#hagen macy

[hagenmacy]

I read every single Maleficent book and I will keep this fandom alive single-handedly if I have to

[sinister-bob]

What happened to Mr Hooper?

Those of you who grew up with Sesame Street would remember Mr Hooper who owns the corner store. This is some nostalgia flooding back and I hope it brings back many happy memories

Harold Hooper (known almost universally as just Mr. Hooper) was a character on Sesame Street, played by Will Lee, who was the original proprietor of Mr. Hooper's Store, which still retains his name.

Mr. Hooper is Jewish, according to Christmas Eve on Sesame Street, when Bob tells him to have a Happy Hanukkah. In true Sesame Street fashion, his religion was irrelevant to most other plots, as characters' differences are generally irrelevant to plot. His heritage was suggested at in an episode in which Big Bird inquires about the languages that various members of the community can speak when Mr. Hooper reveals that he was taught to read, write and speak Yiddish at after-school religious instruction.

For unexplained reasons, Big Bird had trouble saying "Hooper", instead using various words that rhymed with it, such as "Looper" or "Crouper". This led to frequent retorts of "Hooper! Hooper!" from Mr. Hooper or the other adults whenever Big Bird mispronounced his surname.

When Lee suddenly died of a heart attack on December 7, 1982, it left the producers of Sesame Street, the Children's Television Workshop, with questions about how to acknowledge the death of one of the series' most visible actors. After considering a number of options, CTW decided to have the character of Mr. Hooper pass away as well, and use the episode to teach its young viewers about death as a natural part of life and that it is OK for everyone—children and adults alike—to grieve when someone they love dies. The cause of Mr. Hooper's death is not announced, and euphemisms to soften the blow of his absence (e.g., "passed away") are not used; the topic is dealt with directly.

The "Farewell, Mr. Hooper" episode (ep #1839) aired November 24, 1983 (Thanksgiving Day), so that parents and children could discuss about the content while watching, and was quickly selected by the Daytime Emmys as being one of the 10 most influential moments in daytime television history.

In the famous "Farewell Mr Hooper" episode, the adults on Sesame Street explain to Big Bird about Mr. Hooper's death.Big Bird makes a silly entrance onto the set, walking backwards with his head between his legs. When Gordon asks why he is walking like that, Big Bird gives the childishly inscrutable reason, "Because. Just because."

Later in the episode, Big Bird presents each adult on the show with a gift—a drawing he has made of each of them. The last drawing he has is of Mr. Hooper, and Big Bird is eager to give it to him. When Big Bird asks his adult friends to help find Mr. Hooper, they gently remind Big Bird that Mr. Hooper has died. Not understanding, Big Bird announces he will just wait for him to come back.

The adults pause, looking uncomfortable and sad. They then tearfully explain that when someone dies, they don't come back physically. Big Bird is dismayed, and the adults (all genuinely emotional) comfort him, explaining that they were lucky to have known and loved Mr. Hooper, and that they will always have their memories of him. It will never be the same without him, they say, but they will all help take care of Big Bird and life will continue on as normal.

Big Bird angrily demands to know why Mr. Hooper had to die, and no one has a ready answer. Finally Gordon figures out what to say: "Because. Just because." This is perhaps the only answer that could make sense to Big Bird, at least for now, and he sadly accepts it. He then—as he constantly has throughout the years—humorously, but glumly mispronounces Mr. Hooper's name once again, even in death ("Mr. Looper"), then Maria said, "That's Hooper, Big Bird. Hooper." And the adults and Big Bird embrace.

Big Bird's drawing of Mr. Hooper (in reality drawn by Big Bird's puppeteer, Caroll Spinney) hangs above his nest to this day, as was seen in the 2007 "Learn Along with Sesame Street" episode "You Can Ask." Interestingly, the segment in which the portrait is seen also deals with loss, as Big Bird had just "lost" a pet turtle

Initially, the producers had considered using flashbacks of Mr. Hooper in the episode. This was ultimately rejected because they thought that—given that most children are unable to comprehend the difference between flashbacks and new footage—it would give the impression that Mr. Hooper was actually still alive and thus confuse the intended audience.

