#hahaha i'm sad

[the-cat-at-the-theatre-door]

"You're so pretty."

Victoria's movements are soft, half formed, as though she'd not quite thought the action out before it started. She feels her ears heat up with embarrassment. It had been happening more often lately - moving before she can think clearly, as though dealing with two separate entities within herself, brain and heart. Perhaps Jennyanydots' amused diagnosis of "twitterpated" was not too far off the mark; there had certainly been enough reasoning to back it up.

Plato blinks, slow and confused, as though being pulled from a dream. And perhaps he was; he'd been staring at Victoria for the better part of an eternity, focused, but very clearly somewhere else. He did that sometimes - disappear somewhere she couldn't quite follow him, eyes hollow and dark. Victoria wishes she knew where he went; perhaps one day he'd tell her.

The staring, she couldn't fault, however; she'd been staring at him right back.

"What?" he asks, furrowing his brow.

"Pretty," Victoria signs again, submitting to having been caught, exaggerating the movement so he'd get it. Perhaps he'd been half paying attention, and only seen the tail end. "You're very pretty."

Plato wasn't much for laughing, Victoria had come to know - smiling, yes; Plato had developed such an easy smile over the year spent with them when they could coax it out of him. Laughing, on the other paw, not particularly, though he was never able to put quite into words why that was. Perhaps he was self conscious of the way it sounded; perhaps he hadn't much in regards to a sense of humour.

Be that as it may, for some reason, that affirmation plasters bewildered scrunches between his brows and his eyes practically disappear under his eyelashes. It even gets that odd, wheezing noise he'd make when particularly amused.

The queen could only be partially annoyed and a teeny bit embarassed - he was very handsome when he smiled, afterall, one fang hanging slightly lower than the other. An in consequential flaw that did nothing, Victoria thinks, flustered, than make him even prettier.

Victoria huffs. "What's funny?"

Plato tosses the motion back haphhazardly, as though brushing the thought aside. "You're funny."

"Not funny." Victoria frowns. "I'm serious."

Plato sobers immediately, smile gone as quickly as it came - it's like a candle being blown out; a night and day difference. The temperature in the clearing seems to cool as he continues to study her. There is an undeniable feeling creeping at the back of Victoria's neck that she may have mis-stepped somewhere, but all she'd said was...

She presses on, feeling an ache begin deep in her chest. She repeats herself, motions firm. "You're very pretty."

"I am not," he says after a long moment. There is an expression on his face that is difficult to read - he does not look embarrassed or pleased, even humbly so; he almost looks as though he is about to cry.

"Yes you ar-"

"You-" he points at her firmly, cutting her off, jaw set. The motion towards her is quick and harsh as a result, unsheathing his claws in the process. He startles as she does, horrified, staring at the space that has swelled between them; he is a breath away from scratching her.

"You," He points to her again after a moment, claw carefully pulled back this time. "Are very pretty. Not me. Look." He motions to the whole of himself, as though that were enough to dissuade her feelings. It only steels her resolve further.

"You look-" she insists, touching her paw pads to the delicate skin of his cheek to demonstrate. Plato flinches as though she'd hit him in retaliation; it looks to have been a struggle for him to resist moving away, but the desire is clearly there. There is fear burning in his eyes -anger and remorse and upset - like a bird trapped in a cage of teeth, waiting for its bones to snap in on themselves after the hunter had toyed with its prey.

Victoria pulls back, tangling her paws in her lap. The ache becomes a gnawing hurt. The fear in Plato's eyes burns hotter, guilt shining just beneath the surface.

"Please." Plato sets his jaw, and the fear fizzles slowly - forcibly - last of the flame suffocated. But he does not get near her again. He is gone to that place she cannot follow. "I cannot...do not lie to me."

"I am not lying," she manages, tears at the precipice of her eyelashes. The silence grows even heavier between them

"Then," he continues at last, breath hitching eyes wide and astonished, and Victoria feels ice settle at the base of her spine. After a moment, his expression dulls again. The smile on his face returns in a flash, a plaster over a wound, but it is bitter, cool. Empty. "You are being cruel? I did not think you had it in you."

