#halfway into belobog

[franeridan]

mihoyo really will be like here is this whole cast of characters dozens upon dozens a good bunch of which especially strong and useful you can have whichever you want as long as you roll for them and I'll really be like thanks I think I'll fixate on that one free to play dude you dropped in my hands at the very beginning of the game every single time

[sunderingstars]

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mr. cold feet’s pop-up shop

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what the stars reveal: interpretative analysis, theory crafting, elation!sampo, sampo!sampo (??), lil bit of emanator!sampo & doll!sampo sprinkled in, list format turned waxing poetic, (as always), general befuddlement, op literally trying to think their way out of a paper bag, hijacked by mundanite assembly halfway through, yap class is now in session

word count: 13.5k 😀

overview: (as of 2.6) summarizing my thoughts on all seven days of sampo’s new shop event! i know i said i was “done” with sampo analysis but… i must…… talk about shiny new event………

sampo analysis masterlist

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My Main Takeaways

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— Each Curio exchange is potentially a chronology of his existence, beginning as a conceptual something floating out in the ether, then being “created,” caught, or tethered to a specific form, all the way through his experiences with Aha and the Elation.

— Otherwise, I feel these “Curios” may be stand-ins for things he has created himself or been in the vicinity of at some point. In some way, they likely say something specific about his identity and backstory.

— Mentions of both “Diogenes” and “Icarus” link him to other forms of mythology.

— Sampo does not make money from this event; instead, we the player and Trailblazer do (similar to his mythological function).

— Mentions of the Tavern and several specifically Elation-aligned factions or beings.

— Doubling down on the function of the mythological Sampo and its narrative, including lines from the Kalevala itself!

— These different Curios, if not chronological, may instead be alluding to Aha’s “collection” of masks and items seen in Their splash art. this would place Sampo closer in proximity to Aha Themself, if not being Them, since he would be in the position of the one “collecting” or marketing these items. There is also a chance that Sampo, as per his function, was used by Aha to create the equivalent of these Curios, putting him in that strange “creator but also created” purgatory!

— (The name of the event also emphasizes the “Mr. Cold Feet” moniker, which I’ve talked about in my “Notable Topics” post as being synonymous with his uncanny ability to back out and rethink things he doesn’t want to be a part of. The “pop-up shop” itself is also temporary, which may be hinting at the fact that his identity as Sampo on Belobog may, itself, be a kind of temporary “pop-up event” in the grand scheme of his life.)

— Most confusing conversations and backtracking could be explained by Aha’s “secret” and the idea Sampo can’t say certain things about his identity. Thus, he may have to abruptly distance himself from the Curios in conversation if he feels he’s getting too close to “revealing the truth.”

— The event itself might also be a cry for help to us, the player; maybe he knows there are some things we understand that the Trailblazer doesn’t, such as the names of the achievements on the processing screen. He is trying his best to reach somebody :((

— Every day has two phrases repeated in the flavor text for each Curio: “One-of-a-Kind Curio” and “Collectible and Value-Preserving.” I have a feeling these lines not only refer to the literal objects involved, but Sampo himself. This falls in line with Doll Theory quite well (as Sampo being yet another doll would place him as “collectible” but his potential Emanator or favored status within the Elation could market him as being “one-of-a-kind,” likely due to his Sampo-like nature of being “value-preserving”), but it could also mean any number of things, from a purely Emanator!Sampo to Sampo who was created by a being other than Aha — anything that positions him as “valuable” or akin to an object himself is viable for this interpretation.

— Additionally, I’m not sure how his mask factors into all this — it’s a bit unclear if he even has it back yet, and I can’t find anything in the event that might allude to it. Masks don’t seem to be explicitly mentioned in any way; it must be important to him, so it’s a bit of a head scratcher as to why he doesn’t seem to be talking about it (aside from the whole “secret” thing). If anyone has any ideas, please feel free to let me know, I’d love to hear them!

— Despite the length of this analysis, it’s by no means meant to cover every single possibility; so much of Sampo’s character is up to interpretation, so the theory scene is wide open. I’d love to hear any alternate interpretations you guys have in the comments/reblogs!

Update: Due to new information gleaned from Mundanite Assembly (Unknowable Domain), I believe the pop-up event can have an extra chronological interpretation — Sampo as an elemental force drifting through the ether before being captured and harnessed into a singular form (likely mechanical in nature), then used for increasingly dangerous experiments before, through a series of honestly exhaustive events, finding himself puppeted around for a joke at the Tavern.

I do believe this only leads up to day four or five of the pop-up shop, with days six and seven being interpretative of the time after. (And what Sampo is doing now in the present day, trying to figure out the key to his existence and his past.) This is a tentative theory, but I still wanted to include it. I’ll link my Mundanite Assembly analysis here when I post it!

Another Update: While some of this pop-up event may be referencing events in Mundanite Assembly like day three and its themes of being “stolen from the heavens,” I also think some of it, like the references to toys and especially the last day of trying to understand “past and present lives,” are meant to symbolize recent events, such as his experiences with Elation and his current situation. There’s the possibility that Doll theories and Emanator theories would work in this ��gap” — or the time between the end of “Windup World” (around day four) and the “present” (day seven).

When talking about Mundanite Assembly, I will be operating under the assumption that the “you” perspective is Sampo, and addressing him accordingly.

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Day 1

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— He “missed us dearly,” which is really sweet! :,)

— He immediately addresses himself as “Old Sampo,” bringing both his name and its associations to the forefront before specifically introducing us to something that “won’t make money” — aka something that we will profit off of and he “won’t,” turning our basic items into rewards like his mythological counterpart.

— He also links this venture to the idea of “fun,” putting his pursuits in the orbit of Elation. I’m inclined to take his word on it, which brings up the question: How does he feel about his “function”? It’s something he seems to be aware of, but is it something he enjoys? Did he give himself the name “Sampo” simply because of what he likes to do, or was it always an immutable part of him, some unavoidable truth he attempts to claim as his own — to exercise his own kind of “Elation” alongside it — so that it wears on him less? Basically, what came first: the name or the action? Is he Sampo because he produces wealth, or does he produce wealth because he is Sampo? Interesting stuff to think about!

— He was lonely… :(((((((((((

— This does put his trip to Penacony in perspective, though: if we assume he’s telling the truth (or at least part of it) here, then his run-ins with certain characters make more sense. He may have used getting his mask back as both a way to accomplish a goal (helping Belobog) and to speak to someone he maybe hadn’t spoken to in a while. Although Sampo does seem to be exasperated by Sparkle and the rest of the Fools quite often, he also seems to harbor a sort of fondness for them. There’s also the possibility he knows other people on Penacony that he wanted to talk to.

— Boothill’s Emanator run-in is also looking more viable here, as a genuinely “lonely” Sampo feels like more of a recipe for a drunken confession of identity! In fact, with some of my interpretations from this event, I could see Sampo and Boothill having quite a bit in common, especially in the vein of just wanting someone to have a good drink with and genuinely talk to.

— Sampo & Boothill underrated friendship for the win! 💪

— I feel like his talk of the meme crate is twofold: one, it is a very real item, and two, it may also be something he uses as a way to talk about himself in a roundabout way, much like the Curios during the rest of the event.

— The timeframe of “eight years” gives us a good benchmark; we now know he’s been on Belobog for at least eight years, and the way he references the crate as being “hidden right here in the Belobogian snow fields!” (coincidentally right where we first meet him in the game) can also be interpreted as a reference to himself. Both he and the crate have been here for at least eight years, with Sampo likely being here longer and simply finding the crate eight years ago. Both he and the crate are implied to have been “hiding in plain sight,” so to speak, and the way he backtracks to ask “so how many years would it be now?” makes me think he really is referring to himself. To me, it very much reads as a genuine attempt to remember how long he’s been on Belobog exactly.

— It also almost implies that for much of that time, Sampo wasn’t near civilization, or at least a part of it. There’s a lonely quality to the crate being left out in those fields all alone for so long, and if it’s meant to mirror Sampo’s journey there’s a chance he was out there all alone for some time as well. :((

— Also, the “meme crate” is specific, and may be alluding to Sampo himself as a creation or otherwise “memetic” entity (which honestly, branches off into a lot of different possibilities).

— Additionally, when he says “after Jarilo-VI returned to the silver rail, I got to know several friends beyond the sky” it seems to have a… weird quality to it. It might just be me, but I feel like this is one of his signature “technically true but not quite” lines — the implication for the Trailblazer is that, just like everyone else on Jarilo-VI, Sampo did not have access at all beyond the planet, and so once that access was gained he began connecting with the rest of the universe like everyone else. However, Sampo doesn’t specify this. He doesn’t say he made his first friends beyond the sky, he doesn’t say he rejoined the universe like everyone else. He words it in a way that isn’t technically dishonest, but that carefully leaves out key details — Jarilo-VI returned to the silver rail, not him; he made several friends beyond the sky, but he doesn’t mention whether he already had other friends out there, or if he was simply reconnecting with former acquaintances. It feels very intentional, and man do I find it interesting! 

— Again, we get some pretty heavy references to the mythological Sampo, with him detailing how he won’t make any money from the event but it will be a “golden money-making opportunity” for us. Here, he doesn’t seem discontented with what he’s doing — in fact, he proposes the idea to us. Aside from the fact he may have to carry out these kinds of transactions to survive or stay alive, it really does come across as something he wants to do — or at least is okay with doing — than something he dislikes. (Or maybe we’re just special and he likes us!)

— Lastly, when he mentions “the tiring, dirty work will be outsourced to robots” I’m not super sure how to feel. On one hand, he could be speaking as a creation himself, ironically going further down the ladder to use those below him as a means to accomplish what he accomplishes for whoever is above him; this would fit with the “dual” nature of many of his remarks, as I do think many of them don’t just refer to what he’s talking about, but also himself. On the other hand, he could simply be speaking from the perspective of a creator, of someone who doesn’t necessarily have a similar function to the robots but just… wants them to take care of things for him. 

— It could even be both if we’re talking about Emanator!Sampo, stuck in this purgatory between using others and being used. Perhaps he is in the “creator” role overseeing these robots while also being in the “created” role under an Aeon at the same time.

— I also feel like this might be a reference to Aha Stuffed Toys — I’ve made a few connections before between the idea of “mass-produced” dolls or playthings from the Aha Stuffed Toy occurrence and the “intact masks” from the Ship of Fools occurrence. If these dolls and masks are one and the same, then the robots Sampo mentions here fill a similar role to the stuffed toys: doing the work Aha doesn’t want to do, taking the brunt of pain and effort so another doesn’t have to.

— We start off with wind, Sampo’s signature element (very fitting!).

— “The Fluid, the Myth, the Legend” is a fun twist on “the man, the myth, the legend” that takes a specific approach to setting Sampo apart from the idea of “man” or any other solidly definable means of mortality. It also gives him a somewhat mysterious, godlike quality, as “myths” and “legends” often have to do with those who are powerful or divine. Also, it’s a nice reference to the mythological Sampo!

— If we take this to have a double meaning for his identity, then the name may be alluding to either his “core” or “base trait” — like the fluidity of a higher being, his element of wind, or even the intangible concept of Elation — or a more literal time in chronology where he was not yet made into form.

— “Give yourself the chance to experience the wonders of controlling an ideal fluid” may point towards his backstory, with something or someone potentially trying to “control” him in his more fluid or conceptual state. Since it’s followed up by a “(Just kidding!)” it seems this attempt at control may not have been successful, or it may just be another way for Sampo to get his Elation in through the event!

— On the Aha side of things, this “fluid” could be a reference to someone or something that is part of Aha’s collection. For this, either Sampo would have to be Aha or part of them somehow, or simply used by Them to create these things!

— I also like how Sampo tries to talk Silver Wolf down from leaving a negative review — although it does seem a bit desperate at the end? If Sampo’s function is being a businessman in a specifically mythologically-relevant niche, then perhaps negative reviews have some kind of deeper effect on him, anywhere from mild discomfort or unease to even pain. Or not, and he just wants his stuff to sell!

— He also gives us a joke afterwards, and even though he says “it’s just a joke,” I feel like it might mean something more. As much as Sampo aligns himself with the Elation, he also has nuanced opinions about it, the kind that go far beyond making simple Masked-Fools-type jokes.

— Even if the “joke” itself is absurd, I still feel like it points towards something about him as a character. “The world brims with narcissistic wisdom. Only a fool knows that they’re all a joke.”

— We can take this two ways: one, Sampo is recounting a joke he’s heard (likely from the Masked Fools) but doesn’t agree with, and two, Sampo is telling a joke he does agree with.

— If he doesn’t agree, he may be trying to put a sort of ironic twist on the way the Fools view things; he recounts the joke to us and says “it’s just a joke” when we express confusion to highlight how contradictory the Fools are — it’s not just that they like telling jokes, but (as Sampo mentions later in the event), they only seem to care about themselves and their own laughter, not the enjoyment or understanding of others.

