#gustave corbet
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The Sleepers, Gustave Courbet. 1866. Oil on canvas.
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Warm
college!steve harrington x f!oc
series masterlist
Steve gets flustered in an art museum. She kind of likes it.
18+ smut, normal hairy female bodies, steve is kind of a perv in the best way, smut duh, and verrryyyyyy sweet, also robin and eddie being good roommates
note: the painting that Andy and Steve look at is called l'origine du monde by Gustave Corbet and you can check it out here. This fic is for bush (not the president) and bush only, thanks.
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Steve is a good guy, right? Right. Respectful, respectable, two percent in his cheerios in the morning, light wash denim and clean sneakers, and he flosses two times a day, clean bill at every dentist appointment and he shows it, curls half a smile when he holds the door open for girls on campus, all ease, all-American and alright. Studying business, and of course he is, though his parents don’t know about the women’s studies minor he picked up all because of a flushed little crush on a professor that never amounted to anything, coupled with Robin strong-arming him into taking a few more classes with her. But that’s okay, he likes the classes, and he likes the classmates.
“Do you need a partner?”
“Hmm? Oh, I was just going to work alone actually.” Big scarf tucked up around her neck and a big coat wrapped up around her and she barely even glances at him down the slope of her nose, already refocusing on the painting in front of her. But he’s a good guy, right? Right. A real team player, tilting his head, and letting his hair fall into his face, a little shy, a little smile. She glances at him, unimpressed hook of her brow and her eyelashes lifting up over the rims of her glasses. Her name is Andy, he knows, though they haven’t spoken, at least not directly. She’s been known to correct him in class however, her hand raising after his, quick and cutting. He maybe, kinda, sorta likes that.
“I think we’re supposed to, you know, discuss what we’re looking at with each other for the VHS thing.”
“VTS.”
“What?”
“It’s called VTS. Visual thinking strategies. Are you sure you want to discuss this painting with me?”
“I’m game if you are.” She smiles, and he’s already thinking about which of her palms he’d like to write his number on. But when he finally looks at the painting, he finds himself to be a lot less concerned with his phone number.
“So, Steve, what’s the first thing you notice about this painting?”
“Um, well, I–”
“Is it too much for you?” Heat is prickling in a bloom up his neck, her smile sharp as her eyes flit between him and the painting, the painting that he really should have looked at before approaching her.
“No, no, it’s not too much. It’s– appreciation of the female form, right?” He’s not sure where to look any more, a strange kaleidoscope with how quickly his eyes are darting between scraps of the painting and her face. A freckle under her eye, and then swaths of cream and pink brush strokes and then the hitch in her cheek where her smile curves and then, and then.
“Hair.” His voice pitches and cracks somewhere in the word, turning one syllable into two like a hiccup. She laughs a clipped sound.
“Hair?”
“Around her– around her–”
“Around her cunt?” Something hot tightens in his chest, maybe shame, though shame doesn’t feel good like this does. He feels foolish, the quick whip of his head around like he’s worried they’re going to get caught, though for what he isn’t sure. Likewise, he has no clue what’s causing this devastating fluster, this feathering of heat. Whatever it is, it’s making it very hard to look at her, though the way his gaze has fixed on the painting doesn’t feel much better either. He’s never heard a woman use that word before. Actually, scratch that, he’s pretty sure he’s never heard anyone use that word before, not in Hawkins, at least, not corn fed and halfway bible bred, at least. It sets something slick shimmering inside of him, something warm that’s making it hard to think.
“Are you blushing?”
“I’m not, I’m just appreciating the work.”
“L’origine du monde.”
“What was that?”
“That’s the name of the painting. Origin of the world.”
“Well, that, uh, I guess that tracks.”
“It’s a shame, don’t you think?” When he does finally look at her again, she’s smiling, all ease, all cool, and him anything but, his fingers tapping a nervous rhythm into his hip.
“What’s a shame?” She sighs, a long sound, letting her neck roll to the side so her cheek scrunches into the plush of her scarf, a wistful look.
“The current trends. Looking like prepubescent girls. No hips, bald vaginas, everything so… sterile.” She speaks with a bluntness that winds him, if he’s being honest, her expression schooled, and maybe a little disillusioned, brow pinched and mouth pulling down in a grimace.
