#guys why can't I be normal about my interests

[xskyll]

Quirkless Deku AU in which, after All Might tells Izuku he can't be a hero, Izuku takes the words to heart and decides to completely cut heroics out of his life, so he isn't reminded of his failed dream. He doesn't have any social media and doesn't read news articles about heroes. If a hero is mentioned on tv, he turns it off. He buys the same, non-sponsored groceries all the time, and he forks out the extra money to go ad-free on things like YouTube, so he never sees them in commercials. We know he's a thorough person, and he applies those skills, avoiding heroes to an impressive extent and just focusing on whatever new career path he set his eyes on (Maybe botany? But this isn't just like, basic flower shop AU. He's super smart, so my boy is probably breeding award-winning new species of orchids or some shit.)

As such, he ends up being probably the only person in Japan who has never heard of Todoroki Shouto.

They have some sort of meet-cute, and at first, Shouto can't figure out why this guy is pretending not to know who he is (is he trying to be polite, pretending Shouto is normal??), but eventually he realizes Izuku legitimately has no clue who he is, and Shouto is soooo enamoured, because Izuku is so nice and seems genuinely interested in him, and for the first time, Shouto knows it's all sincere and not someone trying to get close to him because he's famous. He becomes desperate to keep his profession a secret, leading to some comically close calls. But the longer it goes, the harder he falls, and Momo keeps insisting he has to tell Izuku the truth because he can't enter a serious relationship with this huge lie between them. But just when he's about to fess up, something happens that makes it clear to him that Izuku isn't just out of touch with popular culture, he is /actively/ avoiding heroes and dislikes hearing about them, which makes Shouto think he'll stop talking to him, and he doesn't know what to do, and now Jirou is helping Momo scold him, and he's so stressed.

Of course, the boys don't realize they know someone in common. Bakugou somehow lets the cat out of the bag, not knowing Shouto was keeping his heroics a secret. (Back to botany...maybe instead of orchids, Izu specializes in poisonous plants? And a new poison is involved in some sort of crime, and the police want him on as a consult, and Bakugou ends up involved on the heroics end of things, leading to a reunion with Izuku who he hasn't seen since middle school. Somehow Shouto comes up in conversation while they're working on the case.)

And then it all goes to shit, Idk what happens next. Izuku is more upset about being lied to than Shouto being a hero, and Shouto has to prove he wasn't just messing around. I feel like there's a scene in there where Izuku cries on his mom's lap, and Shouto gets an earful from her. They make up, of course, and start dating. Since this is one of my ideas, they probably get married in the epilogue.

[stephaniebrownslover]

Question for BSD fans as a new fan:

Edit: Damn I put the origins twice sorry I didn't notice

Ranting and yapping below;

So this happened very randomly.

I haven't watched any anime since 2021 March and I wasn't planning to until this monday for some reasons.

But now that I actually started watching BSD... WHY DID NO ONE TELL ME THIS THING WAS ACTUALLY PRETTY GOOD??????

I may have watched only 6 episodes but I did some research, learned some important stuff. And the triggering reason to fall down the rabbit hole is so stupid.

Basically I saw Akutagawa and Higuchi in the opening of first episode, fell in love with Akutagawa's style hard and learned some important plot points.

What can I say, I'm just a simple human who loves characters with gothic elements. I love love love goth-based subgenres and emo style so much.

Oh and please tell me Higuchi doesn't die, she deserves wayyy better but I can't bring myself to hate Akutagawa because bro's character design is so cool and I love his clothes and hair and I can kinda understand his points. (Being an Azula, Clockwork/Natalie, and Jane the Killer defender trained me for moments like this)

It's 2 am for me so please don't mind my stupid attitude here.

