#guys why can't I be normal about my interests

[laambfuzz]

—- lunch munch club. ft schlatt. ᝰ

summary: watching porn late one night when you come across an interesting video. you're taken by surprise when you see the main male star is also the man who's streams you tune into almost daily.

— tags: smut, lunch club!schlatt, munch schlatt, mentions of oral, schlatt does purn (duh), open ending.. so we can expand upon this if we're interested.

authors note: hii! the two ideas i had originally can wait, because the lovely @fanficfox posted something about lc!schlatt doing porn and it struck me with inspo. so! everyone say thank you fox, and i hope you all enjoy! ♡

it's not uncommon for you to have some time to just yourself and the stash of porn videos that pop up on your twitter feed

twitter algorithm knows what to give you these days, which is nice. it saves you the hassle of finding a good account

but perhaps twitter knows you a little too well, when you're recommended a video of a guy eating a girl out

and you're intrigued of course, because who doesn't love that? especially when the camera is on her chest, helping entice you into the experience. as if it were you

the video is already a few seconds in by the time you click on it, and you're introduced to the scene with obscene moans escaping the girl

you can see her thighs tremble around the head in between her thighs, her free hand reaching out to run her fingers through the male's hair

you can hear muffled groans from in between her thighs, and you watch as the head moves back slightly, taking a breath

"god sweetheart, you taste so fuckin' good. could stay down here all night and take my sweet time with you."

that's when a shiver runs through your body, because oh. that sounded like.. and you supposed when you looked at the figure of the male, and the hair..

no. you were being stupid. of course you were. why on earth would schlatt of all people do porn. you know what he's like, he wouldn't

but oh, he would. and when he raises his head from beneath the girl's thighs with his lips glistening with her slick, you're frozen

it's as if your mind has short-circuited, because what the fuck?? you have so many questions; why was schlatt doing porn, why was he not making it subtle, why was he fucking good at it?

you don't have time to focus on your own questions, because your eyes are drawn back to the screen. you watch as his slim, naked body crawls up the bed, getting closer to the camera, licking his lips slowly as he groans

"words can't describe how good that was. need you to taste yourself, baby."

and with that, he's leaning over the camera to lock lips with the girl

immediately you close the tab. your whole being is flushed, and you feel hot inside for many reasons

you felt like you shouldn't have seen that, like you were.. intruding. which was stupid, he put this on the internet, there's nothing private about that

you decided you'd sleep it off. or that maybe this was a bizarre dream you'd wake up from not too long from now. anything but clicking back onto it

and yet only 10 minutes later, you had re-opened the tab

the next evening, schlatt is streaming and you try to watch it like normal. as if last night didn't happen

but you couldn't

now, every time he makes a suggestive joke or comment, you're transported back to last night

when he rolls his shoulders and cracks his neck mid-stream, you remember how he looked doing it in the video, before he crawled towards the camera

when he licks his lips after taking a drink, getting the remnants of whatever liquid he had consumed from them, you can only see him licking the girl's slick off himself

you felt insane, like you couldn't act normal about it

and maybe it was part of the insanity, but it felt like he knew.

maybe you were just psychoanalysing his every move now, but you could've sworn he was never like this before.. he was

you decided to test the waters with a few donations littered throughout the night

when he has ordered food in and was wolfing it down, there were scraps and sauces across his lips

"are you always this messy? i thought you liked to take your time with things."

when he's reviewing a video and he's talking a lot over a particular section

"you ever been told you talk too much, or do people usually like that?"

or, when he's playing a poorly made hide 'n' seek game with fans

"i'm not sure you're as good at hiding things as you may think."

"oops, 'things' autocorrected in."

every time schlatt hears one of your donations come through tts, he feels a shiver run down his back

he knew his little side hustle wasn't exactly locked behind security, it was just.. out there

maybe he was overthinking it, reading too much into your donations for no reason

either way, he's noting down your name on a sticky note on his desk for next stream for.. reasons.

[redladydeath]

@storm-ismyusername

The idea that the grandparents are so awful that Sarah & Thomas aren’t horrified when their Dad murders them says SO MUCH. (I guess the kids now know Very Clearly what their Dad went through and how he ended up like that.)

Welllll, it's less that their grandparents were completely horrible to them and more the desensitization to death that all citizens of Hell go through, plus the relief of no longer being stuck in that environment. Tom and Sarah's time with them wasn't torturous, just physically and emotionally exhausting. It was such a sharp pivot from being normal suburban kids to going to Hell and having to work for everything (even their relatives' affection) that any sort of return to normalcy was welcome, even if it came through violent means.

How would Vox find out about this situation? How ENRAGED would Vox be when he found out his parents were reenacting his childhood trauma on his kids?

Honestly, it wouldn't be hard for Vox to find out. Once he starts to break into the entertainment industry, it'd be easy to just happen upon or hear about a little theater that has an act that seems a bit too familiar to him and whoops, it's murder time. Tbh, despite his bad experience with it, Vox actually likes theater (or at least appreciates the skill/work that goes into live performances), so he could've feasibly realized what was going on halfway through watching the show.

