#guys i think they might be the love of each other's lives??

[softness-and-shattering]

I was writing tags but I think it deserves main post.

Something I know multiple people to do is get a pet so that you have a life relying on you. You cant do it today because who will feed the cat tomorrow?

And as a bonus, looking after an animal really helps you have compassion and look after yourself. Ive experienced this personally*.

Animals, especially cuddly ones are also super therapeutic. Just holding or touching a warm living creature is really powerful, especially but not exclusively if youre lonely or touch starved. Its comforting. You feel less alone. Theyre affectionate towards you, and that makes you think there must be something about you worth loving because theres a cat climbing on you and purring. It doesnt know about human troubles and self esteem and reputation and work. It knows you are person. You feed it. It sees you every day. It loves you. Youre lovable. Youre worthy of love. This weird creature says so.

This isnt necessarily the right advice for everyone so do think about it; eg dont get a dog if you cant consistently leave the house to walk them. Cats do better indoors, and they need more than just food water and litter change. Brushing, love, play, vet visits etc. I dont know anout keeping fish but that might be easier. You could also try a plant. Its surprising how effecting it is to have a living being with you, even if its just a tiny succulent in a pot that doesnt ever move. Its still alive and thats powerful. If youre keeping it alive thats also an incredible feeling. One time when I was living alone and isolating myself, a friend left me a little succulent at the door when I said I wasnt up for actually interacting. And it made a really significant difference which was so surprising to me, its so small! But its *alive*.

*I once had a psych ask if Id ever had a pet, I said no, he said ok so try imagine. The same way you love a pet unconditionally no matter what it does, try feel that way about yourself. I did not viscerally understand what he meant till I got a cat, who could be a mischievous stinky slippery little shit, and I loved him with all my heart no matter how upset I also was at him. This wasnt something I had experienced before.

Another time Id moved somewhere new and I was talking to my cat about how it must be scary for him, in a new place with new sights and sounds and smells. And then I realised, hey, *Im* in a new place with new sights and sounds AND smells, and its ok if I feel a bit wobbly about it. We can be a bit wobbly and comfort each other together.

Seriously, having a Little Guy follow you around and love you is the best. Pet ownership is one of my best life decisions.

So there is a lot of bad stuff going on right now, and I'm sure there are lots of people feeling hopeless and thinking of suicide. Well, I've been suicidal for 21 years and I have a few practical pieces of advice for surviving that I rarely see in other places but I think have done more to keep me off the ledge than almost anything.

1. Don't feel guilty for wanting to kill yourself. Life can be extremely painful, and you are not weak, a coward, or irrational for considering the obvious way to alleviate that pain. Guilt on top of the rest of your pain will not help, and you are not a bad person. You are going to have to tell yourself this a lot.

2. If you think you might do it, find an excuse to live. This is different from a reason to live in that it is short term and shallow. For years my excuse was that I still had enough money to buy a pizza and I'd be damned if I didn't get my last pizza before I died, and if i still wanted to kill myself after the pizza then I had lost nothing. I swear this kept me alive through some of the hardest years of my life.

3. If you have an online friend you can trust, ask if they would be willing to do check in duty occasionally on your worst nights. It's very simple, on bad days where hurting yourself is a real possibility, ask your friend if they can send you a message at regular intervals, say 15 or 20 minutes, confirming that you are safe. It can be as simple as "check?", with you responding "I'm ok". Being immediately held accountable makes not doing it so much easier. I asked a friend to help me like this about two weeks ago to deal with a really bad self harm day and the difference between trying to do it on your own and simple check ins is astounding. It hurts so much less.

4. You die with nothing left on the table. This is for when it's over and you are going to kill yourself. You have a plan, you are ready, and you want to. At this point you are effectively dead. Which means there are no consequences. You can finally do the thing that you were always too scared to do. Maybe it's quitting your job, or confessing to your crush. For me it was coming out as trans. This is your last ditch effort, so if it blows up in your face and ruins everything it is no loss because your plan will still work tomorrow. You were already dead anyway, who cares if you left behind a bit more chaos.

[iamstillovingyou]

Under the cherry blossom

Kang Dae-ho x reader fluff, comfort Summary: Realizing how important Dae-ho has been to you throughout the games and providing comfort to each other Warnings: PTSD, panic attack, anxiety etc. spoilers for squid game s2

hey guys, this is my first ever try at writing something on here, so please be kind! I can't stop thinking about Dae-ho from Squid Game and my daydreams gave me this idea, so I thought it might be good to write about it. I incorporated some of the events from s2 as well as the ending, inserting reader as part of the group with Dae-ho. I used 'you' throughout the whole fic. Hope you enjoy it! Word count: 1k As the lights went out and everyone retired to their beds with just a few voices chattering away or snoring around the hall, your anxiety started spiking up. You had tried to keep your cool during the games, but one harrowing experience after another left you disturbed. Thinking about the most recent game 'Mingle' left your mind in a whirl. You were wondering how you managed to survive every single round of it. The fact that you were a part of a group of people who became your friends and protectors definitely helped you stay alive so long. But, one particular person you kept thinking of was Dae-ho, who kept close to you throughout the whole game. As soon as they'd announce the number, Dae-ho would grab your hand and run for your lives, hoping to secure the number of people and a room. In the last round, as you were considering the possibility of the number two being announced, you felt a tight grip on arm and turned back to look Dae-ho in the eyes. He gave you a nod of reassurance. You held on to him for dear life. Now that you were alive for the ordeal of the next game, your mind focused on Dae-ho. Ever since you joined their group, he was always looking out for you, making sure you're okay and making little jokes to ensure you keep your mind off the horrifying reality that any of you might not be there the next day. You had got used to him and found his presence soothing and his concern for you during the last game intrigued you.