[themintman]

I am filled with HATE and SORROW y'all know how like Nurm is my favourite character my number 1 guy out of any piexe of media ever I love him dearly which sucks cause he's pretty unpopular but whatever whatever. N I'm like "man I really want to see some new Nurm content but everything I find I've either seen before or I created ☹️" and then I. I go on tiktok and I KEEP seeing edits that start with a clip with Nurm in them and then haha surprise it's actually a Petra edit!! Cause it's ALWAYS PETRA GOD DAMN IT and I love her. I love Petra so much. She is a fabulous character but ohm y god I am tweaking. I genuinely started crying y'all I am not sane nor normal. I'm so normal about him. Oh my good god I am going insane I am 💥💥💥💥

[popsicle-stick]

that gender post from last night has me thinking i wish other cis people knew how entirely bog standard and common it is to have zero innate sense or connection to gender - i'd go as far as to say that it's how the majority of cis people feel! it's a sense of being given one of two labels and simply having no innate notion to the contrary, but also, having no real innate sense that you ARE that. you're just that thang by default bc everyone calls you that and it's convenient and it's comfortable and the concept of gender is simply not interesting enough to spend time on

[cheeseknives]

Instagram keeps showing me reels of someone with a handle named something like jamesmaythristtraps and like, they are truly doing gods work but I can't like or comment on these masterpieces because I know what kind of snitch of an app it is 😔

[springcatalyst]

5 & 17 for liliana and 15 & 20 for reiji? 👉👈

OH YEAH BABY

5: Does your oc have a signature weapon and/or attack? How long did they train to master it?

Yeass so she typically just has these two curved cutlass-type swords that she uses and she is. very good at it. Swordfighting is a sort of tradition among sailors, a holdover from navys before the cataclysm, and as such her father Kane (follower of history, teller of stories, keeper of otherwise lost knowledge) taught it to her from a fairly young age. He, of course, never really intended for her to use it- their ship, under Kane, was a vessel of exploration, not conquest. She learned formal swordfighting to real skill, but little actual experience, until much later in life. She learned a offensive, more dual-wielding style as opposed to a defensive one (like with a parrying knife) because it was theoretical first, as opposed to a more practical fighting style which places higher value on defense like those that other sailors who may expect to actually fight would.

17: Does you oc have an enemy? What happened between them? Is it mutual or one-sided? Petty or serious? Revenge? Does one hate want the other dead or hate them from afar?

HMM IMPOSSIBLE TO TELL (lie). Yeag alright babey here is Liliana Lore 101- finally telling you what her fucking problem is.

Nadia was on Kane's ship, the Halcyon. She served as the navigator for a few years in Liliana's early adulthood. During that time they grew close. Nadia has her own cast of goals and reasons, but from Liliana's perspective (very trusting, very gullible, no reason to believe anything out of the ordinary), one day out of nowhere when they were docked, she grabbed Liliana from the town to walk out along the cliffs on the seaside, where she told her she'd killed Kane, the ship was hers, and made a solid attempt to kill Liliana as well. She was lucky- it was high tide and she missed the rocks at the bottom. Nadia doesn't know this. She leaves with the ship.

this then goes exactly as you'd expect. Liliana loses literally everything in a very short period of time and what else could she possibly do other than devote the next year+ of her life to tracking/chasing down Nadia to get revenge and her ship back? It takes a good while, because all she has is word-of-mouth and intuition based on anything she can gather, but it's not impossible because Nadia does not know she's alive, and so doesn't know she's being hunted

It's not... one-sided, but it is definitely unbalanced. Liliana flips a complete 180 on Nadia, which is fair, because she tried to kill her. But Nadia never hated Liliana. She was a means to an end. She grew to sort of... resent her? Because she had all this good- adventure and freedom and the ship itself as her home and a father who is both a larger-than-life legend and exactly the man they say he is and also incredibly kind- and it's all just hers. Naturally. Because she was lucky. She is granted grace and understanding in a way Nadia didn't really think existed. And the only way Nadia knows to get that for herself is to take it. Liliana also represents a sort of freedom from form that Nadia doesn't know what to do with for a long while after it becomes apparent, and so she chooses to instead destroy it.

15: What places hold significant meaning or memories for your oc? Do they have positive or negative association with those places?

Yeah. Reiji follows this cycle- choose a destination, decide it means something, reach it, be disappointed, repeat. It gets worse with time and circumstance as the continuous finding nothing weighs on him, but also as events make him need the Thing He's Looking For more. At first it was: we need a destination. He's a wanderer by circumstance and it is fairly important to actually cover distance instead of just cycling the same familiar area. He was aimless for a time, but that's so much worse than Traveling, so: a destination. Let's reach the ocean. It meant consistency and restart and friendship and continuing. Once they got there, it meant press pause- overwintering in larger communities is necessary for survival. This one brought with it a shaky kind of upset and the feeling that you did something wrong. Something changes.

