#halloween (aftermath)

[wolfstar111888]

Halloween last night really gave me a headache.

[alterkrystal]

How did Booping go for you guys on Tumblr?

For a first year of participation I must say I’m impressed.

-u-

[palatinewolfsblog]

The Pumpkin Train (with thanks to my old Travel Companion @nobeerreviews ;) )

and kind regards to my dear Friends @aubriestar

@rubenesque-dollyd-93

@justbeneath-thesurface2 @kittysparkles23 @maeganbobaegan @marcia2024 @underthewingsofthblackeagle

all of them unique but all together make this world a better place! You rock!

[easy-revenge]

ladies and gentlemen, welcome to the stage: monsieur lestat de lioncourt

[skylertheghost]

When your in that weird age group where your too young to remember more classic internet era memes and old YouTubers like Smosh or whatever, but your also old enough were you weren’t an iPad baby obsessed with skibidi toilet and rainbow friends

Anyway I grew up (sorta? Is grew up the right term?) with Dantdm, game theory, fnaf, undertale, BATIM, little nightmares, cuphead, baldi’s basic, slenderman Roblox games like survive the natural disasters, royale high, bake a cake, epic mini games, minecraft, animal jam, subway surfers, diary of a wimpy kid, Tom gates, 13th story tree house, captain underpants, that dog comic that was made by the same guy as captain underpants, Gacha life, animation memes, vine, ASDFmovie, nyancat, epic face, tattletail, Annoying orange, ALL of the story time animators and a lot more I’m forgetting. Anyway I’m glad I wasn’t a iPad baby lmfao.

[jurassicsickfics]

Sickfic and Hurt/Comfort Situations for a Visit to a Haunted House😰🤡👻🧟‍♀️🎃:

Sickfic Situations:

1. The lovely, classic, nervous stomach has so much potential here. Character could get butterflies in their tummy and mistake it for nausea, causing panic, or vice versa. They think they're only nervous but are, in fact, nauseous. Maybe character ate too much right beforehand, and the adrenaline makes them barf. Or how about a character who is recovering from a stomach bug being startled so badly by a scare actor that they mess themselves. And just think, a character with a cold trying desperately to stifle sneezes, coughs, and sniffles because they're in such close proximity with others in the attraction and are embarrassed of their illness. Maybe even a character becoming squeamish thanks to gorey props, or getting sneezy thanks to the smell of fog machines or having their nose tickled by one of those little stringy things that haunted attractions often hang from the ceiling. Just so many sickfic opportunities in haunted houses.

Hurt/Comfort Situations:

Well, these are nearly endless. The pep talks beforehand, frantic attempts at consolation during, and desperately trying to make it better with distractions and hugs in the aftermath. Characters bawling and wailing all the way through as caretaker tries to shut them up without being mean because other haunt goers are staring, and character's crying is making them even more of a target. Scared character holding onto their friend so tight it makes it hard for either of them to walk. Cuddles in the aftermath are amazing too, all the way into bedtime that night, when character needs to sleep with their friend because they're still spooked. Desperate attempts at distractions to quickly end aftermath crying are good too. Playing their favorite songs, offering food, hugs, trying to make them laugh...it's all amazing.

In conclusion, Haunted Houses are full of sickfic and hurt/comfort potential!

[decimalsheep]

I finally watched Bride of Halloween and I love Amuro content (even tho he was stuck in a box for most of the movie LOL) but it got me thinking about like. how so many of his friends died and i’m a sucker for fix-its so:

Time Travel!DCMK where Conan is thrown ten years into the past, right back to the day he met Akai at the beach. He’s bewildered and disbelieving but, quote, “When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” so he accepts his new reality and makes a plan accordingly.

At the beach he makes sure to cling stubbornly to Akai, refusing to let go and when they eventually leave the beach, Conan has a new number registered in his phone and a new pen pal buddy. Understanding that Conan is not as he appears, Akai agrees to send updates on his life occasionally (at first out of amusement and pics of whatever food he’s eating, later on asking Conan for advice on specific cases). 

At 9 years old, Conan begs his dad for tickets to Kuroba Toichi’s magic show in Tokyo. Yusaku, who is about 86% confident that his son is a time-traveler, agrees easily and may or may not have called the police for back up just in case. Because Conan doesn’t watch magic shows, time-traveler or not (if you don’t count Kid’s heists) and the poorly hidden desperation when he asked was more than enough of a hint that something was going to go down. Surprise surprise, the venue burns down, but this time Kuroba Toichi lives with some minor injuries. (The incident leaves his arm numb, and he feels that his days as Kaitou KID is running short - he decides to pass on the mantle to Kaito when he’s old enough)

At 10 years old, Conan bumps into Hagiwara Kenji at the park. It’s an incident he almost forgets about until he’s staring at the rest of the police academy students. It’s July, and Hagiwara dies in November. Conan doesn’t know the specifics, but when November rolls around, Hagiwara gains a watchful shadow. It’s when the serial bomber case appears on the news that he knows it’s time. 