— If he does agree with the joke, he’s at least expressing a deeper sense of absurdism, something picked up from his time with the Elation that likely offsets despair or pure Nihility when it threatens to consume him. It also reminds me of how close the Elation and Nihility are in concept; the main distinguishing factor is their presentation. (Perhaps Sampo, as someone aligned with both Paths, is trying to express this as well.)

— Or, it’s like he says, and it really is all just a joke. You never can tell with this man!

— Also, his little box is really cute! It’s color-coordinated with a signature rose and even a sticker of Gepard’s drawing! I’m just very emotional about this. He made it his own. ♡

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Day 2

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— Specific mention of “meme catalysis” — yet another reference to memes and intangible or created beings.

— “A fire that provokes profundity” is a very specific phrase as well; I’ve already made some speculation as to his relationship with Erudition, since it seems to pop up quite a bit in his related Simulated Universe occurrences (and to be honest, this new Unknowable Domain content has made me do a double take with how much experimentation and creation is going on in the search for knowledge). I feel like, if this is meant to say something about his identity, this phrase would put Sampo in orbit with the Erudition, since it directly contains a reference to gaining knowledge.

— (Note: “Liquid Flame” reminds me of “Dousing Flames” from Mundanite Assembly!)

— “Liquid Flame in Void” carries across similar ideas as the last day — immateriality and pure substance — although this time it is beginning to occupy a more specific niche. Instead of a mythological “fluid,” we have now stepped into “liquid flame,” something more specific in both name and place. No longer is it vaguely floating in the ether, but it directly resides in the “void.” Overall, it’s a more vivid picture than the last.

— Chronologically, I would interpret this as Sampo’s more “ethereal” and original form (whether Aeonic, elemental, or conceptual in nature) growing more distinct, leaving behind his formless existence to become something… more.

— Additionally, despite the reference to knowledge (and by extension, Erudition) earlier, this feels much more Nihility-aligned to me. “If you gaze long into an abyss, the abyss also gazes into you” feels like a direct reference to the abyss of IX, although i’m not sure if IX is the type to “gaze” at all.

— (It also links to “Dousing Flames (II),” where the imagery surrounding the Perpetual Motion Project very much reminds me of IX’s Nihility “boundary” (as seen in Acheron’s burst).)

— This could mean several things to me: one, it could simply be alluding to Sampo’s affiliation with Nihility since that is his playable Path; two, it could be indicative of a chronological time where he was alone, abandoned, or hopeless, simply left to stare into a void until he gained some sort of enlightenment (Path-related or otherwise) — for Doll!Sampo or other creation theories, this would likely be when he was physically abandoned on Belobog for a long time; three, it could be another reference to one of Aha’s “collectibles” They or Sampo made; or four, it could be link to some sort of “origin” for Sampo within space, where his slowly-forming self had nothing but the void for company. Or, hell, it could even be some combination of all four!

— “(There is no such function!)” feels contradictory, but that seems to be a running theme so far. All of the parenthesis are Elation-aligned jokes, which may or may not be true. In fact, they may only even be there to mess with us!

— Sampo also seems to refer to something specific in his comment — “there are all kinds of Curios out there,” mirroring both the variety of event items and Aha’s own collection, and “even a bag of trash can have its own unique shine,” which feels like it’s about him specifically. While Belobog itself surely qualifies for these statements as well, it seems that Sampo may be referring to himself from two steps and a third-person point of view away (as he so often loves to do). In this case, “all kinds of Curios” could be a reference to Aha’s splash art collection (and the “collection” of potential dolls in Ship of Fools) and the “bag of trash” could be a reference to Sampo’s specific position within that collection.

— Generally, I take this to mean Sampo is speaking about how he, despite being abandoned or otherwise considered “trash,” has found himself in a collection where he has his own “unique value.” In this case, him being in the proximity of Aha may have a silver lining or even wholesome implication — despite looking into the void, despite being discarded or seen as waste, there was at least one being in the universe who looked upon him and, devoid of shallow pity, saw the value at the core of his being. While it’s possible there may still be a twisted, cruel sort of irony going on, there’s also just as much of a chance that Aha or the Fools have nurtured Sampo in a way he never has been before.

A Note:

— As you may have noticed, I’ve already started to amend my timeline a bit — for those who have read my other posts, especially Doll Theory, I posited Sampo as having a “creation to abandonment to hatred” timeline, but after this event I feel there are some additions and changes to be made.

— If the items in this event are to be taken chronologically, then it’s likely Sampo had a period of “manifestation” or formless existence, then isolation or abandonment, then being stolen or trapped, then created and used before eventually endeavoring to find out, put simply, what the hell is going on.

— It’s possible that I’m misreading the items in the event and they aren’t meant to symbolize Sampo at all, but a few things like being “stolen” line up neatly with Sampo’s mythological counterpart, so I’m willing to consider it an option.

— Moving forward, Sampo says a few key phrases, namely “red and fiery” and “a lucky portent” — the red matches with his jacket color, fiery may allude to his temperament (as mentioned through his “hot-blooded past” later in the event) or even a specific state of being (fire, elemental, combustible, etc.), and “a lucky portent” relates to his function as the Sampo, bestowing wealth and, in a way, “luck” onto others.

— Additionally, if we are considering that Aha may be the one “stealing” Sampo (it certainly lines up with Their personality), this may reference the Aeon Themself scoping out candidates for a pet project or joke, where they are then intrigued by Sampo. “Portent” also ties in to the kind of “butterfly effect” way Aha operates, and they may have seen something greater within Sampo that he himself hadn’t seen. Either way, yoink!

— Next, Sampo directly mentions the Tavern — a shorthand way of referring to the World’s End Tavern operated by the Masked Fools — and surprisingly enough, links it specifically to the idea of storytelling. We get some good tidbits, like the fact he isn’t “all-knowing,” and that there are many stories that would be inconvenient to share.

— On one hand, this implies that whoever Sampo may be (whether he is an Aeon, an Emanator, or some non-mortal third option), he has blind spots. Depending on who exactly he is, this has different implications — for example, an Aeonic Sampo would basically be admitting Aeons (in general, since Nous is probably an exception) don’t know everything despite being at the top of the food chain, meaning they are still fallible; outsmarting them is near impossible but not entirely. Meanwhile, other Sampos may be trying to convey that although they are old and experienced and powerful, they aren’t the answer to everything; there are some things we still need to figure out ourselves.

— Additionally, the aspect of “convenience” could go several ways for me. Either he is genuinely so powerful that he can’t be bothered to tell us everything, he has knowledge of future events and doesn’t want to mess them up, or there is some sort of power above or within him that creates limitations — i.e. “inconveniences” — if he says certain things. Going back to some doll speculation and the idea of a “secret only Aha knows,” there’s a possibility that Sampo mentioning convenience is just a light way of alluding to the fact he can’t say or do certain things, either out of pure inability or the fear of what will happen to him if he does.

— Also, there’s the possibility he did some really fucked up stuff in his past and he doesn’t want to ruin his reputation with us, LOL.

— He mentions how the Tavern has a penchant for stories as well — especially how they “actively” seek those people out and how, apparently, the Trailblazer would be a prime candidate for the Elation in this regard. Beyond the fact this is another little hint at how the Elation (and Aha) tends to take a liking to the Trailblaze (and the Trailblazer), it also may say a little bit about how Sampo came to be there. Setting aside any kind of “stealing” or affiliation with Aha Themself, the Masked Fools tend to actively send invitations to those whose lives they find “interesting” — it’s possible that Sampo found himself the recipient of one of these invitations even if he was already with the Elation, as whatever his backstory is, I’m sure it’s going to be damn interesting!

— The last little bit of Sampo’s dialogue on day two focuses on the idea of “place,” namely the transporting and selling of goods from one place to another. Similarly to the “one man’s trash is another man’s treasure” idea going on in the liquid flame comments, there’s the implication here that items, goods, and potentially Sampo himself are all victims of circumstance — just because an item (or Sampo himself) may be considered useless or “trash” in one place, there are many other places that would consider it valuable.

— It also places Sampo as a “go-between,” neither created nor creator but simply a middleman ferrying all these things between places. It lines up a bit with the idea that Sampo, although potentially being stolen or taken by Aha, eventually found himself in a space where he had the freedom to move things from place to place rather than being the one being moved.

— Again with the reference to a “meme”… Sampo what are you trying to tell us…….

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Day 3

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— This seems as good a place as any to talk about the phrases that show up when you submit items!

— One: Cute little emoticons, kinda tech-aligned like Curio Hacker. All in all, a nice little touch!

— Two: “Cool Guys.” May be a simple indication of how Sampo tries to come across as a “cool guy” in most of our interactions, but could also be a reference to the achievement “Cool Guys Don’t Look At Explosions,” when you clear Simulated Universe with ten or more Blessings of Destruction. Since the text is cut off so early, I’m not sure if the achievement is actually meant to be referenced here, and admittedly the Destruction doesn’t quite fit in with everything Sampo-aligned so far. However, it could be a link to Sampo’s red, fiery, “hot-blooded” past, or to his “breaking” or destruction in mythology. Additionally, maybe the “hate” behind the “love” could also lead to Destruction. (Plus, the Clown’s Item “Cloud of Doubt” does have a door on fire….)

— Three: “Take It Easy, Icarus” is especially notable because it appears repeatedly in the flash of words. For one, it references an achievement of the same name where you fly a cycrane to “test the limits of its remote control range”. This seems directly Doll!Sampo-related — or at least Creation!Sampo-related — since the entire idea of the achievement is taking an automated object and setting it loose to see “just how far it can go”. Additionally, the “remote control range” sounds very similar to the idea of Aha “not being involved in the quality control process” when it comes to stuffed toys. It’s possible that Aha, either creating Sampo Themself or stealing him from another creator, set him loose upon the universe to see just how far he could go, just how far he could advance his awareness beyond what he was created to be. However, much like the cycrane, there is always an invisible wall to hit. (The achievement is also in the “Fathom the Unfathomable” category, which feels Erudition-aligned.)

— Additionally, the mention of “Icarus” himself creates a link to Greek mythology, with the implication being that Sampo may fill similar themes to this figure, like “over-ambition,” “alienation,” “impulsivity,” and “the consequences of breaking boundaries”. It’s also possible that Sampo, in his attempt to reveal the “truth” or manage the “hate” inside himself, may be flying too close to the sun when it comes to enemies — or “prey” — he sets his sights on. (i.e. if he is angry at a specific Aeon, even Aha Themself, he may be biting off a bit more than he can chew by setting them in his sights.)

— The mention of Icarus could be a kind of warning as well; an indication of someone, perhaps Sparkle or Boothill or a different person, trying to remind Sampo of how dangerous impulsivity and setting his sights too high can be. I can just see Boothill saying something like “take it easy, Icarus” to Sampo over drinks after Sampo explains what he’s planning.

— Four: “This must be a trap crea…” — my best guess is that this is meant to say something like “This must be a trap created by…” or something along those lines. I feel like this might also be a reference to something else in-game, but after searching through the wiki I just couldn’t find anything matching this specific wording. While it does link to Sampo’s “Trap” ability — something both relevant and pertinent to the discussion — I’m afraid the text for this phrase is too cut off to meaningfully find any reference (at least for me). :(

— However, the general idea of “this must be a trap” seems like it could be a part of Sampo’s inner monologue or general feelings about his situation. Perhaps he has misgivings about his affiliation with the Fools, Aha, or the Elation in general, or he could be referring to some other event in his backstory. Maybe it has something to do with “betrayal” or “abandonment,” or perhaps it’s simply what others think of him when they see him. Either way, the idea of a “trap” is very much at the center of this wall of text.

— Five: “Diogenes’ Utopia.” This is the achievement you get for going through all of Belobog’s trash cans, and yep, the relevancy to Sampo seems pretty obvious here. Not only is it in the Moment of Joy (Elation-aligned) category, but it directly connects to the idea of Belobog and Sampo himself being associated with trash and trashcans — in fact, one could even say Sampo views himself as the “trash” in the greater “trashcan” of Belobog! Because of this link, it seems to imply some kind of importance to getting to know Sampo, to looking beyond his exterior or the parts others see as “valueless” and finding the worth inside of him. To be loved is to be known, and all that. 

— Additionally, the mention of yet another Greek figure — Diogenes — is important as well. Not only was Diogenes known for founding cynicism (a lifestyle emphasizing self-sufficiency and, perhaps most notably, intentional rejection of luxury), he also rejected “manners” as a whole, often impressing the idea that “truth” and honesty was a virtue. 

— As for Sampo, I find this link quite interesting. It really makes me think about how, despite Sampo’s penchant for being a businessman, he willingly chooses to stay in Belobog, a place far-removed from the luxuries of the wider universe. Not just that, but although he often obscures or leaves out important details of the truth, he never seems to outright lie. With how Tatalov shook out on Penacony, “truth” and the revealing of it seems important to him as well. (He also mentions that he has nothing to hide later in this same event.)

