#happy to claim this one

[awyeahitssam]

Absolute crack.

Above all, Harry was an explorer. He loved to get lost in the labyrinth he called home, from the orchards to the forest to long-forgotten, dusty passageways and secret rooms. Indeed, he derived great pleasure from being so far into the unknown that he could no longer hear or see signs of civilization save those long passed. In his exploring he discovered relics of different times: a small, unbreakable glass-blown dragonfly; the preserved canine of a werewolf; a rune-inscribed well, dry as the bones that lay around it; a chunk of platinum from a time when such was still used as currency… yes, Harry was an explorer, a discoverer, and a collector, because what else was he to do without the company of others?

You see, Harry could not break past the boundaries of his home, nor could any other being. In fact, Harry had never met another living thing for all of his life. As far as he could remember, from the time when he was a youngling, all of his needs were attended to by magic itself. His nappies cleaned themselves, his meals prepared themselves, and, when he wished to learn, magic whispered and taught him. As a child it was a frequent voice, his nurturing companion, but as he grew it strayed to a silent presence and chalky hints against a blackboard; a floating book, perhaps, if he grew desperate in his desolation.

Still, Harry was content. After all he had never interacted with another living thing, and while conversing with someone might prove interesting it wasn’t as though he was ever particularly bored. He had an endless library, and the vast grounds and halls of his home to explore.

And so he looked, he learned, and he grew, by stumbling, by reading, by watching the meager hints magic let him see.

Of course Harry was far from normal, but he knew little of normalcy and so cared very little for it. He was used to an endless cycle of exploring, of cooking, of reading, cleaning, drawing, writing, speaking

Until one day, his cycle was broken.

“Who are you then?”

Harry startled so badly he dropped his book, wincing when it’s spine cracked against the hardwood floor. It was an older volume, worn by time, and Harry was always particularly careful when handling bits of history. But, well…

Harry stared at the thing across from him, astounded. It was taller than him, and looked much the same, which probably meant it was a human. That was a bit of a shame, as Harry had always imagined he would meet a creature, first: a deviously charming Fae, perhaps, or a quick and clever Naga. Still, he wasn’t too let down. He hadn’t imagined he would ever meet another living creature, so to meet one so soon was a delight!

Wait.

What had the - human! - asked?

“Oh, er, hello there... human. I’m called Harry.”

The man's eyes narrowed. He didn’t seem to know quite how to respond to that, but that was okay. Harry had lots of questions - he could just answer those.

“How ever did you end up here, though? In my home?”

Perhaps he should have been offended - wasn’t that called trespassing? - but Harry was far too fascinated for that.

“Your home,” the man hummed, not answering even as his eyes lingered on Harry, on his bare feet and long hair and wide, fascinated green gaze. Maybe he didn’t know that was rude? At least, Harry thought so - then again, magic ignored his questions often enough… though magic was honestly a bit of a bully, no matter how sweet and nurturing it could be.

“Naturally,” Harry nodded. “I don’t think you’re supposed to go around barefooted in other people’s libraries, though I might be wrong on that. I’ve never exactly been.”

The human frowned at him. “No, that’s right. You’ve never - Harry.”

Harry blinked at the abrupt use of his name. “I’ve never… Harry?"

Was that a question?

“Your name. What’s your surname?”

Harry frowned, tapping his chin thoughtfully. “Not sure. Magic’s probably told me before...”

“Magic’s told you?”

“Well, yes,” Harry nodded, unsure why the other sounded so surprised. This wasn’t at all what he had imagined. Then again, he hadn’t really imagined much of anything. “What’s your name?”

For a moment the man's face looked odd, almost conflicted, and then he said, “Tom.”

“Tom,” Harry pronounced slowly, really wrapping his mouth around it. “Okay, Tom. How did you get here?”

“That’s… a long story.”

Harry lit up. “That’s all right - I love stories!”

They sat in that library for several hours, and in that time Harry learned of the Dark Lord Voldemort.

