#hanna x spencer

[giflxndia]

[pllcentral]

[fluentmoviequoter]

Words to Die By

The Rookie x Criminal Minds Crossover

Pairing: Tim Bradford x fem!BAU!reader

Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.

Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker

Word Count: 13k+ words

Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules

As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.

“Can I help you?”

You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.

“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.

“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”

You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.

“Is this your first time in LA?” she asks.

“No, it isn’t.”

“Chen, Bradford wants to see you before roll call,” another officer calls.

“Is Bradford your training officer?” you ask.

“He is. Do you know him?”

You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”

“Eleventh,” she answers, surprised.

“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”

Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”

“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”

A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”

“I am. I assume you remember him?”

“You know an FBI agent, Officer Lopez?” Chen asks.

“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”

You nod to Lucy, then return your attention to an email from Penelope.

“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”

“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”

Spencer frowns and murmurs, “Sounds like a job for Morgan.”

“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”

“In Los Angeles?” you ask incredulously. “Hard pass.”

“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.

“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.

“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“

“Says the walking brain with at least fourteen tabs open,” Derek jokes.

“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”

“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.

“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.

You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.

“More evidence?” you whisper.

She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.

Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.

“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”

Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”

Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.

“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”

Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.

JJ leans toward you and asks, “Remember how intimidating that look used to be?”

“Still makes me stand up a little straighter,” you admit.

“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”

“But talking about the suspect’s feelings will?” one of the officers jokes.

Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”

JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.

“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”

Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”

“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”

Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.

“Do any of you have questions for me or my communications liaison?” Hotch asks.

Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.

“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.

“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”

“If you trust them, they’re welcome to stay.”

Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”

You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”

You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?

“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.

“How is a literary analyst helpful?” someone questions softly.

“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”

“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”

“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”

“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.

“I think that went well,” Derek says as Hotch gathers his things.

“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”

“Pretty boy and I are going to go find some coffee.”

As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.

“It’s good to see you,” Wade says, smiling as he pulls you into a hug.

“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”

“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”

“We like to think so,” Hotch agrees. “Although…”

“Bradford won’t be a problem,” you interrupt.

Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”

Hotch hesitates, then asks, “Do you trust him?”

“With my life.”

“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”

“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”

Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.

“Where’s Spencer?” you ask, looking over his shoulder.

“Telling Officer Chen about the health benefits of doing something boring. How are you?”

“I’m okay. Hotch doesn’t seem to think so.”

Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”

You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.

“I hope our hotel has a hot tub,” you lament.

“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.

Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.

“What happened?” Lucy tries.

“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”

“Yes, sir.”

A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.

“Old habits?” you ask as you approach the counter.

Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.

“Something like that,” he says. “So, uh, the FBI. That’s incredible.”

You shrug. “Not what I wanted, but I love it.”

Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.

“How long have you been with the BAU?” he inquires.

The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.

“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”

You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.

“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”

“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”

“I did everything by the book, if that’s what you’re asking.”

“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”

“I did.”

“There’s more to it.”

“There’s really not,” you insist. “If you don’t want to be on this task force-“

“I do. I wish you could see that you have the potential to lead it.”

“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.

The waitress returns with two full bags, and you stand as you take them from the counter.

“Goodnight, Tim. I’ll see you at the station tomorrow.”

As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.

“What if - and hear me out on this - you just told him the truth,” Derek suggests.

You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”

“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“

Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”

“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”

“And he can deal with some of the guilt,” Hotch grumbles.

“What guilt?” you inquire, pausing with a cheap metal fork in your hand.

“He clearly blames himself for letting you lose your position,” Hotch explains.

“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.

“He doesn’t,” you mutter. “He told me last night-“

“You saw him last night?” JJ exclaims.

“I ran into him at the diner.”

“He still goes to your diner?” Derek questions.

“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”

“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”

“That would be illegal,” Spencer mumbles.

“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”

Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”

“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.

Hotch frowns and mouths, You’ll never find them all.

“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”

“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”

Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”

“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.

“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”

“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”

“I’ll tell Hotch. Anything else?”

“Are you okay?” she asks.

“Fine. Why?”

She stops typing suddenly and then inhales sharply.

“Garcia?” You ask.

The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.

“Penelope?” you ask hurriedly.

“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”

“None of the prelim suspects would know how to do that,” you point out.

“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”

“What is it?”

“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”

“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.

“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”

“It’s about me?” you whisper.

“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”

“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”

“You got it. Tell Morgan and I said hi and I’m wearing-“

You hang up and take a deep breath as you return the receiver to the cradle.

“Agent Hotchner,” you call as you return. “I need a word.”

“Let me finish-“

“There’s been a development,” you interrupt. “An urgent one.”

Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.

“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then… whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”

“Manipulated the data how?” Hotch asks.

You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”

“Left it where?” Grey inquires.

“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”

“The date?” Hotch presses.

You inhale deeply before saying, “February 18, 2017.”

“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”

You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.

“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“

“We need you,” he interjects. “The literary aspect of this case is progressing.”

“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.

“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”

“Garcia’s tracing the data changes?” Hotch assumes.

“Yes, sir.”

“Then we work what we can until she gets back to us.”

“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”

“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”

You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”

Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.

“What are you expecting to find?” Hotch asks you.

“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”

“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”

You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”

Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”

“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.

“Talk to me,” Hotch encourages.

“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”

Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.

“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”

“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”

“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”

“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.

“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”

“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”

“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”

You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.

“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.

“Unless Penelope told you to do that, I’m going to be very mad,” you say.

“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.

“I found our guy, or his IP address at least,” Penelope says.

“And?” Hotch asks. “Where is he?”

“That’s the thing. He’s in an apartment a few miles from the station.”

You recite your previous address and Penelope murmurs, “That’s the one.”

Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”

“Uh, there were some numbers,” she answers.

“34381?” you guess. “And 6147?”

“Amongst others, yeah. Do they mean something to you?”

“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”

“I’ll run the rest of the numbers against the LAPD database and get back to you.”

“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.

“Not yet,” she replies, and then the line clicks.

“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”

“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”

“Yes,” you answer. “He could do it overnight if the circumstances called for it.”

“Assuming he’ll take a break between kills, however…”

“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”

“He’s a criminal,” JJ says. “They all get stupid and forgetful.”

“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”

“What if they could help?” JJ argues.

“No.”

“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”

“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”

You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”

“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”

“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”

Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”

“Which affects us how?” Hotch inquires.

“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”

“Still doubting your hypothesis?” Hotch deadpans.

“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.

“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”

“They’re getting concerned,” Derek whispers, waving toward the roll call room.

“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”

“Yes, sir,” you agree with the rest of your team.