You started worrying about the next game and felt an oncoming panic attack. You had to talk to someone. You turned your head to the right, to the bed where Dae-ho was sleeping. Hesitatingly, you whispered into the darkness: 'Dae-ho', not hoping for answer. After just a second you heard a quiet 'Yes?' 'Dae-ho, are you sleeping?' Then followed silence. You had almost started regretting calling out his name, especially as you didn't like asking for help. But your thoughts were interrupted by Dae-ho shuffling from his bed and kneeling next to yours. 'Are you okay? Is something wrong?' You tried to make out his face in the faint light, his eyes only two dots shining. 'Dae-ho, I'm scared' you blurted out. You had been scared since the beginning, but managed to keep fear at bay. Now it overwhelmed you completely. Dae-ho kept his voice low 'I know. This place is a nightmare, but we are strong, right?, he said as he took your hand in his, 'We've made it so far, we just have to stick together, okay?'. As he said this he sat down on the side of your bed, taking your hand in his. You sat up, feeling the warmth of his hand. You nodded, but tears started swelling in your eyes. 'Dae-ho, what if we do not make it out of here?' you asked as a hot tear rolled down your cheek, you trying to hold in the sobs bubbling in your throat. 'Remember the bridge you were telling me about? With the cherry blossoms and the pond? How magical it is in the springtime?' You nodded. 'Well, picture it. Imagine us there, walking over it on a sunny day, the breeze blowing the petals softly around us. We're safe and happy. You'll take me there when we get out of here, right?', he flashed his charming smile, wiping away the tear from your cheek. You let out a quiet chuckle, trying not to burst out crying. You had told him about your hometown and how you loved that spot in the springtime and how you longed to see it again. He had listened. 'I promise' you whispered as he kissed your hand. 'Now try to get some sleep, we need to be ready for whatever is coming tomorrow', he said and retreated to his bed.

The next day brought its own challenges. Gi-hun's knowledge of the system had helped your group stay alive thus far. His next proposal was to organize an attack on the guards and their leader. You knew it was a great risk and tried to hide your concern for Dae-ho who was determined to be a part of it. He kept glancing at you as they were making the plan. He knew the danger he was exposing himself to, but he was ready to do anything to make sure you two to walk out of there alive. Before they headed out the door, you ran up to him. 'Dae-ho!' He turned to look at you with his soft gaze, his lips thinning into a line. You took a deep breath. 'I'll be waiting for you", you said and gave him a kiss on the cheek.

... All you could hear were shots being fired. You had just managed to calm yourself a bit, when you saw Dae-ho entering through the door, your face lighting up at the relief. He was back. You ran up to him, smiling on the verge of tears. He looked terrified and went straight to the dead guards on the floor fumbling around in their pockets taking the ammo. You tried talking to him but he wasn't responding, focused on collecting all the charges. You noticed what he was doing and helped him, piling them up in a bundle in the green hoodie. 'Stay here' he said and ran out the door. Confused, you went back to the beds, praying everything was going to turn out alright. Several minutes later, you saw Dae-ho reentering and hiding himself away in one of the beds, holding his palms over his ears, visibly shaking. A second later, player 120 came after him, you could see them talking about something. You ran up to them and found out what had happened. As you put your arms around Dae-ho and he laid his head against your chest, new guards entered and started shooting at the ceiling. 'I'm sorry, I'm sorry', he kept repeating. You held him tightly, bracing yourself for whatever was coming next. 'Remember the cherry blossoms, we're safe and happy'.

[francesderwent]

so for the purposes of this discussion I’m going to assume that we all agree that it’s not a desirable state of affairs to be sexually intimate with a whole bunch of people just for fun. I know not everybody agrees with that *gestures vaguely to the sexual revolution and the hookup culture*, but if I have to prove that first then that’s going to take forever and I don’t think it’s what we’re talking about anyway.

we’re going to assume that our interlocutor believes sex and love do have something to do with each other, and wants to know why we shouldn’t treat sex the way that most television shows these days treat sex: like kissing on the lips. you’re in love with your boyfriend so you kiss him on the lips. and then you might break up, and fall in love again and kiss a new boyfriend on the lips. in certain circumstances you might kiss someone on the lips who isn’t your boyfriend, like if they save your life or you go through a bonding experience together or something. and eventually you get married to someone and you only kiss that guy on the lips from then on, but you have kissed a few other guys before and it’s not a big deal or a scandal at all. why, is the question, can’t we treat sex exactly the same?

so, point one is: because the whole physical world is infused with symbolic meaning, the human body speaks a language of its own. we don’t assign meanings to the “words”, they’re inherent and universal. you can’t twist bodily actions to mean whatever you want them to mean, they’re going to go on saying what they really mean whether you want them to or not. a slap does not mean love; its violence is not and cannot be loving. a kiss does not mean hatred; Judas betraying Jesus with a kiss adds an extra layer of hurt to his deception.

point two: in order to exist happily and healthily in the world, we need to speak the truth with our bodies, and not try to twist the language of the body into saying something it isn’t. when we lie with the body, the whole real world we live in resists us. we’re trying to impose our own meaning by our own will onto something that already has its own meaning, given it by God, and quite frankly, God’s meaning is stronger and it’s gonna win. think of this as living in a state of denial—even if you can stay in your denial for a little while, eventually, reality will have its say, it will make itself felt. more on this later.

point three: sex, as a word in the language of the body, is saying something other than just “I feel love for you”—i.e. it is saying something different than a kiss. how do we know this? first of all, sex causes bonding on a chemical level in a way that kissing absolutely does not! secondly, sex creates children—and therefore exists on a very different level than kissing! both of these differences point to this: kissing as a “word” speaks about love as desire, when it says “I feel love for you” it’s mostly saying “I want you”. sex as a word speaks something more, it says something in itself about a commitment which is forever. what sex is saying is “I give all of myself to you and I receive all of you in return, we belong to each other forever”.

point four: the only circumstances in which sex can be spoken truly is marriage. sex speaks in the body the same total commitment that is made in the marriage vows, reiterating and confirming the mutual gift that has already been given.

this is sort of where it gets tricky (and where I think TOB speakers often fail their listeners), because when you’re dating somebody, if you’re not being disingenuous and stringing them along until you find something better, you do hope that you’ll be together forever. and so the more you fall in love with someone, the more you naturally (and appropriately, I’d say!) want to have sex with them, because you want to be able to express your longing for that forever. you don’t intend to lie with your body! you want to say what sex says and make it true in the saying of it!

