#harpazo

[bills-bible-basics]

Resurrection and Rapture Graphic 16 #Christian #BibleStudy #Jesus Visit https://www.billkochman.com/Graphics-Library/ to see more. Article: "Jesus Christ's Return: Have We Been Deceived?": https://www.billkochman.com/Articles/deceived-1.html "We Fly Away - Resurrection and Rapture" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse286.html "We Shall Mount Up As Eagles" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse318.html "Jesus is the Resurrection and the Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse448.html "Jesus is the Bread of Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse153.html "Jesus Came to Give Us Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse345.html "Jesus Has Power Over Death and Hell" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse189.html "We Have Passed From Death Unto Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse434.html "Our Resurrected Bodies" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse055.html "Firstfruits of the Resurrection" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse109.html "The Last Trump" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse068.html "Celestial Trumpets" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse195.html Article: "Death: Final Battle, Final Victory!": https://www.billkochman.com/Articles/death-01.html Article: "The Great Tribulation and the Rapture": https://www.billkochman.com/Articles/tribul-1.html https://www.billkochman.com/Blog/index.php/resurrection-and-rapture-graphic-16/?feed_id=252282&Resurrection%20and%20Rapture%20Graphic%2016

[infodirectgroup]

Rapture Coming Sooner Than you Think

[metalshockfinland]

HARPAZO Share Dynamic Lyric Video 'Ichor', Futuristic Rock Opera Album Out Now

Rockshots Records is proud to announce the release of “The Crucible”, the debut album from HARPAZO, the super-group formed by guitarist Marc Centanni and producer, songwriter, and multi-instrumentalist Gary Wehrkamp (Shadow Gallery, Ayreon). This progressive metal rock opera is a thrilling journey through a dystopian future, merging elements of progressive and power metal with symphonic and…

[dotwpod]

(325) Independent Music Special May 2024

Disciples!It’s time again to celebrate the Independent artists with our monthly ‘Independent Top Picks’ for May of 2024. Don’t forget to head to the website to click on those links to support these bands!Enjoy!\,,/ d(> _ <)b \,,/ BLOCK ONE: 0:00:00 Intro0:00:03 Wake The Nations (Finland) Alive [single] https://wakethenations.com/ 0:03:29 Atomic Life (USA) Gambling The…

[remso]

What, then, did dominion mean to Adam? Matthew 4:1-11.

Almost as if it was moments later, Jesus was led up by the Spirit into the wilderness. Illustration 1: The Wilderness of Zin, The Wooster Geologists. If I told you nothing else, could you picture what this place looks like and what He would be doing there? Perhaps this will help a little. “Then Jesus was led up by the Spirit into the wilderness to be tempted by the devil.” Matthew 4:1…

[osmerharris]

What, then, did dominion mean to Adam? Matthew 4:1-11.

Almost as if it was moments later, Jesus was led up by the Spirit into the wilderness. Illustration 1: The Wilderness of Zin, The Wooster Geologists. If I told you nothing else, could you picture what this place looks like and what He would be doing there? Perhaps this will help a little. “Then Jesus was led up by the Spirit into the wilderness to be tempted by the devil.” Matthew 4:1…

[soonintheclouds]

vadim on Gab: 'The plan of the Lord, from what I gather is fantas…'

“The plan of the Lord, from what I gather is fantastic: its to take us up to Him right before all hell breaks loose here on earth, just like he took Noah up alive before the great deluge in a wooden boat, but we are by the wooden cross, and Enoch was taken up alive as well even before that Also Elijah was translated to heaven without seeing death, and Lot was escorted out (almost by force) by the…

[matthewmiller49]

The Book of Micah is the sixth of the twelve minor prophets in the Hebrew Bible. Ostensibly, it records the sayings of Micah, whose name is Mikayahu (Hebrew: מִיכָיָ֫הוּ), meaning "Who is like Yahweh?", an 8th-century BCE prophet from the village of Moresheth in Judah (Hebrew name from the opening verse: מיכה המרשתי).

