#guarantee he will be Trouble

[cultivating-wildflowers]

struggling so hard to pay attention to this book because the ✨single attractive and friendly man in a sea of cold and distant nobles✨ is suspicious to me

[eddis-not-eeddis]

If you deeply desire something and it doesn't come into conflict with God's will and his word, don't give up on praying for it. Pray without ceasing for it, ask your friends and your family members to pray for it. Write it down so you can remember when you started praying for it. PRAY!

Last year I started seeing answers to prayers I began praying five years ago. This year hundreds of prayers have been answered. Prayers I forgot about were answered, and I see God's hand as he works to answer even more.

Don't stop praying because you don't see God's hand in your life immediately. God works in a lot of subtle and mysterious ways, and years down the road you'll discover how he has been working behind the scenes. He is not slow in the way we as humans understand slowness, but he sees the bigger picture and knows what will bring about his glory. His timing is perfect, and I can see that in my life.

[codenamesazanka]

Shigaraki/Tenko wanting to destroy the false sense of peace All Might and Heroes created

.⬇️.

Shigaraki/Tenko wanting to destroy everything that lead to the existence of that house, which he conceptualizes as the embodiment of rejection and injustice in the world. Be a Hero for the Villains.

.⬇️.

AFO basically literally created that house

.⬇️.

Shigaraki/Tenko helps defeat AFO

.⬇️.

Deku telling him 'you already destroyed it' is... apparently Shigaraki/Tenko having finally gotten rid of the true cause of (his) rejection and injustice? main antagonist's big problem that represents an overarching major issue of the story/in-universe society... solved? (main antagonist's big problem that represents an overarching major issue of the story/in-universe society not actually being the problem he thought it was but now also solved?)

.⬇️.

No longer a need for there to be a Hero for the Villains, Shigaraki/Tenko dies.

.⬇️.

Heroes not to be blamed in the first place. also fuck everyone else and all other 'actual' outcasts I guess.

[kagakutsukai]

I think trans men are probably one of the most annoying flavors of people out there

[squishening]

HR lady at my dad's work please don't tell me he needs to download an app my dad doesn't even know how to call a number back please I am doing YOU a favor trying to schedule his days off. The minute you tell this man to do anything on a smartphone he WILL have an autistic meltdown in your office.

[kneelbeforeclefairy]

What I think is most different and most striking about Sunrise on the Reaping is how CYNICAL it is. To some extent we knew it was going to be. This is a midquel. That the reapings go on and the Hunger Games only ends 25 years later is a forgeon conclusion. We know nothing that happens here is going to work.

The book is about implicit submission, and why, with numbers on their side, the many submit to the few, even when the few are unjust. And it's because, the book seems to say, numbers aren't ENOUGH. the Newcomers alliance is much bigger than the Careers. They should be able to team up and defeat them easily. But they don't. Eighteen of them are killed outright, because the Careers have the strength, the skill and the training. And that's just that.

Plutarch asks why the tributes don't overwhelm the Peacekeepers during training, and Haymitch is rightfully outraged at the privilege of this question. Why don't they? Because they probably couldn't kill them all, and even if they could, what good would it do? It wouldn't stop the Hunger Games. It wouldn't change a thing. No one would even know about it outside that room, because the Capitol would change the narrative. Just like Katniss and the Star Squad can't REALLY take on the Capitol single handed and assassinate the president, the scrappy alliance of kids can't really do any real damage to the system the Capitol has in place. All they can do is choose if they want to die now or later. So why don't they, if there's no difference to them, as Plutarch asks. Because, as Snow puts it. Hope. The slight chance that one of them will come out of it. And, more cynically, the hope that if they are good tributes and obey, their families will be left alone. If they choose to rebel and choose to die now they guarantee retaliation against their families and perhaps their entire district. We see that even in the tributes that attack the Gamemakers in the arena. They rise up, they break that bond of implicit submission--and they die bloody for it.

Why don't they rebel? Because they don't have the privilege to lose.

Even Lenore Dove, the Joan of Arc of Twelve, fails to do any real damage or have any real effect. All she does is get herself a reputation for being a trouble maker, and eventually get herself killed. Was she killed as part of the retaliation against Haymitch, or was her punishment because she's a rebel, and that's what happens to rebels? (and Snow hates covey girls.) but she fails because she IS alone. She focuses on small, symbolic acts that do nothing, but that she hopes will rally the people to action.Unfortunately, the people of Twelve don't want their lives to get any worse, and they don't have the privilege of spending time and energy on revolution the way a teenager girl whose family doesn't need her income to survive does--sadly, Twelve will remain this way, in an uncanny valley where they're beaten down enough to need change, but not enough to have NOTHING to lose. They are not one of the districts that rise up. So acting alone does nothing, teaming up does nothing. How does one fight an enemy with better technology, better weapons, and better organization? Beetee's plan doesn't work out. Of course it doesn't. Could it ever? Was it just borne out of grief for his son? And even if it had, then what? What was the plan? Haymitch's poster gets edited away. The Newcomers fail. Lenore Dove dies. The most you can say is Haymitch himself becomes too important to kill, like Beetee, and Snow let him live to fight another day, but so destroyed that he no longer WANTS to.

So, then, what WORKS?

The answer is, quite cynically, Plutarch's version of the world. Numbers mean something, there are more of US than there are of THEM , but that isn't enough. You need weapons, you can't bring a knife to a gun fight, you need EVERYONE on your side. You need organization, not just a series of disconnected rebellions, and you need an Army, provided by Thirteen, as problematic as they are. The timing just needs to be right. And most crucially, what I think Plutarch and everyone involved here learned is that victory belongs to those who control the narrative. Those who control the flow of information and tell their story. And it's not Plutarch, for all his cameras and his propos and his idea behind The Mockingjay, who eventually does that well.

It's Haymitch.

Who learned to tell a story and sell a narrative with himself and the Newcomers. Who tried to paint his poster in the arena only to see it rewritten in front of him. Who won't make that mistake again. When it's time for the deciding factor in the revolution, it's Haymitch who creates the Mockingjay-- and is he also using Katniss and her image? Yes. but he at least sees Katniss and the human she is inside it, unlike Plutarch who hasn't changed much from the man who makes a grieving family do reshoots over and over so he can get his footage, while congratulating himself for letting Haymitch have his goodbye.

When Katniss sets off the spark twenty five years later, the world is ready. The work is in place. Plutarch, Haymitch, Beetee, everyone can say GO , and this time it'll work. So buckle in, and wait for the Long Game, even though only Plutarch really has the privilege to wait, the rest of them don't have a choice. It's cynical. It's awful. People die. The lone rebels and the plucky girls and the alliance depending on its numbers all fail. Plutarch motherfucking Heavensbee, the richest of the rich the privilegedest of the privileged, pulls off the revolution, takes the credit, and lives to see the end of it, without ever once examining his own privilege, and unpacking the fact that despite his head being on the right side of history, he's never managed to see the Districts as PEOPLE . (and you could argue, ANYONE as people. ) But it's just the only way.

But this book isn't the middle of the series. It's the end. How awful would it be to read if we didn't know that Katniss and the Mockingjay rebellion would eventually succeed. We know that despite the cynism of a failed revolution and all its players, that one day it WILL work out. This book is called sunrise on the Reaping....the sun rises on a world where this is inevitable. But one day it won't be.

[echoesverse]

rhys and forest birthday blunt (to celebrate rhys’ bday)

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[jiminrings]

higher power

pairing: jungkook x reader

wordcount: 11k

glimpse: waiting for jungkook to love again doesn't guarantee you a permanent romantic spot in his life, even if you've been in love with him the longest.

alternatively, you promised yourself to keep confessing to jungkook, your brother's best friend, every year until you turn twenty-eight.

[ fluff, angst, Drastic Yearning that it's painful to watch, tangled with the take five universe yippeeee, slippery slopes, mentions of cheating (there's none in actuality), jungkook's a bit mean :(, lots of self-deprecation n the concept of having to deserve love, mentions of surgery (appendectomy if we r being specific), homage to agust d's 28 (i fucking love u yoongi i miss u), arguments, redemption ]

notes: bring back men who YEARN!!! 😑😑

as always, lmk what you think <3 send in feedback n love to my askbox anytime!!

There's a step in your childhood home's staircase that Jungkook always trips on.

Your dad, and even your brother, Yoongi, repeatedly vow to fix it whenever they hear the all too familiar sound of Jungkook tripping on it. The way he’d wince because of it every single time is comedic, if not extremely endearing, because Jungkook would always clamp his hand down on his mouth as to not disturb anyone.

Doing his very best each time, Jungkook would have to clutch the banister as he waits for the pain to subside. He wants to groan loudly with everything that he has, but he can’t risk putting your dad in trouble with your mom by yelling at him to stop hurting Jungkook from delaying the repair of the step.

He even wants to collapse in pain sometimes (Jungkook’s not joking when he says that he almost wiped out so hard to the point that he only saw white and started tasting colors), but he tries not to, because if he falls and makes a commotion, he knows you’d immediately stand up and forfeit the already limited computer-borrowing hours you have because of Yoongi.

“I’d fix the step for you, y’know?” you mutter under your breath as you try to keep your laughter at bay, once again serving as the crutch to your brother’s best friend who’d completely entertain the possibility that your family has it out for him, if not for all the warmth that you give him. “If only Yoongi would lend me his computer for more than an hour and I didn’t have a ton of requirements, I could really hack it out with a single video.”

“Of course you will,” Jungkook snorts under his breath, his inability to feel embarrassment over being critically profiled by your one (1) wooden step (because he’s just gotten hurt so repeatedly that it’s nothing new for him) being overtaken by his raging ability to feel shy, just because it always has to be you to pick him up.

It can’t be anyone else at this point.

It can’t be your brother, because all Yoongi would do is attempt to fix the step with his stock knowledge (to which there is none), and Jungkook knows he would be in further danger if his friend takes a crack at it. It can’t be your parents either, because your mom is a little too wired to the point that she’d want to replace the whole staircase if she sees a mismatched, temporary fix, and your dad is a little too lax to the point that he’s the type to ask Jungkook what color he tastes as his version of a pain scale.

It has to be you, because although everyone in the house has seen Jungkook at his worst at all his various points of life, you’re yet to lose your faith in him.

It’s not to say that your family has already lost respect for him (not even by a long shot), but Jungkook figures that it can’t be that bad letting you in because amongst everyone, the lowest point you know him by is him just being extremely upset over his girlfriend breaking up with him and that’s it.

While your parents know about him sleeping over in your house meant he fought with his very own and couldn’t stand staying in his room for another second, or how Yoongi knows that Jungkook’s strapped for cash because the latter keeps pacing in their dorm trying to panic-clean as he waits for callbacks from part-time jobs he applied for — the only low that Jungkook lets you see is him being distraught over his first love.

Jungkook doesn’t get idolized that much. He’s not a prized son like how your brother is, and neither is he known in college for being smart. He’s not actually a superlative like how he knows you think of him, and the realization of your crush on him makes Jungkook feel conflicted whether it rains or pours.

He doesn’t like you like that, but that’s never stopped you before.

You know about Sora and how first loves have this intoxicating, vice-like grip on everyone, along with the fact that even glancing at an upset Jungkook makes you upset, but that’s never hindered you before.

He wants to let you down as gently as he could, because the last thing he ever wants to do is make his best friend’s sister develop a complex from being rejected. Jungkook knows he’s handsome (read: he’s attempting to be humble), and kind, and maybe even charming on a good day; above all, he’s realistic.