Of how he subjugated magical creatures, witches, and wizards. Of how he slaughtered his own kind as indiscriminately as muggles, and in his fool heartedness, exposed wizards to muggles.

Tom spoke of a war, terrible and long. He spoke of a dying planet, and of Voldemort’s undignified end at the hands of the very muggles he thought so worthless.

Then, he spoke of a second chance.

Voldemort was, by all accounts, a villain. And Harry—well, he had always liked villains the best.

“You’re in your redemption arc!” Harry enthused. “If you do things right I bet you can become an antihero.”

[ohitslen]

Kiss gun!

Based on this tweet!

[kacievvbbbb]

You ever think about how Mihawk definitely does not hear his name alot?

Like there are probably only 2 people in the entire world that consistently refer to him by name. To the rest of the world he’s just an epithet. He might as well have no real name for as little as he hears it.

He’ll hear it at introductions always preface by his epithet, he’ll see it in the bounty posters and notice it in the history books. But barely anyone will ever calm him that. Just a pink headed ghost girl and the red headed half of the most complicated situationship panning 20 years.

You ever think about how Shanks probably has a thousand and one nicknames for Mihawk he cycles through at a whim but maybe Mihawk’s favorite will always be the soft way in which Shanks calls out his given name like that’s all there is too it like there’s a Mihawk that exists all on its own. No matter the situation Shanks calls him Mihawk and he has his full attention

[macfrog]

wish you were here | one shot

thank you lovely anon for this gorgeous request which felt like a huge mug of hot chocolate and a pair of socks fresh from the dryer to write. i hope you enjoy.

pairing: joel miller x fem!reader

summary: you and joel skip jackson’s annual holiday party in favor of some alone time. (not that kind you filthy animals it’s the HOLIDAYS)

warnings: fluff lmao, thirty-year age gap and u can stay mad, set around the holidays but no mention of christmas etc, nothing but love and two hints of sex. that's all. oh and no guitars were harmed in the making of this - joel canonically goes and gets the guitar after the fic ends. dw.

word count: 1.9k 

main masterlist | follow @macfroglets w notifs on to be the first to hear when i post 🤎

Jackson is alive with a thrumming heartbeat. Pulsing through the air, bumping gently against the quick-lying snow and filling the otherwise silent night. A steady, rhythmic heartbeat.  

A heartbeat which sounds a lot like Blue Monday, but a heartbeat nonetheless.

The holiday party is in full swing down in the Tipsy Bison. Seven o’clock ‘til late! on flyers plastered all over the commune for the last month. Tommy had tried relentlessly to convince Joel this morning on patrol – It’ll be a good night; You oughta come along, show face at least. At the same time, Maria was on your back about it in the stables.

Y’all hardly come to anything fun, she’d argued.

We come to stuff.

When’s the last time you came to anythin’?

We were – we were at Mike’s birthday dinner.

What – five months ago?

We like alone time.

Alone time? You’re never apart from one another.

Alone time – together.

Neither attempt had been successful. Tommy and Maria had exchanged a disheartened glance as the two brothers passed their horses to you on their return. Joel clipped your cheek, took his gloves off and fixed them onto your frozen hands before making off for home, a proud grin on his face. You’d held your own as well as he had: you two had a clear evening ahead.

He had lit and nurtured a fire, had made himself a coffee and heaped half a damn bag of tiny marshmallows into a hot chocolate for you, but when he’d come through to take his place on the couch, you were already stood out front.

It’s bitter out – a soft breeze, but a thick chill on its wings. The sky a washed gray, heavy clouds overhead. He slips outside, setting the mugs down on the table, and slings a blanket over your shoulders. Kisses the curve of your neck, scruff of his beard tickling your skin.

‘s freezing, pretty bird.

Then keep me warm, you whisper, turning into his arms. He steps back, settling into his chair, flicking his fingers for you to fall down into his wide lap.

You curl up against his torso, your head hooked beneath his jaw. Wonder how drunk Tommy is by now. What is it – nine?

His wrist lifts, moonlight gleaming in the reflection of his broken watch face. Just gone ten. I bet he’s on his ass already.