I think the usual Christian response is to say “ah yes, but that forever isn’t yet promised or guaranteed, so you don’t know if it’s ever going to come”. and as much as the person currently head-over-heels in love doesn’t want to hear it, unfortunately it is very real. for every Jack who meets his first serious girlfriend in college, has sex with her because he really wants them to be together forever, and then marries her six years later having had sex with no one but her, there’s just as many (if not more) Jill’s who meets her first serious boyfriend in high school, has sex with him because she really wants them to be together forever, then is blindsided by a breakup and goes on to repeat the pattern with several more boyfriends before she finally finds the “one”. it’s a tragically common story, so common that the trauma of it is becoming harder to recognize. but it causes severe emotional and psychological harm, to give all of yourself to a person hoping for the gift to be received, only to have your whole self be rejected, or trivialized, or used and discarded. it takes tremendous courage for Jill to pick herself up and believe in love again, and often she’s disappointed over and over again. even when the “one” does appear and the gift is finally received completely in marriage, the scars don’t fade completely. I think a lot of people who get their happy ending end up experiencing that phenomenon of psychological backdraft, all their old sexual traumas bubbling up again now that they finally have a healthy sexual experience to know how it should have been. they then have to spend the honeymoon years of their marriage healing from everything that came before. so the usual Christian guidance is “you don’t want to go into marriage with all that baggage, so better to wait just to make sure”.

and while I do think avoiding trauma is generally a good idea, I think this is a little bit of a cop-out. for one thing, it kind of seems to be saying “don’t have sex with your significant other, because you don’t really know if they’re telling the truth about wanting to marry you”—that is, it’s encouraging you to not trust your partner. sure (she said sarcastically), that sounds healthy!! there has to be a better, more loving reason not to have sex with a significant other before marriage. and it’s this: if the Church’s teaching about sex and marriage are really true, then it is just as wrong for Jack to have sex with his girlfriend before marriage as it is for Jill to have sex with her boyfriend—Jack’s eventual marriage to his girlfriend doesn’t retroactively validate every instance of premarital sex! and if Jack having sex with his girlfriend before they got married is wrong, then what we’re saying is it must be hurting them. even though their love story ended happily! even though they did end up giving and receiving the gift of self completely! getting things “out of order” is hurting them and making them unhappy. this is the burden of proof, and it’s much harder than proving Jill’s sexual history is hurting her. and yet if we believe Church teaching, it must be true!

so we return at last to my above point two—in order to exist happily and healthily in the world, we need to speak the truth with our bodies, and not try to twist the language of the body into saying something it isn’t. and here’s the kicker: we are not God. we cannot make a thing so just by saying it. so no matter how understandable it is to try to create a relationship that will last forever by speaking forever with our bodies, it simply does not work that way. when the word is spoken out of the context which makes it true (i.e. when you have sex outside of marriage), it does not and cannot bring that whole context into being—it doesn’t create a vow of fidelity, it doesn’t create a shared life, it doesn’t create a public commitment. someone can have sex with you and then break up with you, someone can have sex with you and then get in their car and go home leaving you there by yourself to sleep alone, someone can have sex with you and then pretend you don’t exist. the sex, on its own, doesn’t create a slippery slope that leads swiftly and inevitably to marriage. it just creates tension between the life you actually have, unmarried, and the unreal life you’re pretending you have in sleeping with one another. it makes all those parts of yourselves that you haven’t shared stand out more strongly, making you feel every little separation as a wound. and instead of creating a sense of peace and security, it leads to a kind of desperate grasping feeling—“we’re acting like us being together forever is a done deal, but it’s not a done deal, it’s not set in stone, so what can I do to make it work, how can I control this, how can I make him want me enough to stay?” even if in the end Jack proposes, the foundation of the relationship has been damaged. it can be healed, and rebuilt! but it is not good for a relationship to develop under that kind of strain. not good, and not necessary.

what’s the alternative? when you wait to have sex until marriage, your dating years with a partner can be years of expectantly looking forward in hope, while also living in the moment. you are not married yet—so your relationship is not set in stone, you’re still deciding what kind of relationship you want to have together, which means it can still get better and better as you build it. talk a LOT! talk about everything! talk about your pasts, talk about your dreams for the future! work out your issues in the present instead of covering them over with physical affection! because you’re not burdened by the anxious desperation to turn a lie into the truth, you will be able to see more clearly what the strengths and the weaknesses of the relationship really are, which allows you to address your weaknesses and work on them! and because you’re not pretending like you’re already totally committed, the prospect of actually making a total commitment will be more and more attractive. when you’re not trying to act like you’re married already, it’s so much easier to have open conversations about the future you want together, and easier to know when it’s time right now to take steps to get there. and that’s exciting! it’s fun to have stuff to look forward to, it’s fun to make plans together!

it’s not a better way because there’s less collateral damage, because you’re hedging your bets playing it safe just in case something goes wrong. it’s a better way because it’s all about letting love develop in its own time, according to its own internal laws. I’m not gonna say “guard your heart”, as if your significant other was an enemy at the gates. instead, “guard your relationship”, because it’s worth protecting, worth giving every chance to be as happy as it can be.

[cosmic-giraffe]

PLEASE make that post about reducing hasemura and hirojima down to just their ships im desperate to see people complain about this please i hate it so much

Ask anon, and you shall receive

First of all, I touched on this issue a few weeks ago, as you can read here, so I'll try and explain my thought process better! Secondly, this less of a complaint, and more of a study in fandom etiquette and the like.

I think people narrowing down the characters of Ken, Kazutoshi, Ojima and Hiroaki to their respective ships isn't an issue solely in the Tetro fandom, or Danganronpa as a whole. It's an issue in any media that includes queer ships, or ships in general (which is literally any media ever). As a gay person, I'll be speaking from my experience with this problem in fandom.

First of all, Hasemura. Both Ken and Kazutoshi are very interesting characters on their own, and their chemistry is undeniable. I'm a sucker for these two; for somebody as shy and socially awkward as Ken to befriend a brooding, jaded guy like Kazutoshi makes for some very fun and insightful interactions. Their contrasting lives and personalities are one of the draws for their dynamic. There was obviously something going on between the two of them, even if they never got the chance to vocalize or even understand the feelings they had. But this will-they-won't-they aspect of their dynamic isn't all that's to them.

Kazutoshi was a very depressed individual. He'd faced many hardships in his life, from losing his family at a young age to his myriad of health issues, to his mental illnesses resulting in multiple failed suicide attempts. But outside of his trauma, Kazutoshi was a very smart person. He was a forensic crime scene cleaner for God's sake, which definitely isn't an easy profession, mentally or physically. He wanted to study, he wanted to move past his hardships and flourish, he wanted to live. Just like everybody else in the killing game. But Kazutoshi was a total asshole, which I love. He didn't hold his tongue and kept people at arm's length out of fear of being hurt again.

Ken is the inverse of that. He has a supportive family, he has wealth, he has a support system in place. He might not be the loudest personality in the room, and he might stumble over his words more often than he can get a full sentence out, but Ken is a very kind and considerate individual.

