#ha. i need to shut up.

[megyulmi]

JJK Chapter 260 Spoilers!

➠ Sukuna’s vision and the Hallucinations that arise from the deterioration of body in Buddhism:

This is a personal opinion on why Sukuna saw Gojo in that particular moment of Chapter 260. It is based on the process of Death in Buddhism and the visions that one entering the process of dying experiences. Please note that the death process varies depending on the school of Buddhism and here I am referencing the Mahayana tradition and the works of a Tibetan monk - Thubten Yeshe.

According to the work of Thubten Yeshe, the most important chakra (energy wheel) that runs through a body is the one located at the level of our heart as the heart chakra is considered the home of our very subtle mind (the mind is divided into the gross mind, the subtle mind, and the very subtle mind: the gross mind depends on the body and the five elements - earth, water, fire, air, and space. As soon as body functions stop, the gross mind stops. The subtle mind underpins the five senses - see, smell, hear, taste and feel the world of the spirit. The very subtle mind is the source of the clear light).

The activity of all types of mind, both gross and subtle, depends upon their supporting winds (of the energy) and where these are travelling. As long as they flow through any of the channels other than the central channel, these winds activate the gross minds that give rise to superstition and confusion. But when these winds enter, abide and dissolve into the central channel, as happens naturally at the time of death, the gross minds subside and the very subtle mind of clear light arises instead. This entire process happens automatically during death (as a process of deterioration) but very few are able to recognise it.

Here it is also important to note that the root of the Samsaric (endless cycle of life, death and rebirth) suffering is ego-grasping: the wrong view that holds onto a mistaken belief in a self-existent ‘I’ or ego-identity. Holding onto one’s ‘ego-identity’ at the time of the passing brings death in an uncontrolled manner, which forces the dying to enter an uncontrolled intermediate state.

Now to the actual process of dying: there are three stages - death, the intermediate state and rebirth. For us the process of death is important, so I will be discussing only this stage.

Death is the separation of the mind from the body. The body does not lose its ability to maintain consciousness all at once, but does so gradually with each element of the body losing its supportive ability in turn. First, the earth element sinks, or dissolves, into the water element and then the water element sinks into the fire and fire into the air, and the air element into consciousness itself. For example, when it is said that the earth element sinks into the water element, this means that as the solid portions of the body are losing their ability to function and are becoming less intimately interconnected with the dying person’s mind, the liquid element appears stronger and more evident. As these various physical elements become stronger and weaker in turn, the dying person experiences certain external and internal signs associated with the dissolution process.

When people, who have not trained themselves to go through the process of death during life, die they are out of control. They become overwhelmed as their bodily elements go out of balance and cease functioning harmoniously. It is therefore very difficult, if not impossible, for them to remain calmly aware of what is happening while experiencing visions. To put it simply, while desperately holding onto a supposedly solid sense of ‘I’ for security, they panic as the basis for one’s ego-identity – the body itself – begins to disintegrate.

As the earth element of their body deteriorates and the water element grows stronger, their mind is filled with the hallucination of a shimmering silver-blue mirage. They feel trapped and suffocated. Then the water element sinks into the fire element and a vision of swirling smoke appears. As this is happening they may feel that they are drowning or being carried away by swirling currents of water. Next, the fire element dissolves and their body gradually grows colder; they perceive a vision like that of sparks dancing over an open fire at night. Finally, the air element dissolves and their breathing becomes very shallow, and they may feel that they are being blown about like a leaf in the wind. Along with this experience comes the vision of a dying flame in a darkened room. As is the case when a candle is about to go out, the flame suddenly grows brighter as if exploding in a final burst of energy. Their breathing, which has been getting more and more difficult, now comes to a complete halt. To the outside world, they now seem to be dead. The visions one experiences in the process of death also vary from school to school (some see people, some see ‘demons’ or their fears, etc.).

I think that what we saw at the end of Chapter 260 was Yuuji causing damage so big to Sukuna’s heart chakra (in this particular case of jjk, soul) that he caused the elements of Sukuna’s body to deteriorate and enter different stages. We are seeing Sukuna being pushed to the edge of dying and his vision of ‘the ghost of the strongest’ is the representation of the visions (hallucinations) that arise from the uncontrolled mind at the moment of the beginning of the death process and the dissolution of the body. He is desperate (or trapped in a place/position he has never truly envisioned himself to be in) and clinging to the version of himself when his ego-identity was at its highest (i.e. defeating the strongest of the modern era). And how he sees Gojo, arising from the smoke (dust) is similar to how the hallucinations arise between the deterioration of the elements as well.

[hyukqi]

size training with soobin !!! 😵‍💫

(lawd help me im lightheaded just by imagining it)

soobin lying back against the headboard with one hand brushing his messy hair back and the other with a loose grip on your waist. sweat dripping down his forehead while he has an cocky smile across his face scanning your body up and down as you straddle his hips. whimpering quietly “b-bin…” while he coos softly “shhh.. come on pretty girl, you can take it, can you?” >_<

lifting your hips to align his cockhead with your sopping entrance, feeling overwhelmed with his intimidating demeanor that turns you oh so subby for him !!! gasping with short “ah”s and “hnn..!!”s while you sink down on him feeling his thick, long, girthy cock scrape your insides… he’s too big you can barely take his tip in!!

