#having the opportunity to get one. she still doesn't.

[elsa-fogen]

Icy's perfect revenge

The Trix retired long time ago. They were believed to be dead, then revealed themselves only to earn amnesty in a perfect chain of events. Maybe they created the said chain but there's no way of proving that and what's the point anyway? Since then witches didn't cause any troubles, so, maybe, they indeed changed?

Or just waiting for perfect opportunity, some believe, but there are no evidence.

Winx Club at this point just a name to refer what they once were. Stella is busy as queen of Solaria, Leyla (Aisha) is looking for a way to bring back her fiance from a magic coma, Flora explores new worlds full of new life, Musa started her own music school, Tecna is a lead scientist in a massive project of creating fortune telling AI, and Roxy finished her studying at Alfea and decided to go back to Earth, to spend more time with her family and make an effort in turning Earth into a better world.

Only Bloom hasn't found her purpose. Being queen of Domino doesn't appeal to her, besides, her parents are still young and are competent rulers, they don't need a replacement just yet. The Earth is nice, but there Bloom feels like she's an old lady in a nursing home. She is so used to be in a constant fights, that she can't live without it, without roaring of spells and rush of adrenaline. She tries to call the Winx Club back, but her friends have their own lifes now. So she joins Magix' special forces - to save smaller worlds from their local dark lords and stuff.

And in one of this missions she gets cursed. Another dying dark lord used his last minutes to cast a deadly ancient curse on Bloom. It poisons her magic and will inevitably kill her in a few years.

And even the fairy dust can't break this curse. It's not just dark, it's black magic, so strong and evil that there no way of breaking it. Well... There is one ritual, that comes from the same black, forbidden magic.

Only few wizards and witches in the entire magic universe know how break this curse. And, what a luck, her only witch friend knows a witch who can do that. Bloom is happy, she will live, and she's willing to pay any price for this chance.

This witch is Icy.

When Bloom sees her, she feels like she's already dead. She can almost hear Icy's cold laugh and her voice saying "Why do you think I would help you, stupid fairy, after everything you've done? No, I will watch you die, and when you do, I'll dance on your grave". But she asks her anyway.

And, to Bloom's shock, she agrees to help. For a price, of course...

Icy asks for Bloom's firstborn, like in some fairytale she used to read in her childhood. She thinks it's a joke, but Icy isn't joking. It's black magic after all and for using It, Icy will have to pay with few years of her own life. So, a child in this case is a fair price. By magic rules. Bloom tries to find someone else who would agree to help her, but fails. People aren't exactly willing to reveal to her that they possess such knowledge. So, Icy with her ridiculous price is her only hope. And Bloom has to make this deal, because she isn't ready to die when the whole life is ahead of her. She thinks to herself that she just will never have children. She doesn't even like them.

Few years later Icy, in a classic villain style, appears at Bloom's wedding, just to remind her of the deal they made. The Winx, Bloom's parents and her new husband Sky are confused and scared, because Bloom starts crying. That means that the witch's words weren't just some nonsense, they indeed made some deal no one knows about. But Bloom just smiles and says that it's nothing to worry about.

❄❄❄

Another few years later Icy is finally ready to continue her own bloodline. But she discovers that her unhealthy lifestyle in her youth and especially a year, spent in a prison that almost killed her, made her unable to have children. She's in rage and despair, she's ready to go and kill Bloom and other Winx nevermind the consequences, but then she's given a book with a provocative title: No men needed for happiness. On the cover is a picture of two smiling women, holding a child that has features from both of them. This book contains spells and rituals for two women to have children. A chance for her.

She spends weeks calculating traits of the best mother for her children, because she doesn't want anything else but perfect...

Bloom is her best option.

At first Icy fees like the fate is laughing at her. The woman she hates more than anything in the world is her best match. But then she realizes. The fate isn't laughing at her, it handles her a chance to make Bloom pay for everything. That deal they made... She can have Bloom's firstborn literally. Make her enemy continue her bloodline, make Bloom's own children hate and despise her. What a perfect revenge.

She calculates the ritual in a way that would drain Bloom's life energy as much as possible, and that would make her bring to the world not just one child but twins, at least. And with this Bloom's resources would be so drained that she either would not be able to have children anymore, or will die trying.

And Bloom can't refuse. They made a deal. Either way Icy will take her first child. But in only one of the options the child will live.

She agrees. She doesn't know what fate Icy has prepared for her.

[unwashedunsatisfiedmeowmeow]

husband!Noah x reader (yandere-tsundere drabble)

Context: Noah is the yandere character from the visual novel "my personal hater" that you can play here.

Your husband!Noah - is very clingy even if he acts tough and cool about that. You just simply can't get rid of him the moment he decides to cling onto you which happens all the time. Don't get yourself fooled though! The whole time Noah squeezes the shit out of you in his casual hug, he will mumble some mean stuff about you while treating the crook of your neck as a comfy pillow.

