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lumpsbumpsandwhumps · 10 months ago

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[scrambles into the room at high speed, slams into the door, falls flat on my face]

I JUST FINISHED HELL FEST AND I HAVE THINGS. TO. SAY!!

For one, I liked the friends more than I thought I would! Honestly got upset they ended up dead, and it’s a surprising twist we have two final girls instead of one. (Of course, Natalie is the true one)

And ok- ok- I am a lover of soft yanderes and the likes but… I am very well starting to see your appeal in the dark and dangerous- (especially the tension when The Other first steps up to Natalie, the dangerous air curling between them that we the audience are aware and she is completely oblivious to)

And the scare actor aspect- where an actor has the full capabilities and liability to throw you over their shoulder and run off. I am… I am a civil, logical, sane person, ok? Alright? But…. c’mon, that’s hot. (Aw, you could’ve kidnapped anyone but you picked me?? Awww, I’m blushing)

[rubs hands together deviously] Moving onto The Other!!

When he snatches the photos? No need for that, it won’t really help amp up his creep mode. There isn’t any purpose if you only consider it a benefit to his stalking and murder. But to have something of Natalie? To have a personal momento of her? When she’s vulnerable and smiling? (Plus, there’s two photo strips, he only dropped one in the bathroom, he kept one throughout the entire night and I’m assuming he took it home after all that)

Going from that- he could’ve killed her best friend when she ran after him for the photos! There was a ton of time while she was alone and it was an off limits area, no one likely would’ve found her for a awhile. Did he go for her? No

Because his first victim was Gavin, who has an obvious crush on Natalie. Tell me it wasn’t jealousy!! “I have a surprise for you!” Really? Really?? With the exclamation mark and everything??

And when the ride breaks down! What other actor would slowly creep up to her while she’s having the breakdown and ride with her?? I really, really doubt that’s protocol. Especially! ESPECIALLY! When he extends his hand to help her off the ride???? What minimum wage worker do you know would do that??!

[head in hands, banging my fists on the table] THE WAY. HE. REACHES FOR HER HAIR IN THE BATHROOM. IT IS SOFT. IT IS ABSOLUTELY SOFT. She was alone and vulnerable! And he doesn’t hurt her one bit! Even though he’s armed and dangerous! He doesn’t even grab her hair! He just pets it!

I am also delusional enough to claim he controlled himself from hurting her when she stabbed him. He had a long reach weapon, he was taken off guard and went crashing to the ground. For a man of his wit and the fact he’s done this before, I fully believe he had the capability to get one last swing on her as he went down. But he didn’t!!

Where is the lie???? How does no one else see this????

LET ME TELL YOU MY VERY NORMAL AND LOGICAL THOUGHTS ABOUT THIS MOVIE. LET ME TELL YOU MY TRUTH AND MY GOSPEL.

Yes!! I was pleasantly surprised by how much I actually liked everyone in the friend group! There's no inner bitchy fighting between the girls (aside from the beginning because of old school days drama, but that's squashed pretty quick once they get to Hell Fest). None of the guys are creepers. They're actively trying to get their two lovebird friends together because they know the feelings are mutual. It's refreshing to have a cast that's entirely likable, especially because then there's less tropes to rely on when it comes to who's getting hacked next (I really thought Nat and Taylor were gonna be the sole survivors because of the foil "we hated each other the first 10 min but now we're trauma bonded besties". I really like that Nat and Brooke can keep their promise to each other about going to Spain after all :,) )

SO LET'S REVISIT THE PHOTOS:

Not only did The Other take the photos of a cutesy, smiling Nat as his future momento (and yeah, he did keep the second one, it's what he puts in his mask box :3), but I like to see it as the first sign of true infatuation. We've seen before he doesn't take too kindly when people insult him for "not being scary". He already chased one girl into the haunted house for such an infraction, and he got real fucking close to Nat's personal space when she made a similar comment. But she laughs it off, points out the previous hiding girl, sticks around to watch after her friends bail and then goads him into making the kill. Yeah, she thought it was just an act...

...but you cannot tell me that motherfucker didn't get some heart eyes for her right then and there!!! She assisted him in murder!!! And he knows she (kinda) knows and he's so into it. The little "shh" finger to the lips he gives her as she runs back to her friends, like baby's first accidental accessory is a secret safe between them? Taylor even point blank saying "oh, looks like you made a friend ;)"? Chef's kiss is not enough, chef's sloppy toppy is in order.

So of course, first kill? Gotta be Gavin. Bye bitch. He literally has photographic evidence of you smoochin' up his new dream girl. And I love, love that he still texts Nat throughout the night too pretending to be Gavin with little exclamation points and emojis later on. What a dork. Murderous, but a dork. Side note, sorry, but I hated the humming. Pick a better song or shut up lmao.

Now I know, I know, The Other scare actor from the ride is not actually The Real Other (diff jacket and shoes), but like you, I am delulu and in love, so I am also choosing to believe that was really him toying with her struggles and hitching a ride out front with the perfect view of seeing her cower between his legs. What a gentleman helping her out!! So much better than Gavin, right?

What kills me about the hairdryer scene was that he only did that for his own gratification. She never realized he was there, he was gone when she finally opened her eyes, he gave her 0 scare or anxiety. There was literally no reason for him to do that as it would have had no affect on their cat and mouse game, but he did it anyway, because he wanted to and he's a simp. And then seconds later, rattling the stall door and grabbing her hair??? He could have fucked her up so easily, especially when she was alone and trapped, but he only wanted to frighten her. Again, a gentlemen!!

Blah blah blah, friends dying whatever BUT. The part when Nat gets separated in a maze and he appears behind the glass wall to stare at her. Banging his fist on the window while she freaks out? Excellent. Side note, notice how he's only targeting her group of friends? For the sole purpose of unnerving/upsetting her, sure, but also as an excuse to stay two steps behind her at all times while slowly isolating her >:3c Like this park has hundreds, if not thousands, of fresh meat. He killed the first girl in a matter of minutes, meanwhile he's been stalking Nat for hours and picking off 4 besties when he could have been slaughtering it up elsewhere. Girl's got a hold on him if he'd rather dedicate his limited time for murder solely on her hmhmhm.

AND ONCE MORE WHEN HE'S GOT HER AND BROOKE TRAPPED IN THE FINAL HOUSE. 1) He swings his axe down and cuts Brooke, not Nat, despite her being 2 inches in the left and the one who kicked off this whole chain of events. He could have wounded her, but he didn't. 2) When Nat tries to fight him in the mannequin room, he eventually overpowers her to the floor. Again, he could have swung his axe down right on her, killed her in seconds. But he didn't. He made the deliberate decision to just knock her in the face with the hilt (not even hard enough to break her nose, just bloody it up!). My money is on that he was probably intending to knock her out while he finished up with Brooke so that they could have proper, uninterrupted alone time before the cops showed up...

Gaslight Gatekeep Girlboss, the ladies are safe, homeboy goes home despite still having a gut wound but acting like it doesn't bother him in the slightest I guess. Puts away his masks, saves the pictures of her with the rest of his former trophies, for the reveal that...The Other is a certified DILF. Why are we sleeping on that fact. I don't care what his actual actor looks like, we never see his face in the movie so I can imagine it however I want and if he is canonically a father whomst I want to fuck, that makes him a goddamn DILF. And when he's looking at his daughter, he does the lil *clench fist* Arthur meme, which he also did several times with Nat, which I'm going to foolishly interoperate as him either repressing himself or maybe as a tell when he looks at someone with adoration. Like, that little girl is so happy to see him home and rushes to give him a hug (which he kneels down to give her that's so cuuuuuute), she asks if he got her a gift and he actually did. He's a good daddy, clearly capable of a soft spot.

Thank you for coming to my TEDTalk about dangerous yandere slashers where you are the only member in the audience and you're not allowed to leave under any circumstance. I will continue to be a slasher x final girl truther and Hell Fest is one of my biggest and most recent examples of everything we could have had if the writers weren't cowards but instead horny on main like me.

Also thank you for validating me about the scare actor thing like when I tell you I have that fantasy every time I go to HHN. Just waiting for someone to hoist me away while I'm in a barely lit attraction, people assuming my shriek and brief struggles are just part of the act, while I'm realizing the actors aren't supposed to really be touching me but it's too late as I'm dragged further into the darkness...I would not fight to survive because I would be down on one knee proposing to my future slasher spouse right then and there.

#ask #unnamed-blob #im not okay about this movie why must i be continually blueballed

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w1zard0foz · 1 year ago

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The way people are reacting to the season finale of ofmd is seriously making me consider leaving the fandom which sucks because I’ve met a lot of great people through this show. I love ofmd and I always will. This show means so much to me and I know it does to a lot of other people as well, but some of you are acting ridiculous right now.

This is in no way an endorsement of the hate Izzy has also been receiving. The whole “who abused who thing” when it comes to Izzy and Ed is a topic for another time and i can tell you now the answer is both of them and neither of them at the same time.

Character death is not an uncommon plot point for any show, not even a comedy series. I just can’t help but some people are taking this a little bit too far. Was izzy’s death tragic? Absolutely, I am not trying to argue that. I would love for him to be alive, really. I know some of you will just write this off as me not caring as about him as you do, but this goes for any character- in any show.

I have watched a lot of TV and movies. I have experienced my fair share of major character death- and even just minor characters that I really love. I know it hurts a lot, but don’t attack the writers over it. the cast and crew worked hard to create this season for you. You think this show means something to you? I promise you that it means just as much, if not more, to them. They poured their hearts into this season. I know it seemed rushed, but we knew the budget was tight. That’s the whole reason that they were in New Zealand in the first place. I wish that they had split the last two episodes into three or four episodes, but I would rather a rushed season than no season at all.

I don’t know about the rest of you, but to me, a show is more than just the plot. It’s the actors, and more specifically, their acting. When something like major character death happens you get to really see how good of an actor someone is. A big part of the reason this death hurt so much was because of Con and Taika’s incredible performance. The emotion and depth that the entire cast put into their performance this season more than makes up for any issues I have with the overall plot. Maybe I’m just a masochistic person, but if a show doesn’t have moments like these, I’m not really interested in watching it.

I’ve been seeing a lot of people complaining that the other characters got over Izzy’s death too quickly, but frankly, we don’t know how much time passed between Izzy’s death and the Lupete wedding. They could have been mourning for weeks or even months before they had the wedding. Honestly, even if they happened only a few days apart, it’s not the weirdest thing. The death of a loved one can have different effects on different people. Perhaps Lucius and Pete decided that after seeing someone the loved die, they didn’t want to waste any of the time they still had together. We also don’t know how much time went into Stede’s decision to leave the Revenge. We didn’t get to see the tearful goodbyes, but that doesn’t mean they didn’t happen.

I don’t know about they rest of the fandom, but I loved this season. It makes me sad to see how many people are hating on the show right now because of Izzy’s death. I’ve been seeing an alarming amount of people calling his death the “bury your gays” trope. That is not at all what happened here. That term is used to refer to when a queer character is killed because they were queer. Not every queer character death falls into this category, especially not Izzy’s. His death had absolutely nothing to do with him being queer. In order to reach that conclusion, you would have to ignore the fact that the representation in this show is some of the best we’ve ever had and the fact that you couldn’t throw a dart blindfolded without hitting a queer character. I’ve also seen people calling his death queerbaiting and I just can’t see why people would think that other than that they really don’t understand what that word means.

Anyway, if you are unhappy with the way this season of ofmd unfolded, might I suggest Ao3 as a coping mechanism?

#ofmd #ofmd 2 #ofmd s2 spoilers #izzy hands #izzy hands death #our flag means death #ofmd s2 #ofmd spoilers #ofmd season 2

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dangermousie · 3 years ago

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Hello !

I was wondering whether you could rate and tell us of your top 5 favourite webnovels/cnovels of all time ?! (Sorry if this has already been answered lol😅)

Thank you, stay safe and have a nice day🖤

Awww, thank you and that is such a lovely ask!!!

From n1 to n5, here they are (they happen to be all danmei.)

1. The Husky and His White Cat Shizun (2ha) - my n1 forever and ever.

Taxian Jun, the horrific cultivation emperor of the world who razed cities and destroyed sects, is surrounded on his mountain. The righteous sects are terrified to confront him but tired of living, Taxian Jun consumes poison and dies by suicide at the age of 32. And opens his eyes as 16 year old Mo Ran, Mo Ran long before he became Taxian Jun, Mo Ran who is excited at a chance to save the one person he loved and lost. Oh, and to deal with his loathed shizun, the unapproachable and strict Chu Wanning, his past life’s biggest enemy.

I have no idea if it’s objectively the best on this list but it hits every trope I love, its bleak worldview (the world will change only incrementally but that’s enough, average person will not appreciate the sacrifice but it’s still worthwhile, and love is worth everything) mirrors mine, and the sheer complexity of the plot and cascade of plot twists each of which is insane and yet completely logical, is amazing (this is a rare novel where it’s even more fun to reread than read for the first time because you keep seeing all the hints and trail crumbs laid out that you did not see the first time.)

And the characters!!! I mean, this novel has multiple universes/timelines, a side trip to the Underworld AND the demon realm, a plot more twisted than a store’s worth of pretzels and yet the thing that hits me the most are the characters. Mo Ran is my favorite web novel character of all time and I love Chu Wanning so. All the secondary characters are wonderfully written (and some of them made me bawl) and they are all complex. My opinion of all of them changed many times over; the novel doesn’t make it easy to love some of them but then you do and it’s so worthwhile! That slow change is one of the delights of the novel - I started out disliking the unpleasant, superior Chu Wanning and cruel, callow Mo Ran and then I loved them so so hard and cried for them so so hard and was in awe of their heroism and sacrifice and selflessness and capacity to love.

Oh, and the fact that this novel does something almost impossible - it has its protagonist start out as so clearly irredeemable and then slowly and painfully and thoroughly redeems him (without ever letting the reader forget what it is he needs redemption for.)

Also, for a novel that made me cry so hard I felt ill, this book is just so damn funny with the most sarcastic sense of humor imaginable (the serious angst doesn’t even kick in until 90+ chapters!)

Anyway I should stop or I will write a dissertation. But this is the one web novel that I would put in my top 5 not just web novels but any novels in any shape or form. The plentiful trigger warnings are there for a reason so stay away if they are an issue, but if not, if anyone hasn’t read it yet, what are you doing with your life?!

2. Stains of Filth (Yuwu) - another novel by the author of 2ha. Clearly she just pushes all my buttons every time. This one is much shorter and has a plot that is twisty but less twisty than 2ha. Still, all that means is that intensity and the pain are more concentrated.

Aristocratic Mo Xi and former slave Gu Mang were both legendary generals of the empire and lovers. But Gu Mang betrayed the country and switched to the enemy. Now he is back as a peace offering by that country and Mo Xi has to deal with the fact that his feelings are as strong as ever.

This novel!!! So much pain and intensity!!! So many amazing plot twists and supporting characters. The same bleak world view, the same unjust society, the same protagonists doing right things despite the cost. Mo Xi’s intensity and inability to let go (he’s imprinted on Gu Mang and that’s it) is romantic, bone-shakingly intense, and tragic all at once. And oh Gu Mang! So many times I just wanted to reach into the book physically to protect him. The novel deals with unjust societies, memory versus personality, what it’s like to be good in a bad universe etc. And it both made me sob and giggle, repeatedly, and sold me on literally death-defying (but not honor-defying!) love.

Oh, and special shout out to the fact that like 2ha, you may start out hating some characters and end up a rabid fangirl (cough Murong Lian!)

3. Qiang Jin Jiu - a dense political tome that takes a while to get going but then it’s a runaway train.

In a fictional dynasty, Shen Zechuan, the only remaining son of a disgraced aristocratic family and Xiao Chiye, the younger son of a family of generals guarding the border join forces (and then something else) to get power and pull down the dysfunctional system.

This is so elegant and smart (a rare web novel I’d recommend to anyone who just loves solid period fiction) and you probably need a notebook to keep track of the politics and military strategy. These characters are very very smart not just because the author says so.