— It also many be referring to Belobog as a “utopia” for someone like Diogenes, since so much of the planet has returned to the “simplicity of nature” through being cut off from the wider universe.

— Overall, there’s quite a bit of references to Greek figures, and well as implications of both conceptual and material themes. All together, it seems to paint a picture of Sampo as someone who, on a personal level (and despite the way he comes across on the outside), prioritizes truth, ambition, and finding value in unlikely places. It also implies that, on an identity level, he may be someone who isn’t entirely human — a creation, perhaps even technological or otherwise — who has been tossed aside from one place only to be found valuable in another, and additionally who may have been “set loose” to explore the limits of his existence.

— These could have slight alterations, of course, like Sampo not being “set loose” by any one party but rather trying to find his limitations on his own, or being found “valuable” in Belobog’s Undercity as opposed to the Elation itself, but I think the core ideas still stand.

— “High Voltage Stolen From Heavens” is very interesting to me because of one word: stolen. (Well, it also occurs to me that “high voltage” implies the fluid-turned-flame eventually snapped into existence, and was likely taken from that “electrical” form, and that “heavens” implies either space itself or another Aeon, but I digress.) “Stolen” sticks out to me so much because the mythological Sampo has quite a bit of conflict surrounding it, including being “stolen” (several times, if I remember correctly). 

— This fits neatly into a mythological interpretation of Sampo’s character, implying that from whatever form (material or otherwise) he originated in, he was then stolen by another party in-universe. My tendency is to say Aha was the one doing the stealing, as Sampo is currently affiliated with the Elation and it just seems like something Aha would do. The main question now is: From who? Again, Sampo’s identity itself is the main question. (Looking real convenient for that “secret” only Aha knows.) Aha’s motivations seem to have been either experimental, joke, or purely interest-based in nature, so we at least have some leads there. Additionally, it seems that Sampo may have been “shoved,” for lack of a better word, into a smaller or more compact form when he was stolen, so that’s another idea. However, i’m still not sure from who.

— Aha is doing the stealing, Sampo is the thing being stolen, so who else is part of the equation? I’m tempted to say it’s another Aeon, or at least an important Path faction, but for the life of me that’s something I just can’t figure out. Again, this is likely intentional if Aha is trying to keep Sampo’s identity a “secret,” but it still frustrates me to no end. Who is it Mx. Aha?? I need to know!!

— (“Stolen” could also refer to “Those Remembered (I)” from Mundanite Assembly, as Xiaoya and her teacher taking Sampo out of the darkness — likely his home or place he lived — and into the light, or outer world, could be a case of “stealing”.)

— “On stormy days, the unyielding kite will face the wrath of the gods head-on” once again feels like Sampo is referring to himself, this time as the “unyielding kite”. I wonder if “wrath of the gods” is meant to simulate some kind of battle fought over him (which would line up with some mythology-related stuff) or if it’s simply meant to talk about how Sampo might stand up to an Aeon (or multiple Aeons) in the future — hell, maybe he already did! It’s possible that Aha or someone else fucked around too much and found out.

— “(Do not attempt!)” also feels like a warning.

— “Nameless” saying “best luck to kites everywhere” is surprisingly wholesome as well, like we’re giving him well-wishes for his journey. Additionally, “kites everywhere” implies multiplicity, which I of course associate with Aha’s collection and/or stuffed toys because of their many individuals.

— (There’s a chance that, because of this, we may be dealing with a collection item/Doll!Sampo that, out of so many others, was the one to finally stand up and say “Hey! You treat us badly! Fuck you!”)

— As far as I’m aware, this seems like a pretty factual “true story” Sampo’s talking about — coming across a Knight of Beauty who tells a story that outlines and references Benjamin Franklin’s kite experiment, then being a bit taken aback by the Knight’s sheer devotion. 

— While this seems to be a true story in-universe, it also seems to mirror the idea that Sampo may have been “bottled” himself, potentially stolen from a different, more fluid and combustible form and forced into a smaller one through some kind of experiment or, as mentioned earlier, “trap.” If Aha was indeed the one doing the stealing, this lends a more sinister motive to the whole thing. While it’s true Sampo may have found new value with the Elation, he may have only found that through a series of traumatic events, like being stolen, trapped, or otherwise “sealed” (like the evil god in the Shining Trapezohedron Die from Ship of Fools — haha, see how I made that connection! >:3) for the purpose of a “joke” or other experiment. 

— (This experimentation could also be connected to Mundanite Assembly’s “Resleeved,” especially with its use of transplantation and Organic Heart specifically.)

— In this case, Sampo very much comes across as a force of nature — no wonder Aha wants to be hush-hush about his identity! If anyone were to find out, or heaven forbid, break that “seal” (likely Sampo’s human form itself) all hell could break loose. 

— I also just find it nice to see Sampo’s interaction with and outlook on someone outside of Belobog or the Masked Fools! It seems he has some complicated feelings when it comes to the Knights of Beauty — on one hand, he seems taken aback by their pure devotion and unabashed, streamlined fervor, but on the other hand there’s this sort of amused admiration that comes from seeing their antics. If I had to sum Sampo’s conversation up in this regard, it’d most likely be the phrase “backhanded compliment.”

.✦ ── ✦.

Day 4

.✦ ── ✦.

— This is arguably the biggest day in terms of Doll!Sampo theories, and for good reason. Sampo himself says “we’re cooking up some toys today,” and the interesting part is that it’s plural — not just one, but multiple, much like Aha’s stuffed toys.

— The name of the Curio is “The Ice That Never Laughs,” which sticks out to me for two reasons: one, the presence of “ice,” a distinct element you wouldn’t consider to be such a large part of a toy, and two, the phrase “never laughs,” a condition of existence that seems to be the complete opposite of the Elation’s — and Aha’s — goal of laughter.

— “This is a block of ice that never laughs.” It’s an interesting line, from the ice itself seeming to straddle a line between non-sentient and sentient (and in a way being personified despite giving no indication of, well, personhood) to the absolutism of “never.” Not only does it “not�� laugh, but it “never” laughs. I’m tempted to say this ice not only represents the stuffed toys in general, but is supposed to clue us in to a very specific toy — perhaps one as contradictory as Sampo — that goes against the Elation’s idea of “laughter.”

— This sentiment is made all the more ominous by the interjection: “(Incorrect! Squeezing it from different angles will make it produce different sounds of laughter!)”. This implies that the toy does not want to laugh, but is rather made to through some cruel idea of a joke. It’s very similar to the Aha Stuffed Toy occurrence, where the toys have to be physically beaten and even broken to grant rewards.

— The main catch is: Who is Sampo in all of this? (Another identity question, who could’ve seen it coming?) If we’re looking at these Curios as intentionally-placed-and-named objects meant to give us insight into who Sampo is, what he believes, and what his role is in the wider universe, then I would say this ice is meant to represent him — or at least a time he was considered a toy like this. However, the comment section where someone compliments the “mental state of this toy designer” is answered directly by Sampo, who responds to it by saying “People here all say Mr. Cold Feet is disturbed!”.

— I feel like this implies Sampo to be not a toy, but rather the creator or designer themself. This, of course, would lead to Aha-centric theories, since Aha is the one who made the Aha Stuffed Toys. If Sampo used to be or is a part of Aha (if not the full Aeon Themself), then it makes sense that he would be the one answering questions about the toy designer. When he mentions being “disturbed,” it also makes me aware that he’s aware of the implications of such toys, yet decided to design them anyways. It fits with the way I’ve described Aha as a toy creator before, if not eerily so.

— There’s also the chance that Sampo, once again, fits in some kind of Emanator purgatory — perhaps he, as a being whose function is concerned with transmutation and even creation to an extent, was used by Aha to make the toys, and as such had some kind of say in the process. This could account for his disturbed designer mentality while also making it clear he’s not an Aeon himself.

— Unfortunately, this doesn’t fully account for a chronological understanding of Sampo’s identity; if he is trying to communicate something about his identity or situation to us through this event, I find it more likely that the inclusion of the ice would be a cry for help than any kind of “hey, I created these fucked up things this one time.” … And we’re back at square one!

— There are a few alternate theories, like if Sampo was captured or “stolen” to then be turned into a toy, or even if he designed the toys themselves only to be betrayed by Aha forcing him to be just the same as them — a prison of his own making, if you will — but it’s all speculation.

— I really want to believe he’s in this predator-prey, creator-created grey area so we can get the best of both worlds, but there’s just not enough concrete evidence to say for sure.

— (The repeated phrase “Collectible and Value-Preserving” also means more here, since the toys themselves would be made to be collectible, as seen in several Simulated Universe occurrences like The *Perfect* Grand Challenge and Ship of Fools!)

— Some of this dialogue also supports the idea that Sampo is more of a creator than a toy himself. “They’re a surefire hit” is very marketing-coded, meaning Sampo’s role here would be more to market and sell these toys than anything else. However, as we’ve mentioned before, it could also be his way of talking around the subject, using other items to, essentially, refer to himself.

— Additionally, he mentions gaining “inspiration,” which leads back to him being a designer, even just on a surface level.

— The inspiration itself, though, is interesting. A “toy bird” with its “expression stuck in horror, emitting a shrill screech whenever you squeeze on it.” If this isn’t the bird from Everlasting Hatred, I don’t know what is. The art for Everlasting Hatred, a Clown’s Item retrieved by Sampo in the Penacony Trailblaze quest, has a direct link to Sampo’s character theme of “hate,” and features a dead bird speared through the chest with an amalgamation of hardened, blackened thorns in the shape of a heart.

— I always assumed this bird was meant to symbolize Sampo, since it’s his “Clown’s Item” (and falls neatly in sequence with the other two), but the way he says “I really loved it” here makes me confused. It seems to imply this bird isn’t him, but is rather someone or something he used to know, some outside object he felt affection for. But if that’s the case, then why is he so specific about it? Why does it still feel like it has the quality of him trying to tell us something?

— If not for that last part, I would want to say Sampo is referring to himself again, referencing a period of time (likely as a toy or another part of Aha’s “collection”) where he was trapped in a horrible situation, likely being used by Aha for something so intensely that his demeanor and sense of self was completely warped.

— (This could also apply to the “Resleeved” experiments in Mundanite Assembly.)

— But, of course, that last line still implies that it was something else?

— Actually, now that I think about it, it’s possible that Sampo finds comfort in this “toy bird” because he relates to it, or because he’s been in a similar situation. I suppose that could explain not only why it is a physical Clown’s Item for him to retrieve, but also why he seems to love a separate object while also trying to convey something about himself. Perhaps him and the bird share similar feelings of distress, pain, and hopelessness, causing him to feel a kinship with it much like he does Belobog. After all, only the disturbed find comfort in the disturbing — and he said it himself, he is disturbed. Perhaps instead of coming up with random ideas, he’s trying to process or vent some part of his own life through these Curios.

— The next paragraph definitely reads like a directly-Sampo conversation, though — “an ice cube can only keep laughing to prevent itself from melting into a puddle of waste water in such a capricious age, haha.” Again, like the bird, this is so specific that I’m not sure who Sampo would be talking about other than himself. The inclusion of “waste water” and “haha” specifically tie things together for him, as “waste” is similar to the trash he is associated with, and “haha” is literally him laughing right after he describes how the ice has to keep laughing to survive. It’s like saying “I have this friend who has to say yippee otherwise they get struck down by a bolt of lightning” and then immediately saying “Yippee!” in a panicked voice while looking nervously at the sky. Despite the way he throws his perspective away from the toy cube at times, I’m still inclined to say it represents him.

— If we go with this interpretation, here’s what I think the ice cube is trying to say: Sampo is or has previously been in a situation where he was considered to be a toy (or at least treated in a similar way), complete with the pain, hopelessness, and dehumanization such a position would impose upon him. As such, his presentation of himself warped, much like the “shrieking” bird and the ice that is “forced” to laugh. Then, continuing forward, he must laugh or be a part of the Elation in order to survive.

— Other ideas may include: Sampo being a “middleman” for these toys, designing them and becoming attached to them in some sort of “disturbed” way. Sampo may also feel a sort of kinship with these toys despite not being one, perhaps because Aha “uses” him for his function in a similar way. (There’s a chance Aha “using” Sampo so much may lead to him breaking, or even being “broken” before, just to tie in to some occurrences and mythology!)

— (Mundanite Assembly also shows “Sampo” breaking and dying in numerous different ways, especially if all the stories are meant to be a chronological look at rebirth / reincarnation.)

— Then, at the very end, Sampo mentions how the toys are getting popular. He even justifies it a little, saying “… the world’s full of turmoil that makes it hard to laugh.” This could be indicative of a general sentiment — “outside looking in” — where he sees the toys as an understandable need in the world, but I have more of a feeling it says something about Sampo himself. To me, it sounds a lot like he’s trying to justify his own pain or suffering, to find some sort of silver lining so that he can understand why this is happening. He makes it sound casual — just enough to throw us off in wondering if he’s really talking about himself or not — but it’s clear he wouldn’t say something like this for no reason.