[crocodilenjoyer]

he's our little brother. take care of him.

anne carson - antigone / alec benjamin - if we have each other / dan pearce - single dad laughing: the best of year one / kodaline - brother

[kit-screams-into-the-future]

wanted to try my hand at a fake screenshot thing with a scene from one of the bttf fics of all time, Time Is a Flat Circle by @fourth-dimensional-thinker! i set in to draw only the "little canary" line but. as you can tell. my hand slipped and fell down a 6 story building

if you haven't read it already please check it out PLEASEEE it's very good. i read the whole thing in basically one sitting. the vibes are perfect for the spooky season too!

versions without the filter/subtitles under the cut:

[shehsart]

If you really think about it he hasn't changed a bit.

[deoidesign]

I'm caught now, what's the comic about? I'm guessing demons from your tags but I want to know more (without spoiling anything)

I'm so glad you asked.

I wanna say so much but I don't want to spoil anything... I'll do my best.

It's about demons, yes... But also mermaids, curses, murder, and love... The sweetest mermaid in the world gets magically stuck with an asshole demon warlord.

Thrust into a world of crime, murder, lies, and secrets, Luciel is completely out of their depth... And cursed to live in the ocean for the rest of his life, Zagan is a fish out of water.

Zagan is trying to solve the mystery of his own murder, while also navigating trying to cure his new curse AND gathering souls so he doesn't get sent back to hell. While Luciel is happy to tag along, Zagan is new to cooperation and is forced to adapt... And Luciel soon discovers there might have been a BIT more danger than they signed up for.

It follows the two of them as they solve a mystery, uncover new secrets, and navigate the dangers of the world while also discovering its many wonders!

And also maybe falling in love...

This is sort of the vibe... I haven't finished any episodes yet. These aren't canon scenes. I keep drawing just a couple panels or small strips of scenes that MIGHT happen cause I'm so excited it's not even funny I want to make it so bad

I can't stop drawing them it's a problem. I have work I have to do...

[0101010010101018]

Drunk n tired hahah

[eff-plays]

I want to know what the world sees when it looks at me. What you see.

[redge]

How is it that I am more accepting of all the stories and theories I've read about the Oshi no Ko than where we are right now?

Also, some people really think that OnK readers are furious about the story because it was tragic? Tragedies are endings that will linger on you. Tragic endings are endings that will give a lasting feeling and in my opinion, they're more weighted than happy endings. In all cases, not all endings should be happy. I am very accepting of tragic endings but I just can't ride with this one because killing off Aqua did not feel like the only option left to punish the antagonist of the story. Why was letting the authority punish Kamiki not an option when they've already caught Nino red-handed?

The story has never been fair to anyone. Like crow girl oh my goodness what was the point of her existence anyway? She just narrated and talked in Aqua's dream and that's it?!

Ruby! She lost her beloved sensei. She lost her beloved idol. And now she lost her twin brother. So is the story we want to tell here is that life is shitty but you should pick yourself up and fight to the end because okay yes I get it but was killing off Aqua really necessary for the story to proceed? Because again there are other options we could've dealt with Hikaru so is this just tragedy for tragedy's sake?!

Akane! How come she's doing a detective's job when she should be doing her job as the genius actress that she is?! How come you put that weight on a character who almost killed herself and had felt indebted with Aqua's kindness to the point that she's willing to sacrifice herself for Aqua? How come you write off this character with the greatest deepest love through self-sacrifice wheh she is a young lady with a bright future ahead?!

Miyako! You made her take over Ichigo Production, take care of Ruby and Aqua, made her watch them from the sidelines. She knows she can never replace Ai as the twin's mother but she's done her best to be a mother to them then you decide to kill off Aqua could you imagine the guilt she will always feel for not protecting her son enough?!

Taiki! He was happy knowing that he has a brother because apart from the director, he's been alone all his life. I doubt they would ever know that Aqua committed suicide but could you imagine the despair Taiki would feel for losing his parents and his brother to suicide?!