Then was the mountains. It meant understanding something that he still didn't. It meant deciding, though he didn't know that until they got there, because it wasn't him making the decision. He'd hoped it would mean certainty, but it didn't quite yet. It brought with it the worst it's been in years, but not the worst it'll be.

Then was the caldera. It was a promise he'd made to someone he hoped to see again. It meant finding a link, some sort of connection to something he lost a long time ago. And it meant understanding the history of it. It was empty when he got there, no one waited for him, and it raised more questions than answers.

Then, after the worst, it's the rift. Once again, it promises a link, history, whatever is between the past and the present. It promises belonging. Once again it does not deliver. He finds what he was looking for in a more literal way, but it's crueler, then, that it doesn't give him what he wanted. He still doesn't have all the answers, and he still doesn't belong there. He's back at the beginning of the cycle without another destination. He's left aimless again. Places are promises that consistently are broken.

20: Has your oc ever done something terrible and lied about it? Did they run away or blame someone else? How long did they maintain the lie and did the truth ever come out?

Ach. Reiji has blood on his hands but the nature of it is that he couldn't lie about it even if he would have. Reiji is one of those people that's genuine to a fault; even people who aren't liars usually have something they're hiding, but funnily enough considering, hiding in this way doesn't come naturally to him. And it was his action but it wasn't his fault-is the blood really on your hands if you had no other choice? Has he done something terrible? Yes. Has he lied about it? He couldn't.

OC ASK GAME :]

[kkujo]

something i don't see people talking about is the way hyperfixations come in like stages and cycles like it's not just "i'm obsessed with this thing" it's like. euphoria from finding something new and it brings you so much joy and then as that initial dopamine rush wears off you start to get more and more down and feel isolated as you start to realise that no one else cares about it as much as you do and you feel silly for being so into it and the thoughts become repetitive and boring so you get more and more depressed and lonely and then you inevitably lose the hyperfix which leaves you drifting feeling miserable and hopeless until you start the cycle again. idk if i explained this well or if other people will understand but it brings genuine phases of euphoria and straight up depression and this is why i get annoyed when neurotypicals use words like hyperfixation to describe like, an interest. bc it's not. just an interest it becomes who you are and when you lose it it's like losing yourself and you spend so much energy thinking about it that it interrupts your daily life and it's so fucking draining 👍

[icewindandboringhorror]

I still very loathe the Media Trope of ‘’cold genius man doesn’t feel emotions and never has relationships... UNTIL.. one random relatively bland Preddy Woman comes along and warps his entire personality and ability to think, his heart has grown and his seeming asexuality has evaporated, he is now Normal :)” or whatever like... AS a walking generic hermit archetype myself.. we would NOT act like that .... just let people be detached weirdos in peace, you cowards .. OR, don’t bother to write one in the first place if you find us too boring to exist realistically in our natural state lol.. pathetic 

[reachexceedinggrasp]

So when I've been complaining about even fanfiction not being romantic enough, part of what I mean by that is that people take huge, gothic characters in pairings with gigantic, dramatic stakes full of titanic emotions and then make them feel small and mundane. Stripping the very romanicism from the bones of the romance.

There are many things that are deeply appealing to me about B&tB pairings or 'unlikely' pairings or Gothic romance in general, but something that is less structural while still being absolutely key is that it's not an easy relationship to get the characters into. It's not something that would happen under ordinary circumstances for either person. It's not a bond that can be forged without some form of pressure preventing these people from continuing in their regular patterns.

If you're writing an E/C fic where you start from scratch, the moment they so much as touch for the first time should be absolutely show-stoppingly prodigious. It can never be casual, not between these two, the idea of a touch being allowed should be an Event. The reader's heart should be thundering in their chest, the suspense should be palpable, the consummation divine. A single touch is a consummation for them, there should be that much tension. If they hold hands and I'm not holding my breath, you have done it wrong. The first kiss should feel like an atom bomb going off, the world should shift on its axis, a line is being crossed which has left both characters forever altered.

And people will instead write them like a standard romance novel couple who make standard pervy comments in the narration, get a bit flirty, casually hook up and then weigh pros and cons about whether dating fits into their life plans or not. All of this being totally without weight, without feeling like any kind of Rubicon has been crossed or that it's significant for the characters to have entered into something which must foundationally alter their worldview.