"Who the fuck is watching hello kitty the anime at this day and age? How old are you? Ten?"

Your husband!Noah - would be the type to do all the providing and protecting stuff. AND on top of that he will do all the housework such as cooking, cleaning, running errands etc... You name it, and he probably done that chore couple hours ago!

Your husband!Noah - would basically make you feel left out from the "family duties" because he thinks doing everything in the house and outside of it all by himself will make him superior to you.

"How dare you interrupt me from doing my duties? Huh... Oh, you made me tea? *////* Thanks, i guess..." He would definetely not lick the handle of the cup the second you're not looking lol!

You are deadass husband!Noah's special interest. Always were and always will be. Is it unhealthy to be so obsessed with a human? Of course! Does Noah give a fuck about that? NO HE DOESN'T!!!

Your husband!Noah - will laugh at you for liking something, especially if the thing you got interested in is silly. But then the next day or two you'll notice new things (the ones that you were made fun of) appearing around the house randomly. If you ask Noah about that he would act like you're going crazy.

"What do you mean there is my melody pillow in your corner? Of course it's there! It was always like that! Why wouldn't it be?" *Bonus points if he will give you the trinket with the thing you're interested in out of the blue lol*

Your husband!Noah - is careful with everything that's important to you even if he always acts nonchalant. That includes your cat - Whiskey! He will take her to the vet and grooming appointments regularly if it's needed. Even if she hates him and makes it known at every opportunity, he will still treat Whiskey the best.

"I'm not even the cat person... Not when she scratches and hisses at me like that! You and Whiskey have something in common... Both are insanely cute~" *Continues playing with Whiskey using countless cat toys he bought just for her*

Your husband!Noah - is distressed everytime you go out of the house without him. Even thinking about other men looking and hitting at you despite the ring - makes his hair fall off if you're out long enough.

"So what if i always know your location? It's still unsafe and stupid of you to go out alone... You always need me by your side just in case something happens! How don't you understand that you dumbass?"

---

There is no clear ending in which the main character ends up being with Noah willingly, so i made a little drabble specifically about that.

Anyway hope yall liked it. Bye!

[ethicaltreatmentofcowplants]

transcript + more info

berenice: aha! she'll never find me here watcher: you mean 'here'? "in moonwood mill, my most favouritist of worlds 'here'?" berenice: ahhhh! i mean, i didn't do it? i've been framed. it was the full autonomy, i swear... watcher: did you just sign up for deanna's bachelorette? berenice: maybe... yes? watcher: do you even *like* other women? berenice: i like other women! i have other women... friends?? watcher: *SIGH* watcher: berenice, this kind of stuff just doesn't happen in real life berenice: what kind of stuff? watcher: he will never like you back like that berenice: he? who's he??? watcher: don't be obtuse, i can see your moodlets berenice: well this isn't real life because i'm a pixel! silly you, watcher...

BERENICE "BERNIE" SMALLS

Young Adult • Ciswoman (she/her) • Physics Major (incoming senior)

TRAITS: genius, overachiever, cringe, paranoid, socially awkward, creative (bonuses: mentally gifted, always welcome, morning sim, night sim, storm chaser)

MISC: Valedictorian and championship chess captain at Copperdale. Actually wants to catch lightning in a bottle someday.

(This is a mischief interaction. She's not evil - just a disaster.)

By day she’s a straight A student, freelance programmer and budding Plopsy empire builder - and a shoe-in for valedictorian to the point where most would happily bet their own mother’s mortgage on it (yeah, please don’t actually do that).

By night, however? A cheater cheater pumpkin eater! Well, not quite (the pumpkin eating allegations however are indeed true).

Her secret? She’s a spellcaster. Her other secret? Plentiful needs potions - and lots of ‘em.

Yes, you too could manage the highest GPA in the school plus every extracurricular that didn't throw you out on your rear end (she and that dungeon master still aren’t on speaking terms), tutoring, plus a fulltime job and another part-time job, had you the equivalent of 24 usable hours in every day.

Obviously this isn’t illegal, as the greater pixel world doesn’t know about spellcasters (see: my legacy heir who still freaks out over her spellcaster husband, brother and her three children). And there’s nothing stopping anyone from washing down caffeine pills with red bull that doesn’t actually give you wings (though Berenice could attempt a potion for that). Aaaand it could be argued that werewolves who can recharge extremely quickly with a wolf nap and vampires who don’t need to sleep at all should not occult their way through Foxbury's hallowed halls. 

But there’s a difference between being thought of as just that amazing, and being thought of as significantly less amazing, because any fool believes that they can achieve what Berenice does with all that extra time she has.

Why is she entering this competition? A very good question. Well, it may be called ‘Dating Deanna,’ but this dumb smart girl has a completely different York in mind. Namely Deanna’s brother Joey, who she’s had a massive crush on ever since she met him one summer holiday in Tartosa.

