#guide and seek

[asurasleeping]

April Lineless Compilation 2023! All Characters belong to their respective owners. A smaller batch this month but a fun one regardless!

Commissions are OPEN for May, if you're interested in getting something done, feel free to shoot me a message!

<< Check out my commission menu here >>

[studiomaz]

Did some super fun outfit ref comms for Boxgore @ TH, for the guide and seek species!  Always super enamored with these kids, and had a blast doing it <3

https://artofstudiomaz.carrd.co/

[lechet-art]

lil outfit stuff for my guide for guide n seek

[lechet]

[GNS] Rellus Cowguide Prompt 6

gonna be a lot of prompt art in a minute yall bear with me as always please follow my Ko-fi if this is posted on different sites (pillowfort, weasyl, etc) cos i dont check them i just post my art mostly  my kofi's http://ko-fi.com/Lechet

[shadeframed]

guiding light, my beloved.

i love how we can see our relationship develop with guiding light in doors, now that we have floor two, along with more context clues about it.

in floor one, it’s only its name—guiding light. it shows us a way to move forward, even if it’s a bit delayed or almost hesitant. its dialogue after we die is impassive, giving neutral tips that anyone could observe. but now? now it “ cradles “ us in an embrace of the sea, it warns us of danger through its door markers. it even SAVES us in seek’s new chase.

it’s gone from a passive observer to present, always with us, not just the guiding light, but our guiding light. in its new cutscene, it congratulates us, welcomes us. it encourages us, and tells us directly not to give up. it’s attached. it wants us to see to end of our journey here.

while this is sweet, i can’t help but observe exactly what i said before—after we die, we’re gazing upon the moon, just as it’s that same moon in between lethal rooms guarding us, and in an ocean presumably. not only does this further cement it is guiding light who is chaining the monsters with the crucifix, but it’s also a bit strange, right? where else is there any water in the game, besides the rain?

outside the hotel, of course. below it, encompassing it. the only other place we can go. outside, down those stairs, into an endless sea. i believe it is guiding light who is in it, rather a guardian or a keeper of the hotel, or perhaps is the ocean itself. whatever it may be, it’s obvious it wants to protect us, and wants us to reach the end of this exploration through the hotel at any cost.

i love it so much.

[mostlysignssomeportents]

Yanis Varoufakis’s “Technofeudalism: What Killed Capitalism?”

Monday (October 2), I'll be in Boise to host an event with VE Schwab. On October 7–8, I'm in Milan to keynote Wired Nextfest.

Socialists have been hotly anticipating the end of capitalism since at least 1848, when Marx and Engels published The Communist Manifesto - but the Manifesto also reminds us that capitalism is only too happy to reinvent itself during its crises, coming back in new forms, over and over again:

https://www.nytimes.com/2022/10/31/books/review/a-spectre-haunting-china-mieville.html

Now, in Technofeudalism: What Killed Capitalism, Yanis Varoufakis - the "libertarian Marxist" former finance minister of Greece - makes an excellent case that capitalism died a decade ago, turning into a new form of feudalism: technofeudalism:

https://www.penguin.co.uk/books/451795/technofeudalism-by-varoufakis-yanis/9781847927279

To understand where Varoufakis is coming from, you need to go beyond the colloquial meanings of "capitalism" and "feudalism." Capitalism isn't just "a system where we buy and sell things." It's a system where capital rules the roost: the richest, most powerful people are those who coerce workers into using their capital (factories, tools, vehicles, etc) to create income in the form of profits.

By contrast, a feudal society is one organized around people who own things, charging others to use them to produce goods and services. In a feudal society, the most important form of income isn't profit, it's rent. To quote Varoufakis: "rent flows from privileged access to things in fixed supply" (land, fossil fuels, etc). Profit comes from "entrepreneurial people who have invested in things that wouldn't have otherwise existed."

This distinction is subtle, but important: "Profit is vulnerable to market competition, rent is not." If you have a coffee shop, then every other coffee shop that opens on your block is a competitive threat that could erode your margins. But if you own the building the coffee shop owner rents, then every other coffee shop that opens on the block raises the property values and the amount of rent you can charge.