You giggle into his shirt, breathing in the scent of the pine trees, the smoke from stoking the fire inside, the bite of hot coffee. The echo of voices swelling in merry song turns your attention down the street – two figures hooked onto one another, stumbling through the powdered snow. Some slurred rendition of September melting into All Night Long before the smaller of the two tugs their partner off into a darkened house.

Joel laughs to himself, the bristle of his beard catching on your hair as he shakes his head.

You ask him softly, Will you play me something?

His breath soars, a cloud hot and pale white, past your temple and up into the pastel sky. Gets swallowed somewhere overhead by the wash of warmth from the porch light. He turns his mug until the owl faces the street, the bottom gnawing against the wooden armrest of his chair.

I’m serious.

What do you wanna hear?

That one you’re always practicin’. The plucking one.

Another rumble between your shoulder blades. His chest jolts with a solid laugh. The pluckin’ one.

You know the one.

I know the one.

Will you play it, if I go get the guitar?

Baby, his lungs nudge on your back as they fill, it’s late. We’ll wake the neighbors.

Everyone’s at the dance. C’mon.

And he can’t argue with that. The entire street lies dark, vacant. Yours is the only house with soft-glowing eyes, the muted orange of the fire flickering behind closed blinds. Two figures, tangled in a chair on the dim front porch; a hunting jacket around his shoulders, and his body around yours.

You tug on the blanket, wrapping it around your elbows as you stand. Just once. Play me it once.

Joel’s looking up at you, setting his mug down on the table. Play you it as many times as you want, pretty bird. Just – quietly.

There’s a spring in your step that drags another chuckle from Joel’s lips: the kind that drips like honey down your throat and warms the pit of your stomach – a sweet, comforting thing, a sound you swear was made purposefully for you. Divine and deliberate.

Like – all of him. Like the shape of your name in his mouth, the curl of his tongue as the sound surfs over it. Like the curve of his hand and the way yours so neatly molds into it.

The way it did the day he found you, crouched in the gray backroom of some butchers deep in the city, and took you all the way back to Jackson. Let you cling to him on the back of his horse; your weak arms around his waist, anchored by the heavy jacket he’d thrown over your back. Your ear between his shoulder blades. And that was that.

Fifty-six. One brown-turned-silver hair away from thirty years your senior. He still remembers before. Talks about movies, talks about computers. Talks about Sarah, when the sun hits the wall at a certain angle and he reckons he could see her standing right there, the soft shadow of her hair dark against the golden wall. When you make a joke and he laughs a ghostly sort of laugh, like he’s hearing the echo of her voice make the same quip three decades ago. He always says she would’ve loved you; you like to think he’s right.

He found you: a lonely little broken heart, and he pulled you to your feet with a rough palm against your own. Hands calloused only from years spent carving wood and pressing the hard strings of his guitar into the fretboard, and nothing else. No violence and no bloodshed; no survival or threat. Music, and patience, and kindness.

And maybe you found him, too, in the same sort of way: roughened up, awkward and messy stitches holding him together. Maybe the two of you nursed one another back to life; each brush of your hands in the dining hall and each meaningful glance while out on patrol sewing those wounds up a little tighter, a little safer.

He sits forward when you hold the instrument out, sweeping a broad palm down the slope of the body. Pinches the pegs one by one, twisting them while his thumb taps on each string.

Come here, he says, beckoning you forward with a flick of his chin. He taps on the seam of his jeans, widens his legs for you to curl up between them at his feet – the way you always do.

Your elbows hook over his thigh, ear pressed against the inside of his knee. Staring up, blinking slowly, eyes glazed with the cold and with the light and with love.

He plucks gently, slow at first. Letting the strings snap with a twang, vibrating enough that you feel the small rattle in your jaw. Your eyes fall closed, head rocking with the light tap of his heel on the porch. When you peer at him through your lashes, he’s watching the skilled movements of his fingers intently; as if he’s as much a spectator as you are – his body doing all of the thinking and working for him.