Reylo brushing fingers across the galaxy and it being the turning point of the entire narrative, given the same majesty and mystical significance as Luke's vision in the cave or Yoda lifting the X-Wing is the exact correct amount of emphasis for them reaching towards each other in tenderness. You have a character defined by abandonment and loneliness and a character who is surrounded by people but never touched, both unseen by anyone else, both aching for connection, both never having felt anything like this before, both aware of the galaxy-spanning consequences of what they're feeling. Them touching is le big deal.

The kiss for the B&tB pairing, the EtL pairing, any Gothic pairing has to feel out of reach, a chasm that cannot be crossed- until it happens, impossible yet inevitable. Something the characters could never have conceived of taking place at the beginning of the story, an infinite abyss of which they have somehow found themselves on the other side. You have to do the work to get them there, you have to build that bridge stone by stone, and it should be a sublime agony of seeing the path take shape while it still feels like the gap is just unbridgable, that no matter how close you come, it will never be complete, they can never get all the way across. Until they do.

If you write characters who have (or should have) that kind of vast gulf separating them as just kind of falling into an intimacy which isn't earned and thus means nothing, I just have no idea why we're here. Why buy a giant gothic castle of romanticism and then bulldoze it to build a minimalist condo? Everything about the pairing that makes it that pairing is stripped away. If these were people who could just meet at a party and end up in bed, they would be completely different people.

[roostertuftart]

I know you're the Kyle expert, but I knew a guy who thought Stan would be an incel. Thoughts?

Hmmm. Idk, I've seen that float around and I don't really get it?? Like, I can sorta get it more than when people seriously say it about Kyle. Stan definitely seems to fall into more... Viewing girls sort of in that perhaps lightly internally sexist way than Kyle seems to, of having some sort of unintentional separation between boys and girls that makes him kind of view girls as very different types of people friendwise, if that makes sense. Like, say he was dating a guy- I don't think much would change in terms of the guy being an extremely close friend who's been elevated up an extra level to romantic. But Wendy isn't really like that. She's not Stan's friend outside of their relationship.

And okay, that's not to say Kyle is a bastion of anti sexism himself, ESPECIALLY noting earlier seasons, but Kyle doesn't really seem to act the same way Stan does when interacting with girls?? His early season sexism felt more innocent and childish, something he's definitely grown out of now. It was less built on this deep internalized toxic masculinity and more like the "eww cooties" ideas that happen a lot with young kids. Obviously division based on traits like sex is not good under any circumstance, but it doesn't seem to have carried on much in his modern view of girls. Nowadays Kyle just seems to view girls far more equally even when divided from them, and cares more about listening or hearing out where they're coming from and understanding their frustration with sexism, for example. While he doesn't really have many close female friends (and really none of the boys actually do besides Stan), his behavior doesn't really shift at all to trying to be gentlemen-y or something around women, denoting a very equal level view of them.

But, in Stan's defense, we see him interacting with the girls way more than Kyle, and I think him having dated Wendy, interacting with her friends, etc etc over the series gives us way more to work with in that area than we get to with the more or less far in between hints we're given with Kyle. One thing that I think may impact this for me is also kind of that the few times we HAVE seen Kyle's attraction to girls play out, putting aside Leslie bc oh boy was Kyle blindly simping there, he doesn't seem to be as quick to focus on like... I guess vaguely sexual aspects like the other boys, which leads to him just seeming to objectify women less (Not to say that being sexually attracted to someone is inherently objectifying, but there is more of an overlap with people who are drawn by looks and engagement in objectifying behavior).