The capitalist revolution - extolled and condemned in the Manifesto - was led by people who valorized profits as the heroic returns for making something new in this world, and who condemned rents as a parasitic drain on the true producers whose entrepreneurial spirits would enrich us all. The "free markets" extolled by Adam Smith weren't free from regulation - they were free from rents:

https://locusmag.com/2021/03/cory-doctorow-free-markets/

But rents, Varoufakis writes, "survived only parasitically on, and in the shadows of, profit." That is, rentiers (people whose wealth comes from rents) were a small rump of the economy, slightly suspect and on the periphery of any consideration of how to organize our society. But all that changed in 2008, when the world's central banks addressed the Great Financial Crisis by bailing out not just the banks, but the bankers, funneling trillions to the people whose reckless behavior brought the world to the brink of economic ruin.

Suddenly, these wealthy people, and their banks, experienced enormous wealth-gains without profits. Their businesses lost billions in profits (the cost of offering the business's products and services vastly exceeded the money people spent on those products and services). But the business still had billions more at the end of the year than they'd had at the start: billions in public money, funneled to them by central banks.

This kicked off the "everything rally" in which every kind of asset - real estate, art, stocks, bonds, even monkey JPEGs - ballooned in value. That's exactly what you'd expect from an economy where rents dominate over profits. Feudal rentiers don't need to invest to keep making money - remember, their wealth comes from owning things that other people invest in to make money.

Rents are not vulnerable to competition, so rentiers don't need to plow their rents into new technology to keep the money coming in. The capitalist that leases the oil field needs to invest in new pumps and refining to stay competitive with other oil companies. But the rentier of the oil field doesn't have to do anything: either the capitalist tenant will invest in more capital and make the field more valuable, or they will lose out to another capitalist who'll replace them. Either way, the rentier gets more rent.

So when capitalists get richer, they spend some of that money on new capital, but when rentiers get richer, them spend money on more assets they can rent to capitalists. The "everything rally" made all kinds of capital more valuable, and companies that were transitioning to a feudal footing turned around and handed that money to their investors in stock buybacks and dividends, rather than spending the money on R&D, or new plants, or new technology.

The tech companies, though, were the exception. They invested in "cloud capital" - the servers, lines, and services that everyone else would have to pay rent on in order to practice capitalism.

Think of Amazon: Varoufakis likens shopping on Amazon to visiting a bustling city center filled with shops run by independent capitalists. However, all of those capitalists are subservient to a feudal lord: Jeff Bezos, who takes 51 cents out of every dollar they bring in, and furthermore gets to decide which products they can sell and how those products must be displayed:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

The postcapitalist, technofeudal world isn't a world without capitalism, then. It's a world where capitalists are subservient to feudalists ("cloudalists" in Varoufakis's thesis), as are the rest of us the cloud peons, from the social media users and performers who fill the technofuedalists' siloes with "content" to the regular users whose media diet is dictated by the cloudalists' recommendation systems:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

A defining feature of cloudalism is the ability of the rentier lord to destroy any capitalist vassal's business with the click of a mouse. If Google kicks your business out of the search index, or if Facebook blocks your publication, or if Twitter shadowbans mentions of your product, or if Apple pulls your app from the store, you're toast.

Capitalists "still have the power to command labor from the majority who are reliant on wages," but they are still mere vassals to the cloudalists. Even the most energetic capitalist can't escape paying rent, thanks in large part to "IP," which I claim is best understood as "laws that let a company reach beyond its walls to dictate the conduct of competitors, critics and customers":

https://locusmag.com/2020/09/cory-doctorow-ip/

Varoufakis points to ways that the cloudalists can cement their gains: for example, "green" energy doesn't rely on land-leases (like fossil fuels), but it does rely on networked grids and data-protocols that can be loaded up with IP, either or both of which can be turned into chokepoints for feudal rent-extraction. To make things worse, Varoufakis argues that cloudalists won't be able to muster the degree of coordination and patience needed to actually resolve the climate emergency - they'll not only extract rent from every source of renewables, but they'll also silo them in ways that make them incapable of doing the things we need them to do.