He doesn’t want you to depend on him— he thinks definitively as you glare at him through the rear-view mirror from the backseat, because you mistakenly assumed that the extra can of coffee in the cup holder was for you instead of Sora whom he was tasked to pick up right after you, and Yoongi had to correct you with a snicker.

Jungkook doesn’t want you to depend on him— he thinks hesitantly as he hears you shriek from the bottom of the staircase.

“Shit! God, that fucking-…” you seethe, attempting to keep yourself stable in all fours right after tripping on Jungkook’s cursed step. It’s never hurt any of you before except him, and now that it finally does, you don’t get how he could’ve kept quiet all this time.

Jungkook rushes down and Yoongi comes after, the latter cussing under his breath as he heads back to his room to retrieve his first-aid kit and (hopefully) patch you up with what he’s learning in pre-med.

“What happened? Don’t tell me you were trying to break in your heels again,” Jungkook chastises you as he gets you to sit upright, the frustrated and pained tears cornering from your eyes immediately making him apologetic with his approach.

“I wasn’t! You sound just like Yoongi,” you spit, keeping in a sniffle with your arms across your chest, looking away to hide your tears because you don’t want Jungkook to see just how badly you’re torn over your ankles and knees burning.

He deflates at that, pinching his nosebridge as he tries to calm himself down with the sound of Yoongi bounding down the stairs with a first-aid kit and his notes like it’s some return-demonstration, except he can actually practice on you.

“I’m sorry. I just thought you were doing something-…” Jungkook apologizes, the word stupid being cut off from his lips, not only because Yoongi’s shooing him away, but because he can’t bring himself to stomach the gaze you have directed at him.

Jungkook does back away, with very little coaxing, as he disappears when Yoongi starts asking you if you’re in pain anywhere else with the most serious, professional voice you’ve ever heard him pull.

While your brother fixes your ankle up at the bottom of the stairs, Jungkook soon appears behind you with your dad’s toolbox and the most unreadable look to his face.

While Yoongi dashes to his room again to look for his camera to take a picture of the work he did on your ankle alone so he can reference it later, Jungkook washes his hands in the kitchen sink before patting a damp, clean towel to your knees.

Jungkook’s not in pre-med, and he doesn’t live in your house either.

What he is, is your brother’s best friend who’s extremely apologetic.

"Thanks. Love you," you mumble out of habit, meaning the words sincerely even if they leave your mouth every time someone does something remotely sweet towards you.

You still mean them nonetheless, and the prospect of repeating your sentiments doesn’t seem so bad when it’s him.

You’re eighteen when you first confess to Jungkook.

"I'm just patching your knee up...?" he trails off in confusion, later laughing when he finally sees the shake of your head that lets him know that you, too, felt embarrassed.

You still mean them regardless, even if you feel like taking them back.

You’re eighteen when Jungkook fixes the step in the staircase of your childhood home, not because it always trips him, but because you did that one time.

( ♡ )

Jungkook has a habit of coming over unannounced.

In between all your parents' insisting that your house is also his for him to run to anytime, to your brother realizing that being friends with Jungkook meant having to see him in unhealthy doses because he has no other choice, Jungkook effectively integrated himself to the quilt of your life.

He's a lived-in, well-loved shirt that's cut up and fashioned into a granny square, along with a hundred other versions of him that you've had the privilege of seeing; it's actually ironic because Jungkook's left a lot of his items, of himself, both in your childhood house and your shared apartment with your brother, and he's never batted an eye once about their whereabouts.

Jungkook doesn't question why your parents posted a picture of your old beloved dog wearing a shirt of his from elementary to Facebook, but he does save the picture immediately and make it his wallpaper.

He doesn't question either why Yoongi's cap collection is growing and why he keeps insisting that he bought it himself (even if Jungkook can still place the faint smell of his shampoo on it), but he does make sure every now and then to actually gift him one in exchange for the uncountable favors your brother's done for him.

Most importantly, Jungkook doesn't question you either when he sees his hairtie on your wrist when you open the door for him.

He knows not to bring up anything about your crush over him (not unless it's you starting the conversation about Your Feelings For Him, which practically happens only once a year), or how he really hates it when his hairties go missing. Even Yoongi isn't spared from his annoyance, because in Jungkook's defense, your brother's too rich to go steal from the godsend, usually-expensive ten-pack that he managed to buy on sale.

Jungkook doesn't point out the red elastic on your wrist. He ignores the starry-gazed look you only have for him, except now, your eyes are only narrowed and hollow over his sudden appearance.

That's the only thing he can't shake off.

"Is your brother home?" he asks his original intention for his visit, shifting his weight from one foot to another because of the lackluster, blank gaze you have on that keeps piercing him. "You okay?"

"Won't be home for another hour."

Jungkook laughs at your curt reply, eyes widening in sarcasm as he shakes his head, the snort that leaves him catching him off-guard too. He can’t place why he’s annoyed over the possibility of you being any less than delighted to see him, and truly, he’s trying not to sound like a narcissist; he’s only ever really cared about his image when you were concerned.

"That was a lot of attitude."

You and Jungkook don't really fight. You don't fight with each other because there's barely anything that you disagree about, but when you do fight with him (not if), it's unlike any of the fights you have with Yoongi.

You don't fight with Jungkook as if he's your brother, because he's not.

You don't fight with him either as if he's only your brother's friend, because you don't want him to be.

With Jungkook, there's guilt that settles in your bones when you don't reconcile before you go to sleep. There's an unspeakable force that actually makes you doubt yourself, when usually, you'd know to your gut that you were in the right every single time you fought with Yoongi.

With Jungkook, you don't get an unspoken promise that you'll just forget about whatever happened.

It's him, after all.

"Hey, woah. What's wrong with you?" Jungkook reacts with a frown when you refuse to grace him with a reply, following you into the apartment with a firm grasp on your forearm.

It's not the first time you've ever turned your back on because you didn't want to talk, and it's not the first time either that he's had to physically chase after you. Jungkook's been through this before: he's been through it as the occasional referee between you and Yoongi on your heated fights growing up. He knows how quickly you could shut yourself off, but he didn't know it would feel this weird being at the receiving end of it.

He didn't know it would feel this jarring.

"Nothing. Let me go," you mutter, jerking your arm away from him that only makes Jungkook huff.

He's supposed to be understanding, that much he knows. He's supposed to be the older, mature one between you both, but there's just something about you being short with him that makes Jungkook feel rewired, for better and for worse.

"So something is wrong with you," he insists, rolling his eyes when he follows you even into the kitchen, the two of you knowing well that you're just passively opening the fridge (and a hundred other cupboards) so you could lose him.

"Can you leave me alone?"

"You opened the door for me, sweetheart," Jungkook sarcastically hums, the smile on his face even more insufferable than your furrowed brows that have not loosened even once since seeing him.

"Because you're clearly here for Yoongi," you remind, the edge of your voice slamming harder than the last drawer against its base. Jungkook would wince about it if only he hadn’t spent the better part of your entire interaction loathing the way you talk to him, making his ears ring.

"Can't I be here for you too?" he offers, the sincerity coming across as half-baked pity into your system.

Jungkook didn't even look sure with his own question.

The roll of your eyes makes Jungkook even more annoyed, his irritation bordering on anger that he can't even place. He didn't even get this worked up over his fights with your brother, and the two of them have even went so close as to getting physical multiple times.

"What was that for?"

"You're clearly lying," you mutter, settling for folding your clothes angrily right in front of him. You’re not even fazed that you’re just three sleep shirts away from folding your own underwear in front of him because it’s the least of your concerns.

Now, the only thing you can think about is how Jungkook’s beyond clueless. For all you know, he doesn’t even care about why you’re acting the way you were because simply (and realistically, in your case) put, Jungkook just wants you to remain the same. He just wants you to remain as the mainstay, familiar figure everywhere he goes who makes him feel better just by giving him a default, love-sick glance and nothing less.

You’re not a dog waiting around for him by the front door.

You think you’re more of a mutt waiting to be seen at the porch when nobody else inside wants to do his tricks.

"What are we even talking about right now?" Jungkook nudges the laundry basket away with his foot, the scowl you give him making him shrink momentarily. "You're the one who's starting something and I literally just got here."

"I'm not starting anything."

"Then why won't you tell me what's wrong, huh?"

The simple and seemingly mundane question makes you dart up, unceremoniously dropping the same shirt you’ve been pretending to fold in the neatest, tightest rectangle as possible.

You should be relieved at the prompt because it meant you didn’t have to bring it up out of nowhere. You should be happy at the cue because whatever you’ll answer, it would mean that Jungkook asked for it.

You should be anything but the way you’re feeling now with the words scratching your throat from the inside, because with your feelings out in the open (even more than what you’ve already given time and time again), you feel even more tense.

"Why didn't you tell me you and Sora were back together?"

Jungkook expected everything but the simple, one-dimension question. He didn’t anticipate for you to ask something that he could give you an answer to but refuse to. He just sits beside you, eerily still with the dumbest look on his face that keeps pleading you to just drop this even if you barely even started, his wide eyes blinking with confusion.

"I didn't-..." he clears his throat, looking down on his lap briefly because looking at you the whole time, as he composes his words, would mean his defeat. He didn’t know exactly why or how he’d be losing by looking at you directly as he professes the truth, but all he knows for sure is that however he does it, you’d never be the winner. “I didn't think I had to tell you, Y/N," he laughs uneasily. "I know you're not exactly the biggest fan of her."

"Neither is Yoongi, but he still got to know," you chuckle dryly, the shrug of your shoulder being far too lax that it convinces neither of you that you were really okay with it.

"Because he's my best friend," Jungkook exasperates, the tired sigh that leaves his lips making you buckle by the knees despite being seated.

You never wanted to disappoint him. You never wanted to be looked down upon, most especially by Jungkook, because every little detail adds up into your head like an overtired piggy bank you don’t ever want to let go of, even if keeping it close to you means it would lose its value.

You’re keeping score, even if Jungkook never did. You’re more wired than he’ll ever be, and just the slightest slip of his attitude (even the tiniest upset sigh from his lips or a clench of his jaw) makes it known to you that he wouldn’t understand how it feels to be pathetically reliant over the slightest chance at love.

"Am I not?" you snap. "Will I just be Yoongi's little sister to you forever?"

"Stop putting words in my mouth. You know that's not what I meant," he spits defensively, brows knitting in genuine disdain because he can’t even think how a vile thought has ever crossed your mind.

"Then finish the sentence, Jungkook," you goad. “If I'm not your best friend, and if I'm not your best friend's sister either, what exactly am I?"

Jungkook sharply sucks in a breath, screwing his eyes shut as you mess with every last bit of his inhibition. He never liked fighting with you, and whenever you actually did, he’d be ridden with guilt even before said fight is concluded. He doesn’t like hurting you that way because Jungkook knows, truly, that he’d be more capable of inflicting it on you than you ever could for him.

Or so he thinks.

He knows he does it every time (even if he shoves the fact deep to the back of his memory) that he comes around. He knows he does every time he gives you either a carefree laugh or a sorry hand on the small of your back every time you confess.

He even knows he’s hurting you now.

"I didn't tell you because I know you would disapprove."

"When has that ever stopped you?" you scoff, the soft, lived-in quality of the hairtie on your person suddenly making your wrist itch. ”If I never saw her story, that's just it then? If I never asked Yoongi, you wouldn't tell me?"

"Why's it such a big deal?" Jungkook throws his head back in disbelief, briefly recalling the way he looked happy, content, in the picture Sora shared from last night. “Why does it matter so badly to you whether I get back with Sora or not?"