[theoihalioistuff]

In the post you made debunking the claim of Ares being the protector of women, you have written that secrecy and disposal of the child born point to rape. Can you please elaborate a bit as I'm having a hard time understanding how exactly? Especially with the latter, is it because the conception of the child happened without the permission of the father of the woman (I've heard even if woman slept willingly, without her father's assent then it would have been considered rape)?

TW for Rape and Infanticide. (My eyes actually started watering and I had to stop several times while researching this ask)

There's a lot to discuss in here, and I'm afraid a Tumblr post from someone who's not a classicist won't cover all that needs to be addressed, so for further reading I recommend Rape in Antiquity (1997) edited by Susan Deacy and Karen F. Pierce, and their follow-up Revisiting Rape in Antiquity (2023), Edited by Susan Deacy, José Malheiro Magalhães and Jean Zacharski Menzies, a series of collected essays regarding Sexual Violence in Greek and Roman Worlds.

Broadly speaking, our modern concept of Rape (criminal act defined by the lack of consent during sexual intercourse) does not have a strict ancient greek equivalent (bearing in mind that "ancient greece" covers large periods of history where attitudes almost certainly differed from time to time and from place to place). Nor is there a greek match found for the english word 'rape' – derived from the latin rapere "seize, carry off by force", which was used for both people (in the sense of abduct or kidnap, only rarely denoting sexual violence) and objects (in the sense of plunder). The latin words most commonly used to denote rape were stuprare "defile, disgrace, rape," which is related to stuprum "illicit sex" (also to stupere "to be stunned, stupefied", origin of the word stupid) and violare "maltreat, profane, infringe, violate".

In ancient greek several words could be used to denote what we today would call rape: Biazomai (βιάζομαι - inflict violence, force, constrain), Harpazo (ἁρπάζω - snatch away, seize, carry off; from where the Harpies get their name, later used to refer to the christian rapture), Hybrizo (ὑβρίζω - outrage, dishonor, affront, treat as an inferior; related to hybris, a complicated word), Moicheia (μοιχεία ‐ adultery, illicit sex) or Phthora (φθορά - ruin, damage, destroy) were all words that, to a greater or lesser extent, were used to refer to violent or illicit sex. These last two concepts, though intimately related to our definition of rape, can be considered distinctly, especially when approximating a definition of "rape" in the classical world: e.g. the forcing of a slave was not morally wrong or illegal, while consorting with a free married woman was. Willingness did not define the crime, rather status and ownership did.

Regarding this last point, women's sexual and reproductive rights belonged to their kyrios (κύριος - guardian, master, head of the household), generally fathers and husbands, but failing that brothers (e.g. Apemosyne and Althaimenes) or sons (e.g. Penelope and Telemachos). Moreover a woman's virtue and reputation were primarily linked to her sexual activity: chastity, modesty, shame and obedience being her main ethical concerns. Therefore, when it came to sexual relationships outside of marriage, it was narratively "preferable that a woman should be raped [be unwilling] rather than seduced" (The Portrayal of Rape in New Comedy, Karen F. Pierce), thus preserving the moral virtue of "respectable" characters like goddesses or heroines. This is not to say every sexual interaction in greek mythology is presented as a rape, that obviously varies from telling to telling and depends on the myth, but it explains the narrative predilection for it. It should also be remembered that plenty of these unions are ambiguous as to whether rape or seduction take place, primarily because it's not usually of interest to the narrator unless the virtue of the women is being discussed (e.g. the centuries long discussions on Helen that survive to this day, and even then the distinction can be dismissed as irrelevant or nonexistent; "We think that it is unjust to carry women off. But to be anxious to avenge rape is foolish: wise men take no notice of such things. For plainly the women would never have been carried away, had they not wanted it themselves." – Hdt. Histories 1.4.2).