Energy is just one of the technofeudal implications that Varoufakis explores in this book: there are also lengthy and fascinating sections on geopolitics, monetary policy, and the New Cold War. Technofeudalism - and the struggle to produce a dominant fiefdom - is a very useful lens for understanding US/Chinese tech wars.

Though Varoufakis is laying out a technical and even esoteric argument here, he takes great pains to make it accessible. The book is structured as a long open letter to his father, a chemical engineer and leftist who was a political prisoner during the fascist takeover of Greece. The framing device works very well, especially if you've read Talking To My Daughter About the Economy, Varoufakis's 2018 radical economics primer in the form of a letter to his young daughter:

https://us.macmillan.com/books/9780374538491/talkingtomydaughterabouttheeconomy

At the very end of the book, Varoufakis calls for "a cloud rebellion to overthrow technofeudalism." This section is very short - and short on details. That's not a knock against the book: there are plenty of very good books that consist primarily or entirely of analysis of the problems with a system, without having to lay out a detailed program for solving those problems.

But for what it's worth, I think there is a way to plan and execute a "cloud rebellion" - a way to use laws, technology, reverse-engineering and human rights frameworks to shatter the platforms and seize the means of computation. I lay out that program in The Internet Con: How the Seize the Means of Computation, a book I published with Verso Books a couple weeks ago:

https://www.versobooks.com/products/3035-the-internet-con

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital

[avv-4y]

The Modifier Light, The Red Light, Malevolent, Mischievous, whatever you want to call it. And of course it’s most loyal monsters <3

[c-lover-106]

I have so many arts, oh my, I forgot to post them!! ÓvÒ

[erii-com]

I miss when I was violently obsessed with them like a year ago

-☆-

[asurasleeping]

July Lineless Commission Compilation! All Characters belong to their respective owners

Small commission month but that was mainly due to a certain art trading game that took up a lot of my time! Outside of that though, I did slow down last month. The workload took more out of me than I was expecting it to x.x

Commissions are currently CLOSED while I catch up on owed work and projects. I'm hoping to open them up again around September, but you might see me around sooner!

<< In the meantime you can check out my commission menu here! >>

[studiomaz]

smol

[lechet-art]

[GNS] Rellus Cowguide Prompt 5

this one was "jeb makes you go out even though theres potentially alien abductors out there" as always please follow my Ko-fi if this is posted on different sites (pillowfort, weasyl, etc) cos i dont check them i just post my art mostly  my kofi's http://ko-fi.com/Lechet

[winged-bat]

werewolf bernard x witch tim

[theluckcatlord]

The Sirwhere doors roster has been changed and expanded! And A-90 and A-120 now also have designs.

We gave the rooms entities their own nicknames back before they had more canonical names so A-60 is known as Red rush, A-90 is known as Stop sign and A-120 is known as Reverse.

[radiopixelctive]

*reveals my Doors AU to the Internet suddenly*

+ the most professional descriptions of them below

Blitz - Rush's brother (green) and sister (pink). multiple personality disorder + bipolar disorder. 2 in 1 indeed!

Haste - just an angry dangerous wanted virus lol

A-60 - a selfish bitch who thinks that he would replace Rush easily. Also is the main guy of the rooms trio because no one gave a shit about it anyways

A-90 - dissatisfied with the job but adequate granpa

A-120 - he's just there

Halt - ga(y)mer

Eyes - idk anymore

Screech - kinda uh uhm ermm he is um okay he's a nerd duh

Rush - a pretty known entity. the "you don't need to be smart if you have strength" kind of guy (rivals with A-60 btw)

Ambush - an adequate silly

Jack - just like Ambush, but without "adequate"

Figure - literally just a blind dog walking on hind legs. nahh come on he cant even speak at all he doesn't have a normal jaw

Seek - literally just A-90 but kinda younger

G. L. - owner of the hotel. serious as heck, but kind (also created the crucifix and the candle)

C. L. - GL's right hand, AKA her assistant. Like in the game he doesn't really help, if not counting the placement of timers and stuff supplies in backdoors (also made the curious potions, or whatever those're called)

i would also tell about others and the AU itself but i need to know if someone is even interested

[iexistyippee]

I played some Doors floor 2 today

Also the new GL animation is so cool bro