 So, he sings, and your stomach melts to a puddle, so you think you can tell –

Your eyes close again, the low rumble of his voice crisp in your ears. Like thunder, like the promise of something great and mighty. Something moving, something rolling and changing the landscape of your body, your mind and your soul. The lines between living and dying begin to blur, the seam tearing between this plain and the next.

Did they get you to trade – your lips parting to whisper the words with him – your heroes for ghosts?

His thumbnail dragging down the strings, his strong fingers flitting between chords. Like he was made to sit here, in the dead of night, and carve a space in the world for himself and his voice and for you – lain in the safe scope of his body, protected by his breadth and brawn and lulled by his sweet song.

His breadth and brawn – the parts of him which have kept him standing here. His skeleton, his muscle. But the thing that keeps you warm at night, buried side by side under a threadbare woolen sheet together, the thing that you link your arms around as he leads you home from the nights you dare to visit the Tipsy Bison: are his heart, his flesh, the gray-singed hair which falls in a featherlight wave over his forehead. The hair you sweep from his eyes when he’s on top of you, his hips cradled in yours, that all-encompassing feeling of every part of him filling every part of you.

It all feels that way. The warmth of him, the feeling of being wrapped around him. Hooked around his body, bones intertwined. Absorbing one another, his words breathing life into yours, slowly growing louder and braver with each pluck and strum of music.

We’re just two lost souls swimming in a fish bowl, year after year.

Your makeups entangling, ribcages locking together, flesh meeting flesh and hair twisting until one day, Tommy will come looking for his brother and find the two of you here on your porch, your arms still draped over Joel’s thigh and his fingers still mid-song. Stuck, alone, together.

What have we found? Joel looks down to you as though asking the question – his eyebrows raised – and you reply, a dumb smile across your lips, The same old fears, and then, together –

Wish you were here.

He plays until his fingers must start to hurt, the way he clenches and loosens his fist. Setting the guitar against your chair, hands hooking under your arms to pull you back up to him.

That one your favorite? he asks, the cold tip of his nose circling yours.

You nod. Only when you sing it.

I like the way we sound together.

You smile, shrinking into his chest again, your fingers surfing back and forth on the worn shirt. I like the way we do a lot of things together.

His hands slip beneath the fabric of your shirt, massaging your waist. He dots a trail of light, damp kisses along your forehead, dipping to your temple, the angle of your cheek until your jaw lifts and his lips are against yours, his tongue parting to lick purposefully at yours.

I love you, pretty bird, he whispers, the words falling sweet and fair on your tongue.

You take a moment to let them seep into your skin. ‘s the first time you’ve ever said that, you tell him.

Joel smiles. He knows. But you knew it already, he counters.

You know, too. Mhm.

Alright, he groans, slipping his hands under your thighs and hoisting you up to his height, bedtime.

It’s only ten, you complain, wrapping the blanket around his shoulders as he carries you inside. It’s too early to sleep – Joel.

Didn’t say we were goin’ to sleep, he mumbles, kicking the door shut.

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[feroluce]

I love the fact that the Silvermane Guards are essentially just a very devoted "We Love Gepard Landau" fanclub, and I desperately need for all of them to get into ship wars about it behind their Captain's back. The soldiers are all split into several factions:

Some of them ship him with Sampo 🛡💣 (enemies to lovers/hateship enjoyers; this does not necessarily mean they like Sampo- in fact it's more like most of them want to sic their Captain on him skzjsmdm)

Some of them ship him with Bronya 👑🛡 (knight and princess trope enjoyers and also a sorta-kinda "that is our mom and dad" type of deal; this faction gets riled up and ridiculously hypes Gepard up to Bronya every time she comes down to the frontlines mskdkxmd)

Some of them ship him with the trailblazer 🛡💫 (the smallest and newest faction, but steadily gaining!)