And then there's how Kyle has reacted to being rejected, and I know the big one is Super Hard PCness that everyone likes to point out as Kyle being a "nice guy", but in actuality, he was extremely graceful in how their relationship ended, moreso than he needed to be with the horrible things Heidi said to him, and only flipped out after being bullied and teased and harassed by virtually the whole school, Cartman and Heidi especially. It was definitely not anger purely because he didn't get a girl he liked, it was anger that someone he'd trusted and tried to help so swiftly turned on him and humiliated him for no reason at all, that once again he was being put down by Cartman, and that everyone else treated him poorly as well, Stan included. There's also Rebecca who Kyle just... Kinda let go. Like, we don't really see much of his reaction but there's nothing to tell us Kyle was angry their relationship was broken off, so I'm counting it at least a little. There's Nichole too, who once again we don't really straight up see Kyle's reaction to her breaking up with him. But we do see how he treats her, how much he tries to find stuff they have in common to talk about, how his only anger of their relationship not working is Cartman's blatant racism and lies about him purposely made to sabotage any chances he does get with this girl that he likes. It's not anger towards whatever choice Nichole makes here, it's anger about Cartman's needless and morally egregious interference. I know this is a low bar to pass in whether a character is decent to women, but Kyle just repeatedly not behaving badly over his breakups is a big tell to me. So often we see male characters act like assholes just because a girl doesn't like them or a girl broke up with them or something. Even with Stan, in fact, we've seen this play out. I mean. He's pretty okay too but we did see him tell Wendy she was a bitch for dating someone else. This is from early seasons, that I wouldn't solely use as evidence Stan is a crazy sexist even now, but it plays a part in this conversation on whether or not you can more accurately call Stan Marsh the incel-ish one of the two.

Okay, but like. Why am I even talking so much about Kyle here when you're asking about Stan? Well, I honestly think that the duality of them as characters reinforces the ideas of what the other is like to the audience, and this leads into a LOT of the extremes the fandom will push them into (the fem/masc debate, the nerd/jock debate, etc etc) and likewise it does so here. When we see Kyle being kinda more normal around girls, even though it's rare we see him like that at all, it makes Stan seem all the more awkward when in reality, he kind of isn't that bad at all?? He's pretty normal with girls for a boy his age, though he could be a bit less of a dick sometimes. I do think he sometimes has this huge focus on looks, and that can be... Not great, but it's not to a horrible evil incel-ish degree by any means, and I'd argue for his age he's a pretty good guy to, say, Wendy- Not that he can't improve a LOT but Idk, his shittiness comes off more as "dumb little boy is sometimes a jerk to his friends" to me than "secretly hates and disrespects women".

But y'know, at the end of the day, Kyle and Stan are more alike than people think about many of these things, this being one of them. Whether or not Kyle or Stan are better with how they act to women is hard to say. I can see why people would be able to twist Kyle into being incel-ish even if I don't really personally think it's based accurately on the information we've been given. I can see even moreso how someone might be able to with Stan, and while I do think there's at least a bit more of a leg to stand on him having some issues with internalized sexism, I don't think it's accurate with the information we've been given either. Neither of them are really incel-ish to me.

Honestly, if they were dealing with the issue of not being able to find a partner, they'd probably mostly internalize it into self blame and feel bad about themselves but not really broadly blame other people. Stan might slump into a depression or put his focus elsewhere, Kyle, if wanting a partner badly enough (I don't think it's ever been his first priority and I doubt it ever will be) would make efforts to fix the problem by figuring out what's putting people off about himself and try to figure out how he can fix it rather than lashing out. (Also I already lightly touched on why I don't think Kyle would redo his actions in The List right here over not being able to get a girlfriend lol)

[running-in-the-dark]

oh, I see. it's one of those nights.

[skrunksthatwunk]

pulled aside by my father to watch a homophobic k&p sketch and just had to sit there like 😬 and then when i explained it was homophobic he was like "i fear for your sense of humor". christ alive

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[minakoaiinos]

Animating this season like you can't have the slightest bit of jest and god forbid jesting about yaoi

[magicmagica]

[logansdoll]

Heyyy. Ok really cheesy but I’d like to request a Logan x reader friends to lovers where it’s like an accidental confession. Maybe someone makes fun of the reader and Logan without thinking about it just starts yelling and defending why the reader is great and everything he loves about her? Ik it’s a little OOC but maybe he gets so mad (as Wolverine does) that he gets all mushy without realizing lol. Thanks ❤️❤️

lotus

while on library duty, Logan overhears two girls talking shit about you... and corrects it quickly.

CW: sorry i went in a little different direction, suggestive, profanity, takes place during the timeline of the og X-Men, these girls are bitches, etc.

"I just don't get what's the big deal about her," Maya scoffed, resting her cheek in her palm as she thoughtlessly flipped through her biology textbook.

Talia nodded, glancing up from her notes with an excitement that screamed nothing to do.