"Because you matter badly to me!" you exclaim, digging your nails into the palms of your hands to stop them from flailing and finding their way to Jungkook’s arms to hold him still, not because he’s thinking about leaving, but because you don’t want to leave and you want to be reminded of it. ”Are we not best friends, Jungkook? A-are we— are we just people who see each other practically everyday?" you swallow the lump in your throat. “When I see you, I tell you about how my day went. I tell you about what I'm thinking. I... I've never withheld anything from you.”

There was never a time you’ve hidden anything from Jungkook. He’d been the witness of everything, both significant and pointless, in your life. He’s your best friend. He’s your Jungkook, whether or not in the way you want him to be.

The only thing is that Jungkook can’t say the same for you.

"That's you, then," he rasps thickly, exhaling with his teeth grinding together from how tight his jaw is clenching. "Do you see me snooping about who you're with? Do you see me hounding you about your boyfriends and-..."

"I don't tell you shit because I don't have any of that," you interrupt. “What I only have is you and you know that!”

You’re barely getting into the thick of it when the front door opens and your brother appears like a lifeline for Jungkook and the complete opposite of it for you, the stupid, hopeful smile on his face with the accompanying words of "I bought chicken!" making everything in your chest seem forgotten.

You're twenty-two when Jungkook tells you that not only does he still not see you as a woman he’s in love with, but he also doesn’t see you as his best friend. You’re twenty-two when you throw a tantrum in the middle of dinner, ripping off Jungkook’s hairtie from your wrist and tossing it in the trash, right after he cuts up your favorite boneless chicken for you in front of your brother.

Back then, you were nineteen when Jungkook gave you the first slice of his birthday cake, even if you spent a month saving up for the expensive, heavy-duty hard drive for his gift and even longer writing up the letter that was saved as the only document in the device, only for him to spend less than five minutes to scan your letter and move on with cutting the cake that’s not even in the flavor that you liked.

You were twenty when Jungkook replaced your flat tire for you because you didn’t want to anger Yoongi who only warmed up to lend you his new car after incessant begging for three months. You were twenty when you held up the umbrella so the rain wouldn’t soak him and get into his eyes while he saved your life, the words “thank you, love you” slipping out of you from habit, only for Jungkook to loosen his hold on the wrench for the briefest second before resuming.

You were twenty-one when he gave you his shirt to wear after coming home drunk to your shared apartment with Yoongi, because surely, your brother seeing you in his best friend’s clothing would be far less concerning than seeing you practically blackout wasted. You were only twenty-one when you wore his shirt backwards and inside-out (because Jungkook refused to even look in your direction at the time), clutching to him tightly while letting it slip: “It should be me, not Sora,” you muttered, while Jungkook only tucked you into the couch and answered Sora on the phone, telling her that she has to babysit you for the night.

The only thing you have is Jungkook and he insists that he doesn’t know it.

He insists that the both of you are neither lovers or friends, but instead, something less and far worse.

You’re twenty-two when Jungkook tells you that he doesn’t get why he and Sora and the state of their relationship matter so greatly to you, and you’re also only twenty-two when you first block Jungkook’s number for just a few hours so he wouldn’t bother you when he’s on his way home.

You’re twenty-two when you realize that Jungkook didn’t even leave you a message in the first place.

( ♡ )

Little by little, everything’s looking up for your family.

For starters, your mom’s no longer accidentally misusing emojis and abbreviations whenever she texts in the family group chat. You don’t have to be choking over air when she texts KYS after you tell her that you had a bad day (she thinks it means Keep Your Smile), and Yoongi doesn’t have to wince when she sends a tombstone emoji after telling her that he had a difficult time with one of his patients (she thinks it’s a gray cathedral window, and it’s her way of telling him to look outside and take a breather).

Your dad’s also looking into being more of a handyman in the house, now that they’re practically empty nesters most weeks of the month and Jungkook fixing your step that one (1) time sparked something in him.

Yoongi’s even happier doing his residency, enough for him to not collapse face-down on your coach and talk to you through muffled yelling about who should order what.

Everyone who’s most important to you have things looking up for them and oddly enough, contrary to your own belief, it gives you a little hope. You don’t feel bitter seeing life treat them a little lighter (even if it’s still less than what they deserve) even if you think you’re the only one who’s not moving forward.

You never harbored any deep resentment for Yoongi being the smarter child. He’s the one who’s even more volatile between the two of you whenever someone even just so attempt to point out how you were falling short to him by just being fine. You weren’t incredible by any means, and you didn’t want to start being excellent now when everyone’s already complacent with the way you are.

It’s either you’re seen or you’re not, there’s no in-between. You’re either Yoongi’s pretty sister whom nobody knows what degree she’s even taking, or you’re nobody at all.

You’re either a best friend or something far less significant. You’re either a mainstay cast member who got to be that in the first place by repeating the same overtired lines on the same skit that had been relevant once and recycled ever since, or you’re a fleeting extra who worked her whole life only to be recognized by something downright insignificant and even insulting.

You’re either Yoongi’s little sister that gets to hang around with Jungkook, or you’re someone who’s known Jungkook for a long time and just happen to love him ever since — whatever it is, you wouldn’t be recognized the way you want to be.

You’re yet to maximize the freedom of your youth and the sheer realization that you don’t plan on being as booked and busy as your brother, but by whatever cosmic power and due diligence of being the youngest child, you opt out of partying with your friends from university to instead get groceries with Yoongi and Jungkook.

You willingly choose to do the mundane, not because you already know you’re mundane, but because you realize that the sooner you practice yourself going through the motions of life beyond what’s serving as your unparalleled distraction, the sooner you’ll accept that you’re not destined for greatness.

You know you’re not destined for greatness, but you know that you’re destined for something that’s a little better (even if you don’t know what) when you don’t check your phone and are fully enthralled just walking past the new products in the toiletry aisle.

You know you’re not destined for excellence, but you know that you’re destined for something that’s slightly brighter than the life you’re already living when you don’t ask Yoongi impatiently if he must really smell every fruit that he puts into the cart.

You know you’re not destined for anything remotely important, but you believe with everything in you that it’s not entirely wrong for you to be hopeful that you might be, when you come out of the grocery store, about fifty reusable bags in hand, just to see white pouring.

"It's the first snow," you gasp in surprise, the awe in your gaze able to be spotted from a mile away, but Jungkook wouldn’t know the distance because he’s already far too close to you now, a giddy laugh automatically rolling from his lips.

"I know.”

"You know what they say about that, right?" you giggle, your expectant gaze turning to him without any malice; just pure, unbridled hope like the past years and the past winters haven’t hurt either of you.

"I do," he affirms, laughing as he readjusts the other fifty reusable bags filled with all the groceries Yoongi’s gotten on a whim as the both of you wait for him to go around with the car.

You’re not meant for greatness, but Jungkook equates to it, and you’ve never wanted to strive to be something you’re not so badly in your life.

"Jungkook?" you ask softly, head tilting in deep thought as you paid no attention to the snowflakes grazing your cheeks and onto the ground, gaze only focused wholly on him and nothing else.

"Yeah?" he hums. Jungkook’s lips part at the way you look at him; like he’s some higher power on an altar that has forsaken you over and over again by not making his existence known when you need him the most, yet you’re a devotee who’s never lost faith, not even once, because you confuse your pain for hope. "I know, sweetheart. I know what you mean."

You stay silent at that, even when Yoongi arrives conveniently and takes the load out of your arms and gets you your favorite coffee and gives you the liberty to pick the music for the drive back home.

You stay silent in thought of the first snow and the first and only Jungkook in your life, but only until your brother interrupts your thoughts.

Jungkook’s been the only one to occupy your existence on every first snow you’ve seen and committed to heart, but along with that, he’s also every other natural calamity.

He’s every other freak occurrence, and he’s every other reminder that seasons never stay no matter how slowly you flip the calendar and realize all the other pages you tore out in the hope that it’ll be the piece wherein you get to cross out and marks as his and yours day alone.

"Hey, you mind if Jungkook and his girlfriend crash on the couch outside?" Yoongi asks, lingering by your doorframe as he tries not to grimace at the sight of all your sweatshirts piled at what’s supposed to be the chair to your study desk. “Sora's car battery died and all the shops are closed for the night."

“Oh,” you whisper. You didn’t know that the last time you’ve ever uttered Sora’s name willingly, which was just a year ago, would only be one of the several firsts of the many times that she and Jungkook would find their way back to each other. “They're back together. Again.”

Yoongi sighs, not in disappointment (he never would), but in understanding. “It's okay if you don't want them to. I can just make up an excuse."

You can see the exhaustion wearing down on your brother from medical school and somehow juggling you and everything in between. You can see the eldest child who’s meant for greatness and has just finished doing his grocery shopping and doesn’t have any time to referee any complaints you may have for your impending visitors.

You only see him and the tiredness that you deem is warranted for someone as great as him, and not the exhaustion you’ve accumulated for being anything less.

"It's okay. This is your place anyway."

"You pay half the rent too."

"But he's your friend,” you reason weakly, sitting by the edge of your bed as you’re no longer interested in resting at its very comfort.

"You're the one who loves him,” Yoongi mutters lowly (but loud and clear for you to hear), making you roll your eyes at the reminder.

It’s the first time he’s ever spoken of it to you, but neither of you flinch at the fact. He’s brought it up randomly on the first snow of the year but you don’t have it in you to address the raging fluctuations of what comes with loving Jungkook unrequitedly.

"He and Sora can sleep over. Just don't give them my room," you concede, sighing as you stand up with a newfound will, albeit concerning.

"What? Where will you sleep then?" he furrows his brows, eyes following you around your room as you fish out a backpack and just start throwing things in haphazardly.

"I'll just sleep over at a friend's. I.. I don't want to be here when they are," you answer briefly, the dimness in your gaze enough to make Yoongi back off.

It’s enough to make your brother let you go scot-free, but never enough to make Jungkook understand.

He’s perplexed, knocking at your door for minutes on end until he decides to open it slowly, only to see that you weren't there to begin with. Jungkook’s not even perplexed, probably, because perplexed would mean that he’d harbor some degree of amusement and he isn’t feeling that in the slightest — all he’s feeling is just pure, overflowing panic.

While Sora is in the bathroom, Jungkook practically crashes his entire weight as he opens Yoongi's door, even if he knows that the poor guy must be either studying or sleeping already.

"Yoongi. Yoongi wake up. Yoongi," he hisses, chest caving in as he shakes your brother awake. “Y/N’s missing. She's not in her room. We need to find her."

"The fuck?" Yoongi could only sleepily whisper, groggily rubbing his eyes. "She's at a friend's."

"Why?" Jungkook almost spits in confusion, eyes narrowed at the possible thought process.

Yoongi rolls his eyes, collapsing back into his pillow after having his shoulders basically rearranged by Jungkook’s sheer panic alone. "Beats me."

"Do you know this friend?"

"Relax. She's twenty-three."

"Do you know this friend?" Jungkook repeats, each word becoming more enunciated than the last. He’s getting angry by the sound of it (if Yoongi could pick it up correctly), the apparent ‘carelessness’ of your own family member irking him.

"I don't know. She doesn't like being hogged so I didn't ask," he groans. “Taehyung, probably? He lives nearby."

"What?" Jungkook grits, his hand almost collaring Yoongi’s shirt if not for his fist closing in on itself to remind himself that Yoongi’s the only way for him to get answers. “Your sister is sleeping over at a guy's house? By herself? Are you insane? Why would you let her?!"

"They're friends...?" Yoongi offers slowly but surely, his tone taking on the most obvious route to Jungkook’s otherwise unbelieving state. "God, Jungkook, can you let me sleep? I really don't want to talk about my sister's sex life with you right now."

