#hasbro i am begging you

[vector-prima-vectorum]

Liokaiser but with giant wings formed by Lyzack. Do you see my vision

[bellamby]

I'm genuinely scared to watch Transformers One

Not even because I think it's going to be bad, but because I think it's going to be TOO good.

I've seen every movie, but none has gotten me nearly as excited as this. Like I can handle Michael Bay adding explosions and spinning camera angles to LITERALLY EVERY MOVIE, but what I CAN'T handle is a Transformers movie that focuses on the interpersonal relationships of the characters.

No hate to Bayverse since that's actually how I first got into Transformers myself. But Revenge of the Fallen for me was kind of a let-down because they could've had such a tragic villain in the character of the Fallen.

Now, I am literally getting what I asked Hasbro for in the form of MegaOp's backstory, and I am NOT prepared.

I cried watching the end of TFP on my phone on Dailymotion when I was like 14. I am NOT gonna be ready to see this level of Cybertronian emotion on the big screen.

When it comes to tragedy in the Transformers mainstream media, it's such an underused asset - especially in comparison to some of the comics. The comics aren't afraid to make you cry, and neither are some of the shows. But the movies usually tend to hide that emotion behind action.

This movie looks completely separate from that. Like I am expecting action, but I'm also expecting a "Suguru, Satoru" moment that will leave me inconsolable for WEEKS.

(P.S. I have avoided spoilers LIKE THE PLAGUE, so PLEASE I BEG, TREAD LIGHTLY IN THE COMMENTS/REBLOGS 🙏🏽😭)

[mostlysignssomeportents]

A year in illustration, 2023 edition (part one)

(This is part one; part two is here.)

I am objectively very bad at visual art. I am bad at vision, period – I'm astigmatic, shortsighted, color blind, and often miss visual details others see. I can't even draw a stick-figure. To top things off, I have cataracts in both eyes and my book publishing/touring schedule is so intense that I keep having to reschedule the surgeries. But despite my vast visual deficits, I thoroughly enjoy making collages for this blog.

For many years now – decades – I've been illustrating my blog posts by mixing public domain and Creative Commons art with work that I can make a good fair use case for. As bad as art as I may be, all this practice has paid off. Call it unseemly, but I think I'm turning out some terrific illustrations – not all the time, but often enough.

Last year, I rounded up my best art of the year:

https://pluralistic.net/2022/12/25/a-year-in-illustration/

And I liked reflecting on the year's art so much, I decided I'd do it again. Be sure to scroll to the bottom for some downloadables – freely usable images that I painstakingly cut up with the lasso tool in The Gimp.

The original AD&D hardcover cover art is seared into my psyche. For several years, there were few images I looked at so closely as these. When Hasbro pulled some world-beatingly sleazy stuff with the Open Gaming License, I knew just how to mod Dave Trampier's 'Eve Of Moloch' from the cover of the Players' Handbook. Thankfully, bigger nerds than me have identified all the fonts in the image, making the remix a doddle.

https://pluralistic.net/2023/01/12/beg-forgiveness-ask-permission/#whats-a-copyright-exception

Even though I don't keep logs or collect any analytics, I can say with confidence that "Tiktok's Enshittification" was the most popular thing I published on Pluralistic this year. I mixed some public domain Brother's Grimm art, mixed with a classic caricature of Boss Tweed, and some very cheesy royalty-free/open access influencer graphics. One gingerbread cottage social media trap, coming up:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

To illustrate the idea of overcoming walking-the-plank fear (as a metaphor for writing when it feels like you suck) I mixed public domain stock of a plank, a high building and legs, along with a procedurally generated Matrix "code waterfall" and a vertiginous spiral ganked from a Heinz Bunse photo of a German office lobby.

https://pluralistic.net/2023/01/22/walking-the-plank/

Finding a tasteful way to illustrate a story about Johnson & Johnson losing a court case after it spent a generation tricking women into dusting their vulvas with asbestos-tainted talcum was a challenge. The tulip (featured in many public domain images) was a natural starting point. I mixed it with Jesse Wagstaff's image of a Burning Man dust-storm and Mike Mozart's shelf-shot of a J&J talcum bottle.

https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit

"Google's Chatbot Panic" is about Google's long history of being stampeded into doing stupid things because its competitors are doing them. Once it was Yahoo, now it's Bing. Tenniel's Tweedle Dee and Dum were a good starting point. I mixed in one of several Humpty Dumpty editorial cartoon images from 19th century political coverage that I painstakingly cut out with the lasso tool on a long plane-ride. This is one of my favorite Humpties, I just love the little 19th C businessmen trying to keep him from falling! I finished it off with HAL 9000's glowing red eye, my standard 'this is about AI' image, which I got from Cryteria's CC-licensed SVG.

https://pluralistic.net/2023/02/16/tweedledumber/#easily-spooked

Though I started writing about Luddites in my January, 2022 Locus column, 2023 was the Year of the Luddite, thanks to Brian Merchant's outstanding Blood In the Machine:

https://pluralistic.net/2023/09/26/enochs-hammer/#thats-fronkonsteen

When it came time to illustrate "Gig Work Is the Opposite of Steampunk," I found a public domain weaver's loft, and put one of Cryteria's HAL9000 eyes in the window. Magpie Killjoy's Steampunk Magazine poster, 'Love the Machine, Hate the Factory,' completed the look.

https://pluralistic.net/2023/03/12/gig-work-is-the-opposite-of-steampunk/

For the "small, non-profit school" that got used as an excuse to bail out Silicon Valley Bank, I brought back Humpty Dumpty, mixing him with a Hogwartsian castle, a brick wall texture, and an ornate, gilded frame. I love how this one came out. This Humpty was made for the SVB bailout.

https://pluralistic.net/2023/03/23/small-nonprofit-school/#north-country-school

The RESTRICT Act would have federally banned Tiktok – a proposal that was both technically unworkable and unconstitutional. I found an early 20th century editorial cartoon depicting Uncle Sam behind a fortress wall that was keeping a downtrodden refugee family out of America. I got rid of most of the family, giving the dad a Tiktok logo head, and I put Cryteria's HAL9000 eyes over each cannonmouth. Three Boss Tweed moneybag-head caricatures, adorned with Big Tech logos, rounded it out.