As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.

“What about me?” Lucy asks as the other officers exit into the bullpen.

“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”

“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”

“Keep me updated,” Hotch tells you.

“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”

Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved, the killer is behind bars, and you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.

“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”

Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.

Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.

“Ready?” you ask Lucy.

“Yes, ma’am.”

You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.

“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”

“That looks like a building staple,” Lucy muses, leaning over the picture.

“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”

“What was the cause of death?”

“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”

“I don’t know,” Lucy confesses. “Sorry.”

“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”

“That’s the nicest thing anyone has ever told me.”

You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”

“Then what’s the point of leaving it there?”

“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”

“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”

“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”

“That’s a lot of options.”

“Which is why we keep looking. Victim number three had a personalized novella…”

“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.

“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”

Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.

“Do any of you have experience with crime scene investigation?” Spencer asks.

Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.

“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”

“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”

Spencer nods and shifts his attention to the tools and proposed appearance of the killer.

“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”

Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.

“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.

“Army,” Tim responds. “FBI always the goal for you?”

“Oh, nah, I started as a cop up in Chicago. Things just happened.”

“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.

“Why be a TO?”

Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.

“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”

“Got it. Thank you.”

Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.

He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”

You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’

“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”

Tim nods as he places the box down, and then looks at the case board.

“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”

“She retired,” Tim replies.

You drop your shoulders and nod. “Thanks.”

“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.

“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”

Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.

“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”

“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”

“The novellas?” he guesses.

“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”

“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”

“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”

“I’ll run it by him if I can get a word in.”

You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”

“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”

Derek smiles as he opens the door, and Tim and Lucy return soon after.

“She lives three miles from here and said she’d talk to you,” Lucy relays.

“Let me tell my team.”

Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”

“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”

Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”

Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.

“You don’t have to,” you begin as Tim asks, “Ready?”

You fail to find the right words for several moments, then say, “Lucy, do you want to help Derek Morgan review crime scenes for construction and security?”

“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”

“Thanks,” you say, though you think I’ll need it.

“Do you want to drive or should I?” Tim asks once you’re alone.

You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”

“We can hope.”

“Can I address the elephant in the room?” Sergeant Grey asks.

“Be my guest,” Hotch answers, not looking up from his improved profile.

“Bradford isn’t operating at his usual level.”

“She is.”

“Which is why I think there may be more to his side of the story.”

Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”

“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”

“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”

“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”

“That’s one connection.”

“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”

“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”

“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”

“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”

Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”

Tim looks at you before demanding, “Why didn’t you put that in the report?”

“I was scared.”

“And you think the people living here weren’t?”

“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”

She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”

“Who?” Tim asks.

“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”

“Was there residue?” you inquire. “From the superglue?”

“There were trace amounts, and the lab was able to identify it easily.”

“It was the only death to be covered up, why do you think that is?”

Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”

“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”

“It was,” she explains, “he must have taken her earlier to get a head start.”

“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”

Daniella frowns, and you lean forward to ask, “How many more were there?”

Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.

“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.

“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”

“Pretty easily. Self-preservation is a powerful motivator.”

“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”

“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”

Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.

“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”

“Yes, sir.”

After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.

“I’m going with you,” Tim states.

“No, you’re not. You heard him, you’re going back to the station.”

“You need me-“

“Actually, we don’t. We have jurisdiction now, Tim,” you snap.

“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”

You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.

“Alexander Riley,” you murmur.

“What?” Tim snaps.

“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”

“Convenient.”

You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.

“Are you still at the station?” you ask when he answers.

“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”

“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”

“Okay,” he agrees slowly. “Why?”

“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”

“You got it.”

You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.

“You had something for me?” Grey asks as you approach the townhouse.

“I do. Trust me for a few more minutes and I’ll tell you everything?”

Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.

“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”

“Why?” Spencer asks. “Wait, who?”

“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”

“Abuse of power,” Hotch deduces.

“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”

“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”

“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”

“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”

“What?” Hotch and Wade say, stepping toward you simultaneously.

“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”

“He’s going to target you?” Derek translates. “That’s not okay.”

“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”

“I’ll get a BOLO out,” Wade offers.

“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”

“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”

“Just send ‘em my way,” Derek jokes.

“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”

Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.

“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.

“Bradford,” Wade begins.

“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”

“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”

“No idea. Sir.”

“I’d appreciate if you would stay and help review the story to find an idea, then.”

You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.

“Be safe out there,” you conclude.

As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.

“That was fun,” you mumble to Derek.

“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.

“That is bright,” you respond. “Thanks, Reid.”

An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.

“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.

Tim falls back into his seat and crosses his arms to stare at you.

“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”

“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.

“Shut up,” Hotch says as he sits beside you, across the Table from Tim.

“Kenneth Adamson,” you say. “Do you have any idea of what he did?”

“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”

“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”

“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”

“Yes.”

“You could have told me.”

You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.

Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.

“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”

You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.

“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”

“I’m sorry.”

“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”

Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.

“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.

“Yes, sir. I’ll do everything I can to assist you.”

“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.

“Cursed wanderer?” Tim repeats.

“Remorseful, unabsolved character tormented by their fate and their actions.”

“He must not remember you well,” Hotch tells Tim.

“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.

“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”

You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.

“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.

“Yeah. You.”

“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”

“Are there characters like that in all of them?” Hotch asks.

The sound of papers flipping precedes several firm answers of “Yes.”

“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”

Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.

“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”

“Are you gonna explain it or is this like Jeopardy?” Derek questions.

“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”

Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”

“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”

“Not recently.”

Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”

“Be careful,” Wade implores. “And keep me updated.”

“Can you do me a favor?” you ask.

“Anything,” JJ and Derek answer together.

“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”

“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”

“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”

You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.

Tim's radio crackles as he makes the last turn to reach the crime scene.

“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”

Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.

“07-Adam-19,” he replies. “Go ahead, Lopez.”

“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”

“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”

Tim returns his radio to the dash and then sits back to wait.

“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.

“You really think he realized we were just as aggrieved as him?” Tim asks.

“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”

“You said your character died in the new one.”

“All I saw was my name. I made an assumption without enough evidence. It was stupid.”

“Welcome to the club.”

Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”

“You think it will?”

“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”

Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”

“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”

“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”

“I hope so.”

You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.

“Thanks,” you whisper as he straightens, mere inches from you.

Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”

Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”

“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”

“Did Derek ask Spencer about the bomb?”

“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”

“Could he be a cleithrophobe?” Tim wonders.

“What is that?” Derek asks, and you can imagine him looking around Wade’s office.

“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”

You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.

Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.

“You made it,” he says.