“I guess I hadn’t really thought about it.”
“Yeah, well, you have a cock. Makes things a little simpler, doesn’t it?”
“Jesus Christ, do you always talk like this?” He says it just a little too loud, a little too breathless, heads turning in the gallery around them, and he thinks he might regret even trying with this girl. Should’ve stuck with the tried and true, that blonde girl that wears sticky sweet lip gloss and smiles at him from across the room during lectures. But this girl, with her arched brow and her twitching smile and the dark flicker of nail polish when she smooths the throat of her scarf. This girl has his number, and not in the way he’d like her to.
“What do you prefer, Steve? Do you like a girl with a smooth shave?”
“Well I think that, um, a woman’s body is her own choice.” And it has to be the dumbest string of words he’s ever said, breathed out on two static exhales, a garbled parroting of what he’s learned in these classes, right? Well, sort of.
“How progressive of you.”
“But the painting is really, you know, it’s, um, it feels warm?” Not sure where that came from, another fresh flood of heat rising and buoying up into his cheeks. Though her expression seems to soften, her smirk falling into something lighter. Maybe, maybe, he got one right.
“Yeah, I think I get what you mean. There’s a softness to it that’s beautiful, don’t you think?”
“Mmhmm.”
“But also a strength, a frankness to it.”
“Yes, yeah.” That sick swirl of shame but not shame is receding, and only leaving a nice sort of haze in its place, his head lolling a little, eyes raking over the painting, the catch of light, the soft rounding of a body at rest, slumped and plush and kind of perfect, he thinks. Although he’s pretty sure Andy would correct him for perfect, perfect not being the point, because perfect is oppressive, right? Right. Fuck perfect, he thinks, this is something better than perfect. And maybe she is too.
“Steve?” Her hand on his arm, purple nail polish and a close-lipped smile snapping him back into his body, hmm? And her smile spreads, and the warmth does too, and she’s saying something about the prof calling them back together and he’s mmhmm-ing on the heels of her brown leather boots. And she sits next to him when they get back on the bus, Robin giving him a stink eye that breezes right over the top of his head as she passes down the aisle because he’s a little busy trying to take discreet inhales through his nose of whatever perfume Andy wears, spice and strong and warm, that same warm.
And it isn’t his number that gets jotted onto her palm, but her address that she scrawls onto the soft inside of his wrist, right over the catch and jump of his pulse, because she has invited him over for a drink tonight to continue our conversation from earlier.
Robin doesn’t even have a chance to snit at him for leaving her stranded to the back of the bus because he’s already shuffling her along by the crooked wing of his elbow, hands tucked down deep in his jacket pockets, snow starting to flit and fall from the gray hang of sky.
“I need your help.”
“You have a date.”
“I’m not sure.”
“It’s a date. She was like, rubbing your wrist. That’s a date.”
“I need your help.”
“Yeah, you do.”
Because Andy is not light washed denim and polo shirts and two percent milk. He’s seen her in the campus coffee shop, she takes soy, sometimes almond, for the record. So when they get back to their apartment, the smell of electric heat washing over them and curling in their lungs, they don’t go to Steve’s closet, they go to Robin’s.
Robin’s first pull is a turtleneck. He scoffs.
“What? Turtleneck dudes are definitely that chick’s type. Are you kidding me right now?” And when he assures her that he is, in fact, not kidding her right now, Robin starts to rummage again, eventually coming back out with a t-shirt for a band that Steve only knows because he has asked Robin to turn their music down on several occasions. And before he can say anything Robin is please hold-ing him and shouting down the hall for Eddie.
“What?”
“Steve has a date with a cool girl.”
“Cool girl, what cool girl?”
“Soc major, with the boots.”A little flurry of activity, socked feet slipping down the hall and Eddie hanging off the doorframe of his room, Steve not able to get a word in edgewise between their rapid fire volley.
“No, really? Little different for you, man, isn’t it?”
“I–”
“We need your closet, excuse us.” Robin on the warpath and Eddie grinning big, and Steve somewhere in the middle.
“How’d this happen?”
“She–”
“They were talking about art.” Robin reappearing with a long-sleeved thermal gripped in her other hand, eyebrows waggling.