https://pluralistic.net/2023/03/30/tik-tok-tow/#good-politics-for-electoral-victories

When Flickr took decisive action to purge the copyleft trolls who'd been abusing its platform, I knew I wanted to illustrate this with Lucifer being cast out of heaven, and the very best one of those comes from John Milton, who is conveniently well in the public domain. The Flickr logo suggested a bicolored streaming-light-of-heaven motif that just made it.

https://pluralistic.net/2023/04/01/pixsynnussija/#pilkunnussija

Old mainframe ads are a great source of stock for a "Computer Says No" image. And Congress being a public building, there are lots of federal (and hence public domain) images of its facade.

https://pluralistic.net/2023/04/04/cbo-says-no/#wealth-tax

When I wrote about the Clarence Thomas/Harlan Crow bribery scandal, it was easy to find Mr. Kjetil Ree's great image of the Supreme Court building. Thomas being a federal judge, it was easy to find a government photo of his head, but it's impossible to find an image of him in robes at a decent resolution. Luckily, there are tons of other federal judges who've been photographed in their robes! Boss Tweed with the dollar-sign head was a great stand-in for Harlan Crow (no one knows what he looks like anyway). Gilding Thomas's robes was a simple matter of superimposing a gold texture and twiddling with the layers.

https://pluralistic.net/2023/04/06/clarence-thomas/#harlan-crow

"Gig apps trap reverse centaurs in wage-stealing Skinner boxes" is one of my best titles. This is the post where I introduce the idea of "twiddling" as part of the theory of enshittification, and explain how it relates to "reverse centaurs" – people who assist machines, rather than the other way around. Finding a CC licensed modular synth was much harder than I thought, but I found Stephen Drake's image and stitched it into a mandala. Cutting out the horse's head for the reverse centaur was a lot of work (manes are a huuuuge pain in the ass), but I love how his head sits on the public domain high-viz-wearing warehouse worker's body I cut up (thanks, OSHA!). Seeing as this is an horrors-of-automation story, Cryteria's HAL9000 eyes make an appearance.

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Rockefeller's greatest contribution to our culture was inspiring many excellent unflattering caricatures. The IWW's many-fists-turning-into-one-fist image made it easy to have the collective might of workers toppling the original robber-baron.

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

I link to this post explaining how to make good Mastodon threads at least once a week, so it's a good thing the graphic turned out so well. Close-cropping the threads from a public domain yarn tangle worked out great. Eugen Rochko's Mastodon logo was and is the only Affero-licensed image ever to appear on Pluralistic.

https://pluralistic.net/2023/04/16/how-to-make-the-least-worst-mastodon-threads/

I spent hours on the sofa one night painstakingly cutting up and reassembling the cover art from a science fiction pulp. I have a folder full of color-corrected, high-rez scans from an 18th century anatomy textbook, and the cross-section head-and-brain is the best of the lot.

https://pluralistic.net/2023/05/04/analytical-democratic-theory/#epistocratic-delusions

Those old French anatomical drawings are an endless source of delight to me. Take one cross-sectioned noggin, mix in an old PC mainboard, and a vector art illo of a virtuous cycle with some of Cryteria's HAL9000 eyes and you've got a great illustration of Google's brain-worms.

https://pluralistic.net/2023/05/14/googles-ai-hype-circle/

Ireland's privacy regulator is but a plaything in Big Tech's hand, but it's goddamned hard to find an open-access Garda car. I manually dressed some public domain car art in Garda livery, painstakingly tracing it over the panels. The (public domain) baby's knit cap really hides the seams from replacing the baby's head with HAL9000's eye.

https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town

Naked-guy-in-a-barrel bankruptcy images feel like something you can find in an old Collier's or Punch, but I came up snake-eyes and ended up frankensteining a naked body into a barrel for the George Washington crest on the Washington State flag. It came out well, but harvesting the body parts from old muscle-beach photos left George with some really big guns. I tried five different pairs of suspenders here before just drawing in black polyhedrons with little grey dots for rivets.

https://pluralistic.net/2023/06/03/when-the-tide-goes-out/#passive-income

Illustrating Amazon's dominance over the EU coulda been easy – just stick Amazon 'A's in place of the yellow stars that form a ring on the EU flag. So I decided to riff on Plutarch's Alexander, out of lands to conquer. Rama's statue legs were nice and high-rez. I had my choice of public domain ruin images, though it was harder thank expected to find a good Amazon box as a plinth for those broken-off legs.

https://pluralistic.net/2023/06/14/flywheel-shyster-and-flywheel/#unfulfilled-by-amazon

God help me, I could not stop playing with this image of a demon-haunted IoT car. All those reflections! The knife sticking out of the steering wheel, the multiple Munsch 'Scream'ers, etc etc. The more I patchked with it, the better it got, though. This one's a banger.

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

To depict a "data-driven dictatorship," I ganked elements of heavily beribboned Russian military dress uniforms, replacing the head with HAL9000's eye. I turned the foreground into the crowds from the Nuremberg rallies and filled the sky with Matrix code waterfall.

https://pluralistic.net/2023/07/26/dictators-dilemma/#garbage-in-garbage-out-garbage-back-in

The best thing about analogizing DRM to demonic possession is the wealth of medieval artwork to choose from . This one comes from the 11th century 'Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros.' I mixed in the shiny red Tesla (working those reflections!), and a Tesla charger to make my point.

https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world

Yet more dividends from those old French anatomical plates: a flayed skull, a detached jaw, a quack electronic gadget, a Wachowski code waterfall and some HAL 9000 eyes and you've got a truly unsettling image of machine-compelled speech.

https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai

I had no idea this would work out so well, but daaaamn, crossfading between a Wachowski code waterfall and a motherboard behind a roiling thundercloud is dank af.

https://pluralistic.net/2023/08/03/there-is-no-cloud/#only-other-peoples-computers

Of all the turkeys-voting-for-Christmas self-owns conservative culture warriors fall for, few can rival the "banning junk fees is woke" hustle. Slap a US-flag Punisher logo on and old-time card imprinter, add a GOP logo to a red credit-card blank, and then throw in a rustic barn countertop and you've got a junk-fee extracter fit for the Cracker Barrel.

