#haven't done that about them in a while

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[humming-fly]

Inktober Day 31 - Happy Halloween/Last Day of Bat Week!!

[pico-o-malley]

[pineapplefulfillseveryneed]

I'm so grateful For the love that we share I'll never take it for granted That you're always there And when I think about the world And what is going on It makes me even more thankful That you're still around And I've been waiting all my life For someone I could stand And you're the only one so far Who could understand And what I'm feelin' in my heart Feelin' in my soul I couldn't ever hope to tell you I'm sure you must know

- Sparks // Let's Make Love

[marcelineuntitled]

i like this one a lot :)))

[gayofthefae]

Here it is. The Mike Wheeler Playlist Post.

So I finished it. What seems to be the end of season 4, at least. I am avoiding spoilers for myself. All 28 songs from Smalltown Boy to Mad World. Here is what I have deduced:

Mike got over El after she left and started liking Will, but when she came back, he got with her motivated by the grief of “what could have been” but once they got together he felt that the relationship was aimless, only staying because it was familiar. He pursued getting back together with her because he didn’t want to lose her, despite feeling that the spark wasn’t there anymore. His fight with Will makes him question their relationship again but he ultimately doesn’t believe Will reciprocates and regrets even going back down that path. He doesn’t know what he’s going to do when Will moves. He can’t get Will out of his head and, though secrecy is the only safe thing, he’s getting worn down with it and is increasingly considering taking action in his relationship with El because his feelings for Will make him happy and don’t seem to be going anywhere. He’s getting anxious as it gets closer but Will talking to him in the van gives him a lot of security, but then the moment comes and he lies and feels absolutely horrible about it. He feels like he’s just running in circles. More inaction. Over a year now of just inaction.

There are 19 songs left which feels like a lot for one season as I've said before but in defense of that on top of just the consistent alignment with plot points in the playlist this far, season 5 is going to go back in and reveal a lot of this stuff with some very complicated emotions and much more focus on him, his feelings, his trauma, and his overall relationship with Will. So there IS a lot there to fill songs with. If you would like to read my original semi-chaotic notes from the past 5 hours(you read that correctly. You're welcome. And yes I know the full playlist I didn't even finish is only 3.5 hours) listed by song and including bits I skipped over so that it wouldn't be horribly long, lyric quotes, and one link to a cover analysis, you can do so under the cut.

Scared closeted gay kid in a smalltown in the 80s (confirmed by the songwriter, widely known in this fandom)

He sees Will everywhere.

This girl’s really cool and knows about things I don’t

Alien abduction - ET Parallels.

This song is an instrumental but the title “In The Face of Evil” is self-explanatory

El heroically sacrificed herself for everyone. She is a hero because she is the type of person to make that choice.*sweet that his love isn't hero worship, that's just how he conveys it.

He’s haunted by the memories of El, seeing her face everywhere.

Over time, “absence makes the heart lose weight” and his feelings for her fade

He’s starting to experience a new and scarily tempting, intoxicating kind of love. (based on context…for Will)

This song is an instrumental but the title is “Beta Girl Lost in Forever”. There is a great cover art analysis by @digestionsack at #20 of the post linked here but I could not find anything on the original meaning of the song or album. I couldn't find like anything else on Google of this one's meaning there were under 300 results when I searched in quotes.

This song is a duet that looks back on the relationship of a boy who helped lift up a girl from a very low and helpless place but the girl is now gone and he wants her to need him again and a girl who always had ambitions not dependent on him from the start and appreciated the time they spent together but needed independence now.

He feels an uncontrollable love that’s taking all his focus that he “can’t shake” but “makes [him] feel so blue” (for Will given the last love song)*this is to say nothing of his self awareness. (though could have convinced himself he got over it as opposed to never having known? *consistent with the s3 fight words)

A song about teenage love. Kinda horny.*He's in love and a little bit horny in the season checks notes...without El?

It’s “Ghostbusters”. It makes sense in a literal context but for the record this song is actually very 80s-under the radar-horny like “Barbie Girl”. Probably literal in this case but I’m sure the Duffers know about the second meaning and so maybe it shouldn’t be put right after Teenage Kicks if they aren’t trying to make me at least consider the possibility that they’re meaning to say Mike is jerking off to Will, possibly while he’s possessed. I didn’t need that, Pete Duffer. (Although 13-year-old boys definitely do. I remember the back of the bus conversations on middle school jazz band trips. I'm all for openness and sex education but I know too much about your masturbatory habits, Ben.)