Vox is a weird, hypocritical guy. I don't think he's against child labor on principle or would even admit that his own childhood was abusive, but ever since they were born, he's been very adamant about his own kids having "normal" childhoods. Part of it is his obsession with social status/norms (he needs to be The Best = society says that children should grow up in actual homes and shouldn't have to work = his children should grow up in an actual house and shouldn't have to work), but there's also a more human part of him that freaks the fuck out at the idea of his kids having to grow up like he did. He had a visceral internal reaction to his dad half-jokingly asking if he was going to get Tommy into the family business mere hours after he was born. He can't even articulate why that interaction gave him a mini-panic attack mixed with rage– it just did. So actually watching that fear be realized despite his best efforts to prevent it... it's not pretty.

Wonder what kind of role and show Sarah could be in? Does she develop genuine interest in theatre or singing after her experience?

Sort of. She discovers that she does enjoy performing for fun (not for work, though), but because of her experience, she now feels like she should be "earning her keep," even though she's. you know. eight. and in Hell. Vox doesn't really interrogate this new interest of Sarah's very hard, partially because he's not a very empathetic person and partially because it mirrors his own experience so closely that he doesn't even think to question it.

Ondine doesn't have a lot of variation in the kind of roles she plays. She's always a precious little girl of some kind because, well, that's all she can be due to her eternal youth. She's very at-home on sitcoms, although those aren't the only shows she's in. She has a view skewed perception of what life as an actor is like though since she's the producer's daughter and is always treated 1000 times better than any of the other cast members.

Are the kid’s personalities affected by their ordeal?

Not significantly. Ondine's a little more outgoing because of it and Fineas is a bit more introverted.

Wow, Vox’s fragile pride is so enormous that he forces his kids to relive his own childhood trauma. So pathetic and cowardly.

To be fair to Vox, the main reason why he made that choice was because he felt that if he brought his children under Lantana's roof, none of them would ever get out. The "my kids might not respect me anymore if they see me like this" thing was more of an underlying motive. He doesn't leave the kids with his parents for months/years after being rescued by Alastor like he does in the Cannibal Town scenario. He'll allow his kids to eat people in order to protect his ego, but he draws the line at child labor. Vox is a weird guy.

The shared custody situation sounds hilarious, can we explore that more? So would Sarah & Thomas have visitations with Vox every weekend? Would Vox & Helen try and make their schedules fit so the kids won’t be alone in their apartments? Once Vox gained Overlord status would he kill Helen, give her a penitent & stick her in a decent apartment so the kids could still bust her, or leave her on the streets?

I have no idea how this scenario would work, honestly. It's not entirely out of character since this would all be going on in Vox's early days, before he became his worst self, but I still struggle to come up with ways this could feasibly work without taking an abrupt turn for the dark. It's really for the best that Vox and Queenie never see each other again. Neither of them are going to play nice in the long run and it'll just end with the kids even more traumatized than they already are.

It would be funny if Alastor wanted super friendly and nice to Helen to spite Vox.

Oh, 100%. In any scenario where they meet and he knows that she's Vox's ex, Alastor treats Helen like a queen (except for that one RAM scenario where he casually kills her but shhhh).

@storm-ismyusername

Okay, so, the "Vox's kids die as children AU." I came up with the image of Vox keeping his kids in a fish tank first, but upon further reflection, I've realized that it doesn't really line up with the timeline I've established.

Vox's children were 7 and 10 when he died (1957)

Vox worked under an overlord for 3 years after his death before he broke free, started his own business, and met Alastor (1960)

He and Alastor were friends for 6 years until they fell out (1966)

Vox gained official overlord status 2 years later (1968). By the time Vox had the resources for the fish tank plan, his kids would've been 18 and 21.

The only window of time where Thomas and Sarah can die and still be children is 1957-1961, so it would have to happen when Vox was still in the employ of his overlord. I actually think the idea of struggling single dad Vox is really charming, so let's go with that.

With that background, I'm not sure if Vox would feel the need to do the fish tank thing since they went 15 years with nothing going wrong. Maybe it exists, but Sarah and Thomas aren't confined to it 24/7. Everyone already knows they exist, so they're allowed to move around the tower as they please (they are absolutely not allowed to go outside, though).

Okay, with that out of the way, onto the responses. Gonna answer this in parts: this one is the pre-canon stuff, the next will be the canon stuff, and the third will be RAM stuff.