— (There’s also the chance Sampo is Aha, or at least a manifestation of Them, and is trying to convey something similar to the Primum Mobile: a set of rules where he must laugh, because the Elation may cease to exist if he doesn’t.)

— Overall, I’m more inclined to say Sampo wasn’t originally created as a toy, but rather stolen by Aha and forced to become one (or at least be used as one). And honestly? That’s more horrifying than the original theory!

.✦ ── ✦.

Day 5

.✦ ── ✦.

— “Salutations”… He’s so cute……

— “Full-Auto AetherTurbo Bookmark.” The main thing that sticks out to me here is “Full-Auto,” since it goes back to the idea of something automated, like a toy. I’m not quite sure what “bookmark” is supposed to mean, though? “AetherTurbo” could imply higher existence, such as being or becoming an Emanator, since “aether” is more outside the bounds of traditional elements and “turbo” implies “more” power or speed. A bookmark, however?

— The closest answer I can come to is that since Sampo has been talking about stories quite a bit in this event, it’s something to do with that. Perhaps he was created or has the ability to inhabit a specific “story” or “moment” in time, occupying the niche of a “bookmark” in a greater story. Beyond that, I’m not sure, at least through name alone.

— I’m guessing this Curio though, in a general sense, may be meant to represent the “hot-blooded past” he mentions later, since the art is of a feather on fire (and, well, fire is hot!). It’s possible that this, potentially being his time as an Emanator, could symbolize a jump in power as well as whatever “niche” he occupied during that time — maybe it had something to do with stories or something similar.

— The imagery of a phoenix is not lost on me, either, as that carries a very specific theme of being “reborn” that may also point towards his departure from “toy” or otherwise “powerless” status to something more self-sustaining. Becoming a new self, and all that.

— “Apply the principles of etheric wave dynamics to help you finish books you don’t have time to read!” If anything, I feel like this may support the relation between Sampo and Aha even more. To me, “etheric wave dynamics” fall in line with Sampo’s… everything, so far, from his original fluid state to even his traits as a playable character. Then, “to help you finish books you don’t have time to read” speaks very much to a condition or use, or a very specific purpose. We are moving away from the plain, marketable, cookie-cutter idea of a toy that is forced to laugh, and towards a higher, more specific form of existence. I interpret this niche to be something like a right-hand man, or at least an assistant — Sampo, in this case, would be the one finishing those unread books, while whoever his creator is is sending him out to do it.

Note: I have just finished reading through Mundanite Assembly, and will be attempting to make tentative connections / interpretations more often from here on out. (I will be assuming the “you” in these stories is Sampo, and addressing him accordingly.) In terms of this new information, the “bookmark” could also represent Sampo attempting to understand his past lives or experiments, which could be the “books” he doesn’t have time to read. 

— “(Just like the famous storyteller!)” may also apply to Aha, since the Elation and Masked Fools seem to be focused on the impact of stories and storytelling — just take the Ship of Fools occurrence, where the entire Aha-coded event is basically a train of stories framed as “jokes”. 

— Sampo also specifies that the product makes you feel like you’ve read a certain book, not the act of actually learning and understanding.

— This may be a shorthand way for him to try and experience his past lives, or it could be a way of conveying how Aha sends Their Emanators or dolls out to accomplish tasks They don’t want to / don’t feel like doing Themselves (a la “venting extreme emotions”). 

— (The phoenix may also be indicative of Sampo’s many “lives,” especially the “Resleeved” story in Mundane Assembly where he is taken through many experimental lives in short succession.)

— Similar to what he says in his “first meeting” line about being a “businessman, chaperone, and problem-solving conversationalist” rolled into one; the idea of the stall selling multiple (sometimes unexpected or uncommon) Curios and the idea of he himself taking on multiple professions can also lead to the idea that he, from an identity standpoint, occupies multiple functions or niches. In this way, the stall selling stationery could also be a means to convey how Sampo operates in “multiplicity” as well.

— This is a good piece of interpretation for theory combination, as themes of multiplicity are very much present throughout his character. In this way, Mundanite Assembly could function as a way to convey points of his life associated with the Erudition — he is a machine, a source of knowledge, an organic-inorganic experiment of wonder — while things like his Eidolons could convey his time with the Elation as a Doll, Emanator, or otherwise. Basically, these things may not be in conflict with one another narratively; it is entirely possible Sampo is all of this at once. 

— As for his pop-up event? I’m still tempted to say it is somewhat chronological, if only because it follows a line from non-sentient to advanced consciousness. However, the meanings of each timeline could be twofold: both his backstory with the Erudition and his place within the Elation currently.

— “If people get too obsessed with the outcome, they’ll be driven mad.” This seems to line up with “Resleeved” and several other points of Mundanite Assembly, as the scholar performing experiments on him was clearly unhinged. 

— However, Sampo also treats the bookmark as a dangerous object with an amount of “influence” and danger. It’s possible he is referring to himself as something that can easily drive knowledge-seekers into madness, or even the general idea of “knowledge” being enough to move someone to insanity.

— “To become more open-minded, one must first learn to be self-deprecating.” This feels like a reference to “Windup World (III)” where the Tavern expresses clearly that it is “open-minded” before… well… playing quite a horrible “joke” on Sampo. 

— The next part is one I’m torn in two directions on. The “mental torment without hope of escape” he mentions and the mustering “courage” to complain could be a reference to the clear mental torment of “Resleeved (II)”s experiments, and complaining about dinner could also link to “Printed Truths (II)” where he eats the Curio apple. However, this seems a bit… off from those stories. The experiments eventually break him instead of offering him any genuine escape, and the “apple” he eats doesn’t lead to any escape either. In both cases, he meets horrible ends; the only way it could be an “escape” is if he was aware he would die and be reborn free of his situation, but… he never seems to self-aware of that in these stories, at least not explicitly.

— Which leads me to the other option: this line of thinking may be him attempting to apply vague “knowledge” of past experiences to a current situation he faces. If he finds himself in an unsavory situation within the Elation, especially one focused around the “interest” or “amusement” of another party, then perhaps this line of thinking is prudent; after all, the act of complaining can often spoil the mood, and being a “let-down” may be a good way of diverting unwanted attention or amusement. A toy is meant to be fun, after all, and what use is it if it isn’t?

— He also specifies that he’s not a “comedic actor,” and when following that up with talking about those who “disregard the comedy of their routines” in favor of “doing their utmost to let others hear their own laughter,” it seems like a pretty big reference to “Windup World (III)” where the Masked Fool uses him in an “opening act” by making him, essentially, kill himself in front of a live audience. Obviously, this would be extremely traumatic for Sampo, while the “comedian” fits the description of someone who doesn’t care about the pain or distress of others as long as it makes them laugh. 

— Sampo’s resulting worry — “Heavens, that’s so scary. Please don’t become someone like that.” — makes sense as well, as that traumatic event would cause him to be pretty shaken up when discussing the topic. The idea of us, a “friend,” becoming associated with the fear and adrenaline of that night is simply too much for him to consider.

— It’s also possible that Aha could also be referenced here, since the point of the Laughter is to… well, laugh. Despite Aha being a conceptual being, Sampo may view some of Their jokes as being cruel or unfair, especially if we’re taking a Doll!Sampo leaning. Aha may view it as funny, as a way to prioritize Their Laughter that rings throughout the universe, but from Sampo’s perspective it wouldn’t be comedic at all, just cruel.

— Overall, I do feel like this day heavily references not just “Windup World (III),” but phoenix-like rebirth and hints towards a current “trapped” situation. 

— From an Emanator or Elation standpoint, rebirth may also be symbolic of a transformation we simply don’t see in Mundanite Assembly, something occupying the gap between that night at the tavern and the Sampo we see today.

.✦ ── ✦.

Day 6

.✦ ── ✦.

— “Synesthesia Omnihelper” could refer to his position within the Elation, either as an Emanator or a Masked Fool. The “omnihelper” in this catches my eye, as it implies a job as both an assistant and someone of a flexible position. “Synesthesia” could apply to Sampo’s ability to travel many places and talk to many people, as well as be a link to several points in Mundanite Assembly where synthetic Curios and the general themes of technological / space-time knowledge are present.

— “Resolve workplace troubles” sounds like it might have a link to the times where Sampo was working with other scholars or researchers in an attempt to, generally, gain different types of knowledge. The “dynamically provided solutions” also sound like part of his position in “Dousing Flames (II)” and “Printed Truths (III)”; essentially, when he was in the vicinity of others he could express his opinions to. Qingque’s comment of “It keeps praising me and asking me to work harder” also lines up with “Dousing Flames (II)” where the only real dialogue options you can pick are expressing optimism or pessimism (not exactly any useful solutions). 

— Another interpretation is that this could be his current situation: perhaps he functions as a sort of “helper” within the Masked Fools or even to Aha Themself, doing the dirty work or solving certain issues that come with being as meticulous yet chaotic as the Elation.

— It’s possible that it doesn’t even have anything to do with the Elation at all, but rather Sampo’s general attempts to help Belobog and the Trailblazer, “guiding” us in a way using his wealth of experience and knowledge. 

— However, I am fairly sure this state of being an “omnihelper” may be the job he’s expressed burnout with before; constantly being an assistant to someone else in their (or Their) pursuit of certain goals must become tiring after a time, and maybe he finally just wants to prioritize himself for once. 

— Also, “(This one’s for real!)” is backed up by a commenter saying it’s a “legitimate product,” which could add to the idea that Sampo really is trying to help, or at least tell us the truth.

— I do think there are certain things that are still difficult or even functionally impossible for him to say, but lord knows he’s trying his best!

— Lil easter egg! It is very cute!

— I like how much he likes us — for the first time, we really get an explicit confirmation he cares about us. Despite the casualness of his facade, there’s a surprising amount of love in there. 

— We also feel like we “need to accept these dividends first,” which is yet another tie to his mythological function. Whatever his past lives may have been, whatever differences his backstory may hold, the Sampo we know is the Sampo he is now. He’s still a businessman at heart, and he still wants to help us. And, maybe, for now at least, that’s all that really matters. :)

— Again, it feels like he’s referring to himself here, like he’s surprised at just how many people need his help. Especially when thinking in terms of Belobog and the Trailblazer, there sure seems to be a lot of people who could use the help of someone like him. He also seems to have quite a bit of empathy, asking “How much hardship must people be suffering from…” in a way that seems like he’s… sad? Wistful? Either way, it feels like he understands the need for the “omnihelper” as well as what it symbolizes.

— He comes back to the World’s End Tavern as well, this time detailing how the Tavern only closes its doors to one type of person: someone who is so robot-like that they do the same mundane things over and over.

— At first, I was tempted to say this may be a reference to mass-produced stuffed toys that only exist to be beaten and play the same jingle over and over, but even the stuffed toys have an element of chaos in whether they grant you rewards or not, not even taking into account the spontaneous combustions that can happen. (Plus, “robotic” doesn’t exactly seem like something Aha would be too fond of.) 

— Although Sampo quantifies this as a fable, I also feel like he mentions it for a reason — there must be some truth to it, otherwise why would he bring it up? My best guess is, if not the toys, it may be Sampo’s way of speculating over his own existence. If Mundanite Assembly is to be interpreted as Sampo-related, he would have quite literally been a robotic device at some point. Whether he knows the full extent of these past lives or not, he may be wryly (even ironically) noting how the Masked Fools shun the exact type of person he used to be. 

— The “Who wouldn’t have an ounce of hectic excitement in their lives? I’d love to meet such a person, haha.” line could be a source of dramatic irony within the story, as we the viewer may be more aware of how his past fits with this than he does himself. It could be him reminiscing on how far he’s come and how much his view of the world has changed, or it could simply be a way for Star Rail to convey a more simple idea: that he simply likes having fun.

— I do feel like it could point towards that “gap” in time we don’t know much about. It’s possible that, for whatever reason, there was a time he was shunned from the Tavern for acting this way, and that’s how he knows so much about it. This could have been incited by them finding out about his past identities, him changing when he gained power or even became an Emanator, or whatever clownfuckery Aha might have going on with him. It could even be indicative of burnout or “Cloud of Doubt.” 

— As he said before, if he had been in some sort of unending, mental torment within the Masked Fools (perhaps being used as a plaything or puppet by Aha Themself), then perhaps he had to act like this, had to act like a simple robot unable to do anything but complain over and over and over again until They set him free. He might not even be free, but simply acting in a small reprieve of time granted by trying to deflect the gaze of something or someone determined to find him “interesting.” After all, there’s a chance the people attending that comedy show in “Windup World (III)” liked his opening act a little too much.

— In his last little bit of dialogue, he talks about farces. I’m not sure if this is meant to be about the Masked Fools or Aha directly, as I feel like it could be both. On one hand, his description of a farce’s departure from a regular comedy lines up with he chaos of the Fools, especially the part about the script having no rhythm and the actors stepping on each other’s toes. It definitely seems like each Fool does think they are the center of the world. 