Some of them ship him with Pela ❄🛡 (workplace romance enjoyers; Gepard once charged out into the Fragmentum alone to save Pela from an expedition gone horribly wrong, and when this faction saw Gepard carrying Pela back princess style they threw a whole party)

Some of them ship him with Dunn 🛡🗡 (also workplace romance; Dunn is very flattered by this because yeah wrong Landau, but wow, the troops really think he's good enough to woo the Captain, what an honor)

And some of them ship themselves with the Captain 🛡❤ (yumejoshi enjoyers; this faction throws a massive group effort every Valentine's Day and are also all very supportive of each other)

The final faction is an odd one, because they're defined not by who they ship their beloved Captain Gepard with, but rather by who they don't ship him with. Their name is generally shortened to the A.B.S. Group- Anybody BUT Sampo 🚫💣 DKSZJJSMSOZ

[l0ganberry]

Did some practice sketches of Satan. From my favorite screenshots of him

Provided from @the-rodent-gentleman

[gdsplicer]

[nelkcats]

Darling Boy

"The monster's gone, he is on the run and your Daddy is here" Croc sing to the boy in his arms "Beautiful, Beautiful, Beautiful boy"

"You are not a monster, Dad" Danny said sadly "I know all of the people here told you so, but it is not true"

"Close your eyes, have no fear" Killer Croc continued singing

"That's not how the letter goes" Danny frown, only days ago he discovered he was "rescued" by the Fentons, who called Waylon (His Dad, he was his Dad) a monster (They called him a Monster too, why why why); Many years ago they were in a convention on Gotham and after seeing him and his dad walking on the streets they considered his biological father a monster, they stole him because they saw his "humanity" and wanted to "save him" (They stole that humanity too, THEY KILLED HIM, WHY)

"Before you cross the street, take my hand" Waylon couldn't stop singing, if he stopped he would realize this was all a dream, his boy would be out of his hands again (Like those scientists who keep screaming and pointing him with guns, stealing his kid, calling him uncapable of taking care of a human baby, screaming about him being a monster trying to kill his baby, but the cops arrested him and not them WHY WHY WHY)

"Dad please, look at me" Danny was going to cry (This was his father, his real father who just discovered cause his "adoptive" parents didn't have his papers) "please look at me, I am here"

"I can hardly wait" Waylon feeled the tears leaving his eyes, he hugged the kid closer, waiting for him to disappear "to see you come of age" he lost so many years (They stole his baby, They stole his baby, THEY STOLE HIS BABY, WHY IS NOBODY STOPPING THEM, PLEASE HELP)

"Papa, please" the halfa started crying, this was a mess, even if he didn't inherited the meta gen from Waylon ¿how could he tell his father he was half dead? That people see him like a monster? The only thing his Papa didn't want for him? (They stole him, they killed him, they called his Papa a monster, they called HIM a monster and now, ¿will he be able to broke his Papa heart again? ¿To tell him the truth?) "Please, I am here"

"Beautiful, Beautiful, Beautiful boy" Waylon whispered the last part "See you in the morning" he opened his eyes but his kid was still there (His baby was back, his baby was back, justice didn't work BUT HIS BABY WAS BACK)

"I'm here Papa, and I will not leave this time" the halfa snuggled into his father's arms, finally feeling safe, protected (Finally at home)

On the other side of the street, the bats looked at "Killer Croc" (That was not his name, Waylon Jones was good before justice failed him, was it their fault?) crying and hugging a child tightly, but without hurting him, it seemed that he was hiding him from the world (Could anyone blame him?) and they could not bring themselves to interfere

[allthatmay]

So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."

And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.

Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.

In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?

(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)

This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.

If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?

Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.

[qprstobin]

Stobiners don't want all of Robin's decisions to revolve around Steve - Stobiners want Robin to follow her dreams! And to pack Steve up in her carry on as her emotional support Himbo ❤️

[jojo-schmo]

How did you come up with roleswap Elfilis' design? It's really cool!

Hi! Thank you so much! :D I'd love to share my thought process! Gather round the armchair by the fireplace, friends! It's story time!