Ondine & Fineas where they die as kids: How does child Sarah and Thomas react to: 1-Dying 2-Going to Hell 3-Reuniting with your dead Dad (who now has a TV for a head) Would any of their Sinner features be different? Is it weird I can see Vox being more fatherly to Sarah and Thomas than he was in his human life? So when Sarah & Thomas die as kids does Vox find them before or after his big fight with Alastor? If before, what would Alastor make of the situation?  How long does Sarah and Thomas fend for themselves in Hell? A few days, a few weeks, a month, a year?  Did someone find the first? Did Vox only learn his kids were in Hell when someone was using them as blackmail against him? Did Sarah and Thomas watch as their father brutally murder their kidnapper in front of them?  Maybe another Overlord (like Carmilla, Zestial, or Rosie) found them and gave them to Vox because they felt threatening children was beneath them and drew the line at hurting kids. Wait what if Alastor found them first? What would he do with them if he did?

Okay, so Sarah and Thomas die somewhere between 1958 and 1959. They still drowned, maintaining their aquatic theming, but I'm not sure how exactly– could've been from their mother driving under the influence and crashing the car through a bridge's guardrails, could've been just regular drowning at the beach or something. Their mother survives, so they land in Hell alone (I have no idea what an 8~9 and 11~12-year-old could've done to get sent to Hell, but let's just move on).

Not sure how Vox finds them. In the main AU, they found him by recognizing his voice in an advertisement and seeking him out, but at this point, Vox is just some random nobody. Let's just assume he got extremely lucky and happened to come across them 1-30 days after they first arrived but before anyone else thought to scoop them up. Vox is horrified that they're dead and in Hell and privately swears to permakill his wife for letting this happen if he ever sees her again. He brings them back to his shitty little apartment and starts trying to figure out how the fuck he's supposed to care for children in Hell.

Despite the circumstances, Vox is actually a better father in Hell than he was on Earth. He has nothing to his name other than a shitty errand boy job, a tiny apartment, and his two small children, who he thought he'd never see again. While the stress of having to provide for them is a beast, losing everything sort of forced him to get his priorities in order. They become far more tight-knit than when they were alive, as Vox is forced to spend more time with them and get creative when it comes to meeting their needs.

It's all quite the adjustment for Thomas and Sarah. Dying and trying to survive on the streets was as traumatizing as you'd expect. Reuniting with your dead dad and having to adjust to living in poverty is also a lot to take in. Every day, they're stuck in a one-room apartment with gunshots constantly going off outside and explicit instructions from their father to be as quiet as possible and not open the door for anyone– very different from the upper-middle-class suburbanite life they were used to. Eventually, their dad will come home with cheap food, they'll spend time together for a while, and then they all curl up together in their singular bed and try to sleep. Wash, rinse, repeat. It's not a comfortable life, but it's definitely more intimate than how things used to be. Thomas starts letting go of some of his resentment of Vox since he can tell he's actually trying now, and Sarah's view of him as A Good Dad, Actually solidifies.

Eventually, Vox secretly kills his overlord, starts his first business, and is taken under Alastor's wing. Things become more comfortable for the three of them, and Alastor becomes something akin to a weird, kind of fun uncle to the kids. Things are looking up for the family as Vox starts to build power and wealth. It's horrifying for the kids when Vox comes home one night without a head and swears revenge on Alastor, but that incident only adds to Vox's upward momentum. After ten years of struggling in Hell, Thomas and Sarah (or rather, Fineas and Ondine) find themselves back in the lap of luxury as their father claims the title of the Overlord of Television.

[stephaniebrownslover]

Question for BSD fans as a new fan:

Edit: Damn I put the origins twice sorry I didn't notice

Ranting and yapping below;

So this happened very randomly.

I haven't watched any anime since 2021 March and I wasn't planning to until this monday for some reasons.

But now that I actually started watching BSD... WHY DID NO ONE TELL ME THIS THING WAS ACTUALLY PRETTY GOOD??????

I may have watched only 6 episodes but I did some research, learned some important stuff. And the triggering reason to fall down the rabbit hole is so stupid.

Basically I saw Akutagawa and Higuchi in the opening of first episode, fell in love with Akutagawa's style hard and learned some important plot points.

What can I say, I'm just a simple human who loves characters with gothic elements. I love love love goth-based subgenres and emo style so much.

Oh and please tell me Higuchi doesn't die, she deserves wayyy better but I can't bring myself to hate Akutagawa because bro's character design is so cool and I love his clothes and hair and I can kinda understand his points. (Being an Azula, Clockwork/Natalie, and Jane the Killer defender trained me for moments like this)

It's 2 am for me so please don't mind my stupid attitude here.

[themintman]

I am filled with HATE and SORROW y'all know how like Nurm is my favourite character my number 1 guy out of any piexe of media ever I love him dearly which sucks cause he's pretty unpopular but whatever whatever. N I'm like "man I really want to see some new Nurm content but everything I find I've either seen before or I created ☹️" and then I. I go on tiktok and I KEEP seeing edits that start with a clip with Nurm in them and then haha surprise it's actually a Petra edit!! Cause it's ALWAYS PETRA GOD DAMN IT and I love her. I love Petra so much. She is a fabulous character but ohm y god I am tweaking. I genuinely started crying y'all I am not sane nor normal. I'm so normal about him. Oh my good god I am going insane I am 💥💥💥💥

[cheeseknives]

Instagram keeps showing me reels of someone with a handle named something like jamesmaythristtraps and like, they are truly doing gods work but I can't like or comment on these masterpieces because I know what kind of snitch of an app it is 😔

[springcatalyst]

5 & 17 for liliana and 15 & 20 for reiji? 👉👈

OH YEAH BABY

5: Does your oc have a signature weapon and/or attack? How long did they train to master it?

