i have decided not to say anything until he comes back and or hope that it fades and there wont be anything to say#but he messaged our discord tonight to see if anyone wanted to play games at fuckin 10:30 at night#and a few people said yeah so we went to a park and he barely acknowledge me all night#he didnt make any jokes about how i cant catch a football and i cant hit a volleyball and i cant breathe well enough to run#all of which he can do and he played football in high school and i was on the fucking yearbook committee
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aegonstradwife · 6 months ago
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long nights | tom glynn-carney x reader
summary: you and tom are costars, who have to share an intimate scene together. afterward, you go out for drinks to unwind. and after that? it's anyone's guess.
warnings: drinking, friends to lovers, smut. (tipsy sex, oral, fingering, squirting.)
a. note: first thing i've written in a while. please be kind.
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Nerves are already eating away at you as you approach Tom's trailer. Unsure what you're looking for, you rap on the door. Reassurance? Comfort? The director to jump out and shout, surprise!, the scene has been scrapped? Maybe all three?
Tom's smiling face appears as he opens the door for you, gesturing for you to join him inside. "Hey. You ready for this?"
You greet Tom with a smile as well, albeit one much more nervous than his, and step past him into his trailer. "Hey. I mean.... as ready I can be? You?"
You take a seat beside him; though you're finished for now, clad in a fluffy robe supplied to you by the crew, Tom still has a few more minutes of makeup left. Underneath your robe, you have only a skimpy nude-colored outfit on in preparation for the scene that has you so worked up.
Tom's gaze flickers to that robe, obviously wondering what's underneath. You're too busy plucking nervously at your own fingernails to notice, and when you finally glance up at him, he quickly composes himself and nods.
"Yeah, I think so. Well, as ready as I can be too, I guess." He picks up his script, fiddling with it as he watches the makeup artist put the finishing touches on his face. "This scene is going to be.... awkward, probably."
The way he says it causes a dead weight to settle in the pit of your stomach.
The artist currently dusting powder on Tom's cheeks pipes up, though, with, "Oh, don't worry too much about it, you two will be just fine!"
As she retreats, giving Tom the okay to leave, you roll your eyes and sigh, "Easy for her to say," as you hold the door open for him to follow you out.
He chuckles nervously, right behind you as you make your way to set.
The crew has done an excellent job of transforming a standard sound stage into a comfortable bedroom. Two chairs are set up beside a large bed and lights shine down on the room, already hot from the heat of the bulbs.
Tom swallows heavily as the two of you approach and the director motions for both of you to take your places on the bed.
Tom motions for you to climb on, muttering, "Ladies first," and you oblige with a stifled sort of laugh, disrobing and lying back. As he crawls over you, you try to make yourself as comfy as possible beneath him.
"You alright?" He queries softly.
Though you notice his gaze roaving over your mostly naked form, you try not to read too much into it - a half-nude woman could lie underneath any man and it probably wouldn't matter much what she looked like; he's probably going to stare no matter what.
You nod spastically, throat having suddenly closed up with embarrassment and nerves.
He nods back at you, trying to give you a reassuring smile. He props himself up on his elbows above you, trying to ignore the fact that he can feel your body heat through the very small gap between his body and yours.
The director calls for quiet on the set and it isn't long before a loud "Action!" follows.
All in all, the scene isn't painful - with someone like Tom, it can't be. He's so patient and sweet, putting you at ease and cracking jokes whenever the director yells cut.
It's becoming increasingly hard to ignore your own arousal, however, with Tom's bare, toned chest inches from your own and his soft lips searing against yours with every cry of 'action!'
Eventually, the intimacy coordinator calls an end to this particular scene for the day and as you move to roll off the bed, you can't help but notice that Tom is hard. He's wearing a flimsy little piece of flesh-colored cloth that barely covers his lower half, same as you, and it's making it very difficult to ignore what's going on down there.
Tom, however, rolls off of you quickly, trying to hide his erection and avoid drawing your attention to it. Despite his best efforts, it's still very obvious to you, and the way you blush as he looks at you isn't helping any.
You clear your throat anxiously, scampering off the bed after Tom and slipping gratefully back into your robe.
Tom is scrambling to his own feet, quickly grabbing for his robe and tying it around his waist as he watches you with a mixture of embarrassment and - desire?
The crew has begun to disperse, but Tom hesitates for a moment as he stares at you. He clearly wants to say something, but it seems he's not quite sure what. Instead, he stands there in uncomfortable silence, watching you as you fidget with the tie on your own robe.
You shoot him a small smile from across the room. "Not too bad, huh?"
He chuckles softly, returning your smile with a small, somewhat bashful, one of his own.
"Yeah, not too bad."
He sighs, raking a hand through his already-mussed hair and avoiding your gaze. He doesn't know how to bring up what just happened without feeling like an absolute creep.
"Hey.... listen. Erm, this...." He waves a hand down near his waist. "That was just.... I mean, I didn't make you uncomfortable, did I?"
God, how could he ever make you uncomfortable?
"No, no, not at all." You wave a hand, completely dismissing the idea while also trying to find a way to tell him you're actually flattered. "It was.... fun. You made it fun."
His shoulders relax slightly at your words, as though flooded with relief. But there's still obviously a part of him that's worried that he messed up.
"Good, that's.... that's good."
He rubs his jaw, avoiding your gaze and looking anywhere but directly at you.
"And.... you're not upset at me for...."
He gestures downward again.
You laugh lightly, tying your robe tight together. "Tom, everything's okay. It was a really intense scene, so it's only natural something like that would happen." Right? You're sure it must happen all the time with other actors. You're still relatively new to this, so you're not positive, but it sounds right. "Hey, why don't we get changed and go for a drink? Just the two of us?'
Tom deflates even further at the suggestion; he must have seriously been worried you'd be upset or worse.
He nods enthusiastically.
"Yeah, yeah, that sounds good. I could use a drink after that."
"Well, don't make it sound like I tortured you," you groan, a blush flooding your cheeks.
Tom runs a hand through his hair again as both of you share a bout of breathless laughter. "I'll meet you outside in five?"
"Mm, yeah."
Once out of your robe and back into your normal clothes, you feel much better and back to your usual self, waiting for Tom outside of his trailer.
He emerges a few minutes later, looking a bit more put together and much fresher than he did in costume. He spots you waiting for him and smiles.
"Hey. Sorry to keep you waiting." He starts for the lot exit, gesturing for you to follow. "I did a bit of exploring around set the other day; I know a great little place not far from here, if that's alright?"
You're always struck by how handsome Tom is out of costume - he certainly has a much better style than his character does.
"Sure, lead the way." You fall into step beside him, loving the heat radiating off of him with every step.
As you go, Tom stuffs his hands deep into his pockets. You glance at him and wonder if you imagine the peachy blush blossoming on his face. The air between the two of you feels charged somehow, the memory of the scene still fresh in both your minds.