As to the characters, there is a large cast and I love many of them, but for me the novel is made by Shen Zechuan and Xiao Chiye. SZC is gorgeous and delicate and icy and can kill you before you have time to blink. Saddled with the sins of the family he had no pleasant interaction with, he claws his way out of hell (seeing the sinkhole he was trapped in, literally as well) to take down those who wronged him but also to amass power so all the tragedy and corruption won’t happen again and the whole rotten system comes crashing down. XCY is a military genius who is trapped as a hostage in the capital because the court doesn’t trust his family. He longs to return to the plains of home and to take his rightful place. The two men start out as bitter enemies, then reluctant and sniping allies, then as friends and eventually as one of the most gorgeous, tender, swoony OTPs.

Anyway this is one is a bona fide masterpiece, equal parts smart and emotionally intense.

4. Wu Chang Jie - are you an emotional vampire? I am and this novel is a banquet.

In a highly fantastical setting, we meet our protagonists - the sunny Xie Bian and the intense and surly Fan Wushe. Xie Bian is a human who assists his master in conveying souls to the underworld and making sure no mishaps happen. Bian is concentrated sunshine in human form and to meet him is to love him. When the novel opens, his drunk master brings back another human to be his shidi and assist with duties - said human is uncommunicative, intense and surly Wushe. Bian is excited to have a shidi but little does he know that a story dealing with the horrors of past lifetime is about to start.

Anyway, why WCJ? So many reasons. It has such a dark bleak worldview - this world is a horrifying system where powerful cannibalize each other’s cores for an impossible chance to ascend, where gods have sealed off their realm and all that’s left is neverending human misery and hell (the only way you’d see a deity is if they’d been sent down to suffer over and over and over), where even reincarnation doesn’t fix things and bad acts are often unpunished. And the novel then asks - is it worth being a good person in such a world? More, is it worth being a good person in such a world when nothing good has ever happened to you and you have been repeatedly betrayed due to your goodness? And the answer, on Bian’s part, is an uncompromising yes.

Ah yes, the other reason to love this novel - the protagonists and their fucked up fucked up relationship. Bian (who was Prince Ziheng in the past life) is so genuinely good. But he is that rare thing - good but not saintly, noble but not cloying. So much of the novel is his getting taken apart over and over and barely able to put himself back together every time but his soul is still as amazing as ever.

And then there is Wushe (who was Prince Zixiao in past life, Ziheng’s not-bio-related brother.) Wushe is not a good person. He is a monster. And he loves Bian/Ziheng more than his life and his soul and the entire world but he’s also the one who hurt him more than anyone else ever could and did it over and over. His love survived a literal century of torture in the worst kind of hell and refused the usual memory loss of new life. But it also humiliated and broke Ziheng down to his constituent parts.

One of the things that is so fascinating to me about this novel is the question of what can be forgiven/what should be forgiven/what kind of expiation is enough/can you ever love someone who you loved so much and then he hurt you so badly and is now repentant? And it never sweeps trauma under the rug or hand waves it away but deals with it head on.

If you want healthy relationships, you should stay far away from this novel but if intense insane ones with a feral barely human one capable of destroying the world leashed by love and guilt to the sane deeply good one is your bag, come right in.

There is also the world building and the fact that yes, the big fall out between Ziheng x Zixiao is based on not knowing all the facts but it’s not “why can’t you talk?! This is dumb!” But is totally in keeping with both events and their characters. It’s reasonable for Ziheng to do what he does and for Zixiao to misunderstand and decide Ziheng is now his biggest enemy (but still one he’s fixated on) and for Ziheng to never be able to clarify.

Anyway, once again this is trigger warning central so please heed those, but if they are no issue, this one is wonderful.

5. OK, this is hard and switches between Sha Po Lang, Heaven Official’s Blessing and The Golden Stage depending on my mood. So what the hell, I am gonna write about all of them.

Sha Po Lang - so smart and so much clever world building. There is enough politicking to satisfy a Qiang Jin Jiu fan, it’s steampunk, and our two protagonists - Gu Yun, the empire’s most powerful general, who’s loyal to the empire despite being badly wronged by it, and Chang Geng, a cursed prince with barbarian blood and horrifying childhood - are wonderful separately and together. This is a huge slow burn but it’s totally worth it! They fall in love with each other’s hearts and brains and ability as much as anything. (Yes, this is the one with the yifu thing. Gu Yun is made Chang Geng’s foster father when he rescues him and brings him back to the capital as a way to keep CG safe in imperial strife. They are 12 and 19 at the time so clearly it’s never a parental relationship.)

Heaven Official’s Blessing (TCGF) - I love it’s sprawling narrative and cast, I love its inventive setting and picaresque story. It’s hilarious and can make me cry. But the novel’s place on this list is due to Xie Lian who is part Kenshin part drama WWX part pure goodness wrapped in heartbreak and trauma wrapped in sunshine.

The Golden Stage - two smart and principled (yes, they both have principles different though they may be) men navigate their arranged marriage, their past friendship and their past break up, become a super couple (one of the healthiest danmei couples I’ve ever read and proves healthy doesn’t have to be boring), save the country and bring down the emperor or two and just generally this is my rainy day book.

I guess I didn’t write as much for the three n5 candidates as I did for 1-4 but my brain is beginning to curdle so...

#cnovel #heaven official's blessing #2ha #yuwu #sha po lang #qiang jin jiu #wu chang jie #the golden stage #tcgf #asks

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therealtsk · 3 years ago

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tsk i’m DYING to hear your play-by-play on which worm characters have dumb fanon interpretations

UH OH YOU JUST OPENED THE FLOODGATES so the short answer is pretty much every major character but I am a high-effort bitch so let's do this: Taylor Hebert: jfc, I could probably hit a word count limit talking about Taylor alone. First you have the dumb as shit TINO (Taylor In Name Only) phenomenon where people just straight up SI as Taylor but pretend it's her and she's basically a different person wearing Taylor's skin like an ill-fitting suit. Then there's the Memetic Escalator Taylor interpretation where Taylor's Warlord era characterization is flanderized so hard that she turns into her world's version of Doomguy where her response to literally everything is ultra violence, mutilation and torture and she can totally beat up anyone you guys hahah coin sock goes brrrrr you go brutalize those totally deserving victims queen. And then there's shy, stuttering, soft spoken "useless lesbian" Taylor which is not as common but still, fuckin straight men and the way they infantize gay women. Taylor is perhaps the most consistently inconsistent characterization I've seen in fandom, it's fucking wild Lisa Wilbourn: Has two fanon settings. Taylor's best friend who exists solely to give exposition and get the "Stop Coil" subplot rolling (occasional gay subtext will be added in a way that feels fetishy) Or, the evil bitchy blonde who is first target of the SI. I constantly wonder if the people who write the frankly masturbatory SI's are aware that we can tell they're still bitter about girls not dating them in highschool. Brian: basically does not exist in fic aside from the occasional joke cause racism and also because of how popular wlw ships are in Worm fandom. you deserve better dude Alec: has a few token appearances in wormfic fandom that usually have him as the comic relief alongside Aisha, which might actually be for the best considering he's a rapist and the Worm fandom's uhhhh tendencies. Moving on- Aisha: prankster girl that alt!Taylor will adopt as a younger sibling. hopefully is not part of the totally-not-a-harem considering she's even younger then the rest of these teens Bitch: Another girl to fall into alt!Taylor's definitely-not-a-harem, but with more butch tendencies. Basically has no personality in fanon outside of her dogs Parian: SHE DOESN'T HAVE A SHOP FFS also another member of Taylor's totally-not-a-harem Flechette: yeah it's a harem Sophia: holy shit you think Brian's bad? The racism in pretty much every fanon depiction of Sophia is off the charts. Hyper-violent, super edgy, "predator/prey" speech inbound, will get humilated/killed in some new, supposedly satisfying but actually just deeply uncomfortable way, probably throw in some E88 shit too just because Emma: again, do the writers know we can tell they're still malding over the fact that the pretty girls in highschool didn't date them? fanon emma is pretty much a cardboard cut out of whoever was mean to the author. something something bitches three Madison: in fanon has a C53 fetish, occasionally is also Browbeat. don't ask why Victoria: gets hit with the blonde stereotypes even harder then Lisa, "Collateral Damage Barbie" is one of the phrases that activates my flight or fight responses. she basically is an entirely different character in fanon. bubbly dumb blonde girl with a massive temper and well other sexist bullshiit Amy: I hate even touching this character with a ten foot pole but basically is hit with the "soft useless lesbian" trope hard enough to make her into a completely separate person from her canon self. whether or not this is a good thing is still up for debate Carol: in fanon, an evil bitch who exists solely to bully Amy Mark: who? The rest of New Wave: cannon fodder for Leviathan Danny Hebert: literally stale milk instead of a personality, will probably die before the fic is over but we won't care because the author did not care either Armsmaster: hahaha robotman go brrrr or is an arrogant self-aggrandizing shit, can't interact with people without Dragon helping him 24/7 Miss Militia: fanon bat'd into team mom,

idk where this came from considering her first instinct upon seeing children is to pull out a gun holy shit wait is she actually Taylor's true mom- Velocity: canon fodder for levi Battery & Assault: sitcom wife, sitcom husband! please ignore how fucked up this relationship is if you look at it for more than two seconds Dauntless: haha armsy is JEALOUS also cannon fodder for levi Triumph: who? The BB wards in general tend to be incredibly bland, the only ones who have fanon personalities of note are Clockblocker and Vista. The former being such a huge prankster that every other line is a joke- or him complaining about how BULLSHIT Alt!Taylor's powers are. Vista is an angry kiddo who says that Shadow Stalker doesn't count as being a girl on the team The E88: no personality for any of them except that Kaiser is noble and really isn't that bad and also Purity did nothing wrong totally she's just a hot mom trying to do her best, please ignore how she exclusively targets characters of color and literally calls white criminals more civilized than miniorities- the worm fandom has something of a nazi problem i hate it here The ABB: racism and honorable samurai lung even though that has no canon basis so again, racist stereotypes The Slaughterhouse 9: This one makes me just as sad as the Lisa shit because dear god this is such a good cast of villains that fanon completely flattens to bowling pins for the Alt!Taylor of the week to mow down, why does this fandom suck so much. Anyway Jack is just the Joker, Crawler is masochistic, etc i'm moving on now The PRT/Protectorate as a whole: They are an evil paramilitary organization that pressgangs kids into signing up to become child soldiers, and somehow at the same time, they are a bunch of idiots who listen to the PR department and have stupid things like RULES that prevent capes from COMMITTING VIOLENCE. Being called "the biggest gang of all" is common and some shit like "at least the criminals are honest" is a likely statement. Cauldron: whoo boy this one really boils my blood but fanon Cauldron are just a bunch of evil idiots who can't even tie their shoelaces. basically a bunch of dudebros are upset that women run the world and that two of them essentially have "I win" powers so they have to make them lose to their SI- er, Taylor in fics so they can assuage their masculinity, which totally isn't pathetic Scion: Is at once the end all be all of worm you can't write a wormfic without scion or else it's TOTALLY MEANINGLESS because what is the point of a story if all the characters are going to DIE in a few years anyway, and at the same time is incredibly easy to defeat- this ties into how Cauldron is stupid. Scion Truthers pls shut up and go read something else okay I think that's everyone I would apologize but the only thing I'm sorry for is how messy this is

#Worm #Parahumans #Worm Fanfic #Worm Fanon #if you can't tell #I'm a little annoyed with the worm fanfic fandom #dear SI writers stop being such creeps #and nazis pls fucking leave we don't want you here go away

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haidyn-reeves · 4 years ago

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Lie to Me

Summary: The classic truth spell trope with a wicked twist.

Pairing: Dean x Female!Reader

Word Count: 4948

Warnings: Dean’s an asshole. Angst makes the world go ‘round. Insecurities briefly mentioned. Did I mention Dean’s an asshole? Fluff if you squint.

A/N: I’m back! This is my entry for @jawritter‘s Make Me Cry challenge and @deanwanddamons 2k Celebration! My prompts are in bold. I hope y’all enjoy!

It was no secret that Dean had changed since he took the Mark of Cain. He was more reckless than normal, which only progressed after taking out the entire Stine family for what they did to Charlie and almost did to Y/N. Y/N was in the bunker when the Stines invaded, resorting to hiding in one of the trunks of the classic cars in the garage to stay safe. Once Dean left Castiel bloody and battered in the library, he raced to the garage, having told Y/N not to move until he came for her. When he found her, his features only softened once he saw how terrified she was of him; the amount of blood covering his clothes and hands was enough to turn her stomach. Y/N, as usual, did her best to clean up the older Winchester, using it as a way to distract her from what happened only hours prior. When it was time to say goodbye to Charlie, Y/N separated herself from the brothers, the tension between them so thick you needed a chainsaw to cut through. Dean tossed some heated remarks to Sam and Y/N sank to the muddy ground, furious that this was happening in front of the pyre that held their dear friend. Dean stormed off and Sam came around to help her up, the pair watching the bow-legged hunter climb into his Impala and drive away.

Dean was angry, and the only way he knew how to release that anger was to hunt and kill whatever he could. He scoured the news, desperate to find something he could take down, preferably alone. He couldn’t look at Sam, blaming his brother for the death of his surrogate sister. He didn’t want to bring Y/N with him, he just wanted to drive, hunt, and kill.

Dean found a case, one that would hopefully settle the Mark’s need for blood and his own anger. The fact that it was a witch was an added bonus.

He left in the middle of the night when Sam and Y/N couldn’t try to stop him or tag along. He felt a little bad leaving Y/N behind but the Mark stung too badly for him to care at the moment. He wouldn’t be gone long, the case was only two states over, he’d back soon enough.

In the bunker, Y/N was pissed that Dean was ignoring her calls. Sam expected it, he knew how angry Dean was, so he expected for his brother to ignore him, but Y/N? He adored her, for Dean to ignore her was unlike him. Y/N was confused, she wasn’t part of the plot to save Dean, Sam explicitly kept her out of the loop because he knew asking her to sneak behind Dean’s back was out of the question. She was loyal to the older Winchester, to a fault, and asking her to go against his wishes was more than even Sam could muster.

Ever since the Stines invaded and killed Charlie, Y/N was thinking about her feelings for Dean. She called him immediately when they broke the door down and he’s the one who instructed her to hide in the garage; it was a plan the two agreed on for these situations. While she was hiding in the trunk of one of the vintage vehicles, all she could think about was that she could die and never be able to tell Dean how she felt. She decided then that she’d tell him, and soon. That’s why she was so upset that he left without telling her, it just prolonged her getting everything out in the open.

While the two waited in the bunker for Dean’s return, Dean handled the witch with ease. She tried at the last minute to hit him with what he assumed was a spell of sorts, but the witch killing bullet was in her before she could finish the incantation. He felt better, the Mark’s hunger was satiated, and there was one less witch causing trouble. A win all around, in his book.

Y/N was sitting in the library researching when the bunker door opened three days later. She was trying to keep the hurt and the anger at bay, still upset that Dean was ignoring her for reasons she couldn’t figure out while she was ready to tell him how she felt. Sam was out grabbing dinner, she assumed it was him.

“That was fast,” she remarked, getting up to help him unpack, until she was face to face with Dean. “Oh, not Sam. Welcome home.” She moved to greet him with a hug, only for him to step back out of her reach. Her face fell, Dean never rejected her touch, even with the Mark. “Dean?”

“Don’t touch me,” he growled, “I hate it when you throw yourself at me like that.”

“You…what? Since when?”

“Since forever. Just shows how clingy you are.”

Y/N stared in shock before letting her eyes cast to the floor, the heat in her cheeks so warm coupled with his venomous glare that she was growing physically uncomfortable before him. “I’m s-sorry. I didn’t realize…I thought we…I thought you and I…“

“What? You thought there was something here?” Dean motioned between the two of them. “Far from it.” He looked her over, his eyes running over her figure. “You think I’d ever want you?”

“I…I thought m-maybe…”

“Well I don’t. I don’t even want you here.”

“That’s not true,” she whispered, knowing if she was really that unwelcome, he’d have no problem kicking her out.

“True? You want the truth? Oh, sweetheart, you can’t handle the truth. But I’ll give it to you. Don’t you think if I wanted you, I’d have done something by now? You’re just another burden that was dumped on me that I didn’t ask for.” He paused, circling the war table, Y/N visibly shaking before him as she tried to keep herself composed, though it was obvious she was already broken at his words. “You’re always in the way, you know? You’re one more person I have to protect on hunts, since you’re not exactly reliable these days. Maybe if you were in shape you’d be less of a liability, then I wouldn’t have to constantly be saving your sorry ass-“

“Dean!” Sam barked, “What the hell is wrong with you?”