"I've got this!" "I don't got this..."

She therefore signed up on a whim, and while hindsight is currently coming down on her like a tonne of bricks, she’s too obstinate to pull out now. Bernie Smalls, quit a thing? Never!

PERMISSIONS

All in - feel free to message me!

In terms of romance with other contestants, as she's a 'troll' concept have at it. Maybe not woohoo though since she's still trying to determine her sexuality.

She would be very open to flirting - and well, anything else with Joey. Will she get the opportunity? I highly doubt it but this experience can be a moment of growth for her 😆

(iou a sfs zip after dinner and other adulting!)

@changingplumbob's dating deanna bachelorette challenge (i am so sorry deanna)

[ultimate-shipper-trash-blog]

Pt 2. Of my one shot (will be posted as one big post on ao3)

Thank you for all the support! It's getting me through a tough time I'm going through rn in my travels. I had a short oneshot in mind like 1000 words but I think I'm gonna fluff it out.

-----

So it keeps...happening.

Eddie gets up, walks to the door, Steve's on the other side.

He pushes past Eddie and heads to his room.

Falls fast asleep.

He hasn't even been drunk the past two times.

This time is a little different.

Eddie's been sleeping next to him of course. How could he pass up the opportunity for something he's been dreaming about for years months weeks.

He can tell Steve's faking being asleep. He's breathing lighter, not the chainsaw snoring Eddie's grown used to. He's spread out like a starfish and Eddie is stiff on the edge of the bed. His face turned towards Steve, he can't resist staring at him.

Steve's eyelids flutter and Eddie's mind races with possibilities. Is he dreaming? Still awake? What's going on?

"Will you shut up and get over here," Steve mutters.

Is he talking in his sleep?

"Eddie." He opens one eye. "Get over here."

What the fuck.

He doesn't even have a second to panic before Steve reaches over and grabs him, successfully rolling him over into his arms.

"Finally." He nestles his face into Eddie's hair. "Give me a copy of your key I'm tired of waiting for you."

Eddie chokes.

"Steve." He strains. "What're you doing."

"Isn't it obvious? Sleeping."

----

Steve's a sweaty sleeper.

Eddie only knows because he wakes with his face in his BARE chest.

Yes he's been sleeping better since this started but at some point Steve's gonna have to give him an actual explanation.

How does he get out of this one? It's his trailer he can't exactly walk of shame it.

Steve's starting to wake up. He sniffles a bit and squeezes Eddie before letting go.

"Mornin." He rolls Eddie off and gets up.

"I'm going to work. Give me the key later."

....ok?!?!?! Eddie's sure he looks completely flabbergasted.

"Bye."

Eddie's watches him as he walks out.

Well...he's just gonna follow him. He needs answers. It's not like he hasn't been trying!

-----

"Ok!" He screams as he throws open the doors to family video. "I want answers!"

Robin looks at him in shock while Steve looks bored.

"What's this about?" Robin asks.

"Probably about us sleeping together." Steve says, bored.

"I'm...sorry...what's this?" Robin looks shocked.

"You know, that I've been sleeping with Eddie."

Robin whips to look at Eddie who doesn't look much better. They both are speechless, eyes wide, mouths open.

"No I do not know!"

"I'm restocking!" Steve yells as he walks past them into the back.

As soon as he's gone Robin stomps over to Eddie and punches him in the arm.

"OW!"

"What the hell doofus! You're sleeping with him? Why wouldn't you guys tell me! When was Steve even gay? I mean I know that- nevermind that's not important. You're dating!?!"

"No! I don't know!"

"How do you not know?!"

"We're not sleeping together! We're literally just sleeping in the same bed. We're...sleeping...together?"

Robin squints at him.

"You." She pushes a finger into his chest. "You better figure this out."

"Talk. To. Him." She jabs her finger into his chest between words.

----

Comment your thoughts! Comment your feelings! Comment!

I know it seems basic but I kinda had the thought of "what is Steve just took over the trailer because he needed to sleep without nightmares and then just never left"

More of this and my other oneshots coming soon!

I'll also be working on uploading everything I've ever written to my ao3 which is pinned on my profile

[the-gay-trashmouth]

Hi I would like to address these tags! Obviously no hate to you, I get what you mean, I just wanted to respond! Because I definitely don't hate Curly or think he's fully responsible for Jimmy's actions, but I do hold him in higher standing than Swansea in terms of responsibility.

As the captain, he had the most power in the situation and he had a lot more resources to use after he finds out what Jimmy did before the crash. even after Jimmy says to his face he could "crash the ship and they'd be remembered as heros" after Anya tells Jimmy she's pregnant, he does nothing to stop him from going into the cockpit. It's not until the sirens are going that he runs back to see Jimmy on the ground outside the door. Jimmy was literally telling him to his face that he would rather die than see consequences, but Curly doesn't take it seriously and let's him just. Go?