For people to reduce all the intricacies and nuance of their characters and writing to their ship is doing them both a huge disservice. There's so much more to them than that. It's so much more interesting to view Kazutoshi and Ken's potential for a relationship as a small piece in the puzzle of their lives, instead of it being all-encompassing.

Going back to Kazutoshi, it is very sad to see the main takeaway from his death being "He never got to tell Ken that he loved him!" Which, yes, is undeniably tragic. In media, there's a sad trope called "Bury your gays", in which gay characters are killed off before they can ever have a happy ending.

I'm definitely not accusing Von of this, as Danganronpa has plenty of queer characters that die off (Chihiro, Mondo, Taka, Ibuki, Nagito, Tenko, etc.). But for people to look over all the missed opportunities Kazutoshi will never get the chance to experience because of his brutal death in favour of making his loss about Ken again is not the best look.

Now, onto Ojima and Hiroaki, because BOY do I have thoughts about these two, mainly Hiroaki (the little shit he is, I love him so much lmao).

These two suffer the same issue as Hasemura, that being all their characterization being boiled down to their shipping potential. Which isn't unsurprising, as they're two skinny pale twinks in an anime art style, which is like crack for teenage fujoshis lmao

But on a serious note, Ojima and Nakamigawa are more similar to each other than Ken and Kazutoshi are. Both have tense relationships with their families and their reputation, both have unresolved trauma, and both of them have an interest and career in the arts.

But that's where they differ. Ojima is an illustrator, and has a very intense crunchtime to navigate under in his profession. The stress of having to create art for countless projects definitely has its toll on him, but he still retains the passion that got him into this sector in the first place. Ojima doesn't have a bombastic personality, but he is stern when he needs to be, and is definitely one of the more mature students in the killing game. His bouts of disassociation are also an integral aspect of his character, and they are intermittent and uncomfortable.

And Hiroaki is one of the most annoying students ever and I love him. He's crass, pompous, has an irritating holier-than-thou attitude to anybody he deems to be beneath him, and can't take what he dishes out. He constantly picks fights and insults people, and then acts surprised when nobody wants to be around him. But underneath all that veneer of flashy designer clothes and bad boy image, Hiroaki is a very insecure boy that needs somebody to reel him in and let him know that being open, honest, and in touch with his feelings isn't at all a bad thing to be. He's shown his more sensitive side when he thinks Ojima is dissociating, when Tsuno was upset and she sought comfort from him out of all the other students in the school, and when he helped Hama and Wada grieve the loss of Isono, Chiba and Harada.

Hiroaki has the capability to grow and become a better person, and due to recent events, he is starting to do so. I hope he stays on this path and doesn't backtrack when things get tough.

Now, onto their dynamic. Ojima and Hiroaki obviously contrast and compliment each other well. This is all thanks to Von's writing. When Hiroaki shoots his mouth off, it's almost always Ojima that reels him in. When Ojima is in one of his lapses, it's usually Hiroaki who keeps him company by simply staying in the room, drawing, while he patiently waits for him to come back. They share dorm rooms to the point they're basically one room, they share clothes, they even share beds sometimes. The chemistry between them is undeniable, and that's why they're such a good pairing.

But what irks me is when people make their personalities completely revolve around the other. Hiroaki this, Ojima that, Hiroaki this, Ojima that. No mention of their interesting dynamics with other students, like how Ojima and Wada bonded over their respective histories with trauma, nor how Hiroaki and Tsuno confide their problems in each other so as to not burden anybody else with them (I'll take any opportunity to bring up Tsuno lmao).

And this is never more prevalent with Hiroaki's coming out scene.

It doesn't take a genius to know that being closeted is a very stressful time in a queer person's life. It's hiding a huge aspect of your life for fear of being judged by outsiders, or from being judged by yourself. That's why some people never come out of their closet, and are unable to accept and be their true selves. Which happens all too often.

Hiroaki's internalized homophobia kept him closeted for years of his life, which definitely wouldn't have helped his self-image issues. Being thrust into the public eye as the Ultimate Fashion Designer definitely wouldn't have helped, either, as now he had thousands of eyes on him. Due to this pressure, he played up his bad boy image by dating and sleeping with girls he had no attachment to, just to cover up for his own crippling insecurities and inability to accept himself.

When Hiroaki does come out of the closet for the very first time, when he finally accepts an aspect of his life he'd been repressing for years, he says it to Yanagi. Not Ojima. Yanagi. Yanagi, the guy who almost sold them all down the river during the first trial when he covered up for Sasaki (who they also both had very differing views on). Yanagi, the guy who beat the shit out of him and broke his nose, dislodged his tooth, and bruised up the face that he'd kept in immaculate condition for the public constantly watching his every move.

Out of all the people in the killing game, Hiroaki told Yanagi, and it was excellent writing for that to be the case. There was no judgement, no criticism, just acceptance, which is what Hiroaki has been seeking his entire life. But was forced to wear a costume that wasn't really him, just to avoid the pain of rejection or judgement.

And for some people to take this monumental step in Hiroaki's journey of self-acceptance and make it all about Ojima is INSANELY insulting. It's obvious that Hiroaki has feelings for Ojima, which definitely added to the mounting pressure of him being closeted, but in that moment, it was about Hiroaki and loving himself.

Now, in summary, I'm not saying shippers can't ship Hasemura or Hirojima. Quite the opposite. Be unapologetically gay!! But also keep in mind the harm they're doing when they reduce the participants down to their attraction to the other, as it is a disservice to Tetro's excellent character writing, and also perpetuates the issue that has been prevalent in fandom spaces for way too long now.

This was a very long post and I didn't realize just how much I had to say about this subject, but here we are!! Tetro has definitely wormed its way into my heart, and its characters are constantly rotating in my brain like a microwave lmaooo

[domm1etae]

Are u trying to kiss me?

yunho x mingi

oneshot | mdni

1.1k

Where Yunho and Mingi’s casual hangout goes from tipsy laughs to full-on "holy crap, are we doing this"

nsfw tags under

m/m, bottom mingi, top yunho, dryhumping, friends to ?, alcohol, drinking, makeout, kissing, horny drunks xd, blushing, subtle touching, grinding, blow job mentioned, and idk what more lol

Yunho and Mingi had been best friends forever—practically glued to each other since middle school. They’d been through all the cringe-worthy phases together: the awkward growth spurts that left them tripping over their own feet, the regrettable haircuts they’d both agreed were “cool” at the time, and crushes so embarrassing they swore to take them to their graves. Late-night ramen runs and arguing over the last piece of kimchi? That was their love language.