Y/N hadn’t even heard him come in, the blood was pounding in her ears as she fought back tears, refusing to cry in front of Dean for fear he’d throw that in her face, too. He already implied she was fat, using her biggest insecurity against her, she didn’t need him throwing another one her way.

“What? I’m just saying,” Dean shrugged.

“You don’t just say that,” Sam glared before shooting a knowing look to Y/N, nodding his head towards the kitchen. She took the hint and all but ran out of the room. “What the hell could she have said to make you say that to her? She didn’t do anything to you.”

“She’s just annoying, another mouth to feed, a cockblock at the bar. We don’t need her here bringing us down. I wish she’d just leave.”

“Do you even hear yourself? That’s Y/N. She’s done more for us than anyone else has. She takes care of us when we’re sick and hurt, she puts up with our shit, specifically all of your shit and you…what the fuck Dean?”

Dean rolled his eyes, picking up his bags and turning to leave the room. Sam watched in disbelief before joining Y/N in the kitchen finding her with her head in her hands at the table. “Hey, hey, shhhh,” he whispered, sitting down next to her and pulling her into his arms. She sobbed harshly into his flannel.

“He h-hates me,” she cried, the words muffled against his shirt. Sam shook his head, furious with his brother.

“He doesn’t, he couldn’t.” He rubbed her back soothingly, gently rocking her from side to side. “That wasn’t my brother.”

“I…I d-don’t understand,” she whimpered, sniffling.

“What exactly happened? Can you tell me?”

Y/N sat up slightly, wiping the tears off her cheeks and taking a deep breath to steady herself. “I thought he was you, I said hello, went to hug him. He backed up and when I tried to see what was wrong, he just started in on me.” She looked down. “I was finally ready to tell him, Sam.”

His eyes widened, knowing exactly what she meant. “Oh fuck no,” he muttered, pulling her back into his embrace. “Something must’ve happened while he was gone…but even then he had no right to talk to you like that. For everything that he’s been through, even with the Mark, he’d never, ever, talk to you like that. If it was anyone else, they’d be dead. If he could’ve heard himself…“ Sam stopped, shaking his head in anger. “Something’s not right.”

“Am…am I clingy, Sam?” Y/N asked quietly, Dean’s words echoing in her head.

“God, no, Y/N. You’re not. A few hugs and cuddles here and there doesn’t make you clingy.” Sam smiled sadly, tucking her hair behind her ear. “You are one of the best things to happen to Dean and me. You look after us, keep this place running, you help with hunts and research. You’re incredibly important to us and you’re a part of this little family, regardless of what my brother said. I love you, he loves you…hell, the real him adores you. You’re the little sister I always wanted, I always want you around. You’re not a cockblock or another mouth to feed and you certainly don’t bring us down. You build us up and help us keep going, every day. And before you say anything, no, there is nothing physically wrong with you, so please don’t get back into that headspace. You’re doing so well, don’t let this bring you back into that dark place. I’ll talk to him.”

Y/N smiled weakly, eyes brimming over with tears at Sam’s reassurance. “Thank you,” she whispered.

“You’re welcome,” he smiled, placing a soft kiss to her forehead. “How about you go take a bath and relax a bit while I try to figure out what’s going on, okay?”

She nodded and he squeezed her in another hug before letting her go, watching her leave the kitchen and make her way towards her room, which was unfortunately next to Dean’s. Y/N tiptoed passed his room, terrified of doing anything to set him off on her again. Once in the safety of her bedroom, she gathered her comfiest pajamas, slippers, and her favorite bath soap to bring to the bathroom. She set those items aside, rummaging for her duffle. She didn’t like being so close to Dean after what happened, so she decided to throw her necessities and some clothes into the bag, topping it with her favorite pillow and blanket. She knew the bedroom next to Sam’s was empty, for now she’d make that her room until she felt comfortable being around the older hunter again.

On the way to the bathroom, Y/N dropped her bag, blanket and pillow into the spare room, closing the door behind her before heading into the private, smaller bathroom in the bunker. She turned the water on in the tub, adjusting the temperature before plugging the drain and adding her bath soap before shedding her clothes and sinking into the water below the bubbles.

Down the hall and a few twists and turns away, Sam was making his way to Dean’s room, having already sent a quick prayer to Castiel in hopes he could help him figure out what was wrong with his brother.

“Sam,” Castiel greeted with a flutter of his wings, “what’s going on?”

Sam sighed heavily. “Something’s wrong with Dean, I don’t know what but the way he just lashed out at Y/N tells me it’s bad.” They stopped outside Dean’s door, Sam knocking hard three times before opening the door, not bothering to wait for an invitation.

“Get out,” Dean growled, ripping his headphones off his ears.

“Not until you tell me what happened when you were gone to make you come back a grade A douchebag,” Sam shot back.

“Nothing happened, now get out.”

“Dean, you’re not yourself.”

“I’m fine,” Dean glared, his eyes on Castiel.

“The Dean I know never would’ve said what he did to Y/N, so that’s bullshit,” Sam argued.

“She had it coming,” he shrugged. Sam’s eyes widened and his nostrils flared with anger. “Oh, calm down.”

“You know what Dean? Maybe you should leave for a while,” Sam started, advancing towards Dean, “sort your shit out.”

Dean rose from his bed, glowering at his little brother. “You’re really gonna kick me out? For her?”

Before Sam could respond, Castiel took the opportunity to move around Sam, placing his fingers to Dean’s forehead to see if he could use his grace to identify the problem. “He’s under a spell.”

“A spell? What kind of spell?” Sam asked, looking between the angel and the thoroughly pissed off hunter.

“I’m not sure, but it’s there, clinging to him.” Castiel pressed his fingers to Dean’s forehead again to try and ease him a bit to get him to cooperate better. Dean sat back down on his bed, a little more relaxed.

“Dean, you have to tell me what happened when you were gone,” Sam pleaded.

“I was on a hunt, it was a witch.”

“Do you remember anything that she said?”

“She was chanting something but I killed her before she could finish.”

“Or maybe you didn’t,” Sam sighed. “I’ll call Rowena, see if she can maybe give use insight as to what kind of spell the witch used.” He pulled out his phone before looking at his brother again. “You stay the hell away from Y/N, got it? You’ve done enough damage.”

“I’ll watch him,” Castiel offered, Sam nodding in agreement before shooting his brother one last look and heading to the library, dialing Rowena’s number.

“Samuel,” she answered.

“Rowena, I need your help.”

“You seem to be needing a lot of that lately, Samuel. And yet you’ve done nothing for me in return.”

“I’m working on it,” he responded curtly, “the quicker you get to the bunker, the faster I finish the deal. It’s about Y/N.”

The witch sighed, having developed a soft spot for the girl. “Fine, fine. I’ll be there soon.”

After her bath, Sam informed Y/N that Rowena was coming and that there was some sort of spell involved. Y/N cringed at his brother’s name, her body tensing. Sam explained that he knew the spell wasn’t an excuse for what Dean said to her, but it helped piece a few things together. Y/N just wasn’t sure she’d ever be able to look at the hunter the same way again.

Until Rowena arrived, Y/N stayed in her new bedroom, locked away from everyone but Sam. He brought her meals, knowing she wasn’t up to wandering the bunker halls and risking the chance of running into Dean. As strong as he knew she was, even he didn’t think she’d be able to handle another run-in with the older hunter.

Two days later, Rowena made her way down the steps of the bunker. Sam did his best to fill her in on what little information he got from Dean, which was a terrible pronunciation of whatever the young witch chanted at him, plus the crap attitude he’d been exhibiting ever since, including what he said to Y/N.

“But here’s the thing, I know my brother and I know how he feels about her, and it’s…it’s like everything he said to her is the exact opposite of what he’s ever said to me about her. He’s said some pretty fucked up things in his life, even to me, but to her? He’d never. It doesn’t make sense, he said the witch didn’t even finish the spell.”

“Perhaps your brother changed his mind.”

“Rowena, no. Cas was able to detect the remnants of a spell that seems to be stuck to him. That’s why I need your help, I don’t know what spell it could be.”

“Your brother, he possesses the Mark of Cain, correct?” Sam nodded. “Then whatever spell she cast…the Mark in a way protects the person who bears it. The person can’t die, as you know. In this case, it sounds like the Mark warped the spell that was thrown at Dean and it’s now sticking to him instead of wearing off like it normally would after a few days.”

“But what kind of spell? A truth spell wouldn’t make him say all that…”

“No, but the Mark could twist a truth spell into making him lie, instead. Do you know anything about the witch?”

“She was casting truth spells and tearing couples apart around town,” Dean answered, making his presence known as he entered the war room. “She was angry that her husband had an affair and she took it out on everyone else.”

Sam groaned. “So that’s it. It was a truth spell but the Mark made you lie instead of actually tell the truth.”

Rowena rolled her eyes, “and turned you into quite the dick.” Dean shot a glare at the red-head, ready to bark a nasty reply when Sam stepped between the two.

“You don’t speak unless we ask you to,” he ordered, staring down his brother. Dean’s eyes widened before he cocked a brow, smirking.

“You don’t think there’s more I could say to you this time?”

“I don’t care what you say to me, I know it isn’t you. But Y/N? She’s off limits.”

“Too late for that-“

“ENOUGH,” Rowena yelled, both hunters jumping in surprise, “now, Samuel, you can fetch me these ingredients and Dean, well, you can sit down and keep your mouth shut.”

As Sam went to the storage room to gather the ingredients needed for the spell to reverse the one stuck to Dean, Rowena followed him to Y/N’s makeshift room, knocking on the door.

“Go away,” Y/N answered pitifully.

“Someone’s here to see you, honey,” Sam answered, “its safe, I promise.” He unlocked her door and left her and Rowena alone while he went to find her supplies. Y/N sat up on her bed, her eyes lighting up at the sight of the witch.

“Hi,” she smiled weakly, moving over on her bed to make room for the witch.

“Oh darlin’, Auntie Rowena will fix it,” she soothed, sitting at the foot of the bed. “You see, Dean was hit with a truth spell, but because he bears the Mark, the spell backfired and made him lie instead. Sam’s fetching me the ingredients I need for a reversal to get rid of the spell that’s clinging to him because of the Mark.”

“So…all the things he said…”

“I’m guessing whatever he wanted to say, he said the opposite. Apparently the witch was cheated on by her husband and due to her anger she took it out on everyone, especially men, and cursed them to tell the truth. But in Dean’s case, he was cursed to lie.”

“And be a douche,” Y/N muttered. “He said some awful things, Ro.”

“The man’s not exactly kind on a good day if you’re on his bad side,” Rowena noted. “I’ll fix him. He’s going to remember everything and run in here and apologize, you’ll see.”

“I’m not sure I can look at him, I mean, he was so cold…so brutal. If I look at him that’s all I’ll see.”

“I think once he realizes what he said and how badly he hurt you, you’ll see a side of him you’ve never seen before. Dean’s very protective of you, we all know it, so once he realizes he’s the one who hurt you, he’s gonna be devastated. You just have to remember, it wasn’t him.”

Y/N nodded, though still apprehensive. Rowena smiled warmly, patting her legs before leaving the room to see if Sam found everything. Y/N curled back up under the covers, thinking about what Rowena said. Knowing that a spell made him say those things made her feel the smallest bit better, but it was still replaying in her head since it happened. She could still see Dean’s look of disgust and hear the hatred dripping off his tongue. The idea of facing him, even after he was cured of this spell, still terrified her.

In the library, Dean was sitting at one of the tables nursing his whiskey while Rowena and Sam worked on the spell. Cas was on standby, ready to intervene if Dean got out of hand somehow and also to see if the lingering spell faded.

Minutes later, Rowena was chanting the incantation for the reversal, Sam and Cas on either side of Dean as a precaution. A beat passed before Dean’s stoic expression faded and his eyes glowed green. Rowena sighed with relief and Cas pressed two fingers to Dean’s forehead, nodding. The spell worked, Dean was back to normal.

And oh, what a crash it was.

Dean blinked a few times, looking around at their worried faces as he registered what had happened. When he realized who was missing in the room, his eyes widened as it all came flooding back like a movie scene in his head.

“Where is she?” He choked, a wave of panic washing over him as he realized the magnitude of what he said to her.

“You remember?” Dean looked at Sam, shame and regret on his face.

“Everything.”

“She’s in the room next to mine, just go easy on her, Dean. You really did a number on her.” Dean nodded, hastily leaving the library and racing down the bunker halls until he got to the room Y/N was in. He took a deep breath before knocking softly.

“Come in,” she called, voice quiet. Dean turned the knob slowly, opening the door to find her curled up on the bed. The blatant fear on her face didn’t go unnoticed by Dean, the grimace leaving a sharp pain in his chest.

“Sweetheart,” his voice was barely above a whisper, “we need to talk.”

“I think you’ve said enough,” she answered, less bite in her reply than she would have liked.

“That…that wasn’t me, you know I’d never-“

“I thought I did, Dean. But that…even with a spell…,” She looked away from him, shaking her head. Dean’s face fell, eyes filling with tears. He really fucked up and it wasn’t even his fault this time.

“Y/N, I swear on Sam’s life, I didn’t mean a single word that I said to you that night. That wasn’t me talking, that was the spell. It’s like everything I wanted to say to you came out the complete opposite, the Mark completely took over and I’m so fucking sorry.” Dean paused, slowly making his way to her bed. When she didn’t object, he sat down by her feet.

“Sweetheart, I need you to look at me,” he begged. Y/N looked up from the spot she was fixated on on the floor, her eyes meeting his teary ones. “I wouldn’t change a single thing about you, you are perfect exactly the way you are. I wouldn’t be able to go on day after day without you supporting me. You aren’t a burden and I never want you to leave even though I think you deserve better than this life. Selfishly, I can’t let you go. You make this place feel like a home and I don’t know what I’d do without you. You’re not clingy…you mean so much to me, Y/N. I can’t tell you how sorry I am and how much I hate that I’ve hurt you. I’m supposed to protect you and you’re…you’re scared of me.”

“You looked at me with such hate,” she whispered, cringing. “I can’t unsee it no matter how hard I try.”

“Sweetheart, I could never hate you,” Dean breathed, “not when I’m too busy loving you.”

Y/N’s eyes widened, “You…what?”

“When I got back that night you said you thought there was something between us and I told you there wasn’t because of the spell’s influence. Under normal circumstances, I would’ve agreed with you. There’s always been a different connection between you and I. I don’t see you as a little sister the way Sam does. I know what I said, but Y/N, how could I not want you?”

Y/N blinked, trying to process what he was saying. “Uh, well, for starters, look at me.”

“I’m always looking at you. I think you’re beautiful exactly the way you are. You take care of me, you put up with my shit, and you’re my best friend. I can’t see myself with anyone else.”

“Dean…I-“

“You don’t have to say it back. I put you through hell, I don’t expect you to feel that way about me anymore.”

“No, I do, and that’s been the hardest part.”

Dean smiled sadly, reaching out to cup her cheek. “If you let me, I’ll spend the rest of my life, however long that is, proving to you that I mean everything I just said.”

“It wasn’t you,” she whispered, “you don’t have to.”

“But I’ll do it if it means you’ll forgive me.” He wiped a few stray tears off her cheek, his thumb grazing her cheekbone. “Can I hold you?” He asked meekly, biting his lip. She nodded into his palm before getting scooped up in a hug, her face buried in his neck as Dean finally broke, tears landing in her hair. “I’m so sorry,” he cried, squeezing her to him.

“Dean,” she mumbled, her lips against his skin sending shivers down his spine. “Please don’t cry.” She rubbed his back softly, trying to soothe him. She didn’t expect this.