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

Putting the Verizon logo on the Hinderberg was an obvious gambit (even if I did have to mess with the flames a lot), but the cutout of Paul Marcarelli as the 'can you hear me now?' guy, desaturated and contrast-matched, made it sing.

https://pluralistic.net/2023/08/10/smartest-guys-in-the-room/#can-you-hear-me-now

Note to self: Tux the Penguin is really easy to source in free/open formats! He looks great with HAL9000 eyes.

https://pluralistic.net/2023/08/18/openwashing/#you-keep-using-that-word-i-do-not-think-it-means-what-you-think-it-means

Rockwell's self-portrait image is a classic; that made it a natural for a HAL9000-style remix about AI art. I put a bunch of time into chopping and remixing Rockwell's signature to give it that AI look, and added as many fingers as would fit on each hand.

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

(Images: Heinz Bunse, West Midlands Police, Christopher Sessums, CC BY-SA 2.0; Mike Mozart, Jesse Wagstaff, Stephen Drake, Steve Jurvetson, syvwlch, Doc Searls, https://www.flickr.com/photos/mosaic36/14231376315, Chatham House, CC BY 2.0; Cryteria, CC BY 3.0; Mr. Kjetil Ree, Trevor Parscal, Rama, “Soldiers of Russia” Cultural Center, Russian Airborne Troops Press Service, CC BY-SA 3.0; Raimond Spekking, CC BY 4.0; Drahtlos, CC BY-SA 4.0; Eugen Rochko, Affero; modified)

[wifelinkmtg]

Yeah alright let’s talk Tarkir

Getting this out of the way: I do not care about Alesha, so if you were coming here ready to hear anything about the first-ever transgender girl out of Magic*, sorry to disappoint.

Actually, yeah, I’m gonna talk about this for a little bit. I understand Alesha means a lot to some people, and I’m not saying they’re wrong to feel that way. I’m sure there are people who had to fight to make Alesha openly & canonically trans, and I’m not saying that this was meaningless, wasted effort. It’s nice to be able to point to someone and say, see, there’s a place for people like me here. I was excited about it at the time and I wasn’t even into Magic back then.

But like c’mon, y’all, she’s not really a character, right? She gets one story, the thrust of which is, “this character is trans, and that’s basically fine.” Alesha exists to be part of the banner image of the internal WotC LGBT employees’ monthly newsletter. She exists to be the discord avatar for every third trans girl into Magic. She exists so a massive corporation can point to her as evidence that they care in some nebulous way about trans people, and she costs slightly less than paying someone to, say, actually moderate the hate speech comments on their vids of Autumn Burchett’s pro tour games.

All of which is to say, they don’t actually care. You know this. Individual staff, writers, artists - sure, but they’re not the ones who make the final decisions. And you and I deserve better from our stories, and we’re never going to get that from fucking Hasbro, right?

So here’s my pitch: seek out actual queer stories, and I’m not talking about contemporary YA shit with a marketing budget. For readers of this specific blog I’d recommend looking up “Attack Helicopter” by Isabel Fall (you should still be able to find it online). Stories where the texture and structure of thought are queer and trans are revelatory. You don’t need to beg for crumbs from a megacorp’s table.

ANYWAY, COMMA,

welcome to Tarkir! There used to not be dragons here, but now there are. In either timeline, everyone is locked in a brutal, unending struggle of clan-against-clan, so thanks, Sarkhan? Yeah, no, I hear you, it’s definitely different now. Yeah, and better. Yeah, because of the...yeah, because there’s dragons now, right. No, you did great, buddy. You really, uh, made a difference.

JESUS, IS HE CRYING? GET ME OUT OF HERE PLEASE

Monastery Swiftspear (art by Steve Argyle)

I’ve come to think of the current era of MtG art (let’s arbitrarily say from Kaladesh block to the present) as the “Magali Villeneuve era”, and if I’m being totally honest, I kind of hate it. Everything is technically competent, clearly lit, and immaculately detailed. Everyone has amazing cheekbones. It is so, so boring. I’m not at all saying she’s a bad artist! Sometimes, as with Kaldheim, she is very nearly the only person in a set making good art. I’ve featured her work on here many, many times.

What I am saying is that her work always has this, like, objectivity to it that feels detached and even alienating, like we’re looking at these characters through a powerful telescope. There’s no stylization, and dare I say no style.

The reason I bring her up in a set in which I will not be reviewing her work (sorry, Narset fans), is that Steve Argyle makes for an interesting comparison. They are to my untrained eye very similar artists: the sharp linework, the combination of dynamics and detachment. The major difference is that Steve’s art is substantially hornier and substantially male-gazier.

And goddammit, at least that’s something.

I HAVE THIS OPINION BECAUSE I’M A BAD FEMINIST. AND I DESERVE TO BE PUNISHED ABOUT IT

Unyielding Krumar (art by Viktor Titov)

I’m not sure why Viktor made this orc look like a ripped lizard man. None of the other orcs in this block look like this. Maybe he thought “krumar” was a species of lizard folk, when in point of fact a krumar is, checks notes, an orphan of the Mardu raised by the Abzan who killed their parents in a twist of worldbuilding regrettably reminiscent of a strategy used in real-world genocides. Whoops!

Anyway, big arms. Lizard person. Sorry about your family.

WIZARDS STAY CLASSY I GUESS

Ire Shaman (art by Jack Wang)

Yeah, see, extremely not a lizard.

We’re not going to talk about armor practicality because that is very much beside the point, but we were all thinking it, and I want to acknowledge that before moving onto saying nice things about what all the leather bands are doing for her arms, and what this lamellar bustier is doing for her tits.

YEAH I KNOW WHAT LAMELLAR IS. PRETTY HOT, RIGHT

Den Protector (art by Viktor Titov)

I am not immune to mothers, nor women in furs, and I’m especially not immune to women with big two-handed weapons (in either sense, I suppose.) I really like the sense of motion in this picture, and the dynamic thrust of the landscape behind her, and... hm. Is her right-hand grip reversed from what it should be? Dammit, that’s going to bother me.