He steals glances at you every so often as you walk, though you're unsure what exactly he's looking at or for. And instead of making you uncomfortable, you feel warm and safe under his constant gaze.
"So, what do you do to unwind after a long day on set?"
His voice takes you by surprise in the silence.
"Well, I do like a stiff drink from time to time." You gesture in front of you as if to say 'as you can see from where we're headed.' "But I also like to listen to music, play games, take a dip in a really hot bath.... how about you?"
He chuckles. "I'm not much for baths, to be honest. I'd rather shower, just take a quick rinse to feel clean."
He grins at you.
"But I do enjoy having a nice cold beer.... and occasionally I'm persuaded into a game of FIFA, if the right person is asking."
"You should seriously try a bath some time, they're so relaxing and they really help with soreness and tight muscles...."
Both of you are absolutely thinking about bathing together right now, but not one of you says this aloud.
"Oh God, you would be into FIFA, you're so incredibly British. I mostly play RPG's like Final Fantasy, Persona, that kind of thing."
He snorts a laugh at your remark.
"Hey, don't knock it 'til you try it. We can't all spend our free time saving the world from monsters and fighting evil overlords. Some of us just like a good bit of football."
He grins, coming up short when they reach a pub about halfway down the street.
"Right in here, my lady."
-
A few hours later, and the two of you are drunk off your asses, laughing at something Tom just said while sidled up at the bar.
You laugh so hard, you lean back and almost fall off your stool.
Luckily, Tom is quick enough to catch your arm and keep you from toppling backwards, but in the process, you end up pressed against his chest as he grips you in a tight yet gentle hold.
"Whoa, whao! Careful there, you're almost as accident prone as I am."
He chuckles, his breath warm against your ear as he steadies you on your feet once more. Even inebriated, you're still aware of the way you fit so perfectly against his body.
You shake your head, staring up at him. Both of you are quite drunk, but Tom at least can still keep his eyes open all the way.
You blink heavily, grasping for his hand, petting over his fingers. "Sorry, I just.... I still can't believe FIFA is your favorite game. It's a disgrace."
You devolve into a fit of giggles once more.
He rolls his eyes playfully, gently squeezing your fingers in reply.
"Oh, and you've got a better idea? Let me guess, something with swords and magic and.... y'know, dungeons and stuff."
He's a little too tipsy to notice the way you're playing with his hand, or how much it's affecting him.
The world spins as you rest your head on his shoulder, still gazing up at him. ".... oh, I'll put you in a dungeon. With a pair of nice fluffy handcuffs."
Another bout of giggles, your heartbeat pounding in your ears. Nothing exists right now except you and Tom - not the bartender, not the other guests - just the two of you, drunk and hanging onto each other.
Tom goes absolutely still as you rest your head against his shoulder, his heart skipping a beat at your comment about handcuffs. He's suddenly finding it very difficult to breathe with you so close, the sound of your giggles making his stomach flutter with something other than alcohol-induced nausea.
He swallows hard, trying to gather his thoughts into something less perverted and more appropriate for public consumption.
"Is that a.... promise, or a threat?"
With your head on his shoulder, your nose is very close to his neck. He smells.... divine. A fair bit like stale alcohol, but still divine.
"Mm...." You wriggle, getting situated in his arms. "I don't typically make a habit of threatening people. So.... it must be a promise."
He takes another shuddering breath as you burrow your nose deeper into the crook of his neck, the feel of your breath hot across his skin making him shiver.
God, you feel so good against him, so warm and perfect. He wants so badly to wrap his arms around you, to pull you into his lap, to bury his face in your hair and just hold you.
"And.... if I said I hope you follow through on that promise?"
You take a deep breath and let it out on a sigh, fingers coming to tap against his jaw. The way his throat works every time he swallows is captivating you. "Then I would say.... Maybe we should head back, to my dungeon.... so I can make this fantasy a reality."
He shuts his eyes and lets out an involuntary, needy little groan at your words. His entire body is on fire, his thoughts hazy and scrambled with desire. The only thing he can focus on coherently is the feeling of your body against his, the sound of your voice in his ear, your fingers on his jaw.
He nods, his voice thick and raspy as he finally manages to speak.
"You have no idea how badly I would love for you to take me back to your dungeon." He hoists you up further, supporting you against him as he pets a hand over your waist. "But.... you're very drunk. We really shouldn't...."
Oh, that moan.... he must want you, otherwise why would he make that needy little sound? The implication of it is enough to make you press your thighs together in desperation.
You swallow thickly. "Then.... at least get me home and help me sober up? Would that be okay, Tom?"
Tom is drunk, but not so much that he can't still think straight. Seeing how needy you're becoming, how much you're obviously wanting him, makes his heart ache with desire, but he refuses to take advantage of you now. He'll do anything else for you, but not that. You need to be in full control of yourself when you take that step with him.
"Of course. Anything you want."
He nods, a hand gripping your hip as he helps you out the door and onto the street.
You're a stone's throw from the filming location, but much farther from the hotel they have you staying at.
You fish in your pocket for your phone. "Here, let me get us an Uber back."
Tom stays by your side as you tap at your phone, his hand still on your hip to steady you as you type. He hopes the driver will get there quickly, because having such easy access to you is proving to be more and more difficult as the alcohol continues to swirl through him.
As you wait, you list against him, arms wrapped around his solid torso. "Tom...."
He grunts softly as you practically meld yourself against his side, and he has to hold himself back from wrapping you in a tight, desperate embrace. He can feel the heat radiating off of you, the way your body fits against his like a puzzle piece.
He tries to force his mind to focus, but alcohol and the feel of you pressed all up against him makes it difficult.
"Yeah....?"
"Will you at least kiss me?" You can't stop yourself from asking. "When we get in the car."
He chokes on his own saliva when you ask him to kiss you, a jolt of need running through him at your words. He wants to kiss you, oh God, does he want to kiss you, but he's still worried about taking advantage.
You can sense he wants to say no, so you cling to the front of his jacket and whine, "Please?"
But then you're looking up at him with those big, pleading eyes and he can't say no. He won't.
He nods, his voice coming out as a hoarse whisper. "When we're in the car, I promise I'll kiss you."
A grin overtakes your entire face, lighting it up, and your car pulls up in no time. Tom lets you slide in first, making sure you don't just drunkenly fall in, and as soon as he's seated and the door is shut you slot yourself against him with a sigh. "Now, Tom? Please."
He barely has enough time to slam the door shut before you're on him, pushing your body against his with a needy whine. He groans as you press into him, his hands coming up to rest on the bare skin of your waist. The feel of you is almost too much and he has to fight against the urge to just grab you and kiss you senseless right now.
His voice is rough and low as he replies, his lips close enough to brush your jaw.