But tonight was… weird. Different.

Yunho had gotten it into his head to try out some new alcohol recipe he found online, proudly declaring it was a “genius masterpiece” that would change their lives. Naturally, Mingi volunteered to be the guinea pig. Free booze? Say less.

Now, a couple of bottles deep, the kitchen looked like a war zone—half-empty glasses scattered across the counter, sticky spills everywhere, and Mingi’s obnoxiously loud laughter echoing off the walls. He was leaning against the kitchen island, cheeks flushed red, head tilted back as he lost it over something Yunho said… except Yunho couldn’t even remember what was so funny.

All Yunho could focus on was Mingi. The way his eyes crinkled when he laughed, the way his lips curled into that stupidly endearing grin, the way he looked so ridiculously carefree right now. Yunho found himself staring, his heart doing this weird little flutter thing in his chest.

“Dude, you’re, like, bright red,” Yunho teased, reaching out to poke Mingi’s cheek.

Mingi swatted his hand away, still grinning. “Shut up, I’m not red. You’re red.”

“Oh wow, killer comeback,” Yunho snorted, rolling his eyes.

Mingi just laughed harder, leaning into Yunho’s space without a care in the world. His shoulder brushed Yunho’s arm, and for some reason, Yunho froze. It wasn’t like Mingi wasn’t touchy—he was always in Yunho’s space, throwing an arm around him, hanging off him like a human koala. But tonight, it felt… different.

“You talk too much,” Mingi mumbled, his grin softening as his gaze locked on Yunho’s face.

“What?” Yunho blinked, his voice quieter than he intended.

“I said, you talk too much.” Mingi’s hand landed on Yunho’s shoulder, sliding down his arm like it was the most natural thing in the world. “I like touching you,” he added, completely nonchalant, like he wasn’t flipping Yunho’s entire world upside down.

Yunho blinked again. “What does that even mean?”

“It means you’re soft,” Mingi said with a teasing grin, giving Yunho’s bicep a squeeze. “Weirdly soft for a guy your size.”

“Oh my god, you’re so dumb,” Yunho groaned, shoving him lightly.

“Yeah, but I’m your dumbass,” Mingi shot back without missing a beat.

Yunho froze. That wasn’t new—Mingi said that kind of stuff all the time. But tonight, it felt different. Heavier. Loaded with something Yunho didn’t quite understand but couldn’t ignore. And when Mingi leaned in, his face suddenly way too close, that something became impossible to avoid.

“Mingi,” Yunho said, his voice barely above a whisper. “What are you doing?”

Mingi tilted his head, lips twitching into a lazy smirk. “Thinking about kissing you.”

“What?” Yunho’s voice cracked so hard he might as well have hit puberty again.

“I mean, unless you don’t want me to,” Mingi said, his smirk faltering a little.

“I—uh—are you serious right now?” Yunho stammered, his brain short-circuiting.

Mingi shrugged. “Kinda.”

“Kinda?” Yunho echoed, eyes wide.

“Fine, yes, I’m serious.”

Yunho opened his mouth to respond but couldn’t get the words out. His eyes darted to Mingi’s lips, then back to his eyes, and before he could second-guess himself, he leaned in.

The kiss started soft—almost hesitant, like neither of them could believe it was actually happening. But then Mingi made this quiet little noise, something between a sigh and a whimper, and Yunho was a goner.

Mingi kissed like he did everything else—with his whole heart. His hands slid up Yunho’s back, pulling him closer, while Yunho’s hands instinctively found Mingi’s hips. They pressed together, their bodies fitting like they were meant to, and Yunho couldn’t stop himself from deepening the kiss.

Their hands wandered, exploring each other's bodies with increasing urgency as their kisses deepened. It was more intoxicating than the alcohol they'd consumed, and neither of them could get enough.

Mingi whimpered again, his hips moving instinctively against Yunho’s. The sound shot through Yunho’s system like a live wire, it was the hottest thing Yunho has ever heard and wanted to hear it again, he couldn’t help but grind back.

Mingi's hips were unstoppable, moving faster and faster, he’d never felt this overwhelmed, this hot and bothered, not like this before.

Yunho must've noticed how frantic Mingi had become, and without missing a beat, he matched his rhythm. He slid his tongue along Mingi's neck, nipping at his jaw and biting at his ear, his voice low and teasing. "You wanna come, baby?"

Mingi's spine tingled at the sound of Yunho's voice—damn, he sounded so fucking hot talking to him like that.

“Yunho,” Mingi gasped, his head falling against Yunho’s shoulder. His whole body trembled, his nails digging into Yunho’s arms as a broken moan escaped his lips. He stilled after a second, shuddering in Yunho’s arms as he caught his breath.

Yunho held him close, one hand rubbing soothing circles on Mingi’s back. His own heart was racing, his head spinning, but all he cared about was Mingi.

“You good?” Yunho asked softly, pulling back just enough to see Mingi’s face.

Mingi let out a shaky laugh, his cheeks flushed and his grin lopsided. “Good? I’m amazing,” he said, his voice still breathless. Then his eyes flicked down to Yunho’s lap, and his grin faded. “But, uh… you didn’t…”

Yunho shook his head quickly. “It’s fine. I’m fine. Seriously.”

Mingi’s hand shot out, grabbing Yunho’s wrist before he could move away. “No,” he said firmly, his tone more serious than Yunho had ever heard. “Let me take care of you.”

Before Yunho could protest, Mingi was sinking to his knees, his hands already working at Yunho’s belt. The alcohol haze was gone now, leaving nothing but raw, unfiltered emotion between them.

As Mingi looked up at him, his dark eyes filled with something Yunho could only describe as pure want, Yunho knew one thing for sure: this was, without a doubt, the best experiment he’d ever attempted.

[your-unfriendlyghost]

sodapop patrick curtis thoughts on my desk by the end of the week or ur DONE /j

How I feel about this character

  Uh like he’s perfect and should be my wife i think

  Nah but fr Soda’s one of my favorite characters ever. He’s sweet and all, but he’s so much more than that. Pony says he’s movie-star handsome, that he can go from gentle one minute to “blazing with anger” the next, that he gets drunk just on living, and understands everybody. Soda’s a Kerouac-style “mad one”- “mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes Awww!”