I LIKE MY WOMEN TO HAVE BETTER GRIP TECHNIQUE IS ALL I’M SAYING

Wandering Champion (art by Willian Murai)

I am trying really, really hard not to date myself by a reference to a shitty 20-year-old flash animation. Anyway! she has flexibility, power, and isn’t afraid of a little viscera now and again. All excellent qualities.

I AM HONESTLY EXERCISING IMMENSE SELF-RESTRAINT HERE

Sultai Flayer (art by Izzy)

Sorry, do you not want a forty-foot androgyne snake person to remove your skin with tender, agonizing slowness? Are you lost?

WHY DON’T YOU MARRY YOUR SKIN IF YOU’RE SO GODDAMN ATTACHED TO IT. PUSSY.

Highspire Mantis (art by Igor Kieryluk)

I did the mantis bit in my Battle for Zendikar post, but I thought I’d actually dig into what the appeal is here: raptorial forelimbs. The inescapable, serrated hold of something that could slice you open as easy as thinking, but hasn’t yet. The smoothness of chitin, hard without being inflexible. The many strange articulations. And then either you make out or it eats your head, and it is not up to you which.

WHEN WILL WIZARDS GIVE US THE MANTIS-FUCKER REPRESENTATION WE DESERVE. ROSEWATER’S SILENCE ON THIS ISSUE IS DEAFENING.

Alright, that’s Tarkir down! Who knows what’s next? Probably a very cranky explanation of what fiction is and why it’s okay to like fictional bad guys (it’s because they’re not real.) At first I thought that was going to be a more interesting topic, but the more I think about it the more it seems like it’s...really not. I can have fun with it, though! Thanks for reading, and I’ll see y’all next time.

---------

*the first-ever transgender girl out of Magic/had to settle on a name/and the top three contenders after weeks of debate/were Alesha/and Shensu/and the Kolaghan Bomber

[transingthoseformers]

Hasbro: if you want Earthspark Dratchet, youre gonna have to get on your knees AND BEG-

Me:🙏🙏🙏🙏🙏🙏

I am on my knees too, like Hasbro plese please please please pleaseeeeeee

[hippogriffs-and-alicorns]

I think about the excessive g5 hate from adults sometimes and its like....

Listen, I understand the anger. You watched g4 and it was part of you and now it's moved on and you're slightly upset, but something I feel like the g4-stanning fans forget is that....they're not the show's target anymore. When mlp g4 started out, it was for little kids. It was still for little kids when it ended. Nothing is wrong with liking a kids show, but when you start throwing fits and swearing over new designs and demanding they change it when you are not longer the target audience....idk, I just don't understand I suppose. I grew up on g4 and ADORED it, and I like g5 just as much. Ofc I'm not saying people can't dislike g5, I'm just saying it's hard to wrap my head around why people hate it so much. Because you can be in the fanbase of a kids show, but it's not for you, it's for the little kids who will buy the toys and beg their parents to get the services to watch the show. It's for the new generation, heck, the movie was CALLED "A New Generation". I get the frustration, but the fact of the matter is that you've grown up and the show is no longer for you. You can't demand Hasbro to change the plot or designs of g5 just because you don't like it, because you're not their target audience anymore. The younger kids of today are. The most common issue I see is people complaining about Sunny becoming an alicorn "too quickly". The thing is: Sunny became an alicorn because she literally put an end to hatred between the three pony kinds, she made ACTUAL HISTORY, she changed her world forever, and I feel like restoring the peace Twilight once upheld was pretty deserving of alicornhood? Sunny didn't make the races hate each other, that happened long before she was born, she saved her kind and restored magic to ponies everywhere...I feel like that's a pretty deserving thing to become alicorn over. If she went through the exact same long and drawn-out arc Twilight did, it would get boring because we've done this before. We've been here before. G5 put a new spin on the show that honestly was really cool to see. If it went with Twilight's same story people would just hate it for copying g4. I just feel like maybe...agree to disagree? Dislike g5 but stop putting intense and malicious hate in the main tag, stop commenting on posts/tiktoks/whatever talking about how you miss g4 and how stupid you think g5 is...Twilight's entire mission was peace and friendship, she wouldn't hate Sunny for restoring that peace. She was the princess of friendship. I don't get why people think she'd want to kill Sunny for restoring her legacy... In short: Let people enjoy things and try to be at least somewhat polite about it, it's not worth getting red hot heated over the pony cartoon, just leave everyone to their own devices. Shake hands over liking the separate versions (or both!) and call it a day.

*(PLEASE don't fight or argue or come after me in the comments or reblogs, I'm not trying to start discourse, I'm just calmly stating my opinion and expressing my confusion. Once again, I have no issue if people dislike g5. I just don't understand the full-blown all-caps anger coming from adults over this children's media and am expressing those feelings.)

[agentgrange]

In no uncertain terms the situation with Wizards is as bad as it can possibly get. Every time you think you've hit rock bottom and that this is the worst case scenario something else comes out about the current changes to their monetization and OGL that shocks and offense. I don't even think I can summarize how bad this is and all the knock on information that came out in the wake of this announcement or the implications it will have on the entire industry-- Things like Hasbro bullying the executives of Kickstarter to officially pair with them so they get 20% (they wanted more but Kickstarter begged them to lower it knowing that if they refused outright they would just DMCA their platform) of any "derivative works" FUNDING before a product is even produced. Or their intent to have Pathfinder bullied into a licensing agreement as a "derivative work" of 3.5, or fight them in court as breach of intellectual property due to the change to their OGL. Or the fact that any work produced every is now the property of Wizards IN ITS ENTIRETY and that creators MUST manually submit all work OLD AND NEW over the last FOUR DECADES to reach a licensing agreement. There's so so much more.

Make no mistake, this is Wizards thinking that celebrity podcasts and cameos like Stranger Things has propelled them to such levels of success they can survive this universally hated change by leaning on their immense piles of money they made since 5E. They simultaneously cut their own projects (including those of many people I've worked with) deciding that "we don't need to produce our own quality content, that costs money. Instead we can make YOU make the product for us!" This is nothing short of an attempt to bully the entire industry and fan community from the very bottom to the very top so they can make passive profits like the parasites they are, and it's ontologically evil.