"God, yes, so impatient, aren't you?"
"Yes." You've always been impatient, always wanted everything now, as soon as you can, and Tom is certainly no exception. "Although.... if you wanted to keep kissing my jaw like that, I wouldn't say no."
He chuckles softly, the sound rumbling in his chest as he leans closer, lips tracing along the line of your jaw before moving up to your earlobe, where he gives you a playful little nibble.
"Just your jaw? I'm not that generous a man. I want to kiss every inch of you, mark you as mine."
"But you don't want to take advantage of me?" You ask softly, remembering his words from earlier as you pull back just enough to see him properly. Your whole body is heating up, the tension between your legs growing unbearable.
How long have you wanted this, wanted him, and now you have him and he refuses to go any further? Will he still want to in the morning, when you're stone cold sober?
You hate these thoughts, these doubts about yourself.
Tom groans, his fingers flexing on your hips as he forces himself to pull back from you. He knows he has to, but he hates it. He wants nothing more than to hold you tightly and kiss you until you're screaming into his mouth. But he can't. Not like this. Not when you're drunk, not when you're not fully in control.
"Damn these principles of mine," he chuckles dryly. "Because I really, really want to."
With a trembling hand carding itself through his pretty blond hair, you lick your lips in what you hope is a seductive way and not a 'shit I'm about to pass out' kind of way.
"Well. You did at least promise to give me a proper kiss. So. What're you waiting for?"
He stares at you through half-lidded eyes, his thoughts growing more and more incoherent the more you touch him and the more you speak. He swallows, his gaze flickering down to your lips, your jaw, the exposed skin of your collarbones over your shirt before dancing back up to meet your gaze. He looks completely wrecked already.
His grip tightens on your hip, fingers flexing against your skin as he considers his options. He clearly wants to do more than just kiss you.
"God, you're really not making this easy on me, are you?"
You whine, hating how much time he's taking, hating that he might change his mind and refuse to touch you at all.
"Tom, please.... you promised."
The sound of you whining, begging for his touch, is more than he can handle. His resistance falters, and he gives in with a heavy sigh.
"God damn it, you're going to be the death of me."
With another needy sound, he takes your face in his hands and finally, finally, he kisses you.
If the sound that came out of you before could be described as a whine, this one can only be described as a whimper. All your need and desire for him escaping you in one long, low sound.
The driver probably thinks Tom is hurting you with the sense of urgency imbued in that one sound.
"Oh, Tom...," As you part from him, you continue to peck his lips over and over, smaller, messier kisses than before. One at the corner of his lips, one to his chin, another as you nibble at his bottom lip. "It's not enough.... it's not going to be enough. Not until I have you."
The sounds that are coming out of your mouth make him shiver with want, and each little kiss on his face fuels the fire burning in the pit of his stomach. His grip on you tightens, his fingers digging almost painfully into your skin as he fights the urge to grab you and pin you down against the seat.
"You.... God, you're so impatient. You're not always this easy to read, you know, making all these needy little sounds."
He nuzzles against your mouth, his breath coming in hot little pants against your skin.
You know. God, you know how unreadable you are from day to day. Can't ever let any true emotion show, can't let the boy you like know you like him, lest he use it against you.
"I'm afraid," you mutter, fingers splayed against his neck. "I'm afraid to let anyone know.... how I really feel. Silly, isn't it?"
His fingers move softly against your skin, his touch gentle as he strokes up and down your bare hip where your shirt has ridden up.
"No, not silly. Just.... careful. You're very careful about how you portray yourself to the world. It's not a bad thing, it's just...." He lets out a quiet huff of laughter. "It's just frustrating sometimes, because it makes it so damn hard to read you."
You laugh too, accompanied by a shiver at the feeling of his fingers on your hip. "So.... if you could normally tell what I'm thinking.... how much I want you.... What would you do?"
His eyes darken at your question, a smirk playing across his lips as his fingers tighten again on your waist.
"What would I do? If I knew how much you truly wanted me, how badly you need me...."
He leans closer, his mouth hovering over the pulse point of your throat. He can feel your heartbeat, quick and erratic, beneath his lips as he murmurs against your skin.
"I'd take you right here in the backseat of this damn car, for a start."
Your hold on him tightens, that tension between your legs finally breaking as your clit starts to actively throb with desire. "Oh, Tom...." You hook a leg over his, rubbing against his thigh. "I don't care where we are or who's watching.... take me now? Please?"
Tom grunts, a feral sound that comes from deep in his chest, as you rub against him. His grip on your waist is almost bruising, but he doesn't care about that right now. All he can think about now is burying himself in you. Claiming you as his.
He pulls back just enough to whisper in your ear, his voice thick with hunger. "You'd like that, wouldn't you? Anyone could look in and see you falling apart under my touch, knowing how badly you wanted me...."
You nod, unable to help yourself. You would like that, would get so soaked to know someone - anyone - was watching you get fucked by the hottest guy you'd ever met.
Just then, however, the car pulls to an abrupt stop outside the hotel.
Lower lip caught hard between your teeth, you attempt to right yourself and your clothes as you exit the Uber with a muffled, "sorry," to the driver.
Tom climbs out after you, offering a similar apology before hurrying after you, walking so close that he's almost on top of you. His hand comes to hover near the small of your back, desperate to touch you but refraining from doing so until you get inside.
As soon as the elevator doors have closed behind you, Tom grabs you and pulls you flush against him, pinning you against the wall as he groans against your neck.
"God, you don't know what you do to me."
Another full blown smile graces your face as Tom pulls you close. "I didn't embarrass you too badly back there, then?"
He laughs, the sound low and rough. He brushes his nose against the line of your jaw, his mouth seeking the sensitive skin along the side of your neck where he can feel your pulse fluttering quickly beneath.
"Embarrass me? No. But you are going to kill me if you keep making those little noises. And you made a lot of those little noises in the car."
The elevator chimes to a stop on your floor, and you tug him out into the hallway with a hand in his. "I can make a lot more of those 'little noises' in my room."
At that, he lets out an almost inhuman sound, a low growl that comes from deep in his chest.
"Don't say things like that, or I might make you right in the middle of this hallway."
He pulls you down the hall towards your room, nearly breaking the lock on your door in his haste to get inside.
You hand him your card key, and the minute you stumble inside, Tom is pressing you back against the closed door and kissing your neck again. "Tom, seriously.... I need you. I've needed you for a while. Since I met you, honestly."
You wouldn't be admitting these things if you weren't drunk, but that doesn't make them any less true.
A desperate sound catches in the back of his throat at your words, at the admission that you've wanted him for a while. That you need him, as much as he needs you right now. He pulls back to look you in the eye, drinking in the sight of your flushed face, your disheveled hair, and he almost forgets how to breathe.