Yeass so she typically just has these two curved cutlass-type swords that she uses and she is. very good at it. Swordfighting is a sort of tradition among sailors, a holdover from navys before the cataclysm, and as such her father Kane (follower of history, teller of stories, keeper of otherwise lost knowledge) taught it to her from a fairly young age. He, of course, never really intended for her to use it- their ship, under Kane, was a vessel of exploration, not conquest. She learned formal swordfighting to real skill, but little actual experience, until much later in life. She learned a offensive, more dual-wielding style as opposed to a defensive one (like with a parrying knife) because it was theoretical first, as opposed to a more practical fighting style which places higher value on defense like those that other sailors who may expect to actually fight would.

17: Does you oc have an enemy? What happened between them? Is it mutual or one-sided? Petty or serious? Revenge? Does one hate want the other dead or hate them from afar?

HMM IMPOSSIBLE TO TELL (lie). Yeag alright babey here is Liliana Lore 101- finally telling you what her fucking problem is.

Nadia was on Kane's ship, the Halcyon. She served as the navigator for a few years in Liliana's early adulthood. During that time they grew close. Nadia has her own cast of goals and reasons, but from Liliana's perspective (very trusting, very gullible, no reason to believe anything out of the ordinary), one day out of nowhere when they were docked, she grabbed Liliana from the town to walk out along the cliffs on the seaside, where she told her she'd killed Kane, the ship was hers, and made a solid attempt to kill Liliana as well. She was lucky- it was high tide and she missed the rocks at the bottom. Nadia doesn't know this. She leaves with the ship.

this then goes exactly as you'd expect. Liliana loses literally everything in a very short period of time and what else could she possibly do other than devote the next year+ of her life to tracking/chasing down Nadia to get revenge and her ship back? It takes a good while, because all she has is word-of-mouth and intuition based on anything she can gather, but it's not impossible because Nadia does not know she's alive, and so doesn't know she's being hunted

It's not... one-sided, but it is definitely unbalanced. Liliana flips a complete 180 on Nadia, which is fair, because she tried to kill her. But Nadia never hated Liliana. She was a means to an end. She grew to sort of... resent her? Because she had all this good- adventure and freedom and the ship itself as her home and a father who is both a larger-than-life legend and exactly the man they say he is and also incredibly kind- and it's all just hers. Naturally. Because she was lucky. She is granted grace and understanding in a way Nadia didn't really think existed. And the only way Nadia knows to get that for herself is to take it. Liliana also represents a sort of freedom from form that Nadia doesn't know what to do with for a long while after it becomes apparent, and so she chooses to instead destroy it.

15: What places hold significant meaning or memories for your oc? Do they have positive or negative association with those places?

Yeah. Reiji follows this cycle- choose a destination, decide it means something, reach it, be disappointed, repeat. It gets worse with time and circumstance as the continuous finding nothing weighs on him, but also as events make him need the Thing He's Looking For more. At first it was: we need a destination. He's a wanderer by circumstance and it is fairly important to actually cover distance instead of just cycling the same familiar area. He was aimless for a time, but that's so much worse than Traveling, so: a destination. Let's reach the ocean. It meant consistency and restart and friendship and continuing. Once they got there, it meant press pause- overwintering in larger communities is necessary for survival. This one brought with it a shaky kind of upset and the feeling that you did something wrong. Something changes.

Then was the mountains. It meant understanding something that he still didn't. It meant deciding, though he didn't know that until they got there, because it wasn't him making the decision. He'd hoped it would mean certainty, but it didn't quite yet. It brought with it the worst it's been in years, but not the worst it'll be.

Then was the caldera. It was a promise he'd made to someone he hoped to see again. It meant finding a link, some sort of connection to something he lost a long time ago. And it meant understanding the history of it. It was empty when he got there, no one waited for him, and it raised more questions than answers.

Then, after the worst, it's the rift. Once again, it promises a link, history, whatever is between the past and the present. It promises belonging. Once again it does not deliver. He finds what he was looking for in a more literal way, but it's crueler, then, that it doesn't give him what he wanted. He still doesn't have all the answers, and he still doesn't belong there. He's back at the beginning of the cycle without another destination. He's left aimless again. Places are promises that consistently are broken.

20: Has your oc ever done something terrible and lied about it? Did they run away or blame someone else? How long did they maintain the lie and did the truth ever come out?

Ach. Reiji has blood on his hands but the nature of it is that he couldn't lie about it even if he would have. Reiji is one of those people that's genuine to a fault; even people who aren't liars usually have something they're hiding, but funnily enough considering, hiding in this way doesn't come naturally to him. And it was his action but it wasn't his fault-is the blood really on your hands if you had no other choice? Has he done something terrible? Yes. Has he lied about it? He couldn't.