I definitely see how I could be interrupting Swansea too charitably.The idea of him protecting the only other entrance to medbay is more of a speculation than canon, and I definitely acknowledge that he could very well have seen it as "none of his business" until Daisuke died, or he didn't want to ruin his chances of getting Daisuke off the ship by pissing off Jimbob, but either way, he was just the ship's mechanic. He couldn't demote Jimmy, or open anything that needed that captain's scanner or security codes. He didn't even know what Jimmy did until After the crash. By then, all he had was the utility closet, an axe, and the one cryopod, and he made sure Jimmy didn't know about it for months. I think there's enough in the game to point either way in terms of how much he tries to help Anya, but in terms of resources, power, and time, Curly had the most opportunities to do something and yet sat back and let Jimmy continue to do whatever. Not without guilt, mind you, and not without a genuine attempt to make sure it all worked out, but he still let Jimmy continue on like nothing happened.

As for the company docking their pay, I also mentioned this as Curly being specifically incentivized not to do anything, but I don't think that excuses his actions. They might get their pay docked, but Anya has to live with her rapist in a ship with no locks on the sleeping quarters. I understand fearing consequences, but that's just ignoring her safety for his (and the rest of the crews) own monetary gain, which I don't see as a point in his favor but it does add more nuance to his decision.

My ending point (which came way late in the post, it was just me rambling for a while) was that while both Swansea and Curly do what they think is best, it's too little and too late. Curly thought keeping the peace would fix it, Swansea thought hiding things and just keeping out of the way would help fix it, neither of them took real direct action that would have stopped Jimmy. But even despite that, in real situations of abuse, there often isn't a "right" answer, and it's understandable when they get stuck in place trying to figure out which way to go. There was no way to guarantee Jimmy wouldn't have gone off the handle earlier if confronted. Like I said, what happened was no one's fault but Jimmy's, and on a larger scale, The Pony Express, due to multiple ways they fail Anya and incentivize coverups, but Curly, as captain, had a responsibility to protect his crew, but he chose to see the best in Jimmy, and he didn't take him seriously when Jimmy tells him Exactly who he is. Until he's forced to.

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[maleyanderecafe]

Jimi-Kare: My Quiet Boyfriend (Mobile)

Created by: SEEC Inc.

Genre: Otome

This one is the last of the SEEC Inc games that I'm aware of that have a yandere in it (though only in one ending). Personally out of the three games, this is probably the one I like the least, though I do really like one of the cross dressing endings. Still though, it's a fun short otome mobile game that has a nice story. If you don't want to play the game, you can view the game and all of it's endings here.

The story starts with a flashback of Nao being teased for being girly as a child. Fir protects him from the bullies and promises to always protect him no matter what. However, when they reach middle school, the two of them went to different schools and thus were not able to see each other until they went to high school. Nao has changed into a more gloomy and shy person as a result. During this time, Nao and Fir are recruited to be the class's representative for a beauty competition. To get back at an annoying classmate Ryu, Fir gets Nao to change his appearance for the contest, starting out with changing his hair, taking his glasses off and wearing his clothes differently. Fir, though a bit pushy, is able to get Nao to look more presentable for the contest. As the two of them prepare for the contest, they hang out more, reminiscing about their past, going to play at a claw machine.

As the story plays out, Fir can get Nao to decide what he wants to wear for the competition or make the decision for him. This can result in him becoming kind of like a play boy, him dressing up more cool like a prince or crossdressing as a princess and of course him becoming a bit of a yandere.

For the yandere ending, Fir forces Nao to crossdress and even walk around outside of school while crossdressing. This leads to Nao seeing on the TV that when another lady felt a bit jealous of the attention that her male friend was getting when crossdressing, leading Nao to question what he and Fir's relationship is like. When asked if Fir is just doing it to kind of make fun of him, Fir apologizes stating that she had gone too far. Nao gets annoyed, pinning Fir down and stating that he is a man and doesn't like crossdressing. Nao ends up disappearing for a while, leading to Fir getting worried and going to his house to check in on him. She seems relieved that Nao is there, though in a more depressive state than normal, wearing his hair back to the way it was and a hoodie. After bringing Fir into his room, Nao ends up pinning Fir down, believing that Fir doesn't see him as a man and therefore that she should have known it was dangerous to go into a man's room. The scene ends ominously with Fir unable to escape due to Nao's strength and Nao stating he won't hold back anymore.