"God, you're going to be the death of me. I've wanted you so damn bad. Wanted to hear you saying my name, begging me to touch you."
You nod, lip caught plaintively between your teeth again. "Well.... now I am. And you.... you want me too. So.... what are we waiting for?"
To your dismay, however, Tom steps away and sighs. "Not like this, not while you're drunk."
You shake your head, and the room goes spinning again. Stumbling against him, you grabs onto the front of his shirt. "I'm not - not even really that drunk. I feel good, Tom, please...."
He's trying so damn hard to do the right thing here, to not take advantage of your current state, but the moment you stumble into him and grip his shirt he can't help but shiver with need. You look so small and needy right now, holding onto him like you can't stand up without him.
He swallows hard, his throat bobbing, and he grips your waist to keep you steady as he speaks.
"Let's get you a drink of water, alright? And maybe a snack." His fingers are gentle at your jaw, steadying you. "Then we can talk. How does that sound?"
You suppose you should be grateful for Tom's self control, how gentlemanly he is. Not many men could - or would even try to - stop themselves at this point, especially with a woman throwing herself at them like you are.
You take a moment to thank your stars, and nod. "Sure." You let Tom lead you into the room proper, and set you down on one of the beds. "There should be some water bottles in the mini fridge. And some crackers on the night stand."
Tom takes the time to rummage in the fridge, grabbing a bottle of water and handing it to you before snatching a packet of crackers off the bedside table. He comes to sit beside you on the bed, watching to make sure you're stable before opening the packet and holding it out to you.
"Eat." He's gone into full-on 'protection mode' now that you're in a safe spot. "And drink your water. You'll thank me in the morning."
You lean against Tom as you do as he says, biting into your crackers and washing them down with a mouthful of cold water. "Thank you, Tom. Seriously. You're so sweet.... how did I get so lucky to grow so close with someone so amazing?"
He sighs quietly, his arm curling around you as he pulls you closer against him. He presses a soft kiss against the top of your head, his voice deep and soft.
"I'm the lucky one, darling. Being your friend is an absolute privilege. I don't deserve such a wonderful woman."
You take another little nibble of a cracker, turning into him. "What if.... what if I want to be more than friends?"
His breath hitches at that, and he has to resist the urge to wrap his arms around you and pull you on top of him.
Instead, he runs his fingers through your hair, his gaze roaming over your face. "Are you sure you're sober enough to make these kinds of decisions, love? Because if so, then I'm all yours."
"Give me like, five minutes," you answer truthfully. "I'll finish these and drink my water and I'll be perfect. I promise."
He lets out a quiet chuckle, his thumb stroking gently against your cheek. "All right, love. Drink your water, eat your crackers, and I'll wait however long you need, okay? I want you to be sure about this. I'll be here, right beside you, until you're ready."
The two of you sit and have a casual chat as you eat and drink, and gradually the room stops spinning so much. It's more like 20 minutes than five, but eventually you toss the wrapper and the empty bottle in the trash and fix Tom with a measured look. "Well.... I'm ready."
All the while, Tom had continued to quietly hold you, his strong, steady presence beside you like a pillar. He had chatted along with you, his voice a low murmur at your ear, until you were done eating and drinking.
When he feels you turn to look at him, he gives you a small smile, his eyes dark with desire. He takes a moment to study your expression, making sure you really are as sure about this as you seem.
When he apparently decides you are, he moves in closer, one hand gripping your waist to pull you up against him.
One of your hands curls around his shoulder, the other going to his slim waist. "May I have another kiss?" You ask quietly.
He hums, his hand tightening on your waist, his thumb rubbing small circles on your hip again.
"Of course, dearest."
He doesn't hesitate to lean closer, his nose nuzzling against your jaw before pressing his mouth to your throat. He places soft, fluttering kisses along the sensitive skin there, his warm breath making your skin tingle.
Your breathing quickens, your hold on him tightening. "Tom.... don't take this the wrong way, but.... you could do whatever you want to me right now and I wouldn't say no."
A shudder rolls through him when he hears the breathless need in your voice, and his hand comes up to bury itself in your hair, gently tugging your head back as he nips lightly at your jaw.
"Darling, don't say that or I really won't be held responsible for my actions.”
You've already surrendered herself to him, leaning back against the pillows as his teeth work at your neck and jaw. "But I'm serious. What do you want to do to me?"
A harsh, almost feral, sound rumbles in the back of his throat at your words, and he gives your hair another gentle tug to expose more of your neck to his mouth. He traces a trail from your jaw to your collarbone, nipping and biting along the way.
"I want you to lock me up in your dungeon, of course," he says, and you both chuckle.
Then, "Baby, I want to touch you. Taste you. Make you moan my name until you're pleading and begging for more. I want to...." He hesitates, as though nervous. ".... I want to take one of those really hot baths you were talking about earlier with you...."
"Well, which do you want to do first? Touch me, taste me, or bathe with me?" Your heart is hammering against your ribcage, a frightened bird fighting its way out.
Having Tom, here, looking at you like this is making you feel so weak.
He considers his options for a moment, studying your face intently as he decides. He's practically shaking with need right now, and being given the choice is almost too much for him. He can't wait to get his hands on you.
"I think...." His voice sounds wrecked, his thumb tracing a path up the side of your ribcage. "I think I want to touch you first."
"Then what are you waiting for?" You ask, with a bite of impatience in your voice. You lean fully back against the pillows now, letting your shirt ride up over your abdomen. "I'm all yours, Tom."
His eyes darken as he notices your shirt riding up, revealing a strip of bare skin just below your navel. He runs his hand up your side, leaving a trail of goosebumps in his wake, until he can tuck his fingers under the fabric. He pulls your shirt up further.
"God, you really are, aren't you? Such a beautiful, perfect little thing, all mine to explore."
His words cause you to inhale sharply, spreading your legs so he can get between them. "Tom.... keep talking like that. I can't get enough of it."
He lets out a gravelly groan at that, shifting to kneel between your legs. His hands come up to gently run along your sides, to your ribs, finally coming back down to rest on your hips and holding you still as he speaks.
"You want to hear more, love? I'll tell you anything you want. You just have to ask."
Your hands find his toned forearms, skimming up and down. You like feeling him, it sets you at ease to know he's here with you. "Keep telling me I'm yours, keep saying I'm perfect. Keep.... keep telling me how much you want me. Please."
He tightens his grip on your hips, his broad chest rising and falling with his rapid breathing. His eyes roam over your body, taking in every dip and curve.
"You're mine, darling. Absolutely mine."
He moves down, his nose running along your stomach, his hand pushing your shirt up farther to expose more of you.
"Perfect. So damn perfect. Can't even believe I get to have you like this. It's all I've thought about for weeks."
"Really?" For some reason, you're more embarrassed to learn that Tom has been pining for you than you are of the fact that his face is now level with your bare chest. "Why didn't you say anything?"