There are officers at the entrance of the hotel stopping guests from entering, but Conan has never let that stop him before, so he runs, and runs and runs to the floor that Hagiwara is on. The timer is stopped, but Conan knows that it will explode regardless. He throws himself into the room, startling the occupants, and starts shouting.

“The bomb is going to explode!” he shouts and claws at the arm that tries to stop him from getting closer. “The bomber- he- it’s going to start again, Matsuda-san says it’s going to explode!” Hagiwara looks up at the commotion, radio in his hand. “What’s going on?” Matsuda snaps.

“It’s going to explode, the timer isn’t stopped!” The kid shouts, desperate and pleading. “You’re going to die!”

The kid looks straight at him when he says that. Unbidden, dread settles in his stomach, every single hair on end and the unshakable feeling that what the kid is saying is-

“Everybody out!” Hagiwara shouts - commands. “Down the hall, now!”

There’s a rush to get out the door and the kid falls to the ground in the process. He scoops him up and together they exit the hotel room. It’s as he’s turning into the hall that he hears the tell-tale sign of the timer turning back on, ticking down to their demise. The radio is left lying on the ground, Matsuda’s voice coming out loud and panicked.

The bomb explodes.

The force of the explosion sends him flying, curling his body around the kid so as to cushion him from the impact. There’s a ringing in his ears and his back hurts like a bitch, but with more distance from the bomb and several walls to take the brunt of the damage, everybody lives.

Matsuda definitely isn’t crying when he sees him coming alive out of the hotel. Life-threatening situation aside, he is so making fun of him for it in the future. Temporarily forgotten in the moment, a small boy slips away from the crowd.

A few days after his 11th birthday, Conan feels someone tailing him. He acts as if he doesn’t notice, fiddling with his phone. But as the crossing light starts flashing for an oncoming train, he bolts and takes off across the street. His tail startles and the chase begins. Using his smaller stature he zigzags through the alleys and streets, throwing himself into crowds in an effort to shake off whoever is following him. But they’re good, and persistent. He turns into an alley that he knows has a gap wide enough to fit only him from his time in the future/past. But he comes to a stop when he sees the construction going on and curses under his breath. 

A hand lands on his shoulder and he jolts, reaching for his tranquilizer watch that he got Agasa to remake, only to freeze when he sees who’s behind him.

“Oh, it’s just you Amuro-san,” he sighs, heart beating wildly but now calming down knowing he’s not in danger.

“Amuro-san?” Furuya Rei repeats, bemused, and shit he’s not Amuro yet.

He stutters out some random excuse about how he mistook him for someone and Amu-Furuya seems to let it go. But from that day on, he sees Furuya lurking in his peripherals. He never gets close, hovering from afar, but he’s there nonetheless. It’s not until Conan gets involved with a kidnapping incident does Furuya appear, kicking down the door and a wild look on his face. The rope leaves a burn on his wrists but he’s uninjured otherwise, still, Furuya treats him like he’ll break at a moments notice, carrying him with surprising softness. 

From that moment on, Furuya gets close. He’ll say hi if they run into each other (on the days it’s a coincidence) or help him out with whatever errand he’s on (if it’s not). Conan get’s the feeling that Furuya isn’t sure how to treat him. 

He asks him about it one day, when Hagiwara spots him across the street and drags him into a family restaurant, proclaiming that he’s “caught the kid.” At the table are seated several familiar faces, Furuya included.It’s apparently lunch to congratulate Furuya and Hiromitsu on their new promotion. Everybody at the table orders for him, saying something about how he saved Hagiwara’s life. Conan insists that he has no idea what they’re talking about, but they don’t seem to care, already three beers in on a Saturday afternoon. 

It leaves him and Furuya sitting together, who appears to be the chaperone for the day. 

“That day,” he starts, keeping his eyes on his glass of orange juice even as he feels Furuya’s gaze slide to him. “Why did you...”

Furuya stares at him, expression carefully controlled. “You’re... familiar,” he says slowly, looking away as Conan freezes at his words. “Somehow, I have the feeling that if it weren’t for you... that because you’re here, everything will be different.”

His eyes flash, grief and anguish and rage flickering before fading into a calm. “Everything will be okay,” he whispers and Conan isn’t sure if he was meant to hear that.

He’s 12 when he meets up with Sera to watch the new Gojira movie, having become close friends with her since the day at the beach, forming a tight knit group of four along with Ran and Sonoko. The other two aren’t there that day, saying they’d rather go to the new cafe than watch a monster movie, so it’s just the two of them at the theaters.

At the train station where they’re about to head back home, he excuses himself to go to the restroom. On his way back out onto the platform, he bumps into someone.

“Shuu-nii?” he blurts (Sera had convinced him to call him that, and Akai hadn’t protested) and Akai blinks in surprise at seeing him. 

“Oh, are you here with Sera?” He asks, then glances at the ticket in his hand. “Then I’m assuming Sera actually does have money for a train ticket?”