The episode was later made into a book called "I'll Miss You, Mr. Hooper" by Norman Stiles, et al.

Also, a street skit made about a year later featured Big Bird, Maria, and David all reminiscing about him in good spirits. Big Bird showed off his drawing of him, and shots of him were shown as they continued to talk about him.

While Mr. Hooper's death is considered by most as a landmark in children's television, this wasn't the first death in a children's program. Upon the 1973 death of George Woodbridge, who played the titular character in the British series Inigo Pipkin, the opening episode of the third season of the show dealt with the character's passing. The series was renamed Pipkins, to reflect the change in cast.

Will Lee

Will Lee (August 6, 1908 – December 7, 1982) was an American actor who was known to many for playing the store proprietor Mr. Hooper on Sesame Street, from the show's debut in 1969 until his death.

Lee was born in Brooklyn, New York and began his career as a character actor on stage. He was a member of the Group Theater in the 1930s and appeared in Johnny Johnson, Night Music, Boy Meets Girl, The Time of Your Life (as Willie the pinball machine addict) and other Broadway plays. He succeeded John Garfield as the lead in Golden Boy.

Lee was co-founder of the Theater of Action and a member of the Federal Theater Project. During World War II, he served in Army Special Services in Australia and Manila and was cited twice for directing and staging shows for troops overseas, as well as teaching acting classes. After the war, he appeared Off Broadway in Norman Mailer's Deer Park (as movie mogul Teppis) and on Broadway in The Shrike, Once Upon a Mattress, Carnival, Incident at Vichy and The World of Sholom Aleichem.

Lee also began appearing in films, including bit parts in Casbah, A Song Is Born, Little Fugitive and according to "Sesame Street Unpaved", Saboteur. However, much like Zero Mostel, Will Lee was blacklisted as a communist in films and on television for a period of five years during the McCarthy Red Scare, according to members of his family. He had been active in the Actors Workshop and had been an unfriendly witness before the House Committee on Un-American Activities hearings in 1950 investigating show business. At the end of that period, in 1956, Lee landed the role of Grandpa Hughes in the soap opera As The World Turns, before finally being cast as Mr. Hooper.

He taught at the American Theater Wing for nine years (where his students included James Earl Jones) as well as at the New School for Social Research, Boston University and the Uta Hagen-Herbert Berghof Studio. In addition, he conducted his own acting classes. Outside of Sesame Street, later roles included television movies and a supporting role as the judge in Sidney Lumet's 1983 film Daniel (with Mandy Patinkin, Ed Asner, and Peter Friedman). He also worked in commercials, including a spot for Atari, as a grandfather learning to play Pac-Man from his granddaughter. He also did commercials for Ocean Spray juices.

At age 61, he began acting as Mr. Hooper in 1969 on the show called Sesame Street".

"He gave millions of children the message that the old and the young have a lot to say to each other," said Joan Ganz Cooney, president of the Children's Television Workshop. The New York Times reported that on Sesame Street, Will Lee's Mr. Hooper ranked ahead of all live cast members in recognition by young audiences, according to a then recent survey. His bowtie and hornrimmed reading glasses became his trademark. In a November 1970 TIME article, following the show's successful first season, Lee recalled his feelings about the show:

I was delighted to take the role of Mr. Hooper, the gruff grocer with the warm heart. It's a big part, and it allows a lot of latitude. But the show has something extra, ­that sense you sometimes get from great theater, the feeling that its influence never stops.

In addition to being a staple of Sesame Street for over ten years, Will Lee portrayed Mr. Hooper in television specials (Christmas Eve on Sesame Street, A Special Sesame Street Christmas), guest appearances (Evening at Pops: 1971), stage appearances, countless record albums, and parades, including the 1982 Macy's Thanksgiving Day Parade. Lee taped his final segments as Mr. Hooper in November of 1982, but his death would become the focal point of Episode 1839, in which Mr. Hooper's death is explained to Big Bird.

According to the NY Times obit, as he became known on Sesame Street, children would approach him on the street and ask, "How did you get out of the television set?"' or whisper, "I love you." "Apart from the joy of knowing that you are helping so many kids, the recognition is heartwarming," Lee was quoted as saying in 1981.