OC ASK GAME :]

[kkujo]

something i don't see people talking about is the way hyperfixations come in like stages and cycles like it's not just "i'm obsessed with this thing" it's like. euphoria from finding something new and it brings you so much joy and then as that initial dopamine rush wears off you start to get more and more down and feel isolated as you start to realise that no one else cares about it as much as you do and you feel silly for being so into it and the thoughts become repetitive and boring so you get more and more depressed and lonely and then you inevitably lose the hyperfix which leaves you drifting feeling miserable and hopeless until you start the cycle again. idk if i explained this well or if other people will understand but it brings genuine phases of euphoria and straight up depression and this is why i get annoyed when neurotypicals use words like hyperfixation to describe like, an interest. bc it's not. just an interest it becomes who you are and when you lose it it's like losing yourself and you spend so much energy thinking about it that it interrupts your daily life and it's so fucking draining 👍

[reachexceedinggrasp]

So when I've been complaining about even fanfiction not being romantic enough, part of what I mean by that is that people take huge, gothic characters in pairings with gigantic, dramatic stakes full of titanic emotions and then make them feel small and mundane. Stripping the very romanicism from the bones of the romance.

There are many things that are deeply appealing to me about B&tB pairings or 'unlikely' pairings or Gothic romance in general, but something that is less structural while still being absolutely key is that it's not an easy relationship to get the characters into. It's not something that would happen under ordinary circumstances for either person. It's not a bond that can be forged without some form of pressure preventing these people from continuing in their regular patterns.

If you're writing an E/C fic where you start from scratch, the moment they so much as touch for the first time should be absolutely show-stoppingly prodigious. It can never be casual, not between these two, the idea of a touch being allowed should be an Event. The reader's heart should be thundering in their chest, the suspense should be palpable, the consummation divine. A single touch is a consummation for them, there should be that much tension. If they hold hands and I'm not holding my breath, you have done it wrong. The first kiss should feel like an atom bomb going off, the world should shift on its axis, a line is being crossed which has left both characters forever altered.

And people will instead write them like a standard romance novel couple who make standard pervy comments in the narration, get a bit flirty, casually hook up and then weigh pros and cons about whether dating fits into their life plans or not. All of this being totally without weight, without feeling like any kind of Rubicon has been crossed or that it's significant for the characters to have entered into something which must foundationally alter their worldview.

Reylo brushing fingers across the galaxy and it being the turning point of the entire narrative, given the same majesty and mystical significance as Luke's vision in the cave or Yoda lifting the X-Wing is the exact correct amount of emphasis for them reaching towards each other in tenderness. You have a character defined by abandonment and loneliness and a character who is surrounded by people but never touched, both unseen by anyone else, both aching for connection, both never having felt anything like this before, both aware of the galaxy-spanning consequences of what they're feeling. Them touching is le big deal.

The kiss for the B&tB pairing, the EtL pairing, any Gothic pairing has to feel out of reach, a chasm that cannot be crossed- until it happens, impossible yet inevitable. Something the characters could never have conceived of taking place at the beginning of the story, an infinite abyss of which they have somehow found themselves on the other side. You have to do the work to get them there, you have to build that bridge stone by stone, and it should be a sublime agony of seeing the path take shape while it still feels like the gap is just unbridgable, that no matter how close you come, it will never be complete, they can never get all the way across. Until they do.

If you write characters who have (or should have) that kind of vast gulf separating them as just kind of falling into an intimacy which isn't earned and thus means nothing, I just have no idea why we're here. Why buy a giant gothic castle of romanticism and then bulldoze it to build a minimalist condo? Everything about the pairing that makes it that pairing is stripped away. If these were people who could just meet at a party and end up in bed, they would be completely different people.

[icewindandboringhorror]

I still very loathe the Media Trope of ‘’cold genius man doesn’t feel emotions and never has relationships... UNTIL.. one random relatively bland Preddy Woman comes along and warps his entire personality and ability to think, his heart has grown and his seeming asexuality has evaporated, he is now Normal :)” or whatever like... AS a walking generic hermit archetype myself.. we would NOT act like that .... just let people be detached weirdos in peace, you cowards .. OR, don’t bother to write one in the first place if you find us too boring to exist realistically in our natural state lol.. pathetic 

[running-in-the-dark]

oh, I see. it's one of those nights.