“I hate this thing so much,” he muttered, her eyes casting down to his forearm where the Mark was hidden by his henley sleeve. “All it does is make me angry and it’s getting harder and harder to control it, especially after…”

“I know,” she nodded, knowing he meant Charlie and the Stines. “That whole thing…that’s what made me want to tell you how I felt about you. Waiting for you in the trunk of the car felt like an eternity and I knew I would be okay as long as you got to me. I always feel safe when I’m with you, Dean, always. But I was so scared that they’d find me first and I’d die before getting to tell you. You were so angry and it felt wrong to tell you right after we lost Charlie, but I gathered the little confidence I had while you were gone-“

“And then I came home under a spell and said what I said.” Dean sighed, his grip tightening on her. “When you called me and told me the Stines broke in, Y/N, I’ve been in awful situations like that before with Sam but this…this felt so different. I felt like I couldn’t breathe, not until I saw you and knew you were okay. Everything felt like it was going in slow motion, no matter how fast I drove.” Y/N shuddered at the memory, digging herself deeper into Dean’s chest, face pressed against his neck. She inhaled deeply, relaxing as his scent that can only be described as Dean calmed her senses. “You’re okay, you’re safe,” he whispered, kissing her hair. He laid them down on her bed, tucking her under his chin.

“Dean,” she whispered, fisting his henley.

“Yeah baby?”

“I do love you, you know.” She could feel the chuckle rumble through his chest.

“I maybe had a small feeling, or at least hoped I was reading everything right.” He ran his fingers through her hair gently, breathing in her shampoo. “Will you give me a chance to make it all up to you?”

She pulled back to look up at him, cupping his cheek. He nuzzled against her palm, eyes locked on hers as his stubble tickled her skin. “Of course, handsome.” He grinned, pressing a kiss to her palm as she blushed. She couldn’t stay mad at Dean, never was able to. But knowing how he truly felt about her, that everything that happened was the work of a witch, she knew she couldn’t hold a grudge. That wasn’t her Dean, the man who sang her back to sleep when her nightmares took over even though he hated singing to anyone but Baby’s steering wheel. The man looking at her so intently, holding her so tightly, this was her Dean. “And Dean?”

“Sweetheart?”

“I forgive you,” she smiled, Dean’s eyes softening as he let out a breath of relief he didn’t know he was holding.

“Thank you,” he whispered, pulling her impossibly closer. He kissed her forehead and her nose before softly kissing her lips, pulling back and brushing his nose against hers. Dean knew what happened wasn’t his fault, and Y/N may have forgiven him anyway, but he fully intended on spending the rest of his life, however long it may be, making sure she knew just how much he loved her, and doing his very best to deserve someone as incredible as her.

#jensmakemecrychallenge #deanwanddamons2kcelebration #dean winchester x female reader #dean x reader #dean winchester x reader #supernatural fanfiction

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twentiethcenturymoviesandtv · 3 years ago

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Episode Spotlight: M*A*S*H, Season 1, Episode 17: Sometimes You Hear the Bullet

Frank Burns throws his back out and applies for a Purple Heart. Meanwhile, Hawkeye Pierce meets, and later operates on, an old friend and struggles with the decision of whether or not to send an underaged soldier home.

More than halfway through season 1, M*A*S*H wasn’t exactly killing in the ratings. The show wasn’t quite sure of itself yet, with tons of recurring characters that would end up dropped and other characters not yet added to the main cast. Airing at eight o’clock on Sunday nights, M*A*S*H was, at this stage in the game, a relatively normal sitcom, albeit one with a bit sharper sense of humor.

That all changed with Sometimes You Hear the Bullet.

I’ll show you what I mean.

The episode starts humorously enough: Major Frank Burns throws his back out during a rendezvous with Major Houlihan. He is placed into traction, where he applies for a Purple Heart for his ‘injury’. Meanwhile, Hawkeye is visited by an old friend and kindred irreverent spirit: Corporal Tommy Gillis, a journalist who signed up for the front lines as he writes his book: You Never Hear the Bullet, a book meant to be written from a soldier’s point of view, instead of a reporter’s.

A helicopter full of wounded arrive at the unit, and Gillis returns to his post.

Among the wounded is a young man with a burst appendix, a Private Wendell Petersen, who is very anxious to get back to the front lines. Hawkeye tells him that he has to rest for a few days before returning to his unit. This doesn’t stop Wendell from attempting to steal an army jeep to try to get back, afraid that he was going to be sent home.

After talking with him, Hawkeye figures out the truth: Wendell Petersen is actually Walter Peterson, and he’s not even sixteen years old.

It turns out that Walter posed as his brother, Wendell, and entered the war to impress his girlfriend back home by returning with a medal. He begs Hawkeye to keep his secret, and, after returning him to his bed, Hawkeye agrees.

Shortly, more wounded arrive, and among them is Tommy Gillis. Hawkeye operates on him, but even his best is not enough, and he dies on the operating table after telling Hawkeye that he did hear the bullet. Hawkeye tries to revive him, but Colonel Henry Blake orders him to move on to save another life.

Afterwards, Hawkeye breaks down crying.

“Henry, I know why I’m crying now. Tommy was my friend, and I watched him die, and I’m crying. I’ve watched guys die almost every day. Why didn’t I ever cry for them?”

“Because you’re a doctor.”

Hawkeye asks what that means, and Henry answers with one of the greatest lines in the show’s history.

“I don’t know. If I had the answer, I’d be at the Mayo Clinic. Does this place look like the Mayo Clinic? Look, all I know is what they taught me at command school. There are certain rules about a war. And rule number one is young men die. And rule number two is, doctors can’t change rule number one.”

Right then and there, Hawkeye decides to change rule number one in some small way, and calls the MPs on Private Wendell, really Walter, outing the fact that he’s underage. Walter, outraged, tells Hawkeye that he’ll never forgive Hawkeye for the rest of his life.

Hawkeye replies: “Let’s hope it’s a long and healthy hate.”

In one final scene (one that’s usually cut from syndication), Henry Blake begins to present Frank with his Purple Heart, only to find it replaced with a purple earring, while outside, Hawkeye pins the Purple Heart on Walter to make up for turning him in, sending him home, but home a hero.

The end.

Sometimes You Hear the Bullet is considered one of M*A*S*H’s best episodes for a reason. This is an early episode, one that is regarded as a tone and trend setter for the rest of the series in terms of both storyline balance (one or two serious plotlines, one humorous), and content itself, one of the first episodes to sit down and truly explore the characters within this tragic situation. At this moment, M*A*S*H ceased being a comedy show and became a dramedy, with one of the most memorable moments and exchanges in the show’s long history.

While this episode may seem like a standard half-hour of television, at the time, especially for this show, it was something different. It was no longer a slapstick grittier Hogan’s Heroesque irreverent comedy about soldiers, it was a show about a group of people stuck in the middle of a war, with death all around them. And no matter how good Hawkeye, or any of the doctors, are at their jobs, they’ll never be able to save everyone.

It’s sobering, but it’s a truth that the show had, for the first time, truly explored, and it’s that initial exploration, that glimmer of what this show was going to become, that puts this episode under so much recognition: Sometimes You Hear the Bullet was the warning sign, the first moment that the writers got a handle on the show that would become a classic.

Of course, it has it’s problems.

Not tonal ones, at least, not exactly. Throughout its entire run, M*A*S*H often had two or three plots going, one serious, one humorous. This is a smart strategy: balance out the dark with the light, giving each episode a more even feeling instead of being too much one or the other. Although the show would get darker and more serious as time went on, the writers never abandoned this plan, allowing M*A*S*H to remain a consistent dramedy throughout the show’s run, keeping the audience laughing and crying at the same time.

In the case of Sometimes You Hear the Bullet, the ‘funny’ subplot is obvious: Frank Burns and his Purple Heart. The other two storylines are the serious ones: Hawkeye’s friend, as well as the underaged soldier. However, in most cases, as in this one, these plotlines inevitably intersect, and it’s here that this particular episode might cause a few problems.

I mentioned that the final scene in the episode is typically cut from syndication: the sequence where Frank’s purple heart is stolen and given to the underaged soldier, instead. While this scene may not, at first, seem inherently out of place within the context of the rest of the episode, swinging from comedy to drama within a minute, there are those who believe that this scene unintentionally undermines the rest of the episode, or the main thrust established a few moments earlier.

And those people aren’t exactly wrong.

I certainly agree that the episode would have been stronger had it ended with the soldier’s final interaction with Hawkeye been proclaiming his hatred, only for Hawkeye to soberly respond that he hopes it’s a long and healthy hate. Changing that to this new ending, where Hawkeye sends him home with a medal, seems almost out of character for Hawkeye, taking away some of the sincerity and severity of the message just a moment earlier. The idea that this soldier could bring himself to forgive Hawkeye so soon, before realizing what exactly he’d been saved from, seems a little disingenuous after the weight previously given to this subplot.

In later episodes, it’s possible, even probable that this episode wouldn’t have ended tied in such a neat bow. But that’s one of the things that’s so interesting about this episode.

Sometimes You Hear the Bullet isn’t the first episode of ��true’ M*A*S*H as it would be remembered in the future, but it is the first episode where M*A*S*H comes into its own themes, looking hard at war, and the toll it takes not only on the soldiers, but on the surgeons, as well. Before this, for the most part, ‘characters’, friends of the cast, did not die on the operating table. Not when Hawkeye could save him.

But I’m going to quote Hawkeye from another season 1 M*A*S*H episode, Yankee Doodle Doctor, as I think that it sums up this the point of this episode pretty well:

“Three hours ago, this man was in a battle. Two hours ago, we operated on him. He’s got a 50-50 chance. We win some, we lose some. That’s what it’s all about. No promises. No guaranteed survival. No saints in surgical garb. Our willingness, our experience, our technique are not enough. Guns, and bombs, and anti-personnel mines have more power to take life than we have to preserve it. Not a very happy ending for a movie. But then, no war is a movie.”

That right there is the point of Sometimes You Hear the Bullet, to the point where the doomed Tommy Gillis even references the film tropes of a young, fresh-faced kid hearing the bullet that kills him. This is the message that Hawkeye must grapple with: he cannot save everyone.

No matter how much he knows, how good he is, he can never save everyone. No guaranteed survival.

It’s sobering, but it’s the truth. And it’s what makes this episode so memorable.

M*A*S*H at this point was still mostly a comedy, a series full of jokes and the occasional serious moment, and it would continue to be so for another few years. But it was this episode, episode seventeen of the first season, that signaled to audiences that this show could be more than that. It could make you laugh, sure, but it could make you cry, and it wasn’t that surprising: this was war.

In short: by itself, is Sometimes You Hear the Bullet one of the greatest episodes of television, or even M*A*S*H, ever written? Maybe. Maybe not. But what it is, without much doubt, is the first sign of maturity in a show that had a lot of growing up to do.

Whether the shift was instantaneous or not, the fact is, Sometimes You Hear the Bullet was a game changer in the show’s history, the first break in format that truly showed audiences what they could expect in the years ahead.

On top of that? It’s just a good episode.

The plot balance is decent, without too much mood-whiplash that could so easily occur in a war dramedy. The characters, decently familiar to audiences by now, all work off of each other just as well as ever, funny, interesting, and heartfelt in turn. It’s an example of early M*A*S*H at it’s best, overshadowing many first season episodes with a level of depth previously mostly unexplored, delivering on every scene and remaining mostly genuine. It’s an engaging episode, full of memorable moments that are thoughtful and earnest, making this episode a standout, a moment in television history, and an unmissable installment for avid watchers of M*A*SH, and television fans in general.

Don’t forget that the comment box is always open for anything from suggestions and discussion ideas to questions and conversations! Thank you guys so much for reading, and I hope to see you guys in the next article.

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into-the-afterlife · 4 years ago

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Why I Ship Johnny/Female V: Part 2

[Part 1] [Part 2]

This is Part 2 of my essay series on why I ship Johnny and female V. Back in part 1, I covered why I ship female V specifically with Johnny and not male V, as well as some thoughts on Johnny’s sexuality. This time, I’m looking at Johnny himself. (Content warning: there is some discussion of rape and how rape is handled in fiction.)

Johnny, ambiguity and age-old romantic tropes

Look, I’m just going to come out and say this: part of my interest in this ship is thirsting over Johnny. And when I’m interested in something, whether it’s an intellectual, creative or sexual interest, I like to do what I always do – analyse it to death. So what is it about the actor, the performance and the character that makes Johnny as attractive as he is?

Keanu Reeves himself, obviously, can’t be ignored here. He has a gorgeous face and voice, but crucially, he’s distinctively beautiful. Obviously, everyone has the right to be into what they’re into, and I don’t want to shame anyone for their tastes. But I do not understand people who are into the blandly beautiful. Sure, there’s nothing wrong about, let’s say, Chris Evans. But what’s right about him? Where are the snags that catch your attention and hold it? Where’s the life?

Reeves, meanwhile, is attractive because he’s unusual. He has long, dark hair, but he’s regularly photographed at public events with it mussed-up. He has a chiselled face, but his cheekbones are high enough that he looks alien. He has all the charisma of any Hollywood actor, but, whether this is him as he is or an especially well-calculated image choice, it comes off as genuine. When watching interviews with him, you feel less in the presence of a star and more an especially fascinating stranger at a party, one who, despite bursting with witticisms and stories, somehow wants to talk to you most of all.

There’s also an element of age ambiguity here. Reeves is in his fifties, and while age suits his looks better than youth did, it shows. Meanwhile, Johnny the character is in his thirties when he dies, and to match this, the animators smooth out Reeves’ face and darken his beard. They also give Johnny the (unrealistic but glorious) organic arms of a dedicated bodybuilder. So what Johnny ends up with is the presence, confidence and charisma of an older guy, combined with the physicality of someone younger. It’s potent, to say the least. It also adds to Johnny’s uncanniness as a character. He’s caught between maturity and youth, life and death, humanity and machine; he’s hard to pinpoint no matter where you look. And whether you express this academia-style, as, ‘the gothic associates uncanniness with sexuality’, or internet-style, as, ‘I’m a monster/robotfucker’, this is, as the kids say, pretty damn hot.

This uncanniness, as well as Reeves’ looks and performance, also offset some of the more unlikeable aspects of Johnny’s personality. This is best illustrated by the concept art created for Johnny before Reeves was brought on board. (Found courtesy of the lovely folks at r/LowSodiumCyberpunk.)

As you can see, they had a lot of Johnny’s look already nailed down. But this makes the differences all the more startling. This Johnny looks like he’s been dragged through the wringer. His hair is messier, and he seems to be getting premature wrinkles and balding. He’s strung-out, with a genuinely hopeless cast to his face. His look is also a lot more dated. While our Johnny has elements of the old rocker, the jean jacket, bandana, V-necked black jumper and aviators clipped to the tank top root this Johnny inescapably in 1980s music and fashion.

Why is all this relevant to shipping Johnny with V? Partially because I’m shallow, I’m not going to lie. But it’s also because making Johnny look like this would have made him much more obviously an intrusion. A guy dressed like this next to 2077’s booty shorts and space buns is like a ghost in a ballgown next to a woman in jeans. He’s not just out of time; he’s been irrevocably left behind. Johnny’s face here also has much less in the way of possibility. Where our Johnny says, ‘maybe your life would be better if you listened to me’, this Johnny screams, ‘my way is hopeless, but you can’t ignore it’. It’s leaning much more into the tragic aspects of Johnny’s character and of the genre of cyberpunk. And don’t get me wrong – I love that artwork, and think that angle would be an interesting artistic choice.

But making Johnny a tragic intrusion like this removes the element of seduction, so to speak, from his character. What makes Johnny attractive, ideologically, sexually and romantically, is a balance of certainty and uncertainty. On the surface, he’s passionately, blazingly certain of his politics, his music and himself. If you’re taking a leap of faith, whether that’s fighting against the corpos that rule your life or hopping into bed with an engram, what draws you to it is the kind of confidence that makes you doubt your own certainties. Yet too much of that can be off-putting. Nobody wants a partner who’s so cocksure (pardon the pun) that they don’t listen to what you want, and nobody wants a political ally who’s gone so far into their own rhetoric that they can’t convince those outside it.

Therefore, the common factor across all the ways Reeves’ looks impact our perception of Johnny is the balancing of two seemingly opposing things. Keep that in mind, because it only gets more relevant the deeper into this ship, and Johnny’s attractiveness, we go.

Of course, Reeves’ looks are far from the only thing he brings to the table. His acting, across body language, facial expressions and voice acting, is incredible. I want to take a look at his voice acting, as well as his voice generally, first.

I’m not familiar enough with the subtleties of American accents to pinpoint why, but Reeves’ accent sounds slightly different to the more generic accents of other famous actors. Perhaps it’s because he’s Canadian. Either way, his consonants are less harsh on the ear than other A-list actors, his vowels less elongated. He speaks slowly, sounding as if he just woke up. His voice is mellow and soothing; it’s the sort of sound you could take a bath in.