— However, the chaos of Aha’s splash art and their “collection” of masks / items could mean this is about Them too — a cynical take from Sampo that turns the concept of “comedic Elation” on its head. “Twisting around together” really reminds me of Aha’s splash art with just how many items are present. Aha as an entity seems to be a very complicated, twisting thing, so even if They aren’t referred to directly in these lines, They may at least be implicated. After all, action and inaction may be the same in Sampo’s eyes. If Aha doesn’t intercede in the Fools’ affairs — simply allowing them to carry on with their farce because it’s amusing to watch — then that may be just as bad as being part of the farce itself. The question becomes: What’s worse — an Aeon making a cruel joke Themself, or an Aeon simply watching in amusement as that cruel joke plays out?

— Either way, we know Sampo has personal experience with this, since he says it sounds “eerily similar to real life” and expresses his explicit distaste. Whether it was the Masked Fools, Aha, or a specific Fool (like the one in “Windup World (III)”), it’s likely Sampo has been deeply annoyed or even hurt by those that carry out the “farce.”

.✦ ── ✦.

Day 7

.✦ ── ✦.

— “Unlocking the secrets of the universe” seems like something pretty big — potentially a goal Sampo is currently trying to reach in the present. (“Just kidding” is, of course, present, but it feels like something tacked on as a half-hearted assurance, perhaps trying to circumvent any speech limitations.)

— “The Manifest Life of Eternally Homing.” To be honest, I didn’t fully understand this one until I read through Mundanite Assembly. I could potentially see it as a wandering Doll!Sampo who surpassed the limitations of his function and is attempting to find who he wants to be, or a Curio Hacker-related want to find answers for a difficult situation. Now, though, especially with the mention of gaining “detailed insights into your past and present lives,” I believe it is referencing the fact Sampo may have lived numerous lives before this one.

— Mundanite Assembly’s stories are a bit unclear to me on if Sampo has ever been aware of his eternally looping forms of existence, but either way I can understand if he wants more information on who he is, who he has been, and honestly, just what the hell is going on. He may even be as confused as we are, attempting to understand anything about his own existence and why he is the way that he is. There’s a chance he may even be breaking the fourth wall in an attempt to subvert the bounds of the game and find information like that hidden in the Unknowable Domain.

— This makes me think that he’s found some sort of higher way, bargain, or deal to use these “big data algorithms” to his advantage; he may be a wonder of nature and engineering, but there are certain things only Emanators or Aeons may be able to help him understand. I’m inclined to say Aha or Nous is involved here, heavy on the Aha. Nous may be willing to help based on how linked Sampo is to all sorts of information (and the fact he is on one big long quest for knowledge), but the mention of “Take It Easy, Icarus” from earlier makes me think Aha is amused at seeing just how far Sampo will be able to go in his search.

— “Guaranteed answers” here makes me go right back to Nous, though, since knowledge is definitely Their domain. Plus, They might help Sampo just because of how significant his existence is in the first place. Hell, maybe both Aha and Nous are in on it at the same time. I can see both sides: Aha interested in seeing how Sampo’s honestly crazy bonkers story continues (if Mundanite Assembly is anything to go by), or Nous directly inspiring him on his quest to find more knowledge about the universe and the nature of his miraculous existence. (IX might even be here, too, due to Sampo’s playable Path.)

— “You will make the same choice as you do now” is an interesting thing for March to mention in her comment; assuming this Curio works, it may say something about her future story or identity. Perhaps there have been other times in her past where she has made similar choices, and no amount of amnesia can change who she is at her core, nor what decisions she will continue to make. (Sampo even confirms a bit of this when he says “your spirit will always stay the same”.)

— It could also point to a loop in Sampo’s existence — most of his lives to tend to meet similar, violent ends (being “broken,” burned alive, shot through the head and the chest, etc.) — which may mean he makes some kind of “butterfly effect” choice over and over and over again to warrant these gruesome demises. (Hey, throwback to the mundane, repeating “robot” from Day 6!) Similarly to March, it’s possible that even if he makes different “choices” in each of his lives, his spirit — the nature of the “Sampo,” the nature of breaking — will always stay the same. It’s an enormous burden to try and escape, that’s for sure.

— (Also, the art of the Curio shows code in the background, perhaps alluding to his self-awareness and awareness of the game itself, as well as his attempts to break free of what is confining him. Additionally, the Curio itself is surrounded by a sort of barrier or seal, which supports the idea he is bound by his current situation — maybe even unable to speak about certain things.)

— Either way, this man has a lot of conditions on his existence, and I wish him all the luck in finding out whatever is going on.

— Even with all this talk of Mundanite Assembly, Sampo still circles back around to the express idea of selling, monetizing, and money-making at the end. While some of the stories in Mundanite Assembly do emphasize research funds and money, I really think it has more to do with who Sampo is now than who he used to be. Perhaps this is part of a “deal” he made, or perhaps this is a core part of his existence finally coming to the forefront. 

— In a way, maybe the Elation is helping him reconcile positive emotions with business. “Fun and money-making,” he says, perhaps for the first time. For the first time, he might be able to see himself as more than just a tool, more than just an experiment, more than just a puppet on a string. He has a function, of course, but he’s realized he can fulfill it in a way that’s fun for him. A way that acknowledges his personhood and his value. And honestly, I’m happy for him! So much of his life (even lives) has sucked so incredibly much at so many different points that I just want him to be happy for once, goddamnit!

— “I have nothing to hide anyway” feels true, in a sense. I really do think, given the way he details having drinks with friends at the tavern and exchanging stories, he is telling us as much as he’s possibly able to. He’s honest about his interest in “funny tales” and self-creating stories, and even says the meme was “gifted by a friend” of his. However, there are obvious gaps, clear instances of vague wording where there should be detail. For example, who are the friends he had drinks with? Who was the friend who gifted him the meme? Any amount of detail would suffice. It’s strange that he specifies run-ins with Knights of Beauty and Masked Fools during this event, but can’t provide any tiny hint as to who these friends are now.

— It goes back to my theory that he is bound by certain limitations, that he can only say or do certain things — when it seems he is approaching too close to a topic, he becomes this vague, cryptic mess. I feel like this “friend” might be whoever he’s made a deal with, or whoever is responsible for his limitations. Perhaps that’s why he can’t specify who they are — because he literally can’t. Of course I want to believe this is Aha, but it could also be literally anyone else of higher power. 

— Sampo also mentions he’s had adventurous run-ins, much like the Nameless. It makes sense, then, why he would feel a sort of kinship with us; especially if his “past lives” are as varied as those mentioned in Mundanite Assembly, he may feel a sort of connection with how often the Nameless change stories and locations. Constantly traveling, constantly fighting, constantly being thrust into new and unexplored situations — that seems very much like something that would be related to Sampo.

— (Also, “hot-blooded” past is specific and interesting wording. I remember his blood literally boiling in “Resleeved (III)” so it could be a more literal take on events, or it could be indicative of a time, likely with the Masked Fools, where he was, to put it simply, probably batshit crazy. At the very least, he might’ve been impulsive, arrogant, or combative, really anything that would match with the connotations of “hot-blooded”. It could also reference events like his revenge in “Windup World (I)”.)

— “It’s pointless to talk about my past adventures” also feels like he’s trying to avoid a topic where he may have limitations on what he can say. “Pointless” may be that he doesn’t think we need to know, or it may be that it simply wouldn’t be worth the effort of fighting against some limitation he can’t surpass in the first place.

— The, he leaves to “go have a drink,” which, besides having links to the Elation’s goblet-filled imagery, establishes that Sampo is a man who likes to have a drink. And just what did Boothill find that Elation Emanator doing? Exactly.

— I also love the idea of a full circle here, as “Printed Truths (II)” deals explicitly with the lack of the ability to synthesize Curios, and here we are… synthesizing Curios. You go get ‘em, Sampo!

— And, obviously, we have the first explicit depiction of Sampo’s mythology in canon: dialogue lines taken straight from the Kalevala. I’m not too clear on how this fits into specific theories, only that it directly plays into his theme of “producing wealth,” as well as being trapped in a situation where he must carry out his function. The “function” itself could be Elation-related, laughter-related (as mentioned on Day Four), money/wealth-related (as supported by Aha Stuffed Toy and his mythology itself), or even all three! 

— One thing’s for sure, he is one enigma of a man. He’s at least aware enough of the poem to sing it, although it’s unclear if it exists in-universe or if this is yet another crazy fourth wall-break.

— Anyways, I’ve yapped long enough, it’s time for me to summarize my thoughts!

— Here it is: the event summarized in all its glory. Let’s get into the breakdown!

— General: Clearly, Sampo is trying to tell us something with all of this. It’s just too… detailed, chronological, as if taken from his own experiences. I feel like there are certain things he can’t or won’t say, and as such has to rely on this “pop-up shop” as a means of talking his way around the subject, hoping we’ll pick up what he’s trying to put down. At the very least, he just wants to have a little fun. At face value, we’re simply synthesizing random Curios. But nothing’s ever so simple with Sampo, so there’s something here. The only issue is getting down to what it is; and, well, if you’ve read this far, you’ve probably realized there’s a lot of options. The event is specific yet vague, general yet complicated, shallow yet incredibly deep. And honestly? I still don’t know what it all means. I can only do my best to speculate. So speculate I shall!

— Mundanite Assembly: Day One and Two would be his original form, floating in the ether and untouched by man (likely mechanical in nature); Day Three would be this original form being harnessed by the woman in “Those Remembered (I)”, being “stolen” from wherever he was waiting; Day Four and Five, generally, may deal with events surrounding the experimentation in “Resleeved” and subsequent research in “Dousing Flames” (I am more inclined to put “Dousing Flames” with Day Four due to the running theme of fire, although the phoenix imagery may fit with experimentation more); Day Six would be “Printed Truths” and the Path research that went on there; Day Seven would be the present, with Sampo attempting to understand his “past lives,” either through revealing what they were in the first place, or gaining some sort of key insight based on memories he already has. He is likely trying to convey his existence in a way that won’t overwhelm us, and also in a way that works with whatever “limitations” he has. His talk of the Fools would place “Windup World (III)” as the beginning of the time gap, where we just have his word to go off of. In this time, he likely experienced that cruel puppet joke, joined the Fools, and potentially gained power or some sort of “deal” to accomplish his goals going forward.

— Doll!Sampo: Simply put, chronologically, an element being drawn into form — created — by the act of “stealing” something from the heavens, then turned into an Aha Stuffed Toy that must laugh to survive (even through external force). This would be Days One through Three. Day Four would be a “phoenix-like” rebirth into an Emanator or Fool of higher status, which Day Five would then turn into a specific niche for him to occupy in Aha’s “collection” — that of a helper or assistant. Day Six is once again indicative of the present, with him trying to subvert the conditions of his own existence as a creation of Elation. It’s also possible that Mundanite Assembly happened long ago and, after being messed with by the Fools, Sampo was “stolen” and reforged into a toy by Aha or even the Fools themselves. (Basically, Mundanite Assembly and Doll!Sampo don’t have to conflict with one another; they can still fit chronologically. It’s possible the Sampo we know now has all the past backstory Mundanite Assembly has to offer, but the event simply starts at the act of Aha plucking him out and “stealing” him.)

— Aha!Sampo: Days One and Two would indicate a “conceptual” or Aeonic existence, while Day Three and Four would be Aha potentially finding a way to have a mortal form or siphon some part of Themself into a “vessel.” Day Five would be the “rebirth” of either a new Aha taking the old one’s place, or Aha’s consciousness being reborn into this new form. Day Five would be this new persona — that of a helper — which would then lead to Day Six, where They attempt to find Their true purpose beyond the restrictions of the Primum Mobile (or even circumvent those restrictions in the first place).

— Emanator!Sampo: No matter what theory we’re dealing with, I’m inclined to say Day Four or Day Six are the best indicators of a shift to Emanatorhood. Day Four has its imagery of phoenix rebirth, which could symbolize a shift in power or a rebirth into a higher form of existence, while Day Six could be his present status breaking through the fourth wall and attempting to accomplish whatever it is his current goal is. This can work with Mundanite Assembly and Doll Theory, as in those I’ve already mentioned how I feel Emanator status could work.

— Non-Chronological: This could, generally, not even be about a specific order of events in Sampo’s life, but rather different parts of his worldview, identity, or interests. It’s possible that all of these conditions exist at the same time — he may be conceptual, and organic, and a toy, and a jumble of code, and a phoenix in the process of rebirth. This would allow for a more experimental look at things, with all structure set aside to look at the core of who he is. He’s not just something stolen, but a helper, too. He’s not just a lost soul looking to circumvent the lines of code that bind him, he’s a man in a constant state of rebirth, inventing and re-inventing himself until he’s satisfied. He’s burning his wings while being trapped in the confines of ice, laughing because he has to and sparking because he doesn’t. He’s everything, all at once.