He’s a guy who’s sensitive but strong, a “bawl baby” who’s tough, he’s probably got ADHD and dyslexia, the school system failed him. His folks died and left him holding his brothers together by a thread. He’s pretty but not pretty enough for Sandy to stay. He might end up dying in Vietnam, and thank God that isn’t canon, but it’s still there. He’s happy to live life simply, behind a white picket fence with a wife and kids- hell, he’s thrilled to. But that’s not gonna happen, at least not for a while, because Soda is a tragedy. But he loves his brothers and his friends so much that he becomes a beacon of hope despite it all.

  I love Soda. Honestly, this barely scratches the surface of how I feel about him. I haven’t even touched on the adrenaline junkie stuff or the ways he’s sometimes so relatable to me that it hurts. 

All the people I ship romantically with this character

Steve, and sometimes Evie. 

  I’ve found I’m a friends-to-lovers enjoyer, so Stevepop scratches that part of my brain lol. To have someone who’s got your back through thick and thin, aware of your flaws but in spite of them- well, ain’t that the dream? The angst of it being the 60s makes it interesting to me too, because there’s a lot of ways to handle that. Man, when I first read the book I didn’t get the hype for them at all, but idk. It clicked. I get it now. 

  And then Steviepop is my roman empire lol. It’s all I love about Stevepop, but Evie adds even more complexity. I like her a lot and I love writing her, and I love writing her with characters who I also love. There is absolutely no canon anything to back this ship up. But dammit that’s the point of fandom.

  I will say though that I like exploring Soda’s dynamic with Sandy, but I don’t really ship them. I think the fact that Sandy left him (and I mean cheated on him, even if that can be read ambiguously) implies that there’s something about him that could be undesirable, romantically. I don’t mean cheating is good or that people deserve it, just that in this case, the idea that Soda’s an imperfect boyfriend adds layers to a character who is mostly just positives. We’ll never know Sandy’s POV on it, and I don’t think Soda will either. Sandypop to me will never have closure. That’s what makes it hurt so much. That’s what makes it relatable

My non-romantic OTP for this character

  I mean honestly? Steve. I know this isn’t really fair, since I like Stevepop and all, but idk, there’s no one else who I think it could be. 

  Steve’s a character who’s cocky and troubled and prone to assholeish-ness, but even he loves Soda. He knows about Sandy and gets angry on Soda’s behalf at Pony for mentioning her, which means Soda can tell him- angry, tough Steve Randle- about sensitive stuff. And Soda, who I think is a little in love with everyone he meets and could have anyone he wants, sees this bastard and sticks with him. He sees the parts of Steve that Pony can’t. Parts that make him worthy of being his best buddy.

It’s been said before, but no matter how you look at it, romantic or platonic, they’re each other’s person. I don’t think I could put anyone else in this slot.

My unpopular opinion about this character

 I have a few lol.

1- I see a lotta fics and takes where the whole “drunk on living” thing is a lie Soda feeds Ponyboy, and while I like that take, I do also think it’s totally possible and even plausible that Soda really doesn’t drink and Pony’s view of him (in that aspect) is right.

  I dunno, I mean, I know firsthand what it’s like to just get drunk on adrenaline/excitement. Adrenaline is a hell of a drug, and the rush from it is better than any other high I’ve had. Thrill rides make me act as stupid as someone drinking- when I’m excited, I lose all ability to filter thoughts or fight impulses. I’ve done all sorts of dumb moves- climbing onto tables, singing loudly without knowing or caring if it bothers people, play-fighting my buddies so hard we both get genuinely injured, standing up in a convertible going down the freeway... (This is obviously anecdotal and not real evidence or anything, but like, duh. This is an opinion piece lol.)

  I guess what I’m saying is that there’s a lot of interesting things that can still be done with a Soda who genuinely doesn’t drink. (Or at least not much.)

2- I love darker takes on Soda. I love when people dig into his addictive personality, his temper, his relationship with his looks/self image, all that stuff. I love his flaws, and I especially love when they co-exist with his earnest sweetness and genuine sensitivity. In a few of my fics, I’ve explored some slightly darker Sodas- Sodas who are impulsive, pent up, semi-narcissistic and occasionally manipulative. I haven’t delved deep into it or anything, and I usually keep his character wholesome, but I love it when other folks don’t. 

3- I actually really like the Vietnam War storyline. I mean it hurts, but it seems plausible. I hate the idea of him dying there, but I like exploring the idea of him being drafted. Hell, maybe he even enlisted. The military is known for being a good way to earn enough money to pull one’s family out of poverty, and this paired with the flawed ideas of masculinity and strength of the time lead to a really interesting version of Soda’s future.

  I’m real glad it isn’t canon though.

4- This isn’t technically unpopular but brown eyed Soda will always be canon to me. I like Rob Lowe’s Soda a lot but man….he coulda used brown contacts, yk? /hj lol

One thing I wish would happen / had happened with this character in canon.

Well I still think it’s a crime his emotional monologue got cut outta the original version of the film. Thank God for the full novel version, but man, still.

Woulda also have been cool to see him mentioned in That Was Then This is Now, but I get that SE Hinton wasn’t trying to make an Outsiders sequel really.

Idk, Soda served his purpose, I think. 

tl;dr- I love him

[astersofthesky]

VERY WELL SAID OP!!! Also to add, I've recently just finished rewatching season 1 and one thing that I also wanna add is that InHo is also greatly influenced by the games philosophy of "having equal chances for everyone."

(apologies for the badly cropped image!)

InHo, who was once an officer, was falsely accused of taking bribe from a criminal resulting to him entering the games in 2015 for his wife and unborn child. He saw the game as one last shot at life (a common feeling the players have when entering the game—even Gi Hun entered the game again for his mother).

In-Ho had seen the worst of the games and had also seen how people kill and deceive each other for money. And how the VIP's also sees the lowest of the low as some worthless betting horses to gamble for and get entertainment.

I just know he is disgusted by all these things, coming out as a player himself and as a former purveyor of justice.

So yeah OP, i agree that InHo never enjoyed watching or even handling the games. I bet he's just doing it cause he believes he's got nothing anymore. Or maybe the guilt is eating at him everytime he goes home to meet Jun-Ho and their mother so he stopped coming home altogether during 2020 (Ironically Gi-Hun's game).

I feel like it was guilt and fear of facing Jun-Ho and letting him know what evil things he did in the games is the reason why In-Ho came back and became the frontman. Or maybe he came back a regular pink guard and climbed his way up in the ranks (I wouldn't put it pass him) all because he thinks humanity is dead (his humanity is dead).