(For reference purposes, I’m listening to this Cyberpunk trailer as I write this, as well as, um, this video that I’ve watched far too many times. XD)

Obviously, to play Johnny he has to modify that laid-back aspect of his voice. But it’s interesting how his natural voice and his ‘Johnny’ voice bounce off each other. Reeves is able to pull off a much more belligerent Johnny than many actors could, precisely because of that laid-back quality his natural voice has. Think of that ‘impressive cock’ line. It’s made as funny as it is because of the total lack of shame in how Reeves delivers it. But in the mouth of an actor like, let’s say, Robert Downey Jr, that level of shamelessness would just come off as annoying. Reeves uses his natural voice to amp up Johnny’s, for lack of a better word, Chad-ness, far beyond the place another actor could manage. Because he has that base of softness, he can go hard on Johnny’s arrogance.

Why is this relevant to Johnny’s attractiveness as a character, as well as why Johnny/F!V are a fascinating ship? To develop a character well, you have to have an extremely solid base to start on – and that base is where a lot of writing and acting falls down. The audience has to know intimately what a character is usually like, or who they seem to be, before burrowing into the character further is made effective. That equal hard/soft approach means that when Johnny does soften later in the game, it seems both unexpected and inevitable. Even as the harsh tone and words were conveying one thing, that softness underneath was always conveying another. But the fact that Reeves can go hard on the arrogance makes that change much more impactful than it would be in another character. Once again, we’re seeing an equal balance of two seemingly opposing qualities, not openly leaning towards one or the other.

There’s also some aspects of the body language Reeves and the animators give to Johnny I’d like to focus in on. While I’m not an actor, nor am I a psychologist, and therefore am likely to have missed things, there were a few things I noticed when going through footage of Johnny in pivotal scenes. (If you spot something I haven’t talked about, please reply or reblog! I’d love to get a back-and-forth discussion going.)

Over and over again, Johnny’s body language has two layers. There’s what I’m calling the ‘douchebag’ layer, which is where Johnny seems insultingly relaxed. The scene when V and Johnny first meet, as well as the scene at the diner, have two great examples of this. Johnny gets into V’s space, but it’s slow, catlike. There’s no urgency when he leans in, nor when he stands over V.

Similarly, at the diner, he tells V he doesn’t want to kill her anymore – something pivotally important for their relationship and the plot - while putting his arms behind his head and his feet up on the table. It communicates, at least on the surface, a real sense of disrespect. ‘I don’t give a shit’, says his posture, ‘whether you hate and fear me or not’. His threatening slowness when they first meet, meanwhile, communicates that he doesn’t think V is a competent opponent. Why should he hurry if he can get her any time?

At least, that’s what it looks like. Take a look from 9:40 onwards here. Sure, he swings his legs up on the table – but not before hurrying into the diner booth and tapping his fingers rapidly on the table. Even when he gets into that relaxed posture, he’s bouncing his leg the entire time. Those catlike movements I talked about when they first meet? If you look from 5:42 here, they’re there. But they’re also interspersed with banging his head incessantly against the wall, pacing back and forth and glitching unpredictably all around the room.

This is where the second layer of Johnny’s body language comes in. Underneath all that casual condescension, he communicates constant, frenetic energy, even anxiety. Even in his default, idle animations, it’s extremely rarely that Johnny communicates real coolness and calm. He covers constantly racing thoughts and feelings with a slick persona.

What this does is very like the hard/soft balance of the voice acting I talked about earlier. Because the ‘douchebag’ layer of body language is the most obvious one, you pick up on that first. But the other layer is there throughout Johnny’s entire arc, and it goes into your brain on a much more subconscious level. Then, when Johnny’s guard does come down, it seems like a natural development of his character while still being a surprise. Once again, there’s that knife-edge balance between two disparate qualities. And for me, attraction always lies in the space between.

There’s also something highly sexual about the way he gets into V’s space when they first meet, the way he stands over her. When first playing the scene where they first meet, it felt like watching the moments before an act of rape. You see him first as he leans over you while you’re still in bed. He beats you to the ground, smashes your head into the window, and towers over you while you’re collapsed on the floor. Given the context of him taking over your body, the overtones are unmistakeable.

But again, crucially, that frantic body language and his lines are the complete opposite of how someone behaves when making the kind of power play that rape is. The pacing, the panicked words and the fact that he’s caught off guard all communicate disempowerment. While it’s still a violent, frightening scene, it’s not a monstrous one.

Why is that relevant to discussing Johnny’s attractiveness, and Johnny/V? Because rape fantasies and male domination are some of the oldest tropes in the book for M/F romantic arcs. Done properly, they play on desires of sexual submission without explicitly acknowledging the kink, depict the eroticism of that liminal space between humanity and monstrosity I talked about earlier and allow you to fantasise about being deeply wanted. Of course, that last bit isn’t a factual depiction of rape in real life. But in the fantasy, the story, the idea of being ravished is partially about being special, being so uniquely attractive that the guy loses all control of himself. If you have a more conservative or repressed view of your sexuality, the ravishment/rape fantasy also allows you to fantasise about sex without seeing yourself as a slut. (This post is a great look at that last idea as applied to the movie Labyrinth, if you want to find out more.)

The idea of sexualised monstrosity is also everywhere in the tropes used to characterise Johnny. He’s a troubled rockstar, an angst-ridden artist who died tragically young, a violent political rebel, part human and part supernatural creature, a charismatic, cocky, seemingly heartless guy, who just might have a heart if you look deep enough. What all these tropes have in common is the promise of both reassuring humanity and fascinating, exciting monstrosity.

Reeves’ and Johnny’s looks combine strangeness and humanity. Reeves’ voice acting moves between soaring arrogance and languid softness. Johnny’s body language combines fear and overconfidence. And the use of age-old romantic tropes in an unexpected context, as well as the use of these specific romantic tropes, knit all the effects of the other things together to create that balance between the human and the strange. He’s unusual enough to be interesting, human enough to seem real and associated with all our cultural symbolism of an attractive man. With all that going on, how could you not find him hot as hell?

But the thing about these tropes is, they’re also so common they’re clichéd. Not just in fandom, but all across Western media and art. So what lifts Johnny and Johnny/V out of being something generic? What makes them so fascinating that I’ve written thousands of words about them? What, in short, makes them different?

That’s what I’ll go into next time.

[Part 1] [Part 2]

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nickysescapism · 4 years ago

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here my thought on Fate real quick:

Things that did not piss me off:

Bloom being extra spicy really mega ultra special² (by now I’m not even surprised anymore)

Silva

the short time we spent with Marco

That one good-looking specialist girl that got killed off pretty quickly (you will be missed)

Terra’s dad

Bloom being the only one with an american accent (because british accents are supperior and also it shows that Bloom does not “fit in”)

Sam aka another white boy (but my feelings towards him were neutral so yeah)

Things that did piss me off:

the blatant whitewashing

unnecessary pop culture references (we get it you watched HP and make IG stories)

pls stop butchering the four houses like that if you can’t get your facts straight

the constant fatphobia

Riven’s obvious biphobia and everyone just accepting it

the 'blond mean girl' trope because what would we do without it

the victim (Dane) falling for the bully (Riven) for no apparent reason

“I hAvE A cOuSin NaMeD FlOrA”

the only black woc being the “mom of the group” because we haven’t seen this stereotype for a hot sec

the boring and repetitive sequences of the specialists training with wooden sticks like children in elementary school

“We DoN’t HaVe WiNgS aNymOrE”

Bloom being super selfish and everyone risking their lives for her constantly because they all love her anyway

the line “you full-creeped on my insta last night and I haven’t told anyone” exists non ironically (Riverdale called they want their awful-cringy-lines back)

"Riv"

fetishizing bi people (because bi’s can only ewist on Netflix if they are doing threesomes because that’s what being bi is all about apparently)

using the word mansplaining in the first episode TWICE in the span of a few minutes and not even using it right

the only healthy relationship (Musa and Sam) is so freaking boring that one had to make up a non existing drama to make it less boring

the unburned slaughtering like 10 specialist who are pros and do this job for years but two first-year fairies were able to get away without a scratch

the non existing friendship between the winx's and therefore it makes no sense that they still keep hanging out with each other

the erasure of our queen tecna!!

all the good specialist were erased too (like Timmy and Brandon)

the outfits making them look like grown ass moms and not like teenagers

the cast looking like they are more likely to be in college than in high school

Beatrix (besides everything she isn’t even a good villain, she is the worst secret “villain” i’ve ever seen like she is like a freaking elefant in mouse town)

and now Alfea basically is Hogwarts 2.0 but a cheaper version of it

changing Musa's powers because we need element powers for some freaking reason and not even doing anything with her powers for like 90% of the show

everything looking so dark and greasy and boring and basically not like Magix or anything magical at all

Stella (she is basically Diaspro but so much worse)

the lowkey abusive relationship between the adoptive parents (mom) and Bloom just to never mention it again

Aisha having no backstory and telling EVERYONE constantly that she swims but we never get scenes of her outside of her "parenting Bloom" sidequests

Terra saying that she misses Stella because she insulted her and was mean to her, because fat girls need this constant body shaming amiright?

they really tried making Stella bullying Terra ✨their thing✨

Aisha struggling with her powers is suddenly not important anymore when it’s inconvenient

the girls hate each other for like 80% of the show and suddenly they have a deep bonding

Musa being useless and stating the obvious and only being there for obvious exposition

"You are sad, aren’t you?"

“Yes, how do you know that? Is it because I’m crying my eyes out right now?”

“No, dummy. I’m a mind fairy. I can feel what you feel.”

the whole changeling plot

erasing the Trix and compromizing them into one character, but then give Beatrix two side kicks so they are basically a group of three again ???

they made it even more straight than the OG

the Sky/Stella/Bloom love triangle because we needed that one

the adults being stupid af

Vanessa apparently almost dying in the fire and having third degree burns but only at places that can be covered by clothes easily (and also they do not look like third dagree burns at all)

Bloom ready to kill her “parents” because they took away her door

“BuTt StUfF” another great literal masterpiece from our all-time favorite Riv

Stella is not only not part of the group for like 75% of the time, the others also don’t like her at all and therefore you don’t care about her problems at all

the teachers being unecessary mean to their students like “oh you just learned to control your powers, well damn you still suck hope you get better soon lol that looks so bad try harder”

Aisha being the only one who has no love interest

^same as Terra who is pining after a dude that doesn’t like her that way

Bloom always playing the victim and always acting like no one suffers as much as she does

using pop music that doesn’t fit the tone of the scene at all (and also ruining one of my fav songs)

Alfea basically turning into every garbage teenage high school Netflix ever had

Everyone acting as if Beatrix is super smart and a good spy even tho she sucks at it without end (why would you try to get as much attention as possible?? and kill your accomplice???)

no other planets but realms and still here everyone knows that California is part of America because americans aren’t full of themselves at all. Just replace California and America with anything else. :)

“You aren’t from Solaria, are you? Where are you from?”

“I’m from California Fer Island.”

“Uh...is that..part of...?”

“America Everix, obviously????”

they tried desperately to be woke by throwing stuff around like “don’t be sexist” and “don’t come at me with this feminist bs” like good job...to the white old dudes who completely missed the entire point of feminism and sexism - performantive feminism if you will - always SAYING the most basic feminist (women can be strong too) stuff but not DOING it

fire is somehow effective against BURNED creatures (e.g. throwing water filled balloons at a mermaids)

all telling and no showing (expositions + no flashbacks = BORING)

Sky being so obessed with Bloom that he doesn’t care that she drugged him at one point

Dane’s character doing a 180 out of nowhere for plot convenience

Stella being a threat to other students but no one seems to care

the good ol’ the bad guys aren’t really bad but in the end turns out they are and the good guys were the good guys all along plot twist that we have seen a million times on netflix alone

Sky not having trust issues after Bloom spiked the water bottle and just accepting that she felt the need to drug him

Sky having daddy issues and that being treated as his main character trait

using phones all the time but when it’s important suddenly no one got a phone with them

beatrix drags a random “bad boy” into her evil plan because that was ever a good thing to do but kills her only partner that already had the trust of FaRa

Sky still persuing Bloom even tho he knows that Stella could blind Bloom because she can’t control her powers and even threatens to do so - again no one saw a problem with that??

Bloom being one of the worst liars out there but Aisha is like “wow, you are a great liar” like no bitch you literally had to help her five seconds ago

Stella blinding her best friend being one of the most underwhelming plots I have ever seen (I mean how can a show fuck it up so bad that a literal girl blinding her best friend doesn’t interest me?)

no one can have an interesting storyline because there is the slight chance that they could outshine the real star (bloom)

^therefore most sideplots are super shallow or just boring

#fate winx saga #can you tell that i didn't like the show?#what can i say no matter how good it is i will never accept the blatant whitewashing and neither should you #if you say that it's a good show if you leave out that it is related to the winx club shut up it's still whitewashing k #anti fate the winx saga

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belle-keys · 4 years ago

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I Love Matthew Fairchild aka Incoherent Thoughts about Chain of Iron (2021) by Cassandra Clare

I made one of these rant-rave reviews for SJM's book so check it out if you want, no pressure tho lmao.

Aight so I finished Chain of Iron last night and OMG I HAVE TO YELL like I loved it sooo much like yooo, I have a lot to say. I know the book is new so... beware for spoilers plebs.

Also context: I been reading the Shadowhunter books since I was 12 and I'm 19 now *insert dead emoji face* so yeah, I'm just so happy rn with where the Chronicles have come and the fact that they’re still ongoing *insert uwu face*. I remember when in like 2014-2015 or something when Cassandra Clare teased that Will and Tessa's kids' generation was gonna get a trilogy set in Edwardian London, loosely based on Great Expectations, and holy hell? I think that was perhaps one of the best days of my life considering how much I adore The Infernal Devices (that trilogy really changed the way I see YA literature... don't ask cus I won't shut up about it) (also yes I read TMI and loved it too but there's a “generation gap” between TMI and the other Shadowhunter books stylistically so don't ask me about that either cus I also won't shut up).

Anyway, shoo from here if you want a critical essay on Chain of Iron. I'm not providing that, this is just me raving here for the fun.

Listen... I want the bulk of this to just be two main things: The Matthew Situation, and then all the literary and judeo-christian meta aspects of it.

BUT I ALSO NEED TO TALK ABOUT EVERYTHING ELSE SO FRICK LET'S JUST START WITH THE OBVIOUS SHIT LIKE THE PLOT AND WHATEVER

Okay, the plot and writing and shit, let's get that out of the way:

The WHOLE Jack-the-Ripper-esque ambiance was just sooooo good man wow like I did not expect the book to take this cold turn but it worked so well. There was such a contrast between Jamie and Cordelia's warm little house and then the cold winter and the stabbings and shit and it felt like a nice little callback to the actual Ripper phenomenon that preceded them and a nod to the Whitechapel Fiend story from Tales from the Shadowhunter Academy.

Bitch OFC that whole thing with Wayland was a set-up like nawww that was too easy to spot and I get why Cordelia feels like shit about it.

Dawg Lucie was just the Among Us imposter here in that my girl was just venting and sneaking around with dead people and I was like nooooo girl run, don't deal with Fade this is a set-up THINK ABOUT JULES LUCIE THAT'S LIKE YO GREAT-GRANDSON *sobs* but yeah anyway my girl has death powers she gonna kill some bitches next book.

You see that confrontation between Lilith and Belial? MASTERPIECE DIALOGUE like this was the point within which I was just like "yo is this the book of Genesis or a YA Fantasy novel" like when Lilith said "I may have been cast out but I did not fall" like??????????????????? I YELLED she did not have to END Belial like that. What a bad bitch.

More on Lilith and Belial... "You, who brought nations into darkness? Shall I finally be able to tell the infernal realms you have gone mad, lost even the image of the Creator." HAHAHHAHAHA SHE SAID "YO BELIAL GO GET SOME THERAPY AND GET OFF MY ASS" LIKE??????