“too much…” with sobs pouring from your mouth and tears pooling in your eyes before they drip onto his toned body. “so good for me baby… it can fit ‘m promise, tight pussy ‘s sucking on it so well…” soobin murmurs enamored by how fucking hot you look forcing your pretty pussy down his massive cock. god he’s so soft with you but at the same time you want to wipe off his stupid smirk that revels in your desperation.

going so dumb on his cock shuddering once you sink down completely, moaning loudly at his girth rubbing against your gummy walls and tip resting right against that one bundle of nerves <33 god you might as well see his bulge protruding your stomach. “fuck… good girl… my good girl.. so small and tiny” lips pressed against your neck, behind your ear, and trailing to your jaw..

hah… he’s such a boob guy so soobin would definitely massage your breasts mouthing at your nipples while you ride him !! sloppily rutting against him and lifting your hips just to slam down on his huge cock leaving you both in shambles but only one grows increasingly desperate “nnnghh~~!! b-bin… soobin… p-please just ah!” soobin softly biting your nipples with his hands guiding you down and him thrusting upward at the same time making you arch back in sweet pleasure @_@

what a stupid baby you are… babbling incoherent whines and moans while he puts in all the effort into molding you into his personal cocksleeve. so so dumb for him and his big cock that you end up cumming too quickly with your juices gushing out from under, coating him with your sticky mess <333 and if you thought you were done, you are so wrong !!!

“came so fast already.. you can give me another, mm?” soobin suddenly pushing you down and hovering over with your legs hooked on his shoulders. sounds of skin smacking fill up the entire room while he deliciously ruts his dick against your pussy with eyes closed to concentrate on fucking his girlfriend dumb.

he still has yet to cum too yknow?

[pinacoladamatata]

blink and you'll miss it moments around skyhold....

[aphel1on]

AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos

[lilislegacy]

Okay, I’m so gonna get hate for this. And it will probably get about 4 notes. This is, by far, the most opinionated thing I have ever posted on here. If you can’t tolerate criticism towards Rick Riordan, the books, or the TV show, please keep scrolling. My goal is NOT to change your mind or start arguments.

I also want to preface this by saying that I love and respect Rick Riordan (even if I disagree with him on things and don’t like some of his choices) and fully acknowledge that he has the right to do whatever the hell he pleases with his own series. I also want to say that I love Annabeth Chase (both the book and tv show version) with my entire being and you will never find me being an Annabeth hater. She’s my girl.

We good? Okay cool. So here’s the thing: I’ve seen a lot of people on here saying things like “If you didn’t like the books, you just don’t know how to have fun,” and “The new book haters are just mad that they aren’t the target audience anymore,” and (my personal favorite) “Nothing in the books has changed, only the readers have.”

And while I see your points, and I respect you, allow me to show you something. Because of the 10 picture limit, I am only going to focus on one specific change: Annabeth’s view of Percy.

WOTTG: Annabeth is surprised to be comforted by Percy

Past Books: Percy is constantly comforting Annabeth

WOTTG: Annabeth is shocked when Percy is smart

Past Books: Annabeth often points out that Percy is intelligent

WOTTG: Annabeth thinks Percy can’t do anything on his own, and Rick communicates that Annabeth is always saving his ass

Past Books: Percy is ALWAYS watching her back, and saving her ass just as much (and Annabeth admits that)

I could put a hundred quotes in here. I could go on and on and on. But I can’t, and I won’t.

My problem with this new book is NOT that it is more goofy than serious. My problem is NOT that little things have changed. My problem is NOT that it’s just for fun. My problem is NOT that it’s much more childish. (And by the way, I’ve read PJO and HOO as an adult, so it’s not like I was a child when I read everything else and am now an adult reading the new ones.) I really did like and enjoy many parts of this book.

My problem is that the characters (especially Annabeth) have flat out changed—in bad ways—and we have no choice but to accept it as canon. My problem is that Rick, while trying to merge his books with his new TV show project, is changing the entire personalities and past behaviors/ tendencies of the characters.

I loved Chalice of the Gods. You know why? It was fun, goofy, and showed the characters that we know and love being happy and adorable. I strongly dislike Wrath of the Triple Godess because the characters—no matter how adorable and happy they might be—are no longer the ones we know and love.