“Steven? Our Steven? Talking about art? Well, well, well.” If he just had time he’d say something back to Eddie about how he got kicked out of the art museum last weekend for making quacking noises every time the security guard took a step, but Robin is already ushering him back down the hall, into his room this time, shoving the bundle of clothes into his chest and slamming the door shut on her way out.
Eddie is anemic and tends to eat breakfast when the sun is going down, and Robin is Robin, so it’s a tight fit getting the thermal on, followed by the t-shirt. But looking in the mirror, he thinks he likes it, gives an experimental and not at all vain flex of his arms that makes the sleeves of the tshirt roll back up toward the round of his shoulders and yeah, he likes that. And when he steps out of his room, Robin and Eddie already hovering and humming their approval, that warmth starts to build and bloom all over again.
And the rest is a little hazy from there. Robin offers him two refrigerator-chilled potstickers from last night’s dinner, something about fuel for your evening, Stevening, while Eddie pours himself a bowl of corn pops and prattles about something he learned in his music theory class, dissonance and skipped beats, and Steve can understand the feeling. And then they’re both kicking him out with an all too solemn godspeed, soldier. Eddie even salutes him.
Andy lives on the opposite side of campus in a cropping of apartments in a building that looks kind of like a castle, old brownstone and wrought iron. She buzzes him up, opens the door in a thin turtleneck and jeans, her head tilting and her lip pouting, just a little.
“Where’d the polo shirt go?”
“I changed.” Excellent, he thinks, how astute of him. She smiles.
“I can see. I wouldn’t have pegged you as a Bikini Kill fan though.” He’s trying to focus on her as she leads him deeper into her apartment, though his eyes still wander. Old wood flooring that’s barely visible underneath the thick swaths of patterned rugs. A crushed velvet, lime green sofa sitting in front of a fireplace that’s packed full with books. The kitchen is tucked into a corner, a little patch of black and white linoleum, old appliances. She’s pouring wine at the counter with her foot pressed into her other calf in a sort of shortened tree pose, and she’s asking him if he likes red, and he nods, all the while thinking to himself that he hasn’t consumed enough wine that doesn’t come in boxes to really care what color it is.
They sit down on the lime green sofa, her arm draped over the back of it, fingers tipped toward him. And he’s trying not to be such a dweeb about it, really, he’s not, but it only takes a few bashful glances to know that she very much is not wearing a bra. And he likes that, likes that a lot. Likes the soft curve and fold of her stomach with the way she’s turned toward him, the stretch of her jeans at her hips, her thighs, and his mouth goes dry around a gulp of wine when he starts to think about that painting again, and he starts to think about her, and he starts to think about her and the painting together. He starts to wonder, to wonder, to wonder what similarities he might find between the two.
There’s conversation, quiet and meandering and murmuring, their mouths staining dark and rosy from the wine, bodies turning warm and pliant and inching closer, closer, closer. And it all starts to melt, empty glasses set aside and her hand slipping into the back of his hair and she’s going to be the one in control, isn’t she? Fine by him, lax and languid in her hands, letting her tilt his face toward her. The first kiss is surprisingly sweet, just a peck to the corner of his mouth that makes him breathe hard through his nose in a petty huff of anticipation. She grins, lets the next one take its time, a little deeper, a little more heat, open mouth against open mouth, and he groans when her tongue slips behind his teeth.
This would be enough, he thinks. This time, at least. Her settling into his lap, little pants of breath between the wet snap of lips and spit and tongues. His hands squeeze at her thighs, coaxing a skittering sound from her throat when he reaches back and cups her ass, fingers splayed and pressing petulant. He’s going to feel her fingers in his scalp for a few days, the little hurts, little pulls. The next time she pulls away she presses her hand into his chest to keep him at bay, even as he tilts his chin up, feeling young in his eagerness as she smiles wide-eyed at him.
“Hi.”
“Hi.” Both of them whispering, and when they both realize they don’t know why they’re whispering, both of them giggling, getting away with something when she pulls him up off the couch and into her bedroom.
“Why is this shirt so tight?” She huffs it out with the tshirt halfway rucked up his torso, his hair falling in his face as he curls over trying to help her get it off, both of them breathing out a laugh when the fabric finally is up and over and off of him.