He laughs at that, the rumble in his chest making his muscles ripple against your skin. He ducks down, placing a kiss between your breasts before speaking.
"I don't know, darling. I didn't want to make you uncomfortable in any way, I suppose. You're just so damn hard to read. I could never tell if you wanted me to leave you alone, or if you just didn't want to let yourself show it."
"I'm sorry," you apologize, petting his hair back, letting your nails traipse down his neck. "I promise not to be so hard to read from now on, but only if you promise me something."
He lets out another low moan when your nails run along his neck. He moves his mouth down, peppering the soft skin above your hip bone with little kisses. When he speaks, his voice vibrates against your skin, sending shudders all through your body. "Anything...."
You worry your lower lip yet again, hands still busy in his perfectly soft hair. "Be mine? I mean.... I guess I'm asking you out. Wanna be my boyfriend?"
He stops. His mouth on your hip, his hands on your waist, his entire body frozen still as your words sink in. His brain seems to have short-circuited, and it takes a good ten seconds before he manages to get it working again.
"You.... you want me to be your boyfriend?"
In the time it takes him to form words, you've had a full blown panic attack. "I mean, only if you want to. We really don't have to. In fact.... It was a mistake of me to ask, seriously, let's just keep it at this."
He shakes himself out of his shock at your panicked rambling, and his hands grab for your wrists, holding you in place.
"Stop. Stop apologizing and stop rambling, darling. Of course I want to be your boyfriend. You really think I could say no?"
"Well.... you didn't say anything at first. I sort of thought you'd had an aneurysm, you weren't saying anything...." Your wrists shake in his grasp.
He tightens his grip on them, holding you still as he levers himself up so he can look you in the eye. His eyes roam your face intently, taking in your anxious look.
"You didn't wait long enough to get an answer before you started panicking, sweetheart. I was just.... surprised. I didn't expect you to ask me." He laughs quietly, and you notice the redness spreading across his cheeks. "I hadn't really thought I'd get that lucky."
"So you will?" You reiterate. ""Please say you will. You want to. Be mine. Please."
Tom huffs a chuckle at the needy sound in your voice, gently moving his hands from your wrists to grasp your face instead, his fingers sifting back into your hair as he holds you in place.
"Yes, darling. Of course I want to be yours. You have no idea how much I want that. I can't believe you even felt you had to ask."
You surge up to kiss him, your hands at his waist dragging him down on top of you.
And he kisses you just as desperately, his mouth moving against yours, his tongue slipping past your lips to taste you. He lets out a low moan as he's tugged down on top of you, his body falling between your legs and pressing you harder into the bed. His arms slide around your body, holding you against his chest as he slips his tongue into your mouth.
With a desperate, searching hand, you cup him through his pants, squeezing gently.
That pulls an utterly guttural noise of surprise from his throat, and his hips lurch forward, pressing his hardness into the palm of your hand. His breath catches, and he gasps against your mouth, his hands tightening on your waist.
"Oh, sweetheart. That.... that's dangerous."
Not caring exactly how 'dangerous' it might be, you start to gently stroke his growing erection through the soft material. "Tom? What gets you harder? The thought of being locked in my dungeon or the thought of taking a hot, steamy bath with me?"
His eyes roll back, and he gasps harshly as you start touching him in earnest, his hips rocking forward against your hand. His body is like a coiled spring, on the verge of snapping at any moment.
"Both of those things are going to get me in trouble at some point, you know that? Those ideas drive me Goddamn crazy. But right now, all I want is to be yours, in any way I can please you, my love."
Your face is heated, feeling him growing in his pants. "Then please me. However you want."
He drops his head, burying his face in your neck. His lips trail along every inch of skin he can find, nibbling and sucking at your pulse point. "Are you sure about that, darling? Because I.... I have so many ideas. Things I want to do to you. How can I choose just one?"
Your shirt is still rucked up around your shoulders, and you take a moment to reach up and yank it off. "Just choose one. Just one, for tonight. For me?"
Tom leans back, just a bit, as you take your shirt off. His hands are on you again in a moment, running up and down your newly exposed skin, exploring every inch of you. He takes a moment to process your words, his eyes hungrily digesting your exposed body.
"Just one, for tonight. I can do that." He slides a hand up, gently gripping your jaw between his fingers. His touch is firm, dominant. "Close your eyes, love."
You trust him enough to obey, immediately, closing your eyes against the light and waiting for him.
You hear him hum, low, approvingly, as he watches your eyes flutter shut. He takes a moment, just to look at you like this. So pliant and perfect. All his to do with as he pleases. You then feel a shiver roll through him, and he has to take a steadying breath before he speaks again.
"Keep them closed. Now, no speaking. Not until I say so, okay, darling? You're going to be so good for me, aren't you?"
"Ye-" You make to answer before remembering his orders - no speaking. You merely nod instead, reaching out to ground yourself with your hands on his arms.
A smile spreads across his face - unseen by you - his hand on your jaw rubbing a thumb back and forth lightly over your skin. "That's my good girl. Just keep those eyes closed for me." He moves his hands to your hips, gently maneuvering you to roll onto your stomach.
Surprised at the change of position, you still gladly curl yourself around a pillow, getting comfortable on your front, your legs spread for him still.
Behind you, Tom lets out a low sound, somewhere between a growl and a moan. He runs his hands up the backs of your thighs, slowly, tracing little circles with his fingertips as he moves them up to grasp your hips. His fingers dig into the skin there, not hard enough to hurt, just enough to hold you in place.
"Perfect. You know how to follow instructions so well, darling. Just like I knew you would."
He said no talking, but. As his hands skim over your shorts, you can't help but ask, "Would you like to take them off, Tom?"
His hands still on your hips as he takes in your words. He gives your hips a gentle squeeze, before sliding his fingers under the elastic of your shorts.
"Well, that sounds like a question, love. And I specifically said no talking, didn't I? But I'll let it slide just this once. Do you want me to take them off, sweetheart?"
You make a small sound, canting your hips up and nodding, making it easier for him.
He hums approvingly as he watches your hips lift, and his hands slide under the fabric, pushing the shorts down and off your legs. Once the cloth clears your feet, he lets it fall to the side before gently rubbing his hands up your legs, from your ankles up to the backs of your thighs again.
"God, darling, you're just a perfect vision, you know that? So beautiful. And all mine."
Your pussy is positively leaking as you bury your face nervously in the pillows and wonder what he's going to do next.
Apparently reading your mind, Tom leans down and whispers in your ear, his breath warm against your skin. "Don't be nervous, my love. I just want to make you feel good." He then begins to trail light kisses along the back of your neck and down your spine, pausing at each vertebrae to nibble gently at you.