I cannot feel safe making ANY D20 Fantasy content now, even at my immensely small level much less anyone with an actual following. It certainly seems that anyone who resists and intends to honor the original OGL concept like Pathfinder, Wizards will attempt to bully into compliance or have destroyed through legal action. (It's no coincidence by the way that Pathfinder, as a unionized studio, is being singled out as "subsidized competition that Wizards never intended to support" that they want to make an example of.) I can only pray that now that Wizards has acted the role of the bad guy that the rest of the industry doesn't follow the new "industry trend" letting Wizards take the blame as the industry leader. Needless to say any group or title that does, I will never touch again in my life and am incredibly thankful that H.P. Lovecraft making the mythos public domain means that the Delta Green community is able to keep a finger on the ejection seat the moment we see any sort of predatory changes so we can leave to easily produce our own work.

I'm making the choice to remove my professional time at Wizards of the Chaos from my resume. It will take time but I hope Wizards gets the Spirit Halloween treatment and gets fully dismantled for allowing Hasbro to do this once their bullying results in nothing but lost lawsuits and legal fees. I hope the property that their building sits on that I have such good memories of working in is torn down and the earth is salted forevermore. They want to make DnD a brand now and not a product? Well brands thrive on association, and the name DnD will forever be mud now. No one with a soul, myself included, should want that shit to stick to them.

[catboy-sinister]

my review of the cast list of X-men '97

overall I'm quite pleased with the choice to keep most of the original cast. and I think the choices to replace certain ones - specifically getting Holly Chou (which I believe is misspelled in the list?) to play Jubilee - were well-informed and overdue.

Don't have a problem with most of this... except having Matthew Watterson play Magneto. I'm disappointed but not surprised. When will Disney listen to Jewish voices? They should have gotten a Jewish actor to play Magneto, period. I'm not sure if any of the other replacements have problems? Do let me know kf so, please.

the man. the myth. the legend. my boy. If you have Instagram, I'd give his account a follow. He's such a silly guy, and a joy to follow. He posts just pictures of his Mister Sinister Hasbro figure in various locations, no caption. Makes my day. I'm so happy to have him back as my favorite character on my favorite show. team chris britton 4 life. also very curious to see who voices shaw and emma.

overall I am so so excited to watch a revival of my favorite show, despite my disappointment and honestly annoyance at the casting of magneto's vm. was overjoyed at the announcement and I'm letting myself be optimistic. I do hope it's not just constant nostalgia bait, tho. and hopefully it's not the watered down / at best milquetoast liberal level messaging of the mcu. begging on my hands and knees.

[cosmics-beings]

Why does it seem like that the writers at Hasbro seems to have an vendetta against Starscream? Like they almost never want him to be happy with making him miserable and when Starscream does gets redeemed in a series, he always gets killed off in the end everytime from Armada to Idw

I really REALLY hope that Earthspark can fix this. The Decepticons seem to be given so much more nuance than ever before and I am praying that Starscream gets it. And I totally agree like, even the times he 'is' good or is redeemed it ends in some type of tragedy where he is alone or killed off. AND omg IDW i felt awful for him - the chapter where megatron beat him up and he was just begging for him to kill him?? After seeing stuff like that you want him to be happy. I think that Starscream is just like a punching bag, and in the installments where he is just evil for the sake of being so I get it. But Armanda, IDW, Prime had some great nuance and character introspection for him and he was still seemingly miserable, especially in prime.

I'm putting all my money on Earthspark and I pray he is handled with the grace he deserves and for pete's sake i hope that they don't hold back on discussing how he is a victim of abuse , because Prime not only humorized it but made it seem like he deserved it when he only started trying to kill Megatron DIRECTLY in response to that abuse. And in Earthspark it already seems like Starscream and his tethereds are mad at Megatron because it seems like he abandoned them.

Like it does not seem like Earthspark holds back when it comes to important issues and topics and I think that, after we have seen how miserable Starscream has been for literal years (specifically when he doesn't deserve it), it will be nice to have some closure and see him finally be happy, like so many other Decepticons have been able to be.

[sroloc--elbisivni]

jazz transformers?

hasbro put jazz in more transformers media i am BEGGING you. i love him and i fully accept that much of what i love about him is the equivalent of showing up to a restaurant with my own sandwich. this is also why i'm being generous and avoiding 'most fandom takes are incorrect' because again. minimum of canon. we are all building this as we go and the actually racist stuff fortunately isn't the majority. anyway. on a personal level 'sneaky spy who is also a loyal second-in-command who is also a musician' is tailored to me in multiple dimensions and i enjoy him very much and he takes up a large chunk of my transformers brain. put him in more situations. 'pretty privilege' yes. look at him.

[thisislizheather]

Museum of Failure in NYC

“Museum of Failure is a collection of failed products and services from around the world. The majority of all innovation projects fail and the museum showcases these failures to provide visitors a fascinating learning experience. Innovation and progress require an acceptance of failure. The museum aims to stimulate productive discussion about failure and inspire us to take meaningful risks.”

God, I love a fun museum. There’s absolutely nothing better. I went to the Museum of Failure when it opened a few weeks ago in Brooklyn and I can’t recommend it enough. The space it’s displayed in is a bit of a failure in itself (on purpose maybe?), but once you get past that it’s a great way to spend an hour. Some highlights below!

As soon as you enter, there’s the Share Your Failure wall that visitors can contribute to. Best ones I read: not getting divorced, not kissing him, not wearing sunscreen when I was young.

Above Photo: Share Your Failure wall at the Museum of Failure, NYC

Above Photo: If this doesn’t remind you of the Toronto Science Center in the mid 90s, I don’t know what to tell you

Okay, Orbitz was not actually a good drink, but it completely paved the way for bubble tea to take off.

Above Photo: Diet candy AYDS, 1937-1980s

“Why take diet pills when you can enjoy AYDS?" HOW WAS THIS REAL? And how on earth was it successful for decades?? This appetite-suppressant candy was successful with the help of Hollywood celebrities and its popularity peaked in the 1970s. Obviously when the AIDS epidemic emerged in the 1980s the weight-loss product was doomed.