BUT IF THIS IS THE CASE, then the way he's obsessed with giving these "scums" the last "shot" at life clashes with his disgust in humanity right??

Comes in the hope, this secret hope he still cherishes inside his shredded yet fully locked heart that maybe humans aren't so far gone yet.

That maybe if we keep on giving equal chances to everyone, someone out there would show that the human heart is not only made to deceive and hurt and be evil.

Then come Gi Hun who was one step away from winning yet he came back to give up the game to save him and Sang Woo.

That caught his attention.

All his life he's known cruelty (even as an officer) to being the frontman and come this guy with all smiles and naivety and hope and kindness cause i juuust know In-Ho was intrigued when player 456 chose player 001 despite being an old man during the marbles game not even knowing what the game will be.

This man is full of love. And In-Ho knew it when Gi-Hun picked up Sabyeok's brother is okay and ensured that he and Sang-woo's mother are all financially and emotionally okay.

I bet In-Ho was feeling frustrated when Gi-Hun dialled their number and told he's gonna track him down not just because he'll be a threat but because he knows Gi-Hun is throwing out the chance to heal and be happy the way In-Ho was too cowardly to do to his brother and mother.

Gi-Hun will regret coming back the way In-Ho regretted saying yes to being the frontman.

Now, even joining the games, he got to know Gi-Hun more and not just from pictures and reports. But he gets to know him personally and In-Ho sees that as much as they're alike they're different.

They're different cause he thinks Gi-Hun is still naive for seeing the world in black and white but In-Ho sees the gray areas and some people does use the money for good.

They're alike cause this shows that deep down, In-Ho believes that greed for money is not the only thing keeping this people fighting and hoping the same way Gi-Hun believes that greed for money can be overcome by standing over on what's right and fighting for human lives and hoping in humanity's innate goodness.

Even Lee Byung-Hun said that unknowingly In-Ho might be rooting for Gi-Hun's belief to be right over his own.

Not because he's entirely wrong but Gi-Hun's belief leads to a hope he had lost when his wife and child died. When all he sees are cruelty atop cruelty (and even most of them because of his doing) and he's just numbed and he wants to care for Jun-Ho but can't and will never be able to come back.

And that's why In-Ho is a selfish coward 'cause he wants Gi-Hun to be right but he's scared that maybe, that the hope Gi-Hun brings, is only temporary.

That Gi-Hun will become like the people he despised the most.

That Gi-Hun will eventually become a monster like himself.

So he crushes everything that Gi-Hun cares about. He kills Jung-bae. He kills "Young-Il." He was already trying to nip the bud of hope in his chest cause he's scared to be proven wrong and be all broken all over again when he had already developed this numb, indifferent mask over the course of the years.

Cause if Gi-Hun gives up, then he can give up into the delusions of second chances as well.

If I say that I'm not used to people misinterpreting my favorite characters, I'd be lying. But the way they get so many things wrong about Inho's character is kinda pissing me off because you KNOW that most of them do it to cancel out the possibility of InHun being *something* more than what's shown so far. You don't ship them, that's fair, frankly I don't care. Everyone's entitled to their own opinion UNTIL your opinion is wrong.

Let's talk about a couple of things I've seen being talked about on tiktok (🙄)

“Inho joined the games because ilnam said that it'd basically be more fun to play than to watch so he followed his example." loud incorrect buzzer ! Inho has joined the games before, and not only that, he's also a previous winner, so therefore he's very much aware of what it's like to be a part of it, he's experienced them first hand, just like he's experienced the atrocities of it. they've changed him for the worst and possibly caused him a huge trauma —they're the reason he's lost faith in humanity after all— so, why would he crave to relive it just for the thrill of it? i, personally doubt he even enjoys watching the game.

“Inho didn't look at Gihun with love, he likes to watch him suffer” Short answer is no. He doesn't like to watch him suffer, neither he looked at him with love, not the pure kind of love at least. Two things can be true at once. Inho spent half the season staring at Gihun because everything about the man intrigued him; His determination, his stubbornness, his kindness, his hope, his heart that's full of love despite the pain he suffered, even the pain in his eyes every time someone got eliminated in front of him as if it was the first time it had happened, as if the cruelty of it all surprised him every damn time. How can someone, who's been through the same things Inho has been through, be the polar opposite of him?

now, the reason(s) that I think Inho actually joined the games for..

(yes I am an Inhun shipper, does that make my opinion a little biased? maybe. do i still believe I'm right? absofuckinglutely.)

Let me clarify this: Inho is NOT a good man, no matter the redemption arc he might get in s3, he'll continue to be a terrible person because nothing will ever erase the blood he's spilled and the evil men he's worked for. BUT at the same time, he's not ALL bad, not like the VIPS and ilnam. See, Inhun are the average "yin-yang" trope in fictional romance, (which I eat up every time and I find it very interesting when it's done the right way, don't get me wrong) Inho is bad but there's some goodness somewhere deep inside him. And the only person who's brought it to the surface is Gihun. Sure, he does think Gihun is naive, but he's also the only person who's actually challenged him, who's "forced" him to get his stupid head out of the dirt and look around him, even for a short while and Inho definitely liked what he saw. Honestly, it wasn't even that hard for Gihun to do so because the goodness in Inho wanted and waited for someone to pull him out of the dirt, he wished for someone, something to give him hope for humanity or.. anything. Anything that'll help him escape from his misery.

You can definitely argue that he joined the games to befriend Gihun, to gain his trust and stop his plans when the time comes, which is half true. But keep in mind that he needed to justify his choice to join the games. He's not a VIP nor the mastermind to simply get to do that without consequences. He's the frontman, the one who controls and manages everything. He's needed for the games to work and go by smoothly and successfully without unnecessary losses and problems. Gihun would only cause problems, Inho knew that very well and yet he chose to put him in it once again. He recklessly made that choice, risking pretty much everything because of his inner conflict. A part of him wanted Gihun to prove himself to him, that there's indeed good that'll save the world and the rest of him wanted to prove to Gihun that everything he so strongly believes in is merely a fantasy.

Joining the games and befriending Gihun was the only way for Inho to see the real him, without the heroic mask he puts on every time he faces the frontman. I think he believed that someone as extraordinary as Gihun will either break in front of him and he will end up disappointed by the human kind once again, or Gihun will change everything about the way he thinks for the better. But the problem is that Inho hopes for both of those things at the same time.