"So she's having sex with her friend?!" Jungkook practically whisper-yells to his ear, the tremble to his breathing making Yoongi shake for the briefest second.

"What? No! No— I don't know...? Fuck! Just shut up and turn off the lights again. I have an early day tomorrow."

You’re twenty-three when Jungkook sends you a lengthy text about how it’s beyond disappointing that you’re being irresponsible, followed by the multiple, desperate messages for you to text him your location so he could pick you up so you could be safe at home.

You’re twenty-three when Jungkook loses sleep over you, despite Sora sleeping beside him in the living room of your shared apartment with your brother, his red, swollen, and fatigued eyes only settled on your contact photo that he took of you in his phone.

You’re twenty-three when you admit to Jungkook in your own way, once again, that you love him, and you’re also twenty-three when he lets you down in the best way he knows how.

You’re twenty-three when you spend the night of the first snow at a friend’s house to escape the existence of Jungkook and Sora in your very own home, along with the ghost of the weight that comes with settling for never knowing him at all so you wouldn’t be hurt like this — only to come back the next morning, seeing him holding his girlfriend in his arms.

( ♡ )

You were twenty-four when Jungkook gifted you a gold bracelet.

Normally, Jungkook wouldn’t even think twice about jewelry because for as long as he wore it, all he needed to make sure was that it didn’t turn his skin green and smell weird after being splashed under hard water (which is practically all of the running water in his place) for two seconds.

Granted that it was your graduation and just like every other overeager loved one, Jungkook was assumed (by your parents and Yoongi and every friend you’ve had in university that has an inkling about your dynamic), wrongly, to just buy a name-brand item and call it a day after writing a sincere letter for you.

You know he’s not well-off. You know that he rarely ever splurges on himself and so you didn’t expect for him to go out of his way to get you something. Unlike you, Jungkook isn’t big on giving gifts, and although that’s never been a problem for you before, it always has been to him.

He doesn’t exactly feel patronized when Yoongi gives him his “neglected things” that just turn out to be the brand-new, expensive items Jungkook only ever looked up fondly and as a pipe dream (he swears he’s seen this scene before in Bride Wars); it’s more of a haunting, raring feeling in him to get even and give something that’s more than his service.

Jungkook may tend to your mom’s garden with his green thumb and teach your dad how to use power tools without crying and even cook meals for Yoongi when he’s too tired to even lift his head up, but he didn’t just want to only be of service to you. There’s no amount of him driving you around and parallel parking in the most difficult spots, or even just being the constant figure in your living room that hums (and makes you feel less insane and alone) as you talk to yourself about your exam reviewers for a course that you’re barely passing could ever be enough.

Jungkook wanted to get you something real. Something tangible that you couldn’t only think back on like a distant, foggy memory every three years when a random thought crosses your mind about his good nature.

You were twenty-four when Jungkook gifted you a solid gold (none of that hollowed-out shit; read: ditching the aforementioned meant another solid two weeks of extreme budgeting) bracelet and a heartfelt letter on your graduation.

You were twenty-four when he dressed up in his best polo and gave you his gift with nothing but nervousness for you to actually love it, and you were only twenty-four when you hugged him the tightest that you’ve ever did, kissing his cheek in pure excitement.

You were only twenty-four too, when you realize that Jungkook’s a friend who perhaps really just wanted to give you something memorable and expensive on your special day and nothing more; because if he was more and he wanted to be more, then he would’ve stuck around for the afterparty.

If he wanted to be more and not any less than what you already were, then he wouldn’t have excused himself when you bounded towards him with the bracelet on your wrist and too much of your courage waiting at the back of your throat.

If Jungkook wanted to be more, then he would’ve let his lips graze your cheek for a millisecond longer right after you look up at him: “Thank you, love you.”

If he wanted to be more with you by loving you back, then Jungkook would’ve let his hand linger on your back for just another second more with more firmness instead of gentleness, because you’ve had enough of the latter; he wouldn’t have left, and he wouldn’t have reminded you of your place either: “Don’t make bad decisions tonight.”

You were twenty-four when you started to be resigned with Jungkook, yet you don’t know at what age would you grow to be sick of him.

You can’t tell when you’re going to move past his rejections due to the maturity you’ve always thought you harbored, enough to be the driving force to just settle for however you can keep Jungkook in your life and not ruin the friendship.

You can’t tell when you’re supposed to stop growing and stop being level-headed about your yearly confessions that in the long run, have never hurt Jungkook.

You don’t know if you’re ever going to yearn to be volatile and unforgiving; you don’t know when the weight of Jungkook telling you over and over again that he doesn’t see you that way will finally settle in your bones, permanently, instead of coming and going like a holiday that you grew to both anticipate and dread.

Jungkook’s not a shifty, aloof distant relative that you only get to see once or twice in a decade when an old relative from your extended family dies.

He’s not an overly proud alumnus you see in campus grounds every two weeks chatting up professors who are tired of seeing him.

He’s not anything specific in your life besides definitively being your brother’s best friend and your own, but only from a distance. You and Jungkook were close enough to hang out without Yoongi present, but the availability of the other was something you weren’t even eagerly seeking anymore just like the old times.

It’s you who’s adding to the space that Jungkook established himself, and you thought for the longest time that you’re fine with it; that for as long as you don’t get too emotional (read: resentful) seeing the gold bracelet on your wrist, then that would mean you and him are at the perfect distance away from each other until your inevitable, yearly confession happens.

Jungkook, too, thought that he’d been okay with the added space (or whatever it meant) despite seeing you almost every two days at this point, because he thought that you being less attached would make it balanced.

You know to yourself utterly and completely that knowing Jungkook more doesn’t lead to loving him less; it’s only what you hope to happen otherwise.

It’s what he also pleads to himself when he sees you tonight, sitting at the chairs by the parking lot of the hospital.

“Y/N?” he immediately asks out loud, barely shifting the gear to park when he walks (read: runs) to you with a gasp, eyes wide and concerned. “What are you doing here? Are you okay?”

“What are you doing here?” you return the question, unable to process why out of all the times, it just had to be now when you see Jungkook unplanned; it couldn’t have been at the subway yesterday or even at the convenience store this morning.

Out of all the times that he’d see you accidentally (heaven knows the two of you see each other far too much), it just had to be when you were clutching your abdomen, writhing and sweating in pain.

“I borrowed Yoongi’s car so I took it to the carwash and-…” Jungkook trails off for a preliminary answer, shaking his head to physically reboot himself. “Sorry, I really can’t care about Yoongi’s car right now. What the hell are you doing here?” he repeats, running his palm over your sweaty forehead that’s simultaneously warm and freezing, the lack of any ease in your face making him panic.

“It’s n— fuck, that hurts,” you seethe, growing breathless as your eyelids fall heavy.

“Y/N, hey, hey. What’s happening? Where does it hurt?” Jungkook asks firmly this time, worry etching on to his face as his hands unconsciously tremble as he tries to survey you the best he could yet he can’t even think straight with your whole body contorted in pain.

You gasp at a particularly sharp burning sensation, pointing to the right of your abdomen with your index finger barely even outstretched in pain.

Jungkook screws his eyes shut, throwing his head back as he paces in tiny circles, holding your clammy hand as he tries to not faint on the spot. “Oh my god. Oh my god. Holy fuck I don’t know what that’s called b-but you’re in pain and— a-and how did you even get here? Did you drive?”

The nod you give him makes him even more lightheaded.

“Why the fuck would you drive here? Are you insane? Y-you should’ve called me!”

“Kook, now’s not the-…” you wince, the pained gasp that leaves your eyes rolling to the back of your head being the last straw for Jungkook before carrying you bridal style into the emergency room, that realistically was just a few steps away from you, but more-on felt like a thousand yards.

The pain felt like torture for you, and seeing your pain felt like a living, breathing, writhing version of hell for Jungkook as he tried to get everything under control.

He trembled while filling out your information and waiting outside of the surgery ward. He shook when he called Yoongi to go downstairs and informed him about what happened.

Jungkook was nothing short of miserable waiting for you to be okay, but nobody told him that it wouldn’t get any better once he finally sees you awake.

He doesn’t believe you even when you’re up and are raring to go home. He doesn’t crack a smile when you tell him that you’re okay and he was just being dramatic.

He doesn’t let up the slightest bit when you try and be back to how you normally are with him, when just hours ago, Jungkook prayed to a god he only partially believed in and even offered himself to just for the betterment of your condition.

You swear up and down that you’re okay, but it’s not enough for him.

“Are you that upset seeing me in a hospital bed?” you mutter, the roll of your eyes only making you dizzy for a split second instead of a full minute this time.

“Think about it, genius,” Jungkook grumbles, crossing his arms on his chest but not before pushing your vegetables closer to you on your plate, gathering the leftovers of your pudding from the edge of your cup with a spoon.

“I’m not going to apologize,” you mutter, looking away from him and your tray and instead on a poorly-dubbed children’s show on the TV, just to shield yourself from the confrontation that you weren’t looking for.

The thing about Jungkook is that he didn’t pick a time or a place to get into anything with you, whether good or bad.

The thing is, Jungkook’s goodness and concern for you have never not went hand-in-hand with his overbearingness that friends shouldn’t have in the first place.

“Good. You shouldn’t,” he stubbornly punctuates.

“Then why are you mad at me?”

“I’m not mad at you. I’m mad at myself,” he groans, sneaking a glance at his watch which reminds him that he had paged a nurse ten minutes ago and that he needs to follow up. “What did I do to make you think that you can’t call me when there’s an emergency? Do you know how dangerous it was for you to drive at that state?”

Jungkook’s voice wavers at the question, not expecting you to answer with the way your jaw’s clenched and you’re still refusing to look at him.

“I-I get it. I’m trying to get it. Your parents aren’t in the city and you didn’t want them to fly out this late, I get it. Yoongi’s busy being a resident a-and you didn’t want to worry him, I get it a little bit,” Jungkook sniffles. “But you not calling me when you’re in pain? When you need someone to drive you to the ER? When you just need someone to be there with you, no questions asked?” he scoffs, shaking his head. “I don’t get it, Y/N. I don’t get it at all.”

“You really don’t get it,” you concede, gaze flitting over to him. Jungkook’s sat on an uncomfortable chair with his legs spread, still dressed in last night’s clothes and torment, the furrow in his brows inerasable. “I didn’t want to be a burden.”

Jungkook tolerates your mouth. He tolerates a lot of your words and sentiments and occasional callousness when you were emotional despite being mature, but this just cuts it.

He doesn’t tolerate you now.

“How will you ever be a burden? You were having an emergency and the first thing in your mind is that you don’t want to inconvenience me?” he spits. “It’s not like it’s traffic, o-or you eating my takeouts, Y/N. It’s you being in danger, don’t you get that? That’s not an inconvenience!” he laughs without any amusement. “If you still think it is no matter what I say, then you should’ve inconvenienced me. You should’ve bothered me. You should’ve known that I would’ve went out of my way just for you to consider inconveniencing me.”

“Well I don’t want to, okay? I don’t want to bother you, Jungkook!”

“What the hell do I have going on in my life that’s enough for me to not come to you when you need me?”

“You have everything going on!” you exclaim, throwing your head back on your pillow, inadvertently making yourself wince and make Jungkook apologetic. “Y-you have a job, you have Sora, you have-…”

“Wrong,” he tuts, sighing heavily as he adjusts your head on the pillow, grabbing one of his own from his chair to secure you from the sides. “I can have nothing or everything and I’ll still come to you.”

You purse your lips, ignoring the way his touch is more firm than it is gentle.