When it comes to panhellenic myth, sexual unions between gods and women are primarily framed as extramarital (beffiting a monogamous culture where gods' official consorts where to be found elsewhere), without the κύριος knowledge or consent (for a reversal see Hyg. Fabulae 129), and therefore under the umbrella of illicit sex (i.e. Rape). Recurring motifs are attached to these kinds of stories, which give us narrative context to identify (or at the very least be suspicious of) similar accounts in other myths where no explicit word denoting rape is used (as is most common in surviving works of mythography, that prioritise genealogy and gloss over instances of sexual assault). One of the most common tropes is that of exposure.

Myths of exposure in greek mythology usually come in three flavours. Either the child is exposed because of some prophecy (e.g. Paris or Oidipous), because it is born female (e.g. Atalanta or Iphis) or, in the majority of cases, because it is the product of rape (see below). As you noted the most frequent reason given for the exposure is fear of the κύριος discovery, who, in instances where he does find out about the rape, either does not believe the victim or is indifferent to her plight, and in either case kills her or attempts to do so (some examples below):

[Apemosyne: killed by her brother Althaimenes after she is raped by Hermes] "Not much later he became the murderer of his sister. Hermes loved her, but she ran away, and he could not catch her (for she was faster than him at running). So he spread freshly stripped hides along her path, and when she was coming back from the spring, she slipped on them and was raped. She told her brother what happened, but he thought the god was just an excuse, so he kicked her to death." (Apollod. 3.2.1)

[Auge: sentenced to death by her father Aleos after she is raped by Herakles] "After Auge was raped by Herakles, she concealed her baby in the sanctuary of Athena, whose priestess she was. But the land remained barren, and the oracles revealed that there was some ungodly thing in the sanctuary of Athena, so Auge was found out by her father, and he handed her over to Nauplios to be put to death. Teuthras, the ruler of the Mysians, received her from Nauplios and married her." (Apollod. 3.9.1)

[Psamathe: killed by her father Krotopos after she is raped by Apollo] "Psamathe the daughter of Krotopos got pregnant by Apollo [in Statius' Thebaid 1. 562-669 she is explicitly raped beside a river] and because she feared her father she exposed the child, whom she named Linos. The shepherd who received him raised him as his own, and one day the kings sheepdogs tore him apart. Maddened with grief, she was detected by her father, who [after she had bared her breasts and told him all] sentenced her to death, assuming she had been a harlot and lied about Apollo." (Conon. Narrations 19)

[Alope: killed by her father Kerkyron after she was raped by Poseidon] "Since Alope, daughter of Kerkyon, was very beautiful, Poseidon lay with her, and from this embrace she bore a child which she gave to her nurse to expose, since she did not know its father. When the child was exposed, a mare came and furnished it milk. A certain shepherd, following the mare, saw the child and took it up. When he had taken it home, clothed in its royal garments, a fellow shepherd asked that it be given to him. The first gave it without the garments, and when strife rose between them, the one who had taken the child demanding signs it was free-born, but the other refusing to give them, they came to king Kerkyon and presented their arguments. The one who had taken the child again demanded the garments, and when they were brought, Kerkyon knew that they were taken from the garments of his daughter. Alope's nurse, in fear, revealed to the king that the child was Alope's, and he ordered that his daughter be imprisoned and slain, and the child exposed. Again the mare fed it; shepherds again found the child, and took him up, and reared him, feeling that he was being guarded by the will of the gods." (Hyg. Fabulae. 187)

Not every account of exposure explicitly denotes rape (as mentioned before the nature of the union generally goes uncommented), and sometimes depending on the version seduction is to be better understood. Though both are interchangeable narrative-wise, frequently other details lead may us to suppose the stock character of the unwilling (raped) maiden is being portrayed, I'll use the example of Phylonome again:

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos. By some divine providence they were borne round and round without peril, and found haven in the trunk of a hollow oaktree. A wolf, whose den was in the tree, cast her own cubs into the stream and suckled the children." (Ps. Plutarch. Greek and Roman Parallel Stories. 36)

1. Phylonome is explicitly mentioned as a huntress companion of Artemis (presumably sworn to chastity). The sexual vulnerablility of Artemis' companions is a common trope; see Kallisto, Daphne, Arethousa, Britomartis, Kyrene, Syrinx, Nikaia, Pholoe, etc.)