“Oh baby, your hair.” He likes baby, baby feels good, feels like another warm bloom in his chest, his smile turning sheepish when she reaches both hands into his hair, shaking it out at the roots before smoothing it back for him. He chases after her hand, manages to press a kiss to her palm before she’s reaching for the hem of his, Eddie’s, thermal. It comes off easier, quieter, her eyes softening as she takes in his bare chest, catching him off guard when she ducks her head down to press a kiss to the dip that connects the lines of his collar bone, there and gone, little sweetness, little warmth as she steps back and grins.
“Do you wanna lay down for me?” Not even a thought, just ligament and muscle moving, some sort of game dancing between their eyes as he settles back on his elbows against the dark fabric of her duvet. He watches the fine flicker of her fingers make deft work of the buttons of her jeans. An absent-minded thing, the heel of his palm pressed to the ache, to the heat. He’s already hard, already smearing warm against the front of his boxers watching her step out of her jeans.
“Oh fuck, honey.” A little pained, the sweet prickle of agony, of being right. A vision somewhere between obscenity and divinity, he thinks, though that would be playing into the madonna-whore complex their professor was lecturing about last week. He doesn’t care, doesn’t care about much of anything except continuing to look at Andy, the soft divot at her waist where her white cotton thong settles against the soft curve of skin, and the dark bloom of curls along the sides of the material where her thighs touch. He was right, and now he’s doomed.
She smiles, finger hooking in the hem of her shirt and pulling it up just a little, exposing the sweet dip and swell of her stomach, and suddenly he’s not so interested in just laying back any more. Greedy, he feels the slick, desperate curl of it in his gut. Greedy when he shuffles up onto his knees and crawls to the end of the bed. Greedy when his hands curl at the fat of her hips and he pulls her in closer so he can press the open heat of his mouth just above her navel, soft and warm and he wants more of it, of her. She sighs, a long, languid sound that he wants to hear more of, dipping his head down to mouth at the jut of her hip, dampening the fabric slung taut there.
Limbs tangled with limbs, some of it graceless, awkward, some of it perfect motion. She lays out like a painting, like the painting, for him, her turtleneck curled up around her sternum so he can palm a handful of her breast, settling down between her thighs and wasting no time in dragging his tongue through her cunt.
She wasn’t wrong about the trends. Hairless bodies, smooth bodies, flinchingly pristine bodies. And that’s fine, he thinks, been with plenty of bodies like that, made his body like that for a while too. But he likes this, likes her, the sense and sate of it, the scent of it, even if it makes him a pervert, lapping at her while he curls two fingers inside her. And somewhere in the simpering sear of it, his hips have started to jerk and stutter into the mattress beneath him, picking up a stilted speed when she starts to moan, clipped sounds and his name and he wants it and he wants it and he wants it so bad. She comes with a long sigh that cracks high into a whine, her thighs tensing and slackening around his face. And he feels a warmth of his own, relief of his own, though the reality of what he did turns him sheepish, pressing a bashful smile into the swell of her inner thigh.
“Did you?” Her words crackle breathless with her grin, peering down at him from behind her forearm and he can barely look at her, turning his face back into her skin, letting his teeth graze there a little mean.
“Maybe, shut up.” Her laugh bursts and bubbles up, her head tossed back, eyes crinkled shut as he crawls up and up and up, not evening minding the uncomfortable cooling in his jeans when he presses a sloppy kiss to her mouth, turning her laugh into a satisfied hum.
“Hmm, kinda feminist of you coming in your jeans just from eating me out.” Speechless, and he kind of likes it, huffing out a breathless laugh as he watches the cartoonish jump of her eyebrows. He presses a kiss between them, sweet and simple, warm all over when he pulls back to find her smiling at him.
“I like you, a lot.” That whispering thing again, a little shy, a little young, and a little uncertain. But there’s no need for it, not when she tilts her chin up and presses a kiss to his cheek, the round of it, the warmth of it.
“I like you too, Steve.”