Above Photo: Atari ET Game & Console, 1982-1983

This is basically known as the worst video game of all time and Atari reported a $536 million loss in 1983 because of it. There’s a great documentary about it called Atari: Game Over about the urban legend that unsold copies were buried.

Above Photo: Low blow, museum. Low blow.

Is it funny that there’s a Titanic reference? Absolutely. Horrid, but funny.

Above Photo: Pinky Gloves, 2021

Oh no, these came out in 2021. A male trio of German inventors created gloves to wear when taking out tampons so that women wouldn’t get blood on their hands and have a “discrete way to dispose of the used product.” WOW.

Above Photo: Little Miss No Name, 1965

Firstly, I apologize for introducing this image into your subconscious. I really am. The brand Hasbro designed this unusual doll to be an alternative to the hugely popular Barbie. “In keeping with the climate of the mid-sixties, they wanted to teach little girls compassion and the realities of life for homeless people.”

Above Photo: Trump SECTION at the Museum of Failure, NYC

There’s a whole Trump wing in the museum, which is just *chef’s kiss*.

Above Photo: Spray On Condom, 2006-2008

This German product was supposed to be the solution to the problem of condoms being either too small or too big. Its instructions: “Simply insert penis into an apparatus to coat with melted latex and then wait 3 minutes for the latex to dry.” It failed because the idea of inserting one's penis into the apparatus scared men and the three-minute hardening time proved too long to wait.

Above Photo: Shared Girlfriend, 2017

Developed by Chinese company Taqu Ltd., the Shared Girlfriend service rented sex dolls for $45 a day. They were made of high-quality silicon and dolls were ordered with a smartphone app then delivered to your door. “After each rental, the dolls were disinfected, and the more heavily used and damaged parts were replaced.” ICK.  Amazingly, the service was suspended only four days after its launch due to public outrage.

There were so many other incredible pieces on display (grass skis, the hula chair, the Elon Musk wall), you really should make an afternoon of it and see for yourself. I showed a few videos of the exhibit over on my spring ���23 highlights on Instagram, if you’re interested in seeing even more. Such a fun time. Tickets available over here.

Now I beg you, world: bring back Pepsi Blue.

[elfdragon12]

I thought of a great way to introduce Raoul to Earthspark but I am sad that it probably won't happen.

They could introduce "Raoul's Garage" and that could be a spot where he, or any other secret medical Autobots, could fix up the secret Autobots.

(Please just bring back Raoul, I'm begging you, Hasbro!)

[roboromantic]

Episode 13

fdhglkjhsfjkgh aw that’s cute. I have to imagine that what the humans always do when they play this anyway though so why’d it sound like she came up with it on the spot?

Alex my beloved…………………..

Uh.

aw. Kinda wish we’d actually SEE Nightshade interacting with Literally Anyone but I guess that’s probably what this episode’s about

this is very Rescue Bots btw

BEE’S FACE WHEN IT SAYS “HELP ME” (I think?)  SDJKGFHFSJLHGFDJSF

Listen I’m not saying the three new Terrans are all different flavors of autistic but. I’m not not saying it.

sorry, what age exactly is that Alex? A few months??? I guess the Terrans are probably supposed to be about Robby and Mo’s age so…………….the equivalent of anywhere from 9-13?

I’m guessing this is referencing Dennis O’Neil? Maybe? His middle name is Joseph though so idk if the E is just supposed to be the second letter of his first name or what. Kinda weird that it doesn’t have a period after it though

Oh wait maybe the name is, but the portrait certainly isn’t. Kinda looks a bit like Octavia Butler? HER middle name starts with an E, so maybe it’s referencing both of them? I feel like the number in the bottom right is another reference and my first thought was maybe it’s one of their birthdays, but while Octavia Butler was born on 6/22, it was in 1947 and also that wouldn’t explain the 10. Unless maybe 10=OCTober=OCTavia??? *x-files theme plays*                 but yeah still don’t know about the 1954

Anyway I’m like 99% sure the bottom left is just the word “owl” but mashed together to look like a publishing company logo

…………hon do you know what a cemetery is. Oof.

Also like. They DO know they’re supposed to be in hiding, right? What makes them think this is a good idea

It is a nice touch that Nightshade doesn’t use any pronouns for D. E. O’Neil

See the gravestone puts a period after the E so???

hey uh. What’s happened to this cemetery anyway. Like disrepair is one thing but having this coffin in a crypt be open is uuuuuuhhhhhh Sus

oh okay well THAT got answered immediately lmao.

Wouldn’t that mean he’d essentially be living in VR his whole life? Like idk maybe he has a system for this but he’d have to take care of his Cybertronian body eventually, right? That’d lead to some Wacky Sitcom Hijinks and I am once again Begging Hasbro for a Pretenders sitcom where the Autobots and Decepticons have human forms and live in the same apartment complex or whatever

aw that’s sweet

…..why’re they hiding?

sdgfhjdsg Baby

🥺🥺🥺 this is Really good

It’s funny that Twitch has Wheeljack as “dad 2” and now Nightshade has Tarantulas as “dad 2.” I really hope they meet up at some point and have to form a begrudging alliance bc their kids are related and. it practically writes itself.

They keep dancing around the details of Megatron teaming up with Optimus and I mean I know it’s probably gonna be a Big Thing later in the show but. I’m dyin here

damn they got used to transforming and flying REAL quick

sdhjgkfkjhs those eyes made them look just completely out of it when Dot complimented them

oof. I hope he avoids capture or things’re gonna be Real awkward

[mostlysignssomeportents]

Rsync corrump linkdump

I'm coming to DEFCON! On Aug 9, I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On Aug 10, I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

As per the uje, I've arrived upon a Saturday with a backlog of links that I have not managed to squeeze into the week's newsletters/blogs, so it's time for another linkdump, 22nd in an erratic series. Here's the previous 21:

https://pluralistic.net/tag/linkdump/

Let's start with some seasonal material, and by "seasonal," I of course mean Hallowe'en. Yes, August is the official start of Spooky Season, and yes, I am a monster for insisting on this, but being a monster is the point of Spooky Season (which is what differentiates Spooky Season pushers like me from the creeps who insist that you need to start prepping for Xmas in late September – they're monsters, too, but Yule Monsters are bad) (with the exception of Krampus).