I've said before that the Forgotten Land Roleswap started off as a doodle that swapped Dedede and Bandana Dee's roles as Player 2 and the Brainwashed Beast. But when I realized how fun that one little change was, how about EVEN MORE changes? That's how my one-time doodle turned into the full AU story. I swapped Meta Knight and Kirby, Clawroline and Leongar, and Sillydillo and Gorimondo- and because the story is so Waddle-Dee centric, I promoted Dedede to "Player 1" since the stakes would be higher for him as their King.

So now I had a story that had a lot of opposite traits to canon and I wanted to explore that further! When it came to the matter of Elfilin, I thought he would probably behave too similarly towards Dedede and Meta as he did to Kirby and Bandee. He'd be friendly and trusting, communicative, optimistic, knowledgeable, and cooperative. So how about providing them a travel companion who is defensive, has trouble communicating, a little wild, uninformed about themselves and the world around them, and has a bit of a temper?

But working with all these opposite traits didn't feel in-character for Elfilin anymore. So my natural next step was to swap Elfilin with Elfilis and make a new version of the Forgotten Land's lost little pup!

Enough yapping about the context behind my decisions, tho. How'd I come up with Roleswap Elfilis' design?

I see you out there, Fecto Forgo fans. Maybe somebody out there's thought, "Roleswap Elfilis does not look like them! Why not? That's what the other 50% of the Ultimate Life Form looks like! I demand justice for the angry glowing rat fetus!"

Maybe nobody has ever thought this. But I wonder sometimes lol

Your feelings are valid, friends. Please lemme explain my reasonings.

This fella, to me, is the abandoned wet specimen left to float in a jar for who-knows-how-long after a forcible physical and mental separation via spatial teleportation shenanigans. And I think part of their appearance is due to their role as the trapped and forgotten half.

The role of the half that got away fully formed his own body and inherited some traits from the complete being-

For Elfilin in canon, he got ears that are proportionally huge compared to the rest of his body, blue eyes that sparkle with the light of a thousand destroyed planets, a tiny bit of pink fur for his adorable blushies, and a really long fluffy tail. Maybe becoming a being free of chaos gave him those sweet eyes like Kirby and the Waddle Dees have.

My reasoning is that whichever half ends up escaping the Lab and fully forming their own body, they would carry the major physical traits the other wouldn't inherit.

Anyway, that left Elfilis with the horns, colorful and expressive eyes, whiskers, beige chest fluff, opposable thumbs, and pink tummy fur.

Elfilin gets the long tail in the bodily divorce so Elfilis has a short stubby little cotton tail like a bunny. Like if he ended up with just the very tip of the Ultimate Life Form's tail.

Behold this diagram above I came up with two years ago! Disclaimer: the canon Elfilin is the one in the chart. And I draw him a little differently these days lol. I ain't showing anyone how he ended up in the Roleswap yet tho!!!! >:0

But Roleswap Elfilis is more than just "baby version of the Ultimate Life Form..."

All the differences in the Forgotten Land Roleswap from canon stem from one event in the timeline. One change that I added to the events that were already supposed to take place. It's why the Ultimate Life Form split differently. Why the Beasts have different roles and aesthetics. Even why the portal took Bandana Dee and Kirby before Meta Knight and King Dedede.

How did that saying go again? The flap of wings somewhere can influence a bunch of huge changes somewhere else down the line...? What was the name of that theory again....? Hmm. Not important, I guess.

Anyway, the end!! You sly dog, you got me monologuing!!1! /lighthearted

[skywalkr-nberrie]

One of the biggest arguments I’ve seen used by the Ob*d*l*s against Anidala, is that scene in the ROTS novel where Padmé says she could trust OW with the secret of the rebellion and was hesitant to tell Anakin and I just wanna say:

Padmé wasn't an idiot. She was an extremely intelligent and competent woman, perfectly able to understand that loving Anakin and thinking that he could be trusted with a certain politic-related matter were two very different things and reducing her choice regarding who to trust with an important political matter only on the basis of her feelings of romantic love diminishes her professionalism, and this is why I say y'all could never understand her.

Padmé didn’t have to "love" OW or even like him at all to know he was the perfect Jedi to ask for help in a secret political matter.