With one hand, he begins to slowly stroke between your legs, brushing lightly, teasingly, over your sensitive clit as you moan softly. His other hand continues to wander over your back and shoulders, massaging your tense muscles and sending shivers rippling all over your body.
Even the barest brush of Tom's fingers over your clit have your hips bucking, pushing back, wanting more of him. It's all you can do not to speak, to beg him to fuck you already, especially since he's instructed you not to.
You want to tell him that you love how dominant he is, but how gentle at the same time. He wouldn't ever hurt you, you trust him more than anything.
Tom continues to tease you, his fingers moving in slow circles around your clit, never quite giving you the contact you crave. He leans in closer, his lips brushing against your ear as he whispers, "Do you like it when I'm in control? Do you like when I make you wait and beg for release?" His voice is low and husky, sending a shiver down your spine.
He pauses for a moment, pressing his lips to the curve of your neck before continuing, "I want to hear you say it. Tell me how much you love when I take control."
You're making the most desperate little noises, grinding your aching cunt back against his hand. "I-I thought I wasn't allowed to talk…."
Tom chuckles softly as he continues to tease you, his fingers still working expertly between your legs. "That rule doesn't apply right now, my love," he murmurs, nipping lightly at the sensitive skin behind your ear. "I want to hear you beg for me."
He drags his fingers higher, teasing at your wet entrance before pulling back down to circle your clit once more. "So tell me. Do you love it when I'm in control?" He punctuates his words with a particularly firm stroke over your clit.
"Ah! Oh my god, yes, Tom, I love it. I love when you're in control, I love that you're so dominant, but so gentle with me. You don't know how badly I needed this."
You tilt your hips down, trying so hard to get Tom's thick fingers inside of you.
With a grin against the side of your neck and his hand continuing to work its magic between your legs, he sighs. "I knew you'd like it, my love," he murmurs, slipping just one finger inside of you and pumping it slowly in and out as he continues to circle your clit with his thumb.
He leans down and bites lightly at your shoulder, whispering again, "You're so wet for me, baby. You want me to fill you up, don't you?" He adds another finger, thrusting them faster, harder.
You swallow thickly, wanting him to give you everything. Everything he possibly can. "Please, Tom. Want your fingers, more of them. Want your cock too, and your tongue, and - and…."
Your fingers are tearing so hard at the pillowcase you're afraid you'll rip it open. Your hips are working furiously back against his fingers, it's embarrassing how much you need him.
Tom groans softly at your words. He adds a third finger, stretching you and curling them just right to hit that perfect spot inside of you.
"You're so greedy for me, aren't you?" He murmurs, his voice husky with desire. "Don't worry, darling. I'll give you everything you want."
With that, he leans down and presses his lips to your neck, trailing soft kisses along your skin as his fingers continue to pump inside you.
When his fingers hit your g-spot your entire body spasms underneath of him. "Oh, f-fuck!" There's that undeniable tension, as though something inside of you is held taut like a bowstring. And he doesn't let up either, continuing to abuse that little spot inside of you with his insistent fingers. "Fuck, Tom, I…. be careful. I'm gonna squirt if you keep.... " You trail off on a whine.
He can feel your body responding to his touch, and he doesn't let up, increasing the speed and pressure of his fingers on that spot, knowing exactly how to push you over the edge.
He whispers huskily in your ear, "Well, it's a good thing there are two beds in this room.... Let go for me. I want to see you come apart under my touch."
His voice is a potent mix of command and desire, fueling your need further as he continues to pleasure you, driving you toward that edge where you can finally release all of your built-up tension.
Every breath you take is now accompanied by a desperate moan, your hips working so hard back against his fingers. That tightness is about to break, and you bury your face in the pillow you hold as you do finally squirt, releasing all that fluid over his hand and arm, and probably on his pants too as you shake apart around his lovely fingers.
Though you can't see him, Tom is reveling in the sight of you unraveling under his touch, your body shaking with the force of your release. He feels your wetness gush over his hand and arm, soaking him in your essence, a clear sign of how much you needed this release.
As you shake and tremble, he continues to caress you gently, soothing you through the aftershocks of your orgasm. His own desire burns brightly, knowing that he's brought you such intense pleasure. With a satisfied smile, he whispers softly, "You're so beautiful when you come undone for me, my love."
You can barely catch your breath, Tom's drenched fingers still inside of you, soothing your poor spasming walls. "T-Tom…. when I told you to choose one thing to do to me tonight…. I didn't think it would be that…."
Tom chuckles softly, withdrawing his fingers carefully from inside of you and sitting up on the edge of the bed. He looks down at you with a playful glint in his eyes as he sucks all of you from his fingers.
"What can I say?" he says with a grin. "I always like to exceed expectations."
He reaches over and tousles your hair affectionately with his dry hand, before leaning down to press a gentle kiss to your lips. "But if you want something else, just let me know," he murmurs. "After all, tonight is all about giving you exactly what you want."
"I want so much more," you mutter, turning finally to look at the damage. "Jesus Christ, it looks like a swimming pool in here…"
Tom chuckles at this observation, taking in the sight of the wet mess he helped you create.
"Well, I did promise to give you everything you wanted," he teases, pulling you into his arms and planting a soft kiss to your forehead. "And if you seriously want more, just say the word. I'm all yours tonight." He flashes you a mischievous grin, his eyes full of desire as he waits for your next request.
"Well, let's not get cleaned up just yet because…. I do want more. A lot more." You glance down; Tom's cock is now hard as a rock, straining against the zipper of his pants, which are very stained with your squirt.
Tom grins, his eyes also lingering on the dark stains.
"Anything you want, my love," he murmurs, standing up from the bed and pulling you with him. "Let's move over here."
He moves you gently over to the opposite bed, which is still pristine. For now.
"Can I ask you to take some of your clothes off?" You ask quietly. "Please? I can't be the only one naked here."
A sly smile playing on his lips, he nods and slowly starts to undress, revealing his toned body inch by inch. He makes a show of it, letting each piece of clothing drop to the floor with deliberate slowness, enjoying the anticipation building between you.
He stands before you, his gaze locked with yours, completely exposed and ready for whatever desires you have in mind.
You lean forward toward him, anticipatory, and once Tom is just as bare as you are, you can't help but ask, "Can I suck it?"
A primal growl rips from him as he moves closer to you, nodding eagerly.
Without another word, he takes hold of your hair gently, guiding you down towards his length. As you take him into your mouth, he lets out a low moan, his fingers tangling in your hair as he begins to thrust his hips forward gently.
You wrap your lips eagerly around him and start to suck earnestly, head bobbing as he eases the way with his hands in your hair.
His head falls back slightly, a guttural groan escaping his lips as he feels the heat of your mouth enveloping him. The sensation of your eager sucking sends shivers down his spine, his arousal building with each flick of your tongue.