[skrunksthatwunk]

pulled aside by my father to watch a homophobic k&p sketch and just had to sit there like 😬 and then when i explained it was homophobic he was like "i fear for your sense of humor". christ alive

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[cursed-spirit-manipulation]

i like thinking about Geto being quietly obsessed with grieving Riko. He thinks about her constantly and refuses to ever forget her, but he also refuses to talk about her. He has the selfish impulse that he's the only one who's truly allowed to grieve her because he was there when she died, he was the one who failed her. And I think he hates that he has that impulse because it's selfish, because Gojo failed her just as much as him, and Kuroi was her family and Riko meant so much more to her, but that isn't enough to stop him from feeling like he's the most deserving of the guilt and grief. And I think he can't ever truly see Mimiko and Nanako as their own people- he sees them as proof of his worldview, they are the reasons for his beliefs made human, but also. They're a chance at redemption. Theyre a chance to go home

[minakoaiinos]

Animating this season like you can't have the slightest bit of jest and god forbid jesting about yaoi

[suiana]

yandere! golden boy who is your loving boyfriend and... surprisingly loves listening to you talk about your interests! yes darling, talk about your games and novels and silly plushies! he loves seeing how interested you can get about things you're passionate about and it just makes him feel so warm on the inside.

you might even go as far to say he ENCOURAGES your interests. buying you plushies, taking you to exhibitions/places you want... you don't even have to ask, just one look with your eyes and he's taking out his card. yeah, it doesn't matter if you have an unhealthy attachment to that fat cat pusheen or whatever. you seem to really like it so he's buying that 400 dollar plushie for you.

on the same note... he can't help but get jealous when you're gushing over attractive fictional characters. SPECIFICALLY that ONE dude that you seem to have EVERYWHERE. on the wall, on your phone cover, lock screen, profile picture, fuck, even on your bed as a plushie! and all he gets is a meager nickname on his contact?!

"sweetie, must you... really have all these... THINGs of HIM?"

"he's my first husband, you're my second. of course i have merch of him. plus I'm not gonna just throw all these away, i spent big money on these ya know 💀"

he knows it's petty! he knows that it's just a fictional character and that he shouldn't be jealous but dude! you don't even have him in your wallet! it's that freaking guy!

so he does what evey sane boyfriend does and replaces some (not all just some!) of your merchandise with pictures of him and you. how adorable, right?

no.

"bro where is the portrait of my MAN🤬🤬🤬"

"i replaced it with a nice picture of us together darling☺️ look at how cute-"

oh. and you...you just put another photo of that guy again... oh... and you're ranting on reddit/instagram about how he's being mean... you also removed him from your close friends list... oh you... you also decided to kick him off the bed and onto the sofa... oh...

well no biggie! he has lots of patience and he will sneak in his presence into your stuff. he's determined.

"best friend I'm going to need you to cosplay as my favorite character please ☺️"

damn!

why didn't he think of that sooner? if you can't win the normal way, you should do it another way, right? he can just get you to see how much better he is and you'll eventually replace that fictional man for HIM!

...

yeah, that didn't work out as planned. now you're even more in love with that character and you're asking him to cosplay every other day. erm... at least.. your wallpaper is a picture of him cosplaying the character??? he'll take what he can get.

"lol best friend, did you see that video i sent you. it's so stupid."

"for the last time, sweetie. we're dating, call me boyfriend. and which one? I can't watch every single one of the 99+ reels you send me."

"a real best friend would watch them all..."

being with you has singlehandedly changed this man. for the worse or for the better, he doesn't know. but what he does know is that you DON'T know how to dress.

"sweetie, no. you can't just go out in a shirt and shorts! you look like adam sandler!"

"clothes are clothes 🤬"

at least he has a fun time dressing you up. you're like, his cute little rat! his very own personal dress up rat! oh how he wants to just keep you in his pocket and pick out pretty clothes for you, making you look like the cutest thing ever! sure you might take them off and just wear what you want but... at least he's got the photos and the sight of you in a pretty outfit ingrained into the folds of his brain already ☺️ and he'll take every chance he can get to put you into another pretty outfit again. that i assure you.

he... has ALSO found out that you are living on instant noodles, sandwiches, and the occasional takeout. you don't even open the curtains! how can you see in such a dark home? and why are you sleeping until midday?! dear oh dear. you really are a rat, huh?

"darling get up! it's 12 in the afternoon already!"

"i slept at 3 just let me sleep more..."

that simply won't do. he will not be allowing you to lead such a horrid lifestyle! not if he can help it! especially because... well, he's also your boss. from part 1, remember! yeah, you guys didn't break up at the end haha! you were just joking, obviously! not like you'll ever be able to break up. it's in the contract, silly.

"come on, get up. you need to have a healthy lifestyle. I've already gotten my personal chef to cook up a healthy meal for you."

"who's gonna stop me from living like this? you? 😂😂😂"

"yes, me. in our contract, remember? i will be responsible for your health from now till we die."

don't worry. he'll be by your side every step of the way. and hey, who knows? maybe you can even teach him a thing or two about gaming or something else you like! he's open to learning about the things you like.

and he won't even have to worry about you finding another REAL person to like because... well, let's just say you don't even like going out for dinner. we'll keep it at that ☺️

[acid-ixx]

Sigh.. We all should've have chosen both wally and conner...i can't imagine the faces of batfam

how to be a heartbreaker! (again &. again concept)

ft. yandere! wally west, starfire, roy harper, artemis, conner kent, bart allen x gn! neglected! reader w/ platonic yandere! batfam.