“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”

He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.

“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”

“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.

Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.

“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”

Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.

“Take your vest off,” he requests. “Please.”

You don’t move but look pointedly at his gun before raising your eyes to his face.

“I won’t hurt you.”

Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.

Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”

“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”

Riley fidgets, then nods.

You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”

“Alex is fine,” he replies, whispering your name under his breath like a prayer.

Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.

“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”

“You know who,” Alex mutters.

You smile and ask, “Was I in all of them?”

“Of course.”

“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”

“You were so far away,” he whispers.

“Alex, did you learn how to code just to talk to me?” you inquire softly.

He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.

“Kick it,” he demands.

“Why? It’s art, it’s part of your soul,” you argue.

“Kick it.”

Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.

“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”

“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”

“She was mine first,” Tim interjects suddenly.

Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.

“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”

“Adamson is the only one who hurt her,” Tim argues.

“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”

“Something changed,” you say from beside Riley.

He doesn’t move away from Tim but stops talking to listen.

“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”

“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”

“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”

“Fool! They’ve gotten to you, too.”

As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.

Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.

“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.

Tim sighs, taking your face in his hands as he wipes blood from your temple.

“Is his writing really that good?” Jackson asks as he stands.

“It’s a little preachy,” you reply with a smile.

Your phone rings, and you swipe the screen to answer, then immediately hang up.

“That was your boss,” Tim points out.

“He can yell at me when he gets here.”

“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”

You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.

Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”

When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”

You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.

“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”

You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”

“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”

“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”

You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.

“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”

Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.

Two Weeks Later

“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.

“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”

“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”

The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.

“I could have done that,” you complain.

“Sure you could, boot,” one of the men says, his voice muffled by the helmet.

You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.

Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”

As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.

“We’re wheels up to Los Angeles in forty-five,” Hotch says.

“Why?” you ask, stepping out from behind Tim.

“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”

You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”

Hotch narrows his eyes at Tim, then shrugs and agrees.

“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”

“Please do.”

You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.

A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”

[natsvenom]

Angel

Jason DiLaurentis x fem!reader

SUMMARY: You’ve spent the past few days being distant with your boyfriend, Jason, after you and the liars are go to a coffee shop in town and run into his ex-girlfriend Cece Drake.

WARNINGS! Age gap, slight angst, alcohol ingestion, reader has an eating disorder (anorexia), body shaming, etc.

You and the liars walk into the Apple Rose Grill. Everything was stressful, per usual. Garrett had been let off the hook for murder and now Wilden was trying to make Hanna look guilty. There was currently a court order out for them to take a sample for Hanna’s blood. That would’ve been fine, knowing Hanna isn’t guilty. Except A has a way of making an innocent person a guilty one.

“Take it from me, you’re always better off with a really good lie.” A feminie voice said from behind you guys. You physically felt your heart stop in your chest. The voice was insanely similar to Alison’s.

“Is it just me or did that sound a lot like…” Emily mumbled. Younturned around to see a blonde girl standing at the register. There was no way that could be her, right?

“…Alison.” You guys said in unison.

The girl turned around with a smile on her face, but it quickly faded as she saw you guys staring at her like she was ancient relic, “Something wrong?” She asked.

“Oh, no, sorry.” Aria apologized, “You just sound a lot like one of our friends.”

“Hope she’s brilliant.” The girl said, “What’s her name?”

“Alison DiLaurentis.” You told her, staring at her like she was a lost dog.

She looked at you guys in realization, “You were friends of Ali’s.” She says, “Me too, I’m Cece.” You had heard that name before, you just weren’t exactly sure where from.

“Spencer.” Spencer spoke, greeting herself.

“Melissa Hastings little sister.” Cece noted, “Ali talked about you. She talked about all of you. A lot.”

“How do you know Ali?” You dared to ask.

“Before I moved to L.A our families rented summer homes in Cape May. We went through an intense couple weeks together. I dated her brother, Jason. She never mentioned me to you guys?” Cece explained. You suddenly felt tense hearing the mention of Jason. You could only imagine what she meant by an intense couple of weeks. But there was no need for you to be jealous, right? Jason was with you not her. But in the moment you couldn’t help but notice how incredibly gorgeous Cece Drake was. She had beatiful blonde hair, blue eyes, easily a size 4, and not to mention her confident outgoing personality. She was everything you weren’t.

For some reason this realization made you sick to your stomach. She looked perfectly healthy, while the reason you had looked the way you did was from practically making yourself sick. Almost your whole life you had been worried about your appearance; making sure you never ate more than 1000 calories a day, over exerrting yourself, and excercising till you felt your body break down.

You knew you were destroying yourself, but you wanted to be pretty. You wanted to be like the girls at your school who all the boys fawned over. You wanted to be the girl who was always picked first for group projects. You wanted to be the girl who wasn’t afraid to wear a crop top in public. You wanted to be like Alison, beautiful and destructive.

Alison had told you something that’s always stuck with you, “You’re pretty, but sweetie you need to drop a few pounds.” When she was alive you easily weighed 130 pounds. By the time your family moved back to Rosewood, you weighed 100, and now you weigh 110. everyone had noticed the dramtic changes over the years. Your family had done nothing but worry about you, the boys at school would whistle at you and make inappropriate remarks, Hanna was someone who you could relate to, and Jason was someone you could rely on.

Before you guys started dating, he found out about your eating disorder. At the time you and the other liars were still questioning if he was A, but after he had helped you get better you never once thought about him being A again, and dismissed the girls when every they tried to convince you he was just being friendly to get information. Luckily, things were different now.

You wondered why Jason had never brought up Cece Drake before. You silently wondered if there was any part of him that still thought about her. I mean she’s gorgeous, who wouldn’t be thinking about her.

You had been zoned out for so long you hadn’t even been paying attention to their conversation until you saw her about to leave, but she stopped in her tracks, “Do any of you girls know if Jason is seeing anyone? I hear he looks really good now-a-days.” Cece asked.

The rest of the girls looked at you subtly before turning back to Cece, “No clue.” Spencer said quickly, shrugging her shoulders. Cece nodded her head.

“Well if you see him tell him I say hi.” She said in flirtatious tone, making your skin crawl.

It had been two days since you last spoke to Jason. You spent the last couple of days worrying about your body, spiraling back into that same old self concious loop you had been so familiar with. He was starting to get worried about you. He had absolutely no idea what was going on with you.

You sigh, sitting in the driver’s seat of your car. You know you shouldn’t do this, but you really needed something to take your mind off Cece Drake.