#steve harrington#steve harrington smut#steve harrington one shot#steve harrington fanfic#steve harrington fluff#steve harrington fandom#steve harrington ficlet#steve harrington au
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Associations post
While I am doing big Laurence post, I found out that lots of paintings for me have strong vibes and references for certain characters. If I will write big text again - I swear I fall asleep, so just a post for me to have as reference in future
Anne of Cleves for Rom
Saint John drawn by Sandro Botticelli and angel drawn by Filippino Lippi for young Laurence
THIS ADORABLY LOOKING MAN - ‘Hans Tucher’ by Albrecht Durer for DAMIAN OF MENSIS GKLNSKJRGTNSKEJHFTKJEA AAAAAA *girly screaming* I LOVE THIS PAINTING FOR YEARS YOU CAN'T IMAGINE HOW MUCH
Oswolt Krel by Durer oooooooooohohhhhhh for Sir Gremia and I I II I I.... (not a reference tbh! My Gremia has different face shapes. But MOOD. THE VIBE. AAAAH)
A man with leather belt by Gustave Corbet for Ludwig
Lady Marjorie Manners (1883–1946), Later Marchioness of Anglesey by James Jebusa Shannon as Saint Adeline! For long time I tried not to think that she is black-haired but... Lady fell in love with Bicolash in my head and I can't get rid of this headcanon now
Hans Holbein the Younger - "Sketch of unudentified woman" for Adella
I think I will add more later! :0
#painting#art#bloodborne#bloodborne headcanons#rom the vacuous spider#laurence the first vicar#mensis scholar damian#ludwig the accursed#adella the nun#saint adeline#tomb prospector gremia
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Yet another disposable brush
Well, shaving brush with disposable knot, to be precise. Like so many others – Edward L Corbet, John T Cooney, Marguerite Faučon, and Aron Braunstein & Angel Rattiner to mention just a few – inventors, Gustav Koch searched for a sanitary, hygienic, and disposable shaving brush. If it worked well for making lather, it was a bonus. If it dodn’t need a cup, that would be one less unsanitary item to…
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Based on "Le Sommeil" (1866) by Gustave Corbet
Late valentines day art
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In this assignment, I attempted to showcase my "artist family tree". My main inspiration here was Simon Stalenhag, who is influenced by three painters- Gunnar Brusewitz, Winslow Homer, and Lars Jonsson. Winslow's Influences are Gustave Corbet, Jean Francois Millet, and Hokusai. Lars Jonsson's Inspiration comes from Bruno Lijefors, Thomas Quinn, and John Singer Sargent. The only artist I could find that may have served as a possible influence for Brusewitz was Harald Wiberg.
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An amazone (female equestrian) by the clothier Humann, hand-coloured lithograph in La Mode, 5 April 1843 (Rijksmuseum). The masculine tailoring of her riding costume is traditional, but I think there is a hint of something thrilling and transgressive to an 1840s audience. ("Women riding horseback were still a rare sight, and for a woman to ride unaccompanied by a man was considered scandalous": Met Museum commentary on Gustave Corbet's painting L'Amazone).
What struck me about this fashion plate was its resemblance to a popular print described by Albert Smith in The Natural History of the Gent (1847):
It represented a young lady something between a hairdresser's dummy and a barmaid, with a man's coat and hat on over her own dress. She was looking through an eye-glass at the top of a whip, and underneath was written "damme!"—why, or wherefore, or in what relation to the singular mode of toilet she has adopted, or what the word itself meant in the abstract, we never could make out. But the Gents seemed to know all about it, and bought the picture furiously.
The whip, hat, and masculine coat all suggest a riding habit (although not the shorter skirt, since riding skirts were even longer to provide complete coverage). Damme that's an 1840s look!