El comes back and he reflects on how their relationship ended so suddenly and she branched out into independence but now that she’s back he’s not gonna let her get away again.*seems like he wants to fix the past vs take action in the present. What could have been. Acting on behalf of his past self.

Their relationship feels aimless to him, but he stays because it’s familiar. “I’ll carry on with what I know”.*her dumping HIM was an important push for him.

Making mistakes is human and a natural part of relationships. He stays in the relationship despite the spark dying out of a larger, more general love for her and because he doesn’t want to lose her. “If not so in love, it’s not so wrong, we’re only human after all.”*feeling an obligation to get her back because while not dating, she's gone completely (at first)?

He left Will/his feelings for him behind but he’s reminded of them by their fight (“little deals and S.U’s”) and he questions the nature of their relationship again but he doesn’t think that it means to Will what it means to him. “A sly touch at times; I don’t think it meant anything to you”. He regrets even going down that road again. “And I should never have tried”.

He’s going to miss them when they move, seeming to specify Will with “seven years went under the bridge”. He doesn’t know what to do without him now.*this song might sort of also explain why he didn't call if he didn't but it's not sure and there are no other songs about it, so he still could have called("if you leave don't look back, I'll be running the other way" but not every lyric has to apply and it could mean something else)

He’s now set/stuck in his desire for Will and can’t get him out of his head. (I considered an angle of this being for El, but the constant thinking about the lover + the interpretation of unreciprocated a love/a pursuit didn’t fit)*one of the interpretations I read also said they think it's about a gay guy which is a great addition, though not an "official" interpretation.

He feels safest in isolation/secrecy (car=closet?) “It’s the only way to live” but he’s wearing down and feeling lonely/alone in this state so he’s starting to consider “leaving” it.

He definitely still has feelings for Will that don’t seem to be going anywhere. They’re kinda…baffling “You got me so I don’t know what I’m doing”. He’s losing sleep over them. But…he’s not mad at it “don’t ever set me free”.

He criticizes himself for his inaction and starts to seriously think about making decisions for himself.

He’s in love. (very simple lyrics: “I saw your eyes, and for a little while/though it took a while, I was falling in love” repeatedly with minor variation)

He’s worn and broken down but still wants love. He’s holding onto Will in the chaos of his mind and the world and trying to keep out of preying eyes. Also it is apparently written as tribute to Stranger Things after season 1, which is cute. “Just stay close” “You can’t stop this feeling.” “They won’t pull us down”. This song is also called “Vale of Shadows”.

Instrumental Synth called “Dead of Night”

He’s full of uncertainty as seeing El gets closer but Will talking to him in the van comforts him and gives him more security; Will’s love makes it all better. “And she pulling the strings” definitely fits this idea of the situation with Will (especially if he is aware)

He feels horrible about lying to El (The song is “Mad World”). He feels like he’s just “run[ning] in circles”.

Notable lyrics: 

[pre-season 2-season 2]

When Love Breaks Down "Absence makes the heart lose weight yeah, til love breaks down, til love breaks down" "When love breaks down, the things you do to stop the truth from hurting you. When love breaks down, the lies we tell, they only serve to fool ourselves." I really thought it would say “grow fonder”, which fit and was cute and I was fine with, but nope. And my jaw went slack and it made me want to write this whole thing.

Love is a Stranger "Love is a stranger in an open car to tempt you in and drive you far away." "Love is a dangerous drug. You have to receive it and you still can't get enough of the stuff." "Comes in like the flood and it seems like religion" "And I want you so, it's an obsession. It's guilt edged."

[season 3]

Something About You “If not so in love, it’s not so wrong. We’re only human, after all.”

Are ‘Friends’ Electric “A sly touch at times. I don’t think it meant anything to you.” “And I never should have tried.” “For you see, it meant everything to me.”

[season 4, volume 2]

Mad World “When people run in circles, it’s a very, very mad world.”

[irhabiya]

i genuinely hate when professors interrupt my presentations so much. i was already speeding through it it's all pharma and there's so much important shit to cover and she's like "skip skip khalas yallah faster" and THEN SHE COMPLAINED THAT I SEEMED OUT OF BREATH WHILE PRESENTING LADY WHAT DO YOU WANT FROM ME -_-!!!!

[tiredassmage]

They had to be taken care of. You know that.