“You don’t have to come to me if you’re already with me,” you confess in your own words, the sigh that leaves you taking everything not to round up to a pitiful, watery smile that sums up your anticipated rejection.

“Sweetheart,” Jungkook answers simply, in his own way.

You’re twenty-five when you feel yourself surrender little by little.

"Okay," you roll your eyes, the snort that erupts from you making his brows raise in curiosity.

"Okay?" he echoes. "You're okay with it?"

"Yeah, why wouldn't I be?"

"I don't know— I-... I mean I know this isn't the first time you confessed and this isn't my first time either turning you down, but-..." Jungkook trails uneasily, shaking his head softly as he tries to regain his bearings. ”…I don't know either why I asked if you're okay."

“My appendix did get removed a few hours ago, so that’s why,” you smile playfully, going back to your meal like nothing had happened.

Like Jungkook hadn’t lost his mind hours ago, and like you hadn’t confessed just minutes ago while you were laying in your hospital bed.

You’re twenty-five when you let yourself feel the hurt.

( ♡ )

It only occurs to you when you’re twenty-six, that Jungkook’s seen all your hardships, whereas the only suffering that you had to see him endure was the price of having Sora as his first love.

Every other difficulty and every other misstep Jungkook’s had in his life are only either retold to you or assumed by your conscience. Besides his turbulent on and off relationship with the only girlfriend he’s ever had, everything that wasn’t the good and the easy about him wasn’t known to you.

It’s as if despite having the privilege to grow alongside you, Jungkook deliberately went out of his way to ensure that you never see him vulnerable if it wasn’t for love. You realize at your age belatedly that you’ve lived this long and have never seen him feel so deeply for anything that wasn’t the matters of his heart.

You only know the big chunks and the bits and pieces of your closest friend’s childhood, but never to the extent that your brother knew him. You’ve questioned the lacking details about him over and over again, but in hindsight, you realize that you didn’t ask enough.

You never asked for any clarification as stubbornly as they expected you to, not because you were coincidentally proving Jungkook right that you were better off not knowing the seemingly unimportant details of his life, but because you were already content with what he gave you.

You took what Jungkook could only give you, but he can’t say the same now.

You’re twenty-six when you hear from Yoongi that Jungkook and Sora have broken up, for good this time, because she cheated on him and it had become his last straw.

You’re twenty-six when Jungkook learns that he only knows the hardships of your life and barely ever its triumphs (whatever the hell that meant in your book and not his), because when he sees you making out with Taehyung in your old childhood bedroom while your brother’s in the middle of throwing a party downstairs, he realizes that everything seemingly favorable in your life was only retold to him.

He should be relieved (right?) to see you at home instead of finding out through Yoongi that you were sleeping over at a friend’s he didn’t know, but none of the solace ever comes to his system. It doesn’t help that the guy who scrambles off you if the same guy that you had ran to all those years ago (Jungkook only knows after keeping tabs on Taehyung for literal years, it seems like).

It doesn’t help that you’re more angry at him than you are embarrassed of the entire situation.

"Do your parents know?"

"Know what?" you scrunch your nose, entirely lost to what Jungkook’s trying to get at.

"What you're doing," he details with narrowed eyes. “Who you're doing."

"What the fuck?" you spit with vitriol, in genuine disbelief whereas Jungkook remains stoic from where he stood. ”I’m twenty-six. I have my own place now. What are you talking about?"

Jungkook shakes his head at the reminder that you’ve moved out weeks ago from your shared apartment with Yoongi and he only got to know when he crashed at your (former) place after a particularly rough day, only to be genuinely confused at the sight of Just Yoongi At The Door, your own brother perplexed that Jungkook didn’t even know you moved out by then.

“I’m talking about how you're acting out like a teenager, getting it on with-..."

"Acting out?" you parrot.

"Yeah, that's what I said,” he grits, the sarcastic laugh that leaves his lips making your ears ring.

"What would I be acting out against? I'm not some teenager rebelling against curfew or-..."

"I thought you liked me, Y/N,” Jungkook enunciates word for word, making you stop dead in your tracks.

You weren’t planning on confessing tonight.

You weren’t even thinking of digging up your unresolved feelings for Jungkook because you didn’t want to be the bigger person about it; for once, you wanted to be the more vulnerable and volatile friend between the two of you.

"What kind of person keeps confessing to her brother's best friend every single year, yet still make out with another best friend of her brother's as if nothing she said was true?"

The ache that your chest molds around is far too big of a statue, concrete and rooted in its desire to let the pain seep into you.

"But you don't like me, Jungkook. That's the thing.”

"And you think that changes everything?" he asks, voice cracking at the edges. “What if— w-what if I lied awhile ago, huh? What if I-... what if I lied about not liking you, yet you're still out here letting Taehyung put hickeys on you? What then?"

You screw your eyes shut in utter disbelief of the possibilities that Jungkook springs onto you out of nowhere, tears pricking painfully.

“But did you lie?"

"That's not what I'm-..."

"Did you or did you not lie, Jungkook? That's what I'm asking first," you interrupt, fists balled in utter despair because if you don’t do something, anything to ground you, then you’d faint right in front of him and nurse the hurt like it’s the only thing keeping you alive.

"I didn't," Jungkook whispers, eyes steeling as he regains his composure. "B-but that still doesn’t-…”

"No. It changes everything," you swallow the lump in your throat. “I can have this stupid, teenage crush on you and still be hurt. I can be stupid by ignoring all your past rejections and still get tired," you waver. “I can look stupid liking you from afar, only for you to reject me year after year, and still do whatever that I want to do with Taehyung.”

"If I lied and told you that I liked you back, and we become this... w-we become this fantasy of yours that you never let go of," Jungkook argues, exhaling heavily. "What then, Y/N? If you could do this now, what else are you capable of doing if we end up together?" he gnaws on his bottom lip. ”What can you tell me that would make me trust that I can be your boyfriend without you doing whatever the hell you want?"

"You're asking me that?" you whisper in disbelief, vision spinning on the weight that Jungkook demands from you. “You're asking me to convince you that I won't cheat on you, even if you told me again and again that you'd never want to be with me?"

“Yoongi told you, didn’t he?” Jungkook replies, meeting your eyes but not where you stood, the stubbornness in his gaze making you bow your head in surrender.

"My god, Jungkook. You're fucking insane.”

He buckles by the knees at that, pointing to himself weakly as his eyes widen. "I am? I'm the one who's-...?" he pauses, jaw clenching angrily. ”I’m the one who's confused, Y/N. I'm the one who can't tell how I'd stand in your life if I give in-..."

Give in, like it's pity.

Give in, like it's charity for the needy and returning your feelings would be the one final thing that cements Jungkook’s goodness.

Give in, like you didn’t spend the better part of your life pining after him without any promise because you weren’t afraid to be seen trying; you weren’t afraid to be in love with him.

"Then I won't confuse you anymore! I'll make it easy for the both of us," you burst, pushing past him in your fit of anger. “You don't have to think about being cheated on. You don't— y-you don't have to think about the image of me making out with Taehyung behind your back while you're.. y-you're fucking conjuring this life with me in the future when you don't even want to be with me now."

Give in, like you were never the one for him in the first place.

"I'll stop,” you whisper.

"I didn't tell you to,” Jungkook grits, shaking his head in disbelief as his eyes track your direction towards the door.

"I don't need you to."

( ♡ )

You dream of getting over Jungkook on a random day.

The concept of it comes to you randomly after countless nights of losing sleep over your big fight with Jungkook that had instilled a rift in your friendship for months. You haven’t gotten over him (specifically on a random day that you so badly craved to prove that unlearning the ways of being attentive to him can happen in an as insignificant of a day as Wednesday), but you atleast attained your silent plea of being the one who’s more vulnerable.

Of being the one who’s pined after, not necessarily because Jungkook was completely in the wrong and there’s no basis for his fears, but because you wanted to know what it felt like being yearned for.

You didn’t have to be brave for the two of you because you were no longer grasping at straws to keep Jungkook whenever and however you can.

The only reason you dream of getting over Jungkook on a random day was because you want the feeling of the love you have for him to leave you when you're folding your clothes and you can ignore the fact that his shirts keep washing up into your basket despite not having stepped foot in your new place.

You want to get over him on a random day when you feel unsure of it the most, because only then would you prove to yourself that something as real and as tangible as your yearning is just as fundamental as learning to live without him in your life.

You want to get over Jungkook on a random day, even when you don’t want to, because the only way out for you is through.

You want to get over him but you can’t; you want to get over him even when he confesses his love for you at a time that you’ve stepped out of the middle, which was the only place you’ve been trying to coax him into to remind you that your yearning’s alive.

You’re twenty-seven when Jungkook first confesses to you.

“I’m in love with you and you don’t have to do anything about it,” he whispers, clutching a bouquet of your favorite flowers by your front door, left hand still trembling as he clutches the handwritten note of your address given by your brother who had promised to cut him off forever if he didn’t make things right with you. Jungkook isn’t doing this to get even with you, however — he’s doing this out of sheer longing. “And you don’t have to be in love with me for me to do everything about it.”

.

.

.

You’re twenty-seven, and you still know that Yoongi’s meant for greatness.

You know that he’s meant for greatness when he’s only a few years older than you and yet he’s already in the finishing steps of opening his own clinic, the technicalities of it amusing you because at his age, Yoongi’s acclaimed for his skill and his drive.

At your age, the hallmarks that you live with are that you’re going to join the family business (read: inserting yourself in Yoongi’s clinic) and make use of yourself to make up for the fact that you’re not particularly excellent at anything, and that finally, this is the second to the last year you’re going to be allowing yourself to confess your love to Jungkook.

Just because you allowed yourself to all those years ago, however, didn’t mean you were actually going to do it any longer.

You were freshly twenty-six when you and Jungkook had the fight that inexplicably changed your lives forever, more than growing up and witnessing each other change had ever did — you’re three months away from turning twenty-eight, and Jungkook’s never been more riddled with fear of loving you, but he does it anyway.

He’s more scared of losing you than he is with loving you, yet he knows he can’t forsake either in his pursuit.

Jungkook knows that he’s not meant for greatness, but you equate it, and he’s never wanted to strive to be something he’s not so badly in his life. He runs to you at full speed and he doesn’t care about the impact nor about the possibility that it wouldn’t bring him anywhere.

“You're not Sora," he utters when he sees you zoning out, gaze fixated on the first snow that falls right outside of the window of the clinic that’s still yet to be completed, hallowed out enough for his voice and his sentiment to echo throughout the walls. “And I don't want Sora."

"Nobody wakes up and just realizes that they don't love someone anymore, Jungkook," you murmur, following the way the bits of white patter against the ground helplessly because they have no choice but to fall.

Jungkook’s been nothing short of pathetic with his longing the entire year.

Even between him working as your brother’s contractor and even helping out the labor yet not ever running late from driving you to and from your place with homemade meals in hand, to him pulling his weight by being of service to you, by being anything that you asked and didn’t ask him to be — Jungkook, admittedly, can’t fill in the gaps of what longing for him in the past had instilled in you: doubt.

"I did,” Jungkook answers. “It happens."

"You spent the better part of your youth being in love with her," you remind him with a gentle roll of your eyes, ignoring the way he comes closer to give you his hard hat that you’ve always insisted on ditching out of stubbornness. “That doesn't just happen out of nowhere."

It’s daunting that you can talk about yours and Jungkook’s past out in the open.

It’s new.

"It happened because it wasn't out of nowhere," he clarifies. “I’ve been on and off with her in the first place because I— we, couldn't let go of the comfortable option which was each other."