— Non-Identity: If not Sampo’s identity, these Curios could be symbolic of people he knows, or simply just Curios he finds interesting. My most viable thought here is that each Curio symbolizes a part of Aha’s “collection” — or Their Emanators who all have different purposes and personalities. I want to say Sampo is symbolized by Day Six because of the Curio Hacker occurrence, with other Curios being Emanators who range from pure elemental energy to machine devices to stuffed toys. Although, it is possible Sampo can be shuffled around here, as Doll!Sampo is more likely to be the ice cube and his current “helper” role lines up with “Synesthesia Omnihelper.” Sampo can actually fit with all of these, which is why I really feel like it is identity-related, but I still wanted to cover all the bases I could.

Overall, wow, that’s a lot! If I’m being completely honest, I’m still confused (as I feel most of us are). The more I think about this event, the more it seems like a giant puzzle box to me, turning and turning and turning again every time I get close to an answer. Perhaps that’s how Sampo feels about his own existence, and why he’s trying so hard to figure himself out. I really hope this analysis didn’t come across as a scattered mess, because that’s definitely what I felt like writing it. I wanted to get my thoughts out, but there are so many alternative options and theories that I could barely get my head straight! It felt nice to get it out, though, and whatever happens, I’m happy we got to talk to Sampo again. He’s just so interesting! Anyways, I’m going to go take a nice, long nap now. I’ll leave you with some key questions to consider — bye!

.✦ ── ✦.

Key Questions

.✦ ── ✦.

— Did Aha “steal” Sampo from another creator, such as an Aeon or organization? If so, how and for what purpose? (If not Aha, then who may have “stolen” him?)

— What is Sampo’s true identity? We know certain things about his mythological function, but how does that translate into the HSR universe?

— What is the timeline of his “abandonment”? When was he left on Belobog, and by who? Was Belobog even the place he was left, or was it somewhere else?

— Was he originally elemental energy, electricity, or something conceptual? Was he organic or inorganic? And, if Aha did “steal” him, what changes were made to his form?

— How does Sampo feel about Aha? Is Aha a cruel, thieving presence in his life? Are They an accepting, freeing one? Are They a distant, unreachable god? Are They a mix of all three?

— What is Sampo’s relationship with the Aha Stuffed Toys? Was he created as one himself? Was he turned into one when he was stolen? Did he “create” them at the behest of Aha? Does he simply act as a middleman to get them from one place to another?

— What is Sampo's connection to Mundanite Assembly, if any? How might the days of this event fit in with each "chapter" of the Unknown Domain chronology?

— And, for heaven's sake, who the hell is this man?

— thanks for reading to the end! :)

— here's links (one | two) to posts with the memes i wanted to include because i literally hit the image limit on this LOL!

© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[wonhoscumrag]

Gepard brainrot thought #2

A/N: The way i started typing and didnt stop, im literally just rambling towards the end.

I hope you enjoy

ପ(๑•ᴗ•๑)ଓ ♡

Thinking about Captain Gepard making a speech to the city in Belobog Square in the morning and he makes direct eye contact with you in a crowd of people. He tries to keep a stone face while talking but then you give a not-so-subtle wink at him and he briefly pauses mid-speech but clears his throat to continue.

He avoids looking in your general direction but he can’t help but look back at you again. The next time he does however you jokingly blow a kiss at him. Even from a far distance, you can see the redness that flares up in his cheeks. The guards look at each other in confusion wondering what’s up with their captain but they figure it’s probably the warmth from the heaters and his suit.

At this point, you feel a little guilty so you decide to lay off him. He’s done these things a million times and always does it so flawlessly so it’s kinda funny seeing him lose his composure like this. You decide to think of a way to reassure him from the crowd.

Gepard feels himself start to relax when he looks down at his sheet and sees that he’s almost done with his speech. He gives a quiet sigh of relief before concluding. However he can’t help when his gaze wanders over to you again, he doesn’t mind tho all he expects is to find you making another joking gesture. However, what he finds instead from you is a genuine supportive smile and suddenly his brain goes blank.

The crowd starts to whisper among themselves. In Gepard's POV, all he hears is white noise and the image of the entire crowd is blocked from his vision. All he can see is you and he feels as if he’s been transported to another world where you’re the only two people on the planet.

From the crowd, however, they see the captain of the Silvermane Guards freeze mid-sentence with his mouth halfway open. Your face starts to morph from confusion to panic. You’re looking around alongside the crowd wondering what’s going on. You didn’t do anything distracting this time so what happened? The murmuring among the crowd gets louder and turns into chatter. The guards are looking among themselves just as lost as the crowd. Their captain is usually the cool, calm and collected type of person. It’s hard to believe that a crowd like this would faze him.

In an instant, Gepard is snapped back to earth. The reality of the situation hits him like a (truck). The best thing he can do now is to just read out the last few sentences of his speech and walk away with what’s left of his dignity. “Uh-um and so…” he hears himself stutter into the mic through the speakers. He inwardly cringes at this whole situation and finishes his speech like a true professional.

There’s mixed reception from the citizens. Some clap out of respect and others giggle and gossip. You watch as Gepard calls attention to his guards and they march away back to their stations to do their daily tasks. From behind you, you hear Serval laughing as hard as humanly possible. It was evident she did her best to hold it in the whole time out of courtesy for her younger brother. You turn to face her and try to defend him in some way. “It really wasn’t that funny” you try to speak up over Serval's hysterics. A part of you low-key wants to laugh too but you won’t until you see him again and ask if he’s okay.

You hear footsteps coming from behind you but before you can turn around to see who it is you're pulled into the familiar and comforting arms of the man you love. You hear Serval laugh harder and Molly is trying to calm her down. "Hey, are you doing okay?" your voice sounds muffled by his uniform. It's not rare for the two of you to show physical displays of affection but him making the first move is certainly not common, especially in public.

It's weird, Gepard knows he should care but in all honesty, he can't bring it in himself to feel embarrassed right now. The moment he held you in his arms all his nerves and worries melted away. He raises one of his arms that's wrapped around your waist and moves it to softly stroke your head. He smiles and softly responds "Never better".

[shoezuki]

skvnsdlkvnsdklvn Chapter 4

Oh yeah this song is about a princess and a commoner dying don't worry about it, its foreshadowing

Hello?! WDYM

Also I figure Gepard is the commoner and Sampo is the Princess, Sampo is afraid to love and requires more to be comfortable to let a part of him stay and Gepard is willing to go the extra mile for those he loves and he would try to meet the challenge of making a home for Sampo but in trying hurts himself

anyway being insane about the doc fic <3

OH FUCK THE PHONOGRAPH SONG. i guess i can say what i meant by it Kinda being foreshadowing now vakddvsgdjd

so i was (and still am) obsessed with marie de france and her lais. the 'song' in the fic was just a reference to Les Deux Amants (the two lovers) and it is about a king who was far, far too attached to his own daughter the princess and devised a sort of 'test' for anyone who wanted her hand in marriage where they had to carry her to the top of a mountain without putting her down at all. ppl refused or couldnt carry her halfway so she stayed unwed. she ends up having a secret affair with the son of a count (not technically a commoner i read it wrong but still 'lesser') and togethet they devise a plan to get a potion made to make him strong enough to carry her because hes a very frail man. hes sposed to carry her halfway, drink it and go the rest of the way to the peak. but instead he keeps going and saying that he loves her too much to stop, he was just overjoyed to be with her that he refused the potion when she pressed him. he walks himself to exhaustion and once he takes her to the topof the mountain he collapses and his heart stops. it has a very romeo and juliet type ending where she tries to feed him the potion but hes already dead, and she dies of heartbreak beside him.

my idea of it kinda sorta being symbolic was entirely in terms of the climb/carrying the princess up the mountain. cuz thats what sampo essentially does with gepard. he drags/carries gepard all the way back to belobog and nearly walks himself to death in the process under the weight of how he feels for gep like he is absolutely willing to die to make sure gepard is safe and happy. and he nearly did die doin jus that

edit: i swear to god i thought i answered this ask roof but u fucking put it in drafts n only noticed now bsksbsisldndvd

[kazoohaa]

Hello, hello. Okay so hsr ask, and Lynx happened and brain went “hmm”

What if reader is Serval’s s/o, but sometime after they start dating reader’s sent to the arctic plains for some reason and they meet Lynx. Become friends, found sibling dynamic even, and then conveniently Lynx is scheduled to head back to Belobog city at the same time as reader. In the way back, reader brings up the whole “hey Lynx, there’s something that might come up, it’s not that important but imkindadatingserval” “…wait, WHAT”(idk im just spitballing i’m sorry I think I need more sleep) and how she reacts to the relationship(I suppose at this point Gerpard’s there too). Bonus points if Serval tries to use the gf card to get reader to tell her and Gepard who Lynx is taking a trip with(it’s in Lynx’s quest in case you haven’t gotten to it) and either reader caves or hopefully they keep Lynx’s secret and just tell the sibs that she’s going with someone they know and openly think highly of(Pela)

Oh wow, that’s long, tl:dr Serval x Reader who’s friends with Lynx (and I hope it wasn’t hard to read)

𝐘𝐎𝐔'𝐑𝐄 𝐖𝐇𝐀𝐓?! honkai star rail

— notes. this is a cute idea lmaoojhfkd,,, though it turned into bullet point format halfway because i got a bit lazy 😞

— details. lynx & reader who's serval's s/o

before, you would’ve believed that there would be no reason for you to ever explore the snow plains — all that was out there was snow, and traces of what used to be — but above all, there was the fragmentum. the only reason you went in the first place wasn’t because of your own curiosities; no, you treasured your life more than willingly exposing yourself to monsters and endangering yourself in the sheer cold. you went out to the snow plains because of a favour.

and on said trip, you came across a blonde-haired girl donning a fluffy cat-eared beanie — that’s how you came to know lynx. she knew her way around things in these snowy outskirts much better than you did, and she didn’t seem to mind giving you directions to the specific area you were trying to find. everything looked the same, anyway — it’s all thickly blanketed in layers of snow. you surely would’ve gotten a bit lost without a guide around.

originally, you hoped that this trip would be your first and your last. you didn’t have any plans to return to the snow plains, not when remaining within the walls of the city of belobog, safe from the frost, was already perfectly fine. but over time, after getting to know the girl who eventually became like a little sister figure to you, your aversion to the idea of having another trip to the snow plains — and willingly this time — was.. gradually decreased. with a bit of convincing, you went to see the auroras with her.

you’d mentioned it in passing to serval during one conversation. “you know my sister?” she replied with surprise, smiling as she leaned on her workshop counter. “she’s your sister?” you repeated incredulously. over the duration of your friendship with lynx, she’d mentioned family at some point, but she never actually said who they were. you wouldn’t have thought that she was related to your girlfriend — there were surely some similarities, but you didn’t want to just assume. but the more you thought about it, the more you realised that the two were actually quite similar...

“well, if you’re the one accompanying her, i’m sure i could trust that the both of you will be safe.” serval laughed, and in the true fashion of an older sister, she spent some time telling you some cute or funny anecdotes about lynx (and gepard too, in some) when the three of them were younger.

the knowledge of this had been in your mind the entire time during your stargazing and aurora-watching trip with lynx. you tried to bring it up as casually as possible on the way back..

“hey, lynx?”

“yeah?” she replied, double-checking the items within her rucksack.

“well, i thought i should tell you — i’m... dating your sister..?”

that’s when she stopped walking. “you’re what??”

you’re dating serval? since when? wait, and how long have you known that they’re related? were you able to tell from the beginning? or did serval already tell you about her before you met? have you known the entire time? oh no, are you secretly telling serval and gepard when she takes her trips?? ...did they send you to try and look after her?!

you reassured lynx that although you’ve been dating serval for a while before you met her, finding out that they were siblings was actually only a recent discovery.

it isn’t really lynx’s business who her sister dates, nor does she have any sort of control over it.. but after the revelation that you’re her lover, the youngest landau’s perception of you changes slightly. (it’s nothing bad, it’s just the shock of it getting to her.) but, well, over the duration of your friendship, you seemed like a pretty good person.. so nothing changes too much, really. lynx can trust you.

serval indeed does try to pull the girlfriend card in an attempt to convince you to tell her and gepard who lynx is meeting up with in the snow plains other than you. it’s.. sort of peer pressure, cornered there with the both of them asking you. should you side with lynx, or side with serval..??

you understand their worry, of course — as older siblings, serval and gepard are just concerned about the safety of their little sister. but lynx wants to be more independent, and doesn’t like being coddled by them so much.

..in the end, you do cave (peer pressure smh)

surely, if they know that it’s just pela, they’ll relax about it. since lynx is having these trips with someone who’s both familiar and trustworthy to the two of them, there’s nothing to worry about.

plus, that means they won’t have to do any snooping (or send someone else to do any snooping for them), and lynx won’t have to find out that her older siblings were trying to do anything. so really it’s a win-win in the end?