[AUTO-SEND-PROTOCOL] Mentally composing this message in case I meet an untimely end on Ziost, which I now see is even more of a distinct possibility than when Vitiate first surfaced. The Republic has gone to war, possessed combatants line the streets of New Adasta, and you may very well like to kill me yourself. If my service here is cut short, know that it was ultimately life that I served. My own life, yes, but also Agent Shan's, Minister Beniko's, the Supreme Chancellor's, those of the millions in New Adasta and the countless masses across the entire galaxy-- even yours. If Vitiate wins, no one wins. Farewell. Agt. Rane Kovach.

[keeps-ache]

'please i have a family !! of ocs'

[mildmayfoxe]

yknow it is crazy to think about how much i have been able to improve my quality of life by selling art as a supplementary form of income. like obviously it's a second job and it's taxing but it's also so rewarding to know how much people enjoy my work and how much good it is doing me to like, feel like i can buy snacks at the store. to be able to get takeout every once in a while. like obviously those are extremely minor changes or things most people take for granted but to me it's huge. having berries in the house when they're out of season and more expensive. buying things for CONVENIENCE??! it feels so crazy to me to have such a sense of luxury which i know says more about the bleak feeling of poverty that's followed me around my entire adult life than anything else but i feel so much gratitude that i am afforded these small luxuries at least in part because of people that like my art. not to mention how nice is is to make things consistently again when, prior to 2020, i hadn't made art regularly in almost a decade. anyway. it's cool!

[sojourner-between-worlds]

I normally don't vague post about other people (and I'm not really here, even) but someone in the tag suggested that Jack would make a better Team Leader than Yusei and it made me realize something, in part, about why people think that Yusei is boring.

tl;dr: Yusei isn't boring; he was written as the MC in the wrong genre.

See, Shonen protagonists typically have the following personality traits: loud, brash, hot-headed, sometimes abrasive. Yusei is none of those things, and Jack is ALL of them. Which, I'm sure, is what led that person to say that Jack would make the better leader and what leads so many people (who are mostly only fans of Shonen anime) to say that Yusei is boring. He doesn't fit their expectations of what a Shonen protag is supposed to look like, therefore he's boring.

But the thing is, if you popped him into, say, a Slice of Life, he'd be perfectly at home (well...except for the Trademark YGO Hair anyway) and well-loved by the fan base. I can say this with fair certainty because I've at least never seen anyone say that Natsume Takashi (Natsume's Book of Friends) is boring in any way, and honestly the two of them have very similar temperaments. The difference is, obviously, the genre of their respective stories.

Slice of Life allows for its protags to be softer-spoken, more reserved; Shonen often does not.

It's time people stopped saying that Yusei is boring and just admit that they like loud, brash characters as opposed to quiet ones, and that Yusei just doesn't fit what they expect from a Shonen protagonist.

He's not boring; he was just written for the wrong genre.

[averlym]

"what could possibly go wrong?"

[coquelicoq]

these cats are a lot less scared of loud noises than they used to be, which is nice because i hate distressing them (this is their home! they live here!!). however on the other hand it does mean that turning on the stove fan when they start bothering me in the kitchen is no longer a guarantee that they will stay out of my business for any amount of time. trials and tribulations.

[mariyekos]

One day I want to write an AU where Dante and Vergil were actually born a few hundred/thousand years pre-story, which is something Dante tries to hide while Vergil doesn't. I have 2 main ideas for it- DMC1/3 Fusion AU and DMC4 AU. These got long, so I'm putting them under the cut!

In the DMC1 AU, it'd be sort of like a combination of the anime, DMC3, and what you see in DMC1. Dante'd look like he's in his late 20s for this one. He and Lady would meet because they've both been hired for the same job, then encounter each other on some odd jobs before they end up working together on a big one. Maybe Arkham killed Kalina Ann when Lady was a teenager, but didn't manage to enact the rest of his plans right away so Lady's been chasing him for a decade, hunting demons in hopes of finding a lead. Dante meanwhile just likes the human world, so he goes from place to place hunting demons until it gets too suspicious he's not aging and he has to leave. This AU'd have branching paths at the big job they take take together: the Temen-ni-gru or Mallet Island. In both cases Dante and Vergil haven't spoken for a while. Vergil's gone silent for years or even a decade or two in the past, but he'll have a bad feeling about this particular silence (for good reason).

The main difference between the two would be who Arkham allies with. In both cases, Lady isn't aware of how old Dante is, or just *who* he is until partway through. She knows he's part demon, but with the way he acts she assumes he's actually in his late twenties and the kid of a demon that was probably fairly powerful, but unknown. But the truth would come out partway through, which...would maybe change things, maybe not. It would be a shock regardless.