“Just stop talking,” you murmur weakly, the lilt of your voice similar to the random days that creep up to you and remind you of the shade of the past, of Sora, that looms over you out of nowhere. "I... I-I must've had this conversation with you over and over again, Jungkook," you frown. "You're going to get back with each other like always."

"We're not," he corrects you, standing in front of you so closely that you could feel his warmth cling to your skin. “Sora and I are completely through."

"Whatever you say," you mutter, throwing your hands weakly, ready to call it a night when Jungkook grabs ahold of you firmly, undoubtedly, his eyes swimming in concern.

"Do you want time to prove it?" he tilts his head. "We could wait around for a lifetime and you'll believe me by then."

"I think I've done enough waiting,” you chuckle, drawing a laugh out of him.

You’re turning twenty-eight in three months, and Jungkook’s confessed his love for you more times than you’ve ever did for him in your lifetime; he’ll still love you under the weight of your shoe.

"You're meant for happiness, Y/N. You don't have to wait,” Jungkook murmurs. “And I need to work on being meant for you, so I have to wait."

[cinnamorollcrybaby]

Mama, I’m in love with a criminal

Tags: Sukuna x fem!Reader, no curse au, dead dove, violence described including murder, dark romance, use of y/n, descriptions of mental illness.

Synopsis: Sukuna’s talking to his therapist in jail about you. He’s incarcerated because of you, and his obsession is concerning.

An: Yeah idk i thought of this while I was driving to work one morning.

Session one. | Session two. | Session three. | Session four. | Termination session.

His large frame laid lazily over the couch, clad in an orange jumpsuit. He had his feet propped up on one side, and his head was propped up on the other side in a far too casual manner. His naturally pink hair pushed up near the front, messily so.

He was still cuffed and shackled, but the therapist was still afraid of him. To the therapist’s credit, he had read the warrant that went into viscous detail of Sukuna’s crimes.

Normally, the therapist wouldn’t read the inmates warrants due to situations like these. He liked going into sessions with an open mind, but he had gotten warnings about Sukuna… how the man can fly into a blind rage like a switch on the wall.

He was brutal, unforgivable, inhumane.

Simple counseling wasn’t going to “fix” a broken human like Sukuna. The therapist knew this, but the state mandated that Sukuna undergo weekly counseling sessions per his sentence.

Sukuna could taste the therapist’s fear, and he let out an earnest laugh. “You don’t even want to try to fix me, do you?” He asked tauntingly with a lopsided grin. “I don’t blame you. Don’t feel bad~”

The therapist swallowed the lump in his throat, and he adjusted in his seat. “I can’t fix anyone… Counseling isn’t about fixing.. It’s about moving forward and learning how to live.”

“Bullshit.” Sukuna spits with shrug. “Counseling is about focusing on the past and letting shit hang you up for far too long. I guarantee you that you’re going to ask me about how I got here, is that right?”

The therapist is shaking like a leaf at this point. “Our past can help us navigate to a better future.” He murmured out weakly.

Sukuna roars in laughter, causing the therapist to nearly jump out of his seat. The pink-haired felon doubles over as he laughs hysterically. “You’re a funny guy. Fine. You really want to know how I got here? I’ll tell you.”

After a deep breath and wiping away a fake tear, Sukuna goes on, “You know, teachers always believe that pairing the troubled kids up with the good kids will inspire them to act right. That shit never works.”

“I think that’s when my ‘type’ developed. My bitch of a second-grade teacher assigned me to sit next to this frail meek girl after I got in trouble one too many times for terrorizing the other kids. She was a real stick in the mud.” Sukuna laughs fondly, a rare genuine smile on his face.

“Y/n?” The therapist asks, remembering your name from the warrants.

Sukuna’s red eyes snap over to the therapist with an almost predatory gaze. His hands visibly curl into fists. “Say her name again, and I’ll splatter your blood all over this room. The officers won’t be able to pry me from you, deeming you to be a lost cause.”

The therapist freezes as the breath hitches in his throat. His eyes dart toward his panic button, knowing he should probably press it now, but he’s frozen in fear.

“We’ll call her mouse.” Sukuna goes on as if he didn’t just threaten the poor guy’s life in brutal detail.

“Mouse was a real challenge. I for some reason made it my mission to get her to talk to me, but she always stayed silent — only answering me with simple head gestures.” He laughs again, lying his head back further as he’s replaying the memories in his mind. He can remember you vividly and how you looked back then. He yearns for that feeling again. The feeling of seeing you for the first time.

“I can’t exactly tell you when the challenge started to border obsession, but she slowly slithered her way into my brain. Even when I wasn’t in school, I thought about her. I wondered what she sounded like, wondered why she wouldn’t talk to me, wondered why she looked at me like that.”

The therapist furrows his eyebrows. Even though he doesn’t feel safe in this session, and he doesn’t trust Sukuna at all, he has a hunger for knowledge, and he loves solving things that have to do with the human psyche.

“Looked at you like what?” The therapist dared to ask.

Sukuna stayed silent for a moment, and he tapped his finger against the back of his hand. His face hardened as he found the words he was looking for. “She looked at me like she had no preconceived notion of me. Her eyes… were so big and round. Even though she didn’t talk to me, it was like she accepting of my presence.”

The shackles jingled as Sukuna rubbed his face in a stressed gesture. Remembering you was like a double edged sword. He loved thinking about you, but he hated being reminded that he was without you.

The therapist eased in his chair. There was actual emotions underneath all those tattoos, thick skin, and muscle. The media had portrayed Sukuna as a complete narcissistic sociopath, but this was proof that diagnosis was false.

“I bothered the shit out of her for years, continually getting myself paired up with her.” Sukuna grinned, shifting the conversation back in a direction that he was more comfortable with, “I remember those asshole kids always called me her shadow because I followed her everywhere. Jokes on them.”

The therapist shivered as be remembered a chilling detail from the warrants. Each time a victim was found, a message was written in the victim’s blood.

-ʏᴏᴜʀ ꜱʜᴀᴅᴏᴡ

His victim’s - their deaths were like an homage to you.

“Were the kids ever… assholes to mouse?”

Sukuna’s jaw visibly tightened. He loathed this therapist’s questions… thinking he knew everything just because you and Sukuna were misunderstood kids.

“They called her weird for not talking.” Sukuna recalled as he bit his inner cheek. His eyes glared to the wall in front of him. “Now look at who can’t talk.”

Sukuna’s first victim. He didn’t start out with murder. He started out with stapling your bullies mouth shut for taunting you. Everything was for you. Everything.

He held a kid down to the teacher’s in third grade, grabbing a stapler, and he pressed it down one by one into the kids lips, binding them together. The kid couldn’t scream or cry for help, or else he’d risk ripping the flesh on his lips.

The teachers found the kid and immediately knew the only kid sadistic enough to go through with such an act was none other than Sukuna.

“Did mouse witness you do that?” The therapist asked, genuinely intrigued by Sukuna’s narrative. For being a ruthless criminal, he was a wonderful historian.

“No. Why would I scare her like that?” Sukuna’s voice was tense as he eyed the therapist carefully, as if he was waiting for him to say the wrong thing.

The therapist clicks his tongue in surprise, and he looks like a deer in headlights. “Scare? No.. no, I thought you’d maybe just show off what you did for her.”

“I’m not the type to show off.” Sukuna answers flatly, and the therapist wonders if that’s the first time Sukuna’s lied during this session. He knows that Sukuna likes to show off. The warrants prove it.

“Anyways, I wore her down over the years. She didn’t speak to me until we were in sixth grade.” An eerie smile curls on Sukuna’s lip. “I can still remember her first word to me and how she said it…”

The therapist leaned in, curiosity getting best of him.

Sukuna smirks, knowing he has the therapist interested now. “Her first word to me was a plea. A word to show her undeniable want. Her first word to me was please.”

Bang! Bang Bang!

The therapist literally flinches out of his chair from the heavy knocks at the door.

“Ryomen! Your time is up!” The officer yelled on the other side of the door.

“Pity. I was beginning to have fun.” Sukuna remarked as he stood up from the couch. The shackles jingled as he walked toward the door, and the door buzzed, letting him out. “See you next week, doc.”

[akelafang]

Arthur sends Merlin on some job and wants him to take a knightly escort to keep him out of trouble. Merlin: I'll take Gwaine with me Arthur: I said "keep you out of trouble" not "guarantee you'll get into it". Take Lancelot with you, he's the least likely to commit treason with you Merlin: You say that like he's never committed treason with me

[yanderenightmare]

♡ TW: yandere, captive reader, minor wounds, shackles, mental deterioration

♡ GN reader

“I’m sorry,” he says, looking up at you sheepishly from where he kneels before you, your feet in his lap as he carefully unclasps the second metal cuff from your ankle—leaving roughed skin in its wake, cut raw and swollen as badly as the other. “But, you know, I would have taken them off sooner if you’d been good.”

You don't answer him—not feeling like nodding and agreeing, though not exactly feeling up to doing the opposite anymore either. Tired of it, you remain quiet, and you look away instead—flinching and hissing as he carefully handles the wounds with disinfectant, balm, and bandages.

When he’s done, he rests his cheek on your knee—stroking his hands up and down your claves tenderly. “I really am sorry,” he repeats—voice soft and silken, nuzzling into you with big puppy eyes looking up at you. “You’ll forgive me, won’t you?”

There’s a disturbance in your head—an indecision—toiling and swirling like a storm, making you sweat, almost shiver. Should you behave for once? Do what he wants and avoid another punishment—or do you still feel like fighting? Is your dignity worth it? Do you still wish to take the risk and run now that you’re unfettered and free to try again? Or would you like to finally give it up?

This is a test. You know it. No doubt.

He’ll surely catch you if you try. You know that, too. It’s been proven, and you’re not foolish enough to keep holding onto any such false thing as hope.

So then, why try?

Well, it’s a stupid question, and yet you find yourself contemplating it—whether you should try anyway, even when failure is guaranteed. You think, now that you're really thinking about it, the only thing keeping you going is sheer and hollow principle.

Yes, principle—one based on the understanding that if you try, even if you fail, you can at least say you tried—one where the simple thought of giving is detestable. Back then, even weighing the options was unthinkable. Do or die—no in-between, nothing more or less.

But that fire within feels faint now—a low flame just barely weathering the storm, all alone in the cold, in the dark, just waiting for a final gust to blow it out once and for all.

It's an ugly thought, but you think what you really want isn't to find the strength to keep fighting but for someone to say it's okay to stop. You just want a sanction—a blessing—someone to blow the candle out for you.

And acknowledging that, you might as well blow it out yourself.

If the point holds no value, then fighting for it must be even more empty—right?

You sigh.

“It’s not that bad." Lifting a hand, you run it smoothly through his tousled locks with a smile. “Actually, it already feels better.”

The worst or best part about it is how strangely freeing it is—now that you’ve let go. The trouble of remaining vigilant and hostile is an exhausting feat, and now that you’ve put it to rest, you’re left feeling unfettered—like you can finally breathe again.

He kisses your knee, then rests his chin atop it—giving you a similar smile. “I’m glad.”

♡ BNHA – Deku, Dabi, Hawks, Shinso ♡ JJK – Geto, Gojo, Naoya ♡ HQ – Miya twins ♡ BLLK – Reo, Nagi ♡ DS – Doma ♡ WB – Suo, Togame

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[firewasabeast]

The Kid Isn’t Okay

a little bucktommy fic. tags: mcd, grief, hurt/comfort. read below or on ao3.

Buck had stopped crying by the time they brought out Bobby’s body. Those final words kept repeating in his mind, a reminder of what he needed to do and who he needed to be.