— masterlist !

reblogs and interactions are encouraged and appreciated.

tw: age gaps but there isn't nsfw (except for conner) and the reader is described to be older than 20 in this concept and was far ignored longer than in the og story.

a/n: happy (late) halloween! 🎃 i'm praying to the gods, please don't let this post flop, i'm in my flop era fr! because i am not writing allat for it to get ignored 💔 (just kidding i love u guys, especially to all those who comment! i read all your comments even if i'm unable to reply at times). if you guys are wondering why i didn't include all the characters, it's because this is just a drabble and if anyone likes more concepts about this, please send in asks! anyways, enjoy this sweet harem au hehe.

anon, you are so right. but let me raise you this: getting together with all your siblings' teammates. i'm not just saying wally and conner, no! i'm saying the young justice, the teen titans, all their friends and old pals— the moment you come of age, hide under the radar for a few years and eventually meet them at random. you'd be giving dick, hell, even bruce, your father, mind you, a run for his money when it comes to a player reputation amongst the siblings, and the best part (or worst part for you once it's too late...) of it all is the fact that you don't even have to keep all your little relationships with them a secret when they never once bat an eye on you until recently.

the funny thing is: you didn't even have to try to attract them. it was all them approaching you at random days and getting to know you better, with you, at your lowest point, accepting any medium of attention. at first it was them feeling pity, perceptive to how your siblings chose to focus on them rather than you, but now it's them chasing after you because you're so interesting in every aspect; even if you find yourself average at best compared to your talented siblings.

maybe it's because you bring the normal out in them, or because you display such raw emotions and are an entirely separate being from vigilantism. either way, they find themselves thinking about you more often than their missions and that's harrowing.

and because you're such a pathetic, wet cat, so desperate for love; all the people you hit on develop a savior complex because of you. i don't just mean them finding you cute, or interesting, absolutely not. i mean you're constantly being thrown around like a prince or princess who needs a knight in shining armor to catch them when they fall, except you're constantly being carried in some other's arms even when you can stand on your own two feet.

you just have that special quality in you that makes everyone fall head over heels. it makes them fantasize scenarios of a home life with you; they could provide better than your current ones do, for sure. you'd be spoiled to death with kisses to your face, hands wrapped around your body, and a guarantee that you'll never feel alone or unsafe in a world full of danger that lurks around the corner.

that same quality may have also been your downfall.

wally west doesn't mind training all day to become stronger and faster to save you from every danger that lingers near your presence. hell, he doesn't complain anymore whenever dick assigns him some missions if that means he can pass by your room by the manor as an after-mission reward, loving it when you smile at him with the gentlest quip of your mouth as he hastily wraps you in his arms with the same amount of speed it took to run to your house. wally cherishes watching you in slow-time because he could worship every little part of his darling's expression, quelling the boredom he had for the entire day. he wants to be fast enough for his babe, not only just to impress them but because he wants them to see him as the only reliable individual capable enough of protecting and flirting with you. not everyone can measure up to his speed, no? nobody could keep up with this man's speed and he's known for taking you away whenever you're with someone else just to get a sliver of your time.

starfire's emotions become ablaze and so does her powers every time she notices one of your other sweethearts becoming too touchy with you, unable to comprehend why you're not even in a relationship with her yet. but you're too sweet and you bury yourself in her curly tresses to calm her down. at first that's enough! she doesn't understand the concept of physical affection and the boundaries that come with it as much as others but boy does she crave it when it comes to you. it doesn't help the fact that you're incapable of sometimes denying her affections and letting yourself be constantly kissed by the girl in every part of your face. she's very warm, though, and her curiosity about things foreign to her, paired with you teaching her more about your world, makes starfire adore her sweetheart's willingness and patience; it simply warrants another passionate kiss in the mouth from the pink-haired alien.

roy harper brings out a more rebellious side of you that you never imagine yourself sporting. his experiences in life and his rebellious relationship towards oliver queen, his adoptive father shapes him to who he is now; and he'd be damned if you drown yourself in endless misery like he did. yeah, it doesn't help that lian loves you as much as he does and he thinks you're the perfect match for him, watching you play with his little girl and care for him whenever he's injured does wonders for the fantasies that plays itself in his head, all scenarios of coming home to you after a hard day of work, just to see you and lian greet him the moment he enters your shared house with him, kissing him in the lips, telling him about the wonderfully prepared dinner you and lian whipped up for him, and watching your eyes widen at another bouquet of your favorite flowers he bought home for you. you're not in a relationship with him at all but can't a man just dream?

why dick wonders every damn time one of his friends ditch another one of their hangouts is a question never to be answered. but it's been noticeable these days that he's starting to suspect something wrong at play, especially since he's noticed tension within his comrades, and as a leader he couldn't just simply ignore the tense glares, insults to their being, and the hushed whispers; all pet names, a mantra they're used to calling you.