The movie 15-Year-Lie! Even that movie was handled unfairly because are you telling me that with all the hype placed for that movie, with the story of Ai, the nation's favourite idol being told post-humous, is still not enough to be successful so let's kill off her son whom all she ever wanted was to live healthy and happily.

So maybe the message here is to endure life's cruelty, be strong, survive and live on "towards the stars and dreams"? Is that it?

[moonchild-in-blue]

Oh.

[meownotgood]

aki's english va is gonna be at a convention a few hours away from me... but I can't go because I have to work 🥹

[nikoisme]

hello i am here to ask you your thoughts on Polites from EPIC!

Nothing much actually hahaha. I see him more as a personification of the ideology of optimism, hope and joy (open arms). He is kind of written just to push the plot forward and build Odysseus' character.

I did talk about another thing about him here

[stop-breaking-my-heart-telltale]

Mitch's downfall as one of your favs was something I thought I'd never see and didn't expect to hurt me so much lol

Oop, sorry about that anon.

To be fair, it's not like I hate Mitch now or anything. I still like him and think he's a fine character, but a lot of time has passed. I assume you're coming from this post where I replayed TFS after a year away, which I wrote in 2022. I fell out of the fandom and writing fic for it, etc. that when I replayed, it didn't quite feel the same? If that makes sense?

Back when I was super active within the fandom every day, when episodes were still coming out, it's easier to get engrossed in every little thing about it, y'know? Mitch became a favorite of mine since he died in ep2, and my brain was like, "noooo, he had so much potential! I'm gonna create my own fix-it to further explore his character and what could've been!"

I don't regret that or anything, at the time I loved him, I loved the friendship dynamic with Clementine that I wrote in my fics. I've never been a mitchentine shipper. I never felt anything romantic between the two, but I liked them being best buddies... buuuuuuut then I look back on that and I'm like "…..I think I just wanted to replace Violet with him since I took the 'Violet didn't forgive Clem and they're not on good terms anymore' route and then I gave him a similar queer background to her, whoops, should probably reflect on why I did that one, eh CJ?"… y'know? That wasn't intentional, but I know I've had some issues to work through in terms of internalized misogyny. That's not something I'd do now if I were to write for twdg, let's put it that way.

Mitch is good for what he is. He fulfils his role, and the fan content surrounding him definitely gave him a push. That's great, we had a lot of fun exploring Mitch headcanons and fic back in the themed night days.

[lenievi]

Title: Unwalked Paths

Pairing: Jean Valjean/Javert

Summary: Just a few days ago, Jean Valjean had wanted to flee France. Just a few days ago, he couldn’t sleep out of fear that Javert would find and arrest him, and Cosette would learn everything. The thought of that was unbearable. To see her love change into hatred and disgust would kill him. It would kill him . . . and he was bringing Javert home.

Rating: G-T

Notes: This fic is just catering to me personally. I needed to use Javert walking into the river from Les Misérables 2000 as my starting point because it opens different opportunities, at least for the beginning. I'd be really happy if you give it a try. You don't need to know the adaptation; I'd follow the same trajectory if I were to write a book 'verse fic as well, and I'm tweaking the characterization anyway. I just had these scenes in mind and needed to get them out 🙃

[namisweatheria]

I understand most people aren't very conscious of these things but gender is a huge, huge mode through which people connect to each other, especially in youth. (Think wanting to imitate gendered features, or participate in gendered activities together.) Yamato didn't have peers or a real parent to connect with, so it makes perfect sense he would connect with his hero through gender instead. To invalidate that is just insane to me.

What do people who do that think gender is.... no don't tell me, because if someone doesn't respect the language people choose for themselves, (and trust me, there have been and continue to be plenty of real people who describe their own trans experiences as "choosing to be x" whether you like it or not), I am not interested in anything they have to say on the subject. Yamato is a man!

[0101010010101018]

CREATE CREATE CREATE

[imminent-danger-came]

Someone stop me I am this (🤏this) close to making an emo SWK edit