[cnnmairoll]

Culinary Love Knockout

Pairing : Luka x Reader Genre : Fluff, Domestic Summary :In the warmth of your shared domesticity, Luka's request for your homemade lunchboxes becomes a cherished ritual that strengthens your bond and fills your hearts with love and laughter. a/n : this fic is part of The Domestic Things They Do With You so feel free to check out what other character will be there!

You wake up to the soft rays of the morning sun filtering through the curtains. Nestled in your cozy bed, you stretch and yawn, feeling the warmth of your boyfriend, Luka, beside you. His vibrant red hair stands out against the white pillowcase, and his peaceful expression makes you smile. You gently brush a strand of hair away from his forehead, and he stirs, blinking his bright blue eyes at you.

"Morning, love," he murmurs, his voice husky with sleep.

"Good morning, Luka," you reply, leaning down to give him a tender kiss. "Sleep well?"

"Always when I'm with you," he grins, pulling you closer. The two of you shared a lazy stretch before rolling out of bed and getting ready to start your new day together.

In the kitchen, you rummage through the cabinets, occasionally glancing at Luka who's now sitting at the kitchen counter, watching you with unwavering attention. You decide on making some simple scrambled eggs with Belobog sausage and a side of fresh fruit. It might not be gourmet, but you're determined to make it taste good.

As the aroma of cooking sausages fills the air, Luka's stomach growls, and he chuckles sheepishly. "Guess I'm really hungry, huh?"

You set the plates on the table, and Luka's eyes widen in anticipation as he takes his first bite. He chews slowly, savoring each mouthful, and then breaks into a wide grin. "This is amazing! You really are a kitchen champion too!"

You can't help but blush at his praise, feeling a swell of pride in your chest. Luka's genuine appreciation fills you with warmth, and you join him at the table to enjoy your breakfast together.

-

One day, You were stretching languidly on the comfortable sofa in your living room, waking up from a nap. Luka's robust laughter echoed in the background as he shared a joke with his friends over the phone. The domesticity of the scene warmed your heart – your relationship with Luka was the kind that wrapped around you like a cozy blanket, secure and loving.

Turning your gaze toward the source of the laughter, your eyes rested on Luka. His fair skin glowed with vitality, his bright red hair catching the sunlight like flames dancing in a gentle breeze. Those captivating blue eyes of his were shining with unbridled enthusiasm. 

As if sensing your gaze, Luka turned toward you, a beaming smile lighting up his features. "Hey there, my favorite person in the whole world!" he exclaimed, ending his call and making his way over to you.

You chuckled, sitting up to meet him halfway for a warm embrace. His arms enveloped you, and you relished in the feeling of safety and comfort his presence always brought.

"Hi, Luka," you murmured, pressing a soft kiss to his cheek.

He leaned back slightly to look into your eyes, that playful twinkle still dancing within his own. "You know, I was thinking," he began, rubbing his chin thoughtfully.

"Oh, should I be worried?" you teased, raising an eyebrow.

He laughed, a rich sound that made your heart skip a beat. "Nah, nothing to worry about, love. It's just... I was wondering if you'd like to make me some lunch boxes."

You blinked, surprised by the request. "Lunchboxes? Like, packed lunches?"

Luka nodded eagerly, his excitement palpable. "Yeah! See, I've been watching you whip up those meals, and I just have this feeling that whatever you make will taste amazing. So I have been craving some of your cooking whenever I’m eating somewhere else. And, well, I thought it would be a nice surprise for me during training breaks."

A smile tugged at your lips as you listened to him ramble on, his enthusiasm infectious. "Are you sure you want me to do this?" you asked, a playful glint in your eye. "I mean, I'm no gourmet chef."

Luka waved a dismissive hand. "Hey, it's not about the skill. It's about the love you put into it, right?"

And there it was, that boundless optimism and faith in people's abilities. You couldn't help but fall for him all over again at that moment.

"Alright, you've convinced me," you said with a chuckle. "I'll make you lunchboxes, but no complaints if they're not restaurant-worthy."

Luka's grin widened, and he swept you into another warm embrace, lifting you off your feet and spinning you around in his excitement. "You're the best, you know that?"

As he set you down, you couldn't help but smile at his enthusiasm. This was just one of the many things you loved about him – his ability to find joy in the simplest of things. Over the next few days, you set out on your lunchbox adventure, experimenting with various recipes and ingredients. 

-

"Here it is," you announced, presenting Luka with his first homemade lunchbox, a mix of excitement and nervousness fluttering in your chest.

Luka's eyes lit up with delight as he took the lunchbox from you, his fingers brushing against yours as he did. "Wow, this looks incredible!" he exclaimed, his voice filled with genuine awe.

You felt a rush of relief wash over you, the uncertainty you had felt about your culinary skills momentarily fading away. You watched with bated breath as Luka popped open the lunchbox, revealing the array of dishes you had carefully prepared.

His grin widened as he examined the contents, his fingers reaching for a piece of the Snapper Jam Appetizer. He lifted it to his lips and took a bite, savoring the flavors. "Mmm, this is amazing!" he mumbled, his mouth still full.

A mixture of pride and happiness swelled within you as you watched him enjoy the food. Emboldened by his positive reaction, he moved on to the Deep-Fried Rock Crab, the satisfying crunch audible even from where you were standing. Luka's eyes closed in delight as he chewed, and he gave you a thumbs-up before continuing to finish the entire Lunchbox.

Luka's smile was both amused and touched as he took the last bite of his packed lunch. "You're amazing, you know that?"

You blushed at the compliment, feeling a warmth spread through your chest. "I'm just glad you're enjoying it."

Luka closed the lunchbox with a satisfied sigh, looking at you with adoration in his eyes. "You know, I've tasted a lot of incredible things here and there, but nothing compares to this."

You felt your heart swell at his words, the connection between you deepening with each shared moment. Luka's appreciation for your effort, regardless of the outcome, was a reminder of the love that bound you together.

"Thank you," he said softly, his gaze never leaving yours.

Leaning in, you pressed a tender kiss to his lips. "No, thank you for inspiring me to try new things."

With the lunchbox now empty, Luka set it aside and pulled you into his arms, his embrace warm and comforting. "You're the best thing that's ever happened to me," Luka leaned in, his lips brushing against yours in a tender kiss. "Every bite is a taste of your love, and that's the best seasoning of all."

With your hearts full and the promise of more culinary adventures ahead, you both shared a moment of connection that transcended the dishes before you. As the two of you laughed and chatted about the day ahead, you knew that these lunch boxes were more than just meals – they were a reflection of the love that bound you together in this cozy, domestic haven.

[bittersweetresilience]

The robot mob boss is wearing a trenchcoat, 5 star game 🕵🏼‍♂️

ROBOT MOB BOSS... omg you're at the halfway point of belobog let's go

[trashcanknight]

@sncwlight for a plotted starter

Most people weren’t even aware of the massive wars that went on in the galaxy at all times. There were those who traveled the stars, but for the most part, most people kept their gaze on their own planet.

But Argenti was often in the middle of many of them. He’d won one such fierce battle when he decided it was time for a rest. With no hint as to what he’d been doing since they last met, he messaged Natalee to tell her he was returning to Belobog to visit her. She agreed to meet him where he usually ended up touching down, which was just outside the station that shuttled people between the under and overworld.

“Good evening, my lady,” he said with a bright smile as she approached, but as soon as he tried to walk to meet her halfway, dizziness overcame him, and he didn’t even have time to say anything before he fainted.

[windtorndagger]

[Unyielding Will, Rising Love]

▹Fic 3/? in the [walls and laughter, echoes] series

▹Teen | 4.8k words

▹ Sampard | Gepo (however you want to read it) & Qlipoth/Aha

▹Angst with a Happy/Hopeful Ending, gepard angst, the tavern worlds end, self worth issues, Aeons in love, pre-jarilo vi arc, Qlipoth!Gepard Aha!Sampo, Gepard just wants to be with Sampo

Fic: https://archiveofourown.org/works/48674605 First Fic In Series: https://archiveofourown.org/works/48522139

---

Summary

Yet—

When Aha arrives, it’s with the faintest sound of elated whispers, of tiny bits of papers floating on laughter, flipping and twisting. For someone as joyous, boastful, and buoyant as Aha, their arrival is always one of little fanfare.

-

Gepard is writing yet another report when he hears it. It’s not the whispers of confetti that they have become accustomed to waiting for, but the sound of gloved fingers whispering over a latch and a well-oiled window sliding up.

-

Aeon and man—different, so different, but not when it comes to certain matters.

Or;

Qlipoth, at the end of the universe, will never be able to meet Aha where they are, even halfway.

Gepard, in Belobog, realizes that he's never been a part of Sampo's world, and even if he were to, what does he have to offer?

Because at the end of the day, what does Gepard have to offer to Sampo?

(What does Qlipoth have to offer to Aha?)

Love.

[sunderingstars]

simulated universe addendum: ace trash digger

— i can’t believe i came across this occurrence literally the day after i posted my simulated universe analysis (talk about timing), so here’s me yapping about it!

— written during 2.6

— word count: short, list format

not only is this occurrence in every single simulated universe update (wow!) but it seems to be a more belobog-connected piece of potential sampo material!

— “he” pronouns. matches with sampo koski as we know him.

— he’s carrying a trashcan and the name of the occurence is “ace trash digger.” this is a pretty easy link to belobog since that’s the planet that has the most trashcan-related shenanigans. also, since he’s carrying it i can almost see the trashcan as symbolic of belobog itself — i.e. sampo and his little garbage planet he cares about and likes to carry around.

— “treasured trashcan.” once again, i can pretty easily see the trashcan as belobog, so the occurrence might actually be referencing sampo and his “treasured jarilo-vi.”

— he has a collection of “pitiful love poems.” this could connect to sampo’s theme of love, particularly broken hearts, as seen in things like his e4 and heart-bomb burst. these love poems may be written to aha as part of some lingering attachment, or may also be written towards belobog itself since he seems to care about the place so much.

— “put your waste in it, and the items will evolve into an advanced awareness, then come running out energetically on their own!” if the trashcan is symbolic of belobog and the person is supposed to be sampo, i would take a doll theory reading on this. with how much doll theory relies on the “betrayal” of a creator towards its creation, i almost see this as meta commentary on how aha may have betrayed or “discarded” sampo.

— it makes sense, after all, that aha would get bored with their creations quite easily (at least given the whole worm debacle), and what else to do than to discard it? it may be that sampo was not always like this, but evolved to become more “aware” after being abandoned on jarilo-vi, which aha may have seen as just some backwater junkyard snow planet.

— (honestly, the idea of jarilo-vi being seen as a cosmic junkyard is so funny to me. like, aha basically did the equivalent of driving their pickup truck to the scrap heap at the edge of town and tossing everything in. very mundane to them, totally traumatizing to sampo.)

— from there, i would interpret this occurrence as saying sampo slowly rejoined the wider universe — i.e. “running out energetically” on his own. this likely included becoming part of the masked fools or trying to re-contact aha. (alternatively, this could be what is going on currently in canon, with belobog and, by extension, sampo, becoming more present on the galactic stage.) this may have actually surprised the aeon themself (if they even cared anymore), as it would essentially be the equivalent of throwing out a stuffed animal halfway across town, only for it to get up, walk, and find its way back to your house weeks later talking like “why have you forsaken me, father?”. this may even be how sampo became an emanator — aha may have found the whole situation so hilarious they decided to promote sampo on the spot.

— overall, if the trashcan is meant to be belobog and sampo is meant to be the waste (like “hazardous waste” in the friendship is magic event), then this occurrence may be hinting at sampo’s backstory of being discarded by aha on jarilo-vi.

— hunt option (swarm disaster). mean, why are we being so mean?! i would never steal from sampo, i’m simply built different.

— remembrance option (swarm disaster). “you recall the past lives of these discarded objects” implies a sort of sentience and agency. even though the objects may not be at “advanced awareness” yet, they clearly still have past experiences and lives. comparatively, i would say this may mean that sampo, although only recently evolving into a unique kind of sentience, has always been “alive.” for me, i see this as gaining personhood, or perhaps new perspectives on life. he may have started as a toy with no real agency of his own, but he’s been able to find some sort of autonomy for himself on belobog, even being able to reach beyond the love and find the “hate” for a creator who treated him cruelly.

— erudition option (gold and gears). erudition once again! man, erudition and elation love going hand-in-hand. “even trash has its unique ‘value’” seems to send a deeper, general message. not only is it the erudition doing what the erudition tends to do when confronted with something new — find its value, either through experimentation or dismantling — but it communicates the idea that even though something may be seen as worthless or forgotten, it still holds purpose. even though sampo may be seen in the eyes of his creator as a “discarded doll,” he still has value. he’s still a person. he still has his own hopes, thoughts, and dreams. although the erudition likely means this phrase in a more troublesome “let’s take him apart to see what he’s made of” way, a nice message can still be gleaned.