SEEC Inc usually makes some pretty good but short mobile games as seem with The Search for Haru and My Puppy Fiance, but I honestly am not the biggest fan of this one. There are some good scenes in this one, especially the cross dressing ending, but there's also a bunch of things I just can't really vibe with. Fir, like the female protagonists of the other two games, is generally a pretty proactive female lead, but while the other two have a more likable personality, Fir is... very pushy. Granted, she does hold back on a lot of her pushiness as it goes on, but I feel like she often pushes Nao into things he doesn't really want to do, like change his appearance or in one branch force him to crossdress. Although Nao does consent to doing these things, it does feel like he just did them because he was pressured to and not so much because he wanted to. He does later admit that he did want to change his appearance and that he was trying to find an opportunity to, but it doesn't really seem that way when we are pushing him around. The other thing I'm not a fan of is mostly just a me thing that happens a lot in otomes, but the entire "Look at me as a man" and "You should know now to step into a man's room" kind of thing. Again, this is something that happens a lot in straight media, but I always found it pretty annoying since it implies that the guy is going to do something bad to you if you're not careful, which... don't do that? Why do we have to assume that? Anyways, Nao's entire yandere/dark route has this kind of vibe, which is partially why I'm not the biggest fan of it.

That being said it is interesting seeing how Nao's insecurities and envy basically consume his being in that ending. I think during the entire route where Fir gets Nao to crossdress, he more or less feels uncomfortable, not only because he feels awkward about it but also because he feels like she doesn't see him in a romantic way, something that eventually escalates when Fir apologizes and apparently when she goes to his house and doesn't feel awkward while in his room. Though this is a small event and we don't get to really see what happens after this encounter. I do think it is a nice setup for what could eventually come to be.

Personally I really like the Princess Ending (because of course I do), though I admit that the Prince Ending is also one that is pretty good. I think the idea of the two crossdressing and eventually confessing afterwards for the contest is pretty good and fairly cute.

Overall, My Quiet Boyfriend is a good game, even if it's not really my favorite of the series. While the yandere actions of this game are pretty light, it's still a fun thing to watch through to see just what will happen with Nao as the story goes on.

[creaturefeaster]

Is Elliot trans?? I saw on a post that it said "pre transition elliot" and that got me curious to whether it was about gender or some magical thing I missed knowing

Technically both heehee.

Yeah he's a trans dude. Him being trans doesn't have anything to do with magic, but the way he physically chose to transition was via magic :3

[stop-breaking-my-heart-dragonage]

I said I wasn't going to get started on the topic of Aveline ruining Carver's chances with the guard but I lied okay, it's Carver Hawke defense hours.

Here's the thing; it doesn't matter if you believe Carver was or wasn't fit for the guard. That's a different debate that I'll get to. What matters is Aveline's in no position to tell the guard not to accept his application. Why does she think that's her right to judge whether or not he's fit?

Carver should've had the chance to prove himself one way or another. If it turns out he's not a good fit, then let him fail. Let him learn from it.

"Oh but failure could mean lost lives-"

Aveline doesn't get to talk shit about failure and the people. Plenty have died on her watch yet she still believes she's a good guard and Guard-Captain.

"maybe Aveline's protecting him, Carver could die while on patrol-"

Carver could die working in the Bone Pit, or serving as a templar, or when he's running around with Hawke. Carver could trip and fall down a set of stairs and die. In fact, he can die in the Deep Roads, somewhere he wouldn't have to go if the Hawke's weren't desperate.

Either Carver fails as a guard, or more likely, he succeeds and proves himself worthy of it.

But let's be real, Carver probably kept getting rejected due to being a Fereldan with a past of smuggling/mercenary work and Aveline only reaffirmed the decision, either because they asked her what she thought or she stuck her nose in unprompted.

But what irritates me is that she admits to telling them not to accept his application, and then has the balls to call Carver too proud to take up a trade or find another line of work.

Carver tells her, "And who would take on a Fereldan apprentice? Maybe in another year I could work my way up to pissboy." He has a good point here. Aside from the guard, the only other place Carver could work and use his skillset is with the Templars. Or go back to mercenary/smuggling work.

And Aveline doesn't even have a real answer for him. No suggestions, no encouragement, nothing. Just "Fine, let's crawl down some holes. Good bloody luck for your sake."

Also, if you do the Mark of the Assassin DLC in Act 1-

Aveline: You should see if any of the noblemen are looking for new men-at-arms. Carver: Are you trying to get rid of me? Aveline: It's a role with some autonomy. A good fit with your training and... tendencies. Carver: After serving King Cailan? You want me to suffer some poncy git who needs two servants to wipe his own ass? I'll find my own way, thanks. Aveline: I wish you would.

You wish he would?? Aveline, he was trying to find his way into the guard, a position he'd make a good fit for, and you helped deny him of it because YOU didn't think he would be good enough, I just-

If I haven't made it clear yet, I firmly believe that Carver would've made a great guard. He wants to help people, to be a protector. He's loyal, and despite what Aveline claims, he can follow orders and take his duty seriously. We see him do incredibly well with the Grey Wardens, after all. If he were a guard, he wouldn't have to go down into the Deep Roads with Hawke, and I think he would've been okay with that! He's so hurt and bitter when you leave him behind because that effectively tells him, "I don't need you." Carver's spent the whole first act telling you he wants to go on the expedition aka that he wants to be needed.