They walk together back to the platform and he’s treated to yet another surprise when he sees Sera standing with Hiromitsu. Wait, he remembers Sera mentioning this-

“Hiro-san?” He asks innocently, plan forming in his head. He scoots closer to Akai so that they’re shoulder to shoulder, silently willing him to play along. “What are you doing here? Shouldn’t you be working?”

Hiromitsu looks up, surprised at first then apprehensive once he sees Akai next to him. At this point in time, Furuya, Hiromitsu, and Akai are all unaware of each other’s undercover status. In Hiromitsu’s view, Conan is currently standing next to a criminal. And in Akai’s view, Sera as well.

“I’m currently on a job,” Hiromitsu says pointedly, urging Conan to take the hint and not drop any important information, like the fact that he’s actually an undercover police officer. He knows Conan is smart, but today Conan is willfully obtuse.

“Where’s-” Furuya, he was going to ask, but suddenly he’s grabbed by the arm and dragged away from Akai. When he looks up, he sees a flash of blond hair under a baseball cap.

“It’s dangerous to be out so late at night,” Furuya says, smile tight and forced, even as his grip shifts into something more protective, his body standing in front of his as if to shield him from Akai’s view. He brightens up, bringing out his inner Ran.

“Rei-san!” He exclaims and beams up at him excitedly, doing his best to appear as innocent and friendly as he can. Sera and Akai are staring at him like he’s insane. Furuya and Hiro are staring at him the same way too. “It’s okay, I was with Shuu-nii.” 

“Shuu?” Furuya questions, eyebrow raised as Akai raises a hand to stop him from saying anything more.

“Yeah, Akai Shuichi! He’s like an older brother to me.”

“Oh? I could have sworn your name was Moroboshi.” 

“Surely you understand the importance of aliases. Right, Rei?”

“So how’s work going with the FBI, Shuu-nii?”

“Ignore him, he doesn’t know what he’s talking about-”

“What the fuck do you mean FBI-”

“And you too! Matsuda and Date and Hagiwara-san were complaining about how ever since you two got into PSB you were too busy to hang out-”

“What the fuck do you mean PSB-”

[starthesadcat]

Happy Halloween y'all!!!

Sorry for having to cover my face O-o

[cindergraves]

oc-tober day 18: swap

palette swap! something simple given how busy i've been

[capitalisticveins]

Wait it’s Erik’s birthday TODAY or yesterday?

[witchwardian]

Imagine hoping someone in your neighborhood is so set on a toddlers Halloween costume being a cartoon said toddler likely doesn't watch, and that they will remain sure for 364 days from now, and they'll pay you 300 bucks, and store this thing themselves for a full ass year.

[lucilassie]

Dance til you're dead 🎶 💀

[mackenziencheese]

madeline overgaard — tinieblas AU, @theaftermath-rpg

[theharker]

@theaftermath-rpg We are the GODDESS.

[hersweetrevenge]

i realised that what i love about halloween ends is that it does feel like the end, but more specifically, it feels like the aftermath.

halloween 2018 and halloween kills both take place on one adrenaline fueled night of violence and fear. there's no time (both for the characters and the audience) to stop or think or process what is happening on an emotional level.

but ends is different, ends has given everyone the time to absorb what has happened to them. in the cold light of day, haddonfield is full of hurt and traumatised people who have to find some way to cope. ends is the reality, the mundane and stark aftermath of terrible, bloody violence. because no matter what, there is always a morning after for the survivors.

ends is full of people who are not okay but whon are pretending to be okay. people who feel they will never move on from their trauma but wake up every day anyway. people who have lost control of their lives and try to regain that control in extreme ways.

laurie was traumatised and has spent 40 years of her life preparing for one night of violence, and then still lost her daughter. she tries so hard to pretend to be okay and to do right by allyson but she can't. she sees remnants of her trauma everywhere she looks, because she doesn't even remember what it's like to not be looking over her shoulder every minute of every day. she has to learn to let herself heal or else there is no coming back this time.

corey was traumatised and never allowed to heal from it. he was blamed for the cause of his trauma. things have never gone his way, and he feels like he's lost all control over his life. he's desperate to regain a semblance of control and that leads to violence, whether it was ingrained in him from the start or not, because that is the only way he does feel in control of his own pain and anger and all the things he's been forced to let simmer inside him for years.

allyson was traumatised and tries to give up control in order to protect herself. she disassociates and shuts down, she forms a parasocial affection for someone she thinks might understand but that she might never meet. her taking back control means acting impulsively, means disregarding the safety of monotony for a situation that could be dangerous, it means putting herself first for once even if it could get her hurt because even if she did get hurt, at least that would be her choice.

ends is a showdown in the sense that it is these characters' last chance. maybe their last chance to kill michael, sure, but also their last chance at saving for themselves, before they reach the point of no return. laurie and allyson manage it, but corey doesn't.

the tone in ends feels different, slower maybe, because that is life. because after all of the blood and guts, these characters had to go on living lives that they couldn't even connect to anymore.

[mundane404]

Halloween came to an end and they're on their way home.