Jason sighed as he sat down on the front porch of his house. He had absolutely no explanation for what was goingon and it was driving him crazy. He turned his head when he heard footsteps walking up to him. He had hoped it would be you, but was met with slight disappointment when he saw someone else.

“Hey.” Spencer greeted softly, walking up the porch to sit by her brother. He simply nodded at her, looking down at the cement floor, which suddenly became very interesting.

“I met Cece Drake this morning.” Spencer revealed. Jason looked up, a confused expression on his face. He hadn’t heard that name in so long, nor thought of it. Spencer could see the gears turning in his head.

“What?” She questioned.

“Was y/n with you?” He asked, looking at her desperately for answers.

“Yeah, why?” It suddenly clicked in his head what was going on with you. You weren’t ignoring him because you were mad at him. You were ignoring him because of something she had said.

You sat on a hard red stool at the bar, thanking Alison internally for getting you a fake id. All you had to do was flash it to the bartender and he came back with exactly what you thought you needed. Alcohol.

You had only drank a little bit, but you were already starting to feel tipsy. You were clearly a light weight, and almost everyone knew it.

“What’s a pretty girl like yourself doing here all alone?” A masculine voice asked from beside you. You turned your head to see a man sitting next to you, a glass of something that was defintely stronger than what you were drinking.

“I’m wondering the same thing myself.” You heard another voice say from behind you. You didn’t have to think twice about it to know who it was. You spun yourself around in the stool and were met with his warm green eyes. You groaned dramatically, pushing youself off the stool. You forgot that the stool was hightened, and practically fell right into Jason’s arms.

His arms wrapped around you quickly, pulling you back up straight. Well, straight as you could get in that moment, “I’m taking you home.” He said strictly, making you giggle. It wasn’t really funny, but right now everything seemed comical to you. You pushed past him walking out of the bar. You felt the cold night air hit your face. It felt good at first, but then it made you feel sick. You threw up into the bushes right outside the bar, right before warm hands pulled your hair back for you.

“I don’t feel good.” You mumbled, wiping your mouth off.

“Mm, I wonder why.” Jason quipped, rubbing your back as an attempt to soothe you. You groaned, shoving your head into his chest. He put one of his hands in your hair, rubbing your head comfortably.

“You smell good.” You mumbled into his chest, making let out a breathy laugh, “Can we make out now?” You asked, pulling him down by his jacket. He kissed the top of your head.

“Not right now pretty girl.” He said softly. You groaned, the annoyance making you roll your eyes. You pushed away from him, walking through the parking lot, Jason following closely behind you.

You stopped in the middle of the parking lot, looking at a group of trees intensly, “Hey, who put those there?” You wondered, observing the trees like they were the most interesting thing in the world. Jason came up behind you, shrugging his jacket off and putting it over your shoulders. He didn’t say anything, knowing that explaining the process of the life cycle of a tree to a drunk person would just end up with and endless amount of stupid questions.

“I think you should take a nap and then google it in the morning.” He said, intertwining his hand with yours as he walked you to the car, opening the door for you and helping you get in. The car ride home was relatively quite, but it wasn’t uncomfortable silence, it was nice.

When you got to the DiLaurentis house, Jason’s hands stayed on your waist as he guided you up the stairs. You plopped down on his bed as he pulled something out of his closet for you to wear. He helped you unzip your little black dress and pulled his hoodie over your head. You yawned as you threw yourself back onto his bed. He sat down next you, pulling the covers over you and placing a gentle kiss on your head.

“She’s pretty.” You mumbled into the cold pillow, grasping it in your hands. Jason sighed, knowing this conversation would end up happening one way or another.

“Whose the girl that I let sleep in my bed everyday and steal every single clothing item I own?” He teased, making you smile into the pillow. You knew he was right.

“But—”

“But nothing. I love you, and only you.” He assured, pulling you into him as he wrapped his arms around you tightly. You cuddled into his chest, grasping his shirt in your hands.

“I love you too, Jase.” You yawned.

“I know angel.”

[davinashifts333]

THE SECRET AFFAIR (Jason DiLaurentis x Liar!Reader):

⚫️summary; one year after Alison’s disappearance everything in Rosewood went haywire. Y/n, Aria’s maternal cousin & now 1/5 of the remaining Liars, who had either an equal amount or possibly even more secrets than her childhood friends, had been dating her now presumed dead best friend’s brother. That’s right, since before the summer of Alison’s disappearance Y/n & Jason had secretly been hooking up & began officially dating due to her helping him sober up & help him through his toughest nights that now gloomed over his past. She was his main alibi for the night everything happened with Alison but, obviously couldn’t tell anyone why she was with him. So why now, that they’re finally putting Alison to rest does it all go to shit? Because the whole town believes one of the liars did it.

⚠️warnings; swearing, age gap relationship (Y/n is the same age as the girls but one of the oldest, so 5-6 years younger than Jason), adult themes, murder, gore-ish?, PLL shit dude, it’s crazy, 18+ ONLY!

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Y/N’s POV (the night of Ali’s disappearance)

I woke up with a blazing headache to my phone ringing a very specific tone that had become all too familiar. Jason. Thunder rolled in as lightning flashed the barn awake. The text from Jason saying to meet him at our spot which was a small bench in the woods behind his house. I head over, carefully leaving the barn door ajar so the girls won’t wake up when I come back but, I notice i’m not the only one who had planned to escape. Ali was gone and so was Spencer. I brushed the thought from my mind as I remember Jason’s text,

‘Garrett and Ian brought over some weed and I have the shakes now, meet up? I’m freaking out. Be safe. xx’

Jason had been trying to get clean, key word, trying. His friend group wasn’t as lenient as I was though, every now and then I had to help clean him up and sleep through the high or drunken daze. He wasn’t the best at being drunk believe it or not, he got drowsier than me after smelling the fumes when filling my car up with gas. Regardless, Jason was there for me when my dad left to hunt down my mom’s murderer. Yeah, Aria is my cousin, our moms are sisters.. Well.. Were.. That was until one night in the winter of 1998. I woke up after hearing glass shatter and walked down stairs, all I remember seeing was a shadow of a tall man standing over my mother’s body. Since then, I’ve lived with my aunt Ella and her family. Jason was our neighbor from down the street and Aria knew Alison, so obviously I knew them too. He always told me that death brought new life and my new life I had to live in honor of my mom. We clicked from then on. Of course being older he always taunted us girls and would do the typical big brother things to Ali. But one night when I was 14, I kissed him. He was shocked at first but then admitted he always liked me best out of Ali’s friends. The only bad thing was, Alison saw us kiss. She held it over my head like a looming sword on the thinnest of threads, threatening to tell her parents that Jason tried to force himself on me. Which obviously was a lie but who would they believe. Little did she know, I had secrets of hers to shoot back with so, we bonded in that way. A battle for dominance as one might call it. But nonetheless we were best friends, and secrets so keep us together.