I was a monster kid and now I'm a monster adult. It all started when I was bitten by a radioactive Haunted Mansion at the age of six:

https://memex.craphound.com/2012/10/22/how-a-haunted-mansion-addict-fell-in-love-with-the-greatest-ride-on-earth/

I am a sucker for all things monstrous, and so I was intrigued when I got a book of "creepy-cute" stickers in the mail from a publicist at Simon & Schuster:

https://www.simonandschuster.com/books/The-Creepy-Cute-Sticker-Book/Gaynor-Carradice/Creepy-Cute-Gift-Series/9781507222515

"Creepy-Cute" turns out to be an official designation, embraced by the illustrator GaynorCarradice, who has created several books on these lines, featuring her chibi/monster crossover creations, which do exactly what it says on the tin, by which I mean, there's some genuinely creepy stuff in the mix, along with the cute.

It's when the cute pastels rub up against the gore, skulls, eyeballs and other visceral viscera that these illustrations really kick off some heat – I've rounded up a few of my favorites here:

https://craphound.com/images/creepycute.jpg

One of the surefire signs that Spooky Season is upon us is that the (sometimes NSFW) Tumblr account Halloweenlandmotherfucker emerges from dormancy with a stream of images of vintage Hallowe'en cards (these were a thing!), photos of people in costume and other delightful visual novelties:

https://www.tumblr.com/halloweenlandmotherfucker

Monster culture isn't just for Hallowe'en, of course. The ancient and noble tradition of compiling and publishing bestiaries is alive and well, thanks to RPGs. In the beginning, there was the D&D Boxed Set, with its Monsters and Treasure booklet:

https://www.americanroads.us/DandD/ODnD_Monsters_and_Treasure.pdf

Then came the Monster Manual, the first hardcover D&D book, succeeded by the Fiend Folio, which featured Charlie Stross creations like the githzerai and slaad, Indeed, there was a whole, iconic library of hardcovers that fit perfectly in an oversized backpack that I dragged everywhere so that I could obsessively read and re-read them.

Eventually, these gave way to new hardcovers with new rules as well as new corporate owners (Wizards of the Coast, then Hasbro), culminating in the release of the Open Gaming License, an "open content" license that was a) grossly defective; b) largely irrelevant; and c) hugely controversial in 2023, when Hasbro terminated it:

https://pluralistic.net/2023/01/12/beg-forgiveness-ask-permission/#whats-a-copyright-exception

The Open Gaming License purported to license out game elements that weren't copyrightable (rules, tables, etc), as well as material that you could likely use under copyright exceptions like fair use:

https://www.eff.org/deeplinks/2023/01/beware-gifts-dragons-how-dds-open-gaming-license-may-have-become-trap-creators

And worst of all, it was revocable, so games publishers who tooled up to publish supplements and sourcebooks based on the OGL could have the rug yanked out from under them at any time (that time turned out to be early 2023).

Hasbro's OGL rug-pull had three salutary effects:

I. It gave gamers a crash-course in what was – and wasn't – copyrightable in an RPG design;

It encouraged game developers to look beyond D&D's OGL rules and into truly open (and often superior) alternatives; and

It inflicted so much reputational harm on Hasbro that, 20 months later, they announced that they would release a new set of D&D rules under the Creative Commons Attribution Only 4.0 license:

https://www.dicebreaker.com/games/dungeons-and-dragons-5e/news/dungeons-and-dragons-2024-srd-wont-be-another-ogl-fiasco

Now, CC BY 4.0 is a real-ass license. Notably, it corrects a defect in the earlier versions of the CC licenses that gave rise to a class of predatory copyleft trolls like the odious Pixsy:

https://pluralistic.net/2022/01/24/a-bug-in-early-creative-commons-licenses-has-enabled-a-new-breed-of-superpredator/

If Hasbro follows through on their promise, the new CC materials will kick off with the 2025 release of the next edition of the Monster Manual:

https://dungeonsanddragonsfan.com/new-2024-dnd-monster-manual/

It's wild to think that tabletop RPGs are now a cutting-edge way to learn about digital policy, but on the other hand, D&D arrived in my home around the same time as my Apple ][+, which was also around the time I first heard the name Ronald Reagan (rest in piss).

The legacies of the 80s – RPGs, digital technology and Reaganomics – cast a long shadow. Last month, many of us discovered the hard way that Reaganomics – specifically, the embrace of monopolies as "efficient" – has produced a world of unimaginable brittleness. Millions of people around the world found themselves cut off from ATM cash, flights, hospital care, and many other essentials thanks to the Crowdstrike Blue Screen of Death outage. While many of the explainers have focused on how Crowdstrike fatfingered a software update that crashed all those computers, there's been a lot less commentary about how it is that one company had it in its power to do so much harm.

Writing last week for EFF's Deeplinks blog, my colleague Rory Mir tackled that (far more important) issue:

https://www.eff.org/deeplinks/2024/07/crowdstrike-antitrust-and-digital-monoculture

Market concentration – monopoly – is the common thread wound around so many of our daily horribles. Think of the tech billionaires who threw in their lot with Trump last month. How did they get to be billionaires? Monopoly power. Remember back in 2017, that notorious photo of the tech industry meeting at the top of Trump Tower, with Peter Thiel at Trump's left hand?

https://techcrunch.com/2016/12/14/donald-trump-meets-with-tech-leaders/

People were appalled that this group of corporate leaders, who between them controlled virtually all the technology in our lives, would debase themselves by paying fealty to this buffoonish would-be dictator.

But far more consequential was the fact that you could fit everyone who controlled all of our technology around a single table. Once everyone important to an industry can fit around a single table, it's only a matter of time until they find a table to sit around, and that's when it all starts to go wrong. As the Communist firebrand Adam Smith once wrote, "People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some contrivance to raise prices."