Ughhhh yasss Clare has improved writing diverse characters in this book compared to in The Dark Artifices in my opinion... I'm not gonna expand on it cus ain't nobody got time for that but like, I enjoyed how she wove Persian poetry and tales into the story and the way in which she writes Cordelia and Alistair. They're not caricatures of Persian people but rather multi-faceted beings who also happen to be Persian and I appreciate that. Also, Alistair and Thomas and Anna and Ariadne were just so fun and interesting to read as coupbles but also as individuals. She really higlighted diversity in a very natural manner. All I need is a hijabi character and I’ll die a happy woman lmao.

The level of META man like the references to Classics and art (I swear, she might have compared Matthew to angels out of Caravaggio AND Rosetti AND Boticelli paintings and I Am Living For It) and just all the quotes from holy books and shit omg I love it here like you really feel catapulted into the time period, she draws reference to external art and philosophy so well and I feel like she upped the notch on it in this book (didn’t know that was possible but it was the prose is BEAUTIFUL, archaic, but not pretentiously so). No, like the characters live in their OWN worlds of literature and art and history in the way we are living in THEIRS. They quote Wilde and Milton while we'll quote Clare. It's awesome.

This is an unusually structuralist take even from me but: I like the way the milieu social of the book, i.e., the high society Edwardian circles and their values, have a direct influence on the plot. James and Cordelia got married because society’s values essentially forced them to, not a demon. Cordelia abandons Jamie at the end of Iron because her shame as a woman in society and fear for her reputation made her, not a demon. Thomas and Alistair can't be together solely because of how Alistair tarnished the reputation of the Fairchilds and Lightwoods by using the horror of infidelity against them. Issues relating to marriage, gender roles, etc, stemming DIRECTLY from the time period rule the sequence of events to the same degree as the epic fantasy aspects (demons, Princes of Hell, the lore itself) do and I LOVE that dear God above.

OKAY THE GOOD SHIT LET US TALK ABOUT CHARACTERS AND SHIPS (N.B. but imma discuss Matthew and the Fairstairs situation separately below this portion):

Alistair's redemption arc: No, cus Alistair's redemption arc is honestly amazing. He really did change and it's not like his betterment as a person was linked to any one heroic deed but rather he simply decided he wanted to be better especially for his family and he decided to become a proper protective son, a caring brother, and an amiable friend. He fully owned up to his Malfoy tendencies and apologized without expecting forgiveness. He shows how he cares in the little ways and omg it's so sweet and tender. I really do want him to love himself now and be embraced by Matthew especially and the rest of the Thieves.

Dawg Lucie and Jesse are so funny to me like it's so hilarious how this girl fell in love with a whole ass ghost that no one else knows about like HHAHA. Are Lucie and Jesse my ult ship ever? Nah, but it's nothing to do with Clare, it's just that their relationship happened pretty quick and feels quite like something epicly romantic that Lucie herself would write. I just like slow burn and friends-to-lovers the most from Clare. To be honest part of me just wanted Lucie to not have a romantic arc all together but like, it's all good, I'm not complaining.

Okay Grace- like yooooooooooo I never hated her yunno. She has been abused and isolated all her life. It's not that she is a bad person, but rather that she does not know what being a person even entails. Can't even say she's a “doll” of a person cus she's never even been pampered like one by her family. I really started understanding her motivations since when they gave us her half-childhood with Jesse. I want better for her but cmon can she REALLY be saved???

GRACE X CHRISTOPHER *pretends to be shocked*... Okay, sometime in the middle of the Dark Artifices series some big brain put together a very thorough family tree of the families and like, it clearly showed that Grace and Christopher got married so like, lmfaooooo, I knew this was coming one way or another, but the journey to this ship is more important than the destination. Like in a way Christopher is such a cute baby lamb that it makes sense he'd end up being immune to her Grace-ness when he's just a cute little Einstein boiii. Like this is just so funny to me cus he's so oblivious to social conventions while she makes the milieu social her entire life so OFC it's gonna work. Like, this is such a worlds-colliding trope like just Give It To Me.

James and Grace - aw mannn Jamie just had me fricking wanting to hit a wall every two seconds cus like yooooooo every single time I think he and Cordelia are gonna stop being emotionally-constipated spouses, Jamie says some kinda shit like "omg me and Daisy are just friends uwu" like DO I NEED TO HIT YOU?????????? See I can't blame him for not slamming the door on Grace's face even tho he totes should- Jamie is so cerebral and kind that even if Grace wasn't using the enchantment on him, I think he would always be soft for her even if it isn't in a romantic way. There's just so much miscommunication cus like he said "Thank God" when she broke off the engagement with Charles and lowkey embraced her but it also wasn't his fault cus it wasn't even romantic BUT OFC IT LOOKED HORRIBLE TO CORDELIA like James literally never told the woman at least once that he loved her so OFC she thought she was back to square one with him dear God above what a mess. Not his fault, but she DID set down one rule for him: don’t cheat with Grace. And yeah even tho he hasn’t properly cheated, it must FEEL horrible to her cus she’s just been enduring the pain of their unrequeted love for so long :((

See imma just say it but if Cordelia thought that James didn't love Grace then she def would have confessed to him about her feelings right but like James, on the other hand, was delaying his own romantic confession cus he was BEING EMOTIONALLY CONSTIPATED and I can't even say the bracelet was solely to blame cus like my boi was just being so difficult omg I believe he should be lightly spanked by his three parents aka Will, Tessa and Jem *cries*.

Cordelia is such a MOM like she's so mature and stable and her self-preservation instinct? OFF THE CHARTS I love this woman like James definitely treated her well as a hubby but like I JUST WANTED HER TO HAVE CLOSURE ABOUT SOMETHING and boy oh boy she did get that closure she got it good but not from the person she expected in the LEAST *hehe* *pelican screeching*... like Lucie was being sus with the whole ghost business and James was being just, quite a case, dealing with Grace and Belial right and I don't blame them at all for their secrecy and shit but her FATHER DIED and her friends were hiding a lot from her so in a way she turned to Alistair for help but he could only do so much cus of his own pain (she couldn't even talk to her mom cus she's pregnant and she doesn't wanna stress her right) and then there was this emotional block between her and Jamie, Lucie was often absent and conspiring with the dead... the last person remaining was HIM (imma discuss this soon), but yeah my heart just went OUT to her cus she's tryna save herself and her family and she just doesn't know what to do. That's why I love the way her mom told her to stop holding herself back for others and live her own life. Like Cordelia grew on me so much cus in Gold she undoubtedly was a strange Elizabeth Bennet-wallflower hybrid and I... do not usually get attached to wallflowers but in Iron I feel like I finally understood that she was just tryna be unproblematic and self-preserving all along and nottt put her family and friends in a tough situation.... she reminds me of my mom personality-wise so yeah I’m totally rooting for her now that her *situation* in the past seems clearer.

Anna, Thomas and Matthew are such a SQUAD lmfaooooo like united in their gayness they'd be so unstoppable.

Will and Tessa are the most in-love of all the in-loves in this story and I respect that so much.

I lost a year to my life every time the romance between James and Cordelia got cockblocked. Like they were MARRIED and I thought they were gonna at least sleep next to each other at least once BUT NO James couldn't take a hint omg I'm actually gonna eat my fist and sob (but in retrospect, I think this serves a bigger purpose in terms of the narrative structure i.e. the interruption of all the spicy James and Cordelia action serves a bigger purpose which I think brings me to my next section, *exhale*)

Welcome to the Matthew Fairchild Enthusiast Club (this section is me talking out loud; it makes no sense):

bitch.

LISTEN TO ME LISTEN WELL I LOVE THIS BOY SO MUCH IMMA SCREAM I REALLY AM GONNA SCREAM MY FIST IS LITERALLY IN MY MOUTH *BACKFLIPS OFF THE ROOF WITH LANA DEL REY PLAYING*

Okay like where to BEGIN I think the Shadowhunter boy who I'm most attracted to is Julian while the one I love the most is Will but I think I see myself in Matthew the most. Like ever since that first story where the Thieves all met at the Academy then got expelled, I think that I just KNEW Matthew was destined to be epic. Plus the whole Wilde obsession? I’m no libertine myself but I just love his chaos and passion for life.

NO CUS HE'S SO WITTY AND SWEET AND EPIC AND YET SO SECRETIVE AND DEAR GOD ABOVE AHHHHH WILL HE SURPASS JULIAN FOR ME??? Ion even know but this is just sodjsgdwsdygyegydgef

Hear me out but I said after finishing Gold last March that I wanted this book to be Matthew's healing arc right so halfway into the book when I realized that we weren't getting all that good healing arcing I was confused just cus I thought it seemed natural to address all of his alcohol issues and sadness by now. LITTLE DID I KNOW CASSIE WAS SETTING UP A WHOLE OTHER ARC WITH HIM THAT I WOULD HAVE NEVER GUESSED WTH.

At first I thought Matthew didn't have feelings for anyone at all, and if he DID develop feelings unexpectedly, I fricking thought that maybe he's catching feelings for James, if anyone??? I mean, I did have some suspicions about Matthew from the get-go: like he's so secretive and as readers we think we know everything there is to know about him since we were all privy to the truth potion incident in his short story right BUT NO I GOT PLAYED AND I DESERVE IT SO BADDDDDD.

Listen I hadn't shipped him and Cordelia simply because I never thought it in the realm of possibility but it MAKES SENSE as a ship... think about it: he never says what he feels, he flirts with her like he does with EVERYONE, he is kind to her in the way he is with EVERYONE. Really, Matthew is shippable with everyone, doesn’t matter if they’re taken cus that’s just what his Matthewnes allows for ya feel. There is such a beautiful irony that CORDELIA herself did not see this coming. Even the little teasers and hints in Gold have only NOW started making sense to me likejhss. I just felt like the hints in book 1 did not indicate to me that Matthew really harbored real romantic feelings for Daisy. I thought he was upset that James and Cordelia were being fakes, not a developing CRUSH on the woman fgs.

Not to mention that you usually sense a ship building when the emotional connection or sexual tension between the characters is made clearer but to me their FRIENDSHIP grew right but it didn’t feel like Cordelia was thought that she liked him or he liked her so that means me and Cordelia are clowns *together* 😤

Okay I was lowkey having SUSPICIONS but I immediately shut them down right... like firstly when he took her to the White Horse in his car and she went OFF and OFF and off about how she felt free for the first time? I thought Cassie was just tryna develop Cordelia's self-liberation arc through Matthew there. Heck, I didn't even think ANYTHING of it when Matthew confession to Cordelia about the "truth potion" incident at all cus I was like they're FRIENDS??? BUT now it's adding up now...

See when they were at the inn place and he was telling her that she doesn't in the least seem like a 100 year-old married woman? I was like hmmmm he's so sweet but why did Cassie phrase it like that like??? When Cordelia later reiterated that she thought Matthew's flirting was “meaningless”?? I was like hmmm kinda SUS tho. And then when he and James had their fight over the way Jamie kissed Grace like again I thought he was just like? ion know? mad at James for it but I didn't think he was in LOVE with Cordelia??? So I immediately put aside my slight suspicions. The probability that he had a crush on James at that point seemed more likely to me.

BUT THEN it started hitting me that every time Matthew drank, even before he explained his issue with the truth potion, that Cordelia would note it, she would worry about him, she would think of her father which seemed so poetic to me, history repeating itself and all that but this time you can FIX it??? Yeah, but again I didn't think the L WORD would be involved man???

Now imma sound like a delulu shipper here but it just makes sense they would develop feelings logically- reason being that it definitely is possible based on the way Cassie set up the story, like there's a combination of little “friend things” that can turn this into a proper ship: Matthew rescues Cordelia in the ballroom when Grace captures James' attention in Gold. Cordelia sees her father in Matthew all the time but knows now she has a chance to be there for him in the way she couldn't have been there for Elias (classic “history repeats itself” trope, she doesn't want Matthew drinking in Paris like dhshghdfhdhch). Cordelia tastes freedom for the first time when driving with Matthew. Matthew caught James and Cordelia making out in the room and was pissed but not even HE properly knew why then??? Umm, when she thinks James is forreal cheating with Grace on her she subconsciously goes to Matthew??? I also found it funny just how every intimate marital moment between her and James got interrupted somehow. Like, it's as if the narrative is just a living force REFUSING to let James and Cordelia as a ship be consecrated. Heck, every time Matthew is scantily clothed Cordelia notes it. LITTLE CRUMBS I TELL YOU LITTLE CRUMBS.

I tell you when Cordelia showed up to Matthew's flat I thought they were gonna f*ck as friends but I got SOMETHING EVEN BETTER SOMEHOW

THEY ARE GOING TO PARIS LA BELLE EPOQUE PARIS THE PARIS OF DREAMS AND ART LIKE??? FRICKKKKK I DID NOT SEE THIS COMING AT ALLLL MAN? I deadass thought the story would be restrained to the UK but like it MAKES SENSE the trope subversion MAKES SENSE.

“In Paris, with you, I will not need to forget.” SHITTRGEGGGDG

BUT CORDELIA LOVES JAMES TOO LIKE I CAN'T DENY THAT... where are we GOING with this like Matthew wouldn't lie about his feelings and yet Cassie wouldn't give us Matthew and Cordelia crumbs to only end it in the next book immediately for her to just ditch him for James. I mean she was clearly holding back on fleshing out James and Cordelia as a ship for this but to WHAT END??? Daisy feels wild and free with Matthew and she feels warm at home warm with James. I can’t advocate for the sinking of ANY ship here.

Imma say what we're all thinking: Is she gonna give us a Will x Jem x Tessa type situation where Cordelia gets both of them cus I'm not strong enough for this but I also think it'd be really funny if James gets a surprise bi awakening in the next books and then we get POLY even tho this would never happen, it’s actually impossible, because of the whole parabatai thing.

Listen I ship Cordelia and Matthew much more than Cordelia and James, not that I dislike James in any way tho. It's just: Matthew is so unrestrained and she's so composed. They seem like an unlikely pair so it makes sense that they hit harder for me. James and Cordelia have such similar personalities but I ALSO don't ship James with Grace at all so like?? Poly would be... ideal... but it can’t happen especially cus they are fricking parabatai... a Will-Jem-Tessa situation seems more likely but mannnn ion know what to expect. I just want FAIRSTAIRS to have their moment in Paris. I mean James and Matthew clearly don't abhor each other for this.

Take everything I say with several grains of salt, take everything I say with the whole Dead Sea actually, cus I damn well know that Matthew is so flirty and whatnot that I’d have shipped him with anyone in their little circle but now that she set him up with Cordelia it all feels so right?? I have wanted this man in a good relationship since he walked onto the page in Nothing But Shadows so-

ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

I can't believe Cassia duped me like this omg, Matthew is gonna have his healing arc in Paris with Cordelia by his side like- THIS IS ALL I HAVE WANTED AND SO MUCH MORE. Question to yall btw: are you all as surpised at Fairstairs as me or did yall see it coming all along like smart people? Am I a lone clown? 🥺

BRUH okay criticisms of CC?:

Lmfao a part of me feels like I GOTTA say something bad about CC or the book but honestly I have no objective complaints about it as of now. Am I saying that it’s the PEAK of Young Adult literature and Urban Fantasy? I mean, I make no such claims tbh. I’m not here to be critical when I read as a hobby and when CC’s writing makes me happy regardless of how flawed some people see it.

Okay what next?

So like I’m excited for the adult high fantasy she’s releasing in the fall and whatever other works she might be releasing outside of Chain of Gold within the Chronicles.

As for TLH itself? Man I’m just VIBING like I suspect I will reread Chain of Iron soon and maybe one of the anthologies just because I am happy that this series actually happened after me waiting like 6 years for it when it was just a concept: a Dickensian retelling filled with poetry and culture and history and the conventions I so loved in TID at age 12. This is all I been wanting tbh. I’m just enjoying watching this series come to fruition for it to inspire and transform me in some way. I feel like in a way my coming-of-age aligns with that of these specific characters yet I ALSO feel like I raised Jamie since infancy. Wack.

MATTHEW AND CORDELIA IN FRANCE LA BELLE EPOQUE TO BE EXACT IMMA CRY I DID NOT SEE THIS COMING AND AHHHHHH. ALSO WILL AND JAMIE GOING TO CORNWALL TO GET LUCIE AND MAYBE BOND I LOVE WILL. HE WAS ONE OF MY DILF AWAKENINGS AT AGE 12 AND NOW HE’S HERE AGAIN IMMA CRY. I WANNA SEE MATTHEW GET HAPPY. AHHH.