I walk up to the bench hearing the crunching of leaves coming from the opposite direction, they staggered a bit and I saw Jason stumbling towards me, tripping on a rock and landing right on top of me.

‘Shit, sorry babe. I guess drunk me has two left feet.’ I giggled at his comment as we sat up, backs against the trunk of the tree that stood tall above our bench.

‘Who bought it this time?’ I asked, changing the subject back to the issue at hand. Jason then took position on my lap, my hands running through his hair. He sighed.

‘Ian. As always. But Garrett also brought booze. You know I can’t resist a nice cold beer. Those two idiots are probably still up in my room thinking I passed out somewhere. How was your sleepover?’ I rubbed his temples, knowing he got headaches when he drank.

‘It was okay, had some drinks too, courtesy of your sister. Hanna and Emily knocked out first and well you kno-.’ Suddenly the sound of someone walking by caught our attention. Jason shot up and stumbled a bit before helping me up. I held his waist to help him gain balance and he whispered to me to head back to the barn. That we’d talk the next day. With a swift kiss goodbye we went our separate ways. But, just as I got back to the door of the barn I heard a scream. I quickly made my way inside to see Emily, Hanna and Aria still asleep. Gladly I didn’t get caught by Spencer or Ali. I went back to my place on the large ottoman and curled up, hoping for Jason to have gotten back in one piece. He wasn’t as drunk or high as other times but, he still could continue through the night or worse, be pressured by Ian. God, I hated his “friends”. They only enabled him to fail at sobriety and I knew the truth behind their little club. Ian started it all with Jason when Ian took a photo of the girls and I in Emily’s bedroom. Creep.

An hour or so went by and I couldn’t sleep with all the thoughts running in my mind but, I kept my eyes shut. Spencer had come back but seemed a bit off, her breathing was ragged and stuffy. Like she had been crying or running. I wondered if Ali had gone back home or if she was coming back but, my question was answered when a loud crack of thunder woke us all up. Emily and Hanna huddled together while Aria “woke” me up.

‘Damn Y/n/n. You sure can sleep through anything.’ Spencer joked trying to lighten the mood and we all slightly laughed.

‘Where’s Alison?’ I finally asked and Spencer spoke up.

‘I think I heard a scream.’

That night marked a huge change in our lives and seeing how things were, my Uncle Byron and Aunt Ella decided it would be best to move to Iceland for a while, to get away. But now that we were back, things seemed way different. I hadn’t heard from Jason much after Ali’s disappearance. We kept in tough but after I was forced to move across the world, we decided it was best to be apart. I hoped he stayed sober but, I also knew the loss of his sister was taking a toll on him.

Aria and I had begun to unpack when Mike announced he was hungry. So Aria and I took my car that my mom had when she was my age, to a little dive bar/restaurant near Hollis College to get some burgers. When I waited for our order, Aria snuck off with this really cute guy who was apparently studying to be an English teacher. I let her have some fun while I contemplated texting Jason. Low and behold I folded.

‘Hey, I know it’s been a while since we last spoke but I figured a check in from our old spot in Rosewood could be cool? I just got back today and could sneak away from Aria for a few. If you’re up for it. Hope you’re doing well. xx.’

He read it almost instantly as if he had known I was thinking of texting him.

‘Welcome back to hell. I can meet you there in 10?’ I felt my heart skip a beat at the thought of seeing Jason after a whole year and quickly shot Aria a text letting her know what I was doing. During our time in Iceland I confessed to her about Jason and I secretly dating to which she was impressed but mainly saddened by and even wrote a modern day Romeo and Juliet based off of us. It was sweet, Jason had even liked it when I read it to him on one of our phone calls early on. He also felt proud that I was able to trust someone enough to talk about him with.

I drove the 10 minutes to the last secluded park where we had to start meeting after our bench had been compromised by the investigation and waited. A few minutes went by and I heard a knock on my car window. I shut it off and climbed out. He looked good, way better than he did when I left. Healthier, a bit more put together and like his face was hurting from smiling so much.

‘I don’t remember you being this bubbly. Are you sure you’re Jason DiLaurentis?’ I joked and he pulled me in for a hug. His signature cologne engulfed me in the most comforting way.

‘No more red streaks in your hair, you’ve grown up. You sure you’re Y/N Y/L/N?’ He responded and I playfully punch his arm. We walked over to the picnic table and sat down. We talked for what felt like hours but in reality was about half an hour until Aria texted me saying she had the food and was getting dropped off at home. I responded with an excuse she could give her parents and she said she’d have my back. I came back to the conversation at hand and decided to ask the big question.

‘Sorry about that, Aria was just letting me know she’d cover for me back at home. So, truth. How are you?’ I asked, his eyes saddening a bit knowing what I meant.

‘Well, i’m sober. A whole 9 months now. Still dealing with the whole Ali missing thing and just graduated from College. You?’ I felt his hand playing with my rings on mine and sighed.

‘Well, about to start Junior year of High School, still dealing with the whole Ali missing thing and now very proud of this guy I used to date. He was a bit of a mess when I left our hometown so, you know. Surviving.’ He chuckled nodding as I ended my response.

‘He was very broken up. I mean come on, not being able to see your gorgeous face for that long? It was criminal. Poor guy was torn up enough already. You just added to the mix.’ I took notice of how true his comment was, I had left him in a vulnerable moment.

‘Well, I tried to keep in contact with him but, didn’t know how else to help, I was grieving too. Just grieving in a different way and grieving him as well.’ He lifted my chin to meet my gaze.

‘You don’t have to grieve anymore love. He’s never given up that one day you’d make your way back to him. Believe me. He even thought about how if you didn’t come back soon, he’d have to go to Iceland to find you.’ His hand now cupping my cheek as my eyes glazed over with tears. Alison always did tell me she loved how I helped Jason become more human in her eyes. She had seen a change in him from when we started dating.

‘Well, I thought he would hate me for leaving. I know I had no choice but, I still wished I could’ve been there to help him, like always.’

‘Baby, listen to yourself. You were always there helping me. Even when you had to go. You called every day, texted all day long, checked in when you could. You did your part, it was just time for me to do mine and let you move on. I just hoped that if we really were meant to keep going, you’d eventually come back to me.’ At this point I was fully crying and listening to his grief and love pour out of him.