"No, seriously," she agreed. "Like we get it... you can grow shit. Big deal."

That piqued Logan's interest.

With Jean and Scott off on a date, the professor away, and you and Ororo teaching a joint class, he was slapped with library duty—watching the kids during their scheduled study period.

Now, originally, he planned on simply plopping himself down in a corner and puffing his cigar, hoping to fall asleep and just ride out his sentence.

And he was halfway there, too.

But just as he was about to catch some Zs, his hearing picked up on a conversation between two older girls who seemed to be trash talking his girlfriend.

"Word," Maya turned the next page, a grimace settling on her face when she noticed the image of a flower.

One you were very vocal about liking.

"She won't shut up about these stupid lotus flowers either... Hey! Did you guys know that the lotus is considered sacred in many Eastern cultures? And it often symbolizes purity, beauty, and rebirth!"

Talia let out an obnoxious snicker, the impression not nearly as funny as what she was making it to be.

But maybe she just hated you that much...

"You sound just like her," she commended, very much amused. "Only she's always smiling. Like I've never seen her frown before... it's almost creepy."

"Seriously creepy. But Peter can't get enough of it... you know he has a crush on her, right?"

"Seriously?!"

Logan let out a quiet chuckle, tickled by the news.

He'd caught the boy staring at you during a few Danger Room sessions, but didn't think much of it, assuming he'd just caught him while he happened to be looking in your direction.

Oh, how wrong he was...

He couldn't wait to tell you later tonight.

"Mhmm. Half the boys at school nearly fall over themselves to make sure they're not late to her class... It's almost funny."

"Funny, my ass. Why'd it have to be Peter?" Talia huffed, tossing her pencil at the textbook in frustration. "She's not even that pretty. I've had dogs that look better than her."

Maya attempted to muffle a snicker, but Logan heard it loud and clear, his brows furrowing at the horrible comment.

"I'm serious. She puts up this whole nice and innocent act, but I bet she's a raging bitch behind closed doors."

That was it.

All the stuff before was just normal, teenage jealousy; something he'd—albeit reluctantly—let slide.

But calling you out of your name?

Insulting your character?

Comparing you to a dog?

A line had to be drawn.

"Tali, you can't say that," Maya chuckled, glancing around to make sure no one was listening.

"Like I care," she scoffed, rolling her eyes. "I'd tell it to her face if I ever got the chance. Just walk right up to her and say—"

"Say what?"

The girls nearly jumped out their skin, whipping around, only to be met by Logan's arched brow, the man leaning up against a bookshelf as he puffed on his cigar.

They were at a loss for words, unable to say anything under his imposing presence.

"Don't get shy now," he goaded, crossing his arms over his chest. "Go on. Tell me what you're gonna say to Dr. (l/n)."

The two were practically frozen, frantically glancing at each other for assistance, Logan's eyes flicking between the two expectantly.

"Nothing?" he hummed. "That's funny... 'cause you both seemed to have plenty of shit to say earlier."

Both their faces fell almost instantly, the color practically draining from Talia.

"You heard that?" Maya squeaked, her voice barely above a whisper.

"Every word," Logan nodded. "And what I managed to gather from it was that you both just can't stand her because she's kind, passionate, pretty, and beloved."

He listed each trait off on his fingers, glancing at the two for confirmation.

"How's that? Am I in the ballpark?"

They remained silent, hanging their heads in embarrassment as Logan's confrontation had garnered the attention of the whole library.

"Well, then, how's this..." he pulled the cigar out his mouth. "I'll let you both off this time with a warning... but if I catch either of you trash talkin' anybody again, teacher or student, you're grounded."

"'Til when?" Talia asked, nervously.

"'Til I tell you you're not."

The end of day bell punctuated his statement, a flourish of shutting books and closing pencil cases muffling the girls' sighs of relief.

"Now get outta here."

He had never seen two students pack up so fast.

They were gone in T-minus ten, and once the library was cleared out, Logan allowed himself to sit down, letting out his own sigh.

He could've tore into them infinitely worse—and he honestly wanted to for that dog comment—but he figured that was the right, and legal, amount for a teacher.

But even still...

'I dunno how a girl who can only float two inches off the ground is talkin' about (n/n) havin' a shitty power...'