He passed by Tommy without a word. Got in the rig and drove it back to the 118.

B shift was already there. The place was quiet. Everyone stared. No one asked questions.

He went straight to his locker, grabbed a change of clothes, and headed for the showers.

He cleaned the day off of him. Washed away the sweat, the dirt, the dried tears.

Once he had changed, he picked up his duffel, dug out his keys, and made a beeline for his car.

His phone buzzed. He had a missed call and text from Maddie, a text from Tommy too. He replied to Maddie first.

Gonna head home for a bit. I’ll be at the hospital later. Text me if you need anything.

He looked at Tommy’s message next. A simple question. Evan, are you okay?

He took a deep breath. His hand shook. He squeezed it into a fist until it stopped.

He answered.

I’m okay. Thank you for your help today. Sorry if I got you in too much trouble. If you need me to talk to someone, let me know.

He dropped his phone into the passenger seat and he drove home. He ignored the sounds of more messages coming through.

*****

Buck didn’t remember Eddie until he walked into his house.

He answered on the third ring. “Buck? Why are you calling me right now? What’s wrong?”

Buck didn’t even know the time. Could have been two in the morning, maybe six. He wasn’t sure.

“Bobby,” he breathed out.

Silence on the other end of the line.

Buck checked to make sure the call hadn’t dropped.

“When?” Eddie asked.

“Tonight. Not… Not long ago. It’s- everyone else is okay. Chim and Hen are in the hospital but they’ll be fine. Ravi’s alright. Just… it’s just Bobby.”

“Okay.” A pause. Eddie cleared his throat. “I’ll get the earliest flight.”

“There’s no plans yet or anything,” Buck told him. “I- no one knows when the service will be.”

“I wanna be there anyway. Buck, are… how are you?”

“I’m alright.”

“Buck-”

“No, I… Really, Eddie. I’m okay. Let me know when your flight gets in.”

He hung up before Eddie could get in another word.

*****

He took Jee the next day, so Maddie could spend a little extra time at the hospital.

“She can stay here with me, Buck,” Maddie whispered, Chimney sleeping nearby. “I brought crayons and coloring books. She’ll be fine.”

“No, I know. But a kid doesn’t wanna sit in a hospital room all day, and you need to be here with Chim.” He looked down at Jee, who was holding onto his hand, waiting to go. “We’ll have a good day, won’t we Jee?”

“Yeah!”

“Yeah, we will!”

Maddie smiled at Jee, the smile fading when she glanced back up at Buck. “I’ll pick her up on my way home. I’ll probably leave around five.”

“No problem. She can stay the night if you need her to.”

Maddie reached out to give Buck’s arm a squeeze. “Are you sure about this, Evan? You really don’t have to. I know-”

“I’m okay, Maddie,” he interrupted. “I promise. Now Jee and I have some ice cream to go eat, don’t we Jee?”

“Oh! Yes!”

“Alright, say bye to your mom and we’ll go.”

Jee wrapped her arms around Maddie’s waist, giving her a hug. “Love you.”

“Love you too, Baby. Be good for Uncle Buck, okay?”

“Oh, she will,” Buck guaranteed with a smile. “We’ll have a great day.”

*****

Buck took his place at the head of Bobby’s casket. The weight of it was lighter than he expected, even when sharing it with five others.

He went through the motions at the procession. Stared at the firetruck in front of him as he and everyone else took each solemn step.

He didn’t look in Tommy’s direction.

Could feel him staring though. Could feel his eyes burning a hole into his head.

He focused on the task at hand.

Focused on getting Bobby to his final resting place.

It needed to be perfect.

Bobby deserved that.

His plot at the cemetery was a great location. A large tree overhead to provide shade. He’d have a big gravestone soon, engraved to show just how much his people cared for him.

There would be a bench too. Somewhere to sit when his family came to visit.

Buck stood there as they lowered him into the ground. Kept standing there until he could hear familiar footsteps coming up behind him.

Tommy.

He moved then. Avoiding a conversation that wasn’t needed.

The cemetery was nice.

Buck was okay with it.

*****

The 118 and Tommy were all gathered in a huddle at the reception, telling stories that no one else could understand. They’d joke, laugh for a bit, and then the bitter reminder of why they were there would spring up again.

“I keep thinking about it,” Eddie said between sips of his beer. “I should have been here.”

Hen shook her head. “Be glad you weren’t.”

“I just keep thinking, if I had been there then maybe… maybe it would’ve been different. Maybe Cap would still be here.”

Tommy, who had been keeping an eye on Buck all day, noticed an instant shift. His eyes lost focus, his finger tapping at the cup in his hand.

He took a silent step back, then another, before turning and walking away from the group.

Tommy followed.

“Evan,” he said, trying to get his attention without drawing anyone else’s. “Evan.” He jogged a couple of steps to reach him, planting a hand on his shoulder. “Evan?”

Buck stopped, turned. “What’s up?”

“It wasn’t a slight at you.”

“I dunno what you’re talking about.”

There was a light missing from his eyes. A void in its place. He was looking at Tommy, but Tommy didn’t feel like he was seeing him.

“Evan.” He moved closer, making sure no one was close enough to listen. “You did everything you could. Nothing and no one would have changed the outcome.”

Buck’s eyebrows furrowed. “I know that.”

“Evan.”

“I’m fine, Tommy,” Buck said defensively, shifting his weight from one foot to the other. “I’m going to get something to eat. Is that okay with you?”

Tommy’s shoulders dropped, lips in a tight line. “I just wanted to check on you, Evan. That’s all. I’m, um, I’m gonna be heading out in a minute.”

“Okay, well, I’m good here. Thanks for, uh, for all you did. See ya.” He was walking away before he finished the sentence, before Tommy could fully register the words coming out of his mouth.

Tommy left the reception ten minutes later. He couldn’t help but notice the empty parking spot where Evan’s car once was.

*****

A knock on his door had Buck rushing out from the bathroom. He hadn’t been home long. Had just gotten changed after a quick shower.

His hair was still damp, skin still warm from the water.

He wasn’t sure who could be on the other side. Maybe Maddie, wondering why he left so quickly. Maybe Eddie changed his mind about staying at the hotel another night.

What he didn’t expect was for Tommy to be standing there, a deep look of concern on his face.

“Wh- What are you-”

“I wanted to check on you,” he said, breezing past Buck as he walked into the house, uninvited.

Buck swung the door shut, then turned to him. “I told you earlier that I was fine.”

“I know what you said,” Tommy replied with a curt nod. “I just don’t believe you.”

Buck crossed his arms over his chest. “I don’t really care what you be-”

“I saw you, when you were still in that building. I saw you break down in the hall.”

Buck sucked in a breath. He tried to play it off. “You should go.”

“I know how you’re really feeling," Tommy pushed, "and I know you’re not okay."

“Tommy, stop.”

“You’re shielding yourself from everyone and everything. You’re not allowing yourself to feel, Evan. This isn’t you. I know it’s not you.”

“He told me that I’d be okay!” Buck yelled suddenly, face becoming red with anger. Tears stung his eyes. “He told me they would need me! Said I’d be okay! He said that!”

“Oh, Evan-”

“No, I can’t!” He held up his hands in surrender. “I don’t need your sympathy, Tommy. I don’t need anything. I just need to be strong for them. I’m fine.”

Tommy stepped closer, stopping when Buck moved back to maintain distance. “Evan,” he started, voice calm and steady. “When people are… when they’re dying, they tell us what they think we need to hear. They tell us what they want for us. And sometimes, we can cling to that a little too tightly.”

“You don’t-”

“My mom. I was twelve, and I’ll never forget her telling me to keep my head up and not to cry for her. Evan, I- I know that Bobby wants you to be okay. Of course he does. And I know you want to be strong. But that’s not all you have to be. You’re allowed to be upset, you’re allowed to cry, or get mad, or need somebody. That’s not weakness. That’s love. You loved him, and he loved you. You’re allowed to hurt.”

Buck stood, silent, hands on his hips, eyes aimed towards the ground.

Tommy sighed. “Sorry. I- Sorry, Evan. I’ll go.”

As Tommy walked passed him, heading for the door, Buck reached his hand out, grabbing onto Tommy’s.

Tommy froze.

“He told me he loved me.”

“Evan.”

“He was th- the father I never had and I… I just… I- I-” his voice broke, his lip trembled, and the dam burst. He fell into Tommy, who barely managed to catch him and bring them gently to the ground. “I’m n- not okay, Tommy,” he wailed, barely able to suck in a breath. He clutched onto Tommy’s sleeve, tears soaking through his shirt. “I’m not okay, I’m not okay.”

“I know, I know,” Tommy soothed, holding Buck as close as he could.

“It h- hu… hurts so bad.”

“I know it does. It’s okay.”

“Please, T- Tommy, please d- don’t leave. I need... I need-”

“I’m not going anywhere, Evan,” Tommy promised. “I’m here. I’m staying.”

[spiritkissin]

♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ♡ ︎♡ ︎

just thinking about obsessive!art today…

౨ৎ art would first meet you at stanford, in the hallways of the dorm rooms.

౨ৎ you were looking for your room, pacing around the hallways with the number of your supposed dorm room written down on a crumpled piece of paper.

౨ৎ art was entranced by you the second he saw you, that little confused look on your face, he would watch you fidget and squirm for a minute more before deciding to approach.

౨ৎ “hi.” he smiled, leaning down slightly to catch your eyes. “I see you’re, uh.. having some issues there?” art would chuckle quietly, his own little attempt at easing your mind.

౨ৎ “oh, well, yeah… it’s just- I was looking for my dorm but I’m not sure where it is exactly.” you shrugged, handing art your schedule. He nodded and looked over your schedule.

౨ৎ …. He paused. Art knew he was getting a roommate, he just figured it was going to be some frat bro who was out drinking all the time, but not you.

౨ৎ sweet, soft, nice smelling, you. You who was sharing a dorm with art. Art knew he was possessive, he knew about his tendencies. Patrick had brought it up all the time when they went to high school together.

౨ৎ but now was different. Patrick wasn’t there. But you were.

౨ৎ the next few months of being arts dorm mate went completely fine, he had his space, and you had yours.

౨ৎ Art and you would grow more close as time went on, even naming himself your boy best-friend. Just how like you were his girl best-friend, totally platonic.

platonic. right.

౨ৎ he was getting impatient. he needed you. he wanted you. badly. Art was there whenever you needed it, with whatever friend or boy troubles you had. Guarantee art would be at your side with a reassuring tone and his puppy dog eyes.

౨ৎ slowly, Art was getting more and more bold. He started telling you all these things about your friends. Saying,

‘they don’t need you, they don’t deserve you.’

“real friends wouldn’t do that. I wouldn’t do that.”

౨ৎ art would eventually start taking things from you. It started out little, hair ties and bracelets. But his obsession kept growing, he started taking panties.

౨ৎ it didn’t matter, he figured. you wouldn’t notice your dirty panties were missing for a while, since Art insisted on doing your laundry for you.

౨ৎ he could help himself! he was just so in love. art couldn’t help the way your pretty panties fit in his hand, the way they slid so easily up and down his length. The way his milky nut seemed to just drip over the fabric so smoothly, like honey.

౨ৎ of course he would put them back in your laundry basket! He wasn’t a monster!

౨ৎ art was enthralled. and he didn’t plan on stopping his obsession anytime soon.

♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ♡ ︎♡ ︎♡ ︎♡ ︎♡ ︎♡ ♡ ︎♡ ︎

an: this is my first time writing.. pls be nice

[saddleseatollie]

I said that I was gonna make a post about Hans' side of the Hansry romance so here we go (buckle up because this will be a very long post):

First off, I wanna talk about his responses to all the heart/romantic dialogue options throughout the game.