Back to the branches though, in Mallet you could go with the plot where Arkham is trying to revive Mundus, so Dante intervenes. This one would have a Nelo Angelo bit (making Dante feel terrible because he'd just allowed Mundus to do whatever he wanted with Vergil for who knows how long, all because he hadn't bofhered to check up on his unusually silent brother). I might have a sort of B-plot involving Lady, Arkham, and Trish to accompany the Dante, Mundus, and Vergil angle.

With the Temen-ni-gru, it would be your classic Arkham+Vergil relationship, but with a much older Vergil he wouldn't be tricked by Arkham this time. Arkham would think he has Vergil in the palm of his hand until he clearly doesn't and Vergil deals a fatal blow as soon as Arkham pulls off his betrayal. I think Lady would be pissed Vergil stole her kill, but ultimately have to back down for the Dante vs Vergil fight because with that many extra years under their belts, she'd be no match. Seeing them would be an interesting contrast though, because Vergil so clearly clings to the past (he'd be in a more Renaissance style than Dante) while Dante's all about the present and human world. This one...I think would be harder to resolve than the other one, because I'm not sure how Dante would convince someone so set in his ways (again, hundreds of years old at a minimum) to change, but it could be fun to play with.

As for the DMC4 AU, this one would be a case where Nero is still a teenager, and Dante's really surprised because oh boy, who in the *world* managed to convince Vergil to sleep with them when he'd been so uptight for centuries? And Dante's excited to have a family member and can't help but mess with them.

I think in this one it might also be fun if Fortuna was aware that Sparda had children because then you'd have a case where people potentially worship said children, whether or not they realize it's Dante. Maybe Vergil ruled Fortuna for a little while after Sparda left and that meant people knew he existed. Dante hadn't been aware he'd apparently come back, but Nero's proof enough so he's really going to have to have a talk with Vergil the next time he returns from his travels. I'm not set on whether the people of Fortuna would know that Sparda had twins, or if they'd just know about Vergil and thus be in denial that Dante could possibly be the son of Sparda because he's *so* different. In either case eventually people (or at least Nero and Kyrie) would have to reconcile Dante with the figure they'd been worshipping and that would be hard (and for Dante, hilarious). I think in this one I might make Lady part of a bloodline that has fought alongside Sparda since he split the Human and Demon worlds, sort of like the Castlevania series with Alucard and the Belmonts, while Trish would be someone Dante recruited a few decades to centuries ago (importantly, she's younger than him).

In this one I think part of the driving force would be that Dante wants humanity to be able to protect itself/prove its worth, or for Nero to protect them/prove his worth, because if they/Nero don't then Dante's worried Vergil might instead deem humanity a scourge and do something bad.

The plot of DMC4 revolves around humans using demons to fuel their own power, and in this case I think Dante will have found out about what Fortuna was doing too late to erase what they've done, so it's a case where humans need to prove that there are more good humans than bad humans so Vergil doesn't slam down the hammer. Dante can encourage them in the right direction, but he can't carry them the whole way. If he does then Vergil will deem his interference proof of humanity's weakness and do...Dante isn't totally sure what, but he doesn't like how Vergil's been the past few decades and he's increasingly been feeling like Vergil might decide he's had enough of the human world and side with the members of the demon world Dante *knows* have been slipping through the border to speak to Vergil. And while Dante doesn't think he'd *lose* to Vergil, the battle would lead to immense destruction and would weaken them enough that Dante's fairly sure Mundus or some other demon would take advantage of the chance to invade the human world while they're in no state to defend it.

...Anyway! That's two/three ideas for first that I will...maybe get to, one day, once I finish the million other fic ideas I have. I just really like the concept of "totally goofy guy is actually super old" or "frustratingly unserious guy is actually one of the guys you grew up worshipping, somehow." I think there's a lot of room for fun there.

[mechazushi]

Kaiju Number 8 Incorrect Quotes <take 6>

*depressed Iharu sitting on a bench* *Aoi and Haruichi come over and sit on either side of him* *Few minutes of silence later* Haruichi: Wah nee nah nu nee nu nee nu Wah nee nah nu nee nu nee nu- Aoi: *Starts thumping out the beat on the wall behind them* Iharu: . . . Iharu: SHE'S GOT A SMILE THAT SEEMS TO ME, REMINDS ME OF CHILDHOOD MEMORIES-!

[cathalbravecog]

i'm the antonymph of the internet