He tightens his grip on your hair, guiding your movements as he rocks his hips gently, matching your rhythm. His breathing becomes shallow and rapid, consumed by the pleasure you're giving him.
One gentle hand comes to squeeze softly at his balls, the other steadying yourself with a hand on his thigh. You gaze up at him, wide eyed, as if to ask, 'am I doing alright?'
Tom's eyes flutter shut at the sensation of your hand on his balls, the pleasure mounting with each passing moment. When he opens his eyes to look down at you, he sees the pure desire reflected in your gaze and can't help but smile.
"You're doing amazing," he breathes, again almost as though he can read your mind, his voice heavy with arousal. "Just keep going like that."
He continues to guide your movements, hips thrusting forward with increasing urgency as the sensation builds inside him. He knows that he's getting close, but he wants to savor every moment of this incredible experience.
The movement of his hips is making you gag a bit now, not used to having something so big in your mouth. But you soldier on, wanting to pleasure him just as much as he did you, trying to relax your throat so Tom can slide in further.
It's evident that the effort you're putting into pushing past your limits is only adding to Tom's desire - he groans softly, feeling you relax your throat further, so he can slip even deeper.
The sensation is overwhelming, and he can't hold back any longer. With a whine, he reaches his peak, his body tensing as he releases himself into your mouth. The pleasure washes over him in waves, leaving him breathless and utterly spent.
You squeak delightedly, and in surprise, as Tom starts to cum. Letting yourself rest fully on your knees now, you brace herself with both hands on his hips. Trying to swallow everything, only a few dribbles of cum spilling out and down your chin, you pop off with one more lick to his dripping head.
He looks down at you, a satisfied smile on his lips, grateful for the intense pleasure you've given him.
"I really did okay?" You gasp, wiping at your chin. "I've only done that once or twice before, and to be honest…. never on an actual human, only ever with toys."
He nods eagerly, pulling you up to him and planting a kiss to your swollen lips. "You were incredible," he murmurs, his fingers tangling in your hair once again. "It was so fucking good, baby."
He pulls you in for another kiss, not caring that the taste of himself is still on you. "But we're just getting started," he says with a grin, his trembling hands roaming over your body.
You still the movements of his hands with your fingers around his wrists, taking the time to really see him in the dim light of the room. "Before we do anything else, Tom.... I really did want to thank you. For earlier. I probably wasn't.... okay. To consent to any of this. Thank you for waiting."
The heat in Tom's eyes blazes brighter, and he disentangles his wrists to card his fingers through your hair. "Of course, love. You don't even have to thank me. I couldn't let you make that decision while you were like that."
With one last peck to his lips, you push him playfully down onto the bed and crawl over him. "Time for round two?"
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ylangelegy · 1 month ago
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hello! can i request woozi with jealous prompt 'what? me? jealous? never'? thank youuuu ><
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ⵌ jihoon x gose director!reader. ⵌ word count: 1k ⵌ notes: i can't stop writing about jihoon,, 🧎
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Jihoon has long since accepted that he can be a jealous man when it matters.
He considers it harmless because it gets him moving. Jealous of a different group's success? He works doubly harder to make good music. Envious of someone else's build? He puts in more hours at the gym.
Jealousy is Jihoon's friend. At least, that's what he keeps on telling himself as you praise Soonyoung for his 'initiative'.
Another day, another filming for Going Seventeen. Today's concept is Christmas-themed: A Secret Santa shopping trip with a negligible budget per person. Jihoon knows he should be focused on getting something halfway decent for Chan— the member he had randomly picked earlier in the day— but he keeps getting distracted.
Soonyoung is looking just a little too pleased, a little too smug at your doting. Jihoon can practically hear the way his best friend is preening as he announces, "It's nothing, really. Just a little idea I had."
Jihoon doesn't even know what the two of you are talking about. He does know, though, that he's not going to hear the end of it from the rest.
It's an open secret, after all, that Jihoon has a crush on you.
He's always found it a bit inconvenient, really. He never thought he'd be the type to catch feelings for a staff member, but forced proximity and your undeniable charm have left him helpless.
It's just a crush, Jihoon has told anyone and everyone who teases him about it. I'll get over it.
Except it's been maybe a year and Jihoon is decisively not over it. He's preparing to deliver some variation of the same denial as Wonwoo sidles up to him, the latter grinning in an infuriating way.
"Don't start with me," Jihoon grumbles, his fingers tightening around the extension arm of his designated GoPro.
Wonwoo raises his shoulders in a shrug. "I'm not saying anything," he says in a tone that very much indicates his plans to say something.
A beat. And then, Wonwoo prompts, "Jealous?"
A derisive snort of laughter escapes Jihoon. He could lie, say something along the lines of What? Me? Jealous. Never, in an attempt to get his friends off his back. But they'd see through him anyway, so what was the point?
"Maybe," Jihoon answers. When Wonwoo only stares at him, Jihoon amends, "A little."
Wonwoo laughs at Jihoon's easy acceptance. The older man throws an arm around Jihoon's shoulders, the force of it almost sending the latter faceplanting into a shelf of keychains.
Jihoon is in the middle of biting out an annoyed "Could you not?!" when Wonwoo stage-whispers to him, "Don't worry. The director has a favorite, and it's not Mr. Steal-Your-Girl over there."
Before Jihoon can even question the taunt, Wonwoo is already peeling off to accomplish his task. The words echo a bit in Jihoon's mind. A favorite. Your favorite.
He wonders, briefly, what it would be like— to have that privilege.
He shakes his head, as if to empty his head of the thought. Wonwoo was just teasing, and Jihoon still has to find a gift for Chan. He spends the next thirty or so minutes wandering the department store, internally debating what to get the group's maknae.
Jihoon is weighing the merits of a Bluetooth shower speaker when he next hears from you.
"You know," you say from behind him. "Those have terrible sound quality."
It's only through years of conditioning that Jihoon doesn't jump, but he can't help the way his heart rate picks up ever so slightly. Still, he manages to keep his expression perfectly calm as he glances over his shoulder.
You look every bit like you always do. Clipboard in your hands; headphones hanging around your neck. An easy grin. The picture of the director who has robbed Jihoon of all his rational thought time and time again.
"Well, you didn't give us much to work with," he answers dryly.
"That's the challenge," you tease. "A low-budget exchange gift."
Jihoon sets down the speaker before turning to fully face you. "What would you suggest, then, if this is a bad gift?"
Your gaze flicks down to the GoPro. You didn't typically converse with the boys while they were shooting; if you did, the content was typically cut.
Something compels Jihoon to hit the 'pause' button on his device. "Off the record," he insists, a corner of his lip tugging up in the ghost of a smirk.
There's something unmistakably fond in the way you laugh, in how you choose to indulge Jihoon instead of insisting that he should keep filming.