‘I did hound my Aunt Ella everyday in hopes of us coming back sooner. And look at us now. I don’t want to move on, I want us, I want to grow in life with you Jason. I wanna see you be the person you always dreamt of becoming and to let the past stay in the past, all the mistakes were just bumps in the road. You took control of your life, focused on yourself and I couldn’t be happier for you. You deserved to be free from those assholes you called friends.’ He placed his forehead to mine and pulled me into his lap.

‘Can I kiss you now? I’m dying over here.’ He whispered and I laughed nodding. At that moment, we were in bliss. Not knowing what was yet to come and how insanely twisted our lives would soon become. After our reunion we agreed on meeting up as much as we could and even heading to Philly for date nights. However until I turned 18, we had to stay under the radar for a bit. It was all rose colored glasses until the first text from -A. It was a picture of me in Jason’s lap and a whole album of pictures of us before Ali went missing. Who could’ve possibly gotten these?

•

•

•

•

•

A/N: HIIII! IM BACK ON MY DELULU SHIT & HAVE FALLEN BACK INTO MY CHILDHOOD COMFORT SHOW PLL. LMK IF I SHOULD MAKE THIS A SERIES OR NOT, ALSO LMK WHAT ELSE YOU’D WANT ME TO WRITE ABOUT! LOVE YOU GUYS & HAPPY 2024!! 🩷🩷🩷

[prettylittleliarsstuff]

Y/N: I don’t even flirt that much.

Spencer: Oh really? *Stands up,* Raise your hands if you think you’re dating Y/N.

Aria: *raises hand*

Alison: *raises hand*

Hanna: *raises hand*

Toby: *raises hand*

Spencer, side eyeing violently: Toby Cavanaugh, what was that?

[deltaharrington]

Secret

Jason Dilaurentis x Female!Reader

Warnings: mentions of drug abuse, short

Summary: Y/n is Allison’s best friend and Jason is interested in her.

Y/n L/n had been a friend of the Dilaurentis family ever since she was a little girl. She had grown up with them. She was practically part of their family.

As she became older, Jason started to see her as more than a family friend. She had matured quicker than any of her other friends and Jason took notice.

Y/n took notice as well, and the pair became close. Closer than her and Allison were. They began to hang out nearly everyday and Y/n considered Jason her closest friend, even though he had an issue with drug abuse.

When he left after Ali’s death, Y/n was lost. She eventually moved on and got closer with the girls.

Just as she felt like she was back to normal, he had come back.

The first time she saw him was from her house. Y/n lived right across the street from the Dilaurentis house and when Jason returned, his shirtless figure wasn’t hard to miss.

“Oh my god, you’re staring at Jason!” Hanna said, sitting on her bed.

“I’m not staring at him! I’m just making sure nothing gets into my yard!” Y/n said and Hanna rolled her eyes, knowing that her friend was lying.

The second time she spotted him was when she was on a run, she nearly toppled over his tools that had fallen onto the sidewalk.

“Woah there,” Jason said and reached out to catch Y/n before she fell.

“Sorry- I should have watched where I was going” She said and Jason shook his head.

“No, it’s my fault” He spoke and Y/n nodded her head.

“It was good seeing you, Jason.”

The third time she saw Jason was when he showed up outside her house, soaking wet from the rain.

“Jason? What are you doing here?” Y/n asked and he looked up at her.

“Can we talk?” He said and she nodded, leading him inside.

“Let me get you a towel” She said and grabbed him one from the closet.

“Can we maybe…?” Jason started “Catch up? Go to dinner this week?” He asked and Y/n nodded her head, a small smile on her face.

“I’d love that Jason. Come sit on the couch and I’ll make you some hot cocoa.” She said and moved to the kitchen.

Y/n got so engrossed in making the cocoa that she didn’t feel Jason’s presence behind her until he gently placed his hands on her shoulders.

She almost immediately leaned back into him, her heart racing.

“Jason, what are you doing?” She asked and he turned her to face him.

“I missed you, Y/n” He whispered and her breath hitched.

“I missed you too, Jason” She said and he smirked, gently leaning down towards her.

Y/n took this as him wanting to kiss her and she leaned up, before their lips connected though, Jason moved back a bit.

“God you are such a tease” Y/n remarked.

“Only for you” Jason said and connected their lips, pressing Y/n against the counter.

This continued until they were interrupted by a phone ringing.

Y/n giggled as Jason answered, talking to whoever was on the line before he hung up, pressing his lips to hers again almost immediately.

This was going to be a long night.

[hopelesssheaven]

some of my fav wlw ships <3 (not including yellowjackets)

[teddypickerry]

( @jessmarianoswife order! )

I SHIP YOU WITH ... jason dilaurentis 

𓆩♡𓆪

A/N!

well, looks like you have an excellent

type. i too consider myself somewhat

of a jess mariano lover (i post 30

million fanfics about him). i decided

that you and jason would be cute together

(he is my other loverboy). hope you

enjoy <3 @jessmarianoswife

TROPE!

friends to lovers, best friends

brother

HOW YOU MET!

you've always known jason through

your best friend alison (or rather one

of your best friends). it wasn't that

uncommon for the two of you to butt

heads. considering she tended to

make every situation about herself

and try and tell you how it is. after

a fight with her in her bedroom about

how she didn't like your top, you

went outside.

your typical route home began through

her backyard since your house was just

down the street. that was until you saw

her older brother, jason, sitting on the

porch. there was an unopened beer

bottle by his thigh and his head hung

low, in sadness. you were going to dart

but before you could, you stepped on a

creaky floorboard. catching the blonde's

attention. "who- oh, hi y/n." you glanced

at the beer bottle, a weird look coming

on your face as you stepped infront of

him, to catch a good glimpse.

you knew about his problem. he'd been

in rehab a year back, and ali had been

very persistent to bitch about all his

drinking buddies. "jason, you probably

shouldn't." you muttered which made

him scoff with a glare. "doesn't concern

you, does it?" it didn't take long for you

to turn on your heel and head for the steps.

he jumped up and reached for your arm,

"look... i'm sorry. i didn't mean it.

can we start over?"

WHAT KIND OF BF IS HE!

+ very sweet. he's kind of awkward at

first but it doesn't take long for him to

be a little tougher...

+ your friends took some convincing

when they saw you emerge from his

car in the morning. he was always ali's

older brother to them. nothing more,

nothing less. but to you he was so much

more.

+ very jealous guy, but not possessive

+ he doesn't really know how to be

with your family, not like he's had much

practice

+ jason is the best comforting guy EVER.

he won't hesitate to throw you in his arms

and tell you it's okay. which seems annoying

because, it's not always going to be okay.

BUTTTT he's there, and that's what matters.