But if he were a guard, he would be needed elsewhere. He'd be in training as a recruit. He'd look after Leandra while you go. He wouldn't be backed into a corner with no income and only the templars left as his chance at forging his own path and providing for his family.

He doesn't get that opportunity, though.

By the way, if he becomes a warden, you can get this banter:

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

This banter makes me want to scream.

Aveline's just... she's so insistent that she's right. She's someone who will double down rather than entertain the idea that she's wrong and it's not just with Carver and the guard, it's with everything. The "my beef with Aveline" list gets longer and longer every time I replay da2, I swear.

Say what you will about Carver, whether you think he would've been a good fit or if Aveline's right and it wasn't for him, he was denied a chance and it cost him so much in the end. He either dies, or he joins the templars where he deals with Chantry's bullshit trying to brainwash him with "mages aren't people" and "magic is a cancer in this world", or he's infected with the blight and becomes a Grey Warden, forced to serve the rest of his life fighting darkspawn, tormented by voices and nightmares.

I will never not be bitter about this.

[hydrachea]

I can't stop thinking about Blade saying gifts are unfamiliar.

And I can't stop thinking about Kafka and Silver Wolf, hearing that, and making it a mission to bring him gifts whenever they travel somewhere for their script - even if he's there with them. About the confusion in his eyes when they steal buy something and turn right around to hand it to him.

About his room starting out completely empty except for the bare minimum necessities, a few spare clothes and what he needs to take care his Shard Sword, but filling up with little trinkets and gifts over time. Clothes and jewelry and perfume from Kafka and posters, figures and plushies from Silver Wolf. About them also bringing food back, expensive specialties swiped from a restaurant and the weirdest option they could spot in a lone vending machine, a category of gifts that doesn't leave anything behind (except the photos they both take of the three of them eating together, or of the faces he makes when Silver Wolf manages to trick him into trying a suspicious snack while he's distracted with polishing his weapon).

About Kafka spending hours finding clothes and jewelry she thinks would suit him, because that's her love language. She gets him makeup too, refusing to let his good looks go to waste. She knows he can't put it on himself, they both do, and he doesn't care for his appearance enough otherwise - but he'll let her do his makeup for him anyway, because she enjoys it, and because he finds it soothing.

About Silver Wolf also buying him clothes, but the ones she gets aren't his style at all, and just barely his size. She gets them for him, but just so she can steal them right back - her love language is quality time, and she fills Blade's room with gifts she can borrow along with a moment of his day. It still counts as a gift, she insists, practically swimming in an oversized jacket she swiped from his closet.

About how in another life, Yingxing gave gifts to the people he loved and in this one, Blade receives them from those who love him.

[wonder-worker]

"It is too easy to dismiss [Leonor of Navarre] as an overambitious schemer who would do anything to obtain a crown, shedding the blood of her own siblings and her subjects in order to attain the throne. However, a deeper investigation of her long lieutenancy and ephemeral reign shows a woman who fought tenaciously to preserve her place but also worked tirelessly to administer a realm which was crippled by internal conflict and the center of the political schemes of France, Aragon, and Castile. She tried to broker peace, fight off those who opposed her, repair the wounds caused by conflict, protect the sovereignty of the realm, and keep the wheels of governance turning. Leonor was not always successful in achieving all of these aims but given the background of conflict and the lack of cooperation she received from all of her family members, bar her loyal husband, it is a huge achievement that she survived to wear the crown at all. Many writers have argued that Leonor deserved the troubled lieutenancy, personal tragedies, an ephemeral reign, and a blackened reputation, basing their assumption that she committed a crime that cannot be [conclusively] proven. However, a more fitting description of her would be that of a resolute ruler who successfully overcame a multitude of challenges in order to survive in a difficult political landscape and gain a hard-fought throne.”

-Elena Woodacre, "Leonor of Navarre: The Price of Ambition", Queenship, Gender and Reputation in the Medieval and Early Modern West, 1060-1600 (Edited by Zita Eva Rohr and Lisa Benz)

[futuretrain]

very good post, thank you. i love the idea of fuyumi, but her execution is very shallow and isolated, if it makes sense? and not in the way that the childhoods of todoroki kids were isolating, but in terms of storytelling. all of the todoroki siblings are like that, including shouto, because each of them and their experience and trauma get evaluated separately, and then they simply have to come together to stop touya. they talk for a bit, sure (like the very and i mean *very* brief discussion that shouto and fuyumi got to have after the family dinner in the endeavor agency arc), but we don't get to see them have much in way of interaction together without endeavor being just. there and dominating the panel space and sucking up all the oxygen in the room.