My problem is that Rick Riordan fully admitted that he no longer considers the old book characters when he writes the new books. He is now purposefully incorporating his own personal mixture of the book characters and tv characters and writing those versions instead. Because of his desire to change and transform the series, I doubt he’s even read the original PJO or HOO books in years, which is why everything is so inconsistent. The old book characters—the ones who made the series what it was—are gone. And that is not my opinion. Rick fully admits that he doesn’t imagine them when he writes anymore. Don’t get me wrong, I LOVE the tv show actors. I adore Walker and Leah and Aryan with my whole heart, and I wouldn’t trade them for anything. But the fact is: they will never be exactly like the book characters. It’s impossible for actors to become the words on a page. They’re their own unique version! And likewise, you cannot turn actors into print. It doesn’t work! And why would you try? The books versions were perfect as they were. And the disney kids need to make the characters their own. The two versions can exist side by side, equally as wonderful, and still be gloriously different. We should celebrate the uniqueness of both. But instead, Rick is attempting to merge them into one. And in my opinion, it’s just hurting them both. And I’m gonna get real brave by saying this, but do you want my honest prediction? If he keeps doing what he’s doing now, the TV show is going to get cancelled and the books are going to turn into a joke. I so, so badly hope that this doesn’t happen! I have loved Rick and PJO for many, many years. I badly want both to thrive. But what is going on right now… it is not working, no matter how much we all want it to. And speaking as someone who knows people in the TV/Film industry, I am sadly not the only one who thinks the show is gonna flop. Which is devastating, because Rick Riordan deserves a redemption on the big screen, and the incredible actors deserve to bring this series to life in a new way.

I am not trying to force my opinions onto anybody. You are welcome to disagree with me and move on. I am not saying that I’m right and you’re wrong. If you disagree, that’s okay. If you agree but you don’t have a problem with it, that’s okay. In fact if other people have literally no issues, that makes me somewhat happy. And if you loved the book, I’m honestly so stoked for you. Feel free to just keep on scrolling, my friend.

But me? I’m sad. I’m really, really freaking sad. And I’m a little angry too, even if I don’t have a right to be. I can’t help it because I’m only human. But this is how I—and a lot of other people—feel. And you know what? That’s okay too. Because the fact of the matter is:

Annabeth isn’t the same Annabeth anymore. And Percy isn’t the same Percy anymore. And it’s not because they went through trauma, or because time has passed. It’s because Rick Riordan doesn’t have any interest in writing those versions of them anymore. And I think the comparisons between the old and the new show that fact pretty clearly.

[starry-bi-sky]

this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au

Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.

By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.

Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.

Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.

It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.

Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.

He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.

Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.

It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.

Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.

He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.

The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.

They're both silent as Danyal examines his new sword.

"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"

When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.

By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.

[thepersonperson]

Do you know how funny it is that Sukuna is literally suffering from Gojo brainrot?

This may be an illustration of Gojo's brain damage from forcefully resetting his cursed technique, but since Sukuna is copying him (pose included), this is what his brain looks like too.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[fatal-blow]

alright well not only did i potentially diagnose a friend today but another just thanked me for the recommendation so im just gonna fucking. post about this

if you are flat-footed/overpronate you prolly need insoles

the short of it is that roughly one quarter of the population have an anatomical variation in their foot structure that unbalances you. 75% of the population have feet with three points of contact, forming a stable tripod. people with Morton's Foot only have two, which is sorta like walking around on ice skates all the time

this can cause widespread pain.

standing and walking are meant to be passive actions. when standing straight, you should be able to relax nearly every muscle in your body. when you're unbalanced, your muscles are constantly flexed just so you don't topple over. you're literally expending way more effort than the average person just to stand up.

(see, two points of contact makes you a better sprinter, so evolution greenlit this one. yay us!)

but there's good news! the fix is very simple, and will not cost you three thousand dollars!

check out this website

which is very old and which i got out of one of the textbooks I've been reading. it'll give you more information about what I'm talking about, and you can get insoles for a really reasonable price.

if you're on a budget or skeptical tho, buy some moleskin from the store (pharmacy section) and cut out a rectangle to stick in your shoe, like this

it'll do functionally the same thing as the insoles, which is provide that third point of contact and stabilize your posture. it's literally the simplest fix in the world and not a single healthcare professional I've asked about it has ever heard about it, which has never once failed to send me into a ballistic rage

[cookiedough77]

something something ephemeral having a similar color palette to hawkmoth/shadowmoth

something something chat blanc and season 5 gabriel being all white

something something...

[captain-sunshine-11]

If Seth had issues with Kevin imagine the shit that would happen if Riko and he had a conversation.

Riko opens his mouth and Seth throws a punch.

[birdsong-warriors]

Spoilery request here, but good gracious, I hope I made the foreshadowing in these pages clear enough, given I've been building up to it for ages now.

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Part 1: Friend and Family

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[mortysmith]

[i-dreamed-i-had-a-son]

jon val jon or something

[grumpyghostdoodles]

Cant take those two anywhere

The kiddos go visit Clover at their new home! And meet Starlo! It instantly goes to shit!

[beanghostprincess]

I love how the most chaotic thing could be happening on the ship and Jinbe would just like. Be happy to be there. He'd smile. So satisfied. So comfortable. "Haha, this crew is so silly. I love them" while Zoro is jumping into the ocean to rescue Luffy because the guy thought he could fly if Sanji taught him how. Jinbe is just there. Big guy. Blushing. Smiling. Standing there. And I love him so much it hurts.