+ he'll do anything to get your family

to like him. mow your yard? done. go

help your mom with grocery bags?

he's there! take your brother to a

hockey game? he has tickets ready to go.

+ he's just the best.

[behind--these--walls]

In another lifeee

[giflxndia]

[pllcentral]

every -A message ever presented by pllcentral 📱

[cyarskj52]

EMILY FIELDS in PRETTY LITTLE LIARS (2010-2017) 1x01 | “PILOT”

[natsvenom]

Every Minute, Every Second

Jason DiLaurentis x Montgomery!Reader

Based on the post-dollhouse episodes of PLL but not much relation to actual episodes.

No mentions of Y/n.

SUMMARY: You and the other liars have been rescued from the dollhouse and you finally reunite with your boyfriend who you've been infatuated with since you've met. He's always been affectionate with you, but now he never wants to let you go.

WARNINGS! Mentions of kidnapping, torture, abuse, etc. Smut!!

The sound of the fire alarm blaring in your ears made you anxious, reminding you of all the times Charles had turned on the ear bleeding sound through the speakers to torture you. Suddenly you became aware of your surroundings, noticing the heat from the fire that was spreading around you burning your skin. You watched as every last memory Charles had left of his life burn to ashes.

“Let’s go!” Spencer shouted, grabbing your arm as you and the rest of the girls rushed out of the room to safety.

You rushed down the dark narrow hallway, calling out for Mona. Who had been missing since earlier, “Help me please!” Mona screamed. You could hear her sobs coming from a room ahead of you. You ran toward the door, prying it open with your bruised hands. You looked around hastily, searching for Mona. As you looked down you saw a terrified Mona, her arms were wrapped around her chest as her sobs echoed through out the entire room. Though it looked more like a dungeon to you.

You and the girls found a long strand of thick rope, you used it to help pull Mona out of the hole. It took all your strength, still feeling weak from everything you had endured in the past three weeks. As you finally managed to free Mona, you and the girls ran down the hall, searching for escape. You stopped running once you reached the ladder toward freedom. You climbed as fast as you could, your hands shaking as your feet stumbled a few times. It seemed useless though as you could barely get the door open. The smoke started spreading throughout the bunker as it made its way into your lungs. The smoke scratched your throat, making your chest hurt from choking, but by some sort of miracle, the door came open as you ran out into freedom.

As you ran out you saw people who you thought you might never see again: Alison, Caleb, Toby. But most importantly you saw him. The man who you spent every second worrying about, wondering how he chose to cope. You froze in your place, locking eyes with him. You missed that blonde hair, remembering the times you’d run your fingers through it. But his eyes were what got to you, they were glassy, he looked like he was about to cry, they were somehow greener than you remembered. Even though they weren’t the color of the ocean, you still felt yourself drowning in them.

You broke out of your trance, darting over to him as fast a your feet would take you. You jumped into his arms, wrapping yours around his neck. His arms wrapped around your back, squeezing you so tight you thought you might explode, but you couldn’t bring yourself to care. The only thing that mattered in this moment was that he was there, in front of you.

You squeezed your eyes shut tightly, feeling the tears beginning to fall. He had one hand on your back and the other was in your hair. He couldn’t believe you were here, in his arms. He didn’t know if he could ever let you go again. Every minute he was awake, he spent searching for you. Every second of the day, he spent worrying that he would never see you again. He removed his arm from your back, now holding your face in his hands, looking into your eyes.

You could tell he was deep in thought, but right now all you wanted to do was kiss him. You pulled him close, attaching your lips to his, sighing into him. You missed him every minute you were in there. Every second. You put your hands in his hair, tugging at the strands. He kept his hands on your face, his thumbs rubbing your cheeks softly.

He pulled away hesitantly, pushing lose strands of hair behind your ear, “I love you.” He spoke softly, resting his forehead against yours. You should see the tears falling from his eyes, you brought your hand up to his face and wiped the tears away with your thumb.

“I love you too, Jase.” You said, your voice still slightly scratchy from the smoke. He pulled you into another tight embrace, resting his head on top of yours with his arms around your upper back. You wrapped yours around his waist as your head lay on his chest.

The EMTS wanted to take you to the hospital, considering you had inhaled a bunch of smoke. But mostly because of being kidnapped for three weeks, nobody had any idea on what happened to you and they needed to make sure there were no serious injuries. You told them you wouldn’t go unless Jason could go with you, not wanting to be alone another second. The whole time he held your hand, or ran his fingers through your hair. There was never a second he wasn’t touching you. You missed the small moments of intimacy like this.

At the hospital the doctors treated a small cut you hand on your forehead, and wrapped your bruised knuckles with bandages. They also gave you fluids as you were severely dehydrated, which didn’t surprise you as Charles had left you outside for almost three days straight. Luckily, there were no major issues so you were cleared to go the same day.

You wanted nothing more than to be with Jason, but your parents got to the hospital and wanted you and Aria to stay home for the time being. You couldn’t have been more disappointed, you understood, but it still pissed you off. Your parents had always been protective as parents should be, but right now the safest you felt was with Jason.

As you got home, you walked into your bedroom, feeling extremely uncomfortable. You couldn’t help but remember every moment of torture you had endured in the dollhouse. You wanted nothing more than to rip every thing off the walls, get rid of every item that was laid on your desk, rip each and every book off the shelves, but you didn’t. What you didn’t realize as you stared at your no longer comfort zone, was that Jason was behind you, assessing your every move. He wanted to say something, but he didn’t wanna scare you, he also didn’t wanna approach you just in case you flinched away. So, instead he knocked on your already open door.

You turned around to see him leaning against the door frame. In the dark you weren’t really able to see him, but now, in the dim light of your room, you got a good look at him. He looked different, his hair was tousled and you could see the puffiness of his eyes. You walked up to him and put your hand on his cheek, circling your thumb over it. He leaned into your touch, staring into your eyes.

“You don’t mind if I stay, do you?” He asked softly.

“Of course not,” You said, “I feel safer when you’re here.” You confessed. He grabbed the hand that was on his face and pulled it away so he was now holding your hand. He stepped inside your room and closed the door. He pulled you over to the bed, lying down first and pulling you on top of him. You cuddled into his chest, grasping his shirt into your hands.

You knew the moment was entirely chaste right now but you couldn’t help but feel a burning feeling for him. You haven’t been able to entirely feel him in three weeks, you missed the moments when he would lather your entire body with soft kisses, leaving marks where only he could see.