#Eighteen-Forties Friday#1840s#victorian#fashion#fashion history#riding habit#fashion plate#early victorian era#why are women in masculine tailored clothes a thousand times hotter#mr smith do you think there are any copies of this print left#amazone#the natural history of the gent#albert smith#gender nonconforming
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Not an art student but my parents brought us to an art museum when we were on holiday and were like "I don't get it " or "I could draw that " YOU'RE 50 stop saying the same shit a teen on a school trip would. Also just a psa if you're gonna visit an art museum please RESEARCH its most popular artists I'm begging you just a crumb of a tiktok video at least. Yeah you may not like the painting but there's history and context behind most paintings. Don't like blue period paintings because they're depressing and weird? That's the point! They're not meant to be pretty! Not all art is meant to be pretty like michelangelos work or a perfect replica of reality like Gustave Corbet. Sometimes you have to read between the lines, sometimes it's a political statement, sometimes it has a theme the artist wanted to explore like emotions. Going into an art museum without studying beforehand is like watching clone wars before watching any of the original star wars movies
It's also sooooooooooooooooo disheartening to see that the kids saying this sort of thing are in ART SCHOOL! NO HOPE :( LEARN ABOUT PAINTINGS. not just taking art history 1 and 2 as a req and then coming out of class giggling saying haha that was stupid. Learn pls . Even if you still hate it. Please just take art seriously, give it a chance to mean what it means :(
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The Woman In The Waves-
A French Renaissance Painting by Gustave Corbet
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The gaze is made out of sight
The gaze is made out of sight
A piece I wrote for a class this fall on museums & cultural heritage. We were asked to respond to a performance piece by Deborah de Robertis called Mirror of Origin – her rejoinder to Gustav Corbet’s L’Origine du monde. The Gaze Is Made Out Of Sight Ishtar Vase ca. 2000–1600 BCE. Louvre. I have in mind an exhibition on the history of looking. One object in it would be a terracotta vase with…
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DEC 07th 2020
sometimes i imagine myself being able to see myself the way gustav corbet sees himself. i wanna take a selfie like this. i like the idea of being able to become the subject of my work. i like the idea of being worthy of consideration, among other topics. i think about painting myself, but instead i just look in the mirror and say “i am worthy of being seen.. i am worthy of narrative” i just haven’t mustered up the strength to talk about it. no. it’s more like i haven’t figured out the language to be open and honest without clouding meaning of what happened during the years i went away. i think Courbet’s painted selfies are a map towards integration.
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In case anyone’s wondering, the painting is by Gustave Corbet, a French painter who helped bring on a movement of portraying the poor commoners in art instead of religious paintings or portraits of the rich (realism). The title translated is Origin Of The World.
#HE PAINTED A VAGINA CLOSE UP AND WAS LIKE ‘THATS ART BABY’#he once said ‘show me an angel and ill paint one’ essentially saying fuck wverything i cant actually see im painting these farmers instead#art history#realism#gustave corbet
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Okay so I was working on audio from last week's Meredith stream, and when I saw this Tim moment again, all I could think of was my favorite painting by Gustav Corbet. So naturally I had to make a comparison.
#kris talks audio#tim meredith#i know its not the same#but its all i could think of#its not great#but its there#and i love it XD
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State of madness
action of non-action
principle of least action
falling from a height
no resistance whatsoever
into the madness inside
a false narration of environment
learned the lesson of no Gods
it is inside crawling in fear
indignation that follows everyone
let burn the existence in the fire
the fire that creates inequality
a mother of a lie, hiding the reality
creating the shadows hiding in the dark
it is inside cold and frozen
seek revenge! a coward who fights
the horror of violence creates chaos
outcasted will come to strike it down
the structure of great pride will fall
hunger follows the lanes of downtown
resistance will end inside us
and will bring change outside
state of flow will drown us
into the poison of our own
the rage, hatred that is hidden down
a touch of madness gives birth to a clown
bloodshed will come to an end
mothers will lose sons
lovers will be separated soon
peace will cost lives
with no distinction of right & wrong
shadows will follow the creators
the authority will fall into an abyss
people will strike down the moral grounds
no one would escape their pasts
justice will be done with a taste of madness
no action will be required
death shall be distributed in proportions
no more poor graves out of town,
©jeitendra_sharma
Jks.
art- Gustav Corbet, ‘Self Portrait (The Desperate Man)’, c. 1843–45
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Current (and tbh usual) mood 😹👍 And now for something a little different! Here's a color study for a self portrait in oils that I'm doing in school right now. It's based off of Gustav Corbet's "The Desperate Man" because I liked it haha. This was done in Copic markers on generic smooth card stock 😁 #art #artwork #artist #artistsoninstagram #illustration #artmarkers #alcoholmarkers #copicmarkers #copic #markers #ink #inkdrawing #drawing #draw #draws #selfportrait #semirealistic #artstudent
#draw#drawing#alcoholmarkers#semirealistic#copicmarkers#artmarkers#selfportrait#markers#artist#draws#illustration#artistsoninstagram#artwork#copic#inkdrawing#ink#artstudent#art
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