I find these dialogue choices to be pretty interesting in general because it's SO easy to read them as completely platonic, which I imagine to be quite intentional. Two bros acknowledging that they care about each other, what's special about that?

Except their friendship isn't normal. Henry is Hans' page and bodyguard. Hans is essentially his boss, and Henry is duty bound to follow him everywhere, save him when he's in trouble.

What these dialogue options establish is that Henry doesn't rescue Hans because it's his job. He does it because he wants to.

I simply cannot stress enough how important it is for Hans to hear that from Henry. To know that he is not forcing Henry into anything. He's not just Henry's boss but also a noble, and that puts him in a position of power over him that he probably struggles with to some degree.

Throughout this game we see more of the divide between "Lord Capon of Pirkstein" and simply "Hans". When he breaks down his walls with Henry and becomes simply Hans, it's because he's letting him in. He doesn't do that with anyone else.

So why is it that Hans' responses to the romance dialogues are so...unromantic? Does he not realize his feelings for Henry yet? Does he not accept them?

No. I think that even by For Whom the Bell Tolls (the end of which being the first opportunity for romance dialogue) Hans has not only recognized his feelings for Henry but accepted them.

When? Honestly there are so many possible answers to that question I'm not even going to try (personally I like to think he spent the majority of his time in the cells at Trosky just thinking about him and Henry so maybe then).

"But Ollie! Why, then, are you saying that Hans' responses were platonic?" I hear you asking.

Because Hans isn't stupid. I'm not 100% sure what the punishment for homosexuality by the law was in 15th century Bohemia but I can guarantee it was very bad. I'm not a history buff but google tells me it ranged from burning at the stake to castration and exile. Not only that but remember that Bohemia at that time was ruled by the Holy Roman Empire, which was still a Catholic Empire circa 1403 and would remain that way for another century. Catholics at the time (and some groups even to this day) viewed sodomy (officially defined as any form of "unnatural sexual acts" including but not limited to homosexuality as the word itself refers to anal sex) as a mortal sin. Basically meaning that the near-universal stance of homosexuality at the time would be that homosexual acts meant burning in Hell for eternity.

All this to say that while I believe that Hans himself has come to terms with his feelings, he recognizes that no one can ever find out about them.

So he tries his absolute hardest to play the role of "best friend" and outwardly pretend to have only the most platonic of feelings towards Henry.

And yet. And yet. Hans loves Henry. He loves him so fucking much even while knowing they can realistically never be together. But Hans is a dreamer. We see that from him a lot, actually. He dreams about a world where nobles well and truly take care of their subjects, where towns aren't raided and burned to the ground for war and profit. It's no stretch to imagine he also dreams of a world where he and Henry can be together.

And then Hans is surprise-engaged against his will and his dreams are promptly smashed against the rocks.

I mean this is his reaction to hearing the news.

He says it's because he wanted to wait to get married, to live a life of adventure before settling down. And while I'm sure that's part of it, in the context of a romanced Hans this is him realizing that he really can't ever be with Henry. Hans might be a serial womanizer (overcompensating much?) but he's no adulterer.

Look in my lovely little headcanon where everything is wonderful and beautiful and works out, do they stay together? Yes, absolutely. But realistically, I don't think it's possible. Their relationship is doomed to fail before it even begins. It's a classic example of love simply not being enough.

And that reality is simply too much, so Hans does as he always does, pretends none of it means anything at all and nothing has changed. He'll never love her as he does Henry and that's that.

And then the siege happens, and Henry volunteers for a suicide mission and is probably going to die and Hans is starving.

Hunger and Despair.

Hans is starving. Not just for food or drink but for life and love and Henry.

Hans has always been prone to impulsivity, to acting on every desire. He's shone amazing restraint, all things considered, up until that point. He loves Henry and he feels he'll die of sorrow without him.

Think about that for a moment.

When he tells Henry the tale of Lancelot and Galehaut he puts himself in the place of Galehaut, who died from grief and sorrow over the loss of his lover.

He fears he'll die if Henry doesn't return. Not of starvation. Not at the hands of a Prague soldier.

Of grief and sorrow.

He is so, so tired of holding back. Of pretending. He wants Henry, he needs Henry. Not as a friend or a protector or a squire but as some strange, lovely mix of all three and more.

Then Henry places his hand over Hans' and tells him everything will be alright and Hans realizes, maybe for the first time, maybe not, that Henry may feel the same as he.

And that tiny little spark of hope is enough to make him act. He kisses Henry out of sheer terror and desperation and longing.

Audentes Fortuna Iuvat.

Fortune favors the bold.

It's time to be bold.

[dreamescapeswriting]

So Whipped ~ BC

⤜WORD COUNT: 1.2K (Sorry its so short!<3)

⤜PAIRING: Chan x Fem!Reader x the boys? (platonic)

⤜GENRE: fluffy, falling asleep around the boys, the boys wanting to tease you but chan is being a cute protective boyfriend and steps in before they have the chance

⤜Copyright: © DreamEscapesWriting - July 2024

⤜MASTERLIST

The living room of the dorms was bathed in a soft, warm glow from the string lights draped around the windows, casting a cosy ambience over the scattered blankets and empty popcorn bowls. The credits of the final movie rolled silently on the TV screen. Still, the faint hum of the fridge and the occasional car passing by outside were the only sounds filling the quiet room. The boys stretched a little but Felix stayed perfectly still not wanting to move you yet. You were laid nestled on the oversized sectional, your head resting on Felix’s shoulder, your breathing slow and steady. 

"How did she even sleep through your screaming?" Jisung teased as he glanced over at the two of you. You'd fallen asleep somewhere in the middle of the sixth movie the 8 of you decided to watch, exhaustion finally taking over. Felix glanced down at you, a small smile tugging at his lips. Carefully, he adjusted the blanket to cover you a little better, making sure that you were as comfortable as possible before he slid out from under your grasp. 

Across the room, Chan stretched his arms above his head, letting out a yawn as he looked over at you. His perfect little girlfriend was already sound asleep, which meant getting you back to your shared apartment was going to be harder than ever since he wouldn't have the heart to move you.

  “Guess we wore her out,” he chuckled softly, trying not to disturb the serene moment. His eyes softened as he watched you snuggling into the blanket, letting out a soft whine as you realised the one you'd been cuddled up to was gone but it didn't wake you. 

Not that Chan blamed you, the two of you had been up until 4 that morning and then the guys had a full day planned of everything they wanted to do with their time off. Chan counted himself lucky he'd talked them out of dragging all eight of you down to the beach, if you had he couldn't guarantee you would have made it out of the car.

“Not surprising, considering we had a full day before this,” Hyunjin added, his voice a gentle murmur. He stood up from the floor, where he had been lounging and started to gather the empty snack bowls, Minho joining him in the task.

  “Should we wake her up?” Seungmin asked, looking over from where he was tidying up the mess of DVDs and Blu-rays they had pulled out earlier. Chan shook his head at him, there was no need to wake you up when you were sleeping so peacefully,

“Let her sleep,” Chan said quietly, his eyes never leaving your peaceful face, his hand outstretched a little as he ran his thumb along your cheek. 

“She looks so peaceful. Besides, it’s late. We can make her a bed here, she can take my room.” Seungmin nodded in agreement, already stacking pillows and pulling an extra blanket from the closet taking them through to Chan's old room. It wasn't as though the two of you had never shared that bedroom before but it had been a while since the two of you had squeezed into a single bed together. 

Hyunjin and Minho exchanged mischievous glances from the kitchen, the kind that only meant one thing: trouble. Hyunjin crept over to Minho, whispering, 

"What if we put whipped cream on her hand and tickle her nose? Classic prank." He said as he handed Minho the can of whipped cream, a devilish smirk taking over his face as he took the whipped cream into his grasp. 

"Or maybe draw on her face with a marker. Just a little moustache." Minho snickered, as he reached for a pen from the pot on the kitchen counter. 

“Good idea.” Hyunjin laughed from the kitchen making Chan turn around to see what they were talking about together. Minho was standing holding something behind his back with an all too innocent look on his face already letting Chan know he was onto something without even saying a word. 

After years of being the leader of their little group, you'd think the boys would know better than to try and hide something from the one man who knew them better than anyone else.

"What are you two planning?" He walked toward the kitchen door and they shook their heads, only making them seem more suspicious in his eyes. Before they could hide the items Chan darted behind them and took them from their hands, 

"No pranks tonight, guys." He chuckles, putting it all away and the two of them groan at him. 

"Aww, come on, Chan. Just a harmless little joke." Hyunjin pouted at him but Chan shook his head at them, his eyes serious. There was no way he was going to let them disturb you when you were asleep, besides, he didn't want you to wake up and regret spending the night because of some childish antics that they were going to be getting up to. 

"She’s exhausted. Let her sleep." He glanced over his shoulder to make sure you were still curled up in the chair. The others all cleaning up around you. Minho sighed dramatically, a smirk playing on his lips as he took the perfect chance to tease his leader. 

"Protective much? What’s the matter, Chris? Afraid she’ll be mad at you if she wakes up with a moustache?" He wriggles his eyebrows at Chan who merely crosses his arms, an amused yet warning glint in his eyes. As much as he loved playing pranks with the guys this was different, he didn't want anything to happen to you that might put you off coming back to spend time with the guys again,

"Very funny, Minho. But no. Just let her rest." Jisung, overhearing the exchange, couldn't resist chiming in. 

"Someone's whipped." He smirked, joining the others in the kitchen as Chan shot him the same look he'd been giving to Hyunjin and Minho but it only egged the boys on more.

"Yeah, Chan. You're going soft on us." Seungmin said with a giant grin on his face, reaching for the whipped cream Chan rolled his eyes, but it wasn't enough to hide the slight blush creeping up his cheeks at the thought of being whipped for you. 

“I’m not whipped. I just know she needs sleep. Unlike us.” He whines at them, the blush only deepening as the boys continue to snicker and stare over at him,

“Sure, sure. Whatever you say, hyung.” Jeongin smirked, unable to stop the laugh that came out after he spoke.

Felix, who had been watching the whole exchange with quiet amusement, chuckled softly and shook his head at them. Felix knew how deeply in love with you Chan was and how he would never do anything to stop that.

“Leave him alone, guys. He’s just being a good boyfriend.” Chan cast Felix a grateful look, but his friends weren’t done teasing him yet. Hyunjin, with a playful grin, leaned over and whispered loudly, 

“Does that mean we should start calling you ‘whipped cream Chan’?” Only Chan shoved him softly and laughed, walking away as he went back over to check on your sleeping form. His fingers gently run along your skin and smiling to himself. Even with them trying to do stupid pranks on you there was no other place he would rather be than right here with all of you around him. All his favourite people are in one safe spot.

@chiisaiblog @sw33tnight @kaitieskidmore97 @laylasbunbunny @stayconnecteed @saymyspringrain @toplinehyunjin @katnisspeetaprim @acciocriativity @just-aelia @choisoorin @straykids5star @midnightfrog625 @beccaskz @scarletemeterio @halesandy @junhannies @gothic4under4lord @lixie-phoria @soulphoenix1618 @aerastus @jin-from-the-block @lensfilm @elizaschuyler18 @piratequeen-impact @kpopsstuffs @chaeyoungs @delulu18 @xyahrinx @katsukis1wife @anthropologymajorkpopmultistan @blairscott @4-chan-inpadella @niktwazny303 @moonlight-the-writer @armystay89 @hadassahchan @yxngbxkkie