You pulled your head up from his chest and sat up straight on his lap, looking into his sea green eyes. You planted your hands on his lower torso, just above the waistband of his pants. He looked into your eyes, searching for what was going through your head in this exact moment. His question was answered when you leaned in and kissed him, your hands running down his body.

He put his hands on your face pulling you away momentarily, “As much as I’d like to, are you sure you want to?” He asked, pushing the lose strands of hair behind your ear.

“Yes, I’m sure. I need to feel you.” You answered desperately, putting your hands under his shirt. He sighed at the feeling of your hands on his skin. You leaned back down, kissing him harder. His hands found their way to your hips, squeezing slightly. You moaned into the kiss as he sat up, the friction making you ache for him. You broke the kiss, tugging at his shirt. He assisted you on taking it off, giving you full view of his body.

He flipped you over on your back, hovering over you as blonde strands of his hair dangled above your face. You traced one of your fingers down his abdomen, making his shiver. He grabbed your hands and pinned them to the sides of your head, but not forcing them to stay there. You knew if you asked him to be rough with you, he would say no, in fear of hurting you, so you didn’t ask.

He planted kisses down your throat, sucking at the one spot he knew would get a reaction out of you. You whimpered, fidgeting beneath him. He smirked into your neck, putting his hands under your sweater, just resting beneath your bra. He pulled your sweater over your head and tossed it on the floor. He began kissing all the way down your body, from your collarbone, to your chest, all the way down to your abdomen, stopping when he reaches your the waistband of your cotton shorts. He looked up at you for permission, when you nod he pulls them down and tosses them on the floor by your previously discarded sweater.

He hovers over you, running his hands all over your body, making you whine for him to touch you. His hand slides down to your thigh, rubbing circles with his thumb just before he slides it further up. His fingers trace over your underwear, putting the tips of his fingers in to pull them completely off, making you feel slightly insecure under his gaze. He somehow senses your fears and kisses you with so much passion and neediness that you think you’ll implode.

“You’re beautiful, so beautiful.” He mumbles, snaking his hands behind your back to unclasp your bra and disregard it with the rest of your clothes. Your completely vulnerable beneath him and he knows it.

You shiver as his hands trail from beneath your back and down your waist and hips.

“Jase.” You whine, clenching against nothing. He knows what you want and he knows exactly how to give it to you. He wasn’t going to deprive you now. He trails his fingers down your thighs, all the way down your legs and stops as he reaches your ankles. You let out a shaky breath, trying not to unravel completely.

He throws your legs over his shoulders, holding down on to your hips, pushing you into the mattress to keep you from moving. In one swift movement, he attached his mouth to your clit, sucking harshly. You moaned his name, tugging at his hair. You attempted to squeeze your thighs together but his hands kept you pried open.

You loved the way his muscles tensed as he wrapped his arms around your legs, holding you in place. It just turned you on that much more. He always noticed the “sneaky” glances you’d take at him, though he’d never admit it to you.

“Jase, please.” You begged, wanting to feel all of him. He seemed to understand what you meant as his mouth left your clit. You sighed, the sudden emptiness leaving you desperate for something more. He let go over your legs, hovering back over you. You pushed the blonde strands of hair out of his face and pulled him into a needy kiss. You hands trailed from his face to the waist band of his sweatpants. You were quick to untie the strings, tugging his pants down. He assited you, pulling them down the rest of the way. He reacted quick, grinding into you desperately. You whimpered at the sudden friction, feeling yourself getting wetter.

“Don’t tease.” You mumbled, almost incoherently. He chuckled at your neediness, loving how he got you all riled up underneath him. You put the tips of your fingers in his boxers, pulling them down. You really did not want to waste any time.

“Someones a little desperate.” He joked, watching your every movement. You looked at him as you rolled your eyes. He leaned his forhead against yours, searching your eyes for any sense of regret. But the only thing he saw was love. He kissed you passionately as he pushed into you. You moaned into his mouth, the sudden feeling of being stretched out hurting you ever so slightly. He was doing his best to go easy on you, making sure you were comfortable the whole time. Usuaully, you would protest against the delicacy, but this was different. You were making love, not fucking.

He thrusted in and out of you at a steady pace, his hands were in your hair, keeping his lips attached to yours the entire time. You could tell he was resisting the urge to go faster, you knew it wouldn’t be the only time he walked on eggshells around you. As tired and bruised up from the dollhouse as you were, you needed him to go faster.

“Jason, go faster.” You whined, wrapping your arms around his neck tightly.

“I don’t wanna hurt you.” He mumbled, maintaining his steady but slightly wavering pace.

“You won’t, I promise.” You assured, bucking your hips upword, trying to get as much of him in you as possible. He looked at you for any sign of reluctance, but was met with none. He started moving in you faster.

“Jason.” You moaned his name, turning him on more. He got quicker, more rapid, as he thrust in and out of you. You closed your eyes tightly, sighing at the overwhelming pleasure. You felt your walls tightening, you knew you were close. You whimpered, feeling yourself ready to completely fall apart beneath him.

“Shh, just let go.” He whispered in your ear, making you shudder. You felt your body giving into him, you couldn’t hold it in anymore. You came around him, causing him to groan in your ear. His thrusts began wavering, clearly chasing his own release. You noticed he was about to pull out, but you put your hands on his biceps to stop him.

“Don’t.” You pleaded, you knew it was risky, but you really wanted to feel all of him.

“You sure?” He asked, uncertainty in his eyes. You put your arms around his neck and nodded, looking at him with doe eyes. He pushed into you a few more times before he came inside of you, burying his head into your neck as he did.

You put hands in his hair, twisting the strands around between your fingers. You were both a panting mess against each other, your hair was messy, lip gloss smudged, him leaking out of you. Every minute, and every second of it was perfect.

Soo, this is my first imagine, so I hope you like it. I'm not familiar with writing smut, so if there's anything I can do to fix it, lmk! I write stories on Wattpad, and I'm currently in the process in writing a Jason fic and Derek Hale. They're not published yet, but once they get to at least twenty chapters I'm going to post it.

[tmlwattpad19]

Another “currently thing”… I think I’m gonna make these a series. Anyway…

Currently thinking about writing a story/series about Veronica Hastings x Reader, where reader has had a crush on Mrs. Hastings since high school. They don’t do anything until the friends are graduated from college…

I don’t even want to elaborate anymore because I think it will spoil my ideas but…

Let me know what y’all think. Any additional information/concerns/comments/brainstorming ideas.

[prettylittleliarsstuff]

Hanna: Is she going to be ok?

Spencer: Yes, just keep applying pressure

Hanna, leaning in closer to Y/n: If you die, Aria and I will have no supervision

Spencer: Not like that!

Hanna: It's true!