it's disheartening, because it leaves so much unaddressed. each of the siblings circle their recovery/processing around endeavor, when, considering how the subplot of the todoroki family started, it should have been about the siblings, together. shouto said "i forgot all about you", and that helped him self-realize for a moment as a whole person, not one part of a quirk and one part of legacy expectation.

and yet endeavor's presence entirely dominates the subplot thereon and to the very end of the story. the todoroki kids become extensions to endeavor's character and tools to prop him up as needed, and fuyumi, especially, i feel gets it terrible. she gets to say once that she feels a lot of the same as natsuo, yet she never gets to actually express it - it's just a throwaway line. what she is written to do (and what is never explored in relation to shouto himself or his relationship with fuyumi or fuyumi's mental state and thought process) is create convenient opportunities for endeavor to engage with shouto in a non-professional atmosphere. it's fuyumi who gets used to organize the family (and interns/friends) dinner during endeavor agency, so endeavor doesn't have to force his son who's just declared that he won't behave to him like his son during the internship to endure his presence in a personal setting, because that would make endeavor look like even more of a selfish insincere dick. it's fuyumi who gives endeavor shouto's phone number so endeavor can blow his phone up with messages during school hours(!!!), so endeavor doesn't have to work to obtain his number in a different and more intentional and forceful way, because that would make endeavor look like even more of a selfish insincere dick.

i feel like you may be on to something with the fuyumi-eri comparison, because they are characters who are used as plot devices/props and as ways for the story to answer difficult questions without really answering. for fuyumi, it's this. for eri, it's the unspoken question hovering menacingly over the entirety of mha: what should be done with people whose quirks are too strong and dangerous. even though i find the saving of eri very powerful and an overall very good moment, the logic itself that deku uses - saying that eri's quirk is healing him, ergo it's a kind quirk, ergo eri deserves to be saved - i find very dangerous, for the simple reason that it refuses to engage with the possibility that someone's quirk may not be capable of kind things, so the answer in the end by exclusion posits that people whose powerful dangerous quirks cannot perform good actions do not deserve to be saved. and that idea permeates the story till the end - if only toga had known love before, if only she'd been better, she would've wanted to be kind - to give blood instead of taking it. afo could've been the kindest quirk. till the end, the story refuses to consider that a person may not be kind, and still deserve salvation, and only dreams of worlds where that they were just kinder, so as to fit the profile of someone who deserves to be saved.

TW: ABUSE, CHILD ABUSE

“He wants to air this dirty laundry to the world does he…? Dabi, you fiend…you’ve been waiting for this moment…when they couldn’t prevent mass destruction…and faith in heroes is wavering.” - chapter 292

I truly, wholeheartedly, believe that MHA as a story upholds the myth of the perfect victim. I do not want to discuss if Horikoshi did that on purpose, or subconsciously because of inner bias – I find no meaning in doing so. For me the execution of an idea, in the grand scheme of the narrative, holds more value than the intention of the author. I’ve also had my fair share of people infantilizing Asian authors in the anime community for their poor writing decisions for one lifetime. It’s patronizing to both the author and the people reading it. Whether or not Horikoshi intended for his themes of abuse to paint the picture they did does not matter, because that’s how it reads as.

MHA puts victims of abuse in narrow boxes and softly dictates what’s an acceptable reaction to said abuse. Victims are continuously walking a tightrope between being deserving of compassion and sympathy and being unredeemable monsters who are too far gone and are only good for martyrdom after being put down.  

Eri fits the clean cut depiction of abuse victims that media usually gears towards. She is untouched by the cruelty around her - she preserves her innocence and kindness. She isn't assertive, but rather meek and passive. She doesn't fight back with force. And when offered help, she is receptive to it. That is not to say that Eri's depiction doesn't have a place in fiction, or that her portrayal can't be representative of the experiences of some - as we all deal with trauma and the inhumanity people throw at us differently. We see the same thing in the portrayal of Fuyumi, who shares many of the qualities discussed above. The same thing applies to her - i personally love the idea of all the siblings having different reaction to their childhood trauma and abuse. It shows that victims are not some type of monolith.

But the narrative treats the "forgiving" or "receptive to help/support" victims of abuse with more grace and with much more kindness. if you are willing to forgive, or the very least be quietly tolerant, the story grants you a happy ending. Forgiveness isn't a bad thing, it is an individual choice - but an abuse victim shouldn't have to do it for them to have a happy ending.

In a vacuum Eri and Fuyumi's character arcs and depictions of abuse are good but it becomes a problem when that's the only experience and type of victim we ever hold in high value or recognize as valid and deserving of compassion. Which the story reinforces.

Touya and Tenko's backstories aren't pretty nor comfortable or easy to sit through. Their responses to abuse aren't either. Reactive abuse is very much real.

[opens-up-4-nobody]

...