When Lee died of a heart attack in 1982, it left the producers of Sesame Street, the Children's Television Workshop, with questions about how to acknowledge the death of one of the series' most visible actors. After considering a number of options, CTW decided to have the character of Mr. Hooper die as well, and use the episode to teach its young viewers about death as a natural part of life and that it is OK for everyone—children and adults alike—to grieve when someone they love dies.

Episode 1839, now known to children and fans as "Farewell, Mr. Hooper" was aired on November 24, 1983 (Thanksgiving Day), and was quickly selected by the Daytime Emmys as being one of the 10 most influential moments in daytime television.

[animusrox]

Matt Reeves Batman Cinematic Universe Fancast

- Armie Hammer as Bruce Wayne/Batman - Bill Nighy as Alfred Pennyworth - William H. Macy as Jim Gordon - John C. Reilly as Harvey Bullock - Riley Keough as Vicki Vale - Eiza González as Selina Kyle/Catwoman - Timothée Chalamet as Dick Grayson/Robin - Hailee Steinfeld as Barbara Gordon/Batgirl - Jeffrey Wright as Lucius Fox - Joe Gilgun as The Joker - Andy Serkis as Oswald Cobblepot/Penguin - Sean Gunn as Edward Nygma/Riddler - Alexandra Breckenridge as Pamela Isley/Poison Ivy - Ed Harris as Victor Fries/Mr. Freeze - Navid Negahban as Ra's Al Ghul - Sean Harris as Johnathan Crane/The Scarecrow - Colman Domingo as Waylon Jones/Killer Croc - Daniel Brühl as Hugo Strange - Viggo Mortensen as Roman Sionis/Black Mask - Jameela Jamil as Talia al Ghul - Andy Samberg as The Condiment King - Matt Dillon as Matt Hagen/Clayface - Nicolas Cage as Jack Ryder/The Creeper

[oyuncukafasi]

Teknikler

Stanislavsky : Duygusal hafıza, ruhsal gerçeklik ve kendini analiz etmeye odaklanır.

Lee Strasberg: Karakterin deneyimlerini kendi hayatlarıymış gibi mimikleyerek onların duygusal dünyasına odaklanır.

Stella Adler: Duygusal hafıza yerine hayal gücüne odaklanır. 

Sanford Meisner: Dinlemenin, açık ve dürüst olmanın önemine odaklanır.

Michael Chekhov: Fiziksel eylemlerin, ruh ve vücut arasındaki bağına odaklanır.

Pratik Estetikler: William H. Macy ve David Mamet tarafından geliştirilmiştir. Metin analizinin önemine odaklanılır.

Uta Hagen: Kendi hatıralarını karakterlerine uygulamaya odaklanır.

Viola Spolin: Doğaçlamaya ve kendi kendini yönlendirmeye odaklanır.

[loboglobalmedia]

El PGA Championship y su rica historia

En 1916, un grupo de profesionales del golf reúnen en el Taplow Club en la ciudad de Nueva York y fundan la Professional Golfers Association (PGA). La reunión ocurrió por invitación de Rodman Wanamaker, el hijo del fundador pionero de los grandes almacenes Wanamaker (ahora Macy's). Creyendo que el golf necesitaba una organización oficial para promover el interés en el juego, que ya estaba creciendo en ese momento, Wanamaker invitó a un grupo de jugadores, incluido el célebre Walter Hagen, y otros representantes del deporte al Taplow Club para una reunión exploratoria. Wanamaker propuso que la organización recién formada celebre un torneo anual y ofreció donar dinero para un trofeo y un fondo de premios. Ese octubre, se disputo el primer PGA Championship en el Siwanoy Country Club en Bronxville, Nueva York. James M. Barnes derrotó a Jock Hutchinson "uno arriba" en el partido por el campeonato, llevándose a casa el trofeo Wanamaker. El gran impulsor del golf en Estados Unidos en la década del 1920 fue Walter Hagen, que ganó cinco PGA Championship, cuatro de ellos en forma sucesiva. El torneo se jugó hasta el 1958 en formato Match Play y el ganador debía jugar siete partidos siendo la final y semifinal a 36 hoyos. Por lo que se podían llegar a jugar nueve vueltas de golf en apenas cinco días. Este formato hizo que muchos decidieran no jugarlo, debido a la demanda física que requería. Read the full article

[classysandwichcollection-world]

Barbour 'Tidewater' Tartan Shirt

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[hagenmacy]

what am I doing

[hagenmacy]

HAPPY BIRTHDAY NANCY!