And that was Inho's arc in season 2. His inner conflict and how it will affect him, the game and Gihun later on.

[klainegifs]

[telesodalite]

I need to be weirder about the scavengers and cannibalism...

[hauntingblue]

Stampede aka another episode of luffy turning haters into dick riders just with his kind and big heart

[cherry-bomb-ships]

[introspectivememories]

"why aren't you asking me anything?" he asks, his throat aches uncomfortably. "just ask i know you have questions."

his zio and zia exchange glances that he can't decipher. he wishes they'd just say what they want to say. just spit it out he wants to scream. be more like mom and dad. say it, no matter how much it guts me, just say it. split me open with your words, carve my chest open, finish what the high priest didn't get a chance to.

"are you in pain?" his zia asks instead.

he feels a little wrongfooted now. they were supposed to ask what he did to get hurt so badly. he was supposed to horrify them with tales of how he fucked himself over. how he ruined himself for nothing. he was supposed to let their hurt break him.

"what?" he asks dumbly.

"are you in pain, bernardo?" his zia asks again, moving the flower vase out of the way so she can pin him with a steady look, "does it hurt?"

he laughs. does it hurt? what does he even say to that? it's been hurting since he was 16. since she-. does it hurt? is she worried? everything on him is something he's done to himself.

when he was younger, his zio used to like to tell stories about his scars. here, he'd say, this is where i got hurt fighting the fascists. and this, he'd point to his shoulder laughing, is from the time your zia's dad shot at me when i came around to ask for her hand.

here, he wants to say dragging his zia and zio's hand over the wound on his chest, is where they dug the knife into me. here, he'll say letting them trace over the scars on his wrist, is where it hurt too much when i was 16. this, with a hand reaching back to the sitched up mess on his back, is where i let the pain consume me. this is where i fell, where i begged for more, where i let them rewire me, remake me.

"bernardo," he's brought back to the present by his zia’s sharp voice, "you got lost. answer the question, does it hurt? are you in pain?"

his zia's voice cracks on pain, like it hurts her, and something in him breaks. he's so tired of hurting other people, of pushing them until they're broken and exhausted. he thinks back to when he last saw his friends. the weary set of their shoulders at the airport. the way jam's mouth seemed to be perpetually set into a frown. how he couldn't remember a time when chinna's eyes weren't rimmed red. when dijah didn't look at him like he was another opponent. how mori's voice had seemed hoarse from all the screaming he did in the ambulance as he begged bernard to stay with them.

how long had he been making them pick up his broken pieces? how long had they been cutting themselves on the shards of his pain? he remembers their faces as he stood at the gate, getting ready to board the plane, exhausted and broken. in the end, chinna, their tenderhearted youngest, was the only one say something.

"chetta," she said tears streaming down her face, "when you find what you're looking for over there, give us a call okay? and even if you don't find it, give us a call."

he had noddled once or twice, he doesn't remember properly, too drugged up on the mandatory pain drugs the hospital put him on before he checked out.

"bernardo, you keep getting lost." his zio says, quietly.

understatement of the year, he thinks.

"i'm sorry, zio," he says, throat tight with tears, "i don't think i know how to be found anymore."

his zio hums softly, "that's okay, piccolino. how about you just answer our questions first: does it hurt? are you in pain?"

his eyes fill over with unshed tears, "yeah zio, it does hurt. it hurts so much, zio!"

his zio's lips turn downward and his hand reaches out to brush away bernard's hair away from his forehead, "oh bernardo," he sighs sadly, "it will be okay. you will be okay piccolino."

bernard slumps into his zio's arms, "it hasn't been okay since i was 16 zio, how will it be okay now?"

his zia rises and walks around the table to kneel down next to him. one hand comes up to grip his wrist and the other starts to stroke featherlight touches up and down his back.

"it will be okay because i say so, and maybe you've been gone from here for too long if you think you can beat your zia maria in a battle of wills."

bernard snorts out a wet laugh.

"and," zio says, "you will be okay because you will learn how to heal here. one day at a time. you have all the time in the world."

zia maria points out the window to where he can see the ocean lapping at the shoreline, "look bernardo, the sea always returns."

the hand around his wrist tightens, "like that," she says staring into his eyes, steady as can be, "you too, will return. you will return."

bernard turns his head away to stare back at the sea and tries to believe the words his zia says.

[mazojo]

I am a simple woman, I see vampire and werewolf dynamic, I stan

[spocks-kaathyra]

"ur repressed" okay well have u even considered that emotions r purposeless and only serve to cause harm to those around u and I have achieved a unique transcendent state beyond them. have u considered that

[myonmukyuu]

please consider: setsupomu vampire x werewolf AU 🙏

I've been sitting on this idea for a really long time and it's honestly too ambitious to completely draw out so please accept concept art 🙇‍♀️

lore dump:

[alexoreality]

You might not have to hear this but some one piece ships literally don't make sense that it gives me the ick 🥲 (some ships i just respect and leave alone, i'll color them in blue.) (And the ones that give me severe trust issues is purple)

AceSan - ...okay... The smirk...? What else...? Trauma bonding?? What...? I mean, its cute, i can leave the ship alone and its fans. I think this ship stemmed from the way Ace was drawn looking at Sanji *my boy was greasy* Y'all are horny though.- (sorry. But they'll get along so well with supporting and stuff- TRAUMA. MY GUY. I KNOW IT WHEN I SEE IT 😭

HanLu - thats a grown ass woman.

LawLu - and thats a grown ass man. (But Luffy's 19- AGE GAP???)

ZoSan - i'm sorry HUH. The two men that insult each other 24/7 were being shipped??? HUH. (But they respect each other- I KNOW THAT??? BUT GODDAMN THE FICS DON'T GET THEIR CHARACTER RIGHT 😭 ZoSan is a well-liked ship, but don't consider them canon and that they'll kiss after Zoro defeats Mihawk)

ZoBin - THAT IS HIS MOTHER FIGURE.

SaboSan - ...They never met 😶... and what if they do? Trauma bonding again?... Y'all I'm sorry but huh- how. Legitimately I'M SPEAKING RATIONALLY, HOW THE FUCK WOULD TWO PEOPLE FALL IN LOVE??? THAT WAY???

UGH ITS JUST A 2D CHARACTER!!

Well DAMN YOU WEREN'T TREATING THEM LIKE THAT WHEN I WAS DISSING THEM??