but dick doesn't take it seriously until it's too late.

that his baby bird long fell off the nest years ago, taken into the arms of whom he thought to be his most trusted comrades, thoroughly loved more than he could've given you. and it's not just one person smitten with you; it's an entire harem of people unwilling to share you just as much as dick who'd soon realize that he shares far more similarities with you; a heartbreaker, yet a caretaker at heart.

it's no wonder why everybody wants you for themselves. it's not only your family who loves to hear your precious laughs and gentle hands; that sets the jealousy ablaze in his heart.

jason never thought that artemis carried a softer version of her. but he's been picking up telltale signs of her donning dangling keychains, all cute doodles of her no doubt, and necklaces he's sure he's seen around the manor at times. it's not her typical style, and she never really found the appeal with cute things like crochet plushies of her; yet the designs are oddly reminiscent to someone he always called his angel. but whenever he tries to bring the topic up, he only receives a snarky reply, a protective hold on her things, and a familiar phrase telling him to mind his business. he isn't aware of how she met you one time after you've nearly been crushed to death by a car accelerating at you, if not for her taking the blunt end of the hit. ever since that day you've been seeing her regularly by alleyways watching over you as your guardian and giving her tokens of appreciation, albeit small, that she keeps as her prized properties; ones nobody has special access to touch. she's not much of a heckler for physical touch, but she occasionally gives you a head scratches and the rare peck to your lips.

jason doesn't like how jealous he is towards her, because of how the would-be stranger treats her and why he can't seem to pinpoint the primal urge to rip those little trinkets from her. sometimes he feels like a man possessed, eyeing the keychains and the random pastel bracelets longer, all warranting the same angered glare artemis reciprocates.

he swore he's seen them before, splayed across the random rooms in the manor, some even being in the library; things he loved to fiddle with whenever he was bored out of his mind. so seeing them being proudly displayed by artemis triggers visceral reactions within him.

but could jason do anything about it when he's part of the reason why your roster consists of your family's comrades? no.

if you couldn't get attention from your family, you'll just have to get it through their affiliations. yeah, some are older than you, but god are you treated like divinity with just how willing they are to kneel upon your feet just to gain a crumb of your attention. even the strongest lay weak whenever you look at them with disappointment or sadness with your wide, captivating eyes.

all the times tim drake would be with teammates, he'd notice how their eyes look at him expectantly, as if waiting for another one to accompany them. at first he ignores it, but the longer their strange behavior persists, he begins opening a case about his close friends.

he soon realizes that conner has a record of mentioning "his cute little darling," and how he'd brag to his other friends about how left his jacket and all his favorite t-shirts in your room and how you're always drowning in his scent— always quiping about just how much it smells like you and how he enjoys wearing all his clothes right after you wear them just to get a whiff of your presence in his life; you being his motivation to fight against crime just so he could see your pretty face and tell him you're proud of him. undeniably, he's the one who spends the longest time with you and he's prideful about it, being the only man with the privilege to touch every part of your skin, wishing to melt against you just so he'd be branded in your body like how your name is the only sweet thing he can taste in his mouth.

it's not only conner, but bart allen would bounce around more often demanding that it's unfair how conner gets everything and how he gets little time with you, with just how often you get thrown around by all your love interests! he'd admit just how cute he finds you whenever you coo about him and play with his messy locks of hair whenever it's his time of the week to visit you right after missions. spending time with him is arguably the most casual part of your life, because he loves to help you with your daily errands despite him complaining about the same tasks to his other teammates... he says it's because you stimulate every part of his brain to find satisfaction in every small action that you do, but it's not only that, rather, he wishes to gain all your praises that you sing for him, never finding boredom in your presence at all.

tim's the first one who pieces the jigsaw puzzle together, but he's thoroughly astounded either way at just how smitten they are with you. it makes him open an entirely different case that's just about you; where he discovers how you're connected with nearly everyone close to him and his siblings.

it makes him wonder what makes you all the more interesting. it's how exactly he spirals into a periodic cluster of events investigating your entire life and drowning himself in work, terabytes of files each analyzed carefully— all about you, your past, and present situation. tim drake never saw a person this admired that much, so much so that online stalking lead to physical stalking.

all your dm's are spammed by countless people, and you don't even take the initiative to reply because you'd be too busy being tossed around by the time the vigilante tracks your location. it's honestly amusing at first but the longer tim become a third perspective to your life, the more he craves your physical presence, just to get a taste of dissecting all the thoughts in your brain. but with just how often their friends fight over you, it'd be hard to rip you away from the clawing hands of all your admirers.

that's why he sets a plan into motion. if he couldn't have you to himself, then he could at least share you with the closest people he had in his life— not with all the strangers who think they know his younger sibling better than he does.

a simple document, many actually, so documents, were all he needed, with printed stacks of a4 paper compiling each and every known fact about you.

all in the name of love, he'd give it out to every member of the family in quick succession.

a hefty reminder to take back what once was theirs.