[hagenmacy]

The Final Scene

We’re back! Nancy is onto another case after her friend is kidnapped in a derelict historical theatre, due to be demolished in just a few days! Since the Final Scene takes place in a theatre, I went the obvious route and just got popcorn and candy.

On with the show! :D

5.     The Final Scene

This is going to be a harder one to write, because it’s just…good? It’s a good game. There’s not really a lot for me to nitpick or gush about.

This was one of the first three Nancy games I owned, and I remember back then it was my least favorite. My mom and I played it the least because we genuinely found it the hardest. We’d always get stuck very early on--literally right after Maya would go missing. It was years before I ever even got to MEET Simone or even Nicholas Falcone. I called the police, and then just gave up I guess?

I honestly don’t remember why or how we were so bad at this game. Playing it now, I found The Final Scene to probably be the easiest of the ones I’ve played so far? It’s not unchallenging and half-done like SCK, but it’s very fluid—I finished it very quickly.

The setting of the Royal Palladium Theatre is great! The backstory of the location, with it’s skeevy two-faced turn-of-the-century owner who screwed over his workers and secretly was low on funds makes it feel so real.

This is my favorite cast of characters out of the first five games—everyone is detailed and dotty, and SUPER shady. Fans point out just how unapologetically rude Nancy presents herself in this game, and yes. It’s fantastic.

8/10 a definite must-play for any Nancy fan!

[hagenmacy]

watch me try to be a youtuber eleven years too late you guys

[hagenmacy]

Makeup

“So, you need to remember you put contour on beforeblush. If I have to tell you again, you’re grounded and no more highlighter.” Elias smiled to himself as he brushed my cheek. I rolled my eyes and my face heated up. I felt jittery and excited.

        “I’ll remember that too, jerk.”

        “Hmm, we’ll see.” His silvery eyes were directed straight at mine now. His grin endured. “There’s going to be a pop quiz sometime this week—I’d watch out if I were you.”

        “Oh hush.” I watched him place the brush down and dig back into the grocery bag, scrounging for the next applicator.

        Elias spoke to me without looking up. “You’ve been very jittery with your fingers the past few minutes, are you nervous or excited? I hope you trust me.”

        “I do. I promise.”

        “You’re going to look really cute. Here we go,” he said as he unpackaged the next brush. “…then why are you anxious?

        I opened my mouth, but the words followed slowly. “Are you…okay with this? I’m not going to look weird to you?”

        He pursed his bright pink lips, and his head drooped to the side. Even through his contorted pucker he managed to smile devilishly. His pale hand rose up my neck and he began massaging my hair.

        “You’re sweet to listen to when you’re worried about silly things.” he hummed. “I’m doing this because I’m excited to make you happy with yourself—I’mexcited about how you’ll look too.”

        “I don’t think I’ll want to do this for a look every day—but like, I think it could be fun and cool sometimes.”

        “Do it however often you want, you’ll look cute either way.”

        “I don’t have to go like, full-on glammed up painted face or anything…”

        “Go big or go home, sweets.” He was ignoring me now, chuckling to himself as he reassured me.

        “So it’s okay?”

        His eyes fell onto mine for another quick moment, and he smiled “Mm-hm.”

        I watched him dip the brush in highlighter. I shut my eyes as I waited for the cold powder to clash against my cheekbone.

        “When you’re done with this, can I see?”

        “Not till it’s done. I’m full-on glamming up face painting you. No peeking.”

        I giggled. I didn’t mean to, it just…fell out of me. My face heated up again. The room was quiet and still as I slapped my hands against my mouth. Though my eyes were closed, I could just feel Elias holding back a chuckle.