"You got Chan, right?" You tilt your head to one side as if you're mulling it over. "I saw him fawning over the tealight candles earlier. If you're in the mood to be a menace, though, he thought the beanie hats were deplorable."
Jihoon lets out a chuckle of his own. "Got it," he says. "Candle, hat. Thanks for the intel, director."
It should end there. He should walk away, should turn the GoPro back on and film the rest of the show.
But Jihoon has never been very good at doing what he should, and his mind keeps replaying Wonwoo's earlier words.
And so, he finds himself asking, "What about you?"
Your eyebrows raise. "Me?"
"What would you like for Christmas?"
You look thrown off. Understandably so. "Oh," you say, your tone just a little softer. "That's not—"
Necessary, you're probably going to say. Jihoon cuts you off with a small shake of his head.
"We could have a little exchange gift of our own," he goes on. Jihoon has no idea where this is all coming from. The confidence in his flirtation. The smoothness of his words. It's a rare thing, but he's not going to let it go now that it's here. "I'll get you something if you get me something."
You laugh again, and then you give Jihoon the perfect opening. "What would you even want for Christmas, Jihoon-ah?"
Jealous has always been Jihoon's friend. It gets him moving.
It gets him to admit, "Easy. I'd want you."
୨ৎ * GAME, SET, PLAY ! ( JEALOUSY ) DRABBLE GAME.
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allurilove · 8 months ago
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Yan!Prodigy x Rival you
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Rated 18 + — mature short content !
Includes: enemies to lovers?— not really he falls in love pretty quick, first time kissing, stalking, admitting his feelings, he gets excited by the tiniest sight of skin, he’s delusional, gender neutral reader.
*I played violin for a couple of years, but my knowledge is a bit dusty and it’s been awhile 😬 And sorry for not posting! I’ve been busy with studying for the SAT! He is referred to as “your enemy” and this is purely fictional writing!*
Synopsis: He’s been on the top of his game for years. He’s known as the most talented violinist, and his ability to play has brought people to tears. All until you came along and threatened his legacy.
He was upset and furious that a nobody like you could win the spot of the first chair. You were now the center of attention, and not him. He wanted to break you down.
But… why did he find himself yearning for you?
He’s been practicing for years. He spent his whole life dedicating to the art of music. His fingers have been numb before, his wrist hurt, and he’s been staring at music sheets for so long— that everything looked like notes to him.
He’s been the first chair. He climbed his way to the top, he earned his reputation, and everyone admires him.
So, a little and measly talent like you shouldn’t have been in his spot. He had to audition for that seat—just like everyone else— but he knew that the directors loved him the moment he stepped on the stage.
He created masterpiece after masterpiece, and he’s a well sought out man.
He heard murmurs and whispers as he sat down behind you. He could feel everyone look at you with fascination, and admiration. He scowled and his grip on the neck of the violin was tight. He imagined ripping you out of the chair, or shoving his bow down your throat.
He had a steely gaze as you turned around to look at the person who had been glaring daggers at you. You smile at him, feeling a bit bad that you’re a newbie who took his usual position.
Why was his heart beating?
“Dont look at me.” The man scowled at you. His face slowly turning pink, and he looked away as you turned to face him again.
For the first time ever, he was distracted. As the show began he could hear his mistakes. He felt his hand shake, and he accidentally pressed down too hard on the string- causing an eerie squeaking noise. He looked up to see what you were doing and you are confident, each note of yours is perfect, and you were clearly the better choice. His eyes slowly widened as he became hypnotized by the way you moved, and the way your hand was so nimble.
“…fuck.” He was falling in love. That has never happened to him before. His body is filled with warmth, his heart fluttered, and he felt like he could float on the wave of happiness. For the first time ever— he felt alive.
The person next to him gently kicked at his chair, and he snapped out of it. He looked back at the sheet, and he realized he lost his place. His eyes and ears frantically tried to figure out where they were.
The show was a nightmare. He got chewed out for the very first time, and he hung his head low. He made multiple mistakes, made a mockery of the whole orchestra, and organization. He apologized to everyone, and he seethed at how people thought he was slipping.
You were the only one to approach him. Your enemy threw his jacket on, ready to leave, but he paused when he saw you.
“Hey… I’m sorry-“
He raised a hand to stop you. “It’s not your fault.” He said curtly, and he grabbed his instrument case. He brushed past you, and quickly made it out of the building. He had to stop and take a breather- leaning on the wall as he felt red cheeks. He always felt a rush of adrenaline and excitement when you came close to him.
That’s when the stalking began. I mean it was a total accident, and he didn’t mean to find your apartment… he just happened to know it was yours, because of the way the melodic sound came from the window. He was across the street, and he was able to see you sway, and play with such emotion. He stood there for what felt like years, and he started to film you.
He would rewatch them at night in his bed. A huge smile on his face as he was able to relive that moment. Before he knew it… he kissed the screen.
He came to practice early in the morning. Your enemy had to keep up a cool facade, and he ignored your little “hello” to him. He sat in his chair, feeling a bit bitter, but he knew it was well deserved. You’re a good violin player, and he was coming to terms with it. He sighed as he brought his instrument out of the case, he took out his tuner, and he started to tune his instrument. He fiddled with the fine tuners, and eventually adjusting the pegs when that didn’t work.
The whole entire time… he glanced at you. His heart swelled up as he saw you take off your jacket, and he gulped as he saw your shoulders.
Ohhh god.
He slightly groaned as his pants felt tighter.
He heard the peg creak, his fingers mindlessly kept turning and turning. He gasped as the string he was trying to tune snapped, he felt it hit his cheek, and out of surprise he dropped his violin.
He was so embarrassed as you helped him get an ice pack. You two were in the tiny hallway, an ice pack in your hand. Instead of handing it to him, you placed it on his cheek for him. You made him feel better, told a little joke about what happened and he let out a chuckle.
He saw you smile and step closer to him. Was this seriously happening? He immediately kissed you back as you pressed against him, one arm around your waist and the other on the back of your head. You tasted wonderful.
He started to moan out your name, your hand now down his pants, and he arched his back. His hands then gripped at the brick wall, his hips jerked with the movement, and he felt his orgasm coming pretty close.
He felt you pull down his pants and boxers, and you got down onto your knees, and your tongue stuck out to lick his length.
“God, I love you—“ He pants, his stomach tightening as his arousal grew.
“Hello?”
Hello?
His eyes came back to focus on your hand waving in his face. He gulped as he took a step back. You were confused as to what happened, you tried to speak to him, but it looked like he was lost in his thoughts. His face was flushed and he was murmuring incoherent things.
The man quickly snatched the ice pack and he panicked— his dick twitching— and he ran away from you.
Allure: It’s a pretty short fic, unedited, and i wrote this on my break 😭 yandere x zombie part three should be coming soon.
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