#hanging scroll

[lionofchaeronea]

Pine, Plum, and Cranes, Shen Quan, 1759

[crazyfox-archives]

A painted image of the wrathful deity of love and attraction Aizen Myōō (愛染明王) dating to the 12th century (hanging scroll, ink & colors on silk from the collection of the Nara National Museum)

Una imagen pintada de la deidad iracunda del amor y la atracción Aizen Myōō (愛染明王) que data del siglo XII (rollo colgante, tinta y colores sobre seda de la colección del Museo Nacional de Nara)

[themuseumwithoutwalls]

MWW Artwork of the Day (10/12/24) Zhu Zhanji (Emperor Xuanzong)(Chinese, 1399-1435) Three Yang [Goats], an Auspicious Start (to the New Year)(1429) Hanging scroll, ink & colors on paper, 211.6 x 142.5 cm. National Palace Museum, Taipei

In this ink painting with light colors from the fourth year of Xuanzong's reign (1429) are a ewe and two lambs with a background of bamboo, rocks, and camellias. The subject of three goats is a homophone for "Three Yang, an Auspicious Start to the New Year." This title comes from the Book of Changes, which consists of 64 hexagram (six-line) combinations of trigrams (three-line symbols). The eleventh hexagram translates literally as "Earth (and) Heavens (at) Peace" and is represented by the symbol. With the three lines of qian (yang) below and three of kun (yin) above unified and harmoniously connected, it symbolizes peace throughout the heavens and earth.

[arthistoryanimalia]

For #WorldLemurDay:

Giuseppe Castiglione (Italian, 1688-1766) Cochin Lemur, 1761 Qing Dynasty, China Hanging scroll, ink & colors on silk 109.8 x 84.7cm National Palace Museum, Tapei

Lemurs are of course not native to China, but rather endemic to Madagascar. This one was given to the Qianlong Emperor by the King of Vietnam, who likely got it from European traders. It was then painted by Castiglione, an Italian Jesuit missionary who served as an artist in the Chinese imperial court. The background was likely painted by Jin Tingbiao (Chinese, d. 1767). A truly international history!

🆔 Castiglione’s lemur is easily identifiable as a Ring-Tailed Lemur (Lemur catta), but note the level of morphological detail - he included the antebrachial gland on the forearm (used for scent marking), and the tail appears to have suffered some loss at the tip.

[arinewman7]

Auspicious Roe Deer

Giuseppe Castiglione

hanging scroll, ink and colors on silk, after 1751

[nancydrewwouldnever]

Katsushika Hokusai, Woman Looking at Herself in a Mirror, ca. 1805, pigment/silk (Museum of Fine Arts, Boston)

[the-cricket-chirps]

Womb Realm (garbhakosa-dhatu or taizokai) mandala

Hanging scroll, colors on silk, Shingon tantric buddhist school, Heian period (794-1185), To-ji, Kyoto, Japan. Japanese National Treasure.

9th century

[thegoblinwitch]

Kobayashi Eitaku, Izanami and Izanagi Creating the Japanese Islands, 1885, hanging scroll: ink and colour on silk, 126 x 54.6 cm, Museum of Fine Arts, Boston.

[bonguri]

20240113 Ensyu area 8 by Bong Grit Via Flickr: 移動して豊田佐吉記念館。復元された生家の床の間には秋葉神社の掛け軸。 @Sakichi Toyoda Memorial Museum, Kosai city, Shizuoka pref.（静岡県湖西市 豊田佐吉記念館）

[horses-in-art-history]

A hanging scroll by Watanabe Kazan 渡辺崋山after Ike Taiga’s Horse Market in a Mountain Village. Early 19th century. Ink and colour on paper.

(Picture source)

[lionofchaeronea]

Title: Bamboo and Rocks Artist: Zheng Xie (Chinese, 1693-1766) Date: ca. 1760 (Qing Dynasty) Genre: bamboo painting Medium: hanging scroll (ink on paper) Dimensions: 172 cm (67.8 in) high x 99.4 cm (39.2 in) wide Location: Minneapolis Institute of Art

[crazyfox-archives]

A painted image of the goddess Dakiniten (荼枳尼天), invoked generally for prosperity and fecundity (undated hanging scroll, colors and gold on silk)

Una imagen pintada de la diosa Dakiniten (荼枳尼天), invocada generalmente por la prosperidad y la fecundidad (rollo colgante sin fecha, colores y oro sobre seda)

[sliogan-ach]

李公年, 冬景山水图.

Li Gongnian, Winter Landscape (detail). 12th century. 129.6 x 48.3 cm. (51 x 19 in.), Song Dynasty.

[arthistoryanimalia]

Happy #WorldAnimalDay!

Suzuki Kiitsu (1796 - 1858) One Hundred Birds and One Hundred Animals Japan, Edo period, 1843 pair of hanging scrolls; ink, color, & gold pigment on silk From “The Life of Animals in Japanese Art” exhibition at National Gallery of Art (2019)

“Native birds and animals appear alongside an elephant, a camel, and other exotic species. A mythical phoenix perches on the mountain in the scroll at right, while a kirin flies through clouds in the one at left. A sacred animal with the horns of a dragon and the legs of a deer, the kirin is said to materialize when saints or benevolent rulers appear. With real and fantastic creatures coexisting in harmony amid blossoming plants from all four seasons, these scrolls suggest a Buddhist paradise.”

[bearbench-img]

カケジク

掛け軸は、日本伝統の美術工芸品の一つで、絵画や書などを長方形の布や紙に描き、巻物のように巻いて収納できるようにしたものです。一般的に、木製の軸に巻いて飾ることから「掛け軸」と呼ばれています。 掛け軸は、その用途によって様々な種類があります。仏画や尊像を描いたものは仏事や法要などで使われ、書や日本画などは季節や祝い事などに合わせて飾られます。また、掛け軸は部屋の装飾品としても使われ、部屋の雰囲気や季節感を演出する役割も果たしています。 掛け軸は、その制作に様々な技術や工夫が凝らされています。絵画や書を描くだけでなく、絵や文字を囲む装飾的な枠線や、絵の余白を埋める余白絵（よはえ）、絵や書を引き立てるような模様や色合いの布や紙の選択など、総合芸術的な要素も持っています。

手抜きイラスト集

[angelkarafilli]

Landscape in the Style of Fan Kuan

Metropolitan Museum of Art Terms and Conditions