— normal option. as with all other options, there’s a big theme of “transaction,” or exchanging items for more. i don’t have a lot to say about it, other than it fits right in with sampo’s con-man trade and propensity for bargaining.

— i found it a bit surprising at first that there was no elation option, given how that would’ve been a more solid link to sampo, but perhaps there isn’t supposed to be. perhaps, aha stuffed toy having an elation option is meant to be symbolic of a time aha cared enough to turn their gaze of sampo, but here the occurrence is dealing with the period of and after his abandonment. in this case, there may be no elation option because aha quite simply does not care enough for there to be one. he’s all alone. sad :((

overall, i can’t believe this one almost slipped under my nose while doing my simulated universe analysis! the irony is not lost on me that i almost passed over it in a similar way to others in-universe; i guess the “cosmic junkyard” planet really did its job !! i think this has some nice little tidbits for the potential timeline of doll theory, and gives some insight into what sampo’s “betrayal” might have been! (also, of course aha would do something like this. of course lol)

thanks for reading!

© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[fortifice]

The weather is worse than usual. She doesn’t know how it’s possible, but it’s true. The clouds have darkened over the entire city, though neither rain nor snow falls. It’s kind of like her that way. The second worst day of her life, and yet she couldn’t cry a single year more than she already had this week. Her hand is closed around the music note necklace he’d given her, for her birthday less than a year ago. It wasn’t expensive, but it was without a doubt the most thoughtful gift she’d ever been given. When you have your first official concert, I’ll be in the front row cheering you on.

It had taken everything in her just to look presentable, those with a keen eye would notice how her makeup was just a little bit more sloppy than usual, as though she couldn’t suppress the trembling in her hands long enough to hold the brush straight. When she gets home from the funeral, Father scoffs & tells her to go change out of the dark mourning clothes she’s wearing, they’re going out to dinner to celebrate. The girl looks blankly at him. She hears the words that come from his lips, yet everything sounds like a record being played backwards at half speed. She turns her head & sees her brother standing there, little Lynxy clinging to his leg. The letter loosely in his hand bears the insignia of the Silvermane Guard. She doesn’t have to look at his face to know what his eyes must look like. Concern, guilt, remorse, & a barely concealed frustration at their father for telling her, in such a harsh voice, before he could manage to break the news himself.

“I’m not hungry, actually.” Her voice sounds like broken glass, blizzard blue eyes staring right passed him in the direction of the gates sealing Belobog off from the rest of the world. She wonders if they’d even finished cleaning Sasha’s blood off of the stone before sending out letters to recruit his replacement.

Her brother, her little brother… in the cadets…

She feels like she might vomit.

“….congratulations, Geppie. I know how hard you’ve worked for this. Have fun.” She turns & all but sprints up the stairs before she can break down in front of them. Her bedroom door swings shut & everything goes off kilter as she stumbles out of her heels, staggering towards the bed. Serval makes it about halfway before her legs give out & she sinks to her knees, manicured hands fist her blankets & she heaves a dry sob into the soft material, her insides feel cut up, like she’s swallowed shards of glass.

It hurts so much.

The day was morose, the congregating gray clouds are mourners to those cast to their final resting and hailed as heroes of belobog. his sister is amongst them, dressed in black, her eyes distant and stricken with grief. He had pleaded with their father to allow him to attend, he did not want to see her endure this on her own but he had forbade it. Today is the day that you will find out if you have been accepted into the guard, that, is far more important than any trifling matter of your sister’s. Gepard’s heart had seized with indignation, with acrimony that their father could not fathom his sister’s sorrows. He did not want to see her subjected to their father’s malice so he stepped back, relented, and waited at home for the news to arrive. When it did the letter was written in elegant script, congratulatory, he should have been filled with pride, he had worked tirelessly for this, now, it felt vacuous, a hollow left by the departed. His silent vigil at home felt as if it dragged on for hours, the stagnant air suffocating, his father’s proud tangent was more about him, lineage, duty, than it was about any of his children. Lynx stays plastered to his side, tiny hands clasping at his pants, the pristine uniform of the cadets. His father had it prepared for him long before the advent of his acceptance came, it was fate that it would come, while Gepard had wavered in his confidence his father strode forth haughty and unbothered. Father was excited, it didn’t sit properly on his stern features, his mouth more accustomed to a grim lour than a feigned smile, he looked down his elegant nose at her when she trudges in, the imminent rainfall in her step. Get out of those clothes, those aren't fitting for your brother’s acceptance ceremony. Gepard recoils from it, lost between his father’s beration and his sister’s patent grief. he also feels sick, waves of nausea heave him under, have his breath feeling uneven, his features strained.  She had never outwardly voiced her disapproval of him joining the guard, it was the next step, if there was anyone he wanted to be proud of his achievements it was her, his hero. She doesn’t meet his gaze, the letter he held felt as if it were made of stone, all the fulfilment he should have felt grew fetid, stuck in his throat, unable to swallow around it. “ Sis - wait !” after holding it in for so long, his eyes shifting from his father to his sister to lynx, his voice cleaves through their brittle, one-sided argument. It’s too late, Serval has dashed up the stairs, her door slamming behind her. He doesn’t stop to think about it, the only care afforded to him fleeing is gently prying Lynx’s fingers off of his trousers, the letter fluttering to the ground as all the hours of military training heave him up the stairs two at a time. By the time he reaches her room his breath is uneven, his chest rising and falling, his fingers balled into fists at his side, trembling. Why couldn’t father see he was hurting her, why did he want to hurt them. He hears her crying, each ruined sob tears through him excruciatingly, outside, the rain falls, beating relentlessly on the long, arched windows. His chest tightens, it was all wrong. “ serval..” his voice is quiet, his back pressed to the wall just inches away from her door, slightly ajar. “ I’m sorry..” he hasn’t done anything to warrant her ire, but his heart is so inundated with misery that it’s all he can muster. He sinks down, his arms curling around his knees, he hadn’t cradled himself in such a despairing way since they were children. “ I’m.. so sorry..” his soft, inaudible cries are nothing in contrast to her devastated lamenting. he wants to sit with her, to have her fold him into his arms like they used to, to soothe them both with her dulcet song. he doesn’t know if she will ever sing again, it was so unfair.

[lautakwah]

NSDHSDN i thought i was just too awkward to be answered but hiii this game is so neat. i wont lie i almost quit on the ice prison planet bc the way the narrative + camera treated the little girl in the red jacket was so. gross? and it feels like no one mentions it... but i cannot wait to meet miss sparkle if shes one of the characters that gets introduced. given everything i see people talking about irt the xianzhou characters though it feels like theres a lot i havent seen yet? is this lore in the books i was too tired to read yet or is there a lot more to do in there that i havent got to... i just beat the end boss for this storyline so i thought that was it (SORRY FOR COMIN TO UR INBOX WITH THIS OF ALL THINGS... i only know one other person who plays so i got excited. hope u have a gr8 day)

fkghkjgf nooo im just busy w work most days and also do sm fucking overtime it's insane tbh dfjghg anyway yes. Yeah. hsr is SO good but bad but also good etc but most of all i just think it's fun which is what matters dghkjfdg

sparkle isnt from the xianzhou luofu actually! she's a penacony character (new planet that just was introduced hehe) but i DO love the xianzhou characters most so far... high cloud quintet my beloved <333 (esp dan heng and jing yuan <3) AND. OF COURSE. MY GREAT LOVE. MY TWIN FLAME. YUKONG. furry bait milf with a homoerotic backstory whats not to love <3

ALSO yeah clara is so... i love her shes my little baby girl and i will kill ppl who look at her wrong but her ult animation is so :grimace: like. whymst. i liked the belobog arc overall but u WILL get so so so angry when u meet topaz lol just a warning before u get to her (it'll happen after the cocolia arc, which i assume you just beat & so far is maybe at the halfway point??). however. bronya and seele being baby lesbians are so important to me i just kinda forgot abt the rest jkfdhjkfghkjfg

anyway uhm. there's SO MUCH you havent explored yet i prommy and it's gonna be so good (i hope jdfghf) but uhm yea feel free to talk to me abt hsr anytime i need to talk abt it more but nobody i know plays it as obsessively as i do (day 1 player + logs in everyday to do dailies and grind relics etc KJDFHKJFD)

[herrscherofmagic]

In my opinion, the best way to figure out if you'd like HI3rd is to read the "Second Key" Honkai manga which you can get to via this link.

Basically, it's about a character going through a sort of "trial" in which they're cast into a dream and relive some core memories of a different character. It won't make much sense at the start, but by the end of chapter 3 or 4 it should be pretty clear what's going on.

What makes this such a good manga is that it basically covers some of the most important story concepts in the entire game at a superficial and introductory level. It's perfect for someone who knows little to nothing about Honkai.

Honkai energy, sickness, & beasts; Herrschers; stigmata; Project Stigma; Divine Keys; MANTIS; Imaginary Tree. All these concepts are incredibly important, and this manga should present them all in a way that is relatively easy to understand while also being a good indication of what HI3rd's story is really like.

It's basically "Honkai in a nutshell".

The problem with playing HI3rd itself is that the game's quality is incredibly inconsistent.

Early story content is janky and poorly written, newer story content is decent but has some issues with pacing and/or writing style, and most of the best content is in the middle. This means you have to put in a lot of effort to get past the crappy starting point, and there's not really any way around that. This kinda applies to gameplay as well, but it's not too bad, I guess.

There's also not that many good resources for lore outside of lore videos and some reddit/tumblr posts. Genshin & HSR have incredibly thorough wikis, but the HI3rd wikis are only good for gameplay stuff (character equipment and gameplay descriptions), not really for lore.

Those things I mentioned earlier, the Herrschers and stigmata and stuff, these things don't get properly explained in the game. You have to read a lot of manga to get the idea, but the manga are also chaotic and poorly organized, with some manga being incredibly well-written (Second Eruption, Second Key, Alien Key) and others being highly questionable at times to the point that they're bordering on non-canonical (AE Invasion, Escape from Nagazora).

For an HSR analogy: imagine if the beginning of HSR wasn't Herta Space Station, but instead the game started in the middle of the Belobog story arc.

You play as the Trailblazer but your character already knows everyone and you're halfway through a story arc with lots of stuff going on. No intro to March 7th or Dan Heng or Welt or Himeko. No opening scene where you arrive at Belobog and learn about the planet and its Stellaron crisis. Nobody tells you what a Stellaron is, nobody told you about Paths or Emanators, and so on. Stuff just happens and people toss around words assuming you know everything that's going on.

And if you want that backstory, you have to go find the manga, but some of the manga were written 6 years ago and feature multiple non-canonical concepts and characters, plus they have different art styles and writing styles, and a significant portion of the manga chapters are out of order and haphazardly mixed together.

That's what starting HI3rd is like.

The game starts without any introduction to the Main Trio of protagonists (Kiana, Mei, Bronya), no intro to Honkai or Honkai Beasts or Herrschers, no intro to Schicksal or Anti-Entropy or St. Freya, etc. Stuff just starts happening and everyone knows each other and throws around funky concepts willy-nilly, and the game acts like you already know what's going on even though you probably don't.

So yeah, if you want to know if HI3rd is worth the effort to get into, I'd say read Second Key. If you like the characters, if the story concepts sound interesting, if the writing is appealing to you, if the aesthetics are nice, etc., then I'd say go for the game. Second Key is basically the introductory chapter to HI3rd that HI3rd never got.

If you do get into HI3rd that way, just make sure to keep in mind that the first 6 chapters are gonna be rough, chapters 7-9 are good but unpolished, and chapter 10 onwards is when you start to see quality writing, dialogue, stage design, and so on. The first open-world stories are also very meh (Sakura Samsara and Schicksal HQ), but the other two (APHO 1 & 2) are solid.

Also, regarding the UI and "reset" and stuff...

when I said earlier that this game has inconsistent quality? That issue is getting worse, not better.

The UI is getting updated but it's a very patchwork-y update, with different menus getting updates at different times. It's an awkward mix of new and old that's kinda jarring at times.

And as I understand it, instead of fixing Part 1 up and bringing it up to par with the rest of the Hoyoverse games, Mihoyo is kinda sweeping it under the rug by allowing players to skip ahead to Part 2 once they reach a certain player level. So I have very little faith that the early-game HI3rd experience is going to get the repairs and polish it needs to be accessible to the average player.

comrades…..friends…..fellow Romans and countrymen……I have an insatiable desire for knowledge. An obsession, if you will. The pile of fat and synapses contained in this vessel’s cranium has deemed that I must learn all the lore of honkai impact 3rd.

I also know that the UI of this game is getting a massive overhaul (or already has?) and that the game is getting some kind of reset.

Honkai impact is….dense. It’s been going on for years. Should I do it, lads? Should I try to play it? Should I do that to myself