Ending with a fun quote: “In the wise words of someone or other, there are more things in heaven and earth than are dreamt of in your philosophy, Maurice.” 😉

38 notes · View notes

thegreymoon · 3 years ago

Text

Word of Honor

OK, Scorpion, now you are really starting to get on my nerves 😤

So, since he’s still questioning whether or not his abuser is sincere, I’m assuming his alliance with WKX really fell through and they were not cooperating in that last scene? Now I’m additionally pissed off that we never got to see why, or how Zhao Jing lured him back.

***

I am so tired of giving Scorpion the benefit of doubt, but this looks promising!

Please, please end the bastard already 😠😠

***

Tell them, beautiful!

This whole farce is becoming exhausting 😪

***

LMAO, of course 😆😆

Everyone’s favourite gremlin is back!

With that said, everything about this exposition is so narratively clumsy and makes no sense from any standpoint. The only things still holding this show together are Zhou Zhishu’s and Wen Kexing’s pretty faces.

***

You have got to be kidding me.

***

LMAO, brother Shen Shen finally losing his temper and speaking all our minds 😆😆

***

LMAO, seriously??

***

Everything about this is so anticlimactic, but, yes, please!

***

Regardless of everything else that is going on here, I feel like we can all just take a moment to admire how beautiful he is 😍

***

What are you crying for, you disaster?

***

LMAO, did he just poison him?

***

OMFG, what are you now circling back to this for 😫😫

Please, this story has run its course! But I suppose we still have three episodes to go 😤😤

***

I am... speechless.

I’m trying really hard to be sympathetic to this entire team considering how devoted they were to getting this show to air in spite of everyone and their grandmother sabotaging them in the middle of a pandemic and keeping in mind that the first thirty episodes were so incredibly good, but what the actual hell happened?

This is just bad on every level.

***

Ye Baiyi, I love you, but please stop extending my suffering 🙄

***

The way this is going, I cannot 🤣🤣

“Very sorry, Senior, I just led a criminal organization responsible for carnage and terror for several years, and, oh, I also tortured and murdered a couple of hundred people myself, but my bad! I promise I won’t do it again!”

Please, what happened to this show? 🤣🤣

Mind you, it’s not that I want Wen Kexing be imprisoned/executed for his crimes, but come on!!

***

Also, the the only reason all these people are willing to speak up for him is because Ghost or not, he is still gentry, and his parents are one of them! If it had been any one of the other low-born (and less conventionally presentable, or even female) criminals on the line here, they would be frothing at the mouth, calling for his death. They all agree that Wen Kexing was in the Ghost Valley ‘by mistake’ only because his parents were respectable people.

***

“The spectacle is over! Shoo, now!” 🤣🤣

***

I am now starting to fear just how much they will butcher the script for Hao Yi Xing 😢 WoH clearly started out with excellent, competent writers and the show was so, so good until their own studio swooped in to sabotage them. I guess that this is a good practice run for me on what to expect when they are done with the delays and the additional butchering of HYX.

I’m just so sad. There was so much potential here for something truly remarkable and it was unable to land because of pure hubris of people way above the cast and crew who tried so hard and gave it their all.

***

I hate it here.

He’s so broken.

Also, didn’t he take those red pills the elf from Nanjing had given him when he thought WKX had died? What were they supposed to do? I expected him to gain superpowers or something and go on a vengeance spree, but no, it was just Sword Immortal coming down and sending everyone home like errant children.

***

I just remembered, when Zhou Zishu was given the muscle relaxant to smell, he later claimed it didn’t work because his sense of smell was gone. My mind was too busy rolling in the gutter at the time to complain, but just because you can’t smell it, that doesn’t mean it will not work, because you are obviously still breathing it in.

***

Well, at least they made up.

Their relationship is one of my favourite things on this show so I am glad they are not out to kill each other.

***

I am... disturbed 😶

Xie’er, baby, you need all the therapy! 😬😬

With that said, this is the best (and the only logical and consistent) thing to come out of these last four episodes so far and I am so here for it!! 👍👍

***

Mte.

This is my least favourite trope of all time, creating drama just for the sake of drama, and it was so poorly executed here, it has completely kicked me out of the story. I find it so hard to care about anything that is happening right now. Also, I am sick of them narrating these unnecessarily twisty and unnecessarily complicated events that happened off screen. My suspension of disbelief has taken a long vacation and is currently sending me selfies from a beach in Maldives 🙄

***

Aww, censors are sleeping on the job again 🤗

Also, A-Xu is way too sad. He definitely poisoned himself with those pills and is now actually dying.

***

I AM NOT READY TO SAY GOODBYE TO HIM 😭😭

Only two more episodes! It’s not enough! 😭😭

***

Aww, cutie, you are the prettiest!! 🤗🤗

***

A mountain of treasure for the daughter of the Ghost King 😍

LMAO, poor Cao Weining, he’s marrying waaaaaay beyond his own station 😅😅

***

The way they are making me cry 😭😭

I love them so much!!

***

LMAOOOO, it’s what he deserves!! 🤣🤣

Yes, Queen! Rid yourself of toxic men and their garbage 🔥🔥🔥

***

Wait... he came to their wedding?

This asshole??

***

I am not happy that they opened the gate. They shouldn’t have opened the gate. I don’t like that the other master is not here.

***

She noticed the absence too.

***

LMAO, did he seriously walk into the Ghost Valley to shit on the Ghost King’s daughter? On her wedding day??

Wen Kexing, please eat him 💀💀

#word of honor #woh spoilers #woh ep33 #woh ep34

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aotopmha · 4 years ago

Note

Your thought's about mikasa's ending? I have seen people upset that she got the worst ending out of everyone even though she made the biggest sacrifice.

This made me think: which character do I think got the worst ending?

And I think it's 100% Historia. At least some hint of Ymir would've been nice. It's good in the sense that having a baby didn't somehow drop her position as queen, but that's about it.

Falco and Gabi get no thoughts whatsoever, but I think they at least got to reflect sufficiently beforehand and sort of end the main portions of their arcs then.

Second in row are Pieck and Annie who get to be the cynical balances to Armin. I'm particularly happy with this because they didn't leave off on a having babies note. None of the potential relationships are rushed to and pushed in your face 3 years later.

You can make some connections, but that is not the focus and that's really rare for shounen.

For example, I see Armin and Annie being championed around, but their interaction is a pretty neutral one. It doesn't confirm anything. The problem with the endings of these two (and this will become a trend) is that they are character-specific in very general ways. It's a very general ending.

A portion of the side cast is like this, namely Gabi, Falco, Annie, Pieck, Jean and Reiner. They have elements of their arcs, but the only one among them getting a sort of full-blown scene for only themselves is Reiner.

I think this is fine for Connie. Him getting his mom back is the best closure he can get after what he has gone through and it sort implies he can now get the emotional closure for becoming a soldier.

Pieck never had much of an arc to begin with, so her final moment being another "exactly right" moment is good, but it is very basic.

Annie's character arc is shown by her simply being there and taking action. The aim of it was for her to learn take action in the face of a cruel world. I see people complaining she's on the ship and not somewhere peaceful, but I think that would actually be much worse.

Equally, Jean's arc is shown by him simply being there. But there is the hint of him trying to look good for someone.

I think the biggest problem people seem to have with is Reiner and because of the Historia joke, that's all that gets attention.

But I think out of these four his is the strongest because his goal all the way back was to become a hero because his mom pushed him into it. For his mom to throw this expectation away is a very good way to end it for him.

The problem with all of these is that they aren't necessarily specific moments just focusing on their inidividual growth. But you also can't do that in 40-50 pages when there is other stuff to also cover.

The endings I strictly do think are solid are Levi's, Eren's, Armin's and Mikasa's.

I saw a post talking about how 95% of Eren's character was thrown out for the finale and I just don't think this is true.

I understand the complaining about the exaggerated outburst about Mikasa, but just go back to the Trost arc and the first chapters:

- Eren is no longer looking for revenge.

- He clearly cared about Armin and Mikasa since the start. So few people mention Grisha's words about him controlling this power to save them in the context to this final chapter. He did it. He gave them a new chance at life by the end.

- The story started with Eren swearing to eradicate the Titans and it ends with him essentially doing so. It's partially because of OG Ymir, but he is a big part of it.

- The most important part to me is that the genocide is condemned. Directly and subtextually.

- The entire point of this is that the consequences are single-minded and selfish. The story never set up Eren to be this selfless hero OR some blind monster who just wants destruction. He's motivated by what he personally cares for the most.

His ending is completely fine to me.

I think Armin's and Levi's endings are the best, with Armin's edging out Levi because Armin actually has a substantial character arc.

Armin's ending is a callback to the situation in chapter 11.

People hate Armin just because he supposedly killed Bert and "replaced" Erwin (because of the young coming after the old trope), but Levi straight-up says that he can't replace Erwin. Erwin's death is not painted as a positive thing. It's, again, a selfish decision.

But I love his arc. All he can do is the best with the circumstances he has been given and the talents he has. Him convincing the Marleyans through diplomacy is the best ending to his arc I think you can get.

He doesn't have to be coaxed into action. He acts with confidence all the way through. I think it's really good. There is so much talk about Armin worship, but I really think his journey and his principles aren't bad ones to emphasize.

Levi gets the closure for his friends at the Survey Corps. His is one of the more simpler character endings and his character is one of simpler ones. There is no need to look back at any context here. He killed Zeke and that's it.

Finally, there is the character you asked about, Mikasa. I like her ending. She is mourning Eren, but she still has the good memories of him and her friends are coming to visit her soon. I think the final sentiment is that while she lost Eren, she is not alone and will live on for them and in Eren's memory. I think as a big finale maybe everyone arriving at the tree to visit her would've been more emotionally potent and "definite", but I like it.

My biggest issue with the ending is actually how some of the characters were handled. I think all of the characters could've gotten at least a small scene all to themselves to show their growth and emotional state like Eren, Mikasa, Armin, Levi and to a smaller extent, Reiner did. Eren obviously got the most focus because he kind of caused a global genocide.

I very much think a lot of the issues people prescribe to this ending come from a lack of reading comprehension and selective reading. I really do feel like it. Obviously interpreting something is very subjective and maybe for some it's just a matter of conveyance or *how* things are written. I can understand where this comes from, too. But I just don't agree with a lot of the claims made I see.

Armin doesn't thank Eren for the genocide. He thanks him for willing to do it for them and says what he did was a mistake.

Eren isn't just doing all of this for Mikasa. He's also motivated by ending the Titan curse (for them to be free of it) and saving everyone else. This is meant to be selfish and single-minded.

OG Ymir "loved" King Fritz because she got approval from him for everything she did and eventually she wanted to be free from this awful relationship.

And I really do not think this is some 300 IQ reading strats, personally (I've seen people say you have to look at the tiniest details to make sense of it, but I feel like you really don't, just read everything they say and put it in context [together] with the previous 138 chapters. I can even explain how I do this if anyone is interested).

If anyone is interested, I can also explain why people might find the prose confusing and stilted.

I think the characters literally tell you what they are thinking. This is the case with stuff like Evangelion's ending, too.

I think it's the prose of those final two episodes and the series in general that also causes Eva to be labelled as confusing.

What I do think can happen is that the anime can expand on some of the stuff. Maybe add a few lines in for everyone to make their arcs clearer.

But at the same time some of those closures were in the earlier story, like the convo between Jean and Connie in 138 or Jean's daydream of a good life after everything is over or Reiner's confrontation and conversations with all of the characters during this entire arc. Everyone already has had some form of closure at least.

But some of it could be reiterated to get a smoother end to everything, I guess. I think it takes some people out of the story that some of the endings didn't feel as smooth as they could've been or didn't have as much of a neat bow attached to them as they could've had.

Thank you for the ask!

#Attack on Titan #Shingeki no Kyojin #Mikasa #Mikasa Ackermann #AoT 139 #SnK 139 #AoT #SnK #Asks

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therealabbyham · 4 years ago

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Racism in modern media.

A lot of controversy over the depiction of people of color (POC) in modern media has arisen. With both the Black Lives Matter and Stop Asian Hate movements that have happened in the last year, both new and old shows and movies have been brought forward as examples of what is not okay. Now, with some research, I'd like to go through these examples and go through what has made them controversial.

"Stock characters and slapstick tropes have always existed in theatre, from Shakespearean comedies to even something as seemingly benign as the Disney Channel show “The Suite Life of Zack and Cody” (remember Esteban?). But ethnic stock characters have been tricky to write in an increasingly politically correct 21st century, despite their appearances in such Broadway classics as “West Side Story” and “The King and I." (The Muse at Dreyfoos)

”Song of the South (Disney film) - By far one of the most controversial and well-known instances of controversy. So much so that Disney never sold the movie on DVD and will not be putting it on Disney plus. Disney's most recent effort to erase the racism from their history (also see: the crows in Dumbo and the original draft of Fantasia), was to go farther in changing Splash Mountain. Originally they had gotten rid of the characters on the ride (who were all characters from the movie), now, however, they are changing the ride altogether, changing it into a Princess and the Frog-inspired ride. "Song of the South’s African American characters are treated warmly, particularly Uncle Remus, who is Johnny’s best friend and confidant, a charismatic storyteller, and, most importantly, the film’s conduit to the animated world of Br’er Rabbit... The problem isn’t necessarily what Song of the South depicts, but what it chooses not to depict. Although Harris’ Uncle Remus stories were set in Georgia after the Civil War, the film adaptation never makes it clear when the story is taking place... If you’re not a scholar or an Uncle Remus expert, it’s very easy to assume that the film is set before the Civil War, and that Remus and Aunt Tempy (Hattie McDaniel) are slaves — and that they are completely fine with that." (Quotes from Screencrush) "By stripping out any concrete details of time and place, Disney essentially turned the plantation system into a ludicrous utopia where blacks and whites live in harmony — a harmony where the only thing that’s clear is that the blacks are inferior and servile to the whites, but are content to work the fields anyway." "Several of Remus’ stories are about Br’er Rabbit wanting to run away from his problems; the moral, inevitably, is that you can’t avoid trouble and there’s no place like home. These lessons are particularly important to Johnny because he doesn’t like life on the plantation initially and wants to run away to live with his father in Atlanta. But when coupled with the African American characters’ oddly cheerful attitude about their social status, the movie seems to be arguing on behalf of complacency. Don’t leave the plantation, don’t try to better yourself. Just go with the flow."

Thoroughly Modern Millie (Broadway show) - The show is about a young girl named Millie who moved from a small town to NYC, and the show is known for having "the subplot and the peddling of outdated Chinese stereotypes". (A lot of this will be in quotes from the previous link). Although "the play is set in the 1920s... the script was written in 2000, based on source material from the 1967 film of the same name" On Playbill, another study is done, "As much as the 2002 Tony-winning Best Musical is a love story about making it in the big city, the show’s major subplot centers on “white slavery.”" An argument could be made that “To actually have real Chinese guys singing and speaking in their own language and meaning it, and to link their immigrant story to the same story as Millie ... and come to America because of the American Dream, all these people who come to New York to reinvent themselves and be modern—I think is exactly what the Chinese guys are all about." (This is irrelevant if the characters are not played by someone who's Chinese). With accurate casting then it might be "another opportunity to cast shade on racist attitudes and assumptions about us [the Chinese] and what we know and how smart we are and what we’re capable of..." However it still "can be racist if you do it racist. This show can be done racist but it doesn’t have to and actually, it can actually be anti-racist." Personally, I think if the line you walk is so fine and covered in eggshells, it may not be worth it (but of course, it's an opinion, even if it's widely accepted). Even Ashley Park, who wanted to be Millie, thought “It’s one of the characters that I’ve loved, always, but I always figured I’d never play it just because of the race stuff that’s in [the show].” because she's Korean-American.