2. Ares transforms/disguises himself to approach her (perhaps the most common trope of all), and conceals his identity in the guise of a shepherd (a disguise otherwise used by Zeus to approach Mnemosyne; Ovid. Met. 6.103-128, Clement. Recog. 22)

3. After giving birth she casts her children into the river Erymanthos. The reasoning is the typical stock example, fear of her father, though in this case the form of infanticide is much more direct than exposure: she casts them into the river to drown. As usual with these stories the children are saved by divine intervention, and are nursed by an animal and later raised by shepherds.

Again, no verb denoting rape is ever explicitly used, yet the context of the story is enough to reasonably suppose it was considered as such. Other examples of myths where babies are exposed are listed below, many of them are explicitly rapes, almost all the rest can be inferred as such (I can't for my own sake provide references for all of them, so those interested must do their own research):

Koronis exposes Apollo's son Asklepios on a mountain near Epidauros according to a local legend, Psamathe exposes Apollo's son Linos, Antiope exposes Zeus' sons Zethos and Amphion, Alope exposes Poseidon's son Hippothoon, Akakallis exposes Apollo's son Miletos, Tyro exposes Poseidon's sons Pelias and Neleus, Kreousa exposes Apollo's son Ion, Pelopia exposes Thyestes' son Aigisthos, Auge exposes Herakles' son Telephos, Evadne exposes Apollo's son Iamos, and Phylonome "exposes" Ares' sons Lykastos and Parrhasios (this list is by no means meant to be exhaustive).

My post confronting fake claims that Ares was the protector of women can be found here.

[bills-bible-basics]

Resurrection and Rapture Graphic 01 #Christian #BibleStudy #Jesus Visit https://www.billkochman.com/Graphics-Library/ to see more. Article: "Jesus Christ's Return: Have We Been Deceived?": https://www.billkochman.com/Articles/deceived-1.html "We Fly Away - Resurrection and Rapture" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse286.html "We Shall Mount Up As Eagles" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse318.html "Jesus is the Resurrection and the Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse448.html "Jesus is the Bread of Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse153.html "Jesus Came to Give Us Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse345.html "Jesus Has Power Over Death and Hell" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse189.html "We Have Passed From Death Unto Life" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse434.html "Our Resurrected Bodies" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse055.html "Firstfruits of the Resurrection" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse109.html "The Last Trump" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse068.html "Celestial Trumpets" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse195.html Article: "Death: Final Battle, Final Victory!": https://www.billkochman.com/Articles/death-01.html Article: "The Great Tribulation and the Rapture": https://www.billkochman.com/Articles/tribul-1.html https://www.billkochman.com/Blog/index.php/resurrection-and-rapture-graphic-01/?feed_id=245094&Resurrection%20and%20Rapture%20Graphic%2001

[judahmaccabees]

Look Up.

'The Gods' aren't going to cover up your crimes, bordello of child abusers. The Law was never your tool to hide behind.

The sadist is only a sadist till they find out what it's like. Same for the callous.

To be forgiven, confess and end your shame.

Turn your desire away from taking.

[infodirectgroup]

Has The Ark of The Covenant been found? - This Video has the answer! ***...

[metalshockfinland]

HARPAZO Unveil Lyric Video for 'I Am God' from Forthcoming Album “The Crucible”

Rockshots Records is proud to announce the release of “The Crucible” the debut album from HARPAZO, a super-group formed by guitarist Marc Centanni and producer, songwriter, and multi-instrumentalist Gary Wehrkamp (Shadow Gallery, Ayreon).​Set for release on June 28th in Europe and on July 5th in the USA, this progressive metal rock opera is a thrilling journey through a dystopian future, merging…