That's the point being made in the novel, she’s hit with the realization that Anakin in this particular moment could not be told this piece of info because of his relationship with Palpatine, and Padmé specifically mentions in the Junior ROTS novel that she didn't want to make Anakin “keep a secret” if he didn’t agree with their stance because it’d be “unfair.” So this also played a part in why Padmé didn’t think it best to inform Anakin about the Rebellion. It honestly had little to do with her actually lacking trust in him, and more to do with the circumstances she was in not allowing her to be open with her husband and her not wanting to make him choose between his wife and his “father figure.”

However, Padmé knows OW’s political ideas aren't tied to ONE particular person but to a philosophy, one which is closer to her own, at that point. None of this was ever meant to be hinted as “romantic” or even remotely insinuated as romantic. It’s strictly professional and even the tone of the scene makes that so abundantly clear.

All I’m saying is that, some of these proshippers are doing the most out here to try and prove their ship, like my loves? You forgot a very important thing called ✨ context ✨ and regardless of her rational thinking, Padmé still went out of her way to try and talk out all of this Rebellion secrecy stuff with Anakin when she confronted him in the scene where she asks if he ever thought they were “fighting on the wrong side.” Padmé didn’t trust OW in the same way she trusted Anakin (with her entire self and being) she had the level of trust and love for Anakin that was only meant for him.

Mixing up her unwavering faith in Anakin as her husband with her trust in OW’s devotion to duty as her comrade/ally is purposely deluding yourself, because the two aren’t the same and therefore can’t be compared. An example of this is: Padmé constantly putting more value to Anakin’s words over OW’s in the end of ROTS when he came to tell her of Anakin’s “crimes”. She completely disregarded what OW had claimed about her husband and instead made her way to where Anakin was herself, to ask him directly. Despite what the truth was, this is proof of her trusting Anakin unconditionally, and I didn’t even think I had to spell that out because it’s as clear as day.

In conclusion, Padmé didn’t trust OW more than Anakin, she just knew the circumstances she was in didn’t exactly make it easy for her to openly talk with her husband about these matters and that’s part of what played into the issues they had in ROTS, it’s exactly what Sidious wanted. This scene in the novel doesn’t exist to imply some hidden romantic undertone that George was intending all along. No, far from that. George was always an “open, , clear and easy to understand” type of storyteller, so if the former was the case, this scene wouldn’t be any different if there was some hidden message or subtext the reader should be made aware of, George would make it obvious. Fact of the matter is, the one and only reason for this scene in the novel to exist is only to show to us as the “reader” that the narrative is tearing apart the Star-Crossed-lovers (Anakin and Padmé.) and visibly putting the two of them on different sides in the story because the consequences of this narrative choice is what will foreshadow and play into the inevitable and great fall of the couple and character in the future. Even the novel makes a very purposeful and clear distinction between “love and trust” in this chapter where all this occurs. Padmé loves Anakin, but knew she had to trust OW with the situation at hand. And if you want to talk “narratively” Padmé needed a reason to keep the Rebellion a secret from Anakin, thus leading to Palpatine to sense “betrayal” in Padmé later on, and using that to his advantage to manipulate Anakin even more into getting him to “suspect” her. It’s all spelt out for us and it’s not hard to miss. All it takes is a little media literacy and understanding context.

(Mind you, hypothetically, if this scene existed for literally any other reason, it would’ve been brought up again, but it wasn’t. It’s only mentioned once and exists for only one moment which was meant to serve a certain narrative and then it was done. There’s not much to make of it since the context of the scene is so clear.)

[im-still-watching-anime]

sasuke: i’m still glad we made up and all but….

naruto: …..but?

sasuke: us killing each other would have been SO romantic

naruto: i was JUST thinking about that—

[kraviolis]

no, camila found her daughter a long time ago.

(and so what if she was different after being found? really, mrs. noceda, you shouldn't expect her to be the same girl she was before. what five year old wouldn't be changed from such a traumatic experience?)

[AU MASTERPOST]

[faeryaesther]

Happy 23rd Birthday to Leo's brightest star, Jannik Sinner ☆