[goldentigerfestival]

Yuri's dialogue (JP) is so fascinating to study, like... the repetitive use of certain words/phrases that others use sparingly but he uses constantly. the way it feels like his vocabulary is more expansive than what he uses, but he defaults to a "comfort" level of speech. the way it mixes in with his sort of "street talk" words and the sheer level of informality. the way his "street talk" phrasing is contrasted by the tone of his voice (on that note, people I know who also know JP are also very endeared by these aspects of him so I KNOW IT'S NOT JUST ME!!!).

'cause the thing is, he uses phrases that yeah, other people do use, but he uses a handful over and over and over (contrast to other characters' sparing use of repetition). it's actually... really refreshing? it sounds more relatable and less "video game/anime/JRPG/RPG" writing or something, idk. like closer to how a real person would speak.

I do my best in my translations not to make things sound too stiff across the board, but Yuri makes it so easy. it's why I'm so interested in translating all his lines in Vesperia, like... the actual, original tone for him with his original wording because it's smth Eng only players don't get to experience ('cause even if you listen with JP audio, if you don't know the language, ofc you're gonna miss out on context. it's nobody's fault for not knowing, just... they unfortunately miss out). the thing is, there are a lot of times when the lines in and of themselves are not contextually incorrect in the English ver (usually the situation for smaller scenes, because they altered the text outright for more important stuff which was the stuff that originally set me off, but there were also plenty of cases of just vocal tone shifting with the correct context that still gave off the wrong impression), but Yuri's tone is shifted away from the original in Eng even though it's completely and perfectly translatable.

I am by no means about to translate the entire game because let's face it, I really don't care that much for Vesperia on the whole. I'm kinda stuck with it because Yuri's there lo and behold I actually am WAY more engaged in his stories in Rays, Link and Asteria because it's an amazing character put into circumstances where he actually gets to shine and feels more alive, which Vesperia did not provide nearly as well with its very disjointed story. also, Tales gachas have banger stories that are arguably better than the mainline games, and they regularly make Yuri a very central character to the gachas. Crestoria was also about to do it until they pulled the plug on that game and I'm pretty confident something interesting has been lost to the world. also I just generally don't have the energy or motivation to do that, so... I'll only be focusing on Yuri's lines, especially because his stuff is where the bulk of the messing around was. he's just insanely fun to translate for and I love burying myself head first into his speech.

will I actually finish this project? dunno. will I get around to posting it? whatever I get done (so all of it if I complete it), and if I decide to call it quits then I'll post what I have at the time I decide that. will it take a long time? probably, but I can always mention stuff along the way...

[omarwolaeth]

Hearing some thoughts on Rin's lines about Clear Wing.

I don't disagree that it feels off-putting or wrong (whichever you prefer to describe it as), but I imagine her reasoning doesn't necessarily boil down to seeing herself as above Yuugo (though it's very possible it partially is; they both lived in a dog eat dog world - the City - and they're commons to boot - so they're fighting one another to duel Jack up until she's kidnapped, even if Yuugo says they were going to do it together), as much as it boils down to her being the responsible one.

Yuugo really isn't, so it might possibly be that, given how dependable of a monster Clear Wing (and Crystal Wing) are, Rin thinks her burn deck is a better fit for such a monster than Yuugo's luck based deck. The answer to this is obviously no as soon as anything to do with Zarc or Ray comes into the picture (Clear Wing and Yuugo are both cut from the same quarter of the Supreme King Dragon, even if it was by En Winds.)

Or, Rin is probably jealous she doesn't have effect negation in her monsters, and is bullying Yuugo about it because she's seemingly never really dealt with her frustrations in any other way (because Yuugo's always there.) Or maybe because Clear Wing is a unique card and Rin wants a copy too.

Alternatively, this is somehow the same thing as Yuuri's sadistic streak; a hold over from their Original self, and Ray decided Clear Wing should've been one of her monsters. As if Zarc would lose one of his dragons without a fight, though.

(Additional note I think is important but couldn't figure out where to put it in; Rin's defeat line in the overworld implies to me that Yuugo expects her to win her matches, like it shouldn't be hard for her. Yuugo's never gotten angry at her even if she's gotten angry at him multiple times and she's probably afraid of what he'd think - either this hasn't happened and she's worried all his frustrations with her would ungracefully tumble out, only putting up with her because she wins and can get food on their table even if we know that wouldn't happen - he loves her so much he'll ramble about her to anyone given half a chance, or it has happened before and Rin doesn't want to experience that sort of thing again, as though it would embarrass her.) (So her self esteem is either rock bottom when it comes to losing. or she's got too much pride to admit any of her losses to the one person who adores her)

[ame-to-ame]

there are things that you don't do for a year or more and pick up just right where you left off and these days i fear loving you might be one of them

[vulpixelates]

trying to find a balance between "module that's easy to understand and follow bc i am terrified of DMing and might cry" and "module that's not boring af especcially in the first adventure bc that might be as far as i manage to get through before losing my mind and i at least want my forever DM to have fun as a player for once" is killing me lmao