Enshittification starts with market concentration. This is a subject I'm going to be going very deep on next Saturday, when I give my Defcon keynote, "Disenshittify or die! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification":

https://info.defcon.org/event/?id=54861

When I give that talk – and afterwards at my book signing – I will be wearing an N95 mask, just as I did last year. Why am I wearing a mask? Two reasons: first, Long Covid is a horror. One of the best writers I know – a living legend – recently told me that their book-writing days are likely done because of Long Covid brain fog.

A new Lancet article gets deep into the science of Long Covid:

https://www.sciencedirect.com/science/article/abs/pii/S014067362401136X

The principle author of the Lancet article is Oxford health professor Trish Greenhalgh, who gave an excellent lay summary in her newsletter:

https://independentsage.substack.com/p/long-covid-a-dystopian-game-of-pinball

In particular, Greenhalgh describes why some people don't get Long Covid, and some people do – and, most important, explains why the fact that you didn't get Long Covid last time doesn't mean you won't get it next time:

https://independentsage.substack.com/p/long-covid-a-dystopian-game-of-pinball

So I don't want to get covid, and so I'm gonna wear a mask. Because masks fucking work. A new study reveals just how well they work:

https://www.thelancet.com/journals/ebiom/article/PIIS2352-3964(24)00192-0/fulltext

The study shows that wearing any mask, even without knowing how to fit it well, offers substantial protection against both contracting and transmitting covid. Even better: wearing an N95 (even without paying attention to correct fit) offers "near perfect" protection against covid:

https://today.umd.edu/n95-masks-nearly-perfect-at-blocking-covid-umd-study-shows

I didn't get covid at Defcon last year, and I didn't get it at HOPE, and I didn't get it on our family vacation in July – all events where friends got sick. The difference? I wore a mask. Which works.

OK, I need to go work on my Defcon speech some more, so I'm gonna sign off, but I will leave you with just one more link, the wonderful new public domain image search tool, Public Work, which crawls and indexes the Met, the NYPL, and other sources:

https://public.work/

I rely on public domain, CC and other freely usable clip art to make the collages that accompany this newsletter/blog's stories. While I have very little talent in the visual arts, I'm getting steadily better. I mean, look at this amazing image I womped up for last week's story on Bitcoin bros' election campaign finance fraud:

https://www.flickr.com/photos/doctorow/53893519593/in/album-72177720316719208

You can see a collection of my recent collages in my Flickr gallery for them:

https://www.flickr.com/photos/doctorow/albums/72177720316719208?sd

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/03/smorgasbord/#creepy-cute

Image: Anne Lindblom (cropped) https://www.flickr.com/photos/kajsawarg/3600415175

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[battlefairies]

Our party blackguard claimed this suit of armour last session, so now I am at liberty to share its (D&D 3.5 edition) properties online. But first, some lore:

“Hide, hide, the Red Man is here Moloh-Chi the Soulless with his mask made for fear You may hide, you may run or you may stand up and try to defeat the Once-Defeated but he knows how you’ll die: One blow, you’re senseless two blows, defenceless Three blows, you’re reeling Four blows, you’re kneeling Five blows, begging, crying Six blows, fi-nally dying And seven are the blows all in all needed to cut up your soul.”

Dark folklore surrounds the character of Moloh-Chi, a warrior said to have made some grisly pact with the Lower Planes. While he was probably a real, historic figure from the Eastern Spine of the World region during the fledgeling years of the Netheril empire, precious little is known for sure. Legend has it that a star-crossed love for the daughter of a prefect caused Moloh-Chi to forfeit his soul to a devil in exchange for power, and then went on to single-handedly slaughter, raze and burn the prefect’s village.

The two lovers eloped and hid in the mountains, where the authorities at last found and challenged Moloh-Chi. His life ended with a killing blow from a soldier who had aimed his spear at the obidome or sash clip the prefect’s daughter had fastened over her lover’s heart.

Folkloristic tales of the region since speak of a ghost clad in red armour wandering the land, with a bitter hatred towards all mortals still possessing their souls.

It is unsure whether the name ‘Moloh-chi’ was derived from the word moloch, meaning something demanding terrible sacrifices, or if that word itself sprung from the legend of Moloh-Chi the Soulless.

Moloh-Chi’s +2 Plate Armour of Dread Lore

This unique set of +2 Full Plate functions normally despite being incredibly old and looking a bit worse for wear.

In addition to its enhancement bonus, this suit of armour grants the wearer a chance to strike fear in the hearts of bystanders each time he or she scores a (confirmed) critical hit on an opponent with a melee weapon or unarmed strike.

When the wearer confirms their critical hit and as part of the wearer’s turn, any humanoid with fewer HD than the wearer and within 30 ft. becomes eligible for the armour’s panic-inducing property. The wearer can freely choose which of these effectively get targeted, and which are exempt.

Targets must succeed at a Will save (DC 10 + ½ wearer’s HD + wearer’s CHA modifier) or become panicked (PHB p. 311) for 1d6 rounds. Creatures who make their save instead become shaken (PHB p. 312) for 1 round and become immune to the armour’s panic-inducing property for the next 24 hours.

Moderate Necromancy [fear, mind-affecting].

(No Price or Weight because math is hard and people who care about encumbrance don't deserve to wear this imo)

Disclaimer: homebrew item, but the Forgotten Realms setting belongs to Ed Greenwood and Wizards of the Coast / Hasbro. "Visions of Pelvuria" is the name of my campaign.

[ghostsontelevision]

like here’s the thing if i move into a house of some sort with my bride and we’re deeply in love and ready to start our life together and then we find out the house is haunted? i promise i am on my hands and knees begging that ghost to be chill. “hey you should move you should get out of there” listen if this place has an in-unit washer and dryer and a bath big enough to comfortably chill w your wife and smoke a blunt i am in full negotiation mode. i am going to target and purchasing a hasbro brand ouija board and i am going to reach an agreement. you want me to leave flowers at a grave? done. certain rooms you don’t want me to enter? i’ve already forgotten they exist bud do with them what you please. need me to kill your murderer? well i’m pretty squeamish but i’ll find a way to make it work.