Emily in Paris (Netflix show) - Speaking of Ashley Parks, let's talk about Emily in Paris, one of Netflix's most controversial and most hated shows. To put it simply, the show (which I have not seen) is about an American girl who moves to Paris. Yep. That simple. In a video by Friendly Space Ninja (who's French), he says "I've been insulted by this show, more than once... Emily in Paris has a huge racism problem... and it also comes up as arrogant." He goes on to say, "When people say Emily in Paris portrays French culture in a very insulting way, they're not exaggerating." "The French in this show think Americans are the greatest and they aspire to be more like them and as a French person myself... Yeah no that's not accurate." "During the entire show, Emily tries to teach the French that doing things the American way is the right way." (I highly recommend watching this video if you don't mind the swear words, it has good points, that's why I'm just using quotes). "Emily in Paris only has two characters of color... these two characters of color are made of degrading cliches..." "All of the racist things [Mindy, a POC character,] says were written by a white writer." "The other non-white character is this guy... He's one of Emily's co-workers and he's gay... and I had to read he was gay online... and his entire point of existence in this show is to be the most stereotypical gay man the writers could come up with... all he does is stand in the background and act sassy... The writers are so dismissive with him I'm pretty sure the only reason they made him black is so they could kill two birds with one stone." "Emily in Paris has two actors of color and both of them feel like an afterthought." My thoughts: Don't watch this show. It has a season two coming out, don't watch it, even if you want to see how bad it is. There will be someone online who will tell you why it's bad and you'll save time reading or watching their review instead of giving Netflix a reason for a season three.

Anyways, those are just a few (obvious) examples of how racism isn't okay, even if it isn't inherently meant to be racist. Song of the South was meant to be a heart-warming movie full of stories about morals, but it's been banned and basically erased from Disney history because it comes off as being pro-slave. Millie was meant to be a commentary on Asain stereotypes while lifting up Asain actors so they were given more opportunities, yet most schools have banned it. And Emily in Paris, despite its connections that got it nominated for awards, was such a dumpster fire, a good review is near impossible to find.

#black lives matter #stop asain hate #song of the south #disney #thoroughly modern millie #broadway #ashley park #emily in paris #netflix

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chronicallylatetotheparty · 4 years ago

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Watching (the Adventures of) Merlin season one on Netflix

Episode One: The Dragon's Call

. . . I feel like going to the capital of the kingdom indiscriminately slaughtering magic users wasn't the best idea.

Why? Well, that guy did just get executed.

And now his mom is mad. You tell that sorry excuse for a king, witch lady.

I don't like Uther, in case it was unclear.

Wait... if you could teleport why not just grab your son and ditch before he loses his head? Literally.

Oh, wow. Arthur is a dick.

Morgana. We have no choice but to stan tbh.

Dragon, you're really rubbing me the wrong way.

That's right Merlin! We need more than Because Destiny Says So!

Where did the spiderwebs come from? That sleeping spell gives me Sleeping Beauty vibes.

Ah, yes. The old drop-the- chandelier-on-the-villain trick. :(

If she went after Uther instead of Arthur I would have no complaints.

Manservant? You call that a reward for saving your son?

Episode Two: Valiant

Snake!Shield

Oh, he's gonna- Yup, dead. That's what happens when you deal with knights who cheat.

Where did that guy even get a magic shield in the first place?

Is there a thriving magic black market or something?

I love Guin.

. . . I feel like Sir Valiant didn't think this through. If bite marks are visible.

Ugh, you're the worst Uther.

It's only the second episode! Did you forget who saved your son already?

Stop being a jerk Arthur.

Lol. Merlin bringing a dog statue to life in order to practice for the Snake!Shield.

Bye Valiant!

Episode Three: The Mark of Nimueh

Whatcha up to with that egg, new witch lady?

You gonna poison the water of all of Camelot? Seems like a jerk move.

Dang that's a lot of dead bodies...

No, I like Guin's dad!

Yes! Cure him Merlin!

No! Stop arresting Guin, Uther!

You tell him, Morgana!

That plague monster that hatched from witch lady's egg is creepy.

Dead monster!

Arthur is kinda oblivious to Merlin's magic ngl.

Yay! Guin's free!

What do you know about witch lady Nimueh, Uther? Hmm? Why she want you dead? Besides the obvious reasons.

Episode Four: The Poisoned Chalice

Wow, Nimueh really doesn't like Merlin saving the day.

Wow, Nimueh really orchestrated an entire diplomatic incident in order to kill Merlin while also ensuring Camelot is destroyed by its neighbor. Impressive.

I really like Merlin and Guin's friendship.

Dang. Merlin really drank poison in order to save Arthur.

Merlin saved Arthur's life, Uther! Let him return the favor!

Oh, wow. Arthur really disobeyed his father in order to save Merlin's life.

I didn't know Merlin could cast spells while deathly delirious. And several miles away from him too.

Uther you b****! The antidote is right there! Let Arthur save his friend!

Putting your own son in a cell is such a jerk move.

At least Arthur and Guin manage to sneak the antidote to Merlin.

Quick aside: Internet spoilers say Uther needs to die for Arthur to complete his himbofication- I mean character development. So, if you could get on with that? Thanks!

Episode Five: Lancelot

Wow, that's a very CGI griffin.

Lancelot is so precious- Uh, I mean effective! Saving Merlin and all.

I know, Guin. I know.

Always thought it was a stupid rule to only let nobles be knights.

You're really going to commit magical forgery for someone you just met, Merlin?

I mean, Lancelot is earnest, hardworking, modest, kind despite his tragic backstory and it's his childhood dream to be a knight...

Yeah, I'd commit magical forgery too.

Lol, knocked you on your ass didn't he Arthur? (The second time at least)

I don't remember griffins being man-eaters!

Uther stop arresting people! Ugh, you're such a classist.

Let Lancelot help fight the griffin, Arthur! You need all the help you can get!

Well okay letting him go was nice of you.

Lancelot-Merlin tag team!

Wow. Lancelot really strode in with Camelot's singular braincell by figuring out Merlin has magic.

(The bar is low, okay.)

No, don't take away the braincell! Stay! The griffin was a team effort!

Okay, Lancelot's lawful good tendencies are a little annoying but, hey, nobody's perfect.

Episode Six: A Remedy to Cure All Ills

Edwin, no. Leave Morgana alone.

Oh, beetles! Curse beetles! That's not creepy at all.

Gaius how do you know Edwin?

What diabolical plot are you hatching Edwin? Oh, you're replacing Gaius in the royal court. That's kinda rude.

Merlin's so happy meeting another magic user that isn't trying to kill him (yet).

Le gasp! Uther's purge killed Edwin's parents? WhO cOuLd HaVe fOreSeEn tHis!?

But seriously. No wonder Edwin wants Uther dead.

I know Edwin blackmailed Gaius with exposing Merlin but he also wants to kill Uther!

That gives him a pass in my book.

Gaius no. Let Uther die.

Edwin stop trying to kill Gaius! You're going to-

Yup, here comes Merlin and-

Edwin's dead :(

Well he was trying to overthrow the kingdom. That's... bad... I guess.

Episode Seven: The Gates of Avalon

That title is misleading. It's more of a natural portal/magic lake type thing.

Arthur saves a father and daughter from bandits (Which they hired but shhh)

And they immediately try to put a love spell on Arthur

For human sacrifice purposes of course

Idk why the Sidhe want a human prince's soul -look at him, you don't know where he's been- but that's the price for readmission

I wonder how the dad killed one of his own kind? Was it an accident or...?

Exiling the daughter too makes me suspicious of Avalon's justice system

Evil laugh is a bit out of place for someone who is trying to restore his daughter's immortality

(They are so whiny about being mortal. Hey, we put up with it all the time!)

The fairy-like Sidhe moving in accelerated time so they just look like tiny orbs of light was an interesting touch. The blue faces and razor sharp teeth is not a good look for them, lol

They make Arthur ask to be married ('cause it takes a while for the love spell to go into full blown mind control or something)

Prompting Uther to threaten to kill both of them

(I feel like they didn't think this through)

Morgana admonishes Uther for being the worst

He replies that first love rarely lasts and that Arthur is inexperienced in such things. Plus that Arthur only met the girl yesterday

... I can't believe Uther is the voice of reason this episode

He doesn't get any points though. Due to the whole "threatening to execution his son's 'crush' " thing

The daughter is having second thoughts about using Arthur as a human sacrifice

Dear old dad puts those to rest and they try drowning Arthur in the lake that is/is the portal to, Avalon

Merlin's really leaning into the whole "Cool motive. Still murder.", thing huh?

Like, he did NOT hesitate to blow up both of them

Episode Eight: The Beginning of the End

Why do magic users keep going to Camelot!? The king is trying to KILL YOU!

Wow, this grown ass man is threatened by a literal child... I hate Uther so much

Morgana is the MVP of this episode. I love her

Protect that druid kid!

I feel like you're being paranoid Uther

You tell him Morgana!

Dragon, no. Stop prophesying death and destruction.

Wow, this grown ass dragon is threatened by a literal child...

Aaaand Morgana got caught sneaking the kid out of the city :(

Uther she is your adopted daughter! Stop putting people in cells!

Arthur is gonna sneak him out now?

While Morgana distracts the king?

Yes, excellent. What could possibly-

Merlin stop listening to that destiny dragon! Hearing his voice in your head is no basis for trust!

Cutting it close... Yay! They made it!

Mordred!? MORDRED!?

THAT little boy is Mordred!?

... Okay, I'm more inclined to believe the destiny dragon now

Still think letting him die would be a dick move

Episode Nine: Excalibur

What're you up to with that tomb Nimueh?

Oh! It's some kind of undead knight. Yes.

Throwing down the gauntlet. Pfft! Always thought that was a stupid idea.

Also: that Black Knight literally crashed your party!

Ugh, knights.

Nimueh if you can just teleport into the heart of Camelot while Uther is alone why don't you just stab him? Grab one of those pointy things he likes so much and stab him in the back. Easy peasy!

Stealing this joke but Don't do evil magic kids. It fries your brain cells.

Wait, the Black Knight is Uther's brother-in-law!?

Arthur's mother died in childbirth!?

Uther asked Nimueh to use her magic so he could have Arthur!?

Equivalent Exchange!?

Uther went on a genocidal rampage because he didn't bother with the instruction manual of ancient and powerful magic!?

Actually, that last one is not surprising at all.

I can't believe they're using the Wife in the Fridge trope. That appliance hasn't even been invented yet!

Ooh, Merlin's going to use his magic to destroy the Black Knight so Arthur doesn't have to fight him

As he's killed two knights already

Aaaaand, yup, he's still there. His cloak didn't even catch fire...

Arthur stop being a bastard. It doesn't suit you

Dragon forged sword! DRAGON FORGED SWORD!

Only Arthur can wield it. Yup, got it. How could this possibly go wrong?

Uther drugged Arthur and took his place in the fight... I have mixed feelings about this.

Wait, the dragon was very specific about only Arthur using that super special sword! Oh, snap.

Well at least the Black Knight is dead. Again.

Oh, dragon is not happy.

I know the dragon said "where no mortal soul could find it" but are you sure you wanna throw it into Avalon, Merlin?

Those people were gonna suck Arthur's soul out of his body

Episode Ten: The Moment of Truth

The way this episode title just lies to your face like that...

Oh, you're Merlin's mother! Thought we had an anime protagonists type thing going on

I... would like to say Uther is being unreasonable when he decides not to cross borders to get rid of some bandits. But I can totally see everyone hating him so that's a no go.

Lady, you were in a whole different kingdom. Why for the love of Merlin did you send him to Camelot!?

We're off to save the village! Morgana and Guin are coming too!

A wild Arthur appears!

Morgana better at swordplay than Arthur confirmed!

Merlin! I didn't know you had friends!

Granted he's a bit rough around the edges but

Okay. If it were literally anyone else besides Arthur. I'd say he was right about lords and knights being useless snobs.

Actually. He's right about lords and knights being useless snobs. Ah, that felt great.

Wow, the homosexual subtext is strong with this one.

The girls can tell Arthur came for Merlin.

But get your foot out of his face! I don't care how royal it is!

Look at Guin over here calling out Arthur for being a dick

And talking him into letting the women fight. She's on a roll

Aw, Merlin's friend died. :(

And he took credit for Merlin's tornado (so Arthur wouldn't find out about Merlin's magic)

Episode Eleven: The Labyrinth of Gedref

Lol, that unicorn could use a haircut.

No, Arthur. I said a haircut not an arrow to the chest!

Bad things? What kind of bad things Gaius?

Uther what's the point of having an expert in magical lore if you're not going to listen to him!

And all the crops are dead. Fantastic.

I know it's a magic thing but stating outright that the blight only targets edible plants is still really unsettling.

And the water's turned to sand. Great.

Who're you and how come Merlin is the only magic user that can't teleport?

What kind of tests mister Keeper of the Unicorns, sir?

Arthur I know you don't want to believe it's your fault... But it's totally your fault.

Uther no. People are starving.

You tell him Arthur.

Oh, the "theif" was a test!

Aaaaand he failed the second one. :(

Merlin's got a lot of faith in Arthur.

It's interesting how the Keeper can only direct the curse caused by the unicorn's death. Or rather the trials surrounding the curse, but can't break it himself.

Unicorns have some powerful magic.

The Labyrinth was barely on screen for five minutes! Surely something with Unicorn in the title would be more appropriate?

Arthur drinking a poisoned cup so Merlin could live?

That's some strong parallels right there.

The Keeper of the Unicorns is such a troll! Sleeping potion, hah!

The day is saved, Arthur lies to Uther's face about killing the Keeper and the unicorn resurrects itself.

Still needs a haircut though.

Episode Twelve: To Kill the King

Whatcha up to Guin's dad?

Oh that guy isn't suspicious at all.

You didn't think it was shady when he asked to meet in the middle of the night!?

Philosopher's Stone!?

Wow, the guards found him quickly.

What- No! Don't arrest Guin's dad!

Uther, he's a blacksmith! Stop being paranoid!

Will you stop executing people!? That inn keeper didn't know that guy was a dangerous sorcerer!

No, nononononono! He surrendered! Why did you do that!? Guin's father was important to Morgana!

That's why she gave him the key!

Dragon has his priorities straight.

Shut up, Merlin. You literally blew up a father and daughter for trying to kill one(1) person. (No really, you could see their hands flying off.)

Morgana deserves a little murder. As a treat.

Yes! Get him! Kill the bastard!

No! Why would you make GUIN say that!? Who are you and what have you done with Guin!?🔪🔪

UGH, he literally committed genocide!

The "that would make me as bad as he is" DOES NOT APPLY!

What- Oh, he still has the fairy's staff.

No. Stop it! Let Uther die!

Oh, God, Uther is such an abusive piece of GARBAGE!

Stop! Don't fall for it Morgana!

*sees dagger being pushed closer to Uther's "heart"* Yes! Yes! YES!

*Morgana saves him* NO!

NO!

NOOOOOO!

*inarticulate ranting in the background*

Episode Thirteen:

Okay, the cgi might be getting a little better 'cause the Questing Beast is freaky

Old religion? What is that? And how come it's conveniently absent from the previous episodes?

Dang, they really here just casually gaslighting Morgana like that 😡

Merlin you know Morgana has visions! You couldn't have been a little more careful? She warned you. Now look at Arthur, he's got the heroic death disease

Granted that thing does seem like a handful

Why do you only act like a father when it's a matter of life and death? Why can't you be a father literally any other time!?

"The old religion is the magic of the Earth itself."

Well that sounds fascinating, dragon. Are you going to elaborate? No? Later then?

Soooooo, is the old religion actually a religion or is it a magic? It's really unclear...

"You will be a better king than your father could ever hope to be." Guin, you're back!

I expected a place called the Isle of the Blessed to be less... creepy

Nimueh! Whatcha up to girl? Plotting the demise of a kingdom? Not today it seems

Oh there some Equivalent Exchange type nonsense going on is there?

Arthur you were supposed to be in a coma not listening to Guin!

Oh. Oh, no.

Merlin saying goodbye as he prepares to trade his life for his mother's is 😢😭

Wow, that dragon really knew Nimueh would give Merlin's mother the curse and didn't say anything. The little b*****!

No wonder Merlin's mad at him. Stop breathing fire at him! It's your own fault!

Gaius, no! Not the dead mentor trope!

"You stood by and watched as our friends died." Damn, Nimueh isn't pulling her punches.

Merlin vs Nimueh! Ready? Fight!

Anime protagonist power up! Dang, Nimueh's dead... I feel like that wasn't supposed to happen.

At least no one else is dying. Since Nimueh's death appeased the Equivalent Exchange laws of the old religion.

#bbc merlin #bbc arthur #bbc uther #bbc morgana #bbc's merlin

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